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#williams blake
acciomylove · 3 months
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i was in lit today & we were analyzing the sick rose - williams blake. my teacher was explaining how the line: "the invisible worm" and similar descriptions in literature can be used as phallic symbols.
i immediately started giggling. i was the only person who laughed ... i was incredibly flustered by my apparent immaturity, but also confused because my class is definitely not comprised of anyone too mature to laugh at a dick joke.
i was right. as soon as my teacher explained that "phallic" was basically synonymous with penis, the entire room burst out with laughter. so then i realized that i wasn't immature, i was just the only person who knew what "phallic" meant ...
is the meaning of "phallic" not common knowledge?
i've always loved studying greek and roman mythology, especially art depicting or related to the myths. whenever i read up on the histories of various sculptures, stories and architecture, terms like "phallus" had always shown up quite commonly to describe symbolic themes.
anyways im clearly still embarassed because i haven't stopped thinking about today's lesson for the past 9 hours ...
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suhaylah · 1 year
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Lovers Sempiternal (2022) oil on wood panel Shop: suhaylah.bigcartel.com Patreon: patreon.com/suhaylah_h IG: @suhaylah.h  
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wembleysfraggle · 6 months
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Looks like we've got a mystery on our hands! 🔎🐻 if you haven't seen this short animation please do yourself a favor and go check it out! And after seeing the FNAF movie with my partner dressed as Shaggy and Velma I was struck with inspiration.
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diioonysus · 24 days
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creatures in art: fairies
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389 · 5 months
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Christ in the Sepulchre, Guarded by Angels William Blake
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zeropsworld · 1 month
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Casey Williams singing for the anniversary of the bees confession 🥹
Casey writes: Happy anniversary to the bees’ confession and “Worthy!” 🐝♥️
So grateful o got to write this song for them and feature the incredible @ariyelmusic on it 🥹
https://x.com/caseylwilliams/status/1772417276299313232?s=46&t=fn_g1YYXHcPE58e2NWO5GA
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william-blake-art · 1 month
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-Jacob's Ladder-
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borninwinter81 · 4 months
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William Blake - an introduction for Good Omens fans
I have sent @neil-gaiman an ask regarding his feelings toward the poet/artist William Blake a couple of times, but no doubt due to the size of the poor man's inbox I haven't received a response. So I did a Google search to see if he's spoken about Blake before, and it did indeed come up with a fair few hits. I think you might enjoy seeing this Twitter post if you haven't already, the painting is from William Blake's illustrations to Paradise Lost.
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It's not surprising that an author like Neil Gaiman might have an interest in Blake. A visionary from a young age, his imagination was such that he was surrounded by angels made visible in his mind's eye, and he interpreted these visions through poetry, painting and engraving, and self-printed and published many of his own works. This gave him complete freedom to say exactly what he wanted.
Though he had a passionate faith in God, he also had a deep distrust of the church as an institution, and disliked the use of religion as a means of control. This poem from "Songs of Experience" perhaps summarises his feelings best:
"I went to the Garden of Love,
And saw what I never had seen:
A Chapel was built in the midst,
Where I used to play on the green.
And the gates of this Chapel were shut,
And 'Thou shalt not' writ over the door;
So I turn'd to the Garden of Love,
That so many sweet flowers bore. 
And I saw it was filled with graves,
And tomb-stones where flowers should be:
And Priests in black gowns, were walking their rounds,
And binding with briars, my joys & desires."
In his poetry there is often an incongruity with the generally accepted religious ideas of what is good and evil, Angel and Demon. In The Marriage of Heaven and Hell (there's a title that should make any GO fan sit up and pay attention) he tells us that "in the book of Job, Milton's Messiah is called Satan", signifying that he feels it is Lucifer/the devil who is the true Messiah of Paradise Lost.
He gives us The Voice of the Devil and Proverbs of Hell, and has Angels being transformed into Demons through enlightenment. He tells us that Jesus broke all of the 10 commandments, yet was still virtuous because he acted according to his own morality rather than rules.
The god-figure of his later works, Urizen, generally comes across as malevolent, seeking to bind and control, whilst Los, the Satan/Messiah figure represents freedom, imagination and creativity.
"Restraining desire" and acting contrary to your own nature seem to be the only real evils for Blake.
He expressed his faith through a love of the world and the beauty in it, summed up in this quote:
"When the Sun rises do you not see a round Disk of fire somewhat like a Guinea? O no no I see an innumerable company of the Heavenly host crying Holy Holy Holy is the Lord God Almighty".
He saw "God" in everything, in all the wonders we have around us, and considered writers/poets and religious prophets as essentially the same, since they both have a connection to the divine, and express it through stories.
It's quite ironic that probably his most famous poem, Jerusalem (the one that starts "and did those feet in ancient times walk upon England's mountains green"), was made into a very popular church hymn, yet it is supposed to be satirical in nature. The poem recounts the myth that Jesus may have visited England in his boyhood, and Blake is expressing his disbelief at that notion and the unworthiness of England.
Did I have a point to all this? Mostly to show my hand as a massive Blake nerd, but also to hopefully demonstrate that there's a lot of common ground between his ideas and those expressed in a show/book like Good Omens, and hopefully to inspire some of you who may not be familiar with Blake to seek him out. In particular I'd recommend The Marriage of Heaven and Hell to any and all.
EDIT: I should have thought to include this, here's Michael Sheen reading a Blake poem. I have the CD this is from, he reads several by Blake, as well as other poets I love ❤️ 😍
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lionofchaeronea · 2 months
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The Parable of the Wise and Foolish Virgins, William Blake, ca. 1799-1800
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symbolism-art-history · 3 months
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The Wandering Moon by William Blake (1757 - 1827)
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andromeddog · 1 month
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snz
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kaladinkholins · 4 months
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yall i just KEEP doing back to mizu and taigen's wrestling scene in master eiji's forge and like i know that taigen literally got a boner from it BUT THE THING IS out of all the scenes these two have together, this scene actually has the least sexual tension ?!? cuz like the boner aside, this scene is actually very soft and emotions-driven rather than pure passion or lust.
arguably, a more passionate and sexually-charged scene would be their previous brawl in the snow with the chopsticks, which is tense and angry and also the scene that mizu thinks about when madame kaji talks about being honest with one's innermost desires.
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but THIS scene in the forge? warm colours. their laughter and their smiles that both equally genuine. the WAY taigen looks at mizu in that scene, staring first at her lips, her smile, then looking into her eyes. and you can see by the framing of the scene and the look on his face that he is, for the first time, seeing her eyes as something beautiful rather than off-putting or frightening.
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like before this point he's already come to not only respect mizu as a person and an equal but also admires her as an incredible swordsman and as someone who is kind and honourable* for having saved his life at the expense of her revenge quest. so as of the time of them tussling in the forge, taigen has already put aside his prejudices about mizu's blue eyes and no longer finds them as any cause for disgust. but in this scene he's not just indifferent about her eyes, but attracted too it.
and i'd also like to argue that his boner is not from the physical exertion or the act of wrestling itself, but from the intimacy of a playful spar, enjoying each other's easy company after having established a deep trust with each other (taigen endured torture for mizu and helped defend her from archers in the chasm while mizu saved his life from fowler's castle)
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and all this while in the safety of mizu's childhood home while both of them are still recovering from near-death, amplifying their vulnerability with each other.
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like when was the last time mizu cracked a genuine smile, let alone a laugh that's more than a little wry chuckle?? and for this to happen at such a low point in her life also speaks to the comfort this little friendly spar gives her.
because like, this is after she failed her mission to kill fowler. meanwhile her sword--the embodiment of her soul--is broken, and ringo who is her closest confidant is now angry at her and barely even looks at her. it just further lends to the inherent tenderness and intimacy in this scene. and i just. AHHHH i love them your honour....
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* ALSO as a side note about taigen believing mizu to be honourable: he later realises that this assumption turns out to be quite false when she reveals that she'd not only allowed akemi to be taken away against her will but also has said nothing about fowler's impending attack on edo. also i find it very interesting that out of the two revelations, taigen is less angered by mizu letting akemi being married off (he sighs angrily and marches off saying he has to go to edo to find akemi), but much more angered by mizu's refusal to save the shogun and the shogunate as a whole. this is more proof that taigen's central principles are firmly rooted in the bushido and the concept of honour that comes with that. it's why he lashes out at mizu. because he'd believed mizu to be honourable and righteous, but was proven wrong. that's not to say that taigen is in the right for calling mizu a demon, not by any means. but i just find it a very interesting part of his character and it relates to his relationship and perception of mizu
also while rewatching the episode i found this very funny they just lyin there in the cart like this 🧍🏽‍♂️🧍🏽‍♂️
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jstor · 10 days
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April is National Poetry Month, and at JSTOR, we celebrate the boundless creativity that poetry inspires across various forms of expression. 🎨 📜
This month, we highlight the seamless blend of visual art and verse, featuring stunning prints by William Blake from The Metropolitan Museum of Art's open collection. Blake's work exemplifies the powerful synergy between poetry and imagery, reminding us that words and art are profoundly interconnected.
Images: William Blake. Songs of Innocence: Spring. [1789] printed ca. 1825. The Metropolitan Museum of Art.
William Blake. Songs of Experience: The Tyger. [1794] printed ca. 1825. The Metropolitan Museum of Art.
William Blake. Songs of Experience: The Angel. [1794] printed ca. 1825. The Metropolitan Museum of Art.
William Blake. Songs of Innocence: The Lamb. [1789] printed ca. 1825. The Metropolitan Museum of Art.
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thoughtkick · 12 days
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It is easier to forgive an enemy than forgive a friend.
William Blake
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diioonysus · 3 months
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red + art
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weirdlookindog · 5 months
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William Blake - The Great Red Dragon and the Woman Clothed with the Sun, c. 1805-1810
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