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#you can dislike stuff
esteebarnes94 · 3 months
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I never really got the whole complaining about something being made that's already been done a bunch of times. Like, tropes and themes and aesthetics and all that. Because as long as it's being done respectfully and whatnot, what's the problem? Like, yeah, you're under no obligation to like, like, a 1980s-set slasher film or whatever, but I don't get all the mocking and stuff.
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bonesandthebees · 4 months
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ao3 commenters PSA: even on older fics with a ton of comments the authors still get the notifs for every single comment
re: the person who just left a multi paragraph comment on one of my older fics talking about how much they disliked the ending and detailing several alternate endings they came up with instead that they thought would be better, and ending the comment with "no one is going to see this but oh well" authors see your comments yes even on old fics and it really doesn't feel good to see a comment like that even years after I finished the fic
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nuinokata · 1 year
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If you ever find yourself questioning your own intelligence, just remember that Jujutsu Kaisen gave us a character who is the undisputed strongest living being in his universe (so much so that his birth altered the balance of the entire world around him) and is canonically able to do anything he tries; who could have decided to spend his entire life doing absolutely whatever tf he wanted because there is literally no one and nothing with the power to stop him, but instead chose to use his strength to protect and train the next generation to be strong and intelligent enough to overhaul the current oppressive system that would have stripped those innocent kids of their lives and precious youth in the same way it did his own generation, and this was a good portion of the fandom’s reaction to said character:
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mostly based on one (1) line removed from 5 layers of context. When the majority of the story wouldn't have taken place at all if not for his strong sense of morality. I am so Tired.
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ninjasmudge · 1 day
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feeds your narilamb yuri juice
dude i have great news about my regular narilamb
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lynx-224 · 3 months
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being dissapointed abt ur fav tv show not being just like u wanted doesnt make u a bad person. however, bullying kids online bc a universal story isn’t told exactly how u imagined it does make u a bad person. hope this helps.
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Seeing posts hating on my favorite characters would be a lot more tolerable, if people actually complained about the things they actually did, instead of making up a dozen things they didn't.
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hydrachea · 6 months
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Yknow I was also thinking... if Neuvi were to ask Furina to become immortal again for his sake, she might actually say yes. Which is exactly WHY he'd never ask her to do so, because as much as he dreads her inevitable absence, he won't condemn her to that fate again
You got it. Because when she took on that curse half a millennium ago, it was also a request she agreed to. For the sake of all of Fontaine and not just the sake of Focalors, but it's still all too similar. Even if she said yes to him because she actually wants it then, who's to say she'll always want it? Who's to say the decades, the centuries won't weigh heavier and heavier as they pass, just like before? Who's to say she won't have to ask him to make her mortal again? And that would be even more painful than simply letting her go when she's meant to. So instead he'll treasure the time she has, that she's more than earned, and he'll do everything he can for her to treasure it too.
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a-s-levynn · 5 months
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About those new masks..
So i saw this take a few times already and i have some thoughts. Obviously it's paraphrasing but you'll see these a lot similar to this if you scroll in ST spaces since yesterday:
"These new masks have too much personality, they said the people behind the music is uniportant but they now have this new personalized look instead of the uniform sleek minimalist one and it is the direct opposite of what they are saying. These new looks do not fit Sleep Token"
Let me preface this: I'm not going to explore specific reasons why people might hate on the masks because... No i refuse to go there, but i will talk about the issues i have around this a bit.
No.
If you are hating on the new masks so much so as to cry about that "this is not what they supposed to be about" you are missing your own point. You are in fact shooting the opposite direction. You are no longer in it for "just the music" but you are very much caught upon the "everything else beside the music." You got distracted. You putting the blame on them instead on yourself for loosing your own point.
There is no moral highground in this whole ordeal. Please respect yourself enought to try not to look utterly stupid if you frothing about something you visibly misunderstood. Do not hide behind excuses. Do not put this on the artists. Own up to the fact that you simple don't like it.
Admit that it's your opinion purely; because ultimately the artist creating their own art will understand creative choices behind their creations more than you ever will. No matter how far you try to bend backwards.
The masks fit Sleep Token because it is Sleep Token who decided to have them. End of story. You can hate it all you want but it is still part of the shabang now. And don't try to mask your distaste over visuals with shouting about the artist not understanding their own ideology.
If you are so hung up on how they look like, more than what the music still is, than stop and think for a second please.. You have it backwards. If you really truly only care about the music, what it is about, what it gives you, than you are not going to give a shit what they are wearing on stage.
Maybe in a passing few sentences but otherwise you are not going to be worked up about it to the point you sent hatecomments to the artist who made them.. It is shameful.
Besides i hate to break it to people but they already had their personalities with their outfits just not this strongly. III had the random whacky shit. IV had the hint's of this comfy leisurly punk-ish techwear whatever going on besides the fancy stuff the past a months since the summer. II had a slightly sleeker but maybe sort of tech-ish look which is now reflected (in my opinion) much more strongly with this new look (which sorta reminds me of a stylized oni or something tbh and that is extremely in line with their older far-east inspired thematics visually, just saying).
They are not handing you the "we are unimportant" part anymore. They are not spoonfeeding it to you. Not in the way they had before at least. They presume you are mature and smart enough at this point to get it. To get to the conclusion that it is unimportant what they look like. And allow them to still have fun with it.
Or just they are being cheeky and went for something that would shake up the people. I don't know, i don't know them or anyone close to them. I don't have answers. But they are trying something new an it is perfectly fine.
Also which would have come off so much differently if Vessel is 100% btw. Be honest, if they would have been able to perform to their fullest abilities, far less people would be so loud over this.. This was just an unfortunate turn of events and when shit hits the fan it usually never just one dose. And my heart breaks for the boys for all this.
Besides, people were so loud about hating that "they looked the same" and "so hard to distinguish" and "easy to replace because of this" ... now they have personalized masks and looks and the same people cry about the exact opposite they did before..
Also it just occured to me that this is basically the same as the lightshow upgrade. It gives you something to look at at the rituals. The new looks are visually interesting, and with the lighting setup they have now they are gonna look like some seriously fun nightmare creatures btw. I love that already.
So all in all i don't know, i don't really have a point here i guess, but the boys are in such a no win situation right now and i hate the fact that people are shitting on them just because they don't fit their idea of "an anonymous collective" anymore. Which is reddiculous and sad because nothign has changed.
It never was about being a blank page. It was about being human. It flies over so many peoples head but the anonymity part isn't about not being a person under there. It is being about that person not having a name. It doesn't matter if the person has a personality or not. What matter there is that no name.
There is no definitiveness. It gives an open invitation for anyone to step into that person but first you need to recognise that there is a person there. And there is no doing that if there are no traces of personality. Or humanity if you will because personalities makes us humans. Don't make me hold a philosophy lecture here on what it means being human please.
It does not matter who that individual it is by tagging a name on them. But it is extremely important that there is a person there. Otherwise there is no connection point. If there is no person there is nothing to understand. But it does not matter how that person looks like. It does not matter what the person wears. Or what that person is called. What matters is that it is a human being. And as such you can understand it. Our at least you should be able to.
Regardless of the design of a mask.
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The Adaptation That Shall Not Be Named aside, I had an idea for an interesting way you could represent ART in a visual medium: it's cameras.
We know that, in any visual medium, what The Camera (be that literal in film or figurative in animation) chooses to show and focus on is important. Its the primary way the piece of media communicates to its audience, and the framing of a scene tells us a lot about how we're supposed to interpret it. What is on screen and how it's on screen convey authorial intent.
Take all that, and turn "authorial intent" into character expression (in this case, for ART). A conversation between Murderbot and ART that would traditionally be shot-reverse-shot becomes shot-ARTPOVshot, so both shots would be of Murderbot, but one would be from The Camera and one would be from ART. Even though the subject is the same, the difference between them could show us something about ART in the same way a reverse shot shows us something about any other character.
To me its like those shots from a monster's POV in horror movies, where one second you're with your protagonists, the next you're watching them from a far off angle between some blades of grass, shaky cam, ragged breathing. It's a classic, even a cliche, but it does the job of conveying the sense of unsafety, of Something Out There Watching Them, of monstrosity, of something feral and dangerous. All without needing to see the monster. What if that type of shot was all we ever got of a character?
(Also, in all honesty, some of my favourite meta about this series is how it's in conversation with the horror genre. ART and SecUnits being the type of characters that would be The Monster in another story, or from another perspective, is compelling to me, so i'm drawing on that a bit here. The idea of characterising but not visualising ART by taking pages out of horror monster cinematography? I just think it's neat.)
Anyway, you could also do all the sci-fi Augmented Vision stuff with it too. ART POV shots where we watch it pull up a feed tab over the camera feed and replay a section of audio, or check Murderbot's diagnostics, or look at Some Code Or Perhaps A Graph. ART POV shots that are broken into multiple feeds showing different things. ART POV shots that give you the sense of it being textually present without it being physically present.
You could use some of this for Murderbot itself, if you leant into how its drones are an extension of its awareness. You could even use it in a similar way to how Murderbot uses its narration, narrating less when it's upset as well as leaving out major details. What if, when Murderbot is tired of people looking at it or in a more vulnerable headspace, we get more drone POV shots without Murderbot in frame. It's still there, but present in a different way, behind The Camera rather than in front of it.
I think there's potential in using POV shots from ART's cameras to characterise it without visualising it in a traditional way. I think there's potential in using horror movie monster language on ART and Murderbot. I think there's potential in having the cinematography focus on what they're seeing in a way that emphasises the amount of Surveillance both of them are constantly doing.
I think there's potential in a show using The Camera as cleverly as the books use Narration.
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seaweedoverlord · 8 months
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The Monk and the Monkey
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''What are you?'' The monk asks the animal- no, the creature before him. It stands on its hind legs without any trouble nor struggle. It does not hunch, it does not move. He watches it warily, and his eyes struggle to maintain eye contact, and not to stare at the way he has been carried away from. Where the carcass of the enormous tiger that stands fallen, in a pool of blood and the heavy smell of the metallic blood that he no longer can see or smell. 
But to get distracted in the human’s case, would be a mistake if not the being was quite happy yet best not to risk it. 
One second, it stares and the next, it stands before him with a bright grin and a tilted head. He startles, dropping his staff as it opens its dangerous jaw to answer his question.
''I am many things,'' It starts speaking, and the Monk thinks it can see the silhouette of a monster behind, watching, in smokes and another thing, another thing that smiles, amused while the human starts to sweat, his palms getting colder and colder.
‘’A wicked demon,’’ It states, grinning with a mouth far too wide, and a grin far too sharp, while the monk gulps with tense shoulders.
‘’A celestial being,’’ It states, as it smiles with gratitude, and a smile full of joy, and the monk relaxes, without being aware, for its genuine smile resembles that of a child a bit too much, tricking him into a false sense of security. 
A false sense of security it is,
For a shark may be content, but it still has a mouth full of sharp teeth and a hunger for blood when you cut open your heart and lay it bare. 
‘’But moreover, I am human.’’ It says, shrugging and standing back while the monk stares. He continues to stare as it stares up at him, with its tail lazily swaying behind it. He is well aware that he should probably try to find a way to leave, instead of interacting with it, but he blurts out without thinking before his mind can catch up with him.
‘’H-human? Y-you don’t look human!’’ He exclaims, and rightfully so as well, for the being standing before him is a tad bit too hairy, with hands instead of feet and of course, not to mention, the tail it has! 
‘’...’’ It stares at him in silence, and it looks up and down while he nervously shuffles. 
‘’Your close minded view, as much as it amazes me, is also disappointing.’’ It finally states after an awkward amount of silence and the monk can only drape his bamboo hat over his face, halfway to avoid eye contact since it unnerves him and says nothing to refute its claims more so because he is too meek to argue with a creature who can topple over a demon four times its size.
‘’Tell me what is a god, and what is a demon?’’ It asks, and the monk has no answer which seems to frustrate the creature before him as it invades his personal space once again, forcing him to stare right into its bloody eyes with the moon in them.
The monk stutters as it sighs, snapping its fingers and the human sees magic come to life before his eyes.
‘’A god represents the ‘kind’ side of humanity, while a demon represents the ‘foul’,’’ It says with a crescent smile but a condescending tone, and the monk steps back as his eyes jump back and forth between the mirrored version of the creature.
‘’Here’s a riddle for you,’’ It doesn't look at him as it becomes one, but he thinks it might see inside him anyway.
‘’If I am both, then what am I?’’ 
The silence scratches on, as tiny crickets pass, and the forest quiets down as if to listen to his answer. 
It's a lot of pressure, he thinks when he sees it watching him like a hawk, like the rest of the world that holds its breath.
The human thinks as he lowers his head and thinks. He eventually comes to an answer as opens his mouth as the being before him stares at him nonchalantly, yet with a slightly wagging tail, clearly full of expectations about his answer.
‘’A monkey?’’
The monk, obviously, plays it safe for he feels like this is a trap.
The monkey’s nose scrunches up, and his eyes squint. 
‘’Hmph,’’ It- He almost sneers at the human. His eyebrow twitch, irritated, and his tail thumps the ground once, twice and stops still. The monk, for a second, thinks he almost might see a pout.
‘’Typical mortals.’’
He says with distaste and the Monk, Tang Sanzang,can only stare at the tiny murder monkey and think: 
What are the chances that if I beg, he’ll leave me alone?’
But the monk can only weep for it will be a long fourteen years.
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I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI.
#not dislike. its hate#it made me cry several times today#thinking of how my classmates manipulate our teachers#and chatgpt AIs can EVERYTHING#its so painful to think of it#today I broke down in the bus and cried#idc what people think. hiding my feelings any longer would destroy me from the inside#maybe youve also seen how people use freakin AIs in their exams#the thing is that:#we wrote an exam for which Ive studies for like 2 whole days#this week we finally got the exams back (w the grades ofc)#and ok Ive got a 3 (C in America syste#*m)#my friends who used chatgpt throughout the exam got way better grades (I didnt expect it otherwise)#PLUS#the most provocating messages from the teacher:#“10/10 POINTS :)” “YOURE ROCKING THIS” “YEAH”#💔#seriously#this breaks my heart#dont the teacher see something suspect in the exam?!#why cant they open their eyes and get modernized to reality.#& they KNOW- the students Im talking of. they usally have bad results.#once our teacher came to a chatgpt student and said the most miserable thing:#“youve been using duolingo a lot lately hm? thats where your nice grades come from 😉🥰”#you get it?#no- this peoson didnt learn.#no- this person isnt even interested in the stuff we learn in lessons#AWFUL feeling to hear the praisings of da teachers when *I* gotta sit among the gpt-students and look like Im a worse student than *them*#[writing this at almost 1 at night] still have some tears. this topic really has the power to destroy someones day. 💔💔
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bleaksqueak · 2 months
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While i work I've been listening to an LP of the Telltale Walking Dead Games (the ones with clementine, I do not care about the others lmao). Ages ago when I played these I was well aware/amused that part of season 2 takes place in Parker's Crossroads/Parker's Run because I grew up right next to it and the detail stood out to me. But I never caught the line of "We'll head to parker's run. It's just up the road from here" until just right now. So I had a sort of "wait, where the fuck are they supposed to be right now?" (search)
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ARE YOU SHITTING ME LMAO So by process of elimination, since it's the only city with anything even remotely resembling a large home supply store, that would mean they're in my literal hometown. My tiny hometown in the middle of nowhere that's never in anything that barely anyone knows of. How in the fuck lmao
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ecoamerica · 2 months
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youtube
Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
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grumpy-detective · 2 months
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please, not to kinkshame or whatever the term would be, but if you are gonna post rpf fics, DO NOT post it in the main tags of the creator/person
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leupagus · 20 days
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Say what you will about Martin's writing style (and I've said plenty) but I do think he's got the White Walkers' mythos worked out for a future book and IT WOULD HAVE BEEN SO NICE IF THE SHOWRUNNERS HAD DONE 1/100TH OF THAT WORK SETTING THEM UP
Gus: I am mad all over again that there was absolutely zero explanation given as to why/how the Night King operates or how his powers work or why he chose now to attack or ANYTHING ELSE
Gus: on the plus side it means I get to make up a whole subplot that, not to brag, I'm comfortable saying is at least as good as anything D&D could've made up IF THEY HAD EVER EVEN BOTHERED
Gus: but like - okay so craster's infant sons get sacrificed to the Night King, who them magics them into White Walkers as babies
Mardia: Yep yep
Gus: so does that mean there's a white walker nursery
Mardia: Omg
Gus: do they have to change diapers
Mardia: LOOOOOOOL
Gus: is there a white walker daycare center
Gus: how does the night king TEACH his lil adopted monster babies
Gus: is there like storytime around the - well not fire
Gus: does the Night King remember what it was like to sit around a fire?
Gus: does he miss being a human and all his rage at the spell the Children of the Forest put on him to kill the First Men has curdled his brain?
Gus: what was he DOING for like 8 millennia, just hanging out?
Gus: did he get really good at ice fishing?
Gus: DO THEY EAT?
Gus: where the fuck do they get their snazzy outfits from
Gus: are there white walker tailors
Gus: what's the currency situation
Mardia: Lololololololol
Gus: I'M JUST SAYING
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batwynn · 10 months
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So uh, look. I’m not a huge fan of Neil Gaiman as a person, mostly due to some things he’s said, done, or not done in the past (still enjoyed plenty of his books and a big fan of Good Omens with Terry.) but some of the shit people online are saying to him are mildly-to-extremely inappropriate and you need to reset some boundaries on yourselves. Take this from someone who was mildly popular in a fandom for a while there. It can be genuinely scary to receive threatening messages out of the blue from a complete fucking stranger. Especially when you have no point of reference about what they’re threatening you about, if it’s even a joke, etc.
Just because he’s made himself accessible to fans does not mean you can treat him like your Tumblr bestie with violent, threatening inside jokes. He’s not your buddy. You can’t lol your way out of sending threatening messages to a stranger. This is literally the reason your past faves stopped interacting with fans online. (Trust me, I was in the Marvel fandom when Loki/Tom arrived.) This will end as it usually does, with him being forced to leave online spaces and become inaccessible again. And then y’all will bitch and whine that he thinks he’s ‘too good’ for you or whatever and the cycle starts all over again with someone else famous.
Please. Please just learn to fucking behave. Be a weird (affectionate) and violent gremlin in your personal blog spaces or discord or wtfever. Don’t send it to a public figure just trying to have a good time in the fandom. Ok? Can we try to be better this time?
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masezace · 9 months
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little off topic for my blog, but i started watching a new show since a friend mentioned it was good and i'd heard positive things about it, so i just wanted to talk about it a little bit (probably never again after this since this isn't a fandom blog, but it's the only one i have rn so idc it's going here)
the show is Jurassic World Camp Cretaceous, and just going on looks alone, despite my love for dinosaurs and the Jurassic Park franchise i never would have considered it. it appears to be very much for kids, and as i'm in my late twenties now i'm not particularly interested in especially kiddy media. however a friend my age enjoyed it and mentioned it has a canon lgbtq+ couple in it among the main characters, so of course i just had to watch it. i had already been hearing that despite its initial appearance and premise, it was surprisingly good for a kids' show, so i had already been curious, but i was even more keen after knowing there were queer characters, and not even the adults, the kids themselves (in a kid's show?!! what a time to be alive), so i finally sat down and watched it.
[spoiler warning, both minor and major, for the rest of this post btw, so continue reading at your own risk if you haven't seen it yet/are still watching]
the show overall
okay so firstly, i am coming at all of this from the perspective of a writer, so my observations are from a technical standpoint more so than just as a fan of the show. and honestly, it really is a well-written show as a whole. is it geared towards kids? definitely. there are plenty of jokes/gags in it that just don't appeal to me as an adult, but beyond that, there was plenty to appreciate as an adult.
the writing is actually phenomenal? there were several points in the series where i just sat back and mulled over the way a scene went, what the thought process behind writing it was like, how well it was executed, and how important it was to the characters and overall plot.
the suspense is spot on, nothing gets dragged out too long, and i will admit there have been a few scenes throughout that actually got me; i jumped! it's actually scarier than i expected a kid show to be, but i'm so glad they went where they did because it really elevated the experience.
the pacing overall is very good, adequately engaging for kids' short attention spans (and us adhd adults 🥲) but not too short either to a point where things felt abrupt or unfinished. plot arcs are well developed and tied up nicely. also, as a bit of a dinosaur nerd, the array of dinosaurs in the show is super broad and satisfying! very fun stuff.
character element
imo the real gem of this show is the character development. honestly it's just *chefs kiss*
the characters grow and change so much and so realistically over the course of the show, it's honestly so much better and more satisfying than the character growth in most adult fiction/media recently.
the growth in ben (who btw was def my favorite character by the end of s1) and kenji in particular were my favorites and, in my personal opinion, the most interesting. the way ben started out anxious, cowardly, and rule abiding to a fault, then grew into a brave, confident, adventurous little pyromaniac gremlin, then had that stint later in the series where he regressed a bit-questioning himself-until eventually ultimately striking a great balance and really coming into himself was just... peak character writing.
kenji started out overconfident, lazy, and overly concerned with money/status. but that arrogant overconfidence and laziness slowly turned into responsibility, and a desire to protect his found family, and the realization that it's the people in your life that really matter most.
honestly what i mentioned only scratches the surface in terms of those two characters, there's certainly more that can be said about them (as well as all the others) but i'm not really in the mood for a deep dive character analysis atm. just trust me tho when i say these characters are so well done and each one of them have arcs that are super satisfying to watch play out.
queer representation
and as for the queer couple? yasmina and sammy are PERFECT. it was so beautiful watching their relationship grow from one-sided to mutual friendship, to loyal devotion, then to love. they were set up incredibly well and incredibly naturally. i have like, no complaints when it comes to them. i don't even know if there's anything i can say that would add to things, they were just a really awesome couple to watch become canon, they're the beautiful and painfully needed representation we all beg for in tv and movies.
shipping, chemistry, and intent
but oh goodness... probably my only real complaint about the entire show would be how benji (ben x kenji) and kenji x brooklyn (kenlyn? brookji? idk and idrc) were handled. because for all that this show did SO much beautifully right, they really screwed the pooch here, sadly.
i'm gonna start by saying that the writing in this show, as with most, is deliberate. what i mean by this is that despite having no clue who it would be because my friend thankfully did not even spoil me as far as the genders of the queer couple, i clocked yas and sammy as the would-be queer couple as early as season one (actually it was between them and benji, but more on that later). i could already see the chemistry, because it was deliberately written in.
shipping is subjective. anyone can ship any character, and in most cases it's pretty easy to see how there could be (romantic) chemistry between fan pairings based on their personalities, their arcs, etc. and that's okay! ships don't even have to have any canon support to be valid, because shipping is for the fandom, and it's for fun (i have a few rarepairs and crack ships across different media that i just love).
but onscreen/written romantic chemistry is a lot less subjective (to clarify, it is subjective whether or not the chemistry is good, but it's not subjective about whether or not it exists). there are literally scenes written with the sole purpose of building the romantic tension and/or chemistry between planned couples (some of which even have absolutely zero plot relevance, which usually is not advised tbh, and most of which are the cliches/tropes you see in literally any romance ever written, some are just disguised a little better than others. but make no mistake, it's all the same set of cliches. there is nothing new under the sun), as well as intentional, key moments within scenes that have other purposes. they are essential to establish romantic pairings.
and typically, the foundations for these couples are laid VERY early on. always within the first or second season (well, at least they are when the writer actually knows what they're doing and has at least a rough plan/outline for the entire series & characters. this is usually a large part of what separates the good chemistry from the poor chemistry. an author who knows who the couples are going to be and has a plan from the beginning to build them up is going to be more successful in creating a believable relationship with good chemistry. one who does not plan, or makes last minute plans will almost certainly fail, and the couple is just going to suck). when the set of characters you're working with are going to stay the same for most or all of the story, you start immediately.
i don't mean to toot my own horn, because i think it's because i'm a writer so i just pick up on narrative patterns very easily, and pretty much always clock the planned couples within the first few episodes of any series, and by the end i am right like 9 times out of 10.
that being said, do you know whose deliberately written chemistry i also clocked in jwcc? ben and kenji's.
kenji and... brooklyn?
no offense to people who like/enjoy kenji and brooklyn, you are free to love them, but the way their romance was written is... quite possibly the weakest point of the show. it felt like they were just trying to appease the upsetto heteros in charge, because there was definitely another het pairing that had a lot more potential than kenji and brooklyn (hello darius x brooklyn aka darilyn, you would have actually made sense because your relationship had amazing buildup and multiple standout scenes from s1 on. dgmw, i love that we got a m/f strong, supportive, purely platonic friendship out of them, i live for those and we really need more of them. but we could have had that with kenji and brooklyn, or darius and sammy, or ben and yas, literally any other pair instead).
kenji and brooklyn as a couple came out of absolutely nowhere. i honestly think they decided to shove them together last minute, and had no actual plan for them until they were working on s4. because their development barely started at the VERY end of s3 (the abruptness of him caring about her being held hostage so much more than literally anyone else in their group despite them having like zero buildup to that point gave me whiplash), but honestly didn't really even become "meaningful" development until s4, over halfway through the series. the two spend the first 3 seasons basically not particularly gaf about each other individually, only as part of the whole group and on an equal level with everyone else. they otherwise have no deliberate narrative foundation. it just starts in s4 with no prior hinting. which makes their development rocky and difficult to believe. the funny thing is their characters literally have dialogue (in s4) trying to draw comparisons/parallels between them to say that they especially have a lot in common and like??? no? they really don't? not any more so than any other two kids in the group. their relationship just, really falls flat.
it was disappointing to see it take such a massive spotlight in the series for almost all of seasons 4 and 5, overshadowing the friendships that have been the focus of the show and should have remained so, to the point where at times it just felt like i was watching some stereotypical het highschool romance. genuinely, it made s4 & 5 more of a drag to get through. yasammy and ben and yas' growing bond (which by the way was so sweet, it had the strongest queer solidarity vibes good lord, i sure wonder why yas chose ben out of everyone to come out to first, hmmm) were some of the few things that kept me invested, otherwise i would have dropped it if it had leaned much farther into becoming the kenlyn show than it already was. especially when it was that pair so much of the focus was given to, even though we had so readily and perfectly available, the pair that could have, should have been: benji. which finally brings me to:
ben and kenji
benji's foundation was laid in s1. their interactions, the situations they found themselves in, were deliberate (on the writers' part). i'm even gonna go out on a limb here and say the pairings were fully established in s1e3, even with parallels between yasammy and benji (sammy clinging to yas and ben clinging to kenji throughout the episode), and darilyn gets the beginning of their development too.
even though they bicker a lot in the beginning, they clearly care about each other? kenji protects/helps ben multiple times, and there are definitely some looks ben gives kenji at times. at the end of s1, the one who seems the most deeply effected over ben's "death," other than darius (understandably since he's the one who failed to save him), was kenji! immediately after it happens, we get two close up shots, darius and brooklyn then yasmina and sammy. after which, we go back to the whole group with kenji in center frame, the focus is intentionally on him. it is only kenji who drops to his knees at the loss, and then we get a close up of just kenji. he was saved for last, and he was alone in frame (tbf bumpy was in frame too, but i'm talking humans here), which implies his feelings are especially important in this moment. that is the reason for solo close ups.
after ben's "death," kenji takes to always wearing ben's fanny pack, and up until bumpy--who ben cares VERY much about--got separated from them, kenji was the one who (however briefly) took over her care, ensuring she got off the monorail with them, and he's extremely distraught, more than pretty much all of them, when they can't find her, and he's last to leave when they decide to accept that ben's gone. even when they do leave, he's distant and distracted and his mind is clearly still on ben.
other than darius, kenji is the only one (if i'm remembering correctly) to mention ben/say his name after they lost him, upset because he was actually trying not to think about him. he has clearly thought about ben, probably a lot, because it's hard not to be reminded constantly when you wear something that belonged to a deceased loved one. and frankly, he appears to be the only one who dwells on him that much.
when ben reappears alive (which btw he found the group again because of kenji's butter knife, hello), the frames literally purposely focus on kenji's reaction. he's the one in the foreground every time they show him and brooklyn in that scene. he is the first one to say ben's name, the first one to go to him and hug him, and the scene takes special care to highlight kenji's strong emotions at ben's reappearance, lingering on his teary face as the focus for a bit even after brooklyn enters the frame to hug ben (because she is not at all an important element in the scene at that moment). just like when ben "died," the way this scene is written and shot HEAVILY suggests that ben holds significant importance to kenji, specifically. because again, the focus here is on kenji and ben almost exclusively, with brooklyn as only an afterthought lol. and quite frankly literally everyone else's reaction to him being alive was pretty lackluster compared to the special attention they gave to kenji on this.
and then in s3 we have the infamous hat scene, where darius and ben are in the limo and ben sees and mentions kenji's sailor hat, looking sad and sounding like... longing?? then directly after we switch to kenji realizing he forgot his hat?? the scene has no real significance tbh other than to draw a connection between ben and kenji. like, it acts as a transition to switch to the pov of the group on the boat, but it was entirely unnecessary? why not just have darius say something about the others and then show them on the boat? if there were no special relationship between ben and kenji, it would have made far more sense if they really wanted it to be ben to say something, that he sees the hat, and sadly says something along the lines of "i hope the others are okay/doing better than we are right now/etc" which implies that the hat made him think of everyone, their whole group. rather than what we got... which very much implies that he was mostly just thinking about kenji 💀 and then kenji thinking about the hat at the same time ben's looking at it and thinking of kenji. like, this is.... a very blatant connection being made by the writing/directing here.
all of that. so many deliberate connections made between ben and kenji, they had a very solid foundation laid for a romance to develop, and by all intents and purposes one already WAS developing according to the show's own subtext. which was why up until s4 obliterated the idea, i was positive the queer couple in the show was either going to be yasammy or benji. it was extremely obvious imo. but as soon we started getting the typical, loud, cliche "we are going to pair off these characters" scenes for kenji and brooklyn, i knew we were getting yasammy and not benji (to be clear, i'm not at all upset about yasammy, they're beautiful and i love how their relationship was done, i wouldn't have had it end any other way for them. but i do personally prefer benji, i just like their personalities and dynamic more. and i feel they had so much potential that got wasted to make way for a far less interesting pairing between kenji and brooklyn. why can't we have 2 queer couples, huh? and if we really needed a minimum of one hetero pairing to appease whoever needed appeasing, darilyn was right there).
but then??? their like entire bond just gets dropped (honestly ben himself gets pretty heavily sidelined for almost all of the last two seasons, which is criminal imo). mostly so that a rushed kenji x brooklyn can be established. like there are still a few small moments here and there in early s4, and one episode in s5 (ep 10), but from early s4 till pretty much the end of the series we hardly see them have any meaningful conversations or interactions, meanwhile literally every other combo in the group does.
it's so weird? why build up benji so deliberately over the course of multiple seasons just to like, fully discard it for a pairing with far less chemistry, even after the chemistry-building scenes they shared, some of which literally had no other purpose than to affirm their connection? even though they were very sparse, the moments benji had were just so blatant (kenji leaps into the rock crevice right onto the back of a saber tooth to save ben?!!?? like he literally was just willing to exchange his life for him like that?? he basically says that he wasn't really thinking, he just did it. so he moved out of what, emotional instinct, that's what we're meant to intuit from that series of events? implying that he specifically has strong emotion and doesn't think things through when it comes to ben? because he doesn't do that kinda stuff for any of the others in the group! even better, this parallels when sammy jumped on the nothosaurus to save yasmina. and then the way benji look at each other after it's over??? hello??? and then how kenji pulls both brooklyn and ben in for that hug a couple minutes later... side eyeing the writers for that choice. they knew what they were doing there and they were evil for it). i just can't see any reason to have dropped them like they were, after all the development they shared for 3 seasons. confounding. biggest disappointment of the series.
i know this probably reads to some as just "wahh, my ship didn't become canon" nonsense. but that's not why i'm bugged. this wasn't just a ship i liked and wanted canon despite no actual narrative support, as most ships tend to be. this ship did have narrative support. there was intent behind many of their scenes together, lingering looks and little things that matter narratively and are always used to signify a stronger/special connection. and it led nowhere, for no good reason. that bothers me. writing that implies and promises something, but never delivers on it. like a person who never finishes their sentences (think Dr McPhee from Night at the Museum). ultimately it's not a HUGE deal or anything, at the end of the day it's just a ship and just a kids' show. but as a writer, it's just irritating to see something like that be done. what can i say 🤷
conclusion
even despite the wasted potential between certain pairings, and even though i do think the first three seasons were superior to the last two, overall i really enjoyed the show, and for what it was, it was really well-made. the overarching focus was of course on found family and friendship before anything else, which i absolutely love, and it was masterfully done. out of 6 kids, all of them had at least one or two meaningful bonding moments one-on-one with another in the group, so every possible combination had their moment to build strong, believable friendships with each other. i'm just so surprised by how good it was as a whole honestly, good enough to binge over the course of a week. i will happily recommend jwcc to anyone willing to give it a watch regardless of age, because i definitely think there's no age limit for a good story, no matter the medium it's told in. :)
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