#which i love because its my own story that i have more control over

[severepink]

Observing Adam

Where I go way too deep into something that probably isn't that deep. It's long, it's long as hell.

Okay, so you'd think with how Adam talks he's just a typical misogynist, right?

This man worships pussy. So much so, he's named a whole ass angel, one of his best, Vagina. You'd say that he objectifies them and thinks of them as being lesser, but I don't think that's the whole story. In fact, I think he might be the original simp.

All of these exorcists so far have been women. All of them. He refers to them as ladies or bitches interchangeably, he sees them as being completely capable of absolutely decimating leagues of some of the most vile beings who have ever existed, and they have, to the point it was only after thousands of years that there's been a risk to this hierarchy.

He's a self-centered, egotistical, loud-mouthed, arrogant asshole, no doubt about it, but I'm beginning to suspect something now.

If Adam and Lilith were created from the same dust, if they were created as equals, I am more than willing to bet... Lilith is also a self-centered, egotistical, arrogant asshole. But, she's likely far more intelligent, composed, and duplicitous.

Lilith was allowed to refuse Adam and leave of her own free will and garnered her own independence. A new wife was created for Adam, she was replaced. My guess, is she thought Adam wouldn't be able to live without her, to come back and find herself replaced entirely, she was enraged.

I believe both Adam and Lilith were both incredibly dominant individuals who fought over ideas, thoughts, and ultimately in the bedroom as well, if we take into account the creationist stories.

I'm willing to bet she likely manipulated Lucifer into twisting humanity against its original concept. What if Lucifer's intention truly was to just spark something within Eve, like independence and thought and creation, but it was Lilith's poison within the fruit that tainted her, then subsequently Adam, with sin.

Lilith thrived in hell, while Lucifer's dreams of creation were dashed. She didn't suffer as he did, instead the power of her voice grew with hell. Her voice grew so powerful that heaven found it to be a threat, her actions instigated the beginning of exterminations.

Charlie said that when she was a little girl, she didn't know Lucifer at all. I don't think this was because of Lucifer, he's seen here, picking her up, inviting her to share in his thoughts and dreams, showing her something wonderful. Something she could see within herself.

Charlie says that it's this moment that sparked her will to fight for her dreams. Which is strange, because at the very beginning of the story, Charlie says it was her mother's dream that was passed down to her.

Lilith took Charlie away. In this scene, Lucifer wasn't done showing Charlie his thoughts and dreams, he's still yearning to show his daughter these things at this point.

Lucifer loves his daughter. He loves Charlie so, so, so much. So why wasn't he allowed to build a relationship with his daughter for the longest time? He was waiting for the opportunity to get to know her, but with how much he adores her why didn't he do it sooner? He didn't comment on 'It took you a while-' he just said he missed her smile. They don't want to be pulled apart, again.

Now, we know Vivziepop has said that Lucifer and Lilith love each other, but Lilith 'wears the pants' in the relationship. We see all of the pictures all over the walls of a supposedly happy family. I don't think the relationship was as loving as originally portrayed and Lilith is a woman who desires control above all else. She likely tried to mitigate what influence Lucifer had over their daughter when she thought his angelic thoughts and behaviors became more than what she approved of.

Lets take it back to Adam and Lute for a moment. Again, Adam is a loud mouthed idiot, he's a jerk. The moment he realizes there are demons in heaven, he's ready to go on the attack. It's only because of Lute that he didn't end up doing something absolutely idiotic.

I gotta say, Lute and Adam's relationship is an absolutely fascinating one. He's a disrespectful dick head in how he talks, but how he acts is a different story. He allows Lute to man-handle him. He does listen to her, even if he's a whiny bitch about it.

Look at him, this is the face of a man listening, a dumb one, but a dude listening all the same. He doesn't manhandle her back, he doesn't even pull away until she lets go of his collar. Of all the shit he complained about, between being grabbed and being told what to do, his biggest complaint is that she's telling him to shush.

We know that Adam is the one who suggested the exterminations to begin with, so Sera says, and this was because of the power that Lilith was amassing. To him, Lilith is a threat. Even when he was willing to move on, to go to another wife when Lilith didn't want him or want to submit to him (fair babe, he's a bit of an idiot), she came back with an angel and proceeded to manipulate his new wife Eve. This is the supposed progenitor of man-kind, the original dick (hilariously enough), the reason civilization even exists at all. He and Eve had to fight for their lives after being tempted with the fruit. They had immortality, they had no ideas of shame, they were supposedly 'innocent' creatures before Lilith and Lucifer came along. He and Eve had to fight tooth and nail to survive after being cast from Eden. I think it shows in how willing and ready he is to take lead and do what he believes needs to be done, now out of a need for entertainment rather than a need to defend or protect. But, he still stopped to listen to Lute's advice. In the mythological story of Adam and Eve, Adam is the one who has to tell Eve that god said don't eat the fruit. Eve never heard god speak to her, so she was vulnerable to the snake's manipulations. She will now die because she ate it, and because she did not want Adam to take another wife, convinced him to eat it unknowingly. Funnily enough, Adam tried to explain to god that 'she lied to me and gave me the fruit' and in this actual mythology, Adam was punished for listening to his wife. Even without mentioning Lilith in the original mythology, Eve didn't want Adam to take another wife, so when we consider it within the context of Hazbin Hotel, it may be likely that's how it went down. Eve knew of Lilith, knew that she could be replaced, and decided that she would take Adam with her.

I believe that Adam does and did rely on the women in his life to help him with direction. I think Adam knows he can be an idiot and is willing to listen, even if he doesn't agree with what he's hearing. He did listen to Charlie in the beginning, he just didn't believe in her, like everyone else and he, out of anyone there, probably had the most reason not to. Cain and Abel were his and Eve's sons, his own child became the first murderer. Out of jealousy, the same kind of jealousy that no doubt has caused Lilith to act how she did. Adam isn't going to have empathy for sinners. His family, his legacy, were filled with the original sinners. He probably had to kill his son Cain in hell during the first exterminations. What do you think he would have had to feel, if it came to be a fact that sinners could be redeemed? That maybe his son, could've been redeemed? Or any of his progeny for that matter? How did it feel when his sons, his progeny, weren't given the same mercy as the Hellborn that Lucifer managed to keep protected through some deal with the angels or god? Not to mention that Charlie could've been his daughter. Charlie is the product of the people who completely and totally destroyed the paradise he'd been born into. She's the daughter who is protected and immune from the slaughter while all of his sons and daughters are judged and killed. I believe, even though he was a dickish prankster to Charlie, he was surprisingly patient and even somewhat amicable, willing to even ask her how her weekend was like he was just trying to get to know her.

Adam could just see all of the angels under his employ as being disposable. He doesn't have to name them, or think about them in any individual fashion. But, he knows Vaggie, recognized her instantly. Thought she was badass. Lute's the one who saw her, tore her wings off, and walked away. I'm surprised they even let her live, because this just goes against everything they're doing. They're an army and they saw one of their own showing empathy to the enemy.

Look at this dumb ass. He's being a shit-head, a dick, a bastard. But, he admires Vaggie's ability to pull Charlie, congratulates her, this dude isn't even judging her for being a lesbian. I don't think it's because he objectifies women, this dude loves women, he just does. He respects fellow vagina lovers. I don't think he respects liars in the slightest though. He's being underhanded, he's trying to be manipulative (he's not very good at it). I think he's brutally open and honest about everything and that's probably one of the reasons he's such a bastard anyways, because sometimes you just need to shut-up and he's not good at that.

I don't think he respects Sera for that either, he's more than willing to let others know what the hell he's doing, but under Sera's lead, he can't be open about it. I don't think it's his jam to act this way, it's why he sucks so bad at it and I think that's why Lilith is so antithetical to him. I also think that's why he's possibly even being manipulated.

It's kind of crazy that Adam is the only one who tries to come up with what allows someone to get into heaven. So here's his list: 1. Act Selfless: Maybe at one point he was! He had to have been, to be one of the progenitors of mankind, he would have had to work, sacrifice, and give to his wife and children for them all to survive. Eve would have had to do the same, no doubt. He may not seem selfless, due to his raunchy behavior, but he's served heaven since he's been there. He's served humanity in some kind of facet. 2. Don't Steal: Considering the only other humans are his spawn, he likely had to try and get them to not steal from one another for them all to have an equal opportunity of survival. He and Eve likely both knew they would need to work together to survive.

3. Stick it to the man: This, however, is interesting. Who is 'The Man' he speaks of? God? The only other people over him or were equal to him were women. He speaks like a rocker, and I think in this case he's using the term 'The Man' in a gender neutral way. I think he allowed some amount of Authority to Lilith when they were supposed to be seen as equals, it comes so naturally to him as a character when it comes to the other women he's been interacting with. I think she is the 'man' that he's been sticking it to- Pun somewhat intended. ((This third one may also simply be a tongue in cheek reference to when Alex Brightman played Dewey in School of Rock on Broadway! Thank you to the user who brought this to my attention!))

Adam is a bit of a hypocrite, isn't he? He likes to fuck, he's made that abundantly clear. Full of lust you could say. It was his original purpose after all, and he is judging Angel Dust for something he probably would've done himself at one point or has considered doing (maybe not the having sex with men part). Angel Dust does all of these things, Adam doesn't even deny it. He even looks nervous. He's angry, but doesn't deny that Angel has done those things. He doesn't explain it away or try to lie or move the goal posts, he's just asking what is an actually very valid question.

Why isn't Angel Dust there if he can do things equal to what Adam himself hasn't done? Serenity continues that line of thought. It isn't until Charlie is realizing no one knows what it takes to get into heaven.

Adam is more than willing to let Lute take the lead here, he's willing to give her the stage to clap back, he's giving her back-up antics. By all means, they could be pushing and fighting one another, there could easily be body language expressing something other than their general comfort around one another. They aren't fighting for a spotlight like you'd expect Adam to try and do considering his egotistical attitude.

Adam fucking sucks at keeping his mouth shut and he sucks at lying. He nearly blew the secret out of the bag once, this time, Sera is the only one who tries to stop him and to be honest? Lute looks a bit too thrilled at it. He knows he fucked up, but he doesn't think it's a big deal that anyone would know. For fucks sake, they've already condemned souls, his progeny, to suffer. What's the big deal if he kills them?

I have to re-iterate what's happening here. Charlie is proud she caused this chaos, that she caused these angels to fight amongst themselves, even if in this case it's a good thing. But, this is like history repeating itself to Adam, the reflection of his ex-wife, entering his domain, causing strife among his people, being happy about it.

And the venom he expresses when it comes to the 'liar' portion, god Alex Brightman destroyed when he got to this portion specifically. There is some vehement disgust in his tone when he says liar.

Adam isn't a good person now. But, I think he used to be a good person. By all means, Adam himself could've been the first murderer when his wife made her mistake. He, at one point in time, had to have been good enough to foster civilization itself with Eve. Both good and bad. Adam's original purpose was to be fruitful and multiply. Ordained by god (or maybe just angels) himself, divine power directed and created him to fuck. He didn't chase his ex-wife down, he was given a new one, Lilith was allowed to leave. When he left things alone, when he tried to move on, his ex-wife and a scorned angel destroyed the paradise he was in with Eve. He had to struggle and toil, he had to feel shame in his own body. He had to find out his first born son was the first murderer. His second son killed. We don't know if this is going to be canon in the story, a lot has changed, and if Adam is the first soul who reached heaven, then what did happen to Abel? Was Abel considered a sinner? Or did Cain kill Abel after Adam had passed? Either way, he had to witness his children kill, he had to watch his descendants behave in a range from saints and monsters. He's seen genocides, he's seen famine, war. Adam is desensitized to the plights of his descendants. Maybe he even saw it as a duty to cleanse the universe of their existence at one point, because they were his responsibility.

At the end of this episode, he is properly scolded by Sera and does seem ashamed of himself. He isn't huffy, he is reminded that he should be ashamed of acting that way.

I love Lute's enthusiasm, she's absolutely brutal when talking about Vaggie and with how she handled Vaggie. I think it's funny that Lute is so brutal she's even made Adam uncomfortable. It's cute that he's made uncomfortable by the excitement and all he does is tell Lute, the premier hype woman over here, to chill. She's so proud of herself too, look at her.

He fully expects these exorcist bad bitches to go in there and fuck shit up. But, you know it's hilarious that he's throwing horns? This dude, this angel. First human soul in heaven, loving rock n' roll, the devil's music, and throwing motherfucking horns. It's poetic really. I think we can probably assume where things are going.

Now, this is the first point we've seen Adam being a real piece of shit to Lute. I don't think Adam likes it when people think he's too dumb to notice something, especially something so damn obvious. This is such a drastic moment of vitriolic, uncontrolled anger directed towards Lute. Adam knows he isn't the brightest tool in the shed. He likely knows he's obtuse and misses shit. It's why he sucks at lying, he knows he's not smart. That is why I think he's afforded women opportunities to direct him without fighting back against their advice and their choices. I'm sure Lilith made it obvious how dumb she thinks Adam is. I'm wondering if this might be where their ground breaking fight might've come from. Who's to say he didn't allow Lilith to take the lead, or listen to her like he's done with Lute here and now? Perhaps to an even greater point? He listened to Eve and ate from the fruit of knowledge and he was punished for it. Being seen as so dumb he can't formulate a simple fact is a sore spot for him.

Adam is incredibly powerful. It took a bit out of him to exercise that power, probably because he's out of practice just like Lucifer said. At one point, he probably wasn't so sloppy and weak willed. He's gotten lazy. Sloth like.

I think it got real personal here. How viscerally and personally he attacked Charlie. No one but Charlie truly thought sinners could be redeemed, or that they were even worth it. Not even one of the original sinners. Maybe he never considered the possibility, maybe what happened really did make him see the world as black and white to cope with that happened to him, his wife, his children. Charlie's desire to fight this idea would destroy the foundation for all of his coping through the years. He stopped seeing them as family, even though he's grandiose about his founding role in humanity. Does that itch the guilt that may lurk under the surface?

I don't think Adam thought much of Charlie at all. I don't think he had any intention of coming to kill her in the beginning, despite seeing her, despite who her parents were. But, I think with the constant push, with how eager she was to disrupt the pre-conceived idea of order, it reminded Adam and reflected her parents so much, he was eager to kill her for revenge against them. I think this electrical interference on the mask is a direct reflection of sin. Namely, wrath, in this moment.

Now, this. THIS. Is something that made me want to write this whole fucking essay. Is Lucifer implying that he not only gave Eve the Fruit from the tree of knowledge, but FUCKED HER TOO? Homies, I'm sorry but holy shit. That is some hydrating tea. I'd be pretty pissed too, fucked over twice by women who were supposed to be literal soul mates, who you were made for, who were made for you?

I knew he would have a goatee, I could almost hear it. I gotta say, I'm a sucker for how he looks. I think he's hot. He is a bastard, but so are a lot of the hot dudes in this show. It's just a theme.

This exact series of lines prompted so many of the thoughts that I had about Adam and why he thinks or acts the way he does. At one point, Adam did have to work himself to the bone and learn to survive from scratch alongside Eve. He isn't entirely without cause to not think that he deserves some respect or recognition from his descendants.

But, that doesn't give him the right to act like god himself. It's... well... Blasphemous. Isn't it? One of the worst sins is to think yourself to be worthy of worship, as if you're a god.

This is the moment that gave me empathy for them both. You could probably see the kind of loving person Adam could have been at one point with how he looks at Lute, even as he's laying there, dying. He's not crying like a bitch, just looking at Lute softly. Lute screaming for him, screaming his name. They cared for each other deeply.

And this... and this.... and this. WHAT DEAL DID YOU MAKE, LILITH? Did you make it with Sera? Did you make it with Adam? Did you make it with Lute? Did you really just want a little 'vacay' away from the hell you helped create? Left her husband, depressed and lonely. Left her daughter without any care or guidance. Maybe Alastor was sent in her place, perhaps? Seven years since he was seen after all, but why wouldn't he show up sooner if Lilith did care? Did she make a deal with Lute and Adam? Did she let Adam smash it so she could stay in heaven? Did Lute let her stay in exchange for getting Adam out of a position of power? Or was it maybe Sera who commissioned Lilith with a deal? Either way, I'm in full belief that it wasn't Adam's idea to move the extermination day up. I think he's a patsy, a scapegoat. I think Lute may have been manipulated, potentially, into manipulating Adam into this position. Was it even really Adam who came up with the idea to do the exterminations? Or was he the one who simply decided to fight originally because he was told heaven was at risk due to Lilith's rising power? The Road to Hell is Paved with Good Intentions. I think it could be any number of these. Either way, Lute certainly does think she had authority over Lilith. Is it Lute just having hubris? Or is Lilith truly bound, just like Alastor, Husk, and Angel Dust?

Of course, now that we know a soul can be redeemed... and we certainly know that angels can fall. I don't think this will be the last we see of Adam.

#hazbin hotel #hazbin hotel spoilers #adam hazbin hotel #lucifer hazbin hotel #lucifer morningstar #eve hazbin hotel #lilith hazbin hotel #lilith morningstar #character study

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

#answers to asks #illustration #art advice #art help #drawing #digital art

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

#this was much longer i had to cut it down for legibility #but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion #that is because it deserves its own post with a completely different tone #i am an environmental educator #so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering #that people are going through #without doing my research and providing real ways to help #this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning #to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering #unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this #and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this #and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity #(complaining) #and it's like - this is the individual versus the industry problem again right because im blaming myself #for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion #i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out #rather than being like. yeah so actually the fault here lies with the billion dollar industries actually. #my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free #is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY. #anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i #which is more than their CEOs can say

[wintaerbaer]

seven storms (jjk) (m)

summary: As a young woman of considerable wealth, it has always been your father's expectation that you would marry one of the local aristocrats once you came of age. Your family's stable hand? Certainly not an option.

pairing: Jungkook x Reader

rating: 18+ (MINORS DNI)

genres: forbidden love, angst, a bit of fluff, also a bit of smut

word count: 9.0k

warnings: ambiguous time periods, oc’s mom passed away when she was a child, parental strain and turbulent relationships, it’s not explicitly stated but bang sihyuk is oc’s dad, find the ‘seven’ reference, BRIEF SMUT (in the form of missionary, cowgirl, and implied unprotected, which you should not do)

a/n: this one is for the obs discord server, who came up with this plot and then flattered me until i agreed to write it lol

MASTERLIST // Read on ao3

It begins with a clap of thunder.

The dark clouds had rolled in quickly during your morning ride, the rain holding off on its looming descent even as the wind picks up and throws strands of hair across your face. You try to cling to every minute you have left before the downpour, savoring your alone time and the peaceful quiet of the morning. It may even be worth getting a little wet, you think as you watch the new stable hand effortlessly sling a bay of hale over his shoulder, for the chance to savor every moment of your daily ritual before the weather inevitably forces you back inside.

You love the simple pleasures of fresh air and the soft rustle of the grass.

Jungkook glances at you from afar as he continues his work, and even at this range, you can see his muscles shifting under the fabric of his shirt. It’s been roughly a month since your father hired him to tend the stable on your family’s estate, and while he hasn’t been unpleasant, giving you a friendly but silent nod each day as you prepare for your ride, he’s mostly kept his distance.

Today, however, is a different story entirely as a boom sounds out above your head. Your horse, a young stallion named Bam who is still being broken, startles at the noise and begins to nervously pace, tamping down the dirt under his hooves. The reins wrap tighter around your fingers as you attempt to take firmer control, but when a second crack emanates through the sky, the horse begins to buck in an attempt to throw you off.

The laws of physics cease to exist, time simultaneously speeding up and slowing down as you work to maintain your balance, clenching your muscles around the horse's back. A particularly violent whip of his head rips the reins free, and all you can do is try to flatten yourself to his back and hold on for dear life.

A pair of unfamiliar hands shoots into your peripheral vision, stroking firmly at the stallion's head and neck until he's easing back down, his erratic motions steadying until you can safely sit back up and face your rescuer.

"Are you alright?" His eyes scan your body for injury, moving from your face all the way down to your toes and back up.

You use the time to perform your own appraisal. The first thing you notice is that while he had immediately struck you as handsome when you first saw him around the property, he’s even more attractive up close: all soft eyes, perfect lips, and a tiny scar on his cheek that only adds to his allure. Add to that strong arms, broad shoulders, and a section of clearly-chiseled chest peeking out of his shirt, and you have to admit to yourself that you’re already halfway gone.

“Y/N?” His eyebrows dip as he frowns, clearly suspecting some kind of head injury as a result of your silence.

“You know my name.”

His expression turns quizzical at your bizarre answer. “I work for you. Of course I know your name.”

“You work for my father.”

“And you by extension.”

Your spine stiffens with rebellion. “I have no interest in bossing men around.”

“Why not?” He taps his knuckles on the saddle. “I see you come out to ride every morning. I could certainly tack up a horse for you in advance.”

“Because I’m perfectly capable of doing it myself.”

His perfect lips curl at the edges. “I don’t doubt that.”

Your heart stutters a rhythm behind your ribcage, voice muted by the appearance of a dimple that dips into his left cheek. It’s not often you find yourself speechless, and the sheer unfamiliarity of it has you on the brink of a flight response; you begin to gently guide your horse back towards the stable, Jungkook walking at your side. To your surprise, he doesn’t stay quiet.

“So how long have you been riding?”

You peek down at him, but he’s not looking at you as he scratches the stallion under his muzzle. “Since I was five,” you say. “My father arranged for private instruction after my mother died. Thought I could use the distraction.”

You figured he already knew about your mother’s passing due to her absence from the estate, and his unfazed expression seems to confirm as much. Still, in a gentle voice he says, “I’m sorry.”

“Don’t be. You didn’t make her sick.” Another low rumble echoes through the sky, but Jungkook is prepared, already smoothing his hand over the Bam’s neck again. “What about you? How long have you worked with horses?”

He chuckles, and your belly warms. “Since before I could walk. I grew up on a ranch. Have probably spent more time around horses than people—not that I’m complaining.” A shrug pulls his shirt tight across his bulging shoulders. “Animals are better company, in my opinion.”

“You say while striking up conversation with a stranger.”

Pink blooms on his cheeks, but, to his credit, he recovers quickly. “Beautiful women are the exception.”

Heat rises to your own face, and you choose to ignore his comment as much as it has butterflies taking off behind your bellybutton. “I understand what you mean though. That’s why I’m out here every day.”

“You like the outdoors?”

“Very much,” you say. “The smell of the wind, the feeling of the sunshine on my skin and the earth under my shoes. I like to ride down to the sunflower fields and watch how they turn themselves towards the light. There’s a strange sense of kinship there.” You’re not sure what drives you to share all this with a man you’ve just met, but the way he nods along as if he agrees sets your heart at ease. “And the horses are, in fact, good company.”

He laughs again, tipping his head back to look at you. His dark hair brushes his forehead, jaw cutting so sharp a line that the temptation immediately hits to trace it with either your fingers or lips—you’re not sure which. You don’t even care if you’ll bleed.

It strikes you at that moment that you’re in a world of trouble.

The skies open up, the rain instantly pouring down in fat drops as you briskly rush your horse the rest of the way into the stable, Jungkook hot on your heels. You dismount once you’re inside and begin to untack the stallion, moving the reins up and over so you can remove the bridle first. Jungkook quickly steps in to help unhitch the saddle, and while you’d normally be inclined to make a fuss about how you can handle your own gear, you find that you much enjoy his quiet companionship. You like watching the way his gentle hands artfully work to simultaneously manage the equipment and relax the horse, giving the sense that he’s offering assistance only because he loves his work and not to patronize you as a woman (you’ve seen one too many men try to step in because they believe you to be incompetent).

Once Bam has been settled into his stall, you turn back to your companion and are met with big brown eyes already gazing at you, hands stuffed into his pockets.

“Thank you for your help today,” you say. “I may be an experienced rider, but that also means I know enough to understand that you likely saved me from an injury earlier. So thank you.”

“It’s my pleasure.” He looks suddenly subdued, nervous now without the horse as a buffer. “And if I may be forward, I hope I made a good first impression. I wouldn’t want a beautiful woman like yourself to think I overstepped.”

“That’s the second time you’ve mentioned beautiful women now. You speak with them a lot?”

“Not recently,” he says, dimple making another appearance. “Only one.” His voice drops a decibel, flirtation giving way to sincerity. “But truly, I do just like to help. I am sure you are perfectly capable, but just because we can do something doesn’t mean we always need to do it alone. If I can help ease a burden, then I would like to do so.”

Warmth floods through you like the rain currently running off the roof, and before you can even think about it any further, you find yourself nodding. “Very well.”

The smile he gives you brightens your day more than a hundred miles of sunflower fields ever could.

“I won’t keep you then.” He begins walking backwards towards the troughs where most of the horses have currently congregated. “But I do very much look forward to seeing you tomorrow.”

You do, too. And when you show up to the stable the next morning (and the next, and the next), you already have a horse saddled up for you, a single sunflower resting on the seat.

Raindrops clatter in endless sheets off the metal roof of the stable, the ringing sound blending with the blasts of thunder and lightning overhead to mask your groans as Jungkook steadily thrusts into you.

It’s been three months since your flirtation culminated in you asking him to join you for a ride one morning.

Three months since he accompanied you down to the sunflower fields, pulled you into their depths, and kissed you like his life depended on it.

Three months since the rain became your closest friend, providing you the cover you need for your more intimate moments—such as this evening when you’d arrived at the stables to find him laying down a fresh layer of straw, the flex of his arm insisting that you needed him now.

The patter of the rain ensures his moans are for your ears and your ears alone.

“Do you think the horses mind?” he mumbles into the sensitive skin of your neck as he presses even deeper into you and steals your breath, his hands cupping your ass as he grinds his hips.

“I doubt it,” you gasp, digging your nails into his back. “They’ve kept secrets for me before.”

He laughs, and you relish in the feel of the vibration of his chest pressed to yours, as if the sound is being passed directly from his lungs to your heart. “Am I your secret then?”

“My favorite secret.”

He pulls back to look at you then with wide eyes. You don’t know when it happened, when he became the absolute center of your universe, but you also know that you’ve never been this happy in your life, never felt as whole as you do with him. So you stare at him right back, absorb every angle of his face as he brushes the hair away from your eyes and kisses you with an unusual delicacy in comparison to the rough pace of his hips.

“I love you.”

It’s not the first time he’s said it, but your blood heats as if the words are brand new.

He rises up above you then, leans back so he can bend your knees to your chest and pound into you in earnest, and you’d swear the roof has disappeared and you can see every star in the sky. Galaxies swirl, planets align, and it’s not long before you’re falling over the edge and he’s following you with a deep groan—a harmony to the thunder that surrounds you.

The two of you collapse into a heap, and he pulls you into his side, your cheek pressed to his still-heaving chest. It’s serene, the consonance of his breathing alongside the tapping of the rain and the occasional snuffle from the horses.

“So, the horses are keeping secrets for you, huh?” It’s a quiet question, vulnerable as he gazes at you with tender devotion. The same stars you saw minutes ago twirl in his eyes. “Can I be told one?”

“Are you a horse?”

A breath of a laugh: “Well you’ve certainly ridden me before.”

He has a point there.

You hum to yourself as you think before asking, “What is your dream?”

“What does that have to do with—“

“Answer mine, and I’ll answer yours.”

Calloused fingers trace patterns on your hip, a faraway look taking over his expression as he envisions some distant future. “To own my own farm,” he says. “I want to be my own boss. No more having to serve others.” A smile dances at the corners of his mouth. “And I’d be able to provide for my family—have a few kids and teach them the ropes, just like my dad did with me.”

Your brow dips in confusion. “You won’t inherit your father’s farm?”

“No, it’ll go to my older brother.” He squeezes your hip on a sigh. “If I want my own farm, it’s up to me to earn it.”

“You’ll do it,” you say, and you believe it with every fiber of your heart. “I know you will. You’re the hardest working man I’ve ever met.”

It’s not a lie by any stretch. You’ve spent plenty an afternoon telling your father that you’re going to read out on the veranda as it gives you an inconspicuous way to watch Jungkook work. He’s diligent, tireless, and you’ve often used the need to bring him water as an excuse to go down and spend time with him, seeing the sweat drip off his forehead as he single-handedly trains and cares for the horses.

His eyes become glassy, a gruff clearing of his throat as he pushes the tears back and grazes his lips over yours in a gentle kiss instead. “Thank you.” But before you can deepen the kiss and distract him, he shifts ever so slightly away, a glint in his eye. “Now you.”

You puff a sigh into his chest—bold of you to think you’d be able to sneak one past such an observant stare. Still, your secrets don’t usually come forth easily, buried deep within the cavity of your ribcage so even you don’t have to dwell on them too long.

Something about those doe eyes, though, render you ever vulnerable.

“Mine is similar to yours. I want to be my own boss.”

His brows pull together. “No one would expect a lady like you to work.”

“Not for a job, for my life,” you say, irritation forcing the words from your lips now. “I don’t want my father to dictate the path my life takes. I want to choose it, whatever it is, for myself. To be in charge of my own fate.”

Jungkook is quiet for a long moment, teeth dipping into his lower lip as he considers your words. It’s something else you’ve grown to love about him, the way he stops and thinks before he reacts. So unlike your father who has always been nothing but big emotions and snap judgments.

“What would you choose?” is the question he eventually comes out with, and the pads of his fingers trace the jut of your hipbone like he’s memorizing it.

Well that’s another matter entirely. “I don’t know. Just not what my father wants for me.”

“And what would that be?”

“To marry one of the rich dandies in town,” you blurt, and his hands still. “That’s always been the expectation that’s been set since I was a girl—that my family would arrange a suitable match for me.” You’re practically spitting now, anger simmering through you. “Suitable, of course, meaning wealthy.”

“Is that so bad?” He asks it quietly, insecurity poorly masked in the way his voice trembles ever so slightly. “Some people would do almost anything to be in your position.”

You scoff. “There’s more to life than money.”

“Like what?”

“Fresh air, sunshine, the smell of the morning dew.” You tap his chest with everything you list off, as if they’re all housed within the framework of his torso. “The sound of the rain bouncing off windows, the bright yellow of sunflowers after their first bloom, watching a foal get its legs under it for the first time. Love.” You press your hand to his heart with that one, feeling the strong beat of it under your palm. “That’s the greatest thing.”

He snags your fingers, bringing them to his lips and kissing each one in succession before his hand slips into your hair so he can join his mouth with yours. The kiss is slow, thorough, his tongue trailing along your lower lip with determination as he drags you across his body until you’re straddling him.

“You’re right about that,” he murmurs before gripping your waist tightly so he can push back into you, the rain pouring on and on.

“No!”

Your father stands up so suddenly that his chair topples over with a crash, Jungkook sitting across from him wearing a look of even-keeled surprise; his eyes widen a fraction, but his overall posture remains resolved and confident.

“You dare have the audacity to even ask—“ He chokes on his words, spit flying from the edges of his lips, before pointing a finger towards where you stand stunned in the corner. “And you! You’ve been fraternizing with this riffraff? After everything I’ve taught you? Everything I did to raise you? You go and choose to associate with this—this—“ You’re worried his eyes might fall out of his head with the way they bulge as he grasps for a word, vein in his neck visibly thumping as he finds it. “Lowlife!”

“You’re wrong!” you scream as Jungkook continues to sit quietly at the dinner table. You’ll be damned if you’d just stand by and allow him to be spoken about in that way. “He’s an incredible man. He works hard, he’s respectful, and he loves me, Father. Not because of my money, but because I’m me.” Your steps echo off of the tall, looming arches of the ceiling as you move closer to Jungkook. “And I love him.”

“No, no, absolutely not. You’re only twenty years old. You don’t even know what love is,” your father barks before turning his beady eyes on Jungkook again. “You’ll never marry my daughter. You do not have my permission nor my blessing. That’s final.”

“Father—“

“You’re also fired,” he spits. “You can say goodbye and that’s the end of it. I want you off my property.” Then he’s storming out of the dining room, leaving you and Jungkook in heavy silence.

It’s only a handful of seconds before Jungkook is rising to his feet and striding from the room and out the front door, you hot on his heels. The steady drizzle soaks your clothes in a matter of moments, but you don’t even feel the way they cling to your skin, focused solely on the man in front of you.

“Jungkook!” you call, but he doesn’t respond, doesn’t turn to face you until you manage to grab ahold of his hand and tug.

You thought he’d be distressed, angry, perhaps even crying. Instead, you’re met with intensity, a fierce determination simmering under the warm brown of his irises as his gaze bores into yours and almost has you faltering.

“Jungkook, I…” You wring your hands in front of you, watch the rain run in rivulets off the ends of his hair. “We can make it through this. I can convince him—“

“You can’t.”

You huff in frustration. “Then we’ll run away together! I’ll come with you and we’ll—“

“No, Y/N.” He stills the frantic movements of your hands with his own, drawing you towards the warmth of his body until you’re nearly chest-to-chest. “I have no savings right now, no way to support the two of us. We’d be out on the street in a matter of days.” He shakes his head, brushes a kiss to your knuckles. “No. You need to stay here for now. But this isn’t the end of us, I swear to you. I am going to work myself to the bone—until I have nothing left to give. Until I can buy my own farm, my own house, and give you everything you need.” Your foreheads press together, drops of water clinging to his lips and drawing your eye as he speaks. “I will provide for you someday, love you to the best of my ability. Just give me time.”

The heavens open above you, the relentless downpour backed by the cacophony of the skies as you finally move to kiss him. He tastes of rainwater and sweat, the fragrant aroma of sunflowers and nights spent tangled together in the stables. You savor the feel of his lips against yours, commit to memory the way his tongue begs for entrance, the way you grant it with a groan that feels like both a prayer and a curse.

With a final, resounding crack, he’s pulling away as you cling to the rough skin of his fingertips until the very last fraction of a second, arms stretched to their absolute limit. And when he turns his back on you, shirt plastered to his skin, you’d swear you can hear the horses raging in the stable, the rumble of hooves and agitated whinnies ringing in your ears long after he’s disappeared from view.

The first letter comes on a Wednesday roughly six week later, written on carefully folded parchment paper in small, neat handwriting. It surprises you, coming from a man who spends all day tending horses and tossing around hay bales. You receive the letter from the carrier quietly, rushing it up to your room and waiting to read until the concealment of night has fallen and you’re confident your father has gone to bed.

My Love,

I must admit that I am not quite sure how long it has been since I last saw you. Perhaps only a handful of weeks, surely, but every hour, minute, and second has felt like an eternity. I miss you, sweetheart. I miss the sound of your laugh. I miss the way you’d look each morning, strolling down from the house with a bounce in your step and the early sunshine bouncing off of your hair. Or perhaps you are just that radiant. I would believe it, you know, that light emits from your very smile, and I know I feel warmer whenever I am around you.

Look at me; look at the man you've turned me into. I've always considered myself a simple being, glad to indulge in the dirt and physical labors of the outdoors, and yet you have me waxing poetic like one of the men in those romance novels you would always pretend to read on the veranda. (Yes, my dear, I noticed. Your stares are not so subtle.) I am lovesick, homesick, and it’s all because of you. Because my life truly began the day I looked up and saw Bam struggling with you on his back and just knew I had to help you (tell that dear beast that I miss him by the way).

Now, I must live my life forlorn, but not without purpose. Please know that I am doing everything in my power to get back to you, and I will not rest until I am holding you in my arms again. I have secured a job at a ranch several towns over; it’s good work with decent pay, and every cent that does not go towards the barest necessities is being saved for us. One day, my love. One day we will have a house and a farm, and I will be able to love you openly, with no need for secrets or the cover of rain.

In the meantime, just know how terribly I miss you, and though we are separated by distance, I hold you in my heart each day. On my way each morning from my lodgings to the ranch, I pass by a field of sunflowers. I know it cannot possibly be true, but it feels like every golden face turns towards me as I go, and darling, I’d swear I see you in every one.

One day, my love.

Until then, always yours,

J.K.

It becomes something of a ritual: while you used to spend your days out on the veranda pretending to read so that you could watch Jungkook from afar, you now settle on the front porch with a book each afternoon in the hopes of catching the local mail carrier. Jungkook’s letters come slowly but consistently every couple of weeks, and each time a letter does arrive, you spend the night drafting your own by candlelight to send back to him.

He tells you about his new job, how he’s working on a larger farm now with several other laborers. The veterans are kind to him and teaching him a lot, he says, and it eases the ache in your heart a fraction to know that he seems happy where he is and well taken care of. You write back about your favorite books that you’ve been reading and how the horses have been (you insist that you can tell Bam misses Jungkook too). But both of your letters are saturated with sentiments of love and how dearly you miss each other, reminding yourselves that every day that passes is one day closer to you two being reunited, whenever that may be.

Your father, meanwhile, proceeds as if Jungkook never existed, hiring a new stable hand who begins his work mere days after Jungkook has left. This man is middle aged, gray already streaking through his hair, and you can’t help but feel it’s a deliberate choice on your father’s part lest you fall for another lowly laborer. And though you know it is not his fault, you barely speak with the man outside of a few curt pleasantries when you go for your ride each morning.

You persist in your morning rides out of habit, but you find that they don’t bring you the same kind of joy that they used to. The grass isn’t quite as green, the air is often stifling, and the sunflowers droop where they used to stand tall against the blue skies. On one day, roughly six months after Jungkook’s firing, you’re once again forced back inside early due to rain, the storm dampening your already dreary mood. It takes a turn for the worst when you hear your father call your name the moment you step in the door and plummets entirely off a cliff when you trudge into the dining room to see a man sitting at the table.

Seokjin is not entirely unfamiliar to you—your families run in the same circles after all—but he is ultimately little more than a stranger, the two of you having only exchanged a handful of polite words at dinner parties and the like. All that you truly know of him is that he is the heir to the wealthiest trading company on this side of the country and that his father is expected to transition the entire operation to him over the next few years.

Even so, Seokjin greets you with a sense of intimate familiarity, standing at your approach and brushing his lips against the back of your hand before you can stop him.

“A pleasure to see you, Y/N, as always.”

You know that social etiquette requires you to return the sentiment, but instead, you find yourself looking between Seokjin and your father, trying to figure out his purpose here.

“What is going on?”

Your father grimaces at your rudeness but opts to ignore it. “Seokjin has come here with a rather exciting opportunity, Y/N, if you would take a seat and listen to him.”

However, you remain standing, spine stiff and wary eyes shifting to the man in front of you with his finely tailored clothes and perfectly combed hair. He, for what it’s worth, doesn’t cower under your stony gaze, maintaining an air of utmost confidence as he states, “Y/N, I would like for you to marry me.”

“No.”

Your answer is immediate and blunt, coming so quickly that Seokjin barely reacts—only the tiniest dip of his mouth as if he doesn’t believe he heard you correctly. But your father leaps to his feet, face red with shock and frustration.

“Y/N, you sit down and listen to the man.”

“I don’t need to listen,” you snap. “My answer is no.”

Seokjin registers your words then, face morphing into a deep frown of disbelief as your father hurries to intervene, grabbing you around the arm to pull you out of the dining room and turning on you the moment you are out of earshot.

“Insolent girl! That man will soon be one of the most powerful in the country—nay, the world! Do you understand the opportunity he is offering you? The life he is offering? How dare you refuse him!”

“Whatever life he is offering is one I want no part of,” you argue, pulling your arm from his grasp to wrap them across your chest. “I have no interest in being married to a man like that. I want to be with someone who loves me.”

He goes deathly still for a moment, drawing connections in his head until you see the moment the realization hits him. “This is about that lousy stable boy, isn’t it?”

You say nothing, only hug yourself tighter and try to swallow down the sudden lump in your throat.

“That’s it, yes? You’re still holding onto some hope that he will come back for you and what? The two of you will go off and live in some hovel? What could he possibly offer you?” he snarls. “No, Y/N. That vermin is gone. You have a chance—a real chance—at a future here, and I’ll be damned if I let you throw it away for the idea of some lower class scum.”

As his words sink in, a chill passes through your body that’s quickly replaced with a white-hot anger, your hands dropping to your sides as you straighten your back in defiance.

“Whether Jungkook returns or not,” you assert, “please be assured that I will never, ever, marry one of your suitors. I will die before I become a mere pawn for your business deals.”

Your father stares at you incredulously, eyes practically bursting from his head. “Business deals? I am looking out for you. So that you can live the luxurious life a child of mine deserves.”

“The life I deserve is the one which I want,” you exclaim. “And these rich dullards are not it.”

Final word given, you spin on your heel in emphasis and march off to your room, leaving your father to clumsily patch things up in the dining hall with a humbled and deeply befuddled Seokjin.

The letters stop two years in.

A month passes, then two, then three before you begin to really worry. Another four gone in a blink before you start to consider that you may never actually hear from him again.

For a while, you continue to write to him, thinking that at the very least, if he’s moved to a new job, someone from his old ranch may forward them along if they know where he’s gone to. But after a year of silence transpires, the mail carrier shaking his head at you each day as you rush to meet him outside your house, true dread sets in.

Your address hasn’t changed, which means that he’s stopped writing to you for some reason. Is it possible that he’s moved on? Met another woman perhaps and chosen to settle down? Or…could it be something worse? Your mind hesitates to even go down this path, the terror seeping into your bones, but the thought creeps in late at night when you’re at your most vulnerable that something may have happened to him. Work accidents, illness—any number of dangerous things could have taken him from you without you even knowing. Then again, he sounded healthy in his final letter to you, no word at all of him being ill, and you’d like to think he would’ve arranged for someone to contact you if some tragedy had befallen him.

You conclude, then, that he must have given up. And really, after years of hoping for a shift, for some change in fortune for your futures, you cannot entirely blame him. If anything, you just wish you had seen the signs sooner, sensed some kind of shift in tone that would have prepared you for his sudden silence. His last letter, though, had been much of the same—more updates on his ranching job mixed in with poetic phrases about his love for you. You read it endlessly, poring over the words for some indication that his feelings for you had waned, sitting huddled in a hidden corner of the stables as rain pounds down against the tin roof. Instead, it just makes your heart ache to remind you of love found and lost, his final words haunting you as time continues to drag on to your dismay.

As the months tick by, you keep your promise to your father, steadfastly refusing each suitor that comes to call for you: Jung Hoseok, Kim Namjoon, and even Min Yoongi, who shows up in your dining room every evening for a fortnight before finally accepting your refusal. Meanwhile, you move through your days as if by design, going through the motions without feeling like you’re actually alive. Food is tasteless, your books void of thought, and the skies have certainly lost their color. You find that you actually prefer rainy days now, often taking walks through the drizzle and allowing the droplets of water to slide over your skin and caress you as he once did. Sometimes, it almost makes you feel as if he’s there beside you—memories of thunder and slick kisses enveloping your thoughts and soaking you from the inside out.

No fewer than seven years pass this way, with you haunting the premises of your home while your father begins to complain about you becoming a leech and a burden. You begin to question it yourself, wondering if it may be too much to waste away like this, when, three days after your twenty-seventh birthday, a discovery has you running from your father’s house and never looking back.

It’s another dreary, rainy day, and you, wanting to soak in the full effect of the emblematic weather as it pertains to your mood, have once again parked yourself on the front porch with a book. Your father passed you on his way out earlier, casting a scathing look that you didn’t even bother to grant any attention—you’ve long grown accustomed to his contempt and futile glares.

A little past midday, you glance up at the sound of a person approaching, their footsteps ricocheting off the front steps. Park Jimin comes to a halt under the porch’s cover, gazing at you curiously as if wondering why you are outside in this weather at all. However, if he finds your behavior strange, he doesn’t say anything, a choice which comes of no surprise to you. One of your father’s youngest business partners, you’ve always liked Jimin during the times that you’ve interacted with him. He’s quiet, polite, and has never made an attempt at courting you, always respecting the boundaries that many other young men have tried to cross over the years.

That being said, you’re inclined to at least offer him a greeting, acknowledging his presence with a mannered, “Hello, Mr. Park.”

“Good day,” he responds with a small bow in your direction. “Is your father at home?”

“No, he had to attend a business meeting with Mr. Kim this morning.” You frown as his face falls, a touch of panic widening his eyes. “Is something wrong?”

A delicate finger rises to rub at his temple. “Ah, I’m supposed to be finalizing a contract with Hybe Trading Company later this afternoon,” he says. “Your father told me to come pick up the documents beforehand.”

“He may be back soon,” you guess. Your father didn’t give an indication of exactly when he would return, but you do know his meeting with Kim Taehyung wasn’t supposed to last all day.

“I may not be able to take that risk.” He chews at his lip, thinking. “Is it possible that he left the contracts for me somewhere? Might you be able to check?”

Your jaw drops a fraction at his request—you could count on one hand the number of times that you’ve been in your father’s office. “I don’t think—“

“Please, Y/N,” Jimin begs. “We can’t afford to lose this partnership.”

The desperation in his expression has you acquiescing, and so you lead him inside and tell him to wait in the entryway as you head to your father’s office on the second floor.

The room is arguably the grandest in the house, with magnificent windows that give a full view of the estate’s grounds and tall bookshelves packed with your father’s collection of texts. The finest rugs protect the hardwood under your feet, and at the center of the room sits a monstrous yet beautiful mahogany desk with a plush chair at its back.

You move to the desk first, skimming the documents scattered on top for something that has the trading company’s name on it. But all you see are invoices, shipping records, and maps of different trading routes marked with your father’s notes, and lightly shuffling through the papers comes up fruitless as well.

The first desk drawer you open contains a series of highly-organized ledgers, so you quickly move on to the second, which has the same. The third drawer reveals a reserve of desk and writing supplies, while the fourth, finally, contains a mess of paper.

You rummage through the clutter, still not finding anything that seems to be the contract Jimin is looking for, and are about to give up when a stack of letters buried at the back of the compartment has you freezing, the small, neat handwriting chilling you to the bone.

Pulling the stack out with shaking hands, you quickly realize that there are a few dozen, all postmarked no more than two months apart between each one. Collapsing backwards into the desk chair, you read frantically, quickly realizing just how wrong you were about Jungkook giving up on you:

My Dearest, it’s been a while since I’ve heard from you, but I pray your letters were simply lost in transit…

I’m incredibly pleased to let you know that I’ve received a promotion. The owner of the farm, Mr. Lee, has taken a liking to me and has shifted me to a more considerable role with additional pay. I’m saving every bit I can…

My Love, I miss you deeply. And while your silence pains me to no end, I hope it is a mere misunderstanding. If you do not wish to hear from me ever again, only say the word and I will stop writing to you and remove myself from your life entirely, albeit with a heavy heart…

I still have some ways to go, but my savings are increasing exponentially, and I am learning more than ever. Mr. Lee has been teaching me about the business side of things and helping me make connections. What a wonder to have a boss who fully supports your aspirations! He insists he will be able to help me in my endeavors, and call me naive, but I believe it to be true. Rest assured, love, that I am steadfastly working hard for you, for us, and for our future…

My Darling Y/N, my heart aches to not read your words and hear your thoughts. But since you have not yet rejected me outright, I can only assume that your silence is involuntary or that it comes with deep hesitation. Whatever the reason, please know that I love you, I miss you, and I am not giving up on us unless you tell me so…

And finally, the shortest letter dated almost year back:

Y/N,

I don’t have the words to describe my feelings so I will keep it brief: I did it. If this letter finds its way to you and you wish to find me, I eagerly await you at our home…

The location is scribbled in a tangle of text, his usually neat writing askew as if he was shaking when he wrote it, and the words land with the force of a thousand bricks in your chest—the weight of seven years apart, the agony of your separation, finally culminating in this revelation.

The door to the office bangs open, and you look up, heart already racing with the discovery of the letters, to see your father looming in the doorway, face painted with rage.

“What in the hell are you doing in my private office?!”

You’re on your feet in an instant, storming across the room and shaking the final letter in his face. “What is this?!”

He pales a fraction as he registers what you’re holding before stepping further into the room and slamming the door shut. “I should have burned them,” he sneers. “I did what I did to protect you.”

“From what?” You wave your arms wildly, anger and adrenaline winding their way through your limbs. “From happiness? From a man who has spent years working hard to be able to provide for me?”

“I have worked hard to provide for you! And I will not see my legacy be thrown aside for some silly crush!”

Steeling yourself, you pull in a steadying breath for courage. “Then you won’t.”

“And what does that mean?” your father scoffs, trying to look dismissive and intimidating, yet seeming smaller than you’ve ever seen him.

“You won’t see any of it. I’m leaving.”

“What?”

Time stops for a moment, your declaration holding the air in the room hostage as your father fully absorbs your words.

“You ungrateful idiot girl!” your father suddenly exclaims. “After everything I’ve done for you? Fine then! Go live with the dogs, with the filth and slime you apparently love so dearly. I have had it with your thanklessness and impertinence and will be relieved to have you from my sight.” He steps into your personal space, pointing a finger directly at your face so close that you can feel the heat of his ire radiating off of his hand. “But know this: the second you step out of these doors, you will never be welcomed back. Never.”

You waste only two seconds longer, locked in a stubborn stare-down with your father before you rip your gaze away and tear from the room with Jungkook’s letters still in hand. Rushing to your room, you gather his other letters from your desk and stuff them into a bag along with the modest sum of money you had accumulated in case you ever needed to run.

And then you’re a bird in flight, sweeping down the stairs and out the door with nothing but a simple, “Good day, Mr. Park,” as you pass an absolutely bewildered Jimin in the front hall.

The rain is cold and heavy as it soaks through your clothes and hair almost immediately, but you barely feel it—the freedom in your heart and the scribbled location in your bag more than enough to keep you warm as you charge towards home.

The house is beautiful.

Modest, compared to the mansion you grew up in, sure. But arguably more beautiful—with a compact two stories, white wood, and neatly painted green shutters. There’s a wrap-around porch overlooking the acres upon acres of farmland, and even through the rain falling in sheets and blurring your vision, you spy two rocking chairs sitting side-by-side under the awning.

It’s been a long two weeks of journeying to get to this spot, relying on the kindness of strangers to help you navigate to the location Jungkook had written down. Now, standing at the end of the dirt path leading up to what is presumably your new home, you think that you would do it all again in a heartbeat. The past two weeks, the past seven years, all worth it to experience the hope currently blooming in your chest like the sunflowers you spent so much time admiring in the past.

You’re trudging up the path, the dirt and mud smearing along your shoes, when a darkened figure steps out from the fields to your right, hand raised in greeting.

“Good afternoon, miss. Are you lost? I—” He grinds to a halt like he’s walked straight into a brick wall, eyes wide and lips parted as he absorbs the sight of you soaked and disheveled on his property.

“Y/N?” he says it like a prayer, like he believes you’re some kind of hallucination—a phantom come to haunt him through the haze of rainy memories.

You stare at each other through the downpour, and you find yourself studying him, observing the changes that have taken place in the time you’ve been apart. He’s taller and broader than you remember, shoulders stretching wide and drawing your gaze down towards biceps that protrude below his drenched shirt. The lines of his face have sharpened with age—losing some of the youthful roundness that had endeared him to you so quickly—but he’s still starry-eyed as ever, the charming young man from your memories undoubtedly gazing back at you.

“Jungkook,” you murmur, and the spell is suddenly broken. You surge towards each other, meeting in the middle with a flash of lightning. Your arms go around his shoulders, and Jungkook pulls you into him so desperately and with so much force that he lifts you right off your feet, your mouths coming together with a heated urgency.

He’s everything you’ve dreamed of, every desperate memory you’ve been clinging to come back to life. And with every touch, every pass of his hands over your body, you feel yourself rapidly coming back to life too—joy making its way into your lungs and through your bloodstream for the first time since you were twenty years old and kissing this man in your family’s stables.

“I’ve missed you,” he breathes against your lips when you finally part. “I’ve missed you so much.”

“I’ve missed you, too.”

“You have no idea–”

“I do. Jungkook, I do.”

“You stopped writing—”

“My father,” you rush to say. “He intercepted the letters. I thought you stopped writing. Thought you gave up—”

“Oh, my love, never.” His hands rise to cradle your face. “I never stopped thinking of you. Never stopped dreaming of this.” He kisses you again, slowly this time, savoring every movement of his lips against yours.

You shudder against his chest, the thrill of your reunion rattling your nerves just as a cool wind blows through, and Jungkook pulls back with worry.

“You must be freezing,” he murmurs sweetly. “Come. Let’s get you warmed up inside.”

With an arm wrapped around your waist, as though he’s scared you’ll disappear if he doesn’t keep a hand on you, he guides you the rest of the way to the house, up the front porch steps, and through the front door.

“Welcome home,” Jungkook says.

You’re met first with the smell of pine and cinnamon and an impossibly comforting warmth. The first floor is comprised of a wide-open space, with a small kitchen and dining room to your left and a sitting room to your right that has tall windows and a fireplace that is currently roaring. You move around the room slowly, taking it all in, and when you notice the vase of bright sunflowers sitting in the middle of the kitchen table, you just about melt to the floor.

“I know it’s smaller than you’re used to,” he sheepishly mumbles from the doorway. “But we can expand in the future—”

“It’s perfect, Jungkook.” And it really is, every panel and floorboard evidence of how hard he’s worked, how fiercely your love has endured. “It’s absolutely perfect. I love every bit of it.”

He brightens at that, smile stretching wide. “I’m glad.”

“How did you find it?”

“Well, I bought the property after finally saving enough money. Mr. Lee helped me with the buying process.” He shrugs. “And then I built this.”

You freeze, absolutely stunned. “You what?”

“I built it,” he says simply. “I had some help, of course. But the design is all mine.”

“I…you…” It makes your thoughts spin—the idea that he did all of this. He built a house for you.

“Here, look.” He takes your hand and pulls you into the living room, gesturing at a set of empty shelves against the back wall. “For your books.”

You laugh incredulously, fully overwhelmed at this point. “I didn’t bring any with me.”

“Then we’ll start you a new collection,” he says softly, drawing you towards him.

You reach up to trace his jaw, his brow, his cheekbones—memorizing every line of this beautiful man who dared to make your dreams a reality. “I can’t believe this. Can’t believe you. The things you’ve done.”

“All for you, my love.”

Your heart thumps a steady rhythm in your throat, love and the relief of finally—finally—having him in front of you overpowering your senses until all that exists is you and him; the strain of your former life feels worlds away.

Hands find his chest in a slow migration downwards as the chill of the rain gives way to the heat of the fireplace, and it’s not long before his large hands are wrapping around your hips, a darkness in his irises that wasn’t there a second ago.

“There’s an upstairs, too, I’m assuming?” you whisper, fingers teasing a button on his shirt.

“There is.” He swallows, and you watch the bob of his Adam’s apple like a lure. “Would you like to see it?”

You lean in, skimming your mouth below his without fully joining your lips. “Please.”

Tangling your fingers in his, he practically runs upstairs with you trailing in his wake.

Finally, you think, as he pulls your clothes from your body, climbs over you on the bed, and presses into you with such tender deliberation that you think you’ll combust.

Finally, as you spend the rest of the night wrapped up together, endlessly whispering I love yous back and forth.

Finally, as you wake up in his arms the next day, his face the first thing you see.

Finally, as he pulls out a small box at breakfast, the dainty diamond ring easily the most precious piece of jewelry you’ve ever possessed.

Finally, as he takes you out on the farm and shows you the small field of sunflowers he planted just for you.

Finally, you think, as you sit in one of the rocking chairs on the porch and watch him work from afar. I’m home.

Years Later…

“Mama! Mama look!”

You glance up from your book to where Jungkook and Haneul are currently journeying in the yard. It’s a bright sunny day—the wide expanse of blue sky above unmarred by even a single cloud. Sunshine beams down onto your son’s smiling face where he sits on the back of one of the horses, a too-big cowboy hat on his head and his father at his side for support.

“You’re doing great, sweetheart!” you call. “Just be sure to listen to Papa!”

Jungkook flashes you a grin, the excitement radiating off of him in waves. He’s been talking about teaching Haneul to ride since the day he was born, so you know this means a great deal to him, especially seeing your son’s own energy and enthusiasm. Haneul has always liked the “horsies,” toddling happily around the stables ever since he could walk.

Then again, given who his parents are, that wasn’t much of a surprise.

Jungkook and Haneul finish their loop around the yard, and you hear your husband shower the boy with praise as he lifts him off of the horse’s back.

“Again, again!” Haneul cheers, bouncing in place and causing Jungkook to laugh.

“We will! Just let me check on your mother first.”

He moves comfortably, leisurely as he climbs the porch steps and comes to a rest in front of where you sit. Looming over you, he leans in until he can press a gentle kiss to your lips, reverent in his motions.

“How are you feeling?” he asks. His fingers brush lightly over your belly and its new curve.

“I’m alright,” you say, guiding his hand until his palm is resting flat. “This one is kicking up a storm though.”

As if on cue, you feel a tiny jolt—Jungkook giving a breathless chuckle as he feels the jab himself.

“Go easy on your mother,” he says in the direction of your stomach, rubbing a soft circle into your flesh. “No storms. Clear skies and sunshine.” Then his eyes are back on your face. “Speaking of, I have something for you.”

He reaches behind his back and produces a single sunflower, tucking it behind your ear before giving you one more kiss.

“I love you,” he whispers.

“I love you, too.” More than the day you met him. More than the day he left. And more than the day you finally made your way here.

“Now I should get back to Haneul before he starts yelling for me.”

You laugh out the brightest sound that’s ever come from your lungs. “Go.”

A warm breeze ripples through the trees, the sound of your son’s giggles and Jungkook’s cheerful exclamations finding their way back to where you sit.

What a beautiful day, you think, setting down your book and getting up to join your family in the golden sunshine.

a/n: thanks for reading! pls don't forget to like, reblog, and/or comment if you enjoyed!

#jungkook x reader #jungkook x you #jungkook angst #jungkook smut #jungkook fluff #bts x reader #bts x you #bts imagines #jungkook imagines #jungkook fic #jungkook fanfic #bts angst #bts smut #bts fluff #bts fic #bts fanfic

[etirabys]

meandering post about reading Orson Scott Card again

I've been offline starting at 9pm every day (except once. I was drunk at karaoke and asked for anons at 8:30pm) for six weeks, with the result that in befuddled boredom two nights ago I picked up Orson Scott Card's Songmaster from the house bookshelf.

I read Ender's Game and three sequels when I was a teen thought the books were mid. Since those are OSC's best works I assumed he had nothing more interesting to offer me and didn't try more of him for fifteen years, but Songmaster was compelling enough that I immediately afterwards picked up The Memory of Earth, the first book of a pentalogy.

TMoE is extremely my jam: after humanity blows itself up on Earth, AIs monitor thriving human civilizations in the planets that survivors managed to escape to, and suppress any tech that enables large scale violence by exerting low key mind control via satellites. But forty million years pass, many of the satellites break down, and the AI needs help from humans to restore capabilities. Because as its control wanes, people are starting to e.g. conceive of airplanes or bombs again, and override the injunctions against entering military alliances more than two edges of connection away.

The AI is worshipped as a god all over the planet, but the fourteen year old protagonist that becomes one of the AI's agents tells the AI from the beginning that he'll break with it if its morality seems wrong to him. I like the fourteen year old – unlike Ender or Songmaster's protagonist (adult minds piloting ten year old bodies), he's a normal gifted kid who's unpopular 50% due to his ego and big mouth and 50% because he's socially inept and offends people even when he's trying to be nice.

Songmaster is also partly about a permanent solution to large-scale violence, albeit through one guy who establishes a monopoly on violence and sweeps in pax galactica. Both it and TMoE are preoccupied with the eradication of suffering from evil / human violence, which is closer to my resonant frequency than narratives about defeating particular people or ideologies. At the moment I can't think of any other book with such an insistent focus on the matter than T.H. White's The Once and Future King. It's hard to make a compelling story out of, and I don't think Songmaster really succeeds, but TMoE's premise is well suited to explore that. (I'm also enjoying the matriarchal culture where everyone is expected to have multiple serial-monogamous marriages.) After reading 70% of TMoE last night I wrote:

Usually when I read fiction there's a small part of me going, how can I use this as fodder for my own growth, how can I remix or improve or react against this, how do the author and I measure against each other? (If the quality and content are at an anti-sweet spot, the small part becomes quite large and I feel all teeth towards the author.) But on occasion I read something so close that the absence of that measuring-feeling is its own sensation – ego departs, or at least is split across two bodies. There's just amity and recognition

And it's pretty interesting to feel this way about Card for, well, the reasons.

(If you're familiar with Card drama none of the following will be new to you; I'm coming to it fresh so the rest of this post is me going "uh... wow")

I vaguely knew he was a homophobic Mormon who'd gotten into fights about gay stuff, but I couldn't tell from the Ender books I read. But in Songmaster his issues spring off the page in such a weird way. Every fifth Goodreads review of this book is "Card, u gay?" because, well,

(One review, possibly from a fellow Mormon, that went "Card, it's so sinful of you to be this gay in your novel". Why did he write this book that would predictably make everyone mad...)

it's full of gay male desire. The protagonist (Ansset) is approximately a castrato and characters notice him sexually a lot. The first and only time Ansset has sex it's with a Kinsey 4-5 male character he loves, who's married to a woman but has fallen in love with Ansset. It turns out the drugs Ansset took to prolong his singing career painfully and only-kinda-figuratively explode your balls when you have your first orgasm and you'll never feel sexual desire again. (You'd think his loving teachers would have warned him of that, but, whatever, they didn't.) The other guy is literally castrated in punishment for inadvertently torturing a highly valuable castrato. It's pretty bald: GAY SEX IS ALMOST IRRESISTIBLY TEMPTING BUT YOU SHOULDN'T DO IT.

(Sidenote: both Ansset and the guy's wife are very close and have a "there's enough love to go around" attitude about the gay sex initially, before they go "wait Josif is a SERIAL MONOGAMIST... he can only love one person at a time... the moment he had the gay sex his marriage was destroyed". It's funny in a mildly stupid way that Card would set up this parable of homosexuality destroying lives and a marriage but almost everyone involved is peacefully ready to sail into an open marriage. I guess it makes sense if you want to say very clearly that THE GAY PART IS THE BAD PART)

which is fascinating to me, because... why would you tell on yourself like that

(81k also told me secondhand of an essay? interview? where Card openly says "we have to stand against legalizing gay marriage because everyone will get gay married and society will collapse", so that's informing my read of Songmaster as well)

I am pretty dang open about my personal life online but if I had a lot of feelings I thought were disgusting and immoral I would not write a novel dripping with those feelings before pointedly castrating the leads for them. Especially if it wasn't relevant to the actually highbrow themes of (checks notes) winning over your adversaries with kindness and never relinquishing your monopoly on violence. I would be so so so so embarrassed to let this go to print, it's so psychologically transparent, what was he thinking

(Well, I assume he's a very different person with different social incentives. For all I know, people in his church went "hey Orson we read your book and it's clear that you're gay but signaling strongly that you won't give into the gay feelings, we're here for you, it was really brave of you to publish this".)

#rambl #orson scott card #eti reads stuff #eti reads the homecoming saga #songmaster #content note: homophobia

[dailyadventureprompts]

Monsters Reimagined: Yeenoghu, Demon Lord of Insatiable Hunger

It's been some years since I did my overhaul on the lore of the gnolls and how they embody the weird de/humanization that goes on with various monsters over d&d's history. Ever since I've had more than a few folks write in asking about how I would handle the default Gnoll God Yeenoghu, who exists in a similar state of "Kill everything that ever existed" to Orcus and a good portion of the game's other late game threats, thematically flat and not really useful for building stories around.

For a while I've avoided doing this post because I thought it might skew a little too close to my personal philosophy, and risk going from simply being influenced by my views to an outright soapbox. I personally hold that despite being part of our nature hunger is the source of the majority of human cruelty, and if society and cooperation are the tools we developed to best fight against the threat of famine, it is fear of that famine that allows the powerful to control society and secure their positions of privilege.

I've also dealt with disordered eating in a prior period of my life, alternating between neglecting my body's needs and punishing myself for needing in the first place. I'm well acquainted with hunger and the hollowing effect it can have, though I'd never claim to know it so well as someone who went hungry by anything other than choice and self hatred.

Learning to love food again saved saved my life. The joy of eating, of feeling whole and nourished, yes, but there was also the joy of making: of experimenting, improving, providing, being connected to a great tradition of cultivation which has guided our entire species.

If I was going to talk about an evil god of hunger, I was going to have to touch on all of that, and now that it's out in the open I can continue with a more thematic and narrative discussion on the beast of butchery below the cut.

What's wrong: Going by the default lore, there's not much that really separates Yeenoghu from any other chaotic evil mega-boss. He wants to kill everything in vicious ways, and encourages his followers to do the same. He's there so that the evil clerics can have someone to pray to because the objectively good gods are on the party's side and wouldn't help a bunch of cannibalistic slavers.

This is boring, we've done this song and dance before, and the only reason that there are so many demon lords/evil gods/archdevils like this is because the bioessentialism baked into the older editions of the game's lore was also a theological essentialism, and that every group had to have their own gods which perfectly embodied their ethos and there was no crossover whatsoever, themes be damned.

Normally I'd do a whole section about "what can be salvaged" from an old concept, but we're scraping the bottom of the barrel right from the inset. Likewise my trick of combining multiple bits of underwritten d&d mythology to make a sturdier concept isn't going to work as most of d&d's other gods of hunger or famine are similar levels of paper thin.

How do we fix it: I want Yeenoghu to be the opposite of the path I found myself on, a hunger so great and so painful that it percludes happiness, cooperation, or even rational thought. Hunger not as a sumptuous hedonistic gluttony but a hollowing emptiness that compels violence and desperation. More than just psychopathic slaughter and gore, it is becalmed sailors drinking seawater to quench their thirst, the urban poor mixing sawdust and plaster into their food because their wages are not enough to afford grain.

This is where we get the idea of Yeenoghu as an enemy of society, not because violence is antithical to society ( I think we've learned by now how structured violence can really be) but because society fundamentally breaks down when it can't take care of the people who provide its foundations. Contrast the Beast of Butchery with one of my other favourite villainous famine spirits: Caracalla the grim trader, who embodies scarcity as a form of profit and control in to Yeenoghu's scarcity as suffering.

Into this we can also add the idea of the hungry dead, ghouls yes but also vampires, anything cursed with an eternal existence and appetites it no longer has the ability to sate. A large number of cultures across the world share the idea that the dead cannot rest while they are starving, which is why we leave offerings of food by their graves or pour out a glass to the ones we lost along the way.

On that topic, there's also a scrap of lore involving Doresain god of ghouls, who has been depicted as an on and off servant of Yeenoghu. Since I'm already remaking the mythology, I'd have Doresain act as a sort of saint or herald for the demon lord, the wicked but still partially reasonable entity who can villain monolog before the feral and all consuming demon god shows up.

Summing it all up: Yeenoghu isn't a demon you wittingly worship, it's a demon that claims you, marks you as its mouthpiece and through you seeks to consume more of the world. It gives you just enough strength to keep on living, keep on suffering, keep on filling that hole in your belly and feed it in turn.

The greatest of these mouthpieces is Doresain, an elf of ancient times who's unearthly hungers elevated him to demigod status. Known as the knawbone king, he dwells within a dread domain of the shadowfell, and is sought out only for his ability to intercede with the maw-fiend's rampages.

Signs: Unnaturally persistent hunger pangs, excessive drool and gurgling stomach noises, the growth of extra teeth in the mouth, stomachs splitting open into mouths.

Symbols: An animal with three jaws, a three tailed flail or spiked whip. A crown of knawed bones (Doresain)

Titles: Beast of butchery, the maw fiend, the knawing god

Artist

#monsters reimagined #fiend #yeenoghu #undead #deity

[whimsicalwritingsandmore]

Want You Back | ateez x reader

Pairing: werewolf!ot8!ateez x werewolf!reader

Genre: fluff mostly, romance, poly, a little angst?

Warnings: mention of being depressed

Word Count: 1537 words

a/n: hello! welcome to the first chapter of my new story! I hope you enjoy it, and I would love your feedback especially when it comes to structure and flow of the story. I'm still getting the hang of tumblr again, so if you'd like to be a part of a taglist, please leave a comment under this post! :)

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Chapter 1

How did it end up like this?

This question never left your mind as you stared out at the forest trees in your backyard from your balcony, arms folded with a blank facial expression as the cool wind blew by and the beautiful moon shone in all its brilliance and wonder over you. 

Luna meant moon. And it also meant the alpha female of the pack with your mate, this being determined by the Moon Goddess herself. Luckily for you, you had eight mates. Being a Luna meant one thing and one thing only. You were just a partner to your mate. You were to produce your mate or mates’ offspring and most of your education was dedicated to learning how to be a good mate. You never learnt anything outside of that.

And you hated it.

You loved your mates through and through. You loved the way Hongjoong would nestle into your arms and nuzzle into your neck when no one was watching, because he wasn't the biggest fan of public displays of affection. You were enamoured with Seonghwa - every time the both of you would cook meals together and his not so subtle way of making you blush. 

Yunho was the most endearing one you had met, he wasn't afraid to show his affection for you, and would grab and spin you around and then look you in the eyes with the warmest and sweetest smile as if you held the entire galaxy in your eyes. Meanwhile, Yeosang was the opposite, he was much more shy than Yunho but he never steered away from showing you how much you meant to him. The both of you would find a book to read together and would place yourselves in the little corner of his window with your head in his lap and him mindlessly playing with your hair while you both read for hours upon end. 

San loved adventures and sharing them with you. He would always take you with him wherever he went and together, you would create endless memories of the day and take endless pictures with an old film camera for your album. Mingi liked playing games so you two would play board games and sometimes even make up your own games which was a special thing just for the two of you. Only the two of you knew the rules. 

Like Seonghwa, Wooyoung loved to cook with you. He wouldn't shy away from giving you a big kiss on the cheek or lips and wouldn't hesitate to create a little chaos so you would chase him and he could scoop you up and kiss you again.

Jongho loved the little moments with you. When the two of you would just watch tv or even do laundry together. He liked just being with you. His favourite memory being the time you nearly fought an aunty at the laundromat for the basket and sat inside of it refusing to budge. He laughed endlessly that day as he watched you place yourself with your hair falling in front of your face and a determined look plastered.

These 8 boys meant the world to you. But with time comes growing up and growing up means taking up responsibility. They were in charge of leading the pack, taking control and handling all the affairs. And with time, things had changed. 

You hardly saw them anymore even though you all lived together. And with time, you started to realise how lost you felt. You didn't know what to do with yourself. You tried cooking and baking to pass the time, but what fun was it when you didn't have anyone to share the food with? The boys were gone for long periods of time, sitting in meetings, negotiating pack deals and handling personal issues within the pack. They weren't there like they used to be and suddenly, it seemed like they just expected that you would be there for them. They started to take you for granted, and it hurt. It hurt a lot.

At first you tried to rationalise it. They were busy taking care of the pack. But then, Hongjoong's mom, who never hid her dislike for you, introduced the pack to a new member who she hoped would take your place. Lila was the only other girl the boys knew besides you and their siblings. And in their mind, it was nice to have a new friend, especially someone who came from a different pack from another part of the realm. 

But they didn't realise they were neglecting you. And slowly, as you saw the way they strayed away from you and Hongjoong's mom constantly berating everything you did, you became depressed and struggled to do anything. The boys noticed but still didn't realise it for what it was.

"It's okay to take time but you can't be lazy."

"It's just a phase."

"You should dress up more like Lila."

You were tired, beyond tired and drained. Nights consisted of you being unable to fall asleep until 1AM, and mornings consisted of waking up at the crack of dawn with all the hurt and pain rushing back in as you came back to reality. All you wanted was to feel like yourself again. You wanted the pain you felt to stop. You wanted the tears that flowed every night like a rushing stream as you muffled yourself into your pillow to stop. You wanted to feel like you again. 

Hongjoong's father was aware of his wife's motives and chastised and begged her to stop. But she ignored him and continued to attack you. He decided you needed a space for yourself until he could talk to his son. He would've done it already if the stupid rogue pack would stop threatening to wage war. 

So he told you about the secret lake and the Moon Goddess temple. Werewolf history prophesied that the lake was where wishes came true and the one with a pure heart and soul could see the Moon Goddess herself if they were truly devoted. In addition, some lore claimed that the lake was a portal to the human realm. Since 1998, all of the realms had been closed off to the human realm after the great siege, and no one had been to the human realm since.

And that's where you spent your time. You befriended the forest animals, you made flower crowns, prayed in the temple seeking for solace from your harsh reality and tried to keep yourself busy for the day.

No one knew of this and Hongjoong's mom tried to insinuate you were seeing someone. But his father immediately put a stop to it, saying that he had you helping out with the young pups on the other side of town.

All fared well for the most part. You still weren't okay but you had a safe space. 

And then it all went down.

You were snapped out of your thoughts. A loud bang pierced through the entire mansion with shrill screams and shouts. 

The rogue werewolf clan attacked that night. 

Everyone screamed and scrambled as fast as they could have. They pushed and rushed for safety as wails pierced through the air. The boys were on the other side of the town and in the large mansion were only you, the boys' families and some members of the pack and the mansion’s workers. 

You raced out of the room hoping to find someone, but ran into one of the rogues with a sickening and sinister smile on his face. You could fight but you weren’t sure if you could take him especially with that giant axe in his hand. Before you could react, a loud clang rang through the room and the rogue fell to the ground groaning in pain as blood began to leak out from the back of his head. In place of him stood your dear friend Cleo, daughter of one of the maids. She breathed heavily, still coming to terms with what she just did.

“Cleo! That was amazing!” 

“Yeah…hah, didn’t know I had that in me.”

As another loud bang was heard, you both snapped out of your thoughts and began to search for a way out. Suddenly, you remembered the secret passage in the library. Both you and Cleo scampered as fast as you could, tripping on your own feet as adrenaline rushed through you and you could hear your heartbeat in your ears. Finally arriving at the library, you slammed the door and began to find the book that would get you out of here.

You had barely escaped that night. You ran to the lake, stumbling and pushing the fear down your chest. You and Cleo both split up deciding that was the best idea at the moment. In the clearing, you looked around hoping to feel safe. But you could hear the evil snarls and growls approaching you. You didn't know what to do and looked towards the temple, a small prayer on your tongue. 

After that, only one thing came to mind, you hoped those swimming classes would pay off now. You jumped in the lake. As you opened your eyes under the water, there was not much you could see except…a white glow. It gave off a safe vibration, you felt drawn to it.

As you tried to swim towards it, your vision started to become hazy.

And then, it all went dark.

#ot8 ateez x reader #poly ateez x reader #ateez x reader #ateez fluff #ateez fanfic #ateez series #poly!ateez

[bonefall]

Clear Sky Killed Bumble; Gray Wing's Desperate Defense

The "analysis" I've seen out there is beyond bananas. We are out there on state-of-the-art exploratory vessels, sailing the 7 seas into brand new lands, discovering new kinds of fruits to compare to the absolute lack of sanity people are displaying.

Clear Sky definitively killed Bumble. Gray Wing does not want to believe reality.

While some try to argue this death down to "negligent homicide," that Clear Sky essentially beat her unconscious and left her in an unsafe area where she got killed, that's so unlikely I'm confident in saying it's wrong. The evidence shows that Clear Sky tormented her to death with a ferocious, sadistic beating which caused her to bleed out, which is second degree murder, and used the smell of a fox and Gray Wing's blind adoration to lie his way out of consequences.

There's not a lot of ambiguity in the evidence that is presented. There is fox scent but no fox bites, and the preceding chapter provides a comparison between the wounds on Misty vs the wounds on Bumble. Clear Sky's story is so convoluted that not a single part of it makes any sense. Quite frankly it's only been topped recently by the "I can confirm this woman is evil because she snored her evil plans in their sleep" fib of ASC.

In either case, Gray Wing believes neither. He does not believe this is Clear Sky's kill in any way.

This moment is an excellent example of how Gray Wing continuously prevents anyone from taking any action against his dear brother's violence until it is too late. By convincing the moor cats to all calm down when they're rightfully furious, and treating the lives and perspectives of native cats as lesser, Gray Wing becomes complicit in some of the harm this tyrant manages to carry out.

To shield a person from the consequences of their own actions is enabling, regardless of if it's direct or indirect, wittingly or unwittingly.

We are going to go over the whole of the 26th chapter of DOTC Book 2: Thunder Rising, from Bumble's death scene to Gray Wing's downplay of it. A meticulous, step-by-step analysis.

Leading-up context

The Scene

The Immediate Response

Incredible suggestions that have been made that I had to read with my own eyes

Leading-up Context

Let's start from square one by introducing the cast, with the assumption you have not read DOTC or are just vaguely aware of it due to its reputation.

Bumble is a kittypet who regularly visits the woods without issue. She is a small supporting character in the first book, The Sun Trail, whose purpose is mostly to be a friend to Turtle Tail, who is the future wife of the main POV character, Gray Wing.

As the two girls become closer friends, Gray Wing becomes more controlling of Turtle Tail and more hostile towards Bumble. This culminates in Turtle Tail leaving "The Settlers" to live with her friend over the winter. All is idyllic until the humans adopt a third cat, known to the fandom as Tom the Wifebeater because of what happens next in Book 2; Thunder Rising.

Turtle Tail becomes pregnant, but notices that her roommates are keeping some kind of secret. She begs Bumble until she reveals that humans tend to take kittens away when they're old enough to be weaned. Turtle Tail leaves to return to the wild, and Tom the Wifebeater begins methodically torturing Bumble over the next month as punishment, leaving scratches, bruises, and "dried blood" all over her when the humans are not looking.

When Bumble tries to seek help from the moor cats, Gray Wing is frustrated that the battered woman has interrupted his walk with his new wife. It is stressed that Gray Wing hates her for taking his love interest away, and he believes she is too fat and clumsy to live in the wild. The leader of the moor cat settlers, Tall Shadow, has a hard time throwing Bumble out, until two outsiders, Wind and Gorse, who are trying to get accepted into this group themselves, take the initiative and drag Bumble back to her domestic abuser.

Gray Wing is biased against Bumble. This is a fact. He explicitly does not like her.

Shortly afterwards, the forest cat settlers, led by Gray Wing's brother Clear Sky, experience a fire and begin to expand their borders. They are already known as a violent group, their leader is a manipulative liar, and Gray Wing himself was once viciously mauled as Clear Sky sat by and watched.

Yes, Gray Wing is aware that Clear Sky sat there and watched, too. He called out to him and Clear Sky did nothing as Fox, a man who knew full well that this cat was his leader's brother, was shredding him.

Gray Wing doesn't want to believe his brother is a bad person. This is also a fact. He explicitly feels guilty when he has thoughts otherwise.

On-screen, through the POV of Gray Wing's nephew Thunder, we see a native woman named Misty slaughtered by Clear Sky for her land. Her children are taken, and her body lays unburied and rotting for two days before Wind Runner and Gorse Fur (sporting new names at the request of the moor cats) find her.

They describe the wounds they found on the corpse in detail and make an accusation,

Now, before this point, Wind Runner and Gorse Fur have been doing everything in their power to endear themselves to this group. Gray Wing himself trusted them, because they've taught him methods for living here, caught and shared food, and even saved the life of his other brother, Jagged Peak, when a burrow collapsed on him.

But now his xenophobia towards them is coming back-- because they're calling for action against his brother. He's only ever uneasy about them when they seem to have an ounce of influence over his group.

Turtle Tail's conclusion is completely sound, and if it hadn't been for someone else, would be correct. Clear Sky DID move to kill the children-- he was stopped by his underling, Petal. Turts was able to understand what Clear Sky was going to do without seeing it firsthand.

The crowd is shocked and furious, for logical reason. They ARE in danger. Clear Sky IS escalating his violence and expanding his territory. It's starting with the native population, and the moor cats are able to understand and predict what will happen next.

Except Gray Wing.

The Scene

While investigating ONE confirmed murder, as there is no reason to doubt Wind Runner and Gorse Fur except for conveniently xenophobic ones, and TWO suspected murders of children, the patrol hears the sudden shriek of a cat in pain.

Bumble is found bleeding to death on a previously unclaimed patch of land, at the very center of a circle of trampled grass. There is the reeking smell of fox, and under that, there is the scent of Clear Sky.

Her wounds are described in great detail,

Completely consistent with the way that the wounds were described on Misty. Nearly word-for-word.

The only evidence of fox is the smell. No one heard it bark, there is no note of it bounding off, there are no bites or wounds consistent with those of a canid. They were described exactly the same as Misty's.

Slits are cat claw wounds. Not fox bite wounds. She was not being bitten, she was cut all over her body, prominently down her belly and sides.

Unless this fox shapeshifted into a cat and then meticulously created wounds consistent with the ones left on Misty, Clear Sky did this.

Where did the fox go? Probably came to investigate, maybe licked at the bloody cuts expecting a meal, and then was scared off by Bumble suddenly waking up and screaming. It's possible, but unlikely that the patrol's clamor scared it off, considering they didn't see or hear any fox noises.

There are also signs of a struggle-- and Bumble was not able to fight in the condition she is currently in. It's most likely it was the struggle from when she was being tormented and trying to get away, unless there was a fight with a fox while Bumble was still unconscious and she was dragged to the middle of it, for some reason.

However, a fight with a fox is still unlikely, as the patrol was able to hear the whimpering of a cat in pain as they approached but not the furious sounds of a battle with a large predator. If there was this whole epic brawl with a fox that trampled the grass around Bumble, why was there only a single shriek?

Gray Wing, expert on the smell of Clear Sky's armpit, confirms it's his brother. His whole world spins when he realizes his Dear Brother is involved in this, feeling horror and disbelief.

(Also note that Gray Wing implies Clear Sky's involvement is the prophetic bad thing his adopted son mentioned in the previous chapter, not the shredded woman dying in front of him lol)

The rest of the group is able to acknowledge reality, coming to the obvious conclusion. Clear Sky is expanding his territory, including the very patch they're standing on. He has been violent in the past, even against other settlers. Misty was slaughtered in a way consistent with the victim dying in front of them, so he is killing cats who stand in his way. Gray Wing's immediate, literally DESPERATE response is first to jump to Clear Sky's defense.

Gray Wing asks Bumble directly if it was a fox, and she is too weak to answer... until she finds the strength, as a domestic abuse victim, to blame herself for the way a cat beat her bloody. She thinks it's her fault for hunting here, because she was hungry, not thinking straight, and stupid.

I have seen this described as Bumble "making a defense of Clear Sky." I will leave it up to you, the reader, to determine if this sounds like Bumble is trying to say he's not guilty of hurting her or if it's the sort of infamous self-blame that domestic violence victims lapse into after a furious thrashing.

When Clear Sky returns to the scene of the crime, he cuts her off while admitting he did assault Bumble, then glares at everyone to challenge a fight.

Gray Wing swoons over him like he always does.

I have heard it said, without examples, that this is normal because this happens all the time in Warrior Cats. That it's a normal thing to be standing next to a domestic abuse victim who is bleeding out and watch her murderer daring all of your friends to do something about it, and admire how brave he is. That, again, without any examples, this is just something that every character does when the Villain of the Week exists in front of them, so it's not even special that it was Gray Wing's first response.

If you believe that, I have a bridge in London to sell you.

Desperation is under all of Gray Wing's feelings which immediately follow. His voice "cracks" when he has to ask if his darling brother did this. He wants to scream when he takes his sweet time answering. He shrinks under Clear Sky's gaze, because he reads that he's "accusing him of betrayal."

But somehow, that FIRST response for him to fawn over his brother is not part of that, because in unquoted books of other arcs a hero has admired a villain?? Context doesn't exist because in some other book the same emotion was described maybe. Incredible.

No mention of how casually he brushes off this sight that makes his eyes show "guilt and horror," either. No talk of how he made a little ""joke"" about how no one greeted him nicely at a tortured woman's deathbed. Almost like he was caught red-handed and the wounds don't actually unsettle him as much as the crowd's reaction.

Even the glare-- Clear Sky is trying to get Gray Wing to do his bidding. He wants him to protect him, be his flying monkey, and control his furious people.

So at the next opportunity, Gray Wing jumps to his defense again. Second time in this exchange.

FIRST he was described as "desperate." Now he takes a deep breath and BRAVELY licks that boot.

Turtle Tail steps forward and posits the obvious truth. Clear Sky is going mad with power, doesn't care who he hurts, and is completely capable of doing something like this to Bumble. This was already done to Misty, and even earlier, Clear Sky stood by and watched as one of his minions savaged Gray Wing in a similar way.

The whoooole crowd can see this. It is Gray Wing, and Gray Wing alone, who prevents there from being any consequences for Clear Sky's actions.

He hypocritically believes that attacking Clear Sky for the murder of Bumble would make them all "no better than he is" when he had no qualms about coming to blows over the exile of Jagged Peak much earlier. "Attacking Clear Sky for Murder" is morally equivalent to "Actually Doing Murder."

This is only for Bumble though, a "foreign" woman he does not like. He did not believe this for Jagged Peak, and he will not believe it later when he watches Clear Sky strangle Rainswept Flower to death. They are worth physical consequences.

He even physically shields him.

"he stepped between Clear Sky and his own cats, not sure which of them he was trying to protect." It's Clear Sky. Bumble's life means nothing to Gray Wing, so he is trying to protect Clear Sky from the fury of the angry mob he has earned by killing her and Misty.

He CANNOT let there be any doubt. Not even from himself. His brother must be protected at all costs. To that end, he is trying to make some kind of opportunity for Clear Sky to escape accountability.

If you are "neutral" in the conflict between victims and their abuser, you have taken the side of the abuser. If you provide opportunities for a perpetrator to escape accountability, you are an enabler. If you allow a suspect to escape the scene of a crime, since every cat in these books seems to be a lawyer the minute anyone wants to react to violence, you could be charged with accessory fleeing and eluding-- a felony.

Before you try to say this is all in the noble pursuit of peace, let's not be dense.

DOTC is not committed to non-violence for any other tyrannical leader. Especially not One Eye, even believing that an underhanded ambush that breaks the terms of a duel Clear Sky set is the good and righteous thing to do. Killing him was the correct action, as it was with Slash in Riverstar's Home. Outside of DOTC this logic is casually applied to Brokenstar, Tigerstar, Scourge, Hawkfrost, Darktail, and Ashfur-- with only Leopardstar and Blackstar being "exempt" for following an evil ringleader.

Gray Wing himself has no moral dilemma about One Eye or Slash, either. Nonviolence is not his goal.

It is Clear Sky, and Clear Sky alone, who the narrative of DOTC will conclude "deserved" a million second chances. That torturing Bumble to death, slaughtering Misty for her land, and countless offscreen cases of attacking natives didn't push him past the "fundamentally evil" threshold into an irredeemable monster, as is the case with Slash and One Eye later in this arc.

The difference between Clear Sky and DOTC's other two tyrants, to me, is obvious. Clear Sky is the POV's brother and a member of the in-group of The Settlers. The lives of his victims, as mostly "foreigners" and entirely women, are worth very little to the notoriously xenophobic and misogynist writing team.

If the moor cats had shredded Clear Sky right here and now, dozens of lives would have been saved. The First Battle wouldn't have happened. Justice would have been served for Bumble, regardless of if the cause of death was 2nd degree murder or negligent homicide. He wouldn't have smacked and beaten any of his other victims.

Gray Wing prevents this, giving Clear Sky an opportunity to tell a lie.

(He even whines about the idea of Wind Runner challenging Clear Sky about boundaries, the whole thing that started this incident in the first place. This is the perfect time to start arguing about boundaries, actually, when he's in the middle of establishing new ones.)

In the past, I'd been too charitable to this exchange. This lie is obscene and anyone who believes it is ignorant. No frills, no bells, you either can't think critically or just didn't want to so Clear Sky can be innocent or Gray Wing can seem "reasonable."

Clear Sky's visibly eager to start his story, "glad of the chance" now that he's had time to concoct a story. He could have explained earlier but didn't, sizing the group up and glaring at his brother to crack a whip, asking if they believed he was capable of it, so he could gauge what he can get away with.

"New part of my territory" = Freshly annexed land he has violently conquered, confirming the patrol's fears of expansion.

"I wanted to give her a warning, just a little cuff" = No one leaves his territory gently. Confirmation he thrashed her, downplay of how severe.

"How was I to know she would faint?" = Bumble is visibly emaciated, and he's blaming her for not being able to stay conscious through the whole beating.

"I could see her paws twitching, and I knew she would come around" = He would not care, Misty's body was unburied for two days.

"So I left" = Leaving Count: 1

Pauses, wincing, because this is another act. Every time he's putting on a little show for other cats, he takes dramatic pauses and plays up his pain and regret. Seen earlier in this book.

"But heard a fox bark" = no barking was heard by the patrol, only a cat's shriek.

"And ran back" = Was apparently so close that he could hear barking the patrol didn't, but so far away that a fox had time to cut her to ribbons, AND this was so long ago the patrol wasn't close enough to hear the fight? Returning Count: 2

"But I was too late" = Wounds inconsistent with fox attack. Leaving Count: 2

"I was going to get help" = There is no medic in proto-SkyClan. When Jagged Peak broke his leg, they had to borrow Dappled Pelt. What help? Who?? Even as he says this, Frost's wound is going completely untreated. If Clear Sky was going to get help, why wasn't he telling Cloud Spots to do something when he got back?

"But then I heard you all arrive" = He left to get help but was still close enough to hear running? Just abandoning his noble quest to get that "help" he apparently has? Returning Count: 3

Not a single part of his story adds up. EVERY aspect of it has a problem, in that it's either deceptively worded to downplay his abuse, doesn't line up with who he is, or just doesn't make logistical sense.

It's not JUST a lie, it's a BAD one.

Even worse, Clear Sky is a known liar at this point. He does this when the truth would not benefit him, like earlier in this book when he fibbed to Thunder about why he abandoned him right in front of Gray Wing's face. The story doesn't make sense and there's not even any reason to give him benefit of the doubt, because he is known to be dishonest.

He's offended when Turtle Tail calls him on being full of baloney, and once again shoots a sharp look over to his flying monkey, expecting Gray Wing to dance on command and defend his honor like always.

But Gray Wing seems to be perfectly capable of being "wise" when it would directly benefit Clear Sky.

I have seen the question begged, "if he's such a bootlicker then why he no verbally bootlick a third time in a single exchange?" and I would tell that person to read the text because it says why. Right there. Here, I've underlined it. So you don't miss it again.

If Gray Wing licks that boot again, THIRD TIME, in front of an angry mob who wants to skin Clear Sky alive, they will lose patience and make the clearing look like Bruce's Eating Dome. So he shuts the fuck up and gives his ungrateful brother the chance to indignantly slip away, even though he desperately wants to cry out and tell him how shiny and lickable those boots are.

"What can I say?" Nothing. "I'll only make things worse" Correct. "If I don't let him leave now there will be a fight" im literally just quoting the text verbatim

He is NOT doing this because he does not believe him, NOR because he doesn't want to defend him. It's because this the best way to protect his brother from consequence.

And then Bumble uses her dying breath to apologize for ever hurting her friend, showing Bumble is still just blaming herself for everything, with Turtle Tail still repeating the same malicious excuses that were used to deny her asylum from domestic abuse.

"I wish you could have found happiness, even though I was unwilling to help you. It sucked to learn that our shared wifebeater started wifebeating you, but we didn't want you in our camp so really this was unavoidable."

I've voiced my ire before, gone on long rants about how angry this exchange makes me and even campaigned for more recognition of the misogyny in this subplot. The fact that the last words Bumble hears are just more excuses from a person who could have done something disgust me, and I think I'm right to feel that it's vile that this sits unexamined in a book for young readers. But it doesn't change what happened.

She senselessly died in intense pain and despair, for the crime of existing. All that's left to say is that I wish Bumble could have found a better friend.

But ultimately, Turtle Tail is another woman in the notoriously misogynistic arc of DOTC. She's just a supporting character for Gray Wing's conflict, and he's got some opinions about what, exactly, is making this so sad.

He doesn't give a fuck that this woman he hates has been murdered after slowly starving to death, for months, since he watched her be dragged back to a domestic abuser. She "stole" his romantic interest for a few months, after all.

It's stressed he "never especially liked Bumble" at her deathbed. It's not JUST "the death of a kittypet," a group of people he is bigoted against. It's about his piece of shit brother.

It's about how HIS REPUTATION HAS BEEN TARNISHED.

"It changes the way my cats think of Clear Sky," THAT HE IS NOW A KNOWN MURDERER, "and that changes everything" IT'S GOING TO BE A LOT HARDER TO DEFEND HIM NOW

This is completely consistent with Gray Wing's behavior into the rest of the chapter, and even the books beyond.

The Immediate Response

Gray Wing explains what happened to the other moor cats. He has to hide his actual belief that Clear Sky didn't actually do anything wrong so that the moor cats don't dismiss him for the biased, brother-obsessed little minion he is. He admits how he really feels about Bumble's death to Turtle Tail at the very end of the chapter-- so what he says here is a lie.

Not a delusion. A lie. He withheld the full truth of his bias when questioned. If he's honest about his conflict of interest, this group will trust his judgement less. He has a goal; to prevent his cats from retaliating.

Wind Runner is, again, the one who is rallying the other cats into action. She's seeing that Clear Sky is murdering innocent cats, possibly even her friend considering how much she knew about Misty, and that this will only escalate. Gray Wing doesn't like that.

So when Tall Shadow starts suggesting the things he agrees with, like how Bumble's life was less valuable anyway so this is no reason to start a fight with his Dear Sweet Brother, and they should all just sit on their butts until no one's angry anymore, he decides she "deserves" his support.

It's a political move.

"After all, she was only a kittypet... omg why are you so mad?? I didnt mean it like that, all im saying is that we should just calm down ugh dont be so sensitive" -Tall Shadow, channeling your racist aunt

If Gray Wing can get the other cats to waste their time on useless half-measures, like more patrols or perhaps writing a strongly-worded letter, he can make them feel like they're doing something when they're actually doing jack shit. Wittingly or unwittingly, this is a measure to stall the inevitable, making them miss their chance to strike while the iron is hot.

He's either an idiot or he's subconsciously acting from a place of loyalty to his brother. Bias resembles the former but is born of the latter, and either way the result is the same.

After this, there's a brief conversation where Tall Shadow makes it clear that there is absolutely no reason to be mistrusting Wind Runner. They both agree "when this is all over" she's a good cat to have around-- they just don't seem want to listen to her now, when she wants something done about the sadistic lunatic next door.

Gray Wing's talk of "working together" is laughable. His idea of "working together" includes the cat who just slaughtered two people for existing on his newly annexed land, who long ago stopped listening to reason. Tall Shadow herself starts preening and announces that her response to all this is that Clear Sky must absolutely be stopped by some cat.......................... so she'll think abt it.

tomorrow maybe. we'll put a pin in it. set a little reminder on her phone or something.

(the genius plan she comes up with in the end is a nonsequitor babble about how rocks don't exist to be sat on, so clear sky should just stop conquering all the land or something. he listens intently and then throws her into a tank of piranhas.)

But anyway, it's time to smooth things over with Turtle Tail, who had been struggling with that uncomfortable truth that the moor cats, and Gray Wing specifically, were also culpable in some way for the slow, painful death of Bumble.

He'll fix that with a big display of affection.

"Don't be mad at me it's nobody's fault :) She wouldn't have been able to cope so it's inevitable she wound up dead :) I'm sorry you're hurting bc i like you, not that i give a damn that your friend was shoved into a blender and shredded alive after starving for months :) Thanks to you I am now ready to lead this clan directly off the side of a cliff." -very endearing conversation i assure you

It works because Turtle Tail is not allowed to maintain her own opinions as a girl in DOTC. Obviously. Her husband licks her ears and tells her that he likes her and that's the end of any examination that they have any responsibility here. god forbid she re-examine her feelings towards the writers' favorite in light of how much of an ass he made of himself at her friend's deathbed.

Just in case it slipped your mind though, once again it is made clear that Gray Wing is reacting with leisure because he does not believe (or care) that Clear Sky killed Bumble. No, not even in the negligent homicide sense, that Clear Sky's actions allowed Bumble to die through beating her unconscious and leaving her alone in an unsafe location. He does not think this was something to blame Clear Sky for.

He believes that the fox did it-- he was lying earlier when he said he "didn't know what to believe." He does. He didn't reveal his bias when he was being questioned, because he wants to prevent the moor cats from fighting Clear Sky over Bumble's death.

Also note the sneaky little turn of language Gray Wing makes there. In denial of Turt's claim that "innocent cats are being slaughtered," Gray's counter is Bumble alone before the pivot. The patrol was originally about Misty's murder and her missing kittens as Clear Sky expanded his borders-- but Misty's apparently not an "innocent cat" who's been slaughtered. She's absent from that category, implied to be part of Clear Sky's hypothetical "good reason" for expansion that Gray Wing needs to get to the bottom of.

Bumble's murder is denied. Misty's is implied to just be collateral damage for the unknown plan. He's unbothered about the death of either one.

Gray Wing: "No one else can get to the bottom of this! theres only ME! I AM THE ONLY ONE WHO CAN STOP CLEAR SKY"

Also Gray Wing: (leaps in front of an angry crowd to defend his brother. cries that he doesn't believe hes capable of such terrible violence. actively prevents anyone else from doing anything about him)

Anyone with a vague awareness of DOTC knows how this ends. Gray Wing is going to lead them astray with his bad judgement, so purposefully delusional about his brother that they will have to dig a mass grave at Fourtrees. Gray Wing thinks he's a *~special boy~* who is the only one who can truly get through to his brother, and maybe he is, but not before dozens of people have to suffer and die for it.

This is enabling. To enable is to directly or indirectly support another's harmful actions, such as addiction or abuse. He did it here, both during and after Bumble's death, giving Clear Sky the cover to escape consequences for his actions and halting any attempts to do anything concrete. Because of him, Clear Sky never pays for what he did to her.

In the book 3, Clear Sky denies all wrongdoing, and in Bumble's last mention in book 4, her torture is described in passive voice. A terrible "happening" which seemingly couldn't have been avoided. No one is held accountable. Not the moor cats for turning her away, not Clear Sky for her killing, and even Tom the Wifebeater is redeemed after being given a chance to live in a clan for not being "soft" like his female victim.

All so sweet, beloved little Gray Wing never has to confront that he let a killer get off scot-free because the uncomplicated childhood memory of his brother as a lovely good boy was wrong. That he was so consumed by spite that he smugly watched Bumble get dragged away from the only people who could have helped her. That he was complicit twice.

Incredible suggestions that I have had to read with my own eyes

fucking ✨Bonus Round✨

"If clear sky fought bumble, why bumble leave no scratches?" I'll let you sit there and think about why the DOMESTIC ABUSE VICTIM did not fight back against a large, violent man who was beating her. I'll give you a minute. I'll play some jeopardy music.

"he's quote 'horrified and guilty' at the wounds which means he didn't make them himself" Clear Sky has a repeated habit of "blacking out" when he butchers women (Rainswept Flower, Willow Tail). He's also a liar and an actor, even according to his own account he'd seen these same wounds before when he came back a second time. Most importantly, what fucking part of "horrified and guilty" implies he didn't make those himself, does a toddler not look "horrified and guilty" when it spills chocolate milk on a couch and its parent sees it? Does that mean the toddler didn't do it? If you wouldn't accept this logic for a toddler why the fuck will you accept it for a suspected murderer?

"Maybe Clear Sky fought the fox off?" He doesn't actually say that, it's just implied during his lie when he says he showed up too late, but it's hypothetically possible. Even if he did fight this fox off, he must have still mauled Bumble because she is covered in claw wounds, even if he doesn't remember it because he "blacked out." There's also still the problems of Bumble being in the middle of the trampled grass, the patrol not hearing the sound of battle, his framing that he just tapped her and she passed out, and him apparently running to get help he does not have. Occam's Razor still suggests the solution is that this fox was scared off when Bumble screamed, with Clear Sky just using the convenient smell to lie his way out of consequences

"How'd Clear Sky get fox scent on him?" Probably from showing up to the crime scene that absolutely reeks and prowling around like an axe murderer, which we saw him do. Bumble had no fox bites and no one heard a fight. did you know that if you stand in a sewer you smell like shit

"Gray Wing just doesn't want to think his dear sweet brother could ever do such a thing :("

"What if the Erins are just so incompetent that they created a crime scene completely inconsistent with the very true and real story that Clear Sky told, it just happens to look like a lie on accident, they unwittingly made him a liar earlier in this book because they forgot the events they previously wrote, and don't know anything about a type of predator that appears in nearly every entry of warrior cats and happens to be one of the most popular animals of all time" what if i tripped and fell and a shawarma with extra tahini sauce fell into my mouth, followed by an apple slice, and 3 litres of water. should i continue my fast or has Allah fed me.

All of this is why I am adamant on saying that Clear Sky killed Bumble by beating her to death. In order for this to have been the cause of a fox, you'd have to take a liar at face value and ignore every other detail. That's what Gray Wing does, described on the page as "desperate to believe in his brother's innocence."

Unfortunately, this will also not be the only time that Gray Wing's obsession with his brother and shockingly horrific judgement will put other cats in danger or get them killed. It's just the most deliberate example, and thus imo the most upsetting.

#warrior cats analysis #Bumble #Bumble wc #Dotc analysis #dawn of the clans #dotc hate #clear sky #skystar #gray wing #dotc #Justice for Bumble #Bumble dotc #Gray Wing The Wise

[comicaurora]

What are your thoughts on guardians vol.3? (If you have watched it) I went into it, expecting it went to the garbage like the rest of the mcu, but I was pleasantly surprised by its creativity, trope subversion, and how it wrapped up the previously unresolved arks of its characters.

That's what I've heard!

The thing is, Guardians 3 could be the most transcendent work of cinema ever made, and I'd probably still feel little to no motivation to watch it at this point. It's not Guardians's fault - it's just suffering from the same problem that superhero comics have been struggling with for decades: no matter how good an individual arc or run is, absolutely nothing good lasts or matters in the long term, and the stories are shaped in such a way that "the long term" is the only thing anyone gets to build towards.

Whenever I complain about the MCU I get a handful of people loudly complaining about my complaining, with the general thesis that if I don't like it I shouldn't watch it or talk about it - if I'm not having fun, just stop engaging with it. And the thing is, I have. I am intellectually interested in why this massive franchise is fumbling the bag so hard, which is why I still check in on it sometimes, but I've long since stopped turning to the MCU for uncritical entertainment. And even the good movies or shows with a lot of interesting ideas - good character arcs, fun concepts, interesting planting for future payoff - don't draw me in anymore, because they're hooked into a massive moneymaking machine that will scrap and squander anything if they think it'll make them more in the quarter. It doesn't matter how good the writing is, because the writers are not allowed to tell a complete, finished story, and they have no control over what happens to their characters outside of their own script.

Captain America's arc was set up from literally minute one to answer one burning question at the core of his character: does a world without a war still need Captain America? After that incredibly basic tee-up at the end of First Avenger, half a dozen movies failed to come up with a reason to say "yes," and now Steve is retired for good after getting fumbled through four different storylines that couldn't even pretend that they needed him (the unused Chekhov's Phone from the end of Civil War still haunts me). The foundational arc of his entire character never happened because nobody bothered to keep track of it past a single movie.

Taika did something interesting with Thor in Ragnarok - take away Mjolnir, force him to recognize what it means to be the god of thunder, give him a very Odin-y missing eye - and the very next movie undid all of it. Just kidding, never mind, here's an eye and a new weapon and also his old weapon again, and in one more movie we're even gonna give him his hair back, probably as an apology for all the completely unironic fatphobia we're gonna slather him in for two and a half hours. I'm not even surprised Love And Thunder was such an overblown mess that barely took itself seriously - why would Taika bother trying to give Thor another arc when the powers that be will just roll it back in six months anyway?

I hear Rocket Raccoon has a fantastic arc in this movie. That's great, and demonstrates that he's being written by a writer that deeply cares about him. But he's part of the MCU, and the MCU doesn't let anything end, so if current patterns hold, Rocket is going to continue to serve as quippy plushie-bait for the next dozen movies and none of that depth is going to come through in the long term. Hell, since they're making Kang noises for the Next Big Threat and Kang's entire gimmick is rewriting timelines, literally none of this is guaranteed to matter. By next year, it might not have even happened anymore.

The MCU has successfully shaped itself into a paradigm where the bright spots of good writing are overridden and lost as soon as the writers room turns over, and that makes it really hard for me to muster up the enthusiasm to watch even a really good movie that's locked into the exact same grist mill as everything else. I'm glad people liked it, I hope it gets to stay good this time - I just have no desire to watch it.

#asks #not aurora

[spaloonbabooguuscooties]

You could drink your whole life away and still never get that taste out of your mouth.

half commission for @salempie half completely self indulgent dreck pieced together from our insane conversations abt franke and elka. told myself id finally write a big explanation for all of the dum shit between these two for context so Thats Under The Cut.

so I already wrote some stuff about elka and franke's relationship back in whispering rock so feel free to look at that too . it goes over elkas blindness/‘seeing’ with clairvoyance and how her and franke started talking & all that good stuff

SO FOR STARTERS. a lot of thsi wont make sense without a big breakdown of elka herself. because elkas potential as a character is like insane to me. like just the idea of her in the long run of her life reads as something so potentially tragic; a young girl whos plagued with visions of doom and destined to be an outcast even in her own home for things she cant control and clings to the One vision of her wedding that she thinks is 'happy' even despite the fact she doesnt really love the person in it. im choosing to take the li-po doc as canon here because its funny shes the only one with backstory-

but my fucking god even the smallest look into what her parents are like is soo fucked up to me. and i do think elka especially gets a lot of influence from her mother; its funny how easily you can fit mabel doom into a box just from what elka says about her. knees deep in an avon-esque pyramid scheme and leaning into her daughters depressing ass visions & taking her to therapy at age 11 (which would be good if not for the kind of person you can already assume she is & so i doubt the therapist she has really does her any good. i think they share one). she reads as a very I Am My Daughters Best Friend type of mom to me and i can see elka being a centerpiece of the conversation when she has her Amway Girls over for drinks. wine-mom that lets her kid sip from the glass so she can feel like a big girl type deal.

and you can tell that elka is trying to hard to be too mature for her age even in her campster posts. how she writes letters to nils' mom and exchanges baking recipes with her and that feels like she really only interacts with middle aged women and not really many people her own age outside of camp (like her moms friends). which makes sense shed feel the need to ‘grow up’ early when shes probably had to process so many hard things at a young age bc of her visions.

theres a lot of filling the blanks here of course.

elka obsesses over nils to an overbearing degree even despite the fact he treats her like shit ('you promised no talking' and so on) and she treats him bad right back. she leans onto stereotypical heterosexual ideals like taking care of him and overblowing how Manly and Protective JT is and she admires romance stories like pride and prejudice and it feels like she Projects Soooooooo much of what she wants onto boys she barely feels anything for without knowing what its actually supposed to feel like. and clearly she WANTS that ideal future, a happy marriage, an actual romance- but according to nils even when they were dating she ignored him most of the time, which just seems Very Telling

like shes filling a role, overcompensating for emotions and lacktherof she cant digest quite yet, and it only makes more sense when you know shes had visions of their future together. how could that be bad for her? shouldnt it be like the books and movies? but she doesnt really connect the fact that her visions are only for Doomed futures, and if she does she certainly doesnt show it. Doomed relationships. it's been a part of her family for generations and she isn't turning out much different, is she? i dont think she even realizes thats all she ever sees yet, just that its Going to happen. that it's Her future, and it always will be

and like, her only reference for a real marriage so far has been her own parents, and she already Knows they have an affair, and theyre doomed to split, (and i actually like to think they were in rough waters anyway and elka was a child meant to mend a crumbling marriage but thats a whole other thing) and so without a framework for what an actual healthy relationship is supposed to be like she cant really grasp that her relationship with nils Isnt that and isnt ever going to be. she can only cling to this one happy idea of the future, and thats why she keeps chasing him, self fulfilling the actuality of her situation and creating and fostering the unhappy life they will inevitably live together.

and that bleeds into everything else in her life, of course, because as the years go on, as the visions grow in number it just makes sense for her to fall into the predictability of her life. she always knows whats going to happen, her visions are Never wrong- so why try to change things? shes had time to process tragedies days, weeks, months, years before they happen, shes had time to settle into every crack of her life. her parents divorce, her various break ups, her future with the psychonauts.

“and she's already seen so much of a future with [nils] she feels trapped almost. Like she has to be happy in it or else it just means her life is miserable. And it's a mixture of pride and fear of the unknown that keeps her clinging to the One thing she knows. BUT LIKE!!! She knows what's gonna happen! It's easier to grieve when she's been grieving for years... She wants so badly to be happy, But to do that she has to step into the unfamiliar. And that's more terrifying than staying the same miserable person she's always been.”

and thats where franke comes in— and yeah you Do have to take a lot of liberties for frankes character since it’s basically, like, all the info for her is just that shes a Supreme Baby Dyke but thats enough for me. i think she has protective butch itch in her . on campster shes defensive over other women evidenced in the way she keeps watch over the girls cabins for lili when elton is pursuing her . but shes also eager to please and constantly trying to make kitty laugh and also Very naive. but she tries! and i think it only solidifies more as she gets Older and really gets a hold of her feelings & her powers. this is incredibly franke to me

and i think as they grow older together— because i think franke and elka Do stay friends, both because elka is just pathetic and needs that positive connection even if she doesnt realize it and because i think franke is a very Loyal person & annoyingly persistent if you let her be . and i am also a kitty/franke truther. because kittys also important in this web we weave

because i think franke and kitty stay together after camp, to a point— theres a falling out facilitated on kittys end and they break up, but reconnect, and franke kind of... saves kitty from herself a little, from her strict military father whos love only extends thru finances , from her own stifling future , she drives all the way to bakersville in her shitty van handmedowned from her dad and they move in together eventually . they get jobs at the motherlobe , because it’s a pipeline to a decent job, because it’s whats easy, because franke doesn’t really have a future, because she’s never really been good at much, because shes never had much sense, because franke doesnt really care as long as she can live and help, sometimes, if she can, and because kitty’s there, and because elka’s there, and shes so used to being elkas eyes now and shes good at it. shes good at being the muscle of the missions when her colleagues lack it, when hypnosis and predictions arent enough. she likes it that way.

and elka appreciates frankes company. she listens, shes sweet, she does little things for her that no ones ever really put the effort for before; she likes her. franke is strong and bold and makes her laugh and shes always there but god elka cant let go of that future, of that box shes put herself in, that her mothers put her in, of being a Good Wife to a Loving Husband, of getting married normally and falling into unfailing familiarity. thats all shes ever wanted and shes not going to jeopardize that . not for franke, who may not be a boy but is handsome like one, whos always held her after every break up with nils and the men that filled empty days inbetween.

and elka is too stubborn to recognize those feelings anyway. too prideful to accept a way out. too set in her cycle no matter how much she hates it, her little self fulfilling tragedy of her own making, wallowing in her own doom. she struggles for control of her own life when she feels like every choice has been made for her anyway, she puts up her walls and carefully constructs what people see. but franke was always harder to trick, because while empathy isnt a particularly useful psychic power it’s certainly an inconvenient one. all franke has to do is get too close and all those carefully crafted walls fall apart, and elkas control is gone, and thats all she really has. and she tries to distance herself, really she does, but franke is also too persistent. and elka wears gloves, keeps contact that would make her walls crumble from happening as best as she can, but she cant really keep herself from the brief moments where she feels like someone actually fucking cares about her.

and that slightest lack of control, the need to wrestle it back is why she proposes to nils the next time theres a falling out— she knows how it happens, she plans every detail. and he accepts, despite everything. gets her a cheap ring and it feels like lead on her finger and its nothing at all like how shed thought it to be when she was a kid, theres no feather light feeling in her chest, only that dreadful reality that she cant turn this back. BUT WHAT CAN U DO LMAO

elka doesnt tell franke about this engagement until later, on their way back from a mission. late at night when neither of them can sleep, and franke invites elka to smoke in her van, because its been so long since theyve been alone like that, because elkas been so strangely absent lately. and because of everything, because frankes always so damn nice, because elka hates the feel of the ring on her finger, because she let herself get high alone with franke fucking athens whos always been so good at pulling her apart— the truth of it all spills out and its messy and emotional and she hates it, she hates the life shes made for herself, but franke makes it easier to bare and now shes here and shes so close and god she wishes she could see her smile again, she wishes she could see franke, thats all she needs right now and she cant but she can touch her and she can hold her and for tonight, she can be known, she can let those walls crumble, she can be something else just for once here with franke . she can kiss her here in this van, touch that happiness for just a moment, and forget the future that waits for her outside of it. franke begs her to forget the wedding, to just let herself be happy— and god, she wants to, but it means turning her back on everything shes known and everything shes saw to be inevitable, and franke has never been in her future, so if it were supposed to work out why hadnt she seen it and she cant, she cant take that risk but she can have this, even if its temporary, she can have it.

and just as soon as she gets a taste of it, its gone. after that night, after the missions over and theyre back at the motherlobe and have to pretend like nothing happened (franke doesnt, of course she tells kitty about it, she tells kitty about everything.) but that brief moment together haunts elka every time she sees franke, sees herself through frankes eyes, sees herself in her wedding dress because god its all franke can think about! of course it is! she knows how much elkas destroying herself she knows how much misery shes wallowing in that kiss in the van felt like an emotional punch to the teeth and she hasnt ever forgotten it and all she can do is sit and watch while elka throws herself into a loveless marriage. she can come to her wedding and see the way the bride and groom kiss with the emotional weight of a wet towel no matter how hard elka tries to hide it under a pretty dress and bouquets of flowers and meticulous planning.

and elka resents nils but she cant really hate him, its not his fault, not really. he feels trapped just like she does and his feelings of misery only cycle back into hers . they fight and gnash and wear away at each other and its a relationship thats crashed and burned a million times before elka even said i do. and its inevitable that she falls into her mothers habits, a sip of wine here and there to loosen up, until it turns to a glass, until it falls into a bottle on nights when whatever work nils does runs late.

but franke’s still there. shes always been there, hasn’t she? always trying to play knight, always trying to save her, dragging her home when shes stumbling over herself because god who else is going to do it but her? who else is left to care? certainly not nils. never nils. because franke knows her. because franke pities her. shes always pitied her. shes always known. and elka hates it, she resents it, but god in the same breath she’s desperate for it, she envies it to her very bones. elka is a mess but after frankes done with her she has someone to go back to that loves her. and god what elka wouldnt do to have that. to take it and keep it for herself because shes never ever got to have that movie romance shes always wanted.

so now comes this.

because elkas particularly miserable and particularly spiteful and she needs to get franke to understand, just for a moment, drink with her and get on her level and she needs her there with her no matter how her pity makes her feel. no matter how much it makes her shake with anger and envy and desperation, but god the way franke looks at her, the way she still tries to salvage what they have, the soft, slurred way she tells her that it’s okay but its not okay, none of this is okay, it never has been and she just wants franke to shut up and see that, and if she cant then she’ll show her, she’ll show her all the raw angry desperation, with too much teeth and hands that claw and grab and she’ll know why everyones always said she’s too much.

and she knows this puts her on nils’ level too. that this makes her a cheater, that shes no better than he is now. no better than her father and his affair. but god, she wants to be selfish. she wants to be in control. just for once. she wants to feel right and she wants to feel happy and she wants to feel loved. thats all shes ever wanted. and franke will let her have that, just for a little while, at the very least.

anyway. sorry. sorry for being crazy . this isnt even getting into the shit after the comic takes place . elkas stupid brainworld thag she has to overcome in order to finally be allowed in the polycule and live happily ever as worlds first lesbian divorceman

sorry for all the shit i make up instead of caring about actual characters with screentime . bye !

#ive spent months on thsi stupid lesbian toxic yuri slow burn relationship so you all better clap or im blowing this building up #psychonauts #elka doom #franke athens #ill paint the town red

[therainscene]

Stranger Things 4 is themed around A Nightmare on Elm Street -- Vecna is a child-killer-turned-demon who murders teenagers from within their own minds; his heavily scarred skin and clawed hand resemble that of Freddy Krueger; and the actor who played Freddy himself plays his father.

I think Stranger Things 5 is gearing up to do something similar with The Terminator. Linda Hamilton (Sarah Connor) is the upcoming guest star this season; Vecna's exposed skull and vine-covered neck resembles the T-800--

--and Will's speech at the end of S4 bears striking similarities to Kyle Reece's famous "it can't be reasoned with" speech.

If Vecna is the T-800... then the Mind Flayer is the perfect candidate for Skynet.

[And Hawkins National Laboratory is Cyberdyne Systems -- a military-funded lab that meddled with phenomena beyond its ability to control and paved the way for a sinister hive mind to enter the world.]

I'm pretty sure that the Mind Flayer lies at the heart of whatever timey-wimey stuff is going on. It's suspiciously linked to timeline inconsistencies -- Will is already able to sense it in his neck before his possession in S2, and young Henry in TFS is haunted by the spider monster he wasn't supposed to create for another 20 years.

I've already written a theory on how a causal loop could tie Will and Henry to the Mind Flayer -- whatever's going on is probably more complicated than this, since my theory doesn't explain why the Upside Down is frozen -- but it's worth a read, I think, as it's the same type of time paradox as the one in Terminator and could easily be at the core of ST's time shenanigans.

Will is Kyle Reece or Sarah Connor -- so does that mean he's going to be a gun-toting badass?

No.

This scene is Will coming full circle from that moment in the shed at the start of S1: backed into a corner and forced to resort to violence because he sees no other way out. He doesn't want to kill the monster; he has to.

But the difference is that he's not cornered anymore.

This time around, Will knows his enemy, and he has supportive friends and family at his side. He's just so beaten down -- by Vecna, by Hawkins, by perceived rejections from Mike -- that he's lost all confidence in his ability to stand up for himself on his own terms.

I know it seems at first glance that Will advocates the use of violence in desperate times, but consider the context of the episode in which the above scene appears:

Joyce is reminiscing about her missing son while dealing with Lonnie telling her what to do and feel about it. Shortly after, she realizes how manipulative he's being and permanently kicks him out of her life (and the show lol) -- no violence necessary.

Will's advice hadn't been about the value of violence, but about the value of refusing to play by abusers' rules -- a key lesson in Stranger Things, as we've been watching El learn it the hard way over the course of four seasons.

Will cannot self-actualize by "finally" pulling the trigger on an approach that symbolizes his homophobic father's macho expectations. S5 is going to be about him regaining his self-confidence and allowing his authentic, gentle nature to guide him to the real solution.

So, to return to the "he's not gonna stop" speech: the theme at play here is inevitability, and it's one of the central themes of The Terminator -- not simply because the titular assassin is unstoppable, but because of the love story that drives the plot:

If Skynet hadn't sent the T-800 back in time to kill Sarah Connor before she could give birth to the leader of the human resistance, then Kyle would have had no reason to go back in time and end up unknowingly fathering John. No matter how hard Skynet tried to snuff John Connor out of existence, the rebellious love that created him was just as inevitable as the T-800.

This, I think, is the message at the heart of both Terminator and Stranger Things, and is the reason why The Terminator would be the perfect choice for S5's theme movie:

Sometimes the horrors wrought by humanity are inescapable...

...but so too is the hopeful human drive to love each other and overcome them.

Read Brenner's role in creating Vecna as a metaphor for homophobic Reagan-era fear-mongering and it all clicks into place, I think.

#terminator #stranger things #time travel #byler #will byers #henry creel #mind flayer #my analysis #tfs spoilers

[nientedenada]

Five Skyrim Lore Facts You May Not Know!

And unlike some of the clickbait videos on Youtube, these ones are absolutely true. Let me address some of the most common lore confusions I regularly see. As a Listicle, because why not? (It's easier than writing out long lore posts.)

The Blades never served the Mede Empire. Martin was the last Emperor they served. They then devoted themselves to looking for a new Dragonborn and working against the Thalmor. Titus Mede I created a new organization called the Penitus Oculatus, which handled all intelligence and security for the Mede Dynasty. The Penitus Oculatus has been the official Imperial organization for more than 175 years, while the Blades have been an independent force. It makes the Mede decision to outlaw the Blades a lot easier to understand if you know they weren't their employees at all. The Blades were loose cannons they couldn't control.

Ysgramor didn't destroy the snow elves. The stories about Ysgramor say he and his 500 Companions showed up in Skyrim, killed or sent the snow elves into exile, took all of Skyrim, and then wandered over to pick fights with the neighbours. In reality, the Falmer weren't completely driven from Skyrim till the reign of King Harald, thirteen generations after Ysgramor. In the interim, there was a whole Dragon cult and war, culminating with Alduin being flung through the time wound. It's a long period. The real Ysgramor definitely clashed with his snow-elf neighbours but he's accumulated the stories of hundreds of years around his mythic name.

The Companions haven't been a Nord-only organization for a very long time. You might think that a bunch of warriors venerating the legacy of Ysgramor and his Companion would be Nord only, and that was probably true way back in the First Era. But by the end of the First Era, the Companions had boasted both a Redguard and Elf (Altmer or Bosmer) Harbinger. Cirroc and Henantier are some of the most famous Harbingers in the history of the Companions. We're in the Fourth Era now, so if you're playing a non-Nord, you're following in a long tradition by joining the companions. (As is Athis.)

The Imperial Legion didn't win back most of Cyrodiil in the Great War. People often ask why Titus Mede II agreed to the harsh peace of the White-Gold Concordat after his army had destroyed the Dominion army in Cyrodiil and taken back the Imperial City. But that's not what really happened. The Legion destroyed "the main army". Other Aldmeri armies are mentioned in Cyrodiil. After Red Ring, the Dominion still occupied Anvil, Skingrad, Bravil, and Leyawiin. "The Great War" doesn't say that any of these cities were liberated. Put those territories together and you'll realize the Empire never got back its coastline or the Niben river. Titus Mede made his deal while the Dominion still occupied half of Cyrodiil. Maybe he could have won if he'd pushed on, but his decision is a lot easier to understand with this context.

The Bretons Don't Worship Talos. This is one of my favourite lore bits to explain. Talos is not a god in TES II, Daggerfall, though he is a historical figure, Tiber Septim. He's only introduced as a god in Morrowind. So, a lot of people assume that he's been retconned into the Breton religion, like he was into the Nord/Imperial religions. This is not true. In both Morrowind and Skyrim, the book Varieties of Faith in the Empire does not list Talos/Ysmir as part of the Breton pantheon. They worship the Eight (and sometimes Y'ffre, Magnus, and Phynaster), as they always have. Tiber Septim is an important historical figure whom some Bretons regard as one of their own, but he isn't an official god. I love this tidbit because it makes the White-Gold Concordat absolutely brilliant. One remaining province, Skyrim, gets all upset while High Rock wouldn't care. Cyrodiil is presumably somewhere in the middle. It's a perfect way to drive a wedge among the provinces. (Hammerfell's left the Empire, but for the record, they don't worship Talos either.)

#tes lore #niente lore #Skyrim #tesblr #a bunch of my favourite non-obvious lore facts

[sepublic]

Alright, let's talk about some details from the TOH pitch bible;

A lot of the stuff is what we've already seen and/or in line with the show. What's interesting is that King WAS a former King of Demons at one point, and we would've had an episode where he runs into his old gang and chooses Luz and Eda over them. It makes me wonder if he even had a connection to the Titan in earlier drafts, if he wasn't recognized as one back in the day because he just wasn't big enough, etc. Eda makes a deal to help remove the collar, which IS the source of King's woes, placed by a 'mysterious wizard', I wouldn't be surprised if it was Obron AKA Proto-Belos.

What gets me is that Tibbles originally started off as a friend to the protagonists, while Bump was an antagonist! Coupled with Tibbles being re-elected as mayor after Bump is deposed for corruption. I like the detail of Bump being a parasite controlling a body from the head, because it carried over into his final design with Frewin, and before we got confirmation Frewin was a separate entity, I loved the joke theory that the imp on Bump's head was the REAL Bump!!! Seems that was always the implied story of the design, I love it. Tibbles being the demon fan of human stuff would eventually become Gus instead, so this is technically Proto-Gus too…?

Interesting how Bump and Tibbles' alignments switch completely with one another, and it makes sense that with Lilith no longer the principal in the final draft, it goes to Bump, who ends up being really chill and a subversion in his own right! Interesting, but I do prefer the final Bump we got, and that's fine by me, because when the concepts aren't as interesting as the final product, it means we got the best possible version.

I've already discussed Obron and William in a separate post, and Pupa is someone we've been told about in a previous livestream. Lilith would've been both head of all covens (and not just the Emperor's Coven) AND principal at the same time, and she seems much more of a jerk to Eda in general; She has no qualms with cursing Eda because of a direct order from Obron.

Apparently the curse would've been an AGING spell, which settles my questions on how it would've been portrayed in earlier drafts! This goes along with Eda's older look. Likewise, there would've been a subplot of Eda considering Luz's sacrifice as a way to restore her youth, which likely goes hand in hand with Obron's orders to bring Luz to her, etc. The 'Bloom of Eternal Youth' quest, which Eda and Lilith go through together as their sisterly relationship is explored, feels like a carryover from this past idea.

I think I prefer the final draft; I like that the curse isn't just aging Eda, but also takes away her magic, makes her turn into a beast, etc. I like Lilith being a lot more complicated in her relationship with Eda, instead of just hating her and cursing her without hesitation. The redefining of the curse makes it less about age, and more a chronic illness metaphor, and I like how Eda in the final draft is upfront about having to learn to live with it, deal with it, on her own terms. She isn't trying to find a cure (although Lilith being promised one by Obron feels like a carryover of Eda's moral dilemma with Luz), and that adds another nice dimension to her conflict with Lilith, as well as Gwen. It's pretty frank in its own right about normalizing disability, and those who play an antagonistic role (however brief) are the real weirdoes for making such a fuss about it.

The Bat Queen would've had more of a recurring role based on the description, which saddens me; I always got the vibe she was planned for more, but between all of the other stuff the show had to juggle, plus the shortening, she ended up getting shafted despite being one of the earlier characters. Sashley, Pasha, and Bruno are also interesting, with Pasha in particular giving me freaking Philip Wittebane vibes with his grossness, beard, and anti-demon attitude; He even starts off as a potential friend to Luz because fellow human, only for his true bigotry to show. Makes me wonder if Philip ended up incorporating Pasha, we also have bodily transformation because of consuming magical stuff... P-names.

(Also, I like how in the drawing of typical Demon Realm denizens, I can see an eye demon who resembles a past drawing of Dana's!!!)

Eda was actually a late bloomer, which creates a parallel with Luz in one way, and their relationship is referred to as sisterly (in the final draft it’s explicitly maternal). So Eda wouldn't have been the talented youth, in fact things may have switched between her and Lilith; Lilith's disdain may have partially come from Eda not being as innately talented as her.

Luz and Amity's dynamic seems like it would've had Amity retain a lot of her more stand-offish, pragmatic personality even as a friend with Luz, and this would've come up more; So basically, she'd remain more like S1 Amity. That, or this part of their relationship would've lasted longer, and then we would've seen character development as Amity unlearns a lot of the issues her parents passed on. I also wonder if the Willow who cameos in the pilot was originally supposed to just be an extra separate from ‘Paulina’, but then they combined the two together.

The themes are exactly as I expected, glad to see they're still there, nothing changed! Luz becoming a witch and defying all odds to do so, putting in real work and passion. Celebrating individuality amidst conformity, plus Luz trying to impose her own fictional tropes onto the world, only to have to put that aside... Just like Wing it like Witches. It seems Amity would've had more involvement with Luz's journey to become a witch, though we still do have a carryover of that disconnect with her rant near the end of Covention.

I love the Demon Realm being situated BELOW the Human Realm, way to be subtle about being Hell you guys lol... Apparently portals to the human world are a lot rarer to find and use, which makes me wonder if the pilot's 'dimension port' doesn't have access to the human world; Meaning Amity is Luz's only way back, so her improved relationship with her is linked to getting back home. There's a gag about the Knee having service with the human world, but I can see how that didn't make the cut, for dramatic purposes; It seems like the premise for a S1 episode or at least a B-plot. Would Luz have struggled to communicate with Camila through this, or would her search for wi-fi be for mundane reasons?

Apparently Luz's magic would've required a lot more steps to complete, and I see why the show simplified things down to just glyphs. I wonder if there was always going to be the connection of glyphs as a gift from the Titan, or if the Titan and her story was going to be less intertwined in the overall narrative. There also don't seem to be nine main covens, just the many, many covens, some of which are pretty ridiculous, and Covention's sub-covens seem a callback to that.

Luz's first spell would've been levitation, and THEN she would've infiltrated Hexside, with Amity being a lot subtler about exposing Luz, though in the final draft she does figure that out as the way to go in I was a Teenage Abomination. Yeah, I prefer Light being her original spell, feels so much more symbolic and personal, etc. I wonder if the Titan is even as much of a character in early drafts, and if there's still the whole connection/relationship with the land and learning to respect it aspect. Some of these hypothetical episodes push the idea of Amity as a more episodic, typical popular kid antagonist, though in the final draft, the show goes through her character development and explores Amity's romantic relationship with Luz and its complications.

It seems the idea of the Mirror Ghost was split into Adegast and Vee, with Adegast being the one who offers the easier narrative for Luz to believe in about becoming a witch (only to be a fraud who uses uncanny puppets), and Vee being a doppelganger whom Luz communicates through with mirrors. Interesting how Yesterday's Lie was born from this. We saw the test animation from Spencer Wan for TOH, so I guess we know what Luz's puppet-doppelganger is called! And we can safely call her Proto-Vee. I wonder if she also would've been a sympathetic character, I always thought she reminded me of Lake from Infinity Train (and speculated her to be as such since Enchanting Grom Fright), and now the similarities are even MORE apparent!

Alas, The Good Witch Azura, or 'The Unassuming Princess' seems like it'd have been a lot less dear to Luz's heart, as the pilot also reflects; In the end, it turns out the author is just Eda's ex using her adventures as basis, and including private information. I remember when I once speculated that Raine, before we saw their face, would've been just like this as the author of Azura... Again, I think I prefer Azura as being a lot less mean-spirited in the final draft, and instead a celebration of who Luz is as a person, her relationship with fantasy and fiction, etc. We also would've had a Luz birthday party, the Quincenera we've been hoping for since S1...! In the final draft (and episode) we still get that Human-Demon Realm disconnect, though by that point, Luz is much more attuned and chill with the isles.

There’s definitely more of an episodic, sitcom feel to this pitch bible, especially when you compare Proto-Yesterday’s Lie to its final version. Makes sense, Dana is pitching this to Disney executives, though her statement on Understanding Willow feeling truly like her show makes me wonder if she always intended to push TOH in that more serious, emotional route we got.

#the owl house #the owl house pilot #king clawthorne #principal bump #hieronymous bump #luz noceda #the owl house tibbles #lilith clawthorne #eda clawthorne #edalyn clawthorne #amity blight #lumity #boiling isles #analysis #the good witch azura #meta #speculation

[wixenburr]

Saw some ppl talking about Reverse Robins and i had thoughts

Talking abt u guys @eldritchdreamss @brucewaynehater101

Why kill Tim when you could kill baby Jason? What I want is for all of them to keep their own backstories and personalities (Developed in line with the story of course) So ofc i had to write a 1,000 word brainrot abt it.

(Also i'll only be going over the main 4 batbros for now i will add more later but these guys are the ones im most passionate about so here we go)

Damian

Let Damian come in, desperate to be of use and be worthy of his father, only for a softer, less jaded bruce (since jason hasnt died yet) to help him open up his heart and let him act as a kid. With no competition for so long, I imagine he and Bruce get along very well while he works with him. Yeah, they need to work on the no killing deal and Damian's... i guess impulse control? But i think it would be easier with very intensely focused reparenting; no distractions of other kids you know? No favoring or anything.

I see Damian growing up as a stoic, jaded adult. He's had a rough life. Maybe he sticks with the vigilante business. but I really love headcanons where he gets out of it, and focuses on something calmer, like his art. (I do appreciate and love the veterinarian Damian AUs, but im going for FULL calmness, you know? And doctor/vet work is Not calm lol)

So yeah, maybe he grows a real passion for heroism, maybe he doesn't? Maybe he goes on to be an artist and that's just what he does. Bro is ready to settle down as a scarred, veteran trophy husband and i adore him for that.

(Sorry lol i just love Damian and i love the idea of him growing out of both of his parent's legacies. Let him live his own life!!! He fights so so hard for at least 15 years. ALL 15 years of his life. He deserves to have some peace.)

Tim

Tim i think would need a much different story to join the Batfam. He still starts out as a stalker who follows batman and. . . . . . . Redimar (meaning Redemption iykyk (I just spend 17min researching names rip)) at night, takes photos, etc... Since Damian doesn't die, maybe he finds Tim? and like, tim is like 11 and Damian is 17 or 18. He's started going out as Redimar less and less, not that B really minds? In fact hes probably happy for his son so...

But then Damian finds Tim, and now he has to keep going out because he can't let this kid get himself killed like this. He would hold himself accountable since hes the only reason Tim keeps going out so much- also i imagine Tim follows Redimar more than Batman.

Cue a classic Tim Joining The Batfam plotline. They get to know each other better, get a grasp on Tim's situation, Damian finally introduces Tim to Bruce... (Probably something like Dami: "Father, this is my new brother. Timothy, say hello to Father," Tim: "Hello, Father," Dami: "Perfect." Bruce: "*falls off the batchair*)

Anyway, so, Tim ends up kinda just merging with the Waynes. They start training him, its all good and nice, and Tim makes his own little hero team unlike Damian, which is actually pretty interesting here; its Tim who made the first young hero team. Damian only ever had Jon (Superboy 1 in this!!) and he finds Young Just Us and becomes a great leader and its all fine and dandy.

Tim and Damian get along well. Damian is the sage older brother whos kinda distant, but only because he has such high emotional walls (but secretly a softy). He is very much like Bruce- nope, nevermind, hes definitely worse than Bruce in this AU, since Bruce is depicted as being much more agreeable before Jason's death, you know? So yeah, Damian is the emotionally constipated bitch in the fam and we love him for that. But hey!! Tim does manage to get through his walls! And Bruce does sometimes too!! (Tho i imagine Bruce and Damian's relationship to be very.. idk let me try to expalain. Dami: "Father." Bruce: "Son :)" Dami: "Tt." Bruce: *nods* "Hrn." Dami: "Hmph." Bruce: "Hm.") DO U PICK UP WHAT IM PUTTING DOWN--- lmfao. They hardly need words.

Tim ends up growing up very very capable. Once his parents die, he gets a little jaded, but hes still Tim. He and Damian become kind of an... ice prince duo? If you get what I mean. But Tim is the one whos actually the ice prince, Damian is secretly a HUGE softie. He is Delicate and Tim protects him lmfao.

Jason

Jason comes along like he does in canon. Has the same backstory. Tries to steal the Batmobile's wheels. Tim is sleeping over at Damian's flat for the night, so its just Bruce. They bond. Shit happens. Jason joins the fam.

I don't imagine them not getting along, but they don't immediately hit it off either. Jason is wary of all of them for a time, but he ends up warming up to Damian pretty fast after realizing what a softie he is. He pokes fun at Damian and Damian just freaking takes it lmao. Hes an adult he cannot be disturbed. Bro has seen too much and he finds Jason adorable. (Dami: "You were never this cute, Timothy." <- he is lying. Tim: *offended* "What the fu- flip!?" Jason: "Lmao Tim just say fuck." Dami: *deadpan stare* Tim: "JASON NO DONT SAY THE FUCK WORD-") ahem.

anywho and then Jason dies rip skill issue ratio.

The whole batfam is heartbroken. Genuinely shattered. Jason was a light in their lives. Not that they were WITHOUT any light, but Jason was the epitome of a sunshine child.

It's been too long since Damian has killed someone. Bro's god oodles and oodles of trauma. He can't bring himself to kill the Joker.

but Tim can.

It's a whole dramatic thing; Damian feels awful that he made his- now only- little brother kill. Bruce is hella upset but feels responsible for not seeing how badly both of his kids were handling the death of their brother. Tim goes a little off the deep end.

Things turn out.... okay. sort of. but not really. Tim changes his hero name to Red Cardinal. He feels pretty lost. Maybe he stumbles into Ra's al Ghul or smthn idk maybe smthn happens there perhaps. Maybe Damian has to put on Redimar again and rescue him? But its less of a rescue and more of a "Stop joining the dark side Tim jesus christ-" (and it does work).

They go home. Tim gets a boyfriend or two. Damian falls into his art. Bruce is throwing himself into work. They're all kind of a mess, but they keep moving.

and then

Dick

(lmao that sounded wrong)

ahem; and then the circus comes to town. The batfam- well, Tim, Damian, and Bruce- all decide to get together to do something fun. Take the opportunities given, yk? So they go to the circus together.

Wham bam rip the falling Flying Graysons.

They see Dick, breaking apart, and they know they have to do something. Bruce is the first to move. Then Tim. Damian is the last.

It's pretty quick getting Dick home, since Bruce is already a foster parent cuz of Tim yk. So Dick doesn't have to suffer in Juvie at all really. But that doesn't change the fact that he is ANGRY.

Dick is SO angry. he wants to kill the person who murdered his parents. He knows what he saw.

The fam of course do their best to investigate. Mostly Tim, who feels unworthy of being around an innocent little kid after his whole.... villain era, i suppose lol. (ofc Dick thinks Tim doesnt like him lol misunderstanding arc GO)

The whole "Dick accepts that justice is better than murder kinda maybe FOR NOW" storyline happens, and Dick becomes the conniving, bright, little Robin we all know and love. (Thinking of the Young Justice Cartoon Robin (but not the characters- just Dick's character) aaaand

Womp womp GUESS WHOS BACK

Jason's Back

but i'll leave that for later.

#my writing #personal #batfam #reverse robins #batman #damian wayne #jason todd #tim drake #bruce wayne #dick grayson #batbros #batkids #batfam fanfic

[iridescentmirrorsgenshin]

An analysis of Alhaitham's egoism in relation to Kaveh

(Update: The essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)

Max Stirner's anarchist egoism is speculated to be the basis of Alhaitham's personal egoism, therefore I will be drawing upon Stirner's 'The Unique and Its Property' for this analysis.

Property and power are key principles within this philosophy. The egoist recognises himself as an individual, separate from the general collective of “humanity”, in which concepts such as freedom and property are governed to and over the people, for then the individual is not considered as such, rather they are a part of “humanity”, rather than a whole individual (Stirner, 170). This thinking is demonstrated within Alhaitham’s Story Quest, where he dismantles Siraj’s Hivemind by targeting individuals that compromised the Hive and reminding them of their own beliefs and preferences – the individual in themselves is a whole, and is not a “part” of a system (Stirner, 170).

In this, the egoist governs himself by what he owns and what he wants to own: “ownness is my whole essence and existence, it is myself. I am free from what I am rid of, owner of what I have in my power, what I control. I am at all times and under every circumstance my own”(Stirner, 106). This relates to the concept of freedom, which, for an egoist exists according to having the power to be free of something, for example, being freed of hunger, thirst, or societal expectations (Stirner, 105). This is reflected within Alhaitham’s description: “He lives free – free from the searching eyes of ordinary people,” but also extends to the power to own.

As power is considered something which the egoist owns, property then becomes something which the egoist exerts power over, and in this, can property be made use of by the egoist – all the while, the property remains an independent vessel (Stirner, 162). This is seen within Alhaitham’s view on his vision, in that it is “no more than a useful tool”, as it can be used to serve his own needs, and that since it in his possession, he has obtained it with his own power, it makes no difference to check on it as he continues to retain that power.

In this sense then, Alhaitham has constructed his life around this form of egoism, in that anything he wants, he has, such as his job as the Scribe, his house, the interests he pursues, the people he enjoys. In order to maintain this way of life, he will deal with, or be rid of, anything he deems as "harmful".

With this, the egoist seeks satisfaction in themselves through the satisfaction of another. Ownership, in relation to another person, can become love, which like all things the egoist has power over, is ultimately theirs – as in their love for a person (Stirner, 187), which is given willingly by the egoist, for loving a person is done for the satisfaction that love brings: “But I love them with the awareness of egoism; I love them because love makes me happy, I love because love is natural to me, it pleases me,” (186).

In loving another comes sacrifice, which the egoist can give into without compromising himself, as he himself sets the “purchase price of [his love]” (187) according to the happiness attributed to the loved one, as in return, the egoist shall also receive happiness (186). To enjoy someone, in an egoist fashion, is to be able to sacrifice all possessions and ownerships without foregoing the sense of an individual, of “ownness”, as the egoist would then lose his objectivity:

“I can deny myself countless things to heighten his pleasure, and I can risk for him what would be dearest to me without him, my life, my welfare, my freedom. Indeed, it forms my pleasure and happiness to feast on his pleasure and happiness. But me, myself I do not sacrifice to him, but rather remain an egoist and—enjoy him. If I sacrifice to him everything I would keep without my love for him, that is very easy… But if I sacrifice others to one passion, I still do not…  sacrifice my particular worth, my ownness. Where this nasty incident occurs, love looks no better than any other passion that I blindly obey.” – The Unique and Its Property, 185

It is relevant to note that just as the egoist receives happiness from a loved one’s pleasure, so does an egoist suffer from a loved one’s despair. Just as the egoist would sacrifice something of their own to provide happiness for a loved one in order to exact their own happiness, so too would an egoist sacrifice something, or act, to eradicate the root problem of a loved one’s misery, as this, in turn, would then resolve their own misery:

“If I see the beloved suffering, I suffer with him, and I find no rest until I’ve tried everything to comfort and cheer him…. It doesn’t follow from this that the same thing causes suffering… his tooth gives him pain, but his pain gives me pain. But because I cannot bear the sorrowful crease on the beloved forehead, therefore, then for my sake, I kiss it away. If I didn’t love this person, he could go right on creasing his forehead, that wouldn’t trouble me; I’m only driving away my troubles. – The Unique and Its Property, 186

The phrasing of “driving away… troubles” is particular to note here, due to similar usages of language used within Alhaitham’s Character Stories, in relation to him acting in accordance with his self-governed rules and serving his own self-interest by: “[acting] on his own will and deals with anything that appears harmful in his eyes”.

Kaveh, however, interprets Alhaitham’s egoism as a detached, pragmatic view of humanity, in which the individual isolates themselves not only as a means of prioritisation, but by elevating oneself over others by refusal to intermingle and to cooperate for the benefit of others. Not only is this a harmful opposition to Kaveh’s view of individuals sharing their knowledge and talent in order to pursue a better society, but due to Kaveh’s experience of Alhaitham’s personal egoism, it is harmful to Kaveh personally. Kaveh refuses to prioritise himself over others because he has seen a negative consequence of egoism, in which he has been “cut to the quick” and it has ended one of the few stable relationships in his life.

By Kaveh seeing Alhaitham’s comment about his altruism as malicious, Alhaitham has elevated himself over Kaveh, since Alhaitham does not have the same struggles as him, and has trivialised Kaveh’s trauma. To Kaveh, Alhaitham’s prioritisation of the self actively harms others as it desensitises the self to the emotions of others. Therefore, Kaveh opposes the egoism which Alhaitham advocates for, since he interprets it through his own lived experience. Hence, by Alhaitham asserting egoism over Kaveh as a means of Kaveh prioritising himself, it only reinforces Kaveh to strive to consider the feelings of others, as well as to not prioritise his own way of thinking if it undermines someone else’s.

In actuality, Alhaitham’s frustrations with Kaveh lie in his belief that Kaveh’s talents are incongruous with his values, and that if Kaveh were to prioritise himself, he would save himself suffering and enable himself to discover his “true self”, unrestricted by others placing labels onto him.

This is a personal frustration which Alhaitham would not compromise himself to assert onto a person he was indifferent to, due to his belief of not getting involved with other’s fates. However, he has been observed to ‘subvert’ his own rules to accommodate Kaveh. Through egoism, it can be seen that rather than ‘subverting’ these rules, Alhaitham adheres to them as an egoist, since he sees Kaveh as his mirror, they offer each other a contrasting perspective he believes they need to have a complete, objective vision of the world.

This is necessary for Alhaitham to consider within his own life, and therefore has extended his house to Kaveh, in order to expand his scope of thinking, and to consider perspectives he otherwise would not entertain. Kaveh’s ideals, his beliefs, and his philosophies explicitly interest Alhaitham, in contradiction with Kaveh believing that Alhaitham is disdainful of his perspectives.

In this way, Alhaitham enjoys Kaveh. He willingly pays for some of Kaveh’s tabs; pays for crates of wine for the two of them; and goes out of his way to pursue interactions with Kaveh. Just as Alhaitham is to Kaveh, Kaveh is an old friend, as unchanged in his beliefs as he was in the past and thus is a constant: “the most unshakable part of one's past is a friend that will never change”’.

Alhaitham strives to act in accordance to his own egoism and therefore assesses what “appears harmful” to him, in relation to these rules, so as to be rid of them. This can be extended to Kaveh, as Kaveh falls under what ‘belongs’ to Alhaitham, in the sense that ownership equates to Alhaitham’s enjoyment.

Alhaitham wants to have Kaveh in his life due to the alternate perspective which Kaveh offers him, thus expanding his horizons and granting him knowledge he otherwise would not obtain. As well as this, Kaveh is seen to be considered part of Alhaitham’s way of life that he wants to protect. In line with Stirner’s egoism, it follows that as Alhaitham enjoys Kaveh, as in, ‘owns’ the contentment Kaveh elicits, he therefore is affected by Kaveh’s self-inflicted grievances. Therefore, Alhaitham sees Kaveh’s altruism at the expense of his own wellbeing as something “harmful” to be dealt with, as this not only causes Kaveh inward misery, but also detriments Kaveh finding his “true self” (Alhaitham Character Story 3), which the egoist pursues above all else.

#i realised i hadn't actually discussed their philosophies in a post so here's an snippet from The Essay #kaveh's altruism is brushed over here but i didn't want this post getting too expansive oops #since their differences are the basis of the essay it's hard to filter that down into one post? #basically i'm aware that this reads as incomplete but i promise there is more where this came from!!! #also im reading that line: the two cannot reach a consensus even to this day #and im going insane because isn't that the resolution of their conflict? to find middle ground? #gee i wonder if that line is thematically crucial to their characters #also kaveh reads page 185 of the unique and its property and fights off a blush before denying everything #can they talk. please. im sick of them #the essay is coming along btw!!! thank you for all your thoughts and encouragement!! #haikaveh #alhaitham #kaveh #kavetham #haikaveh meta #genshin meta

[floweryrkive]

with you ? always.

a huh yunjin drabble !

genre : fluff, a tad bit of angst.

pairing : idol!yunjin x non!idol! bodyguard!gn!reader, established (secret from everyone) relationship.

warnings : none that I can think of but lmk if I missed anything !

author's note : ah this was going thru my brain so bad that I ended up making another whole blog to upload gg fanfics 😭 the lack of yunjin fics at times is so sad :") anyways enjoy and lmk what you think !

word count : 2.2k

The arena was filled with loud cheering, bright lights and very, very many people yet the one who you wanted to see seemed to not be visible at all.

It was the end of another successful concert, the girls' final greetings having been done and the arena going dark to let them come backstage.

You'd been at the back as well, staring in awe at the way they performed more specifically at the way she did. You don't think you once even looked at anyone else, though you knew and appreciated how hard they all worked but she was, well for you at least, different.

You were head over heels in love with the woman, you'd literally go and pluck the stars from the night sky or go in the deepest of oceans to find the shiniest pearl if she even simply asked you for it.

Huh Yunjin.

And by some miracle you think, she loves you too. Not that you weren't someone who didn't deserve her. You had your own accomplishments which ultimately led you to working as her personal bodyguard.

Though you were pretty sure if someone told you ,a few months ago, that you'd be in a relationship with said woman, you'd probably have punched them for making such an awful joke.

You didn't get on the right foot. Her being stubborn and not wanting a bodyguard to follow her around even if she wants to go to a simple trip to the store while you were just trying to do your job.

She acted like a menace that time but that's a another story for another time.

For now, you just wanted to check up on her. And as though the universe favoured you for the first time in a while, but you do think it did favour you when you somehow ended up with her, you spot her making her way after all the other girls walked in.

Her hair was slightly tousled, sweat covering her forehead and her face all red from performing but you still find her the most beautiful woman you'd ever laid your eyes on.

She seemed to look around for someone, and a small grin made its way on your face, realising she might be looking for you.

Her stylists and the crew were already helping the girls out by giving them water bottles and towels, she seemed to promptly ignore them as she still searched around.

You shook your head when she declined a water bottle and moved your hand to grab one from the person passing them around.

Once you looked up, before you could even call her, she spotted you and maybe it was the lights in the room but her eyes seemed to brighten up even more than they usually were.

You gulped as you realised just how much you loved to see her look at you like that, thinking about what you'd do if it ever disappeared.

She sprinted across the room and stood in front of you. You had to tilt your head slightly down as she was shorter than you. You bit your lower lip to prevent a grin from forming on your face as you saw the same excitement glow on her face each time she seemed around you.

"Hi." She breathed out as a smile formed on her face and you couldn't control your own chuckle as you shook your head.

"Hello." You said with your hands behind your back still holding the water bottle. You looked around briefly, noticing how the busy crew was tending to other matters, leaving Yunjin to her since she didn't seem like she needed anything at the moment.

Well not anything they would be able to provide because what she really wanted was who stood in front of her.

"So what did you think of the performance?!" Her cheery voice brought your attention back to her as she put her hands to her side, clenching her fists as though she was nervous and excited. But also to control herself from throwing herself at you like she sometimes would.

Being the observer you were, you knew she was out of breath seeing her chest rise and fall in quick breaths so you put your hand in front, prompting her to take the water bottle.

"Drink some water first bab— Miss." You coughed out before the nickname slipped, her eyes blinking when she recalled where she was.

"R-right! Water! Yes, uhm thank you." She grabbed the bottle, trying to open it but her hands were sweaty and the condensation on the bottle seemed to have made it slippery too.

"Here." You grabbed her hand and took the bottle back, opening the cap, and handing it back to her.

"Thank you!" She smiled at you as she gulped down a sip, almost moaning in relief as the coolness calmed her throat and mind.

Checking your surroundings, you made sure no one was paying attention before you, leaned in closer to her, just a little forward to not seem suspicious but also only say something she could hear.

"Anything for you, baby." You whispered sweetly as though it was the most normal thing, and it was but not at that time.

You stood straight in time to see her choke, and your eyes widened reaching for her water bottle as you briefly went beside her to pat her on the back.

"Wh-what did you—" Once her coughing stopped, she looked at you while glaring but you could see her cheeks turn pink.

"What? I said nothing." You shrugged innocently, as you put your hands to your side now standing beside her.

"You-!"

"Unnie?" Eunchae came up in front of you, calling Yunjin who was flustered and glaring at you.

"We're going back to the hotel and probably planning to eat out, joining?" She eyes you two, in suspicion but you just looked blankly, looking away from them.

Yunjing thought about it for a second though, because what she really wanted was to spend her time with you now. She was exhausted and didn't feel like going out, just wanted you to hold her until her world was just the scent of your cologne and warm arms around her.

Sighing, she just nodded, trying not to look too disappointed by how her plans seemed to go differently.

"Yeah, yeah, fine." Her tone sounded off but Eunchae figured it was likely exhaustion.

"Alright we'll be in the van!" She happily smiled at you both to which you returned a small grin and Yunjin waved her hand.

"Come on, let's go, they're waiting." You told her as you looked towards the exit door.

"But I wanted to just…nevermind yes let's go!" She shook her head, not finishing her train of thoughts as she moved forward, you trailing behind her in slight confusion as to what her sentence was going to be.

And with that you followed her out to where the van was and greeted the others as you pulled open the door for her.

The night went smoothly after that, having been told you could go on your own after you dropped off the girls at the restaurant, being reassured you weren't needed because it was just below the hotel and there were the other bodyguards there too.

But it took everything in you to not go and hug her when you were saying your farewell for the day, the disappointment and sadness that glimmered before appearing again.

Why was it so hard to just spend time with you?

She was quick to cover it, her smile, the one that was definitely not genuine, on her face as she waved her goodbye to you. She didn't even mouth anything to you, like she usually would when you'd leave and you knew there was something up.

Being the best partner you thrived to be, you got back to the hotel, to your room, changed into comfy grey sweatpants and a sweatshirt while putting on another layer of a black jacket, put on your cap and went about.

It was difficult though. To find a flower shop open at this hour but lucky for you, there was one downtown that sat in a quiet corner. You made your way there and scanned the variety of flowers, the middle aged woman greeting you while you politely greeted her.

Finally settling for a combo of red and white tulips, you got a bouquet made and quickly made your way back to the hotel so as to not seem like some sort of creep. You'd hidden the flowers in a paper bag that the lady gave you and it was better to hide them that way.

Going back to your room, you made sure you looked decent enough, threw the paper bag on your bedside table and got out of your room.

Lucky for you, both yours and her room were near each other. The privilege of a personal bodyguard you suppose. She messaged you a few minutes ago that they were back and she was headed towards her room.

Her last message to you read,

'goodnight :( miss u <3'

It was only two minutes ago, so you doubt she'd be asleep as you stood in front of her door.

You looked down to prevent your face from being visible, scanning the hallway to make sure no else was there before you knocked on the door.

You could hear some shuffling and then it was quiet for a moment before you saw the doorknob turn.

Yunjin was very confused when she saw someone hiding behind a bouquet of flowers, her brain being a little slow in processing due to her exhaustion but also distraction.

You moved the flowers beside your face, her coming into view now before you grinned at her,

"Hi." She had to blink once, she blinked twice and her mouth fell agape.

"Firstly, these are for you. I don't think I told you about your performance, like you were incredible as always and I just felt like bringing you these to show you since I'm not really good with words and—oomph!" You yelped when she leaped forward and into your somewhat open arms. You quickly put one hand around her waist to stabilise her and yourself while holding the bouquet in the other.

Her head buried itself in the crook of your shoulders as her arms wrapped around your neck. She felt a low vibration from your chest indicating you laughing,

"Seems like my surprise is appreciated."

"Come on love, let's head inside yeah?" She just mumbled in agreement as you slowly walked inside. She moved backwards as you guided her by her waist, careful to not bump into the door.

Placing the bouquet near a table by the entrance, you kicked the door closed as you wrapped your moved your hand to close the lock.

Finally you wrapped your arm fully around her as you continued to stay standing, just in each other's embrace. "Honey, is everything fine? Tell me, is there something bothering you?"

"Just…just you. Missed you. Wanted you." She whispered to you so softly, it made you feel the kind of warmth you do when the sun touches your skin on a cold day. It wasn't too far off anyways considering she was your sun, the brightest star in the sky.

"Well you have me now, want to get more comfy love?" Your hand automatically reached for her head and gently caressed her soft hair. She hummed in both agreement and relief as her previous thoughts of not being able to see you went away.

All she knew in that moment was the smell of your homely cologne, the familiar musky sandalwood and the way you engulfed her form in your arms.

She didn't even realise you were both lying down on the bed until she looked up to see you staring back at her. "Good?" Your voice was low making it sound slightly deeper than usual. Just the tone she secretly loved.

There you both laid, your arms around her body and hers around your shoulders, legs somewhat tangled as she looked up at you and gently grinned.

She nodded as you moved your hand up to her cheek, thumb caressing it as you leaned down.

You kissed her forehead as she shut her eyes, you then moved to her right eye, softly pressing your lips and the same to the other. You pecked her nose before finally settling on a longer peck on the lips.

When you pulled back, she made a noise of protest, which had you giggling at her, "What?" You teasingly asked, "More." and before you could tease her more she moved her hand and grabbed you by your jacket collar, promptly pressing your lips against her soft ones.

It was slow and nothing more, allowing you to taste the strawberry lip gloss she'd put on, the one she knew was your favourite, just happy to be with each other after rarely being able to see each other. You smiled into the kiss as she pushed herself more into you.

With the need of oxygen, you both pulled away from each other, her eyes hazy while yours were similar, her cheeks being pinker than usual and you certainly felt your own burning up.

"Feeling better?" She bit her lip before leaning in to brush her nose against yours before whispering three words that made you grin in delight,

"With you? Always."

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