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#why do I actually love this
simbasomba · 5 months
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*drops this here without any context and scurries away*
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duskcowboy · 2 years
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“A Court of Quiet Dreamers”
…has a nice ring to it 😚
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evidently-endless · 22 days
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i think we should remind musicians they can absolutely make up little stories for their songs btw. it doesn’t have to be about them at all. you can invent a guy and put him in situations to music. time honoured tradition in fact.
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wispscribbles · 3 months
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I love your ghost design. I wanna squeeze him :⁠^⁠)
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If no hug then why hug-shaped???
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idiotsonlyevent · 1 month
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i wonder where the idea of chilchuck being a deadbeat came from when theres like. no textual evidence for it ?
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he knows what all of them are up to; he still writes to flertom and she sent him his neckwarmer, so that to me implies that they at least have a somewhat positive relationship?
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its more ambiguous with meijack and puckpatti, but since meijack is also a picklock, i wouldn't be surprised if he taught her himself, considering how trades are often passed down through families, and because he talks about sending people to her if he dies.
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also the way he talks about puckpatti is very like... it's obvious he wants her to take things more seriously, but he's accepting, and his tone here reads more fond to me than anything else.
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like, he keeps his daughters' old toys under his desk? that doesn't scream 'deadbeat' at all, it screams 'empty nester' who doesn't know how to reach out or is scared to do so
EDIT: i know a lot of the 'deadbeat dad' stuff is jokes, but some people are Not joking and genuinely think chilchuck is a bad dad. this post is not saying that you cant joke about it; it is just outlining what canon shows regarding his (clearly positive) relationship with his kids.
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tojisun · 7 months
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…yea sure why not?
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baker!simon who’s known for the bit he’s got going on – something you wished your friends would’ve told you because the first time you walked into the niche bakery (at six am to boot) and saw simon, big and tall and inked and masked simon, you screamed bloody murder.
“jesus-!” he yelled back in surprise, almost dropping a tray of freshly baked shortbreads before whipping his head up to see what was going on only to feel like he’s been punched in the gut because there you stood by the entrance, bundled up with thick jackets like you’re preparing for winter even though fall was just settling in, your hair a haggard mess and your face gaunt from exhaustion, and looking like all parts of simon’s dream woman.
“um,” you stammered, staring at him with wide eyes and trembling hands, your heart hammering in your chest as you began to panic. “i, uh. i’m…?”
simon watched as you continued to stammer before finally taking pity on you. he placed the tray on the counter and turned to fully present himself to you, spreading his arms out in hopes that it would show you that he’s not dangerous. that you would see his flour-covered apron and see that all he’s got going on in life is baking, and then instantly be enamoured with him.
“you here for breakfast?” he asked, clearing his throat upon hearing the awkward croak of his voice. thank god for his mask because he was able to hide the flush of his cheeks, allowing him to continue to play it cool in front of you.
“yes?” you replied, still confused as to why the… baker? was wearing a homemade skull mask.
“sure,” he said and you watched as he wiped his hands on his apron. “come over here then. what’d you want to order?”
baker!simon who isn’t really a big sweets enthusiast but whose desserts are the best in the block. you asked him what made him pursue this career and you watched as he stilled, his face falling slack like he can see something you couldn’t – like he is reliving a memory – before shaking himself with a deep inhale and finally whispering, “for my brother.”
you did not probe any further, your heart heavy with guilt, but simon just turned to you with a small smile and asked, “wanna hear about ‘im?”
he gathered you in his arms as he recounted the few fond memories he has of his childhood, and you breathed him in, smelling the faint smell of macaroons and toasted butter on his skin.
baker!simon who begins dedicating his daily special treats to you. “for the apple of my eye,” when it’s apple fritters day. “for my beloved cheri,” on cherry pie day. “for my precious sugar,” on sugar cookies day.
baker!simon who proudly prances around in his frilly pink apron that has “husband material” embroidered on the chest. you gave it to him as a gag gift but simon loves it so much that he began to wear it to work, showing it off to his friends with a deep chuckle.
“my girl got it f’r me,” he says to johnny. “pretty, isn’t it?”
johnny nods amidst laughter, his body folded into himself as he clutches the counter for support.
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fuck. baker!simon might even be better than biker!simon
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thapunqueen · 9 months
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SO I SADDLE UP MY HORSE AND I RIDE INTO THE CITAAYY !!!!!
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When someone really cool that I’ve followed for a while follows me back I feel like I have to be more normal with my posting habits for a bit because I don’t want to scare them away, as if they were a nervous horse who might run away if I move too suddenly. But eventually I realize that it’s impossible for me to be normal forever so I just go back to being weird regular annoying me and cross my fingers that they stay
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egophiliac · 11 months
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redesigning my headcanon for Sebek's parents, based on important new information (SCALES)
(you can't see it but they're both wearing crocs)
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pbnmj · 1 year
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what was supposed to just be pavitr and meera jain spiralled into a LOT of spiders in formalwear/red carpet outfits.... most of them referenced off met gala outfits and then adjusted to suit my own tastes LOL
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tinukis · 8 days
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DAY 7 - HAPPY LUFFY DAY 👒🏴‍☠️🎂♥️♥️♥️‼️‼️‼️
i did it... I FINISHED A WEEK CHALLENGE NO WAYYYY.... THIS WAS ALL FOR YOU, CAPTAIN ♥️♥️♥️♥️
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obsob · 1 year
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making and weaving and loving! like we have done for millennia!!
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sableeira · 6 months
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You know how “the moon is beautiful tonight, isn’t it?” is used as an expression for love confessions? It’s said that Natsume Soseki came up with it after overhearing a student translate “I love you” to Japanese in a very literal sense. While there is no source confirming that this exchange actually happened, I still think a scene referencing the expression with Natsume randomly appearing would be hilarious
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midnightsslut · 21 days
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religion is one of the most prominent recurring themes on the album, and it has been present in some capacity for quite a few records now. taylor previously compared love to religion: her saving grace, her belief system, and a fated divine intervention (false god, cornelia street, and cruel summer are the best examples of this). ‘sacred new beginnings that became my religion’ and ‘we’d still worship this love even if it’s a false god’ are two of the defining statements about her philosophy on the lover album.
taylor doesn’t want to leave all of that behind on ttpd, at least not at the beginning. the first supernatural force she mentions is the spaceship on down bad, which she compares to a skylight of freedom in the epilogue. *something* has finally come to save her from her life of suffering. she doesn’t care if it’s a force of good at first; if anything, she’s just fine being taken away by aliens. she views this man as her destiny. it isn’t until guilty as sin? that taylor starts to ponder the moral implications of what she’s doing. is she guilty as sin for wanting to leave her previous religion and relationship behind? she comes to the conclusion that, even if she rolls the stone away and gets resurrected/redeemed, she cannot avoid the fallout. she is okay with the thought of having to wait, as long as both lovers vow to be together forever, just as she once did with someone else in false god. ‘I choose you and me religiously’ finishes the bridge of the song in a direct callback to cornelia street.
the next mention of religion has murkier imagery. she claims that she does not need the Lord’s help to save this man. she sees the halo that he has, and she can fix him herself. now that she feels free of her prior cage, she isn’t looking for divine intervention anymore. she wants control. she is their route to salvation.
when the relationship falls apart, she retreats back into the position of a believer rather than a divine figure. she compares him to a Holy Ghost who promised to save her and take her to heaven. instead, she is in hell in every sense of the word: she’s down bad and feels guilty for digging up the grave. he was a jehovah’s witness who promised that she could break free of the cage imposed by love without changing her religion altogether; she would’ve just had to switch denominations. she could still have a marriage and kids! she could still have a blue tortured poet! the man was different, but not the dreams they had together. the story of the first part of the album ends here. her faith has been broken, and she has only found any semblance of sanity by refusing to mention these belief systems altogether.
side b/the anthology blends the christian imagery of side a with goddesses, sorcerers, and prophecies. she bargains with these powers to let her have the future she wants (the prophecy). she doesn’t sound like someone believing in salvation. if anything, she feels cursed. she decides that the concept of divinely ordained timing will never work in certain relationships (‘the goddess of timing once found us beguiling / she said she was trying / peter, was she lying?’). this disdain extends onto her perception of other people’s faith (‘bet they never spared a prayer for my soul’). she does position herself as a prophet in cassandra, but even then, she admits that the role has hurt her. perhaps the pain in thank you aimee was meant to be, or perhaps she was just strong enough to build a legacy in spite of it, boulder by boulder. is she a martyr? does she want to be? or did she save herself?
the only real love song on this half of the album makes no mention of fate or any divine forces. it wasn’t meant to be. it’s not a supernatural invisible string or lightning in a bottle. she is just in love.
the album ends with the manuscript, which revisits an old story of a defining, formative heartbreak. as she sings ‘at last, she knew what the agony had been for’ while describing the legacy of her writing, she seems to revert to thinking about the purpose of trauma. the only exception is that, in this case, she is the one who found meaning in her pain by turning it into a manuscript. writing is her belief system now, and she proselytizes by telling her stories and thus giving up the manuscript.
ultimately, her belief in destiny has chewed her up and spat her out. she so desperately clung to her existing belief systems that she was fooled by a conman, which left her feeling cursed. religion is supposed to be with someone even in their darkest moments, but the album explains that taylor often felt abandoned. the only constant in her life was, well, herself. she’ll be okay, but her pen will be her saving grace.
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lucabyte · 17 days
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Not all who wander are lost. Some who wander, however, are extremely, extremely lost.
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mobius-m-mobius · 28 days
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#so unserious 😂💖
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