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#yes even of s2 happening and pissing me off
invisiblegarters · 22 days
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Time to start trying to manifest my GMMTV 2024 Part II wishes.
Midnight Museum s2
another GL
NO OF s2 (unless it's a spinoff. Just leave Sand and Ray alone lol)
10 Things I Hate About You, Jojo style (preferably gay af, but I'll take anything honestly I think he'd rock it)
I am keeping it simple. I only need these four things.
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rkiveinmarvel · 11 months
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the trick - kaz brekker. des. angst. shadow and bone (tv) s2 spoilers! kaz brekker saw love as nothing but a mere weakness, a soft edge, an instrument to drown, and then there was you. notes. kaz brekker is bad at love lmao. brief mentions of kaz's trauma (again). pekka rollins (yeah, he has his own warnings). six of crows shenanigans. mentions of hurting, bl##d. jordie rietveld. kaz brekker. enemies-to-lovers-to-idk.
hello, hello! i'm not good at intro lmao. but read it while listening to the night we met by l. huron for more raw emotion??? i remember writing this 3am on monday, so, it might be a lil' messy ;<
wc: 1.4k
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The ride back to the slat was painted with the deepest shade of silence, the alarming heart rate of everyone, the tension of everyone’s gaze, the weight on everyone’s shoulder, and the bruise getting settled on Kaz’s face. Jesper looked over at you as he noticed your undying gaze on Kaz. His breath hitched as he whispered.
“He’s okay. Don’t think too much..” You gave a concerned look to Jesper as he gave you a soft smile. The minutes' ride back to the slat was only for a while but for Kaz, it felt like an hour, a decade, it seems like he felt everything, heard everything, and saw everything. He felt the carriage halt as he sensed the familiar noise, as the crows prepared to step down from the carriage, he looked over to your hands and noticed the bruise forming in your knuckles, taking him back to the night when you both met.
----
“Pekka sent me to kill you. You pissed him off after you kept on tailing him, tracking him, watching him. I might say you might be obsessed with him. ” You stated, earning a glare and a concerned look from the sharpshooter and his ‘boss’. As words left your mouth, you felt Kaz’s reserved and fearsome intensity. 
“Then why didn’t you?” Though the question felt a little personal to your liking, Kaz’s tone proves otherwise. You felt as if a crow was watching you, daring you, and judging you. No doubt, Kaz Brekker knew that Pekka Rollins hired you to kill him, the fucking bastard of the barrel knew that, and yet here you are having a fucking drink in his fucking club. 
When Pekka Rollins let you work for him, he forgot one thing and that is checking your background, yes, perhaps he knew how skilled you are in killing, how your step would knock in silence, and how would the knife and guns would bow down in your presence, but what he did know is your past. 
With the last sip of  your drink, you look at Dirtyhand’s eyes, “Jakob Hertzoon..”
Kaz Brekker's eyes widened, he uttered something under his breath and made Jesper leave. 
“I didn’t kill you in any chance I get because… he stole something from me and I guess he also did to you.” Kaz Brekker searches for any misconceptions in your eyes, white lies that will get under his skin, but all he found are eyes that look at him and it seems like they understood him and knew him under all his walls, all his armor. 
“I get what you want from Pekka, you give me what I want..”
“And what is that?” Kaz replied you were taken aback because he was indeed out of character when he replied. You sighed. “...A chance to prove myself.” 
And that’s where all it started, as month dances into years, the withering flame in your heart, starts to fuel and fuel even more, the lingering looks in the slat, the searching for him in every room, the protecting him at any given time, it fueled you. 
It happened to him too.
It made you strong, it made him afraid. It saved you yet it drowned him in his fears.
It was your dream, it is a nightmare that he got himself into. You were the poison and yet he drank it. Pekka Rollins hired you to kill him and Kaz is damn sure that not only you might kill him but also drown him by accepting his deepest fears and secrets, and an emotion that could cloud his judgment.
--
After meeting your bruised and bloody hand he looked at you, a flame burning in his eyes and heart, as he felt it the first six months you talked to him about Pekka’s plan and jobs, he felt it the third night when Jordie’s voice seems too loud to his liking, he knew it the moment he saw colors he hasn’t seen before, he knew it when you stood to stop a bullet for him in Ravka, he knew it the moment he searched for you in every corner of the room he’s into, you flashed him a sad smile while he just stared at you getting out of the carriage, by then he knew, that maybe after tonight, he might lose you.
The slat was once again empty when the crows left it, only the deafening silence was left as well as Kaz’s breathing and your hand that is fidgeting with your left ring. The job was done, everything was at ease, and the barrel belonged to the bastard, so, why are you here?
“We need to talk.” 
Oh, right, Kaz. 
You looked at him, his bruised face was noticeable. He looked at you, your hands are covered in bruises and wounds that is new. He ought to seek the words he wants to say, things that’ll make Jordie’s voice drown in the pit of his conscience, or a word that’ll make you stay forever. But among all the words in the world that entered his mind, it seems like you found the one he need.
“Are you okay, Kaz?” His eyes met yours, and the echoing sound of a candle’s flame drifted into his mind as he saw the distance between you and him, one table apart. 
His office was filled with paintings and trophies he stole from the rooms of every building he find fascinating, and yet the most treasured thing that he do not own was you, that among the most beautiful items scattered in the room would be no equal to the fascination that Kaz gives to you.
A part of him wanted to say everything, every nightmare, every dream, every pain, everything that is about him, but he also wanted you to stay, by him, with him. But the armor he has betrayed every little thing that makes him a human, a man. 
“Don’t. It makes you dull.” Then, you recalled the moments earlier.
“The trick is not to love anything.” His shark eyes met Pekka’s desperate gaze. A little part of you felt brave but the whole part of you was betrayed. You looked at Nina as she heard your heart, and you looked at Jesper as he looked at Kaz. It pained you that when you felt like you were building Kaz, you were breaking him down into something, something you cannot see nor touch.
“Someone you'd sacrifice everything for and it makes you weak.” Then it hit you, Ketterdamn isn’t the place where the string of fate exists, you’d sacrifice everything for Kaz, all of them knew, except for him. Love is a weakness; you learned that the hard way. You fell for the man who you cannot touch, love, or even see. 
You love Kaz Brekker.
“Of course…Kaz, about what you said to Pekka, is it true? The trick?” His gaze lowered, and a sense of guilt woke the soul inside him. As he felt your eyes burning him. He couldn’t fight the right words or the actions he can take, but all he had was his walls and a pair of his broken armor. 
“Silence was never my forte, but please, tell me, those longing stares, those endless nights, those times…was that all the trick?” A shake. A shake in your voice was present. When did you become so emotional, Kaz wondered. He knew the answer because he felt the wave of emotion hit him too, harder that the punch and the bruise. 
“Love is weakness. It makes us weak—”
“I love you…” Then the world was silenced in the wake of your declaration, the sound of the storming sea was silenced in Kaz’s mind, the voices of Jordie were no longer near, and the water in his lungs was replaced by the enticing feeling in his stomach. “Does that make me weak?”
No. That was what he wanted to say, but all he did was to look at you with a shield in his eyes, that moment, he knew, he lost you.
The cold rushed down your head to your feet, you said those words and you read him wrong. Everything was wrong you were wrong. As you met Kaz’s reserved gaze, it took you to the night where you first met him, wishing that you should’ve killed him, perhaps he was right, the trick is not to love anything. 
But the only thing you heard was your footstep leaving the room, the slat, and leaving Kaz Brekker.
“No…It makes me.” He whispered under his breath.
That night, two crows understood something that love is awful, unfair, and unkind. 
That love is indeed and truly a weakness.
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hehe. angst. haha, my forte.
⚘ masterlist 1 | 2 | 3
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astro-in-prog · 1 year
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I know this won't happen in Bridgerton S3 but.....
I REALLY REALLY want a scene where Colin is fencing with the other gentlemen of the ton and he's a bit distracted because he's starting to question why Pen's suitors are bothering him so much. (Bonus if they tease him about spending time with Pen or his S2 declaration)
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Then, in walks one of Penelope's suitors (preferably the douchey-est option or Fife), and Colin asks for a match (he's telling himself that he just wants to see what this guy is made of) OR the suitor asks him for a match so he can boast about being beating a Bridgerton (which Colin sees right through).
They fence, the suitor seems pretty skilled and Colin's heart isn't in it and he isn't winning. But while they're talking the suitor either disrespects Pen with some comment OR declares that he is going to propose and it sends Colin's entire world SPINNING. We see his entire demeanor change from chill Colin to what did you just say about my wife best friend to Colin 'I AM GOING TO END YOU' Bridgerton.
Colin proceeds to then DESTROY HIM and his pride (Colin in S2 was not the best fencer but I would love for him to pull a 'didn't see that coming did you?' and show off his newly acquired skills). He beats this suitor SO well in fact that the ENTIRE TON hears about it. People like to pretend that its only the women that gossip but are you telling me that Colin Bridgerton kicking another dude's ass at fencing is not something the other gentlemen are going to spread all over the ton?
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Bonus: Anthony and Benedict are also present and are absolutely stunned that their brother just humiliated another gentleman of the ton like that. They ask him about it and Colin says the suitor was being ungentlemanly and disrespecting Pen. He brushes it off and pretends like its no big deal because he was just doing his duty. Anthony and Ben share an eye roll and a very pointed look because of course this was about Pen.
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The speculation in the ton is WILD with people saying Colin did it to defend Penelope so much so that even Pen hears about and has to write about it in LW (but she underplays it and when Colin reads LW he is offended LW thinks Penelope is not worth fighting over).
Even better if Pen calls him out about it because why is he going around basically dueling her suitors to defend her honour? He is not her husband and he is certainly not Lord Featherington (more foreshadowing) and Colin is just confused because our boy can't even imagine NOT defending the love of his life his bestie. It would add tension between them and force Colin to question why he reacted the way he did (love my dear Colin... IT'S LOVE).
It would work as great foreshadowing (as we know Bridgerton loves to do) for Polin - all the other suitors aren't considering Colin competition at the moment and underestimating him because of his comments last season but he's going to come out of nowhere and win over Penelope.
Do i just want to see Luke Newton fence again? YES I DO.
Am I coming up with extremely complicated ways to make it happen? YEP
Am i ashamed? NOPE
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All the male leads have had a scene in the show where we see how frustrated/jealous they are (Simon boxing with Will and Anthony fencing with his brothers). The idea of Colin secretly having gotten better at fencing over the past year and destroying one of Pen's more douchey suitors would be EPIC. (I will watch this shit on repeat for years to come) And I JUST KNOW Newts will deliver with Colin's microexpressions going from calm and unbothered to pissed off to cocky and charming when he wins.
WHO DO I HAVE TO PAY TO MAKE THIS HAPPEN?😭
(since we probably won't get it I am working on writing a fic about this on AO3 --- coming soon!🥲)
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genericpuff · 1 year
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lmao so RS just confirmed she STILL does not, in fact, have a buffer.
FAST PASS SPOILERS AHEAD
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To kick this off, let's be real, 2 weeks is NOT enough time to build up a reasonable buffer.
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When she took that 2 week break after the wedding episode went up, I knew 1 of 2 things was going to happen:
She was going to piss away the entire break on social media not getting anything done
Even if she DID get anything done and a reasonable buffer of more than 3-5 episodes built up, the episodes likely wouldn't be very high quality as you can't turn out shitloads of decent quality panels like that in just 2 weeks.
I think Rachel really just needs to acknowledge and take ownership of the fact that she is not good at managing herself, her time, or her team. When she started LO in the Originals section, she even admitted to not having a very strong buffer.
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Now yes, in her defense, she hadn't fully transitioned to drawing LO full time when she started, but even still, she seems to treat her FastPass episodes as her buffer rather than creating an actual buffer.
A buffer is not "well I still have 3 episodes locked to the general public" or "I have the next couple episodes sketched up".
A proper buffer is "I have the next several episodes finished and exported and ready for their respective release dates." This ensures that they aren't racing to meet deadlines during the release period after pre-production (which is a surefire way to screw yourself over or write yourself into a corner) and that if anything happens in real life that prevents them from working on future episodes, they can still put out new episodes because they have a cushion of episodes still waiting to be released. Webtoons typically recommends its creators have anywhere from 9-15 episodes of buffer ready by the end of the pre-production phase. That usually means 3 free episodes, 3 FastPass episodes, and at minimum, 9 more episodes sitting on the backend, adding up to a minimum of 15 episodes. It sounds like a lot, but when many WT series run for 40+ episodes per season, 15 is a small number. Especially for a comic like LO which had 90 episodes in its S2 run and 116 in its first season. S3 of LO is already 37 episodes in.
She's also basically admitted to just writing as she goes in the past because most people working on their webtoons in productions like these have at least a decent skeleton of a story going on that they don't have to write as they draw. Writer's block doesn't happen in webcomics unless you're writing as you're going, same as how it doesn't typically happen in animated movies because you should already have a basis to work off of before you start the brunt of the visual work that needs a narrative structure to exist.
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Now, all that aside, the reason I'm bringing this up again (as I've talked about her buffer range before) is because I've once again been proven that Rachel doesn't have a shred of a real buffer.
And the smoking gun this time was the horse.
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This stupid fucking horse.
Now, besides the fact that we're a little sus this is meant to be an in-comic jab at all the criticism of LO pointing out how Persephone always looks like an MLP character-
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-but that pony toy drawing didn't make its first appearance in Episode 241, it made its first appearance on Instagram. Not as a preview for episode 241 or as an official LO drawing, in her own words, 'just a pony'.
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As always, this is still just an estimation based on what goes out in LO and what Rachel posts to her IG/Twitter, but this pretty much tells me her buffer is STILL only 1-2 weeks ahead of time, because that pony drawing time lapse was posted two weeks ago. When we checked the actual timestamp of the post the day the episode it showed up in went up (Episode 241) it was ten days old.
Not to mention, the timestamps on those reddit posts? A month old. Granted, we had been making MLP jokes in the ULO/antiLO community prior to that, but the fact that this "my pretty pony" gimmick came out so soon after someone did literal art of Persephone crossed over with MLP, it really just furthers the suspicion (in addition to shitloads of other instances) that Rachel is snooping in on these crit communities to try and "clap back" at them through her comic. Which is something she'd only be able to do with a limited buffer anyways as it allows her to change things on the fly in response to criticism or whatever hurt her feelings that week.
That said, I won't be certain of this 1-2 week buffer estimation until we see when cowboy hat Hades shows up.
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I'm calling it now - it will be showing up in this week's episode which goes up April 22nd.
Place your bets, folks.
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starry-eyed-steve · 11 months
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Some of you are really pissing me off, especially on twitter.
Maya never said Robin shouldn't get a gf, she voiced her concerns that Robin getting a gf would be the center of her character, and she's right to be worried.
Stranger Things branded itself as a show where friendships are the most important thing. However, over the years in the show and fandom, romantic relationships are mostly at the focus.
Jonathan, as soon as he started to date Nancy never saw an independent character arc until s4 where he wasn't with her. His character is simply a sidekick to Nancy. He doesn't grow, and his arc is mostly about Jancy. Like his struggles of being financially not well off or taking care of Will and his mom are swept under the rug. The major conflict in s3 was more about Nancy and how unsupportive Jonathan was as a boyfriend, instead of commenting on his social status and problems.
Steve, as soon as he was around Nancy again, ditched everything else. His relationships, which he created throughout the seasons, were tossed out the window. Even his scenes with Robin were suddenly all about love or Stancy. It's so tiresome because his character thrives the most when he's with Robin and the kids. There is no real balance for his character, which is upsetting. So I get some complaints about Robin being a cheerleader for a straight relationship (which was so ooc s3 Robin would never) instead of focusing on her character outside of romance in s4. The Duffers have simply no idea how to write relationships, platonic or romantic, at this point. Which again is exactly what Maya is concerned about, that Robin's platonic relationship with Steve will suffer even more because either of Robin prioritizing her romantic relationship, or Steve prioritizes his relationship over friendship. (Or both and they simply forget about each other)
Nancy, despite what the fandom says, is the least affected by those relationships, at least in the show. She has the most agency and always gets her plot outside of romance, and she is not as defined by her relationships as her romantic partners are (in the show). She's known as the investigator who is super smart and badass. However, she is still not allowed to have friends, besides the two that were mentioned in s2. Her romantic partners will become the most important people in her life. I kinda liked her friendship with Robin, but the fandom took it and made it into a romance, proving again that romantic relationships are the center of characters or are seen as more valuable and meaningful.
In s3, Mike's character was focused around El. He barely had time with his friends. El only gained another friend after temporarily breaking up with Mike. And again, in the beginning of s4, it's all about her romance, not so much how she misses her friends. Did she even write letters to Max and the party?
With Will, it's complicated. He's a gay kid discovering his sexuality and trying to live with that, so it's understandable that his arc is about romance/love. However, he also got majorly sidelined after s2, like does he have anything else going on besides that? What about discussing his trauma or focusing on other relationships besides Mike. Like I would have loved seeing him actively bond with El or hang out with Dustin (we never get to see them together)
Dustin has an independent story arc each season because his girlfriend isn't there with him, which allows him to have outside relationships and interests.
Lumax is the only couple that has some balance, like they are together, but the relationship doesn't define them like other characters. Both Lucas and Max make time for their friends and talk about other stuff. I would still argue that Lucas definitely deserves more character development and a more independent arc from Lumax. His struggles as a black kid often get sidelined in favor of the romantic plot.
So yes, Maya's fear that the show would make Robin ditch everything for romance is valid because it's happening all the time, especially to the teens! For example, even if the show develops the friendship between Nancy and Robin, the fandom would make it romantic. Like people cry as to why Maya can't promote the friendship between Nancy and Robin, when the majority of the fandom doesn't view it as platonic, and Maya knows that as well. Sidenote: It's also super annoying that as soon as a lesbian character hangs out with another girl, she automatically has to like her romantically, especially if she shows romantic interest in another character. (I have so many problems with Ronance, but that's not the point rn).
I don't want to see any Vickie slander either. The argument that this relationship is rushed or bad rep because it's more in the background is stupid. On the one hand people complain all the time that the cast is too big but when characters only get a few minutes of screentime to act as a love interest for a minor main character like Robin, it's also wrong. Plus, I literally don't want to hear that Vickie isn't much developed when people had no problems shipping Will with Gareth, who had just as much screentime if not less, and they never even met. You never gave Vickie a chance because she's a bisexual girl who shows interest in a sapphic relationship. Why are the standards so impossible high for lesbian/sapphic relationships? A dude literally has to look at one of the guys or be remotely cute and bam, the fandom comes up with thousands of headcanons.
Lastly, I don't want to see any Stobin or Steve slander. Steve is the first person to celebrate when Robin gets with Vickie, so Stobin is not the problem when it comes to Rovickie. A lot of people complain that Robin's character is all about Steve, and I sincerely think those people probably never had a best friend. Like my bff and I were super inseparable during our teen years, people legitimately thought we were either siblings or dating lmao, like my grandma asked if I was a lesbian because all I did was hang out with girls, esp my bff. If Steve isn't allowed to be happy for Robin's romantic relationships or isn't allowed to give her any advice in that department (and vice versa), are they really bffs? If you're not at least a little bit invested in your friendships with others, how can you even call yourself their friend? Robin caring about Steve, hanging out with Steve, literally wanting to combine with him, is just her having found a person that understands her. It's not making a lesbian character all about a guy (that's particularly the take when it comes to the ronance ship as Steve has history with both characters). I saw some takes that Steve is the only one benefiting from Stobin, as if Robin never gains anything from that relationship. Like Steve makes her comfortable, to a point she told him her biggest secret. He can handle her rants, he drives her around, and he listens to every problem because Robin can be fully herself around him. They are both gossiping and having fun, and most importantly, they understand each other because they share the trauma of being tortured in a Russian bunker like I need you all to get a grip quickly. Robin would hate a lot of you for shitting on Steve because that's her bestie if you like it or not. I'm also all for aro-ace lesbian representation. If you think a character is less gay because they focus on friendships or don't have a desire to date, that's a you problem.
But again, Maya never said Robin shouldn't date. The show simply shouldn't lose sight of the platonic relationships as well.
I also want to add that Stranger Things as a show in general would not suffer so much in both the romantic relationship and the platonic relationship department if they would give us more episodes. The main characters don't have a chance to branch out and meet others because of limited time. So when one of them gets a love interest, it's perceived as rushed because we are on a time crunch (especially if it's for Robin bc people wouldn't throw such a fit if Steve gets a gf last episode). And as I mentioned earlier, people already don't like the huge cast, so it's hard to add new characters with depth. So we are forced to have all the characters cross date/befriend, which also removes conflict in general because we don't have options and the fandom is mostly all about everyone gets along and everything is fine and dandy. Because be for real most of the teen characters in the main cast wouldn't be friends given their drama and history with each other. If we had 20 episodes, everything would be better, I guarantee you.
(In general, I want to say I'm not a fan of most ships in the show or fandom, and I think a lot of them would be better as friends even if I'm skeptical that they would genuinely get along after everything. Especially the teens don't have many strong friendship bonds and could benefit from forming platonic relationships over romantic ones. The only ships I truly respect are Lumax, Byler (if done right), Rovickie, Jancy if they get it together, and Jopper.)
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Just did a rewatch of OFMD S2 Eps 6/7 and: (Yes, it DEFINITELY got better)
*All pacing issues and some cast being in scenes when others aren't is the fault of the studios being cheap and not the writers/creators. :) Flying the cast to New Zealand + housing them for filming meant some crew just couldn't be there (Fang, Roach, Olu) or mostly written out (Buttons, Swede).
The reason this season feels *weird* is just that. It is not the fault of the actors or any of the workers in New Zealand who got jobs because they were the cheaper, nonunion, option.
I was mainly mad due to some pacing things that, after I thought about it, I don't think *I* was ready for them to make jokes about, if that makes sense. Izzy is such a personal character for me that some of the stuff they joke about just...hits.
*While the show kind of blowing off Izzy's repressed feelings for Ed did originally piss me off (the 'jealous' comment from Ed in ep 7 especially), reframing the scenes as Izzy letting himself mourn this and seeing how easily he lets Ed go does make me happy. He will love Ed. That's just a fact. But he is not his relationship with Ed he is defined by what he does with it. Yes, they can joke about it. Izzy has probably defined their relationship as something that just can't happen. Either by thinking Ed could never love him or that Ed never cared. Izzy knew Ed's attention was always fleeting and MAYBE that's some BS way we can say eps 5, 6, and 7 happened within a few days of each other. Because...if Izzy is just repressing everything again. I swear. This show will not give me the polycule I want.
*Stede and Izzy work so fucking well as friends. Like. Izzy knows how Stede will use the bar as validation and is READY to fight for him. Stede knows Izzy will stand to fight with him. The way Izzy looks so DONE when Stede starts to fight? Izzy just lost Ed god damn it. That, and the thigh grab will be in my head forever... stizzy fans also win.
*Imagine having sex with the only person you've ever loved and they ditch the next day. Add that to Stede's own insecurities and it's like the writers had a checklist on how to break Stede Bonnet.
*Ed is leaving a manic period (started maybe ep 2), and entering a depressive period in episode 6 where he remembers 'oh yeah, I fucking hate pirating'.
*Both Stede and Ed want very different things in life and this conflict was always going to happen. But at the begining of ep 6 we see Ed replaying the abuse he's caused/experienced. He's mentally framing himself as a hazard. Stede enjoys the life Ed is desperately running from. This is why Izzy is so quick to grab Stede I think. To help him understand that Ed is just...a complicated man.
*Izzy was right about Ed needing to give Stede some time to sit with the death of Ned Low. Ed barging in allowed Stede to put his negative feelings into something positive, not fully allowing him to process his actions. Ed then uses their first time as an excuse to run away.
*Izzy is hot in both episodes :) End note. But for me, the reason the Drag scene felt weird on first watch is just that I can't read half the cast's face soemtimes. Its a me thing. On this rewatch I noticed them cheering and generally being more supportive, lol.
*I wish we got to see Izzy putting the drag makeup on. Even just a line of concealer. Putting on the character he'd embody for the night. Drag is such a practice of self realizion and community. I wish we got to see Izzy staring at himself, applying the mark on his face that he clearly loves so much.
*The concept of Ned Low- A vicious torture-focused pirate, sadly was handled like a minor inconvenience, and... while I like the masochism joke from Izzy, and the implications for Stede's arc, he felt weird and out of place. Like. Instead of tying Low's bad management to something like the Navy, why not the Kraken? The stuff was there for it. Show how shitty working on a ship that prioritizes violence is, and mirror it with Ed's growth.
*I love the ship design for Ep 6 so much.
*The Ed&Izzy apology still bugs me but I have hope Izzy and Ed will talk it out a bit more after talks with some of the lovelies online
*I love the crew but acknowledge that this season has shafted a lot of stories. Clearly, the writers did what they could.
*Izzy's 'love interest' this season is clearly just the 'community/self' and finding comfort in humanity again...its so GOOD.
*Izzy casually making sex jokes is so weird. Like a coworker you've known for a few years that finally starts talking shit with you on the job. It feels weird to me now, but I also write him like this? So it's a lot of wires crossing in my mind. Like...he FUCKS!
*Same with Izzy smiling. It feels wrong in the best way. Again, I wish we had ONE MORE episode of Izzy being in the middle of healing, but this more self-realized Izzy is lovely to watch.
*They changed the gender of the song Izzy sings so he's singing about a man. I will not be normal about this.
*I'm so happy I caught Izzy's hand being that FUCKING HIGH on Stede's inner leg first watch. It's changed me. Izzy really said 'When the dogs are away the cats are out to play' and POUNCED.
*I didn't catch Izzy pointedly calling Stede captain until I saw it online and now I love it. Stede adopted the stray cat and god damn he'll stay loyal until the day he dies.
*Spoilers for the teaser: If the series Ends and Izzy is in solitary confinement/Izzy is locked away from the others I will scream
*"Hiya, Boys" I LOVE HIM. Izzy confidently grinning and being a prick is my favorite.
*izzy loving Ed enough to let him go is just....so tragic and good. Especially since we know Ed just tried to hold izzy closer in s1
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originallypoki · 7 months
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Our Flag Means Death S2 Spoilers!
Something people doesn't seem to realize, is that pacing has a key impact to a story. Yes, the tale you want to tell can be the best someone has ever come up with, but if your pacing of it is awful, it pulls the whole story down with it. To rushed pacing? It loses meaning and impact, because there's no time to become attached. To slow paced? It becomes boring and uninteresting, finishing the book, show or movie feels more like a task than actual fun.
The first 4 episodes of season 2 of OFMD were awesome. The pacing was perfect, we had enough time to register what was happening and to sort out our emotions. I was a bit thrown off by ep 5. Because, while still good paced, you can start the see the problems because of the missing 2 eps ( for example the skipped fight, instead choosing to tell, not show. )-
Then episode 6 and 7 happened. And oh boi, I wanted to drop the show, only my love for it keeping me going.
I know that it isn't David Jenkins and the production team's fault, since the 2 episodes got cut, giving us the total of 8. But I can't excuse the decision to cram the plot of 10 eps into 8. If you have so little time left, why don't just cut some 'unimportant' storypoints?
Like Ned Lowe, he was introduced and died in the same episode. His purpose was to give GentleBeard development I know, that still doesn't give him enough importance to let him stay in the shortened version. Just like the second break-up from GentleBeard we got in ep 7.
Instead we got very out-of-character characters, Stede for example. I can see why he acts the way he does in ep 7. It would make sense, had he more time to have proper character development! Instead he feels weird, plus the very very uncomfortable second-hand embarrassment scenes (like the fight with Zheng). And sadly after ep 3, I couldn't feel the same chemistry GentleBeard had in S1. While there were cute scenes, like the end of ep5, I felt like something was missing to make me actually care. It's just my feelings, so not very important, but it was a bit disappointing.
The end of ep 7 gave me hope. Because it was a perfect way to introduce a villain, who's a genuine threat to our heros. And I maybe like Prince Ricky a bit to much. Then ep 8 came crushing down while drowing my love for OFMD, that made me ignore everything wrong with the second half of S2.
I like ep 8, well the first few minutes. It felt like I finally had time to see what's happening and David Jenkins didn't leave us completely clueless. ( Let's ignore the logic holes since it was is a comedy show and they were always there. ) And I was way to busy squieking like a pig of happiness to think critical.
I have many criticism points, but will only focus on one;
Izzy's death. And by god, I. Am. Pissed. Killing a character that is beloved by the fandom isn't the problem. While I love him, he's my favorite, I also love a good ol' angst. But he was in the middle of his redemption arc, and ending this with death is just such weak writing. I have nothing against killing a character off for development. Iron man for example, his whole story is about becoming a better person and jumping over his ego. And it ends just like Izzy in death. But Tony was through his arc, his death was the final, showing he has changed, showing he would do everything to save the universe and more important, the people he loves.
If Izzy died at the start of or before S2 I wouldn't complain, because it would've been perfect for him. Maybe if he died a more impactful death I wouldn't write this. But you can't make a character finally change and then destroy the meaning of it by killing him off in the fucking middle of the change. It would've had so much more impact seeing how he becomes a part of the crew he loathed not even a few weeks ago. Episode 5 did that great, while a bit fast. I like how he and Stede get along. Growing closer. It was a bit too fast paced, and I hoped for them to finally communicate, not talk. The same with Ed, I wanted him and Izzy to finally talk to eachother and not through eachother. However, giving us acutally communication while Izzy's fucking dying is not how you give impact. (And credit where credit's due; I really like that dialog, it was beautiful and the right words choosen to explain how Izzy feels)
Not to forget what a meaning it conveys. Izzy always did what he thought was right, even when it was completely wrong. But when he finally grows and begins to do actually what is right and let's go of Ed, he dies?
Still, I wouldn't say that they shouldn't have done a season 2 at all. It has great potential and I can see what they were going for. So, while it has it's problem's, it's nothing what a good fanfic can't fix. So I look forward to the amazing works that will build up on this hot mess and / or 'correct' it.
So bye, I'll go cry and give the last three episodes of S2 of OFMD, the last 20 minutes of S2 Go treatment T^T (except that GO S2 was fucking fantastic through the whole season)
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chirpsythismorning · 1 year
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This is separate from people making Noah’s coming out all about byler, without ever separating Noah from Will, because yes that’s weird. But also entirely expected, like that’s as fandom behavior as it gets.
But for the sake of making a point here, what’s the main argument people use for why byler won’t happen?
It’s that the Duffers are just two straight old white dudes and the actors playing the characters are two straight white dudes. And because of that they’re probably all homophobic so it’ll never happen and if anything the opposite, most messed up ending, is more likely.
Heteronormativity and the assumptions that everyone is definitively straight, until they explicitly say otherwise, is something homophobes depend on.
Now all the people with ignorant arguments like that can do after this news, is bitch about how no one cares that he’s gay and it’s not even a big deal… a concept Noah literally references in his TikTok.
Even though I think straight ppl mean well when they say who cares, they’re ignoring the fact that straightness is the default expectation in our society. And this puts a lot a weight on queer people’s shoulders their entire lives, to essentially live a lie until they finally get the courage to come out.
Noah admitted that it took him 18 years to come out to his family and friends bc he was too scared to.
The reality is straight ppl mostly don’t want to talk/think about it and that’s why they get upset with too much discussion about the possibility in terms of byler and Stranger Things in general.
Unfortunately for all the practicing homophobes in the fandom, they’re going to get a big lesson on heteronormativity and the reality that literally anyone could be/not be gay.
Your best friend. Your brother. Your mom. Your gramma… You.
And that’s what scares ppl who’ve been internalizing homophobia their whole lives. They don’t want to talk/think about it for a reason. And it has nothing to do with actual other queer people just existing, it’s what they’re scared it could or could not mean for them. And they are making a vow to themselves to never find out.
And it’s because they know how gay people are treated and they don’t want to be the butt of jokes like that. They want to belong with people that are ‘normal’ or the default in society. And so hearing those same homophobes try to downplay and discredit Noah for coming out, it’s honestly just sad. The cycle of homophobia/internalized homophobia is so fucking depressing and it affects all of us.
Idec about specific ships at this point, it’s sad that a lot of men/boys in our society still see being gay as a negative thing, something they have to distance themselves from. And by being homophobic, they feel like they’re successful in achieving that distance.
And as much as homophobes piss me off every now and then online and in real life… I know why they’re doing it. Because they’ve been rewarded for it all their lives. They’ve been told doing the opposite made them different.
People forget (or are just unaware I guess) that Noah literally clapped back at byler fans on Twitter post-s2, saying, “why can’t boys just be friends anymore??”… yeah he literally made a textbook Reddit argument… though he has since deleted it…
And so I do hope that future generations of boys and girls are going to feel more comfortable accepting themselves, making it easier for us to be willing to look inward and not be scared and to eventually maybe get to a point where we don’t even have to come out as queer, we can just love who we love and it just is.
But that’s just not reality at this time.
And so yes I’m relieved that Noah himself was comfortable enough to share this with the world and didn’t spend anymore time hiding his sexuality, assuming he wanted to be out!
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motherofplatypus · 9 months
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What to expect in S6?
Let's be real, there's nothing that we can expect, especially if you look at how they deal with the plots and message in each episode, especially with how S5 ended. And with Lila, who's the epitome of plot device, being the main villain, you understand why the expectation for season 6 is 6 feet under.
Ironic.
However, i miss the old days where the fandom would theorize things that might happen with joy and curiosity, and i wanna bring that back. So let's ignore That Guy and co's incompetency for the last 3 seasons and the disappointments that came along with it and see what to expect and could possibly happen in the next season.
1. Lila as the new Hawkmoth.
It's the first thing that came to mind, since she'll be the main villain. From what we've known about her so far, unlike Gabe, she take things into her own hands even though it relies mostly on dumbing down everyone else.
So we can expect that she'll use her skill to manipulate people to be vulnerable enough to be akumatized into a villain that she needs. (Goodbye Gigantitan and Mr. Pigeon, y'all gonna be missed. Unless the writers pulled all her brain cells like they did with everyone else, we'll see you soon.)
2. Emilie's sudden appearance.
This one needs to be explained. She's been declared missing, or dead, for at least a whole year, so her appearance needs an explanation.
As an extension to that, we might learn about what Gabriel wish was, and to a lesser extent, we might learn how the peacock got broken in the first place.
(Yes, I know TA already explained that miraculous being indestructible was an error. But the rule of every show is that what was shown to the audience is canon. But of course we can't expect him to own up to his mistake like an adult and try to do something with what has been established.)
3. Power ups, including Chat's (possible) power upgrade.
This one pissed me off the most, because power ups were first introduced in S2, and from 8 potions that's available, we've only seen three. Come on, 4 seasons and only 3 of them? And one of them isn't exactly a power up (You can't possibly say the ice one is a power up).
So yeah, they better introduce all the other power ups this season. Of maybe a fusion power up.
4. Luka and Alix.
It is now clear that everyone knows that Luka knows who LB and CN are, and that Alix very possibly knows too from the time travel. This opens up a lot of possible scenes, and one that everyone had been dying to have is Marinette and Adrien talk to Luka about their hero life (and maybe how they're scared that their hero life might affect their relationship with each other, and Luka has to hold the urge to tell them that they're actually dating each other).
5. Su Han's role.
Now that the new team is formed, Su Han, as the grandmaster guardian of the miraculous, have the responsibility to teach these younglings how to fight properly and learn more about their miraculous. We can expect a sparring session or team battle, and if we're lucky, how to counter each other's miraculous.
Heck, maybe we get to meet more of the monks and learn more about the temple of the guardian.
6. Rose's sickness.
This one i don't really like to talk about, but since it kinda depressing, I wanna talk about it. What would happen to Rose and her sickness? Like, I would imagine an episode where she fell ill and her power is needed to fight an akuma, and she decided to go. When the battle is over, she succumbed into her illness (not dead, mind you).
The angst is strong in this one, and im all for it despite not wanting it.
7. Chloe's return
Rumor has it that she won't be in this season, and honestly that's for the best, seeing last season we got 7 episodes dedicated to put emphasis on how bad she is without giving a single flying shit how much it retcon and ruined the show itself.
But, possibility is possibility, and it's interesting to think about what she'll bring if she's coming back, since she no longer has power and must do things herself. Will she be more of a threat? Who knows.
~~~
I'm purposefully not putting Adrien learning the truth here. Aside from the writers are infamous for doing absolutely jackshit for an entire season and compress everything into 3 episodes near the finale, it's logical from writing standpoint that they'll hold this important part of the story for the real final season. So yeah, I don't think we'll gave him learning the truth in the next season.
So, that's all from me. Sure, there's more to say, but my fingers are tired if i have to write more. So, share your thoughts what you think might or want to happen.
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darklinaforever · 5 months
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GRRM mentioning Daemyra as his fav thing, is not cause he ships them he said is the way to see his grey shades switching between light and darkness and not to be pessimist but this sounds like the abusive side won't stop. He also said that cause Daemon literally have no significant bonds despite her, after Viserys is dead. Let's see what he will say when Nettles enters in the game. Again im not hating im just saying whatever you think about the book, show is different and Ryan made Daemon a predator. Come on, stop being blind and accept the facts like, “i spared you you were a child” and then marry Laena who's younger, meanwhile none blink an eye when Viserys married Alicent cause he's the king so who give a fuck?, none blink an eye when Criston sleeps with Rhaenyra and he's older but his look is younger, Ryan chose on purpose. None blink an eye when Harwin literally put children in Rhaenyra's belly when she was supposed to be the so called “child” right cause we don't see that so let's pretend it's ok lol S2 Alys saying “a girl child you once bounched on your knee” girl, don't get me wrong i love Daemon but it's a fact the show is BIAS on him and labeled him as predator and shitty father which make impossible the idea of Daemon loving Nettles as daughter. It's just common sense, putting aside the book. Im pissing off cause Ryan keep pointing out Daemon doesn't love Rhaenyra, he groomed her despite we didn't even see that happening on screen. Ryan said he loves Rhaenyra in ep 4 when she was younger. Ryan said he's growing apart from her when she's adult. Emma said the relationship is toxic and suggested it's grooming. It's hard to support something when your opponent is the showrunner and Emma don't understand Rhaenyra and her love for Daemon, constantly supporting Rhaenycent make it worse. Daemyra is doomed from the beginning.
I will answer something very, very simple. The producers may have wanted to write Daemon as a predator, or a groomer, but they did not succeed. They have no idea what these words really mean. So they are really stupid. Or they simply don't accept having written a romance, after seeing some shitty comments full of morality. I would obviously prefer the second, but since they look really stupid I would say that the first is the most realistic. They have no idea what they are writing. Seriously, these people have no consistency between what they write and what they say. I mean... They write Aegon II as a complete rapist and find a way to defend him in an interview, while at the same time trying to say that Daemon has nothing good about him... These people have a very serious problem. Or talk about this whole non-existent Rhaenicent romance on screen. Honestly, this series is astounding stupid. Beyond that, I've always said that the series was crap compared to the book, that's nothing new. Yes, Daemyra has toxic aspects in the series. But once again the series is not the book. But even in the show, Daemon isn't a predator or a groomer. Rhaenyra is literally 19 years old in episode 4. Even Daemon marrying Laena is nothing shocking. There is supposed to have been 4 years between episodes 2 and 4. Laena was 12 when she appeared in episode 2, so she is supposed to be 16, or close to it, in the 5th. 16 is the age of majority in Westeros and girls may marry before that anyway. Also... the writers created a non-existent problem with Rhaena. But in itself, there is no problem with Baela. He is seen teaching her High Valyrian. She kisses him. When Laena dies, he is between his two daughters and seems not to know what to do to comfort them and he has a hand gesture that conveys his uneasiness. He looks at Baela. Then he told Viserys that Pentos and his house and that of his daughters. We also see that Baela kept a correspondence with Daemon. He toasts the children's engagement. There is also the cut scene of Baela where she says she is a dragon rider like her father, considered canon by Ryan. Brief. Daemon doesn't seem like a super bad father in the series, especially compared to everyone else. Even in that they failed (even though they had additional positive scenes between Daemon and his daughters at that). I would say that Laena's sentence sums up the situation on Daemon and fatherhood pretty well. He's doing his best. In itself, the only real parental problem he has is with Rhaena. and it's ridiculous when we look at the character of Daemon and the workings of House Targaryen. These people have no idea what they are adapting. But in any case, the series is not canon. So relatively, I don't care what's going on in there. Also, if I mentioned GRRM talking about Daemyra it's simply because he never talks about Daemon with the other supposed women in his life. Which... coming from the creator himself must necessarily mean something.
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darlingimawitch · 1 year
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thoughts on alice in borderland !
basically a must watch if you haven't already !!
like I'm slowly getting into this kind of genre and dudes it's really effin good
first off, arisu my bbg <3 i literally love him and how come he isn't talked abt more???
just the way he protects usagi got me feeling some type of way me and who when
AND USAGI <33 tao is so freakin talented THE FACT SHE DOES ALL HER OWN STUNTS MAKES HER EVEN MORE AWESOMEE
i was genuinely scared for her in the beach arc (like what happened with her and niragi) but im so glad she was fine
aguni kind of pissed me of in s1 but definitely has my respect in s2
AND KUINA OH MY GOD SHES SO PRETTY AND FOR WHAT
AND SHE CAN FIGHT?? yes step on me pls
the games hade at the edge of my seat especially in s2
bcs like usually in s1 it's one game per ep but in s2 ita two games per ep and that got me sweating
like i had to pause it so many times
niragi can go to hell
dude be fr i genuinely cannot understand niragi simps
pls stay away from me
ALSO KYUMA IS THE NEW LOML <3
honestly he was so nice and the way he just wants to have a fair fight w arisu and the gang even with his and friends lives were on the line
he is so likable why isn't he talked abt more!!!
and none of that nakey stuff like yes man's packing but he's also a sweetheart <3
i think the game that really got me was the seven of hearts and king of spades
seven of hearts just got me sobbing ESP WHEN THEY ALL HID FROM ARISU LIKE BRO
AND KING OF SPADES MADE ME SO NERVOUS AND THE WAY THE DUDE JUST KEPT ATTACKING LIKE
i was a sobbing mess
anyways the ending? MADE ME GASP
LIKE UR TELLINF ME THIS ALL HAPPENED IN ONE MINUTE
ITS CALLED BORDERLAND BCS ITS THE BORDER OF LIFE AND DEATH
explains so much bcs aguni got shot in the head yet he still could move
and heiya got shot from head to toe yet could still crawl her way to him
that's a will to live right there
i absolutely despise the losing memories trope
AND THE FACT CHISHIYA AND KUINA DIDNT MEET AGAIN
i must see them reunited idc
overall 11/10
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mdhwrites · 1 year
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You know, I think Dana didn't plan Belos at all in s1.
The whole eating palismen wasn't even a thing till s2. And what frustrates me about it the most is Lilith, most of her actions in s1 created a huge plot hole in s2 with that decision. He confiscates and eats all the palismen yet she's allowed to keep hers while Hunter is on a stress marathon at the idea of Belos finding Flapjack, and I couldn't care much since Lilith was right there. Same about the coven sigils, why does she not have one????? She was the freaking E.C head not just a regular.
And another plot hole about the sigils brands, one coven scout mentioned switching covens (Severine was her name don't remember the episode), was that meant to be a silly joke? Or considering that Dana voiced her, people assumed she did it to poke fun at Disney's decisions. It still creates a contradiction to the brands being permanent tho, people did consider a possibility that there's a way to debrand someone, and there should be in this case right?
Sometimes I feel like Dana cares more about hating Disney than writing sense in her story and I'm tired to pretend it's not like that, which pisses me off. Can you forget about that mouse for a damn second to consider that maybe you shouldn't write some things that make no sense? Or be aware of your time limit to not write certain things, like the freaking collector? But god forbid you'd be mad at her in this fandom smh🤦
So... I could talk about each of these subjects on their own. Belos/Philip as just a complete mess of a character and inconsistencies, Palisman and how they're a good concept that got fucked over by what this blog will actually be about and the EC/Coven system which... Holy fuck. HOOOOLY Fuck S2 fucks it up sideways.
And because I've talked some about some of these topics, here are three different blogs covering
Belos' asinine rise to power and TOH wanting to mirror historical fascism in his rise.
Talking about why people are mad about Stringbean is the closest I've actually come to talking majorly about Palisman.
And I did some talk about metatext and plain text to do with the magic tracks in TOH that is about to become VERY relevant to this blog.
It's actually your last paragraph I want to talk about though. Because... The problem isn't that Dana was too focused on hating Disney. That would only explain, realistically, the problems with S2B and S3 and the jokes at the Mouse's expense take very little time and don't really detract from the show. It is not a major issue about her as a writer.
Now before I get into what her biggest weakness, at least as you can tell from TOH, is as a writer: Don't attack creators. I am attacking her writing and criticizing it but I am not attacking her as a person or getting mad at her. Her creation does nothing offensive, nothing cruel, etc. like that. Are there problems with it? Yes. Do I have issues with how she has used excuses to shield herself and TOH from criticism? Yes. But we still need to be good people and I just wanted to take a moment to remind everyone about that.
Anyways: I've talked at LENGTH about the fact that TOH has a focus problem. That it is effectively three shows at once. I even just yesterday talked about how this lack of focus damages its ability to have coherent themes because nothing is given enough time, attention or is actively contradicted eventually.
As the show runner, it's Dana's job to keep focus. To not let writers do whatever they want and keep the show consistent and in continuity with itself. Her job, effectively, is to follow a line I ADORE:
A great piece of art knows as much what it isn't as it knows what it is.
The problem is... Dana quite obviously doesn't agree with this. She appears by her writing to have a mentality that there is no idea she doesn't like. There is no statement, regardless of the contradictions it makes.
If you want to talk about how early this happens, just look at Covention. Dana, as the creative lead, should know that the covens are a very serious thing, that the nine covens are important to Belos' plans and she should know about glyph magic.
That is the episode that introduces there being potentially HUNDREDS of covens simply for the sake of a job fair joke and setting and also the power glyph EXISTS. Yes, the power glyph is used to make Amity more impressive in the fight, cranking up the spectacle, but notice how it has NEVER been brought back up? And Construction magic explicitly isn't what was described when we were first told about it? Almost like witches using paper goes against Amity's shock at seeing Luz use a piece of paper to cast a light spell.
Dana also should be the one most acutely aware of how dangerous it is for a witch to be a wild witch. How much deciding to use multiple forms of magic is hazardous to them. Well... Dana was on the writing team for First Day (linked in the metatext blog) and Reaching Out was SOLELY written by Dana. You know, an episode where Amity treats joining a coven like going to college, Alador has no objections about this and the twins both get a bad girl coven shirt like it's something to purely celebrate for them.
And if we look at what Dana hasn't explicitly written, she still doesn't appear to be willing to say no to anyone. Hollow Mind was written by other people and includes the line that the Titan was believed to be dead when Belos rising to power. In King's Tide, an episode Dana DID write, Belos talks about Luz must having been blessed by the Titan in order to have already gotten glyph combos despite Belos being the LAST person who should think the Titan is alive, especially since he's been in the things skull and made a fake religion around it.
Worse yet is that while Dana has never met an idea she doesn't like... She's never met an idea she likes enough to commit to. So much of the show is about presenting potential, even with what I've described above, but then doing nothing with it. In fact, more often than not, ESPECIALLY WITH THE COVEN SYSTEM, it will be discarded, ignored or changed for the sake of a different concept. Amity's parents are like this where Alador seems 90% on board with anything Odalia does in his first two appearances but then he's only a little neglectful but still moral come Reaching Out. We can have Luz and Amity try to have a healthy relationship and agree to not lie to each other but that would make the reveal of Luz's dad being dead so much harder so just... ignore that. It's okay that Luz is still blatantly lying and breaking her girlfriend's trust.
Remember: It was Dana's FIRST solo episode, Eda's Requiem, that setup how important the coven heads were for the sake of the Day of Unity. That even one going missing at this point would be a MAJOR problem for it.
Buuuut that is a problem that a lot of prophetic fantasy faces and usually doesn't have an answer to. It's a hard thing to have an answer as to why the heroes don't just keep one mcguffin away, let alone what TOH did with three of them being on the side of good. So what did other writers do with it when they actually had to deal with what Dana had written?
Throw that shit out in one line that implies replacing coven heads is as easy as replacing paper plates.
The show is, to put it lightly, a disaster. And you know a better show runner can do better than this because Amphibia doesn't have these contradictions. Gravity Falls doesn't have these contradictions. Hell, we go to less renowned media, to stuff like Randy Cunningham Ninth Grade Ninja or Danny Phantom and THEY don't have the same sorts of inconsistencies despite being about as serialized as TOH just not touting that as some sort of revolutionary aspect of it.
And the worst part? At least to me? It... It's a fanfiction writing problem. And in fanfiction, it's fine. Fanfiction is meant to use a piece of media to explore every potential part of the world and characters it wants. A professional piece of media, that takes so much money and effort to create, is meant to have greater focus and coherence so as to actually have a point to its story.
And if you want a comparable example for professional work, look no further than 50 Shades of Grey. I'm not saying TOH is as bad as 50 Shades but they both suffer from whenever the writer loses interest in an idea and just writes it out or has it vanish for no reason. Both go on tangents when the writer has some new idea that comes into their brain.
It reminds me of when people would ask while I was writing Crises Girlfriends, "What are Gus and Willow doing in this AU?" Because I am more of an original writer than I am a fanfic writer, and Crises Girlfriends was a story that I always planned to convert to original fiction, I'd never even considered them. Not for even a second.
Because... Could I have given them a role? Yes. But like TOH, it would have been performative, dilute the point and focus of the story and just felt like a waste of word count. So I didn't include them because they had no point.
But it was also fanfiction and Willow and Gus probably mean a lot to the people who asked. That's not their fault. That's part of fanfiction. I didn't get mad or anything, I just described what I just did as to why they wouldn't show up.
Because I knew what Crises Girlfriends was. I can make a one sentence pitch for it. It's about two girls who find love through the person they are with, but find help through the place they're in. It gets across how the two give support and care for each other but that love isn't the answer to mental health so within the story, you can actually expect some treatment of their mental health issues.
For Amphibia, you can say "It's the story of how another world helps bring light to the flawed friendship of three girls and makes them better people" and that works for explaining the main thrust of Amphibia.
What the hell is the main thrust of TOH? I can say what its main theme is, that self expression is king, but that's even an awkward placement when it clearly wants to be about reality versus fiction. But then it also is way too much wish fulfilment. It wants to be subversive of the fantasy genre but it uses too many of the tropes and excuses of it.
It doesn't know what it isn't, which doesn't let it know what it is. And that's such a shame. =======
I have a public Discord for any and all who want to join!
I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead,
And finally a Twitter you can follow too!
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aro-attorneys · 9 months
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God. Second attempt at writing a sort of coherent Good Omens Season 2 rant/review/thoughts. Whatever you want to call it.
First, things I really enjoyed:
Pre-fall Crowley scene. Though this was not liked as much by some other critical Book fans. I understand from canon-conflicting perspective, but TV and Book Omens are separate in my head (sorry Neil Gaiman I can't buy the Same Canon thing)
The flashbacks scene (especially the one with Job and the Resurrectionist, the zombie one was kinda bad though)
Aziraphale getting to use the Bentley
Ok that's all that stood out to me of what I really liked. Time to complain!
God I'll just...start with The Kiss. I saw spoilers for it before I got a chance to watch it and immediately felt disappointment. I do like the Ineffable Husband ship, but I liked it as this...vague thing they kinda had going on in the back. They absolutely did not need an angsty one-sided confession scene with a forced kiss. Everything about it felt so inorganic too. I was trying to be open to the possible (different/romantic) chemistry they might have in s2, but it never happened. Instead there was Nina and telling Crowley he's in love with Aziraphale. Even though nothing really indicated that? To the public they could just be friends?
They did make more "gay jokes" (like they did once in season 1, which I did not like, it was very amatonormative which goes against the vibes those two have). Did not like those. Felt forced.
I have made posts before about the lack of aro and qpr representation in media and Yes that does play into why I did not like this ending of the season. It felt like this possible representation was forcibly taken away from me. I get to be sad about that. It's technically a separate argument but I'm throwing it here anyway.
Aside from That, the vibes of season 2 was...not really Good Omens? I really love the season 1 adaptation on so many levels. It is not perfect and there is valid criticism to be given, but overall it catches the absurdist comedy and relevance of everyone at play Very Well. Both the book and the show have this "ah it's all coming together" thing that's executed so well. I agree Crowley and Aziraphale got more of a main character role in the Show vs. The Book (where the humans and nonhumans are equally important/get similar screentime). And they amplified this in season 2. This post-book "canon" seems to focus a lot on Crowley and Aziraphale, which feels Wrong. They don't work on their own like they did in the Book/s1. It was their interaction with Earth and its Humans that made them shine in the end. Giving them their own problems to deal with was incredibly uninteresting. This is probably why the flashbacks stood out to me more. ...Yeah, I think it boils down to them not being as interesting on their own.
(of course when fans draw Book Omens Ineffable Husbands it's a different thing altogether, but art or comics usually don't have TV-style drama)
I feel I should say something about Gabriel and Beelzebub? It caught me by surprise that I just laughed when I saw it unfold. It was just very weird idk. I will miss Beelzebub though, I loved their trash gender vibes (then again, the new actor did not sell the vibes as well as the previous actor).
This season made me dive a little into the Book Omens fandom again and made me realise how much I missed the Book. I read it back in 2017 and a lot of fine details are lost on me. I want to read it again for sure. I see a lot of mixed reactions from Book fans on this season. Oftentimes criticism of different kinds, sometimes someone who did kind of like the season.
Overall I hate it when a screen adaptation takes a fandom over. I have to see incredibly bad takes on the Ineffable Husbands every day since the show came out.
In short: it was mostly not as interesting/memorable and I am pissed off about the kiss scene that I have to see everywhere.
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mike-haters-dni · 7 months
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‘SENT TO THE GULAG’ IS KILLING ME
okay yes hop has probably atoned for his sins by now and his monologue at rock bottom was really good but it still pisses me off sometimes idkk. im just waiting for the payoff of seeing him actually DO better this time😭
and exactly! the angst in s2 is like- messy- but that’s good television! it gave us a top 5 millie preformance how can i even be mad
men in stranger things are weird sometimes cuz you have to overlook their CRIMES, (i’ll be like “omg jancy!” then i REMEMBER…) it’s weird when a character is randomly at their worst for a scene or a season just to meet the story’s requirements
jopper can scream at each other all sam and diane for nostalgia in s3 but when you look at it in a larger context it’s kinda dicey. like how weird of hop to doubt her when he already knows to trust her instincts.
and also it’s just like- nobody drags him enough for me! he’s so loved- male characters can do ANYTHING kinda- so i have to get him. out of principle. and i see that hopper (and like david harbour) is too important to kill off in the show and that him and el’s relationship isn’t all lows, not even in s2. i think i’m just bitter that 1. st tiktok treats el like she was SO unreasonable in that scene>:( (i need to stop going there it makes me want to rant on tumblr) and 2. how much time was devoted to bringing him back last season like my cali boys were so neglected. :( (after 2 failed prison escape attempts i was like (why i am still looking at this insanely bruised man) so-
but yeah i need to stop typing now cause i have a million thoughts in my head about hopper and the way that he is. and the way the show treats him. (how funny is it that even the viewers can have a complicated relationship with him. maybe i’m not giving the writers enough credit in that regard)
: )
-No like, I agree 100%. We forgive but we never forget
-I have a hard time even being really mad at Jonathan for the Incident cuz like, that was such a weird ooc moment that was clearly just so the plot would happen. Like he got possessed by the spirit of the writers to do that shit. And like I can't even be mad at the writers either because like, the plot they were servicing is really fucking good? I might be the only person in the world who thinks this but I think this show is phenomenally written esp from a plot structure perspective. Near perfectly even. Like this show single-handedly instilled a sense of how to do super satisfying setup and payoff, and how to have every scene push multiple things forward, and how everything seen on screen needs to be relevant to as much as possible. Its so tightly written that its like...yeah Jonathan had to do that shit. It allowed like 3 perfectly intersecting plotlines to play out. There was no other option. And like there probably was and maybe I'm coping or whatever but like...idk it's perfect to me :) But still we forgive but we never forget. And we only forgive after they display a marked change in behavior. And we still never forget <3 (side note: remember when El dumped him and Mike ((and Lucas)) went full andrew tate for a second? That's the one thing he's ((they've)) actually ever done wrong lmaooo ((tbf they were also 13 so like)))
-Who tf is saying she was being unreasonable??? child???? traumatized??? isolated in a tiny cabin for a year?????? With Hopper?????? A cop????????? HellO?????????? Bro ppl HATE her bro this needs to stop
-I think the biggest problem with the Russia plotline is just that it's not fun? Watching Hopper get tortured in a labor camp is not fun? I came here for 80s vibes, friendship and supernatural shit and it only delivers that whenever Joyce and Murray are onscreen (who are really fantastic together tho) and once the monster finally shows up way too late into the proceedings. There should have been inklings of monster throughout to add some intrigue and let us know that this was all going to have a point that tied into the plot of Stranger Things the 80s Monster Show. But alas.
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transmutationisms · 2 years
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id love to hear more abt the piss motif could u give me a comprehensive guide so far
omg yes of course
so on the surface level, pissing on this show is often a way of expressing dominance or power relations. which makes sense on an intuitive level—it's sort of like a dog marking its territory. that's what logan is doing in 'lifeboats' when he pisses on kendall's floor, and what matsson is doing in 'too much birthday' when he pisses on the waystar app. it's also what that rando is doing when he throws piss at logan in 'austerlitz' (impaled upon his own piss-sword, humiliated by his own design, etc).
i think the writers also subvert piss-as-dominance, though, by drawing the audience's attention to 1) the grossness of it and 2) the times when characters (logan) transgress the bounds of the appropriate time/place to piss. eg, the opening scene with logan pissing on the rug. he's an incredibly rich man and he can afford to just pay someone to clean up after himself—but it's still humiliating, he can't look directly at the person doing the cleanup, and obviously it foreshadows his haemorrhage. similarly, in 'retired janitors' he's pissing constantly because he's lost control of his bladder and consequently his mind, and he becomes a tragicomic figure rather than the omnipotent patriarch-king he normally tries to be.
most interestingly, though, i think the flow of bodily fluids in general tells you something about the character's emotional state. when you see someone bleeding, pissing, shitting, puking, yerfing, or even spitting you're usually also seeing some kind of emotional turning point or release. (my faves are kendall shitting the bed at his big emotional shift in s2, and the way tom swallowing his own load is symptomatic of his emotional constipation/repression/inability to get what he wants).
plus, when i think about piss motif, i also think about the large number of scenes that take place in bathrooms (depends how you count, but roughly an average of one per episode). the bathroom is socially coded as the one place where civilised people can go to release, and i don't think it's a coincidence that we also see so many emotionally charged and significant conversations on succession happening in these settings. eg, tabitha has two significant convos about roman's sex and intimacy issues where she's in the bathroom; tom has a couple important phone calls with shiv where he's in the bathroom; i also wrote about togan piss dialectics here which was semi a joke but also... true lmao.
there's also some excellent power plays in bathrooms. eg, kendall bringing the bear hug letter to logan. he catches his father off his guard, half-dressed, in a vulnerable situation. but, because he's kendall, he feels bad about this and logan can tell, and still manages to bully his son. still, the scene ends with logan's hand literally in the toilet, so i'd say this was a relative high point for kendall. or there's greg catching logan in the bathroom and telling him he wants out of waystar, and logan manipulating him into staying. logan is the character who's most free to be emotionally expressive/manipulative, and he's also the one the piss motif centres around.
there's obviously some overlap here with other recurring imagery/motifs in the show. kendall and roman both have a thing with mirrors; kendall has a water motif; there are also lots of other bodily fluids flowing on this show. i also think that, strictly speaking, piss motif and bathroom motif are two different things, though for obvious reasons they do come together in some scenes. but bathroom motif involves a lot of like... vulnerability and emotional dis/honesty and secrecy.
anyway yeah tl;dr: piss motif, to me, is about 1) power relations, 2) the inherently humiliating nature of possessing a human body, 3) emotional expressiveness/release. it's a top-notch motif :)
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petitprincess1 · 2 years
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I don’t want to sound like an asshole, but Erin’s tweet is just people working. That’s it. People working. There’s nothing convincing me that “yes, that’s abuse”
And the people she mentions is not even Vivzie, she’s using her a a bait to attack other workers in the company. I’m not saying she’s lying about the workplace not being the best, but her originally saying that she didn’t want to drag Vivzie’s name to the mud when she made the post in June (which btw it was shortly after HB S2 was announced) but now even starting to try to sue her and bringing these conversations just TWO DAYS before HH’s third anniversary is hella fishy, specially when it was announced a surprise for the date.
I truly wanted to stay neutral in the Vivzie/Erin drama because, while I hoped for the “this is a misunderstanding” route (which I’m still convinced) I didn’t want to give myself an unpleasant surprise if it turned out it was true. But now after seeing she’s trying to sue her and as “proof” she shows conversations that don’t prove anything I’m, the word wouldn’t be not believing her, but seeing she’s inmature and kinda manipulative, because it always happens when Vivzie’s about to do something big and then she says she “doesn’t want to ruin her image” when she clearly does.
Also, why it took her so long to show the proof? In most allegations proven truth I’ve seen they showed the proof right away, they didn’t first make the accusations and then months later show the proof.
Sorry if I sound bitter, but literally I suffered with the Vivzie allegations so much, I began feeling I was a bad person for liking the show, and all the proof they have about Vivzie being a bad person is this? I think I’m siding with Vivzie until Erin can convince me there WAS abuse, not that there were flaws in a small indie company
Yeah, same here. I typically take a neutral approach to these dramas, but this time...I just can't. Seeing the "evidence" and the labeling she's giving it, I just can't support that. It inadvertently belittles any other real abusive claims that anyone may want to come forward with.
Again, no one is doubting the miscommunication, but that happens no matter the situation. However, making it seem like these guys are "bullying" her, while they're actually being pretty accommodating, is kinda weak.
Plus, her bringing others names into this when they don't want to talk about drama and have moved on? No. That pissed me off. Let's say, these people were traumatized. Without any noticeable consent, you're forcing those people to be retraumatized for the sake of YOUR battle because YOU don't have enough evidence to back yourself up. That is absolute bullshit.
I lost all sympathy after that. You do not drag others into something they want no part of. You're risking their own futures by being completely selfish.
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