ATLA and Marvel have the same misogyny
So... I've finally made it to episode 8 of Netflix's Live Action ATLA.
This may be shocking for some of you, because I wrote a post about how Netflix ATLA is misogynistic a month ago, but now I'm back again.
I specifically want to talk about the absolutely ridiculous and bullshit feminist virtue signaling that we are habitually forced to endure.
The scene I am specifcally referring to is the scene in which Katara demands that Master Pakku let's her fight. Then all of a sudden, the camera pans to all of the healers in the Northern Water Tribe (the female water benders) who stand ready to fight.
Yet, despite their immense power, they are begging this old as man for permission, instead of just doing what needs to be done.
This scene is giving... stupid. It's giving the 999th Marvel movie that NOBODY freaking wanted... okay!
Does anybody remember that scene from Avenger's End Game (of course you do), in which all of the female avengers assemble, and it's one female cameo after another?
I have no idea who liked this scene, but I didn't. I HATED this scene! I thought it was tacky and cringe, and I didn't understand why I felt that way.
Then in the Marvels, there's this scene in which Captain Danvers gets knocked down, and then there's this sequence starting from when she was a little girl playing softball in which she gets knocked down and gets back up.
The whole thing is soooo cringe.
It's cringe because it's heavy handed. It feels like one of those inspirational quotes you put on your wall that says something stupid like "She believed she could so she did..." or "Shero" or "Herstory".
It feels like a moment in which the male writers were like, we got to make women feel seen, so let's stop the flow of the entire movie and series and whatever is going on and have this really stupid overproduced moment in which the women look like bad asses, before we hide the women back in the background and let the real heroes (the men) take over.
All of this despite the fact that in hindsight, of all of the avengers assembled there to fight Thanos that day (both male and female, alike), Scarlett Witch and Captain Marvel were the only one's canonically strong enough to stop Thanos. Yet, we can't have that, because a man needs to be the hero.
Like stop stealing women's W's. It happens all the time in shows like Naruto, in which the most powerful kunoichi will get caught up by the most stupid insignificant thing, so that a man can end up saving her and she becomes the damsel in distress.
The narrative of women can be strong but never as strong as men because men need to be the hero is weak and tired, tell a new story!!!
Especially, because it really isn't all that true anymore. After the industrial revolution and the boom of tech, women and men's physically strengths have become increasingly more similar for decades. Why, because very few people need to carry giant logs and chop down trees to survive anymore! You don't need to be swol to complete a spreadsheet.
I digress.
My point is what these scenes from ATLA and Marvel have in common. It's the reason why they are both cringe.
Men don't see women as women who are unique human beings with our own unique desires. Therefore, male writers force powerful female characters to embody male characteristics that appeal to men.
You know all that flexing and all the abs and the sweat and the thirst trap scenes of half naked men like Thor and Captain America (even the scene with Sokka in it). Do you think those scenes are for women? Well, they are not. They are for men. Men get hard-ons for these kinds of scenes, and these scenes are specifically created for men and the male gaze.
Then they try to extend this to female characters, to show that they are feminists. However, this completely ignores the female gaze and female motivation.
The scenes really are women quietly asking for permission (not really) and then men loudly given women permissions to stand out and be powerful, but only in a way that satisfies the male gaze. Which considering the fact that men are socially conditioned to like feminine or overly sexual women, I have no idea who these scenes appeal to!!!
Like bro... read a freaking book. Learn about history!!! Real history!!!
Women do not need the permission of men to be powerful, intelligent, strong, tactful or ambitious. Women have already been all of these things since the dawn of time.
Therefore, women don't need weird cameos that break up the pacing of the story or scenes of little girls playing sports, getting knocked down, and getting back up to feel seen. Women and girls do not need to be convinced that we are powerful.
We already know it. We've been working in the background for centuries while men have taken credit for our labors, efforts, and endeavors.
All we need is for men to get the hell out of our way! We can see it right now with education and employment. Ever since women were allowed to attend school, women have outperformed men in education is almost every subject (and men and women are at par with each other in Math and Science). Women are also out enrolling men in college 2:1.
So instead of giving women 5 minutes of permission to be powerful in movies and shows and embuing them with masculine characterists, write a compelling female character from the beginning of the show. Develop her character as a person, who has to deal with the unique intersectionality of being a woman. Don't make her whole personality being a woman.
And if you cannot, write a compelling female character, then get a woman to do it!
End Rant. Thank you for attending my TED Talk.
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Post-true ending art for Sifu, this time with Fajar! Along with the MC turning the bosses into allies, I love the idea of her displaying the respective Five Virtues that each boss is associated with and lacks in-game.
In Fajar's case, it's Humanity, more commonly known as Benevolence, iirc. He offed the MC when she was only a child, and we never find out how he feels about the deed, though the spare option implies that he probably felt guilty about it for years afterward. I suspect he only did it because Yang asked him to, and Fajar trusted him (just as he trusts Yang to treat his illness).
The MC sparing Fajar can be seen as an act of humanity (and benevolence), but I like to take it further and imagine that she went back to Fajar after, and they somehow formed a sort of "gremlin uncle and compassionate niece" dynamic, if that makes sense XDD
I'm also not sure how to explain what's going on in my painting; I just wanted to draw Fajar experimenting with some pretty flowers other than the purple ones used to make drugs lmaoo and the MC supports his endeavours! :D
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“That’s not a very nice way to greet the man that saved your life.”
“You’ve done nothing to save our life,” the man scoffs.
“On the contrary…” James trails off, snapping his fingers in expectation.
“Greyback,” the man mutters, a mocking smile on his face exposing his sharp, white teeth.
“I’ve done plenty to save your life, Greyback, because all you have to do,” he takes a step closer, crouching down right in front of their faces, “is answer one simple question, then I let you go back on your ship. You go back to your master, and I go on my merry way.”
“You know nothing about him if you think we’d get off for this,” Alecto hisses, her foul breath spilling between them. “A traitor is as good as dead.”
“Then you take your ship and you run,” James shrugs. “I don’t care what you do, or where you go. I have my question, and you…” James grins, “are at my mercy.”
The two share a glance. A silent agreement.
“What’s your question,” Greyback says.
Chapter two of Virtues We Write In Water
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i'm reading blood, water again ❤️
does max not have his license, or does he just not have a car in high school? i'm realizing that everyone else is giving him rides to places
he does have a license but his father refused to buy him a car and refuses to let him drive because that's not a skill he "needs to have" really and because it's clearly way too dangerous to let an irrational omega drive 🙄
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The Elements / Tau Retammas
Water / Sumon ---- The Rain / Tau Reye
(Sometimes "Rain" can be substituted with "The Stream" {Tau Fold} )
The next point represents all the aspects of Water (Imagination, Forgiveness, Sensitivity, Easy-going, Blood, Tears, Emotions, Cleansing, Creativity, Healing), but concentrates specifically on waters elements of the forest. Water flows and ebbs within our oceans and weaves its way through various terrains. We use it every day from drinking to cooking, we swim in it on hot days. It gives our bodies comfort from aches and pains, as steam rises from the hot water soothing the stresses of the day. From the forest's waters we see the waters within the womb and the blood that flows through our veins. The rain nurtures the forest and us, quenching our thirst, and within the rain we also find our emotions- specifically tears of sorrow, pain and joy. The mist and dew cleanse the forest and us each morning, so we can start the day anew. In water we can scry into the depths and see what needs to be seen. The waters of the forest cool us down when we get too hot, both physically and emotionally. It is an element which supports all life, not just sea creatures and freshwater fish. One of the great forces on earth encompasses the earth with its wondrous colors and covers the vast, virtually unexplored, deep terrain below the water's surface. With water we are given the chance to create - inks, paints, clay, thus bringing out our creativity. It is the element associated with Faith – immutable and ever present, our emotions and beliefs change even if ever so slightly following what we feel to be right and true for ourselves and the world around us. From the rapids of the stream, we learn how to navigate our ways towards stillness. Faith, like water, fills us with peace and serenity if we let it wash away all our troubles and pains. We constantly seek peace in the faith that life will continue onward and that the Gods (or whatever we choose to believe in) are out there watching over us and protecting us from harm while guiding us on our life's journey. Water flows where others disdain, where it is in harmony with all things. The path of water is shaded in the hue of blue. The lesson of ecology was important to our Ancestors and should instill sacredness for our planet today. All life - every being, should strive to co-exist and live in harmony as nature intended, as the earth does. The virtue associated with the earth is Peace, because water gives us a chance to calm and relax. The earth path is one that is richly green.
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Virtues We Write In Water
The baby clawed her way out of her mother, leaving a torn up and bloody corpse behind. Her first cries caught fire, and the house smouldered. The midwife picked her up from the mess before the flames could reach her, thinking she was doing a kind thing. When they were safe under the light of the moon, she looked down into the little girls green eyes, and something in them looked back.
Charles Evans found her curled up in the woods, screaming her throat raw, clawing at her eyes. Monster, she was screaming, a hound of hell. And there was his little babe, swaddled, covered in blood, sleeping peacefully on the forest floor.
The midwife begged him, spit flying and blood dripping from her fingernails, take her to the river. Let it have her.
But Charles couldn't bear it, riddled with grief he looked at his child and all he saw was that she had her mothers eyes. He carried them both to the village shaman, who took the babe with shaking arms.
She’ll be worse than her mother, he said. This one will show no mercy.
But Charles Evans was a sentimental man who loved his mad wife with every part he had to give, and chose to refuse the warning.
There was no celebration for her birth, and in a town that worshiped cats, she was named after their deadliest foe.
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