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#what the fandom wants is WHUMP
hannibard · 2 months
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Say what you will about the witcher season 2 but all the "Yennefer took Jaskier in the divorce", "Geralt and Yennefer are a divorced couple rasing a kid and dating the same man", "geraskefer love triangle with an oblivious Jaskier in the middle" memes and fics were top tier
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finch-the-foolish · 3 months
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A story based on @black-rose-events's recent prompt list! This one is day two, because I forgot a) February has in fact kicked off, and b) we are two days in.
Tw/Cw for death, murder, and guns
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Reporter stared at the papers they'd found in Detective’s office, illuminated by the soft, yellowed glow of his lamp. It was dark outside, by now, the clock on the wall keeping a steady pulse as Reporter read. This.. this was big. Evidence for every murder they'd been tracking, lists of names struck through in red, pictures of faces that had been painted in the news weeks earlier. The dead. Those responsible. At least, that's how it had seemed.
Until now. There was more blood than just that of the convicted on Detective’s hands, and they couldn't let that go now. Was being here technically illegal? Most likely. Was what Detective had done the same? Absolutely. They had to get this to headquarters. They had to let the authorities know. They had to-
Reporter looked up, eyes wide against a shock of darkness as the door opened.
“[Reporter]. Fancy seeing you here. What brings you to my office? My desks? My documents?” Detective tilted his head, one hand silently shutting the door, locking it with a soft click.
Reporter drew in a breath, clamping down on the panic clawing at their ribs. “I'm here investigating everything you've done, [Detective]. If that even is your name.”
They stood, still clutching the paper they'd been reading, and Detective approached closer, gait still as nonchalant as ever.
Detective smiled. “What I've done? What might that be? Help the people? End countless villains?”
“Innocent lives,” Reporter snapped back. “They were innocents, and you know that damn well. It's all here. And I'm not letting you get away with any of it.”
His smile only widened, a sharp thing, malicious, painted hauntingly by the lamp's glow, as he leaned against the desk.
“Really? All the evidence? How.. fortunate.” Detective glanced down at the papers, before returning his gaze to Reporter. They could barely resist the urge to shudder, to flee, before they too found a knife in their back, a bullet in their chest.
Steeling their gaze, they nodded. “Everything I need to make sure you never hurt anyone again. Is that clear enough for you?”
Detective paused for a moment, a laugh filling the empty space, far too light, far too familiar for it to be that of a murderer. Detective of all people. He reached forwards, grabbing Reporter’s shoulder with a shockingly strong grip, pulling them forwards to the desk.
“Now, [Reporter], my dear friend, I have a story for you. A.. piece of information, if you will.” His voice was low, fringes of that friendliness Reporter had so long known creeping back with the words.
“A.. a story?” they asked, voice shaking. That same, awful smile, a face they almost knew, a grin they could almost see against the daylight, against everything they'd known.
Then his Voice hushed, his grasp loosening against their jacket.
“You're right.”
Metal pressed against their stomach, cold turning harsh, burning, as pain ripped through their senses and skin alike. Reporter screamed, the sound cut off as that same blinding agony cut through the air, their intestines, sending them stumbling back to the wall behind. They crumpled, crimson staining the bookshelves at their back, their clothes nearly masking the shade.
Detective stared at them, face still twisted with some strange, wretched joy. “It was lovely working with you, [Reporter]. You were always my favourite. I pray the others can solve your unfortunate demise.”
Then, hands steady, he raised the gun to Reporter’s gaze. And, smiling, he pulled the trigger.
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Tfw your friend isn't very well versed in Fandom and you have to explain what whump is....
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whumpering-heights · 1 year
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I usually don't post fanart here, let alone stuff from my own (wip) AU fanfic. However, the story is turning into such a whump goldmine, i felt compelled to share.
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readingwriter92 · 1 year
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Finished watching John Mulaney’s new stand up on Netflix and it immediately reccomended night agent??? Those two things seem very different. But since I think I was seeing gifs sets of it on whump blogs i just went. Fuck it. And decided to start.
I’m enjoying. Yep.
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I know there’s been a lot of commentary on this and I’m putting together ideas I’ve seen from various sources but I want to talk about how often gay coded pairings are overlooked in fanfic.
And don’t get me wrong, there’s plenty of m/m fanfic sure, but it’s never about the older guys who are implied to be ‘more than friends’. Maybe it’s not explicitly stated in the narrative, and maybe that’s because those characters wouldn’t explicitly state it in universe, but I think we’ve all seen the two guys who definitely seem to be a little closer than work buds.
Under the cut for length and some vague Spooks (show) spoilers:
I’m gonna use Spooks as an example because it’s what I’ve been watching so SPOILERS AHEAD (though I doubt anyone truly cares since it’s been a while since it came out). But the relationship between Colin and Malcolm: I absolutely see it as queer coded. Malcolm is distraught after Colin’s murder, likening it to Adam losing his wife and calling Colin his ‘best friend’ with a lot of passion, and he plans to read Walt Whitman at Colin’s funeral. Tell me that’s straight behaviour.
But I went to look for fics on ao3 and found more fic shipping the two male leads than Malcolm and Colin. And I get it, they’re side characters, maybe people just weren’t that invested in them, and maybe there just wasn’t enough for those authors to explore (although there’s a whole lot I would have loved to write if I had the ability to write fanfic).
But it feels to me like when we get m/m ships in fanfic, it’s often not really the gay rep that I personally find fulfilling and satisfying? In fact, I think a lot of it isn’t really… rep in the way that we might think it is. Consider the standard cookie cutter relationship seen over and over in any fandom. Important male main characters who get shipped together, even when they have arguably more interesting and engaging relationships with women in canon.
Even though many fic writers are women (although many absolutely aren’t either), we rarely see m/f or even f/f relationships in fanfic, and when we do they’re usually women who are considered attractive and main characters. People argue that there just aren’t enough developed female characters in canon to write them in fic, but then they go and give male characters entire backstories and emotional arcs that were never present in canon.
It’s not that there aren’t interesting m/f or f/f pairings to explore in fandom, it’s that people tend to ignore them and go for the standard m/m pairings. Which in themselves, aren’t really good gay rep either, because they often fit into the same repeated patterns and stereotypes, and they don’t really explore queer issues. They’re projections of personal desire onto attractive male characters, and that’s not inherently a bad thing, but it gets tiring when that’s the only gay rep and it’s considered progressive.
I don’t want to attack anyone in fandom and I really respect fanfic writers, because it’s a skill I don’t have - taking existing characters and getting into their heads and exploring their thoughts and feelings. But as a queer person, I would honestly prefer a complex and well developed straight relationship, that furthers the characters, than a cookie cutter m/m ship which adds nothing to my understanding or interpretation of the narrative. I’m not trying to be sexist, not trying to be homophobic, but there’s absolutely certain things I wish we had more of in fanfic.
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ethereousdelirious · 2 years
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**Non-whump/I&I-centric blogs pls DNI**
Okay I don't really go here but AUGH this is everything I always want out of a series Torture Episode?? Like as far as aftercare
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The hair-petting??? The embrace???? The acknowledgement of trauma???? The way nothing is just magically handwaved away for the final confrontation?????? Kill me now I will be unable to stop thinking about this for the rest of my life
Content: whipping, tooth torture/drilling, stress positions, ear trauma, finger dislocation
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gallowswhump · 2 years
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I wrote a fan fic a while ago that was a crossover of a medium fandom and a minor fandom. I was really proud of it and excited. I always had plans to continue but at the time I wrote the fic one of the medias wasn't finished yet. I needed some information on the villains to try and intertwine the two universes together more coherently.
The minor fandom was the one that haddn't finsihed and the ending was bad... like almost ruin the rest of the show kind of bad. Almost being the keyword because it's not completely aweful. There was just a lot of problems, questionable lore, rushed ending, and a time travel plot that changes the rest of the show. The real problem is we did not get more info on the big bads of the show like we wanted.
Now I'm left with 3 options and have never been able to make a choice on what to do. Not go back to it, abandon the fic let the little idea die due to the bad end of one of the fandoms in the fic. To go back to it and just end the fic at the first part of the minor fandom as it does have a strong conclusion and miss out on some really fun character crossovers that would come from later parts. Try and find a fix it either in my own head or in the fandom that I like that is a more satisfying conclusion to the plot.
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russetfur1128 · 10 months
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People seem to have forgotten that "proship" was the Fandom norm for the longest time.
Only, it wasn't called proship. It was called ship and let ship. Or minding your own buisness.
If someone had a ship you didn't like or thought was gross, you would avoid them. If they drew art or wrote stories you didn't agree with or like, you would ignore them.
There were tags like smut, whump, and angst to tell people about things they might not want to read. And then dead dove: do not eat for taboo subjects and especially gritty fic.
Then people started to ignore that. Younger fans started to bully people because they disagreed with shipping certain characters. Whether it be because it "wasn't canon", they thought it was gross, or they just didn't like it.
These people began calling themselves "anti-ship"
Pro-ship became a label to show that someone was against anti-ship.
Eventually, the anti-ship movement began to die down. So do you know what they did? They started accusing people. Of being pedophiles, groomers, rape supporters, and more. All because they wrote or drew things that these people didn't like.
They began claiming that THEY were the Fandom norm, and that these "proshippers" were the bad people. They started claiming that proship stood for "problematic shipping"
Due to this, the term "pro-ship" is often misconstrued as to what it means. Many people don't even KNOW what it means.
It means "anti-censorship".
It means that we support someone's right to produce art, no matter how gross, no matter how taboo, no matter how "problematic"
Because it's not hurting anyone.
If it's something you don't want to see? Block the person. Block the tag. Say in your bio that you don't like it. That's what they're FOR!
This was discussed in earlier days of fandom.
"I wonder why people would read a story in a genre they don't care for, then take the time to let the writer know that sure enough, they didn't care for it. That would be like me going to a restaurant, ordering a slice of cherry pie, then asking that the chef be brought out so I can say "I don't like cherry pie, and I didn't like yours either." To continue this analogy into its usual fannish outcome, the chef would say "Well gee, lady, why did you order it?" And I'd say, "Are you questioning my right to order cherry pie?"
-Unknown 2002
Except now, it would be like the person who didn't like the cherry pie and ordered it anyways then demanded that no restaurant serve cherry pie because it was poison. Not only is it a ridiculous request, it's blatantly untrue.
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fonulyn · 7 months
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since I've seen it talked about in several places recently:
if you are going to do a whump- or kink- or ANY-tober or other similar challenges please please please don't post them as one fic with 31 chapters unless it actually is one coherent fic. if they're 31 completely separate fics or ficlets then please just make a collection for them or just post them as separate fics. it doesn't matter if they're only 100 words or if you think they're too small or insignificant to post alone, they're not.
and why this?
because if you post all 31 of them in one fic the tagging is absolutely useless. if I look for things to read on ao3 I'm gonna look at the tags, and if the tags include something that's a dealbreaker for me, i won't even click on the fic. I might not even SEE the fic because I've filtered out the nope-tag! so I'm gonna lose out on reading 30 perfectly nice fics because of one fic that my nope-tag applied to.
ao3 is about archiving. it's about clear tagging and being informative. there is nothing informative about it if the tags in the fic apply to random chapters while others have nothing to do with it. it makes so much more sense to have each work as an individual fic with its own individual tags and warnings, so readers can make informed choices.
of course, you do you. I can't police what other people decide to do. but personally, I find it incredibly frustrating to weed through 31 chapters to find the ones I actually want to read. so I don't. I automatically scroll past all works posted like that. and I know some others do, too.
there is absolutely no shame in posting short things on ao3. there is no minimum word count. no one is going to look at you funny if you post a small ficlet on its own, I promise. it's just going to make some readers very happy when they can actually find the things they want to read.
so, please. at least consider the upsides of posting each work as their own fic.
signed, one very frustrated fandom grandma.
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the-bar-sinister · 5 days
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"People mostly write and read very character driven, specific ship focused fic, because what most people want out of fanfiction is to focus on the romance between characters they're not getting in canon so they can soak in the vibes."
Yes, absolutely. And thank hell for all the authors who write character-driven, ship focused fic for us to soak in the vibes to.
But also…
thank hell for all the authors who write angst, whump, and hurt no comfort, for us to luxuriate in blorbo's hurt and pain and cry or cackle.
thank hell for all the authors who write cheating, love triangles and affairs for us to consume large quantities of popcorn to and yell 'oh no, they didn't'.
thank hell for all the authors who write case fic, mission fic, and intricate, plot-driven stories to replicate the feel of canon, when canon has stopped or gone wrong.
thank hell for all the authors who write 'fix it' fics when canon has betrayed us with bad vibes, plot holes and deaths.
thank hell for all the authors who write poly ships when what we need is just for everyone to get along and screw instead of screw up.
thank hell for all the authors who write gen fic when we're not interested in romance.
thank hell for all the authors in fandom, and all the wonderful, different kinds of fanfiction they write for us.
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pluckyredhead · 7 months
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What the heck is going on in Batman/Gotham War?
I know a lot of people in fandom are confused and/or upset about what's been going on in Gotham War - why is Bruce acting like this, what is Selina doing, why are the Batkids taking sides. So I figured I would fill you all in on what's been happening in Batman and Catwoman since Chip Zdarsky took over with Batman #125, because it has been BONKERS and I have been enjoying the hell out of it.
Below, the quickest summary I can manage while still being comprehensive:
[Content warning: mental illness, abuse, suicide (...ish), LOTS of violence.]
The first arc, "Failsafe," starts with Batman and Robin (Tim, in this case) in pursuit of the Penguin, who is on a killing spree. In the very first issue, Tim gets shot in the neck. Bruce has to take him to the hospital, but first he has to strip him out of his costume and put him in civilian clothes to preserve their secret identities, triggering memories of when he had to do the same to Jason's dead body. There is LITERALLY NO PURPOSE TO ANY OF THIS EXCEPT WHUMP (Tim is back in action with a fucking BAND-AID on his neck very quickly), which is how I knew this was going to be good. Beat Tim up! Make Bruce cry about Jason! I want these men to suffer! (There is also SO much to be said about Tim's own Poor Mental Health Decisions throughout the entirety of Zdarsky's run so far, but that's for a separate meta post.)
Anyway. Bruce leaves Tim in the hospital and goes to confront Penguin, who turns out to be dying of mercury poisoning. He kills himself and makes it look like Batman did it, forcing Bruce to flee. (Penguin actually faked his death and is alive elsewhere under an alias, but that's not important right now.)
In the Batcave, a massive robot called Failsafe emerges. Failsafe attacks Bruce, who usually eats killer robots for breakfast, but he can't seem to get the upper hand on this one. Duke, Cass, Steph, and Dick show up to help, but Failsafe beats them all too, while Tim gets an injured Bruce away and to the Batcave.
In the Batcave, Bruce puts on a weird purple and red Batman costume and a new personality takes over: the Batman of Zur-En-Arrh. Now, Zur has a very complicated history going back to 1958, but for the purposes of this story, all you need to know is that when he was younger, Bruce decided it would be good to hang out in a sensory deprivation chamber until his mind created a secondary personality, Zur, who is essentially Batman without Bruce. Zur is pure efficiency who does not care about anything but the mission. He created Failsafe, for one purpose: to kill Bruce if Bruce ever crossed the line and killed someone. And right now, Failsafe believes that Bruce killed Penguin.
Failsafe nearly kills Tim, which Zur is okay with writing off as an expendable soldier's death, but this causes Bruce to take control of the body back because "Tim isn't my soldier...HE'S MY SON!" (Tim Nation, why are you not ALL OVER this story? It's catnip.)
Babs calls in the JLA (SuperBat fans, you will also want to read Bruce's adoring description of Clark when he shows up), but of course Failsafe has kryptonite, which it stabs Clark with. The League dumps Clark and Bruce into the JLA jet and distracts Failsafe while Tim flies Clark and Bruce to the Fortress of Solitude. Bruce tells Tim he's a good boy and jumps out of the jet and into the ocean so that Tim and Clark will be safe from Failsafe. He's rescued by Arthur, who takes him to Atlantis to heal. THIS HAS ALL ONLY BEEN FOUR ISSUES SO FAR.
Two weeks later, Bruce wakes up to discover that Failsafe has taken over Gotham. He teleports up to the JLA Watchtower on the moon to lure Failsafe there, then blows the Watchtower up, hoping to catch a ride on one of the Javelins. But Failsafe has already destroyed them, so Bruce RIDES A BOOSTER ROCKET BACK TO EARTH, OXYGEN MASK CLAPPED OVER HIS FACE. The whole thing has some powerful Scooty-Puff Jr energy.
The only tricky part is reentry, when Bruce starts to burn up - his costume is fireproof, of course, but his chin is exposed. SO HE TAKES OFF HIS LITTLE BAT-PANTIES AND PUTS THEM OVER HIS HEAD. I swear to god this happened in a real comic book and the entire "Bruce falls off the moon and survives" sequence is utterly delectable goofy nonsense and I truly cannot recall a time I've had more fun reading a comic book.
Anyway, Bruce lands directly outside of the Fortress, BECAUSE OF COURSE HE DOES, and runs inside to find Clark and Tim. While Clark keeps Failsafe distracted, Bruce and Tim program nanobots to inject compassion into Failsafe. I SWEAR TO GOD. They zap him with the nanobots, but Failsafe pulls a high tech space gun out of the Fortress and shoots Bruce with it anyway, apparently disintegrating him. Tim falls to his knees in the snow, weeping. TIM NATION, WAKE UP, THIS RUN IS CANDY FOR YOU.
But of course Bruce isn't dead! That wasn't a killing gun, it was a "zap you into another dimension" gun!!! THAT was the compassion!
So Bruce finds himself in a dystopian alternate Gotham, and I'll be honest, I didn't love this arc ("The Bat-Man of Gotham") as much as I loved "Failsafe," but it has its moments. In this Gotham, Bruce Wayne is dead, so Regular Bruce is like "Oh boy, time to Batman this place up." Also he's plagued by hallucinations of a skeleton version of Jim Gordon who is still wearing a trench coat AND A MUSTACHE. Like I said, it has its moments.
This Gotham is controlled by Arkham, and anyone who is diagnosed as "crazy" is locked up. A new villain, Red Mask, is in charge, and Selina and a Venomed-up Harvey Dent work for him. Bruce teams up with an orphan kid (of course) named Jewel and goes after Red Mask, who turns out to be some guy named Darwin Halliday and ALSO...the Joker. Well, he's the Joker who hasn't been Jokerized yet. But one time he breathed in some chemicals that let him see into the main reality of the DCU (???) and glimpsed Regular Joker and now he wants to build an interdimensional machine to mentally connect with Regular Joker across universes which he assumes will make him insane, NATURALLY.
Bruce attacks Red Mask, who sics a Venomed-up Ghost Maker on him. Ghost Maker cuts off Bruce's right hand. Bruce cauterizes it with an electroshock machine and ties some spikes on it (SERIOUSLY) and goes after Red Mask again. Meanwhile Red Mask mentally connects with an alternate dimensional Joker...but instead of it driving Red Mask insane, he's what drives the Joker insane. Desperate to become the Joker somehow, anyhow, he jumps into the interdimensional portal, and Morally Dubious Alternate Universe Selina kicks Bruce in after him.
Meanwhile, Tim is in full "I KNOW I SAW HIM DIE BUT HE'S NOT DEAD" mode, which: bless. So he teams up with Jon Kent, which...gosh, what an astonishingly boring duo. I love Jon, I love Tim, they're perfectly nice and normal around each other, I'm falling asleep. Anyway Tim fights Toyman for a while and then makes a VERY stupid costume where the entire torso is a giant light-up R, because "I want him to see that Robin is coming to save him." GET A THERAPY, TIM.
Bruce finds himself first in the Michael Keaton Batman universe, then the Red Rain universe, BTAS, Batman Beyond (yes I know they're the same universe but I guess he goes there twice), Silver Age, Kingdom Come, Gotham by Gaslight, and more. Adam West gives him a utility belt. The Dark Knight Returns Bruce builds him a robot hand.
Finally Bruce and Red Mask reach the end of the multiverse, which is a Gotham asteroid floating in space, surrounded by giant Jokerized sharks. LUCKILY BRUCE HAS BAT-SHARK REPELLANT IN HIS ADAM WEST UTILITY BELT!!! Honestly this whole arc was worth it for that moment.
Bruce knocks Red Mask out, but now he's stuck. He has a device from Batman Beyond Bruce to get home, but it's only good for one person, and he can't leave Red Mask there to die. Of course, that's when Tim shows up in his stupid giant glowing R costume and they hug it out, thereby fulfilling but also compounding all of Tim's issues since 1989.
Anyway things are fine now, right? Sure, Bruce is hallucinating that his family is on fire, and the Zur personality is not going neatly back into the box where it's been all these years, and he still has a robot hand (Damian, hilariously, immediately announces that he wants one too), but he's FINE. He is a little bit mad at Selina, because she broke out of jail (she was in jail because she killed her fuckbuddy because he was trying to kill Bruce), and also because she didn't tell him Penguin was alive and that would have stopped Failsafe, and also because Other Selina kicked into another universe. Selina, very fairly, is like "Well I'm not responsible for Other Selinas and also maybe don't build robots to kill yourself with and not tell anyone about them???"
THEN we got Knight Terrors, the summer event in which a villain called Nightmare caused everyone to fall asleep and, uh, have nightmares. Bruce, specifically, had a nightmare that he met an eight-year-old version of himself that vomited up a man-sized bat with a gun for a head. I laughed SO HARD. Bruce also had his body borrowed by Deadman for the duration of the event, so while he endured the psychological toll of nightmares like everyone else, he also endured the physical toll of everything Deadman was doing PLUS the mental toll of being aware of what was happening in the waking world even though he couldn't control his body. As soon as the event was over, he lapsed into a coma so that his body could get some damn rest.
Okay. Now we're up to Gotham War.
(I know, I know. But for all of you who are like "How could Bruce do this???" about Gotham War...*points up* THAT'S HOW. HE IS NOT WELL.)
Bruce awakens from his coma and IMMEDIATELY decides to Fight A Crime even though Babs is like "Maybe don't?" But he can't find any crime, which is...weird. His kids confirm that Gotham's been super quiet since he's been out.
Selina hears that Bruce is awake and is like okay, time to pay the piper. She calls all of the Bats to a meeting and explains that she's the reason crime has been down. See, villains like Joker and Two-Face always have goons, right? But what if the goon supply dried up because the goons have better jobs? So Selina has trained All The Goons In Gotham to be...cat burglars. No violence, no stealing from anyone who can't afford it. More importantly, no helping Scarecrow or whoever commit mass murder.
All of the Batkids are like "Hmm...I feel uncertain about this, but it's working...I don't know what to think..." except for Jason, who thinks it's hilarious and is instantly Team Selina, and Damian, who is staunchly Team Bruce. Bruce, meanwhile, is like "No! NO! THIS IS CRIMES, AND CRIMES IS BAD!" and Selina's like "I mean, robbing from the rich is basically a victimless crime" and Bruce screams, I swear to god, "MY PARENTS WERE 'RICH'!" Inexplicable scare quotes and all. I laughed so hard.
Anyway this is the basis for Gotham War and it is endlessly hilarious to me because everyone in the Batfamily is supposed to be a genius and yet not one single character has pointed out that:
There are jobs the goons could be doing that AREN'T illegal. It's not just violent crime vs. nonviolent crime. There are in fact many other jobs! I am POSITIVE Gotham needs construction workers and hospital orderlies. (Yes, I know it's hard for people with records to get jobs. That isn't addressed.)
Being Batman is SUPER ILLEGAL.
They are all so stupid.
Selina's plan doesn't even work, because one of her thieves gets killed by a rich person defending their home, and Bruce is like "See? This is why crime is bad!" and like...pretty much snaps. He's particularly fixated on Jason, even (rhetorically) threatening to kill him, which is when the other kids jump into the fray on Jason's side, all except for Damian, who like I said is firmly Team Bruce. (This makes complete sense to me, Damian has been dealing with severe trauma and isolation pretty much nonstop since 2018 and he and Bruce have finally made a tenuous peace, so I can understand why he wouldn't want to lose that.)
Also, Vandal Savage buys Wayne Manor. It's so random and SO funny.
OKAY BATMAN #138. Bruce has kidnapped Jason and injected him with a variation on fear toxin which will be triggered whenever Jason's adrenaline spikes, the idea being that Jason is no longer capable of killing - but in practice, Jason is no longer capable of even getting up off the floor, he's so terrified. I want to be really, really clear here: Bruce is like 90% Zur here, and the only reason he goes this route and doesn't kill Jason is because the remaining 10% that's still Bruce loves Jason and is trying to help him. He's just incapable of good or humane help because Zur literally can't do feelings.
Dick knows something is up and is sneaking around Bruce's Secret Other House We've Never Heard Of to figure out what it is. Damian attacks him to protect Bruce. Tim attacks Damian so that Dick can do what he needs to do, and handcuffs Damian to a parking meter:
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THERE IS SO MUCH TO UNPACK HERE!!! TIM GO TO THERAPY! DAMIAN GO TO THERAPY! EVERYONE GO TO THERAPY!!!!!
Dick figures out what Bruce did to Jason (it's on the computer, for...some reason?) and absolutely loses his shit on Bruce, beating the crap out of him, which tbh is the only thing that felt off to me in this run because frankly I don't think Dick likes Jason that much. BUT WHATEVER.
Tim pulls Dick off of Bruce. Bruce leaves them both tangled in a net and flees as the cops approach. Zur's like "Good, fuck 'em" in Bruce's head, because the cops will expose Dick, Tim, and Damian's secret identities and Bruce will be free of the dead weight of a family, but the little bit of Bruce still in there throws Dick a batarang so he can free them all in time.
Then Bruce leaves. Damian is devastated.
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I WILL NEVER RECOVER FROM THIS PAGE. Damian really thought he could have Bruce's love and loyalty if he turned on everyone else! Tim is going to be a therapy dog to a Wayne even if he has to settle for the one he doesn't like! That unresisting, blank hug made me SCREAM when I turned the page. Incredible. (Also the art fucking S L A P S, god bless you Jorge Jimenez.)
ALSO it turns out that Selina's second in command has been Vandal Savage's daughter Scandal Savage the whole time and they are turning Selina's cat burglar army into their own personal army WHOOPS. (This also feels very OOC for Scandal but at this point I trust Zdarsky with my life so let's see where things go.)
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SO THAT'S WHAT'S GOING ON IN GOTHAM WAR. TL;DR:
Bruce is unhinged because he nearly died like 19 times in a week and it unlocked the smaller, meaner purple Batman that lives inside him.
Selina is unaware that you can get money legally.
Tim is going to have a nervous breakdown if he can't fix someone, ANYONE.
Damian needs a hug but ideally from someone he actually likes this time.
Jason is so scared.
THE END.
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cwilbah · 2 years
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my teeth ., they hurt
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Ok ive been procrastinating all morningbut its time for whump writing :) 
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the lords in black are so interesting to me because. they’re so us. we’re watching the citizens of hatchetfield suffer for our own entertainment just as much as they are. we’re their accomplices in all of it
pokotho made hatchetfield into a musical because musicals are entertaining. and we ate that shit up! it’s soooo fun watching a little man scramble as the world around him bursts into song. the musical genre is satirized because pokey knows how the genre conventions work just as well as we do. we like watching musicals so much that black friday and npmd are musicals, too, even though they don’t revolve around pokotho’s plans as much as tgwdlm. we want them to sing. pokotho does too.
bliklotep is the audience and the audience is bliklotep. trail to oregon calls the audience “the watcher with one thousand eyes” and that’s not all, in watcher world blinky seems to be able to see through the eyes of anyone and everyone who loves spectacle. he wants to see the characters go through angst because WE love angst. it’s fun to watch alice and bill express their buried frustrations. blinky wants it to end in bloodshed because he loves tragedy, and let’s face it, so do we. it’s like that one post about how hamlet is aware of the audience and is angry that we don’t do anything to intervene because we want to see how it plays out. personally, I think blinky could have stopped the woodwards if he really wanted (he’s an elder god, after all) but alice shooting him shifted the narrative so that the emotional payoff would be more fulfilling if they escaped. and blinky loves a good story.
t’noy karaxis has blorbos. we joke about it, but that’s really what it is, isn’t it? he’s the fan who watches the movie again and again and again and again to see his favorite character’s dramatic death scene. he’s the guy who writes and reads angst fics by the hundreds because he likes to see his faves cry. he’s the hatchetfield enjoyer who’s on the edge of their seat waiting to see how ted kicks the bucket this time. the bastard’s box is pretty much just an ao3 account filled with whump and hurt no comfort. he’s sadistic AND he genuinely adores ted, because we fans are often cruelest to the characters we love the most. he puts ted through character growth— the realization that his life went the way it did because of his own mistakes, his inability to be vulnerable with jenny before it was too late— and he does that by writing a 56-chapter angst fic that’s still updating to this day
nibblenephim is the fan who voraciously devours every scrap of content that a creator produces and demands more, more, more. let’s face it, the fandom will never let starkid rest until we see this story through to its end. and then someone will demand a sequel series. nibbly is hungry because we will never stop yearning for more stories. he’s simple because that desire itself is simple— as humans, we need creativity like we need air to breathe. nibbly wants more because we want more. and we will never be satiated.
wiggog y’rath is the ruler and the king because he’s the self-inserting writer. I think jon matteson plays paul *and* wiggly for a reason— wiggly is the only lord in black to be played by the same actor in every single show, and that actor also plays the protagonist of tgwdlm. wiggly wants to be the protagonist. he tries to force himself into the human world of hatchetfield because he wants to participate, dammit! he wants to be the bestest ruler that the earth has ever seen! everyone has to love him because he’s going to be their bestest fwiend! when he appears in human form he’s gonna be the prom king! he’s the ebony dark’ness dementia raven way of the hatchetfield multiverse. he wants every human character to bend to his whims and to love him and to put him at the tippy-top of planet earth because he’s the writer and the writer’s main character, you fuckheads, and he can make whatever story he wants, whether the other characters like it or not! if you’ve ever written a self-insert story? congratulations! you’ve been wiggog y’rath.
and the funny thing? I don’t think the lords know that they, too, are as fictional as anyone else in hatchetfield. maybe blinky knows— he sees through the audience’s eyes, after all— but I don’t think the others do. if they did, maybe they’d be a little less tyrannical. a little bit nicer.
but then the starkid writers wouldn’t have much of a story to tell, would they?
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whumpthemusical · 5 months
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Whump: The Musical Prompts!!
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As stated before, this challenge will run from March 1- March 31, 2024. All fandoms are welcome to participate despite it being prompts based off of musicals. Once again, all types of media are allowed. This challenge has the standard "choose one for the day" style, but feel free to do all three prompts if that's what you want to do!! All types of whump are allowed, but please be respectful to your fellow audience members and properly tag it!! Some of these prompts are sensitive, so make sure you warn your readers correctly! There will be an ao3 collection and an FAQ post coming soon, so if you have any further questions or comments about this challenge, feel free to drop me a line. Happy writing, my beautiful ingénues, and enjoy the show :)))
The prompts will be listed under the cut for those who have difficulty reading fonts!!
Cats- Sabotage • Second Chances • "I Can Dream Of The Old Days."
Wicked- Mob Mentality • Propaganda • "No Good Deed Goes Unpunished."
Jesus Christ Superstar- Whipping • Betrayal • "Then I Was Inspired, Now I'm Sad And Tired."
Les Mis- Survivor's Guilt • Failure • "Drink With Me To Days Gone By."
Heathers- Poison • Reluctant Whumper • "Wanna fight for me?"
Newsies- Chronic Pain • Exploitation • "Let 'Em Laugh In My Face, I Don't Care."
The Last Five Years- Infidelity • Gaslighting • "I Will Not Lose Because You Can't WIn."
Hadestown- Deals • Doomed Narrative • "Doubt Comes In."
Sweeney Todd- False Imprisonment • Razors • "Have You Decided It's Safer In Cages?"
Rent- Substance Abuse • Poverty • "Feels Too Much Damn Like Home."
Bare: A Pop Opera- Outing • Religious Trauma • "Please, See Me."
Waitress- Unplanned Pregnancy • Abuse • "She Is Broken And Won't Ask For Help."
Tick Tick Boom- Atychiphobia • Working To Exhaustion • "Is This Real Life?"
Dear Evan Hansen- Deception • Broken Bone • "Words Fail."
West Side Story- Star-Crossed Lovers • Prejudices • "A Boy Who Kills Cannot Love."
Come From Away- Stranded • Aftermath • "Blankets And Bedding And Maybe Some Food."
Spring Awakening- Withheld Information • Suicide  • "I Don't Scream, Though I Know It's Wrong."
Hamilton- Hurricane  • Dueling • "I Will Kill Your Friends And Family To Remind You Of My Love."
Falsettos- Sickness • Identity Issues • "Death Is Not A Friend."
Into The Woods- Blame • Lost • "Nothing But A Vast Midnight."
The Great Comet- Abduction • Letters • "Did You Love That Bad Man?"
In The Heights- Grief • Homesickness • "I Know That I'm Letting You Down."
Be More Chill- Mind Manipulation • Panic Attack • "Everything About Me Makes Me Want To Die."
Moulin Rouge- Class Differences • Sex Work • "Come What May."
Chicago- Cold Blood • Trial • "He Had It Coming."
Six- Execution • Trauma Bonding • "Playtime's Over."
Ride The Cyclone- Unexpected Tragedy • Forgotten Whumpee • "I Hear The Anguish Of The Street."
The Rocky Horror Show- Obsession • Wrong Place, Wrong Time • "I've Seen Blue Skies Through The Tears."
Nerdy Prudes Must Die- Bullying • Ritual • "Who Will Pray For You?"
Jekyll And Hyde- Duality • Good Vs Evil • "If I Die, You'll Die."
Phantom Of The Opera- Disfiguration • Shunned • "My Power Over You Grows Stronger Yet."
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