#you really see the passage of time in their version of the characters

[tearh0seok]

Do you ever think about the fact that Xiao Zhan’s Wei Wuxian is so melancholic post resurrection compared to other portrayals of him? Cause you see in the manhua and the donghua that Wei Ying is still quite carefree and fun when he’s resurrected, but with The Untamed’s Wei Ying there’s this underlying sense of burden all the time, like he’s been gone thirteen years but it still wasn’t enough time to wipe away all of the guilt and the resentment. Idk if I’m just crazy, but I love that slightly more somber version of Wei Ying, it shows his maturity.

#I am just so in love with angsty Wei Ying #I just love the way the Untamed portray their characters #this is such a weird train of thought but who cares #you really see the passage of time in their version of the characters #mdzs wei wuxian #mo dao su zhi #wei wuxian #wei ying #lan zhan #lan wangji #lan xichen #come back to gusu with me #the untamed #wangxian #yunmeng jiang #gusu lan #jiang cheng

[inaconstantstateofchange]

Who Builds Theseus' Ship?

This ties in to a greater discussion about Larian's changes to the game post-Full Release, and whether you consider those changes to be a good thing or a bad thing. Personally speaking, the quality-of-life and gameplay mechanics improvements were appreciated, while the direct changes to characters and especially characterization were not so much.

In such discussions, I often see people downplaying the actual changes to characterization that have been made thus far as "minor" things, but I often see one of the most glaring examples of a characterization change left out, because so many people aren't even aware of it ever happening:

Halsin.

For those who don't know, if you were romancing Halsin at the time of the original full release, and for almost four months afterward, if you took him with you to Act 3's orgy scene in Sharess's Caress, he would open up about a situation in his distant past. He would tell you about how he had briefly been "something between guest, prisoner, and consort" in a drow House, and been kept there for three years before escaping.

He stated that this was something that happened "a long time ago", when he was "a foolhardy young druid", which would mean it would likely have been between ages 100 and 245 — or at minimum 105 years ago, and at (likely) maximum 250 years ago. He closed the discussion with a line that really struck me, and that gave me such an appreciation for his character, and for the writers who had created it:

The passage of time has a strange way of polishing even the most arduous of memories into precious keepsakes.

As someone in their late-20s, with a number of traumatic events in my past, this resonated so much both with my experience of those events – once harrowing and haunting, now just simple happenings that do not affect me the way they once did – and as an inspirational message, that hurt would not necessarily linger forever.

Not only that, I really valued the insight it gave into Halsin's personality, further showing him to be someone who was deeply complex and meditative, always looking for meaning and something to take away or learn from any experience. It also served to showcase the likely reality of the relationship elves and druids both would have to the concepts of time and memory. (Another example of this is the experience of Shadowheart's father compared to her mother at the hands of the Sharrans.)

I started playing the game almost immediately upon its release in August, and was intrigued by Halsin from the start. He was someone who was kind and heartfelt, but also very settled in himself and with a simultaneously rigid and very flexible moral code. It was that complexity that drew me to him, and I appreciated the inclusion of a character distinct from the Origin companions, all at close to the lowest point of their lives.

It was to my surprise to find that this appreciation for his character and perspective on his Act 3 revelation was not unanimous. As it turned out, there was a vocal group of people claiming that this writing was problematic, and that Halsin clearly didn't even realize he was actually traumatized, and that Larian needed to fix it. Not everyone joining in with this crusade had even played the game.

And, ultimately, in a pattern they have continued to follow, Larian responded. They fixed it. At the end of November, as part of Patch 5, they uploaded an edited version of the scene with new dialogue, where the player could express this "reality" to Halsin, in one of the most gallingly patronizing statements I've ever seen.

Sounds traumatic. You may need to reflect on that.

(If someone said this to me after I had opened up to them about my trauma and my experience of it to them, we would not be maintaining a cordial relationship afterward.)

Halsin's new response to these dialogue options is a cringing, self-deprecating cascade of how the player is of course right, and he should have known better, and time could "prove to be a trickster on one's recollections" and that perhaps he had "lost perspective".

Quite frankly, it is a completely different character answering, and an almost directly opposing overall message about the role of time in healing, and the path forward when it comes to trauma. No more "one day these events will not hurt to recall the way they do now". In its stead: "only healing that looks a specific way and follows a specific path is acceptable - anything else and you are simply a poor fool lying to yourself."

The following quote is from a comment left on a video of Halsin's original dialogue in that scene, before the changes, and is just one example of how much that representation meant to more than just me to see:

That said, Halsin is trauma recovery goals for me absolutely. Being able to remember without actually being triggered? Being able to fully and freely engage HOW ID LIKE TO instead of being fettered by trauma responses? Goals. I don’t know if I’ll ever get there 100%, we don’t get elven lifetimes irl, but his level of healing brings me hope.

Ultimately, this post is not meant to argue that you should agree with me that one is better than the other. More so, I want to highlight that this existed — for many people, this was their experience of events and characters, and that is not so easily redacted. And I also want to just state, for the record, that Larian's way of approaching narrative and characterization changes to their full-release game has been incredibly frustrating. I did not agree, in August, to play an Early Access game with the inherent understanding that any potential narrative aspect might change at any time. I purchased a full-release game, and immersed myself in the story and the characters, to get to know them as the writers had originally presented.

And when Larian makes these changes based on fan feedback, they are explicitly making decisions about which fans matter, and specifically, which fans matter most. Rather than allowing everyone to experience the story they decided to tell, and draw from it what they take away, and let that spark discussion and engagement, they made the decision to defer to some fans over others, and prioritize their experience of the narrative — something that, no matter how well-intended, is always going to leave a bitter taste in my mouth.

#voidling speaks #bg3 #bg3 meta #my meta #it feels insane to have to do archival work for a six month old game #but here we are #halsin #larian #larian critical #baldur's gate 3 #bg3 halsin #meta

[f-t-e]

I started watching SUPERNATURAL in November 2020. I know, I know. My partner and I had been isolating alone since March. The timing felt right. I went though a wild amount of upheaval and trauma over the next year and SPN was there for me through it all. It was THE show at THE time and it kept me afloat when I needed it the most. Since November 2021 I've written just about 110,000 words of SPN fanfic, a number that seems unbelievable to me, and that too has been a real blessing to my creative life, no matter what haters say. (why didn't I write my own novels in that time? Because I have a hobby, Karen, and I love it.) And I've read about 500000x that much fanfic, which has been the biggest blessing of all. (ETA: oh right, if you want to read my fic, you can find my stuff here, I wrote a fic where Dean reads books. Lots of books.)

I know I'm a nobody in this fandom but I thought on this, our #DestielDay, I would submit my own humble rec list. I've curated this very deliberately: every fic here has just about 4000 hits or less (most under 3000) and all were published in 2020 or after. So, sort of a rec list for some lesser known and newer fics, something you maybe haven't stumbled on yet. Especially thank you to @jewishcharliebradbury, her rec lists gave me a place to start back in the day and I have tried to model the depth and quality they brought to their lists. I tried to link to everyone's tumblr, but if I missed one, let me know.

Most of all, thank you to everyone who has EVER created something for this fandom, from 2005 to 2023. I am so thankful and, honestly, honored to be among your number. You're not supposed to be cringe and say a show saved your life...but SUPERNATURAL saved me, it really did. See y'all when the movie/reboot drops, to quote Ryan Gosling in The Notebook: IT WASN'T OVER, IT STILL ISN'T OVER. And I'm glad.

-----

Finale Fix-It & S15 and Beyond

What The Moon Was Saying by Amiril (@runawaymarbles)

This is hands-down one of the coolest “Dean Rescues Cas from the Empty” fics I have ever read and the concept is brilliantly structured to mirror the literal and metaphorical things Dean needs to give up and let go to get free. Every scenario is very satisfying and they make sense, is there any better feeling? Dean is very open in this, but in a believable way that still has edges. And, oh, the reunion is so good. Plus all the family stuff. Just excellent, exactly what you want in a fic like this: lovely, well-written, smart, fulfilling, all the pieces clicking, the show but better.

Awake and Annoying by skycruise

I love the use and passage of time in this one, it has some real impact, and I love the way Dean gets into the Empty (so smart, fits just right) and what I REALLY love in this one is the way it lets Dean be really clear-eyed and honest about his relationship with Sam, both the strengths and the weaknesses. And the last line, very clever and moving inverse of one of fandom’s favorite things. 

Living the life you chose by allthismusic

THEEEEE post finale Sam Winchester-Outsider-POV this fandom needs. Sam is absolutely awesome in this, the most believable, loving, realistic mix of “I knew all along” and “I had no idea” versions of Sam, landing somewhere I think that’s really true and in character. It fills in and develops so many gaps and silences in what the show let Sam know in the absolute best way. Best Brother Sam is a weakness of mine and he really shines here, there for Dean in the best ways but also coming into his own, I love it so very much. (this author also has a very great 2022 Big Bang fic, hugely recommend that one too.)

your ear to the wound that whispers by EmandFandems (@lazarusemma)

Who doesn’t love a HANDPRINT FIC?!? And boy this is such a good one. It follows Dean and his thoughts on the handprint from the first touch all the way to fixing the finale and it simply buzzes with longing and desire, tenderness and rawness. It’s great insight in lot of ways into Dean’s journey. It’s short but fulfilling and oh that very perfect last line. (this author also has a lot of great Jupernatural content.)  

Somewhere Off in the Dark by magickastiel 

Another awesome fic that traces Dean’s shifting/growing feelings for Cas from when he shows up in his hotel rooms to a HEA fix it after canon. Dean, again, is handled so deftly in this one, his confusion and sorrow at all the times Cas is slipping away from him all the way through the things he won’t let himself know. He feels really true in this one, sharp and tender in the best Dean ways. Also it has an agonizingly romantic end, you love to end up there.

Pins and Feathers by theskywasblue (@buttherewasnogod)

This author has so many freaking good SPN fics, omg it was almost impossible to pick just one to include on this list. Go treat yourself with their entire list because there’s so much good stuff there! But this one, oh I am a sucker for a finale fix-it that lets Dean be this tender. While I LOVE fics where he just jumps right into Cas’s arms (and write them lol) I also feel like this is so true to Dean too: that “maybe I misunderstood, maybe I shouldn’t say anything, maybe he doesn’t still –” And on top of all that, it’s a “they go the beach” fic and it gets the details of it so right, sand in your toes and all. Tender, amazing slow-burn, real, hot, full of heart and longing and everything unspoken and just waiting. Very satisfying!

i loved you first by kalmialatifolia

A set of four short fics that create an entire world of feeling and emotion. These feel like little whispered stories told under the covers, very atmospheric. There’s one very sexy one, a haircutting one (so good) and they’re just intimate. All together a great set and did I mention they’re in the “Cas saves himself” genre which is mmmm an underrated treasure.

no other faith is light enough for this place by anonymous 

A fix-it fic that has a particularly unique and beautiful visual of both how and why Cas comes back. The mechanics behind it are fairly standard but the way this author creates the visual of it, the sheer emotion and force behind it and how it happens, it really stood out to me and stuck with me. It’s Dean being brave enough to really feel and the way that just blossoms – lovely, aching, full-tilt wonderful.

 no proof, one touch by TakeThisWaltz (@watchinghimrakeleaves)

One thing I absolutely cannot get enough of is fic where Cas is hiding out from Dean in heaven. It just hits. And the only thing better is Dean chasing him down and the WAY he does it in this fic, methodically and – well the method (sobs) it is so endearing and OBVIOUS and gives Dean a chance to shout in all the best ways. This one is just real sweet and kind of goofy and if they have to be in heaven, I want them to still be these same two dorks.

Stay by redbrickrose

This is a post S15x18 from Cas’s POV and I think it’s very true to where he would be in the moment of getting yanked out of the Empty: resigned, hesitant about what he has in front of him, still a little in shock. And then. And then. Sweet and simple and Dean gets a chance to say, say, say it. This author has a good post series AU and a lovely little spate of S15 codas, all good. And then wrote this in real-time in the week after 15x18 Despair and right before 15x19 Inherit the Earth aired (could you just sob over the possibilities?!) and then hasn’t wrote anything since and that’s a shame but, like, yeah I get it.

like a one-two punch by Muir_Wolf (@muirmarie)

Don’t you love a short fic that feels like it’s a whole novel? This goes AU after 14x20 Moriah but it is a truly delightful twist on how Chuck could’ve reacted there and it makes Dean sharp as a knife, which is one really resonant image woven through this fic. Great imagery here and so many clever solutions for the lazy plotting of S15, including simply one of my all-time favorites in any fic ever solutions to Cas’s deal (genius) and getting rid of Chuck. Brilliant like a puzzle box yet still full of so much fucking joy.

maybe i like pleasure pain by tothewillofthepeople (@kvothes)

The fact that this was written in October 2023 and is so agonizingly good fills my heart with joy and tells me Destiel will never die lol. Cas, in particular, is great in this – he’s having a hard time adjusting to being in a body and with all the fuzz of the world. I love fics where Cas struggles with coming back from the Empty and this uses a really unique approach to it: Cas facing sensory overload and not knowing how to feel but wanting it all. Lovely, hot, Dean is just right in this too.

Earlier Canon (pre S15)

Proverbs 13:12 by starlingcas (@angelcasendgame)

Many might say I am biased because Renu has beta’ed everything I have written in the SPN fandom and they can read my brain and make everything I write better. But it’s not just that. Renu has done something beautiful and delicate in this fic, which is about Dean and Cas getting trapped in a net together (forced proximity trope, yes please) and weaves a web of its own; pulling you in just as they are pulled together. This is set mostly in early S14 (before fixing the finale in the most heart-healing way) and captures that feeling so well. There’s so much that’s unsaid between them yet still conveyed and Renu absolutely nails that, along with the tender longing that was always there. This is a fic to relish.

you may tire of me (as our december sun is setting) by deludedfantasy

You know how the show just sometimes is like “uh so anyway uh then Cas…uh…left.” and it just doesn’t make one lick of sense? FINALLY FINALLY a fic where Dean says “I’ll go with you,” and then goes because he actually would do that. This is a post Tombstone fic so it is exactly where/when he WOULD go and it is tender and hesitant and aching in just all the ways it would be between the two of them at this time. It’s about needing to keep someone in sight, it’s about having another chance to say something so important, it’s slow and soft and just right for the characters in this place. I could read this one about 100 times.

the anatomy of flightless birds by cowlovely (@dollhousemary)

This fic is basically the way you feel when you get all cozy and snug underneath your favorite blanket. This is a domestic-life-in-the Bunker S9 fic where everyone behaves like they are in character and not just like they have to get Cas off screen because the writers panicked. You’ll just want to curl up in this fic and savor it the way you wrap your fingers around a hot beverage on a very cold day, there’s no better way to describe it.

virtue by JenTheSweetie

I think I’ve read this about 100 times and it still gets me everytime? It’s a five things fic about Dean and Cas hooking up and it’s all you’ve ever wished for. This is set in an amorphous S8 and it is not just agonizingly hot but also romantic and very funny. It feels really in character! Sam is hilarious, Dean is clueless but bowled over and letting himself be swept up, Cas is delighting in every second and smarter than he lets on and it ALL feels fated and lovely and sexy and just splendid. (this author only has 3 SPN fics but they are all so good and if you try sometimes, well you just might find is an absolutely brilliant deconstruction of Dean learning the differences between “needing” and “wanting.”)

Romance at the Motel 6 by shelia_amour 

This fic makes me feel like Stefon from SNL. This fic has everything: Cas and Sam pretending to be married, just the right amount of jealous Dean, Dean randomly pretending to be married to Cas, Dean realizing maybe this isn’t so fake after all, motel vibes, Cas in Dean’s clothes, Cas getting bee slippers. If you are not sold on this already, we are very different people. So good, aches just right. (set in a kind of “whenever” of canon, but I like to put it somewhere in S8.)

que sera sera by Purple_Starflower (@hauntedpearl)

The epitome of how fanfic unfolds for us all the things that COULD happen. You can’t PROVE to me Dean and Cas never snuck off to snuggle and feed Dean’s touch-starvation early in S13. I had to check when I finished because I just couldn’t believe this fic was under 4000 words because it feels so full of touch, longing, the things unspoken, and all the ways Dean was reaching, reaching, reaching. The best kind of ache, and everything by this author is lovely. 

the hard edge that you’re settling for by lesspopped (@trekkiedean)

This is some S10 Demon!Dean that made my stomach hurt and my heart ache and I absolutely loved it and I absolutely hated it and it all felt so REAL with who Demon!Dean was and could have been. There’s a TW for mildly dubious consent in this, but to me, Cas was so agonizingly true to who he was/where he was at this point in canon too. This fic is gloriously, claustrophobically intimate. I say unbearable because as a reader you know that this closeness, this intimacy, is what Dean wants/craves/deserves but can only give himself as a demon and the author does an exquisite job at getting all that across. Hurts so good! 

four of swords by sundryvillians (eurythmix) (@perenial)

Can the world ever have enough post 12x12 fic? The answer is, of course, no. Dean and Cas bake bread and in the soft space of creating something with their own hands, get so close to the words Cas said. It’s about healing and anger and making something just because you are so tired of everything breaking. If that alone isn’t enough to convince you, let me also throw in this is another one of those “possible off-screen moments in canon” that gives them something honest and tender and raw and it feels so very possible. 

Fifteen Prayers From the Faithless by koyas_cat

Short, achy, that sweet sting. A set of prayers for Cas from the beginning to the end, full of all the things Dean doesn’t let himself say outloud and just reflecting the changes in their connection over alllll the years. So good.

#spn #spn fanfic #destiel fic #fic recs #destiel day #deancas fic recs #supernatural #destiel #happy anniversary #don't forget you're here forever

[lanitalay]

At sea 

Rhysand x reader

a/n: Hi my loves!!!! I wrote this to break the ice after winter break. It will likely have one or two more parts. Wanted to write some Rhysand fluff after destroying his character in Before I say goodnight lol.

word count: 1k

warnings: none

Summary: reader returns home after months at sea.

Part 2

Salt coated the railings you clung to while walking down the stairs to the main deck. The summer sun had dried up the water that had crashed against the ship all night long. Now small crystals blanket every surface on board. You make it down the wonky steps, map rolled and tucked under your arm. It had been a rough passage last night, the shaking had kept most of the crew on board hugging buckets, unable to control the bile. It was the most dangerous part of the voyage, the captain had to watch out for jagged rocks that were mostly covered by water or mist, towering waves and fog overhead that prevented the guiding stars to be visible. 

It would be a matter of days now. If you squinted you could swear the shoreline of Velaris was on the horizon. This time it had been an entire season. The trek had started the day after the last of the snow melted and you would be back just shy of the summer solstice. You had never been gone this long from your home. The salt air was starting to stink, you yearned for green fields and pine scented breezes. 

You had collected more samples than ever before. The botany in the foreign lands you visited was truly magnificent and different to what you were accustomed to in the Night Court. In your private quarter you had managed to fit around one thousand dried samples of leaves, roots, flowers and a few insects along with some living plants, placed carefully near the port hole and a plethora of seeds. Your favorite treasure was an exceptional plant that you had meticulously looked after because the bright violet color of the flowers reminded you of a pair of matching eyes back home. Rhysand. You tried not to think of him. You really really did. But in the flowers you saw his eyes. In the stars you saw his smile. In dark waters you saw his fury. In the sea shanties you heard his drunken laugh. A sigh escapes your frowning mouth. 

He might have married or mated by the time you return. Not that anything romantic existed outside of your wildest dreams. But he was your friend. You had known him since the head researcher of the priestesses had sent for a field researcher, since she did not feel ready to be outside of the sacred library walls. You had been recruited because your father was a renowned explorer and you had grown up by his side. Every shore in Prythian and the Continent was familiar to your family. Every shore unknown called your name. 

Rhysand was the one who brought you to the library the first time. He had wanted to be present and even gave you a tour himself of the massive sanctuary. Since then, each time you return he flies you to the library and you tell him an abridged version of what you saw on your travels. Sometimes you think that he holds you a little tighter than the last time he saw you and you stop yourself before even thinking that there is a glint in his eyes that indicates something more than polite interest. 

The days pass slowly. Eventually, the familiar cliff sides and hilly landscape come into view. Relief floods your chest. You would be staying a while this time. Cataloging all of the new materials would take at least until the end of summer. Flapping sounds from above and you look up expecting to see the mast ripped but instead a gliding shadow figure high above. An inevitable smile forms on your face. 

It feels like docking the boat took forever. But once all the ropes are tied and the masts lowered, the bridge gets lowered and you all but leap to the wooden platform and to the young High Lord that’s waiting for you. Sprinting you pounce on him, wrapping your arms around his neck and relishing the feeling of being on solid ground. “Welcome home, explorer” his smooth voice soothes your racing heart. Seconds pass before you let go and look at him. He’s beaming, his hair has gotten longer since you’d gone,  his face is clean shaven and he smells of home. You open your mouth to speak but his smile- his smile is making it impossible for you to concentrate on anything other than his mouth. So you stall. Your hands ruffle his hair in the way you knew would annoy him and he laughs. 

“I’m so glad to be back” you finally say. 

Flying to the House of Wind was routine at this point in your career. You would land and immediately go debrief with your head researcher. But today Rhys had asked you if you were hungry. The grumble in your stomach told him you were. So now you were eating a lovely lunch prepared by the house. It felt decadent to eat anything other than fish and potatoes. You moan as you bite and the High Lord in front of you chuckles. 

“What else did you find?” 

“Besides the plants there were incredible creatures there. Some had fur and some had scales. I drew them in my books” you point towards the bag you had brought with you most precious items. He reaches for it and begins to flip through the pages of your findings. 

“This is fascinating” he breathes. 

“What about you? Is there anything new in the Court?” You notice his jaw clench for a fraction of a second.  “Is something wrong?” 

He shakes his head and closes the book “there are whispers of war”. Your blood drains from your face. “What do you mean?” 

His face is now the face of a High Lord, relaying important information to a court member “Hybern has been making some advances, Prythian is too fragmented to stand a chance”. The war that had put the wall between the human realm and the seven courts had ended not one hundred years ago. Villages were still recovering. The Courts were still shifting in new power dynamics. 

“What can I do?” You were no warrior. The amount of times you’d trained with the Inner Circle you could count on one hand and it had always been to appease Cassian. Rhys looks away “nothing, we are trying our best to unify and organize our armies”. Something akin to a thorn nestles itself in your heart “and how are you going to do that?” 

He swallows and looks straight through your eyes “I’m marrying the Princess of Autumn”. 

#acosf #acowar #azriel shadowsinger #acotar fanfiction #acotar #acofas #acomaf #rhysand #lucien vanserra #rhys acotar #rhysand x reader #rhysand x y/n #fluff #light angst #angst #angst with a happy ending

[junos-office-drama]

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Does the fic present a pairing (or relationship) you never considered or never liked before, but now you adore? "This fic has made [pairing] my new favorite ship!" or "I was never really into [relationship] before, but this fic is so well done, I've fallen in love with them!"

A string of heart emojis (or the simple <3 ). As many as you feel appropriate. (One is appropriate. So is one hundred. You decide!) Make a rainbow if you want! ❤️🧡💛💚💙💜

Did the fic make you look at the source material in a new way? Share. "I never noticed [thing] about [source material], but your writing really brought it out!"

Screaming about the pain and agony you're in, especially on whump, hurt/comfort, hurt/no comfort, and similar fics. Some authors are sadists. Let them know you're suffering (in that "oh hell it's so good it hurts" kind of way).

For chapters that end on a cliffhanger: Any screaming about how much the suspense is killing you and you can't wait for the next chapter. (Just remember not to demand the next chapter. "I'm so excited for the next chapter" = good / "You have to update right now or else" = bad.)

Is the fic now part of your official headcanon, right along with the source material? "From now own, this is as official canon to me as the original [book/show/movie]!"

Is the fic's title obvious, or is it a little mysterious? Ask if there's a secret meaning behind the title, or how the author decided on the title.

Ask the author if they have a favorite character, scene, chapter, etc. Depending on the fandom, this can be very specific (favorite weapon, attack, transformation, vehicle, horse, monster, etc.).

Is it smut? Did it make you hot? Trust me, smut authors want to know.

"This [chapter/fic] was so good, I feel like I need a smoke after it."

Is there a mystery that's absolutely boggling your brain? Share your theories! (YES: "Oh, what if Prince Smidgeon is actually killer?"). Just remember to never cross the line into telling the author what to do (NO: "You should make it so Prince Smidgeon is the killer.")

"I wish I could give you a kudos for each word in this [fic/chapter], it's just that good!"

Do you like making art? Ask the author if you can make fanart of their fic!

IF, and ONLY IF, the author has very clearly requested concrit (constructive criticism), then role up your sleeves and get to work putting together truly helpful, supportive criticism. Get started with this guide here.

Do you have other suggestions for this list?

Reblog with your favorite comments to give or receive!

(Tumblr insists on re-starting the list at 1 after the cut and I have no idea how to fix it??? It really is 40, I promise.)

#fanfiction comments #fanfic comments #fanfic #fanfiction #ao3 readers #ao3 writer #ao3 #archive of our own #ao3 comments #fic reading #fanfic readers #commentary

[yurimother]

Kadokawa and Bandai Namco Attempt to Walk Back Lesbian Marriage in Edited 'Gundam: The Witch from Mercury' Interview

In statements made regarding discrepancies in a Gundam Ace magazine interview, Kadokawa and Bandai Namco Filmworks appears to deny the widly accepted interpretation of Mobile Suit Gundam: The Witch from Mercury's finale that female characters Suletta and Miorine are married, saying, "We would like to leave its interpretation up to the perspective of each individual viewer who has seen and enjoyed the story."

On July 30, Bandai Namco Filmworks (previously known as Sunrise) addressed differences between the print and digital versions of an interview with voice actresses Kana Ichinose and Lynn. Ichinose and Lynn voice Sulleta and Miorine, respectively, in The Witch From Mercury, the latest entry in Bandai Namco's long-running Mobile Suit Gundam franchise.

In the interview's print version, which was published in the September issue of the Gundam Ace magazine, Ichinose refers Sulleta and Miorine's union:

I liked the epilogue scene where Miorine rests her head on Suletta's shoulder. After three years, I could feel that they were much closer, and seeing the two of them get married really touched my heart.

However, fans noticed that as of July 28, the digital version was edited to exclude the line about the characters' marriage.

In a statement released on the Witch From Gundam website and Twitter account, Bandai Namco apologized and explained the situation in their statement, saying, "In the article, there was a statement based on the speculation of the Gundam Ace editor, and despite requesting revisions during proofreading, the corrections to the passage were not reflected in the July 26 release."

Kadokawa, which publishes Gundam Ace, released a similar statement that likewise attributed the discrepancy to an editor's speculation, along with management and proofreading errors. Translated copies of both statements are available below.

The relationship between Miorine and Suletta garnered praise for its LGBTQ+ representation. A scene from the first episode where the two become engaged after Suletta wins Miorine's hand in a duel went viral online in 2022. Their relationship became a central part of the narrative, and they remained engaged for the majority of the anime's two-season run, which concluded on July 2.

The anime also gives copious evidence that the two are now married. After a time skip, the two women are seen sitting together while wearing matching wedding rings on their left hands and say, "Let's go home," implying that they live together. Additionally, Eri, Suletta's sister, refers to herself as Miorine's "sister-in-law."

Given this evidence, most took it for granted that Suletta and Miorine were now married, including their voice actors, who spoke about their relationship in the Asticassia Radio Committee program (Majo Raji). They became outraged by the apparent censorship and accused Bandai Namco and Kadokawa of homophobia.

Bandai Namco Filmwork's full statement (translated):

Thank you for your continued support of Mobile Suite Gundam: The Witch From Mercury. Regarding an interview published in the September 2023 issue of Monthly Gundam Ace, some of the descriptions in the paper magazine and digital versions differed, confusing everyone who supported the work. We are genuinely sorry. In the article, there was a statement based on the speculation of the Gundam Ace editor, and despite requesting revisions during proofreading, the corrections to the passage were not reflected in the July 26 release. Regarding the work, we would like to leave its interpretation up to the perspective of each individual viewer who has seen and enjoyed the story. Once again, we would like to sincerely apologize for causing so much trouble and worry to everyone who supports the work. Thank you for your continued support. July 30, 2023 Bandai Namco Filmworks

Kadokawa's full statement (translated):

Regarding the Mobile Suite Gundam: The Witch From Mercury interview published in the September 2023 issue of Monthly Gundam Ace, some of the descriptions differ between the paper magazine and digital version. We sincerely apologize for the inconvenience we caused to everyone. During the proofreading process, there was a statement based on the editor's speculation, and although Bandai Namco Filmworks pointed out the error, the correction was admitted due to a mistake, and it was released on July 26. This incident was caused by management and proofreading errors by the editorial department. After consulting with Bandai Namco Filmworks, which owns the rights, the digital version was edited with the correction it had initially indicated. Once again, we apologize for causing confusion and misunderstanding. We will strive to prevent this from happening again by strengthening the editorial department's confirmation system. July 30, 2023 Kadokawa Corporation Monthly Gundam Ace Editorial Department

Sources:

Gundam Ace September 2023 No. 253 (digital edition)

Gundam Ace September 2023 No. 253 print edition (as captured by Twitter user zeonicscans)

Mobile Suite Gundam: The Witch From Mercury official website

Gundam Ace official Twitter account

#yuri #lgbt #queer #lesbian #Gundam #G_Witch #gay #girls love #news #anime #gl #lgbtq

[sunbloomdew]

i can't stop thinking about the constant mentions of fall and summer in regard to baxter and mc, in the dlc.

i find the emphasis put on the seasons very interesting. unlike other potential love interests - cove and derek - baxter is not from the sunny state of california, but a town in oregon, surrounded by forests and mountains. in fact, baxter is the only character from the cast of olba that is not associated with summer, but with autumn instead, so it makes perfect sense to draw attention to that dissimilarity.

following that fact, just by acknowledging it we can see how different baxter is from other characters from sunset bird at his core. and since most of his time is spent with mc, that means the focus will be drawn to how different are these two specifically.

on a side note, this might be a complete overreach, but i consider it interesting how baxter uses the phrase 'suitor for a season' to describe himself in step 3. the use of the word 'season' in my opinion drives home the idea that their time together will inevitably come to an end, just like summer will end eventually, and there is simply no other outcome for this relationship.

when we consider the seasons theme even more, a thing that stood out to me is that summer and fall aren't opposites, like i'd say summer and winter are. they are next to each other (like california and oregon) and in some ways they intertwine. still they are different enough, to be regarded as separate seasons.

just like baxter and mc, no matter how alike, feel so different from each other, and they are aware of that.

i really love the monologue in the sightseeing moment, that mc has about them and baxter being different in that way.

"More and more, you felt as though Sunset Bird formed a vital part of your emotional core. Happiness to you was the sound of waves on the shore, the feeling of warm sand between your toes. [...] Maybe you'd forever be seeing the world through sea glass. But Baxter was another person entirely. For him, perhaps the world was monochrome, or maybe it was golden, but with color of leaves instead of sand. Talking with him made it impossible to ignore just how different your lives had been up until now. How separate your worlds were. All up until that moment, when he showed up on your street. Now your lives were intertwined, however briefly, the forests and the seafoam commingling. Though you knew his love was in the trees and the fall air, you couldn't help but feel happy that he'd wandered his way down to the shore. To you."

i find it so beautiful. everytime i read it i get a little choked up, you know? in my opinion, the summer/fall parallel is the perfect way to portray their relationship. the brainrot gets so intense every time i remember about this,,,

the same seasons theme returns in step 4 when the two reunite. to be precise, it comes back during mc's internal monologue preceding a confession. i was unable to recall if it appears somewhere else in the dialogue as well, but if you happen to find some more, feel free to reblog with this post!

"He tore himself away from you like an autumn storm bringing down a sapling/He fell away from you as naturally as a leaf fluttered off its branch in the fall. There was no holding on to your suitor for a season. Yet the affection you'd nurtured never died out. It had gone dormant for a long winter, ready to burst back to life if the cold passed. Seasons were meant to come and go, but there was no guarantee summer would come again for you and him."

(i'm pretty sure the dialogue here changes based on how you decided the break up went, cause i found two versions of the same confession monologue. still, both of them have a comparison to autumn!)

seasons can be used in art with a lot of different symbolism and meanings behind them. the cycle of the seasons is usually used to portray the passage of time, how the nature but also people change.

in this part of the monologue we see the usage of changing of the seasons to show how despite the time that passed ('winter'), mc still had feelings for baxter, that were ready to return ('spring'). the words "seasons were meant to come and go" bring our attention to how wrong things were between the two, to have something inevitable like the seasons cycle stop.

each season on its own also has its own meanings, and can be used to enhance certain themes or emotions in the text.

in case of baxter and mc, summer is the season in which they met time and time again. not only did their relationship start during summer but it developed in that season as well. as such, for them summer is inextricably a time of growth for their relationship.

outside of their relationship, individually their characters' are connected to summer and fall respectively. as mc referred to it, their emotional cores were influenced by their hometowns - one a summer tourist spot and the other a picturesque autumn town.

to bring back one more thing from mc's monologue in step 3, they wonder if baxter sees the world in gold, but in the colour of the leaves and not sand. well, i noticed, how when they make up after the wedding, the whole place is bathed in gold. you could view it as the summer gold and autumn gold merging together, as those two finally reconcile. or you could see it as a summer gold, as this season is important for their relationship. i like both options.

aside from that monologue, there are several instances of baxter's appearance being compared to things associated with autumn or nature, like descriptions of his eyes as "brown rich like the earth" (i love this one sm it lives in my head rent free) and "oak brown eyes". i think it's a great characterization to have baxter be a 'woodsy person', despite most of us (me for sure) thinking he would be a 'city boy' kind of character at first glance.

i think the reason there is such strong focus on the fact that mc and baxter embody different seasons, is to make the differences between them even more pronounced. when they ultimately reunite and overcome their struggles to mend their bonds, it's even more impressive to witness.

either way, i cannot stop thinking of summer/fall parallel and how genius i think it is. the vibes! the emotional turmoil!! the art potential!!! it's incredible. especially if you try to implement it more into your mc, which is what i'm trying to do.

i'll leave you with this screenshot, that is kinda making my stomach go funny, because of the whole summer/fall parring thing,, i am so unwell in the best of ways

because like if you think about it way too deeply which i of course had, he's saying that summer/fall combination is beautiful, like he's not saying anything besides that BUT when you remember that mc is summer and baxter is fall, then you know?????

i hope you had fun reading this spontanous post! i've been thinking about the summer/fall thing since my first playthrough, so i'm happy to finally gush about it <3

i should not be here, it's 4am and i'm leaving in three hours,,, my time management skills never fail me. toodle-oo~

#zzzzzzz mimimimimimi zzzzzzzzzz mimimimimi #i've been thinking about it for AGES #anyway idk why i wrote it right now #just kinda felt like it #but yeah summer fall parallels! #there is a song called “changing of the seasons” by two door cinema club that i think about a lot in the context of mc/baxter #i like it but it's a bit too angsty for my mc and baxter.... #it's more a song for people who didn't like baxter that much or want a more painful relationship with him lol #baxter ward #olba baxter #olba #our life beginnings & always #our life beginnings and always #sunbloom talks #gamer hours

[kiragecko]

cherrystainedknuckles

I guess the only problem with being asked to take a “marie kondo approach” is that in order to find any fanfic that appears to be based in actual canon timeline and plot points and characterization (which does exist, and I’m not sure why fanon fans seem insistent that it doesn’t), I literally have to search for hours. I’m not joking, I consistently make fic rec lists, and I have to search for hours and hours for actual canonical basis. same thing with character tags on tumblr.

I’m not saying fanon fans have to stop enjoying fanon or making up their own content. I’m just saying that when the tags used for both fanon tim drake and canon tim drake are the same tag it just becomes incredibly annoying sometimes, and I understand why people who like to engage with canon (me, often) become frustrated

-

I have definitely had periods where I got incredibly frustrated with fanon! Around 2019, I was wondering if I needed to leave the Batfandom, because it had been so long since I read a new fic where the characters felt 'right'.

-

But, if you're willing to, I'd like you to consider what you mean when you divide 'fanon' from 'canon'. Because I struggle to find a hard line between the two, for several reasons:

1. Fandom is transformative. Every fanfic is going to have some interpretation of the source material. The line between what is too much interpretation and what is acceptable is different for every person. For me, I find it can even vary based on writing style or other odd things - lighthearted fic can have more noncanonical stuff in it than heavier fic, and still seem true to canon.

2. 'Canon' is subjective. I do not consider the movies or video games to be 'canon', and it annoys me when things from those creep into the fic I'm reading. (I'm okay with SOME Battinson.) Some aspects of the cartoons are okay. I consider precrisis Jason Todd to be an alternate reality version, but Donna's precrisis origins are more canonical than the dumb retcons. Wayne Family Adventures isn't my main version of the characters, but I'm not bothered if some elements show up in my stories. I'm ignoring most of the nu52, but I like Duke and I'm still watching this new Lian to see what happens. I doubt your divisions are identical to mine.

(Also, some things that I think of as 'fanon' have shown up in nu52 canon! I do not accept them as any more canon because of this.)

3. Most 'fanon' is based on canon. Canon Tim has weird sleep habits. 90s Dick is really lighthearted and joking around some characters in ways similar to fanon. Dick can canonically not be trusted to take care of himself if his mental health gets low enough. Jason likes classical literature. Etc.

These are exaggerated and/or twisted in a lot of fic, but where is the line where they stop being canon? I wouldn't bat an eye at a lot of this stuff, if it didn't show up SO OFTEN.

4. Most 'fanon fans' do know some canon. What line are you going to set where it will be 'enough'. And are they allowed to mention parts of the canon they haven't read yet? Is anyone allowed to talk about Dick's early Robin days, or only the tiny amount of people who have read the golden age stuff? A lot of the 'mistakes' I see are obviously made by people who have read ABOUT canon, but don't know quite how it fits together.

5. 'Canon' is FULL of contradictions. Yes, there are canon events. Yes, there is characterization that is consistent across 3/4s of comics. But. I'm still working on my sidekick timeline. I've devoted days to figuring out ages and passage of time. I've spent over a decade trying to figure out Jason Todd's motivations, and why Tim treats him the way he does. I've read all the 90s and early 2000s CANONICAL character assassination of Jason.

I spent years thinking that Donna's death was almost as foundational as Jason's, only to later discover that I had just happened to read the specific comics that focused on the fallout, and she only stayed dead for a short time. That happens to fans ALL THE TIME! We read a character summarizing an event we haven't directly read, and just accept it as what happened. But characters have biases, and not all writers care about accuracy.

-

I've read some Tim Drakes that I consider to be almost entirely 'fanon'. And quite a few that were so scarily 'canon' that I got chills. (Not all of which were similar to each other.) But the vast, vast majority have fallen somewhere in the middle.

I definitely do not want the responsibility of deciding which ones count as 'canon'! And I think I would strongly dislike anyone who tried to decide for me.

Being frustrated is logical, and I empathize. But the original post was about the impossible expectations some fans feel. The expectation to read thousands of comics, synthesize all the contradictions, and come to conclusions that match the 'true fans'. That's a perfectly reasonable thing to be complaining about.

If that's what some fans are experiencing, of course they're not going to want to engage with canon! There's no way for them to succeed, so why should they even try?

When you join THAT conversation to discuss your frustration about fanon, it strengthens that perception. When you call them 'fanon fans' it emphasizes their belief that you don't think they belong. And rather than trying to change, it's more likely that they'll double down. Canon is full of gatekeepers, so they'll avoid it.

#gatekeeping #fandom policing #fanon #canon vs fanon #usually don't do stuff like this anymore #I'm old and tired #but sometimes the words want to come out

[larkingame]

the absolute beginners guide to twine part i

I've posted this in the tutorial channel in our decoding twine server, but I figured it might be helpful to keep on here. As someone who found learning twine incredibly daunting especially with so many things to read, often using coding language I was expected to already understand, I want make coding in twine alot simpler for beginners.

So, with this, I'm unleashing the absolute, absolute, begginers guide/series of sorts for people looking to pick up twine, but might be intimidated. Here I'm talking about the 'stuff you should already know' 🙄 you see when going into tutorials. I really hope some of this helps, and I'll be happy to answer any questions I can in the future, or at least, send you to someone else who can too.

so, with that being said, here's the absolute beginners guide to twine, part i

So, this is the most basic basic basic stuff you're going to use within sugarcube twine, that I thought would be helpful for those of us who are just learning, there are plenty of more in depth guides out there, but I wanted to keep this as simplistic as possible in a sort of explain-to-me-like-i'm-five style.

Once you've gotten twine installed and switched your format over to sugarcube -> (This is done by opening up a new project, clicking in the bottom left of your screen with your game's title, and clicking on the 'Change Story Format' Option and switching over to the latest version of Sugarcube (sugarcube2.36.1))

PASSAGES These are what hold the content of your story! They hold your main body of text and LINKS which what connect passages in your story. Think of passages as pages in your choose your own adventure novel, and links are the choices that tell you (or the program) which page to flip to. Passages have TITLES and BODIES Your Title, is you guessed it, what your passage is called. This will not show up in game, but I'd recommend naming your passages something bland incase code-divers hop in and look at your code lest they find something embarrassing in your titles. Your body, is what is in the actual passage itself, this is what shows up in game and contains links.

LINKS links are what tie ALL of twine together across the formats, and in sugarcube you can style them a series of ways, connecting one passage to the next. The easiest way to include a link looks like this: [[LINK]] This is a link that will appear as the word 'link' in-game, and will take you to the next passage entitled LINK. For this route, it's necessary to wrap your link in two sets of brackets OR [[]] These, which will actually make it function as a link. [[NEXT | LINK]] This is another approach you could take, where players will click on a link that says "NEXT" in game, but will take the player to a passage called LINK. For beginners think, left is what will appear to the player and right is the title of the passage just for you the developer.

USING VARIABLES - variables are an incredibly useful tool that can be used to keep track of things throughout your game, whether that be your character's name, whether or not the player's visited a passage, the response to a question or numerical stats.

For our purposes there are three types of variables, Boolean (true/false), Numerical, and String Variables.

The two macros that will be useful in reference to variables are: <<set>> and <<if>>

First things first, when you have your list of variables ready, you're going to want to define them first in the StoryInit Passage. This is the first passage that will run in your game, you won't see it when the game is played BUT it does get run in the background behind everything else. By setting your variables ahead of time and modifying them later it allows for a smoother run through of the game that eliminates problems further down the line. You can of course, define your variables as your game progresses in individual passages BUT you might run into trouble later down the line.

So, let's set up your variables in a mock StoryInit Passage here: :: StoryInit <<set $characterfriendship to 0>> <<set $yesornoanswer to false>> <<set $eyecolor to "null">>

SO, what this does is it sets a variable called $characterfriendship to 0 using the <<set>> macro. What this does is set my friendship points with said character to ) that can progressively grow throughout the game.

VARIABLES whatever you call them ALWAYS have to be proceeded by a dollar sign ($) for them to function in game, and you can format the <<set>> macro a number of ways. For example: <<set $characterfriendship to 0>> <<set $characterfriendship = 0>>

Both will function the same and make it so that variable will equal 0.

Now moving on, if we want to alter those numerical values further down the line in a passage we can do so in a number of ways, whether that be adding, subtracting, dividing or multiplying. For example if I want to ADD 1 point to my friendship my code would look like this. <<set $characterfriendship += 1>> OR IF WE'RE JUST ADDING ONE you could simply do this: <<set $characterfriendship ++>>

To subtract you'd do: <<set $characterfriendship -= 1>> To multiply you'd do: <<set $characterfriendship *= 1> To divide you'd do: <<set $characterfriendship /= 1> This of course can be altered to any number, just by changing that 1 to the number you'd like.

BOOLEAN VARIABLES are useful when an option has two outcomes, helpful for things like yes or no questions or passage visits. Setting those variables looks something like this:

<<set $yesornoanswer to false>> <<set $yesornoanswer to true>>

when setting the variable it is NOT necessary to add quotations around the words true or false, this will mess up your work down the line if you don't continuously use those quotes again.

STRING VARIABLES These are helpful for options with more complex outcomes, things like multiple options, names, or character customization.

<<set $eyecolor to "null">>

So far in StoryInit I've only set it to null because I haven't set it yet in-game, and by setting it to "null" it just gives me an option that isn't really an option.

SETTING VARIABLES WITH LINKS SO, moving forward, no that I have defined my variables in StoryInit, I want to change them when I'm in game.

You could do this of course, by setting them at the top of your passage in game. So looking something like this:

::passagethree <<set $eyecolor to "brown">> Her eyes were brown. Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur.

But another sometimes more effective way to set them with actual links! You can go about that a couple of ways.

One is with the brackets method and it'll look something like this.

[[BLUE | LINK][$eyecolor to "blue"]]

Using this method, it's important NOT to include the word set, simply skipping ahead to your variable the to and what you're defining it as.

The other method is through the <> method. This is simply another way to style your links. I like the brackets method, but it's all up to you.

<<link 'blue' 'passage-four'>><<set $eyecolor to "blue">><</link>>

The first quotation (blue) is what the player will see as the link in the passage, and the second quotation (passage-four) is what the associated passage is called. You can set the $variable within those <<link>>

#interactive fiction #twine #sugarcube twine #if #coding #tutorial

[mmoodd-jobutupaki]

*takes a deep breath* AHHHHHDKAJFKSJA

I JUST WATCHED BOY AND THE HERON AND I LOVE IT SM AND IT'S SO GOOD.

So obvs, it's studio ghibli, it's gna be some of the prettiest stuff you've ever seen. So many scenery frames made me think "I'm gna scour the internet for them and repaint them as art practice. It resembles smudgy oil paintings rather than studio ghibli's gouache style (see spirited away, Totoro) but it's honestly beautiful nonetheless, and seeing it on the big screen made me feel like I was in the movie. There's even a stone passage that looks like the one from Coraline. The animation works so smoothly to make the film an overall wonderful immersive experience.

The character design was so good. You have your classic ghibli, countryside, apron wearing girl. Your boy with spiky hair. And probably the best addition of a butch seafarer, Kiriko, dubbed by Florence Pugh (oh my goodness I am too gay for this). The grannies were so inexplicably lovely and visually distinct I just want a hug from them. The wizard (Mark Hamill having this otherworldly yet grounded design and amazing hair. The heron was oddly grotesque without being scary (this is such a gift only japanese have.) and his various designs fluctuate along with the story. I was surprisingly intrigued by the fact that even in crane form, he had human teeth. And ofc THE WARAWARA.

GOSH THEY ARE ADORABLE I LOVE THESE DAMN TAPIOCA PEARL LOOKING THINGS THEY HAD ME SQUEALING IN THE THEATRE EITH HOW CUTE THEY ARE.

The score is beautiful and I dare say that it's on par, maybe even better than the Spiderverse score (and that's REALLY HIGH praise coming from me, I love the Spiderverse score to the point where it's on my Spotify wrapped.) I loved how the use of motifs, especially in relation to magic in the film. And definitely need to go give it more listens. 11/10 would recommend listening to it even outside of the film, it's just that great, give it a Grammy or smth.

Humor in this film is hilarious without being corny. It's very on the nose, what's currently happening in the scene humor. Characters (won't say who) also have amazing dynamics that supply a lot of humor for the film. Obviously we have that last snippet from the trailer and I'll give you this out of context "Mahito's turned into a parakeet"

The story is very easy to follow. The first half of the story is very grounded. And even in the second fantastical half, the visuals and little sprinkles of just the right amount of information help to guide us through the amazing fantastical world. Nothing ever feels too spoonfed to the audience or too overwhelming.

Spoilers below the cut

Character was great too. The main cast each have a very touching emotional aspect and nothing is what it seems, not from the trailers and not even within the show. Characters go on journeys you never could've expected from the beginning of the show. Such as the heron, who I genuinely thought from trailers was gna be the bad guy but turned into a genuine, squat goblin companion. And the parakeet king goddamn I thought he was gna be a good guy with his "we must protect this world" gig, not some giant cannibalistic parakeet with a surprising penchant for sneaking. Anyway, I especially loved how we meet characters almost multiple times with how we're introduced to different versions of them. Kiriko>>>

The moral of this story had me confused ngl, but I'm fcking dumb and need to go read some analysis so ignore this. The main message I got was that "Life is shit. But it's worth living and I can make it better for myself. Through friends, I don't have to be alone through it all" which made me tear up ngl since I've been struggling with life this year and seeing how our boy Mahito went from being a closed off lil squat to that *cries*. Personally I interpreted the great granduncle and his blocks as seeing what's wrong with the system the older generation has built, and demanding more from it/straight up turning away from it. Also Mahito learning to let go of his mom. The pelicans wanting the best for their children and not always liking what they have to do for survival as a link to war soldiers @hamable . I also read from @simplysparrow14 and @rockpaperimpala the film is also Miyazaki coming to the realisation that 'studio ghibli will be his legacy and it will be put to rest, it won't be the same if continued without him and that's okay' and ow I just got hit in the feels.

To summarize the boy and the heron excelled, slaps, is show stopping, brilliant, awesome, a true work of art and soul and 11000/10 go watch it ON THE BIG SCREEN I am not joking.

#ahh i just saw it #it's so good #*cries* #110000/10I love this film #go watch it #amazing showstopping brilliant talented #soulful #the boy and the heron #studio ghibli #hayao miyazaki #art #also it's like 2am here I stayed up writing this

[evelili]

I just finished your Magnum Opus, and it was super great. I especially loved the Pinkie chapter (which surprised me because she’s my least favorite character!). Anyway, do you have any mlp fic recommendations?

oh boy do i have a list for you, strap in!

if you read my magnum opus writeup, you may have seen i mentioned three authors that dragged me back into mlp. if you're interested in sciset (and what's probably the most popular eqg fic on the entire site), Long Road to Friendship by Albi is a longfic that started after the first eqg movie and is a rlly lighthearted read. i don't normally care for OCs but gosh if i dont accept Albi's version of trixie's parents as canon in my heart haha. if you're interested in pony adventure fic, i also rlly liked Sunset of Time, another rlly well done longfic ive carried in my brain since i first read it xd

the second author, Monochromatic, aka the raritwi authority aka someone who has a GREAT taste in editors, has written three of the most formative longfic ive ever read: The Enchanted Library, its sequel The Enchanted Kingdom, and Crimson Lips which i unfortunately can no longer link since she's taken it down, but i believe you can still buy physically through PFP if you wanted to take a gamble on it (it would be a very good gamble). apart from her longfic though i also adore some of her shorter works, including but not limited to The Choices We Make, a really interesting Pinkie study that's definitely shaped how i view her, Your Own Worst Enemy, which is just. peak rarity content, and Injuring Eternity, which while being one of her older works still has certain passages that wreck me emotionally on sight.

and the third author responsible for my magnum opus is the one and only Aragon, who i can not only recommend for his fics but ALSO for his blog posts and comics (see the comic index on his profile for links to all of them, as well as this amazing blogpost about his neighbour that is just peak comedy). he's also the writer responsible for the banger longfic Crime and Funishment which absolutely defined my writing aspirations for a few years and is the definition of comedy if you looked it up in my heart, as well as In Hindsight, yet another banger rarity fic, and Love Is In Doom which is just bloody, silly, stupid fun (and has sunset shimmer in it)

and then if we want to talk fics i love written by other authors, Sleepless Knights by r5h has my favourite brand of scitwi written right into the margins, Administrative Angel by horizon has one of the most amazing endings to an opening chapter ive ever read AND an amazing celestia, The Best Night Ever by Capn_Chryssalid is a fandom classic with a groundhog day twist on the gala episode from s1, Side by Side by Krickis is a feel-good rarijack oneshot w a focus on lgbt (specifically trans) themes, Wax Earplugs by Reedhoarse has a dysfunctional mess of an adagio dazzle that i adore, Merge Request by FanOfMostEverything has all the scitwi/midnight shenanigans you could ask for wrapped up in the relatable content of github hell, Guppy Love by PaulAsaran is a rarijack longfic with an incredibly realistic setting and an interpretation of mermaids that i love so much, Doused Flame by heartlessons has me handshaking on the "sopping wet pathetic relatable guy" flash sentry interpretation that won me over recently, 80 Days 'Til the World's Farthest Shore by Cynewulf feels like reading a professionally published short story (and i mean that in the best of ways, it's enthralling), and finally if you'll allow me to be self-centred a bit i also am very proud of my two oneshots Heartstrings and Something About Midnights if you wanted to check em out too xd

oops long post!! im not sorry for it, i hope you can find something in here that catches your fancy (or even all of it haha), there's soooo many incredible fics in the fandom it floors me every day that i can read all these incredible works for free!!!

#lili talking #mlp fanfic #i wish i had the energy to do proper reviews / recs but #most of what goes on in my brain after reading a great fic is a lot of screaming and biting at my cage and then becoming changed forever #average reading experience yknow

[casurlaub]

Things fanon and I don't agree on #1

Fanon: Huge fight after "The Prank", Remus hates Sirius, doesn't talk to him for months, James adrift, dynamics of the whole Marauders destroyed, friendship possibly ruined forever until Sirius suddenly realizes what he's done and/or Remus takes pity on him after ages of him applogizing

Canon: No hint in that direction whatsoever. The opposite, more like

Please go for your "big fight after 'the prank'"-fanfictions, I love a good deal of them. But it's not canon.

There was no big fight and Sirius did not realize the wrong of his actions, at least not until after PoA

Hear me out:

Remus wasn't all that sensible a teenager as fanon makes him out to be

In PoA he says: 

"Soon we were leaving the Shrieking Shack and roaming the school grounds and the village by night. Sirius and James transformed into such large animals, they were able to keep a werewolf in check. I doubt whether any Hogwarts students ever found out more about the Hogwarts grounds and Hogsmeade than we did…[...]"

[...]

“That was still really dangerous! Running around in the dark with a werewolf! What if you’d given the others the slip and bitten somebody?”  [Hermione]

"A thought that still haunts me”, said Lupin heavily. “And there were near misses, many of them. We laughed about them afterwards. We were young, thoughtless - carried away with our own cleverness."

So even if adult Remus is all reasonable, teenage Remus obviously had no qualms roaming around a freaking village as a werewolf? (And is adult Remus really that sensible? Let's not forget he did neither tell Dumbledore about an alleged mass-murderer being an animagus, nor the secret passages that led into the castle, even AFTER said mass murderer had already broken into Harry’s dormitory, supposedly with the plan to kill him.)

No, Remus basically admits he wasn’t all that bothered that he, a werewolf, almost gave the others the slip (As an adult, yes "A thought that still haunts me", but not as a teenager). And I think it’s sort of 'understandable‘ if we remind ourselves that Remus says he was  more human-like with them ("Under their influence, I became less dangerous. My body was still wolfish, but my mind seemed to become less so while I was with them."), plus that a werewolf isn’t a threat to animals ("A werewolf is only a danger to people.") They became reckless because Remus was no danger when with them.

What I take from this is: Remus was running around Hogsmeade, where people lived ("roaming the school grounds and the village by night") as a werewolf. Even though he almost slipped away more than once ("And there were near misses, many of them."). And Remus was - as I said - okay with it ("We laughed about them afterwards."), calls himself "thoughtless". 

So I think our view of Remus (whom I love by the way if that wasn't clear already, I LOVE flawed characters, don't take them away from me!) is a little contorted because we only know him as an adult (and even then he isn't always that reasonable as we make him out to be).

 

2. With that 'version' of Remus in mind him dismissing the prank is not that big a stretch

Remus might as well have gotten away from his friends and bitten/hurt another person. And if Remus was at the very least sort of okay with roaming Hogsmeade, I can see why the whole 'trick' was not that big a deal to Sirius. Because if Remus, who ought to know the risks best, whose life was at stake every time they left the Shack, didn't seem to think any of it, was acting that reckless, how was Sirius supposed to think it through, assess the possible dangers? (Don't get me wrong, I'm not making excuses for Sirius - he should have thought it through. I'm just trying to trace a poasible reasoning here)

3. Even if Remus was angry with Sirius after the prank, there was no big argument about it.

Adult Remus still speaks incredibly indulgently about the whole thing in PoA ("He has his reasons… you see, Sirius here played a trick on him which nearly killed him, a trick which involved me-” [...] Sirius thought it would be - er - amusing, to tell Snape [...]").

This, I think, is a pattern, because he continues to do so in OotP, when Harry confronts him and Sirius after having seen Snape's worst memory (""Look, Harry, what you’ve got to understand is that your father and Sirius were the best in the school at whatever they did - everyone thought they were the height of cool - if they sometimes got a bit carried away-""). He's obviously quick to find excuses for his friends -even if he doesn't agree with their behavior (he doesn't agree with what they did in Snape's worst memory).  

Of course you could argue that  twenty years had passed between the prank and Remus's statements in PoA and that Remus has had time to get over it. But for me it doesn't add up, because of Sirius's response in PoA:

“"It served him right”. he sneered. “Sneaking around, trying to find, what we were up to… hoping he could get us expelled…” 

So Sirius says that "It served him right“. Now, I fully agree that Sirius doesn't give a fuck about Snape's emotions or even his life (which is also true the other way round), but I just can’t picture him acting like that if said 'trick' had caused a huge fight between him and Remus. 

Say fanon got it 'right':

After the prank Remus is furious with Sirius, so furious that he doesn’t talk to him. For months even. It’s unsure whether they'll be able to go back to being friends. Now, Sirius might not be the most observant person (debatable, but not the point here), but even he would have picked up on the fact that this was a really big deal for Remus if they had had such a huge fight, if he had almost lost his friend over this. And in that scenario I just can not see him dismiss the whole thing with a throwaway comment like that - even after twelve years of Azkaban fucking with his head. Not if that whole incident was such a big deal as people seem to think, not if it put a serious strain on their relationship. It'd be like deliberately twisting the knife, it'd be a testimony of him not giving a fuck about Remus's feelings on the matter, it'd be like screaming "fuck you" at Remus. I'm sorry, but I don't see that. He wouldn't say that if the prank had almost destroyed their friendship. Because there's no doubt Remus was important to him, he never intentionally wanted to hurt him. And Sirius might be reckless, but he's not stupid. He's described as very bright more than once. He's not stupid enough not to realize what his statement would do to Remus had there been a fight.

So here's what happened in my opinion (Of course my opinion isn't inherently 'right' and I'm not some kind of Harry Potter expert, so feel free ro disagree with me - but that goes without saying):

Snape is following them for ages, trying to uncover Remus's secret. We know from Snape's memory in "The Prince's Tale"  that James/Sirius and Snape have been 'enemies' since the very first Hogwarts train ride (were the nickname was born). For all we know Remus never engaged in the bullying (even though he did nothing to stop it, either). Apart from the disgusting incident in Snape's worst memory (we don't have to talk about it, they were far out of line), it sounds to me like Snape and James were evenly matched. ("“Well”, said Lupin slowly, “Snape was a special case. I mean, he never lost an opportunity to curse James so you couldn’t really expect James to take that lying down, could you?”")

Sirius stumbles into Snape, who has been snooping around again: Scenario A: He actually wants to hurt/kill Snape in a spur-of-the-moment thing, because he 'deserves it'. He just snaps. (He comes from a family who loves Dark Magic after all, I can see him having a 'dark side' that he usually has under control ("We've all got both light and dark inside us"). Ironically, I think that Sirius's drive to be 'good' is his biggest weakness, because it leads him to stupid decisions).  

Scenario B: He only wants to scare Snape. He doesn't think (because he's Sirius Black - there are multiple occasions where he doesn't think things through). To him Remus is not dangerous. Yes, he has seen the wounds Remus has inflicted on himself. But Sirius has never experienced Remus as a threat to others. He isn't to them, they are having a great time every full moon ("And they didn’t desert me at all. Instead they did something for me that would make my transformations not only bearable, but the best times of my life. They became Animagi.”). He didn't think it possible that something bad could actually happen to Snape, because he doesn't see Remus that way. As a danger. (Cleary, he didn't think)

Maybe Remus is angry about the prank, maybe he isn't. Either way he doesn't start an argument. Maybe he genuinely doesn't care much. Maybe he realizes how dangerous the whole thing had been (he certainly has as an adult), but doesn't bring it up nonetheless. Maybe because he blames himself (because, how are his friends supposed to see the danger, when he himself, a werewolf, runs around the village with them). Maybe he is afraid of losing his friends if he speaks up (we know he is incredibly grateful to have them in the first place). Maybe he finds other excuses for Sirius's behavior (he didn't mean it / he never thinks so it wasn't personal / nothing happened / he is stressed out because he has to go back home soon (although we don't know whether that's the case, he might as well already have lived with the Potters at that point). I, personally, can totally see Remus make excuses for him, we know he also did it with the Snape-bullying. 

At some point Remus realizes how dangerous it all was. Maybe still as a teenager, maybe as an adult. He hates himself for letting any of that happen. 

Sirius obviously doesn't realize any of that or he wouldn't say what he said in PoA. 

Then, and this is just my personal theory: 

I think that at some point between the end of PoA and OotP where Harry discusses Snape's worst memory with Remus and Sirius they talked about it. 

There seems to have been some introspection on Sirius's part and I don't particularly see him having that reached on his own. And the way they are interacting with each other hints to me that they had a chat. 

So, Harry retells Snape's memory, says James only started to torment Snape because Sirius was bored  and then:  

"“I’m not proud of it”, said Sirius quickly.

Lupin looked sideways at Sirius, then said, “Look, Harry, what you’ve got to understand is that your father and Sirius were the best in the school at whatever they did - everyone thought they were the height of cool - if they sometimes got a bit carried away-”

“If we were sometimes arrogant little berks, you mean”, said Sirius. 

Lupin smiled.

[...]

“Of course he was a bit of an idiot”, said Sirius bracingly, “we were all idiots! Well - Moony not so much”, he said fairly, looking at Remus." 

As I said, that's just my personal opinion, but to me it sounds as though -maybe- they talked about their past in the meanwhile. I mean . Sirius is sent to stay with Remus after GoF ("lie low at Lupin's") and then in OotP Remus is staying with him at Grimmauldplace. They surely have some time to talk about things. And if the whole prank/running around Hosgmeade thing is bothering Remus as an adult (and he just let it slip in PoA because it wasn't the place and time to address it in the Shack with Sirius trying to murder Peter), I can totally see them having that talk. Because as an adult, Remus doesn't seem to have that much of a problem to stand up to Sirius anymore ("Sirius, sit down!")

Do I think this course of events is 'right' or makes perfect sense? No. I think it would make more sense for Remus to be angry about the whole thing, even back then, as a teenager. But I don't see Remus roaming Hogsmeade either and he obviously did that. So, as I said before, please go for your "big fight after the prank"-fanfictions, I love a good deal of them. There's so much potential in the "big fight-thing.

And of course we don't have to stick to everything Rowling wrote (and sometimes definitely shouldn't!). But...

What bothers me is I rarely ever see a different approach.

#wolfstar #marauders #hogwarts era #the prank #remus lupin #sirius black #remus x sirius #james potter #peter pettigrew #dead gay wizards #marauders canon

[sinni-ok-sessi]

Would love to hear any thoughts on the codification of the poet-persona over time? 👀

Ok so in the spirit of the ask game, I am not checking any citations on this whatsoever, but if you want those lmk (though they uh. largely do not exist for rímur-poets specifically, because only me and Hans Kuhn have ever cared).

This is going to require some context because, as established, the number of living people who know and care about medieval rímur can be counted on my two hands. Probably without thumbs. So, rímur are a poetic form that developed in 14th cen Iceland, which look kind of ballad-y, in that they often use four-line stanzas with ABAB end-rhyme, though actually the ballad tradition in Iceland is quite distinct (on which, see Vésteinn Ólason, The Ballads of Iceland). End-rhyme was very exciting for Icelandic poets because it was only previously a thing in some uncommon types of skaldic metres, but rímur (as their name suggests) have end-rhyme as a defining feature and rapidly become The dominant form of poetry in Iceland until well into the 19th cen.

There are two very distinctive things about rímur, other than their metres: 1) they almost never tell 'new' stories; almost all rímur narratives are attested earlier in other forms, usually in prose, which can sometimes lead to the fun cycle of saga -> rímur cycle -> old saga is lost, new version is written based on the rímur -> more rímur are written based on the new saga -> repeat until the heat death of the universe; 2) as the form develops, it acquires introductory stanzas known as mansöngvar, a term which elsewhere usually means 'love poetry', although that's not really what they're doing here.

Mansöngvar are verses, sometimes in a different metre to the rest of the canto they're attached to, in which the poet speaks directly to the audience. In the medieval period, they're pretty short and often don't say more than 'look, I made you some poetry', but as time goes on, they get more and more elaborate, and the character of the poet begins to develop some quite distinctive traits. What's interesting here is that rímur were (certainly in the medieval period; less certainly later on) performed aloud, presumably by the poet, so there's definitely some questions to be asked about how accurate the poets' self-descriptions are when presumably the audience could go 'you're not pining away for love, Jón Jónsson, I've met your wife!'

So anyway, these mansöngvar are often linked to the medieval German Minnesänger tradition (er. The actual German word might be slightly different because I still don't speak German despite my PhD supervisor's pointed remarks), which is more overtly love poetry and which sometimes features the poet as an abject and despised lover of some cruel lady. This is something rímur-poets from the later medieval period and onwards have an incredibly good time with. You may be familiar with the story of Þórr wrestling with Elli, the personification of old age in the form of an old woman. There are at least two medieval rímur poets who have a whole extended passage about 'oh alas, when I was young I was a terrible flirt but now I'm old and no women like me, except oh no, I am being courted by this ugly old giant lady; Elli is the only ladyfriend for me now, wah'. it's very playful, it's very fun, it's drawing on this general sense that the poets put forward that they're poetically gifted, but romantically unlucky, which is kind of a Thing for poets across a lot of European literature (and probably more broadly, but I don't know much about that), and is especially pronounced in the earlier Icelandic sagas about poets, which usually feature poets failing to win the love of their life for various reasons (sudden attack of Christianity; sudden attack of magic seals; sudden attack of Other Guy With Sword; etc). So in evoking this, rímur-poets are situating themselves in this existing Image of the Ideal Poet, but doing so in a way that ties them into the specifics of the Norse literary/mythological tradition as well. Poets are also frequently old and tired (same, bro), and a statistically improbably number of them are also blind (although that might just be two guys we know about who were really prolific; most rímur are anonymous so it's hard to say. But it is perhaps convenient that this also links them to A Great Poet of Old, namely Homer).

The other thing that rímur-poets really like to bring up in their mansöngvar is the myth of the mead of poetry, which I will not recount here except to say that Óðinn nicked it from a giant, and also that some dwarves used it to buy safe passage off a skerry once, so it's poetically termed 'ship of the dwarves' because it's the thing that brought them safely across the sea. Every single medieval mansöngur, if one exists at all, refers to this myth in some way, even if it's just by having the 'I made you some poetry' bit use a kenning for 'poetry' that references the myth.* And poets have a lot of fun with this too! Iceland's a coastal community, they know about boats, so you get these extended metaphors about poets trying to board a boat to sample the mead of poetry and finding only the dregs because other, better poets got there first. Or they will describe the process of poetic composition in terms of ship-building: 'Here I nail together Suðri's [a dwarf name] boat'; 'Norðri's ship sets out from the harbour [= I'm about to start reciting the main bit now]'; 'the fine vessel has now been wrecked on the rocks [=I'm going to stop reciting now]'. They'll also speak of poetry as smíð, which means a work of craftsmanship, usually physical craftsmanship (obviously cognate with smithing in English), and of brewing the ale of Óðinn, so they're really into metaphors of physical craft when it comes to the intellectual craft of poetry, which I think is really neat.

*kennings = poetic circumlocutions, e.g. 'snake of the belt' is a sword because swords are vaguely snake-shaped and hang from a belt. Common poetry kennings are '[drink/liquid/ale/wine/mead] of [any of Óðinn's literally dozens of names]' e.g. 'Berlingr's wine', and the aforementioned 'ship of the dwarves' - poetic Icelandic has literally dozens of words for different kinds of ships and also literally dozens of dwarf names, so you can get a long way without repeating yourself.

So all these things that I've mentioned that poets like to bring up - old age, unluckiness in love, poets as craftsmen - become more and more tropified as time goes on, which in turn leads to these imaginative and extended reworkings of the metaphor. No longer can you just say 'I'm old and no one fancies me', no, it's 'My only assignations now are with Elli, wink wink, here's a long description of our date'. So you end up with this very codified image of The Ideal Rímur-Poet as an old man,* ideally blind, ideally unmarried, incredibly self-deprecating about his poetry, and because that's how everyone else talks, it's self-reinforcing.

*there is one (1) known female rímur-poet from the medieval period, the poet of Landrés rímur, who unfortunately didn't write many mansöngur stanzas but is doing her best with the 'unlucky in love' bit, although her lover (male) seems to have died rather than ditched her, which is a novelty.

Anyway, it's cool and weird and fun and as I say, only me and Hans Kuhn care, academically speaking.

#lol 1260 words here. which is. maybe 10 minutes of actual speaking time but OH WELL #asks I have answered #if there are bits that I haven't explained well lmk. I have a warped idea of how much the average person knows about Norse literary history #because I *am* on my Stan Rogers Wife Guy kick at the moment please imagine Jón Jónsson holding a guitar #also. lol. I am extremely fucking doxxable every time I talk about rímur so if you do know my full legal name. keep that shit to yourself. #but also. go read my phd thesis. if you like the shit jokes in this post you'll love 70k of them concealed in academese

[starsurface]

Your writings are very good, they make me happy! Would it be possible to write Shang Tsung from the 3d era taking care of an age regressed reader that uses diapers?

Awh, thank you!!! I'm so glad that they make you happy!! <3

I will admit, i know incredibly little about this character!!!! :D (I tried to do research, but do call me our or dm if I wrote some things wrong, I can totally redo or make a pt 2 or something!!)

Like, . . . I know he’s evil. And has an island. And works for Shao Kahn. And is one of the more first big boss fights?? And that 3d is like, Deception, and Armageddon, and Shaolin Monks (the cutscenes only version of that game is so funny, the storyline is so fast).

And not even zesty evil!!! But like, actually evil. :(

Small Warning (?): It just kinda feels like there are some darker undertones in these?? Not exactly yandere like, but mildly possessive, and little to no hesitation to hurt others for you. It’s not implied that he’d kill, but it is implied that he’d use them as experiments (which I can totally change if anyone gets uncomfortable with!!!)

<3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3

CG 3d era Shang Tsung w/ Regressor That Uses Diaper Hcs

🐛 I know I said he’s evil . . . but I think he adores you

🐛 Your his baby, how could he not love you!! He’s cruel and a villain, but your his Precious, he couldn’t just let you go <3

🐛 While a man of evil and Shao Kahn’s sorcerer, he would never make fun of you for using or needing padding

🐛 Babyspace regressor? You’re very tiny!! Of course you might need some help, and that’s okay!!

🐛 Toddler? Well, accidents happen all the time, and he’d rather be safe than sorry anyways

🐛 Big kid? Well he’d still classify you as a baby, but whatever you say <3

🐛 Middlespace regressor? Everyone can use diapers!! Whether for medicine or comfort, that’s your regression, and no one else’s

🐛 And if anyone were to magically tell you otherwise, well, they strangely disappear!! :O (and maybe end up in Shang Tsung’s lab)

🐛 Might get a bit grumpy if you wake him up at night, but almost any thoughts of anger or upset wash away when he sees how upset you are

🐛 . . . Although he’s also super tired and might put on your padding backwards

🐛 It is literally not his fault, it’s two am, and he has work tomorrow

🐛 Although he’d rather you wake him up than sit sobbing in bed, work or no work, you’re his first priority

🐛 He’ll also get some of those potty mattress protections, just in case you may or may not have an accident again (but only if your cool with it)

🐛 Magic show distractions!!!

🐛 He could give you something to fidget with during the process . . . Or he could use his super cool sorcerer powers and make a little light show to distract you

🐛 From what i’ve seen in almost every Shang Tsung, they have a way with words

🐛 So it’s not him buying your regression supplies, it’s Shao Kahn <3

🐛 Shang Tsung works for him, how could he not also supply for his precious baby that he gets very little time with because of how often he has to work and prepare for the tornoment?

🐛 ^ Lies, Shang Tsung can and will pause any type of working if you regress and come for him

🐛 Maybe unless he’s in the middle of an experiment, but he’s left his studies many times before

🐛 Your not really allowed to talk to Shao Kahn though :\ (Shang Tsung’s worried Shao will be mean or cruel to you in your headspace)

🐛 But you get much time with Dada!! :D

🐛 He’ll make a little regression area in his laboratory!! It’s Shang Tsung’s Island, who would tell him he couldn’t put a secret passage way into a small regression area just for you?

🐛 ^ No one, that’s who, so of course he does it!! (and Shao Kahn gets the bill for it >:3)

🐛 He does make sure to put it more where the potions or his study books are and not where his experiments are (he doesn’t like you seeing them in your headspace)

🐛 Don’t you dare ever try to touch his potions, he will get incredibly upset and you’ll get in trouble

🐛 They’re for big kids and big kids only, plus you could get seriously hurt and Dada might not be able to help you from some of them

🐛 Or you could just regress in Dada’s room, which is much comfier anyways

🐛 If you end up having any type of accidents, he’s very gentle about the process, gently shushing and comforting you, drawing you a nice bath and picking out some comfy clothes

🐛 His clothes to be exact, what could be better?

🐛 If you’re ever embarrassed about using padding, he’d call you silly

🐛 There’s no reason too!! Whether for comfort, or medical, or just because, if it works for you, then he’s more than happy to help with the process

🐛 Your his baby after all, and he’s going to make sure you have the world <3

<3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3

I like the Caterpillar emoji, it's cute. :3 (also they didn't have any potions :\)

#age regression #agere #sfw age regression #mortal kombat agere #sfw agere #age regression headcanons #mk agere #shang tsung x reader #mk shang tsung #shang tsung #cg shang tsung #caregiver shang tsung #mortal kobmat deception #mortal kombat armageddon #< Those two are 3d games #Right??

[kandisheek]

FIC REC WEEK 11 – A/B/O

AUTHOR SPOTLIGHT: AvengersNewB

When I'm in the mood for some really great A/B/O dynamics, I always turn to Ven. She really has a gift when it comes to turning tropes on their heads and making them her own. And I love, love, LOVE the way she writes omega Tony in particular. She's incredible, and her fics deserve all the love in the world.

Here's some of her work that I think you should check out:

Must Be True

Pairing: Steve/Tony Rating: E Words: 8,793 Tags: Lingerie, Praise Kink, Protective Steve

Summary: When the stakes are too high, Tiberius Stone offers his omega, Tony, as a little side incentive to close important business deals. Tonight’s business is an arms deal with the Avengers, and the alpha they’re meeting is Captain America.

Reasons why I love it: Ugh, Tiberius is such a piece of shit. Ven really captures that essence here. And oh my god, poor Tony, but at least he makes the best out of a horrible situation. I'd read a million more words in this universe, and I really hope you give it a shot too, because it's awesome!

Braid

Pairing: Steve/Tony Rating: T Words: 2,378 Tags: Vikings, Arranged Marriage, Sharing a Bed

Summary: Viking Arranged Marriage AU - Young omega Tony is traded to the Vikings by Stane, for safe passage and gets married to alpha Steve Rogers the captain of the chiefly vessel.

Reasons why I love it: This one is so goddamned sweet, it almost makes me want to cry. I never knew I needed to read about Tony braiding Steve's hair, but I did, and Ven made the perfect version of it. The whole setting is amazing, and Tony's insecurities and doubts feel so real, it's like they're jumping out from the screen. I love this one more than I can say, so please go and experience it for yourself!

Never Enough

Pairing: Steve/Tony Rating: T Words: 4,639 Tags: Insecure Steve, Emotional Hurt/Comfort, Mentions of Mpreg

Summary: "Tony, what I'm trying to say... I think you should have a baby even though I apparently can't have one. At least in the near future. I think...I think…" He closes his eyes and takes a deep breath." I think you should get bonded again"

Reasons why I love it: It's honestly refreshing to see a fic where Steve is the one who is completely insecure in their relationship. Their emotions read very true to their characters, and I love how Tony is so quick to reassure Steve that all his doubts are unfounded. Plus, the ending is so sweet it makes me want to scream into a pillow. This fic is amazing, so go ahead and read it!

Restless Gravity

Pairing: Steve/Tony Rating: M Words: 10,929 Tags: Warlord Steve, Temporary Amnesia, Cyborgs

Summary: Omega Tony Stark gets bonded to a human-hating space warlord, to get his people a new home after the destruction of their planet. Warlord - Arranged marriage AU, with a bit of a twist.

Reasons why I love it: This fic has it all. Amazing worldbuilding, a great plot twist, identity porn, incredible characterization and wonderful dialogue. I love this one to pieces, and I hope you go and read it, because it deserves all the love in the world.

Love of Inconvenience

Pairing: Steve/Tony Rating: T Words: 4,856 Tags: Marriage of Convenience, Immigration, Mutual Pining

Summary: Tony had a plan; bond with Steve to keep him from deportation until he could find Steve's childhood friend Mr. Barnes. Temporary. For convenience. The plan did not entail falling for this perfect beautiful omega.

Reasons why I love it: Oh my god, this fic just makes me want to grab them and smash their faces together. It's so good! The way they finally get together in the end is so satisfying, and the journey there kept me hooked the whole time. I love this fic so much, please go and give it some love!

#marvel #stony #fanfic #fic rec #fanfic rec #ficrec #a year in fanfic recs #a/b/o

[nicosraf]

What was ur thought process into making or developing Samyaza?? Or all of the watchers..I’m like 50% into the book and he’s hypocritical to me like he makes these back handed remarks abt azazel having a man but like does it matter cause you all are sinners in the eyes of god and it seems he wants to get rid of everybody on earth so far

It seems like most of the watchers still hold some type of bias towards the “sinners” of Heaven for being a “whore” but you guys aren’t even in heaven (and won’t be treated the same when u return) and you guys are doing the same thing :/ even having tons of babies like did you guys even think abt this being a possibility???

I feel like this is an unpopular opinion but I kinda dislike Samyaza it seem like after everything that’s happened he still doesn’t try to see different view points on life on earth apart from his. He chalks up Armoni not particularly liking his wife (that he was practically forced to marry) as just Armoni being his usual distasteful self. :(

I may just have to reread a couple of pages to try and understand Samyaza or any of the the watchers. But I LOVE your works and I think they’re amazing and I didn’t want this to come off as passive aggressive I guess I’m just confused abt some of these characters since I don’t think like they do

I realized this just seems like a rant but still you’re writing is AMAZING💕💕💕 you’re really inspiring as a writer 😋

a&m spoilers

Hello! I'm curious if your thoughts have changed since you sent this ask, but disliking Samyaza definitely isn't a minority opinion!

I think almost all my betas disliked Samyaza at the start, but they all liked him by the end. I think, for most readers, Samyaza is hypocritical, selfish, and etc., but the amount he suffers by end makes it so that.... well, yes, Samyaza might be a bit aggravating at times, he definitely didn't deserve any of what happens. And he does change as a person, at least I think so.

The story of Enoch sort of lends itself to the interpretation of a husky, tortured fallen angel who sweeps a beautiful woman off her feet and has to choose between her or God, his Father. I like to say this is the version of Samyaza that I would have been able to write if I wasn't as gay as I am, but my reasoning for not making him that is a little more complicated.

I like writing hypocrites, and I liked the idea of an angel that saw his struggle similar to a woman's, feeling a solidarity with her instead of just sexual attraction. One part of Enoch that always struck me is the passages about the Watchers crying and begging Enoch to talk to God for them. I thought the angels being unsure or not really knowing that this would make God as mad as it did was interesting. I liked the idea of him being an angel associated with water because of his role in the flood, so I made him a lesser angel of healing. I can go on and on.

In my original concepts of A&M (YEARS ago), I intended for Samyaza to be much more of a bad person, almost an antagonist to Azazel. But as I outlined, I started falling in love with this version of him.

Btw, it's okay if you dislike Samyaza and even dislike him after finishing the book. Not all characters have to be loved, and Samyaza would agree with you that he doesn't really deserve anyone's love or forgiveness after what he's done.

I can talk more about the Watchers if you like! I really like all of them :') Thank you for the ask! I'm happy you like my writing. I hope you enjoy the rest of a&m

#a&m spoilers #mine #ask