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#your honor they are so important to me
taktitty · 15 days
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Teammates, Friends?
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fatewalker-phoenix · 1 year
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AzemApril Day 2: Eros
What began as a reluctant partnership would come to be bound by flame and sealed in blood, promised to endure across lifetimes and fractured space...a princess and her dark knight.
(Ares belongs to @tiredassmage)
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belovedgrayson · 2 months
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One of the dearest headcanons to me involves 9-year-old Dick getting appendicitis and needing to get his appendix removed urgently, Bruce rushes him to the hospital and is worried sick as they wheel his boy into surgery. Dickie wakes up after surgery loopy and drugged out of his mind, takes one look at Bruce and starts to giggle. Then he points at Bruce's face and begins to (very adorably) say stuff like you're bruceman! and broosh and brucester and Bruce has to try so hard not to smile back because he doesn't want Dick to start laughing hysterically and pop his stitches. So he just places a hand over Dick's and hums placatingly. He may not be smiling but his heart has just grown three sizes.
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pocketwei · 8 months
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Strange as angels dancing in the deepest oceans
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kisasan · 11 months
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grimalkinmessor · 4 months
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Just to put a lot of my posts and beliefs about Light Yagami's character in one post (headcanons not included):
• He does not do anything for purely moral reasons. The reason he started killing criminals was because he was curious, and then afterward his "crusade" was built from panic and spite. He thought using the Death Note was going to kill him, so he decided to take everyone he considered a threat to society down with him—that way he would still be good. He would still be remembered. If he can't live, then criminals don't deserve to either. The weight loss and the insomnia shown in the manga, were more likely results of a fear of dying than moral stress.
• Then Light discovers he won't die. This negates part of the spite, but not the need for a moral justification to keep himself "good". He no longer needs to be a martyr, so instead he's chosen to become a God.
• During this week and half of time, Light goes from being a bored, lonely, listless teenager disgusted with the world because it's not how his father taught him it should be, disgusted because if he can manage perfection why can't the rest of the world—to a boy with a new friend and a new mission that gives him purpose. Something interesting. If the world can't be perfect on its own, he'll have to help it. The world needs his help, making him its "savior".
• In comes L. It is no longer about Kira, no longer about saving the world from itself, even if he might tell himself it is—it's about the game. Kira was a fun pastime, yes, but L has made things so much more interesting. (Light and Ryuk are actually wildly similar in several ways it's just not immediately obvious). This game is more fun, too, because this time he has an opponent—one not so nebulous as "the criminals of the world", who offered no challenge. Light is still justifying his actions through a lens of morality, because he has to, but they're beginning to run rather thin.
• Both the broadcast and the obvious taunts to L through changing Kira's killing methods supports the above. "You're too stupid, L. If you were just a little smarter, we could've had some fun." Drawing L in was to progress their game, not Kira's goals. If Light truly only cared about Kira's vision, Kira's new world, Kira's righteous justice; then he wouldn't have continued to play the game after the broadcast. There was no way for L to find him without Light drawing him in—the Death Note is literally the perfect murder weapon. Light knew this, he just ignored it because he wanted to play.
• In the same vein: Yotsuba Light doesn't know he's playing the game. He's forgotten that there even is a game, and so he sees L as someone who's been duped, who either isn't as intelligent as he's been made out to seem, or someone who's being purposefully cruel just because he can. Either way, to Yotsuba Light, L's threat level has only increased, because Light no longer has any sort of weapon to go against him with. He can't even wield his own innocence against him, because his innocence is not certain. Even to himself. Yotsuba Light knows that he has to play along with L's plays of friendship and morality in order to secure his freedom, but he does not respect L or like him. At least, not until near the end, where they're closing in on Higuchi. Where his freedom seems closer....and yet he sees his own, true innocence as more tenuous than ever. Notably, even when Light feels positively towards L there, he still does not share his suspicions about himself with him. His own life still takes precedence over any sort of justice or morality he might have, because Yotsuba Light is still Light. And Light will always put his own self-interests first.
• After killing L, something interesting happens. Because the game ends, but Kira is still left. And Light was willing to take risks and make wild plans in his game with L, but Kira's goals always, always came after his own life. And when only Kira's goals are left, Light stops taking those big, potentially lethal risks. (i.e. bomb desk trap, killing Raye Penber in person by handing him pages of the Death Note, killing Naomi Misora in person right in front of the police station, writing Higuchi's name while sitting right beside L with the murder weapon literally in his hand, etc. etc.). Winning the game was worth dying for—Kira's ideals are not. Or, to put it even more simply: His pride is worth dying for, but his morals are not. Five years after his victory against L, he's presented with another game, but instead of feeling fearful and excited as he did with L, Light is angry. Arrogant and angry. Because this isn't a game to these opponents, as it was to L—they're playing against each other, and Light is merely a piece in it. This game is not like his game with L; it's more like his "game" with the criminals of the world. One with no true challenge, just another defense of Kira's world—worth winning, but not worth dying for.
• Light's pride is more important to him than anything. He needs to be able to take pride in himself and his actions. Pride comes before everything else, before Kira, before family, before L, even before his own desires and physical health. He does not enjoy killing—he just turned it into something he could be proud of. Into another mastering of craft. Light is not particularly sadistic, he's just spiteful. He'll only take pleasure in someone's suffering if they make someone else suffer first, especially if that someone is him. Attacking his pride would count as making him suffer, because that's the most important thing in the world to him. Even though Light also values his life incredibly highly, attempting to kill him wouldn't invoke as much hell-hot wrath as attempting to humiliate him would. And Light will always get even. Always. He does not forgive and forget.
• He believes every lie he tells himself. Every. Lie. He is a Good Man. He is Good Son. He is a Savior. He is Better. He is NOT Evil, he is Good. He's incredibly adept at not only fooling other people, but fooling himself. Even if he's vaguely aware of the truth, he'll take great pains to make sure that truth never comes to light—because it would crush him.
• Light does not take his own desires into account. If he likes or wants something that contradicts with the perfect image he's crafted, he purges it from his mind. Makes excuses for why he doesn't need it, or even convinces himself very thoroughly that he didn't even want it in the first place. If it's not something he can be proud of (or convince himself to be proud of), he doesn't allow himself to desire it.
• Light sees everyone as beneath him (family notwithstanding, Light loves his family deeply), and while it's a pyramid scale of how far beneath him they are, it's not actually ranked by things like gender, sexuality, race—it's ranked by morality and intelligence. The more intelligent and moral you are, the higher up you are on the scale. Light feeling hostile towards someone does not always mean he sees them as further down beneath him; with L and Misa specifically, it means that they're a threat. Light tends to only see people near the top of the intelligence pyramid as threats; evidenced by him dismissing Matsuda completely even with the knowledge that Matsuda was a marksmen, and yet him immediately setting out to kill Naomi when he found out she figured out one of Kira's secrets. With Takada and Mikami, he treats them exactly the same as each other because they're both on the same level of the scale—and he didn't hesitate to get rid of either of them. (Or try to get rid of, in Mikami's case). Everyone is either a tool, a threat, a criminal, a citizen, or family to him. People to use (tool, criminal), people to serve and/or placate (citizen, family), and people to eliminate (threat, criminal). Everyone falls into at least one of these categories for him.
• Light Yagami is a tragic character. And he's a tragic character because he refuses to believe he's part of a tragedy. He would rather swallow broken glass than be considered a victim of anything.
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iamharryhale · 11 months
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Eddie: You're a dumbass.
Buck:
Eddie: Please, marry me and raise my son.
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gaycrittercentral · 4 months
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HELLO DEAR if you're still taking prompts i would love to see the gremlins and "kisses to shut them up" LMAO..... i imagine they both do this quite a lot they're idiots supréme ahsgskfgh <33
EEEEEE HI MOON sorry for the long wait for this one!! Now that all the holidays and birthdays at my house are pretty much over I finally have time to sketch up some answers for some asks that have been waiting way too long and I’m so happy to get yours out there first!!! :Dc here it is myehehheeeh this was an extremely fitting prompt
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Sam knows exactly what tf he’s doing lmaooooo. Probably it just backfires on Max bc Sam decides to sing something even sappier hhflzjgkhsjdhssbjffhbd
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squiremaximus · 11 months
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YELLOWJACKETS | 2.09 "Storytelling"
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more capril!!!!!!!
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bishopsmacaroni · 8 months
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Kate: You really push all my buttons. Yelena: And I still haven't found mute-
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taktitty · 17 days
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Cat is such a standout character for me
Spoilers below!
Her determination and kindness her intrinsic knowledge that Jean doesn’t need a reason to live right now he just needs a reason not to die. That he needs space to breathe, that the world is so so big it can be overwhelming but let’s start with some of my favorite parts, yeah? Don’t know how to cook? I’ll show you. Scared to try something new? I’ll do it with you.
The scene with her taking Jean out on the bike is by far my favorite and I can’t wait to see their friendship grow.
Catalina Alvarez the woman that you are 💕
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minusboy · 1 month
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everytime someone draws chuuya with freckles an angel gets their wings
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bookishjules · 4 months
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percy and annabeth's silent exchange of is this hermes - yeah that's him - okay let's do this.. before annabeth enters conversation. the way they not only are learning to communicate with each other but also just.. function in tandem, especially in a somewhat threatening situation. annabeth doesn't just march forward into the situation. she turns to percy, answers his question, reassures herself. annabeth may be their mouth piece in that moment, but they are stepping forward as one.
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It actually means so much to me that Stede seems happy to finally settle down. He used to think that he needed action and adventure to escape a monotonous life, yet here he is giving up piracy to become an innkeeper with the love of his life. And so it was never about becoming a pirate, but about being able to choose the life he wanted to live. And turns out he just wants a peaceful life with Ed, and he never needed much more than that.
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marinaiguess · 1 year
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Chapters: 1/1   Words: 3,420 Summary:
Sonic noticed the room turn even darker as the jackal moved further away from him.
But at that moment, when the door swung open, his heart plunged in greater darkness than before.
“Sonic!”
No…Not him.
Pain. The first thing he registered as he came back to his senses. His entire body was aching tremendously as he strived to push himself from the cold hard metallic ground where he had been laying for who knows how long. With a groan, he stood up—
Just to stumble and fall down again with a thud.
“What the—” he quickly whipped his head around yet this simple action reminded him that maybe that wasn’t the best idea at the moment. A wince escaped him. His eyesight was already bad in the darkness he was plunged in, dizziness on top of that would only aggravate the situation.
However, knowing he could not rely on his blurry vision, he used his other senses. He could feel something tugging at his foot. An attempt to kick the air with his right leg only resulted in the echoing sound of metal striking on metal. And a grunt that he had a hard time muffling due to the sudden stab.
“…Chains?” he whispered, ignoring the soreness around his ankle and the effort it took to keep his breath under control, without letting another wince leave his lips.
He blinked rapidly in hopes to make his eyes adjust at the lack of light a bit faster. But it didn’t help. So instead, he chose to close his eyes for just a second, taking in a deep breath before sitting up. Now, he could barely make out the thing that was restraining his foot, silver shining softly thanks to the minimal light that made it into the massive room he was in, from the windows atop of a steel door.
Groaning once more at the thought of himself not being able to run, he looked around in hopes to find a way out. How exactly, he didn’t know, but that was a problem he would deal with later. He searched for the source of light, turning his head around just to find that the only way out was—what seemed like to him—miles away. There was a good chance the door was seal shut and locked but breaking through the windows would be a piece of cake; he just needed a spindash.
Under normal circumstances.
Continue on AO3!
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