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#try and help create at least A translation. even if its not perfect
rigelmejo · 2 years
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open question for anyone following me: is there any danmei/baihe that hasn’t been translated, which you have found and would be interested in seeing a translation of? (if it’s a shorter work, or an author I read, its going to be better, but I’m interested in looking into any webnovels mentioned)
i think it would be fun to try translating. I have tried before (when knowing less than I do now), and I know I wasn’t as suited to it as some people. But I’ve also read a few translations recently I know I could do as good of a job at, at least. Comprehension wise I know I can understand things now, the main difficulty is just deciding on word choice and how much to translate ‘general gist meaning’ in a way that sounds more localized versus how much to translate word for word and if/when either way feels more or less awkward.
I have tried translating the Guardian print novel before, because it has a lot of parts that are significantly different than the web version. However, that project required a lot of looking up by stroke order since I had no digital copy, so it was too time consuming for me to continue at the time. I’d like to potentially try translating something that already has a digital format. 
I can’t guarantee I will finish the project, but if anyone has any suggestions for webnovels they’d perhaps like a translation started on, please let me know. 
Here are the translations I’ve done about a year ago now:
Guardian, Kunlun Prologue (from the print novel)
Guardian, print novel (Its still in progress, still in chapter 1 T-T)
Their Story (Tamen de Gushi) by 一根黄瓜丝儿
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siflshonen · 1 year
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Todoroki: The Mountain, the Hawk, and the Haunted House Part 1
Link to the Todoroki family presentation: Part 1 | Part 2
Link to the Bakugo presentation 2.0: Part 1 | Part 2 | 1.0: Part 1 | Part 2
Link to the Kirishima presentation 1.0 | 2.0
Link to the Todoroki presentation
Link to the Deku presentation
Link to the Uraraka-Bakugo-Toga presentation
Link to the Shigaraki-All for One presentation
Link to the Spinner-Shigaraki-Bakugo-Deku presentation
Link to the BNHA presentations masterpost
In the online fandom system, domestic abuse offenses are considered especially heinous. In the My Hero Academia fandom, the dedicated fans who create the discourse around these fictitious felonies are members of an elite squad known as the So (you think these) Victims (are the most special characters) Unit, or SVU.
These aren’t their stories.
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Whenever a work from one culture or language is brought to another (or even if the work stays in the same culture but transitions from page to screen), the translators, localizers, and creative team handling it can only do so much to help the new audience understand what the original work communicates through subtext or cultural associations by deciding how much of the work to leave out or change. In other words, the team must choose how to fail.
In the case of the Todoroki family, I feel there is much lost in translation. Or, at least, there is much lost if the reader doesn’t share the work’s original cultural background. I’m going to try to make my point with a poem.
Four children are mine
And I love my four children:
An arrow to ward away the darkness
aimed for the light of the dawn;
The winter, who brings the night again, beautiful and longer;
Next the summer,
who returns the sun at its zenith;
And small is the leader with clear sky and dusk rain in his eyes.
Four children are mine
And with four comes death
The arrow flies too high from the bow
The arrow flies but falls to darkness
From a shrine in the mountain, he aims for me.
My son haunts the mountain near the peak
I fear the mountain I cannot climb
I fear the arrow meant for me.
Winter settles quietly
Summer turns away from me
The leader makes a mirror of my heart
I tell my son I love him
And I look in the mirror yet I cannot face it but to watch it crack
My son is my spitting image
I tell my son I love him
I tell my son
Without looking into his eyes,
I tell my son I love him
As the arrow flies.
This poem is about Enji Todoroki and his children - the four he actually fathered and the one for whom he unknowingly acted as a surrogate. The poem vaguely alludes to the meanings of the children’s names with one notable change - for Shoto Todoroki, instead of calling him “charred frozen” - which is basically how his first name is written - I called him “leader”.
When written with different characters in Japanese, “Sho” can mean “leader.” So, while “leader” isn’t the true meaning of Shoto’s name, I decided that it was thematically fitting to use since he’s also the “hero of his family” and leads the way for them to continue into the future. In changing the meaning of Shoto’s name, I chose how to fail. Yes, it’s imperfect, but by putting in the work, I can at least show you how I arrived at the destination to help you better understand what you are reading. Much of what I’m about to write about falls into this category - it’s not exactly the perfect explanation or whole, unaltered, canon truth, but is supplementary information to help you come to your own conclusions.
Anyway, now that I’ve told you the poem is about Enji and his children, it probably comes off a little differently, huh? That’s the power of writing allegories and using recurring motifs. If you have not figured it out already, you’ll learn soon enough what words symbolize each child.
Now, let’s break down this already broken family. There are so many damn Todorokis that I’m going to do something very, very rude and call them each by their first name for the sake of clarity (and also because, frankly, it’s a more honest representation of how I actually feel about these characters.)
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What is the Todoroki Family?
The challenges facing the Todoroki family - such as the pressures Enji feels, the disappointment and internal crisis Toya inherits, the social and marital prison in which Rei finds herself trapped, the nature of the public’s feelings of betrayal at the reveal of Enji’s family dysfunction, the social snafus and ugly family dynamics in which Natsuo and Fuyumi are often caught - are distinctly shaped by the series’ Japanese society. There’s a special je ne sais quoi quality to their family drama that feels authentic even to me, and I’m a foreigner to these cultural tropes. It’s a little disturbing.
But, besides a fictional family, what are the Todorokis? What purpose do they serve in the story? What is their purpose within the narrative, and what is the purpose of the narrative in which they exist?
Well, on the one hand, the Todoroki household can function as an allegory for traditional Japanese families, society, and power structures (we could use the word “patriarchy”) crumbling under the pressures of modernity and a changing world, which is similar to how the Shimura household functions in Shigaraki’s backstory, or even the story of All Might’s retirement. On the other hand, they are a case study of a deeply flawed family that, if the magic-powers quirk element was not present, could exist in the real world.
They make for good drama. But every member of the household serves a purpose in the narrative, in the family, and in the meta. Usually, these three things work together for a greater purpose.
What is Enji Todoroki?
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I didn’t say, “Who is Enji Todoroki?”. I said, “What is Enji Todoroki?”
If you said, “an asshole and shit father,” well, yeah, you’re sure on to something! But it’s not helpful to disengage with a major character in a work if you want to understand what the hell they’re doing in the narrative. I’m not telling anyone to like Enji, or any Todoroki, but I am asking that you entertain the concepts behind them with an open mind, if not an open heart.
What is Enji Todoroki? Much of this should be obvious in any language, but I’m still going to break it down.
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The manga tells us pretty blatantly that he is a man from an older generation struggling to remain relevant in a new and changing world. He is ambitious, prideful, hardworking, hypocritical, and wholly dedicated to his job. He’s the patriarch in a household structure that is no longer relevant and coming apart at the seams. But most of all, Enji is afraid that nothing he does will ever be enough.
What is Enji Todoroki? Enji is someone who tries his hardest at anything he does even when it sends him to ruin.
Enji and Effort; Enji and Enjo
In my Bakugo and Deku presentations, I mention that the concept of talent as a fixed quality is predominantly accepted in the west while a common eastern perspective posits that talent is something developed over time. The distinctly Japanese Enji and his personal conflict over the existence of the “natural born”, western-coded All Might thrusts these implied concepts of talent from subtext (not that they were particularly hard to identify throughout the manga) into blatant text. And I’m not just talking about the moment where Enji thinks to himself, “I have always envied natural-born superheroes.”
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The written characters for Enji’s given name means effort. The name also sounds like another word for “fuckin’ honkin’ bigass fire”, Enjo, but for our discussion, Enji means effort. Endeavor, his self-chosen hero name, also implies the application of effort.
Everything about this man is defined by his efforts, even when they are in vain. Everything.
He pours his effort into becoming Japan’s greatest Hero. He pours his efforts into escaping the fate of his father. He pours his efforts into making the most terrible domestic choices possible to try to be enough for his family. He pours his efforts into atoning for his transgressions against his family, and then again for those against society. And it is not enough. He knows it is not enough, it never will be enough. Not one thing he has ever done in his life has been enough for him, enough for his family, enough for society. It is never enough. This is his burden. 
You don’t have to feel bad for him about it, mind you. I’m just telling you that it is, functionally, his core struggle.
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Enji poured every bit of himself into looking away from his son Toya and into running away from him. It’s going to take every bit of effort within himself to stand his ground and face his son again, and even then, he is still going to need help. Perhaps that’s pathetic, but even Enji knew he was only going to be a professional Hero, never a superhero.
Enji is a man who believes, who is basically required to believe, who likely cannot continue to exist if he does not believe, that his value and justification for being is defined by his ability to pull himself up by his bootstraps, or to just keep struggling in the endeavor. 
He pours his effort into everything he does and curses his own weaknesses. Even struggling takes effort.
Japan's Burning Soul: Notes on National Pride and Flame Quirks
In my Kirishima presentation, I talk extensively about kouha and their manly aesthetic as it applies to symbols of Japan. What the presentation doesn’t talk about are flame motifs.
In Japan, flames are seen as purifying. They are also seen as manly, and not just in the way Kirishima defines it. There’s several phrases in Japan that talk about stuff like “a burning soul” or even “Japan’s burning soul” or the “blazing spirit” of a Japanese youth. Well, I think these are just about as tacky as they sound but in the same kind of boyish, tacky-cool way most shonen anime can be.
I’m talking about the flame motif on festival jackets. I’m talking about every time Galo from Promare talks about his “flaming firefighter soul”. To some extent, I’m talking about the flames on the Hokage jacket in Naruto (Minato’s and Naruto’s jackets get the flames as a nod to their shared mentor Jiraiya, who is a whole-ass conversation about masculinity in culture, theater, and mythology in and of himself.) These examples are indicative of each of these characters’ pride in their masculinity and in their nationality. Enji’s flame quirk and his constant use of flames as a brand are no exception to this trend.
Some minor characters, and later Dabi, allude to the fact that flame-based quirks are somewhat common in MHA. I’m not completely certain if the prevalence of flame quirks is also meant to indicate that these quirk holders share the same sort of “flaming spirit”, background, national pride, or even miscellaneous political views, but somehow I get the feeling that it does.
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These people are, on some level, connected in that they possess the flaming soul of (masculine, old, patriarchal) Japan. The existence of Pro Hero Endeavor is a representation of the traditional, conservative Japan’s soul. All Might may wear red, white, and blue (and yellow like a yellow-haired westerner) to represent a certain set of foreign ideals, but Enji wears the red and the blue with distinctly Japanese pride.
The Colors of a Nation
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Red and white, the colors of the Japanese flag, have strong cultural connotations through Japanese architecture, festivals, and shinto practices. (Please keep in mind that colors can mean a lot of things in every culture depending on context, and in Japan, different shades of the same colors can also hold distinct meanings. For example, certain shades of blue are often worn by villains in theater, but blue is not always “evil” or “villainous” by default.) But the color that I personally associate with Japan is blue - specifically, anything dyed with the aizome technique.
Aizome clothing, or clothing dyed with indigo, transitioned from being a nobility-only thing to one of the few colors that commoners could wear starting in the early 1600s - because by then, bright colors were exclusive to the nobility. The indigo dye is also popular for its antibacterial, insect repellent, and flame retardant properties. Firefighters wore it. Samurai wore it under their armor. So it’s not surprising to me that Endeavor’s Hero costume, and that of his son, would use fabric in a particular hue of dark blue.
Also? If you wanted to know? Aizome is used to dye Japanese blue jeans today. Hey, Best Jeanist!
Anyway, Enji is dressed in the color of the common Japanese man, the firefighter, the samurai, the noble laborer or honorable servant - but definitely not of high nobility.
We don’t know a ton about Enji’s background in detail, we know he wasn’t born ungodly rich. We know his father died. We know he went to UA. He made money from his Hero career, and married into a pedigree. Yes, he chose Rei because she had an ice quirk, but got the bonus of clout and old world connections.
So, uh, yes, the marriage of Enji and Rei was one of new money and big ambition married to old nobility and traditional values, and that’s true even when taking the kids out of the equation. But more on Rei and the marriage later.
Unpacking Enji's Envy of All Might
The majority of Japan’s political scene is conservative. (Look at the ideology column in that table, NOT just the name of the party. If you’re a westerner, I realize that identifying which ones are conservative is going to be particularly difficult to do given their translated names.) The Jiminto, or Liberal Democratic Party (again, look at the ideology column, NOT JUST THE NAME OF THE PARTY. Remember that “liberal” and “democratic” can hold different connotations in different countries!) was founded in 1955 and, despite having a nebulous identity beyond being “kinda to the right”, continues to hold a significant majority. Over the years, the party has commonly been seen as reliable, stable, and able to get the job done. Well, except for during those periods of time when the scandals came out.
This is not unlike how the public of MHA saw Endeavor. Well, until the scandals came out.
Now, I do not think it is correct to say that Enji = the Jiminto and leave it at that. (I would, however, call him a personification of Japan’s modern patriarchy, or at least something pretty damn close.) His dogged, openly vocalized grudge against All Might is more extreme than what the majority of the Jiminto might openly express, especially considering their consensus of policy regarding the US. I only want to give some context to the longer-standing political scene of Japan as it affects the modern day.
See, while Japan and the US have had an enduring relationship and are, uh, well, allies now, the older generations of Japan, particularly in rural areas, still hold deep grudges against the States and are bitterly, bitterly angry at the cultural imperialism and the military takeover and the government policy changes and the economic changes and the, well, the everything. Actually, the mutual cycle of envy between the Japanese and US citizens detailed in that Times article is important to remember from both perspectives. There’s old bias against each country lingering in both directions, and, while not a direct reference to how it remains in the Japanese population, understanding how it affected the creation of Japanese internment camps in the US is very illuminating in understanding the public US sentiment about the Japanese before WWII then after it.
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When Enji, (or Endeavor), discusses his inferiority complex, he gives away the game and makes the subtext of the rampant western envy present in many of the characters in the work burst out into just plain text.
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While Toshinori Yagi is a Japanese man, the power he inherited, or what Enji (and the world) wrongly believed was “natural-born talent” (a western concept), blatantly signals “western power” through his costume and art style (US comics!) and he represents the “band-aid” of temporary western military and socio-political power imposed upon Japan.
The US is considered a superpower, after all.
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That said, I do feel that giving the western-appearance clout (and magic quirk) to the Japanese Yagi aptly communicates that there is nothing naturally special about the US or its citizens, or really anyone who has power. All of that misunderstood “special glow” or “flawless perfection” or “incontestable strength” are just appearances, presentation, circumstances, and luck - nothing more and nothing less. Yagi (who is, again, Japanese, so this is a Japanese man displaying the incredible aptitude for superheroism, to Enji’s surprise and probable chagrin) may have had a knack for using the quirk and therefore was the greatest at winning and saving, but he also destroyed himself trying to be the perfectly westernized superhero.
Also, by comparing the obviously westernized Katsuki Bakugo and pridefully Japanese Enji Todoroki, Horikoshi makes his point that a shithead is a shithead regardless of nationality, background, or philosophy. 
At the same time, both characters have the ability to change.
Speaking as someone from the US, I’m conflicted, humbled, creeped out, and very emotional over the fact that Horikoshi has chosen to have a complicated, sometimes critical (early Bakugo’s westernisms are not flattering, and the westernized persona of All Might is an unsustainable, unrealistic, unfair thing that destroyed the man maintaining it), but overall kind, laudable, and compassionate portrayal of characters that stand in for the west.
I’ve heard Horikoshi has been criticized as a “freeaboo” for the open admiration of the west inherent in My Hero Academia. I’ll admit, I think he might be a little bit of one, but I’d be the cat calling the monkey a long-tailed bastard if I didn’t also admit that I’m a bit of a weeaboo. We can be mutually embarrassed about how much we like each other despite everything, I guess.
But back to Enji and Yagi. Enji bitching about All Might and expressing disgust over his “American” presentation and perceived advantage is, um. Well, I could call it an example of him making excuses because Yagi is actually Japanese, but it is true Yagi gained experiences and some training advantages in the US that Enji did not have. And, like, Yagi also got a magic quirk (from another Japanese person.) That’s something.
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But I digress. The irony and realities of Enji’s envy and self-deprecation could be debated all day, but it doesn’t lessen the stink of hostility and western envy wafting off of it.
The Significance of Mountains in Japan
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You know about Fuji-san, or Mt. Fuji, the largest and most iconic mountain of Japan? Awesome, because it’s Japan’s most famous cultural site and a great case study for how the Japanese view mountains as sacred. People hike Mt. Fuji and other sacred mountains for secular reasons, too, sure, but many do so as a spiritual pilgrimage. It’s a mixed bag, sort of like how, in the west, everyone is impacted by and understands Christmas despite how it’s primarily only modern Christians that have religious traditions regarding it.
Sekoto Peak, the in-story location where Enji sometimes trains and Toya burns himself, doesn’t actually exist and therefore has no real-life associated myths, but Enji’s choice to train on it indicates much about his discipline. It also provides a quiet association between honing his abilities to their pinnacle and his connecting to the understood sacred power of the mountain. There’s a mystical element to it. 
Most, if not all, Japanese mountains are considered sacred in some sense no matter how tall or pretty they are. This is just understood. Many mountains are the sites of one or more Buddhist or Shinto temples.
Ah, and since many mountains are volcanoes, it shouldn’t be terribly surprising to think of them as residences for fire elementals or other kami and spirit figures. Or even demons.
Enji’s view of All Might as standing on the peak of an even higher mountain, or even perhaps BEING a mountain himself that Enji is unable to climb or conquer, is analogous to him realizing he is one insignificant human man in the face of a force of nature. All Might is not unlike a kami (god - though please remember there is a difference in attitude between those that worship and honor a god versus those that worship capital-G God) to Enji in this sense, but it is perhaps more correct to say that Enji sees All Might as someone who was able to make the pilgrimage to the highest peak and reach enlightenment, thereby becoming divine, while Enji himself is incapable (and therefore unworthy. Because he’s not working hard enough, obviously! Or at least, that’s what Enji thinks.)
If you’re a reader in the Christian-based-background west, you’re likely thinking this is like saying Enji sees himself as a filthy, nasty sinner who is going to hell forever. This isn’t NOT sorta kinda partially in the neighborhood, but that would be a much more punitive, permanent, and fixed view than a Buddhist or east Asian perspective. It’s also missing the point. Readers can want whatever they want, but they shouldn’t necessarily expect this story to absolutely intend to make Enji burn in hell forever through outside forces (because he definitely is doing it to himself, at least currently in this lifetime. Burn, asshole.)
Buddhism’s Four Noble Truths
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Rather than a Judeo-Christian sensibility, Enji’s story (and Deku’s, and Bakugo’s, and Rei’s, and Shoto’s, and Uraraka’s, and Toga’s, and Shigaraki’s, and…) more closely resembles Buddhist philosophy and the journey of someone coming to understand the four noble truths - and it ties into Enji’s own discovery and understanding of these truths, which is a journey basically every damn character in this series is going through - if not for their own sakes, then for the sake of learning it on behalf of someone else. That link has a detailed writeup, but here’s the brief:
The First Noble Truth (dukkha) - everyone suffers, and suffering is part of the world. Enji knows this one intimately.
The Second Noble Truth (samudaya) - something causes suffering to happen. In Buddhism, most things that cause suffering are related to having desires for material things or status. Enji learns that he and his desires are the major source for his own suffering and for that of his family.
The Third Noble Truth (nirodha) - knowing that suffering can end. Like, in the abstract. This is acknowledging there is a way it can happen even if one doesn’t know what it is yet.
The Fourth Noble Truth (magga) - knowing there is a way to end suffering. This one is about an action plan. Enji’s action plan is to give his family a new home to live in that does not include him. Later, he realizes he must apologize to the public and continue to do the only damn thing he can to contribute meaningfully towards ending their suffering: keep being a pro Hero even if he can’t be a superhero.
Does knowing or doing any of this purify him? Well, sort of, through the fire ‘n flame of the grueling ordeal of fighting All for One notwithstanding whether or not the public and (some of) his kids still hate him afterwards, but nah, not really.
In some ways, this is a nice quality that My Hero Academia has - that characters still want things, are allowed to want things, and their desires are treated as natural. Sometimes heroic, even! The characters’ ensuing suffering is also a natural and realistic consequence, but that’s a-ok - everyone will still plug along and do their best to try and reach a collective enlightenment. A constant state of enlightened perfection is not attainable nor sustainable for the mortal, which is why the concept of enlightenment through an ongoing cycle of rebirth exists rather than in the form of an immediate reward, but that doesn’t mean we should stop in the endeavor of striving for it.
So that’s what Enji Todoroki is: an illustration of how action through atonement is always better than sending someone or pushing someone to send themselves to hell forever, thereby never allowing them the opportunity to escape the wheel of life.
What is Rei Todoroki?
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Rei is a daughter of prestige and her family’s last hope to stay relevant. She’s a woman raised in and trapped by the obligations, power, money, and structure of an old society that is doing everything it can to keep from crumbling.
But she’s also complicit in helping to uphold it. Rei is definitely a victim, but she’s also definitely a perpetrator. ‘Cause that’s how it works - people under the thumb of one kind of authority or abuse often perpetuate it and continue the cycle.
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Rei’s given name means, as written, cold. It’s simple, but fitting. She is often emotionally unavailable and unable to connect with Enji and her children (especially Toya, but that’s a two-way street.). It’s one of the contributing factors to why she didn’t “see” her son.
Yuki-Onna and Yamato Nadeshiko
A yuki-onna, or snow woman, is a figure from folklore. They are described as beautiful women who appear on cold and snowy nights. The Wikipedia page I linked gives a good picture of the wide variety of yuki-onna stories out there and of the nature of this figure for your reference. But Rei, while a more human character, definitely suggests a yuki-onna. I think the stories that associate the yuki-onna with children, specifically the one where she asks strangers to hold a child (and survive holding it, in which case she generously awards the holder) or associate her with mountains, are the most interesting for this discussion considering the other mythological and cultural associations present in the Todoroki family.
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Rei is also a sort of yamato nadeshiko figure, or an idealized Japanese woman. TVtropes did my work for me on this one:
“Being a yamato nadeshiko revolved around the Confucian concepts of Feudal Loyalty and Filial Piety, which…meant acting for the benefit of one's family and obeying and assisting authority figures…Virtues include(d) loyalty, domestic ability, wisdom, maturity, and humility.”
A nadeshiko is, in English, a dianthus. I know it by the colloquial name Sweet William.
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The white-edged flowers kinda looks like Fuyumi’s hair, no?
However, Rei is a yamato nadeshiko with a twist! Rei’s character starts out as a doormat, totally broke and unable to handle life in the Todoroki house, and then later finds the resolve and underlying “iron will” to face Enji, the family, and her mistakes again. Women aren’t naturally “perfect” in any sense of the word, ever, and they definitely don’t naturally (or even unnaturally, even through dogged effort) fit the mold of the yamato nadeshiko (at least, not every waking second of their lives.) But they can grow stronger over time, just like everyone else can. Rei becomes more like a “true” yamato nadeshiko after she stops trying so hard to be one for the sake of upholding her marriage and socially-acceptable appearances and instead approaches the situation from a place of collected, experienced resolve.
Yamato, as all these sources’ll tell ya, is an old term for Japan. “Yamato” is the name of the clan that set up the first (and only) Japanese dynasty as well as the name for the actual seat of government they created (and yeah, the Yamato seat was located on a mountain.)  Today, “Yamato” is also the ethnic majority of modern Japan. Wikipedia has the most succinct brief on how Japan, despite its efforts to brand itself as one homogenized and harmonious Yamato people, definitely ain’t one. 
Likewise, the yamato nadeshiko was a propaganda tool to encourage women to behave “correctly” and paint the picture of a desirable Japanese woman. The unreasonable expectation of women to reach the standard of the idealized yamato nadeshiko was, and is, total bullshit.
Miai and Traditional Marriages
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It’s old-fashioned, but not scandalous or inherently skeezy that Enji and Rei had an arranged marriage. Miai, or matchmaking meetings, are still a thing today in the real world and would likely continue to be a thing in the analogous-to-the-real-world’s-present future setting MHA presents, especially for someone like pro Hero Enji. He didn’t have the time or interest to date around, and he needed a marriage of business and mutual interest rather than love (and I don’t just mean “marriage of business” for the purpose of producing designer kids, though that is absolutely what he did and everyone involved even knew it.) Rei’s family are also exactly the kind of family that would desire miai to arrange the most mutually beneficial marriage possible - regardless of Enji’s involvement.
In the grand scheme of history, marriages for love being the accepted norm is exceptionally modern, and while love marriages are increasingly common in many places including Japan, they certainly are not “traditional”. Here’s a blog about Japanese marriages written in 2002 that may contain some interesting tidbits bridging the new and old traditions. Here’s a brief history of marriage in Japan.
Also, Enji and Rei were married young. Overall, the Japanese, especially women, are expected to marry young, though the mean age for women at their time of marriage has increased as time has passed. There still exists, especially for Japanese women, an expectation to marry younger, or at least marry while “in their prime”. If you watch anime, you likely already know what a “Christmas cake” is in modern slang. (That article does a fantastic job of illustrating western envy and postwar Japanese cultural shifts using the adoption of the Christmas cake as a case study.) If you don’t know, a Christmas cake is a slang term for an unmarried woman over 25. Because apparently, a day over 25 means she is past her prime for marriage and has  “expired”.
Marriage fulfills certain social obligations even among middle- and lower-class Japanese citizens, but while Rei would not be alone in feeling the pressure to get married for the sake of her family, she would feel it the most acutely because of her status.
Appearances and Divorce in Japanese Society
Rei could divorce Enji, it’s true, if she had his agreement to do so or if she had sufficient evidence to prove it in a Japanese court. Which, good luck. Because while we know Enji was brutal and abusive in training, which parent actually burned Shoto and left a lasting scar? That’s right. Rei did.
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So Rei’s divorce likely would have totally fucked her and the children over. For one, she’d be stripped of the Todoroki family name and likely any Todoroki assets, and since she’d be breaking the deal made between Enji and her family, her own family likely would not take her back! 
Divorces are becoming more common in modern Japan, but it’s important to remember that the stinging double-standard of “divorce is okay, except if it’s ONE OF US” that the upper classes (or just the exceptionally proud or wealthy) impose on themselves is brutal. If the public knew Rei had divorced and were given no context - which they wouldn’t get because shaming one’s (ex-)husband and family by sharing those details publicly would be considered crass and unthinkable - the public would likely rip her and the children apart even if they ripped Enji apart, too. 
Remember: keeping up appearances is everything in Japanese society.
Rei living outside the house in a facility for her mental health is already shameful and potentially scandalous enough, and it wouldn’t do her any favors in court regarding custody of the children, anyway. Instead, she chooses the limbo of remaining married, but separated.
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The Rindo Flower
Yes, I have read meta about Rei’s favorite flower being a rindo flower. I’ve seen it in this post from @foundouthatdabiistouyatodoroki and on Reddit, as well as just, like, around the fandom. I agree that the flower’s presence is often a stand-in for Toya, but I also think it stands in for the ghost of Enji’s, well, not exactly love, but his affection and promise to Rei made via their marriage.
Remembering that Rei likes a flower and showing that he remembers is kind of, like, the bare minimum, but it’s somethin’, I guess.
The rindo, most likely the Japanese gentian in English, is, well, a gentian.
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 The flower’s color suggests the indigo of the aizome dye, a traditional Japanese color, and its meanings include compassion for sorrow, justice, and… victory. When held upside down like Rei presents it during the hospital scene, it implies loss. (The gladiolus, which the article mentions as another flower of victory, is named because the leaves and shape so resemble a sword. Well, to the Romans, the word for “sword”, and was also a euphemism for a dick. Gladiators, or “sword-ers”, were talked about in terms of their masculinity, victories, and how many other things they penetrated with their “swords”. Real classy. Source? All my history classes.)
Considering Rei’s status as a sort of “blue blood”, I think it’s interesting to note that gentians are the flowers that appear on the Minamoto crest (though the crest most likely uses the less-specific-than-the-rindo balloon flower from the same genus.) I don’t know if associating Rei (and her kids) directly with one of Japan’s major noble clans (and the same one that the Tale of Genji centers around) was Horikoshi’s primary intention, but I think the connection is still worth talking about.
As that Wikipedia article can tell you, the Minamoto name was once given to imperial family members who could not inherit the throne through the family line. It’s fitting for Toya, considering how his father decided he couldn’t be a Hero that surpasses All Might despite being the firstborn son who was created for that explicit purpose.
Let’s talk about that, actually.
What is Toya Todoroki | Dabi?
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What is Toya? He’s the first son of a wealthy family with noble blood in him who was utterly crushed by the thought of failing to uphold the social obligations into which he was born.
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Personally, I consider Toya to be the most fragile major character in the entire series, contested for the spot only by his own father, Shigaraki, and possibly early series Bakugo. 
Toya, or more precisely Dabi, is Enji (and Rei) Todoroki’s very own monster. Instead of a “perfect creation” like intended, he became, well, whatever you want to call Dabi. 
But let’s talk about Toya first.
The Role of Firstborn Sons in Japan
Firstborn sons are fucking important in Japan and in many other eastern cultures. Generally, they are obligated to inherit just about damn near everything and, in return, are tasked with basically all the responsibilities of honoring their parents. A Japanese family isn’t just a series of blood ties, but an institution. This system, called ie, has its own legal rules. Under the ie system, the firstborn son and his wife (who is likely doing most of the caretaking) live with the parents to continue the household. The other kids are expected to marry out or go start their own families.
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Of course, not every single family follows these rules, but the social norms and pressures to uphold them exist. This academic paper written in 2007 analyzes why certain children in the birth order may live with (or near) their parents and explores several factors that impact this decision within families (usually related to whether or not the parents are providing childcare for the grandchildren.) Here’s a fun quote from page 3:
“...the first-born child generally lives with or closer to his/her parents than the second-born child, a result which is consistent with both our theoretical model and Japanese social norms. Second, there is one exception. If a first-born child is a female and she has at least one younger brother, then she locates farther away from her parents than her younger brother even though she is a first-born child.”
More on that “second” part in regards to Fuyumi later.
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But, like with most cultures, the more traditional (and established and wealthy) a family is, the heavier the predetermined responsibilities of each household member weighs on them. And Enji Todoroki’s family is high-profile. So, you can imagine that the pressure placed on Toya is immense.
The pressure placed on firstborn son Tensei Iida was immense, too, but their family dynamic was totally different. The Iida family was, like, healthy and functional. Wild.
Moving on. So Toya was not only youthfully excited to impress his father and support his family as the firstborn son, but he was also, in a certain sense, socially conditioned to want to do so. 
To me, this is where things get interesting. Toya’s struggle is not against his parents for crushing his dreams of a life beyond what they and their society’s established roles provide him. Instead, it is the opposite. Toya’s parents are ready to shake up the established family formula and free Toya from many of the obligations of firstborn son duties. Toya is not ready for any of that newfangled modern sensibilities nonsense. According to tradition, Toya’s role and life should be set and secure.
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When Rei asks Toya if he even wants to be a Hero, she inadvertently makes him grapple with the possibility that carrying on the family business (or at least carrying on the to-be tradition of becoming the Flame Hero and surpassing All Might per his father’s wishes) is not a given. Other choices exist. Rei’s question, while well-meaning, creates a fissure in Toya’s faith in the patriarchal system from which he developed his entire identity.
If Toya, the first son, can’t use his flames, isn’t a Hero, doesn’t inherit, and won’t continue to live with the family, who is he? If he doesn’t fulfill that role and those obligations, is he worth anything to anyone, even himself?
Conventional wisdom says no. He would be a disgrace and a failure even without Enji’s dumbass “create a genetically ideal child to use the ultimate flame quirk to surpass All Might” scheme in the mix. For Toya, it was never about surpassing All Might, not really. It was about fulfilling his household role and showing his father that he was worthy of being in the family.
When Shoto was born, Toya saw that door slam shut. After that, his inability to embrace another way of life leads to his undoing. But he is also, you know. 13.
Toya, through no fault of his own, cannot handle his father’s flames - not his flames of sheer power, not of mindless effort, not of personal fear, not of burning western envy, not of national pride, not of anything. But Enji burdened Toya with them anyway.
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Arrows, Hamaya, and All Might
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The characters in Toya’s given name mean “lamp (or, like, a light)” and “arrow”. @skyflyinginaction and their mutuals have an early discussion about his name and its possible meanings as well as a discussion about symbolism here that’s fun to read, and I’m always happy to not have to do any more work - er, happy to give credit where it is due for research and thoughts. But I do have more to add.
Arrows and archery have particular connotations in Japan. The ones I most commonly think about are hamaya, or evil-warding arrows, used ceremonially. Hamaya can be purchased at temples to be displayed in the home as luck-bringing or evil-warding items. Of course, the bow is also a significant evil-warding symbol, and the bow and arrow are often meant to appear together as a set of evil-warding objects, but yanno. Whatever works.
Anyway, around the New Year, archery contests and traditions abound as a way to predict the coming year’s fortune or ward off evil. This blog entry details one day of tradition in Ibaraki as well as the associations with masculinity and, erm, promoting fertility.
There’s one more tradition I learned orally, so I can’t source it, though the purpose for it was different than the one I just linked. In the one I was told, the head priest opens the yabusame (horseback archery) ceremony by firing an arrow through the temple gates and off the side of the mountain to slay an invisible demon. The firing coincides with the sun’s placement and becomes, much like Toya’s name suggests, an arrow of light.
In any case, arrows are associated with luck, sons, and warding off evil. I get the sense that the “arrow” in Toya’s name brings all of these cultural associations into play. More specifically, I get the sense that Toya was meant to be the “arrow of leading light” meant to slay the “evil” of the west, All Might, and purify that uppermost and unreachable peak where All Might stands in Enji’s mind. Don’t quote that, though.
‘Course, the “guiding light” or “purifying light” implied by Toya’s name eventually becomes perverted from its original purpose.
Toya’s Cremation
According to the manchild himself, Toya died not when he burned the shit out of himself on Sekoto Peak, but when he thought his family had replaced him. That’s when he says Dabi was born.
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The word Dabi means cremation. Heh. The enthusiastic @foundoutthatdabiistouyatodoroki posted about why and how it may be written as something indirect instead of something more direct for the sake of Japanese sensibilities.
I’d also like to point out that Toya’s body was not properly, ritually buried or cremated in any sense or tradition. This is important, since the failure to do so often prevents the spirit from passing on to the afterlife!
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Arguably, Toya cremated himself, but not all the way and not in the way that aligns with the intentions and purpose of a kotsuage, or funerary cremation ritual. Also, his family did not pick out his bones - the authorities did when they found a piece of his jaw. That linked article talks more about the significance of the tradition, but put simply: the family didn’t properly mourn Toya, and in doing so, they did not free themselves emotionally of his specter. They also didn’t free Toya from his attachments to them.
This life-to-death stuff is a two-way street, and Toya’s soul was left hanging onto a burned, rotting corpse by the thread of his own grudge. He’s a modern horror story.
Dabi’s Horror Inspirations
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That’s right, Dabi fans! It’s time to talk about the well-known Frankenstein allusions present in the character - though I’m pretty sure Horikoshi pulled from the 1931 film and not the book. Whatever. 
As Toya, Enji’s creation was an ice quirk + a fire quirk instead of a (cold) corpse + a reintroduced (hot) spark of life (and later, half of his “father” Victor Frankenstein’s own brain) like Frankenstein’s monster. Frankenstein’s monster’s weakness, at least in the movie, is fire. In the book, fire is still present and double-edged. 
As Dabi, Enji’s creation is a reanimated corpse (wow!) + a twisted sense of self created from Enji’s own will (wow!) who seeks revenge on his creator and family for his loneliness and creation. His weakness is, uh, yeah, it’s still fire.
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While Enji is not the one who recreated and revived Toya as Dabi, it is Toya’s grudge (and desire to see and be seen by his father) that keeps him alive. In fact, Dabi is a really cool twist on a yurei or perhaps an ikiryo since he is technically still alive. Still, Dabi most closely seems to follow the patterns of an onryo, which is a more specific form of yurei. These spirits, and the story of one in particular, are the inspiration behind the Japanese Ju-on: The Grudge movies (and then their US-made counterpart.) Here’s a bit from the onryo entry from yokai.com not ‘cause it’s the most academic, but the most succinct:
“Their motive is always the same—vengeance. Onryō are easily powerful enough to kill anyone. However, they prefer letting the object of their hatred live a long life of torment and suffering, watching loved ones die in their stead. Onryō inflict a terrible curse on the people or places that they haunt. This curse can be transmitted to others like a contagious disease, creating a circle of death and destruction far more devastating than any ordinary ghost.”
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You may decide that the entry for the gyoro or another yurei suits Dabi better, but surely you see the point that he’s playing the role of some kind of ghost. His eerie blue flame suggests onibi, or resentful spirits taking the form of blue flame. Wikipedia also does me a big favor by mentioning the overlap between onibi and European will o’ wisps, which usually lead people astray towards goals they can’t reach!
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It really would have been better for everyone if Toya hadn’t pursued the incredibly hot blue flame, huh? Instead, he just burned out fast. Kinda dissappointing and anticlimactic - like a dragon’s head on a snake’s body.
Yeah, that’s right - Dabi seems to have renamed himself “dissappointment”. Heh. Tweens and teens really are the funniest people on the planet.
The First Son Passed Over for a Second Time
But perhaps the funniest and most horrible detail of the whole manga is the implication that All for One and the doctor took one look at Dabi’s shambling corpse escaping from the nursery and went, “Yeah, let that one go. He’s a little too pathetic to be the next vessel or organ for infinite hatred to fuel our big schemes.” Like, absolutely nobody (except the very family he thought replaced him, and boy, are they a shitshow), not even the villains that seek out pathetic people in order to use them, wanted Dabi.
Dabi is, in many ways, Doctor Garaki’s “First Son” vessel experiment for All for One, and he was passed over in favor of Shigaraki in much the way Toya’s father passed him over for Shoto due to how unsuitable a vessel he is.
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When Dabi faces Geten, the ice-quirk user whom ReDestro treats almost like his own successor, who believes that a powerful quirk (and strong sense of individuality with a need to express it) is the only thing that makes someone worthy of living, who exists as his weird mirror with a more weaponized and powerful form of Rei’s ice quirk, I wonder if he thought god was laughing at him. I know his face and skin began splitting apart as if to show his true identity (a dead kid upset at his family) and show a waver in his resolve to stay alive to accomplish his goal, but I’d love to know if he has any ideology outside of his grudge towards his father and family.
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If Hawks told Dabi to his stapled face his real reasons for helping Endeavor, what would Dabi say? Heh heh heh. Dabi learned not to trust Rei, Fuyumi, or his own brother Natsuo, so I’m not terribly surprised he never trusted Keigo in the first place.
Keigo, who never thought to watch Dabi. Keigo, who had to ask who Dabi is. Keigo, who also didn’t see him.
Keigo, who wants to take Toya’s place.
But let’s talk about Toya’s other siblings... in part 2!
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riftiee · 4 months
Note
hi I got you on my tl because I follow the hld tag and saw the ask talking about what the game is about! I've beaten the game myself but I have pretty much no knowledge of the lore , I know you weren't wanting to talk about it bc spoilers but do you know where I could learn more? I don't think the wiki is a good place is it? is there a wiki that's not the Fandom one that might be better? :0
[SPOILERS FOR HYPER LIGHT DRIFTER]
Forgive me, I’m pretty sleepy and typing this on my phone, but I’ll take a crack at it ;]
sadly Hyper Light Drifter doesn’t really have a great comprehensive lore wiki that is all in one place. The game itself is very interpretive and the lore is pretty ambiguous, a big part of it is a lot about filling in the blanks.
An important thing to note is that the game itself was inspired by Alx Preston’s (the creator) congenital heart disease. There is a lot of symbolism relating to this concept throughout the game.
One of the most important parts of lore in the game comes from the Monoliths. Once you locate all of the Monoliths, you reach a library room containing every monolith plus a bonus walk of text. The bonus wall of text, after being translated, reads:
“HARNESSING A GREAT WELLSPRING, A PERFECT IMMORTAL CELL WAS CRAFTED TO BE IMBUED WITHIN ALL SENTIENT LIFE A NOBLE GOAL, THOUGH SUCH A POWER TERRIFIED OTHERS, AND BROUGHT RUIN AS ITS PURPOSE WAS TRANSMOGRIFIED THE ABHORRENT CELL STILL FESTERS DEEP IN THE CHAMBERS OF THIS WORLD”
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Knowing that Judgement is also known as the Perfect Immortal Cell, we are able to figure out that HLD is set in a world where scientists (?) created the ‘immortal cell’, Judgement, by harnessing the power of something called the Great Wellspring [Anubis]. I believe the Perfect Immortal Cell’s original intention was to, well, grant the people of the Land of Light immortality… but some people were fearful of of this power, and so eventually, a war broke out, which caused the Immortal Cell to become corrupted, creating what we now know as Judgement.
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It is unclear what the four Titans came from and what their intended purpose is, but we do know that they were somehow involved in the war. It is often theorized that Judgement was the one who ‘activated’ the titans. The four Titans ravaged the land, wiping out almost everything in their path, and completely wiping out the South zone, leaving it as an uninhabited desert. They were all eventually ‘killed’, leaving their ‘skeletons’ to litter the Land of Light.
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After the Titans ravaged the land, in order to try and contain the Immortal Cell/Judgement, the remaining population gathered together and trapped the Immortal Cell in an underground cavern in order to prevent it from being able to harm anyone anymore. This same underground cavern under the central town is where the final battle of the game takes place.
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The Immortal Cell (at least up until the events of the game) has festered beneath the earth ever sense, waiting. However, for some reason which is unclear, Judgement still haunts the Drifters, giving them frightening, violent visions and presumably causing them their illness.
Again, as I’ve states before, there is seriously just a TON of extra stuff that I can’t even begin to dig into… This game is absolutely full of little secrets. Alx Preston has also done a lot of Heart To Heart streams in which he talks about the lore of Hyper Light Drifter, so if you’re ever interested, those are a cool thing to check out; He gives a lot of interesting little details that we otherwise may not have every known!
Overall the game is intended to be pretty vague, and is extremely symbolic. A lot of it is meant to be left up to interpretation, so take it as you will…! There’s some really great posts out there on Reddit, as well as this Youtube video which does a MUCH better job than I could ever do at explaining the lore in much more detail.
Sorry if this was a bit convoluted or not what you asked for, but I do hope this helps “:] Thank you for the ask, as always!!!
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swanhookheart · 8 months
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Thoughts on AI writing, the WGA strike, and ways to help
This whole post is a hot mess, but I think it communicates the point I'm trying to make so I'm gonna hit "publish" and call it a day, peeps!
In the last four years, I have worked as a writing tutor, a teaching assistant for first-year composition, an embedded tutor for ESL writing workshops, a reading partner, editor-in-chief of my school's literary magazine, and as a freelance college essay coach. I'm also a novelist (unpublished but working on it), a poet, recipient of my community college's 2021 Outstanding English Student Award, a voracious reader, and in possession of a two-year degree in Creative Writing (four-year Berkeley literature degree coming in Spring). I guess you could say I like words.
I could go on for days about all the reasons I hate ChatGPT being used as a writing aid (especially by students—ffs, pls don't make me have to report y’all for academic dishonesty; it will be a shitty experience for both of us), but here’s one I really care about: vulnerability.
As it is, ChatGPT's ability to generate prose rivals my own at about age eight (that is, it looks like a thesaurus vomited all over the page and still struggles to spell the word "fluorescent" when prompted—fuck that word, to be fair). But let's envision a world two, maybe five, years down the road where AI is capable of generating a flawless sentence. It's well-structured, the grammar checks out, everything's spelled right, and the words the algorithm has chosen work to communicate its thoughts. Even then, AI wouldn't be able to replace or compete with even the most inexperienced writers among us. Why? Because, in my opinion at least, imperfections are what make art, art.
Any time I get the urge to overthink something I've created or edit it to the point of unrecognizability (which is often; I have OCD, fam!), I like to think of this sentence in Latin:
perfectus est.
To those who have not subjected themselves to completed 2 years of Latin, this might look like it'd translate to "it is perfect", but the actual, direct translation beside the adjective "perfectus, -a, -um" in all my textbooks and dictionaries has been, instead, "finished, completed". Proper classicists can feel free to correct me here, but the original Latin doesn't seem to carry with it quite the same connotations of quality or superiority that we have in the English word "perfect", and that's low-key fucking inspirational. I think about it like this: things can be "perfect" without being flawless. They only need to be done, and "done" leaves a lot more freedom for self-expression. If just being "done" makes something "perfect", then whatever peculiarities that piece possesses are also perfect. This makes total sense in my mind, but I feel like I'm on the verge of having a stroke trying to articulate it.
Art, for me, is never about the completed piece itself. It's the quirks, it's the process, it's the slight imperfections—like finding out 14 years after starting my fantasy series that the surname of one of my main characters is slang for "severe diarrhea" but being too committed to the name at this point to change it. It's the brushstroke in a painting that doesn't quite stay in the lines or the musician’s voice cracking as they sing through an especially personal set of lyrics. Some wise person once gave me a variation of this advice, and I’ve just kind of run with it ever since: the little details in our creations we convince ourselves are flaws are, more often than not, just spaces where our humanity is seeping through. They’re not bad. They’re just instances of us, as creators, making ourselves vulnerable in the name of our craft. Whether it's in a writing workshop, therapy, school, or anywhere else, I think we all feel a bit self-conscious or even uncomfortable any time we have to share pieces of ourselves with others. Baring our souls is scary. But I like to think humans are generally good at heart, and the kinds of things they typically have to say in response to these instances are designed to enhance the bits of humanity they find in our works, rather than erase or destroy them. So, making choices as artists that force us to feel vulnerable and get us out of our comfort zone because we think we’re “not doing it right” are not just welcome experiences to those intent on growing, but essential. And AI cannot do that. It can't feel, it can't think, and so these moments of vulnerability never occur. The opportunity to generate real, human connection has been lost.
The human brain is a remarkable thing. It’s "trained", as it were (in the same way ChatGPT is trained), to think the way it does not just because it's consumed a lot of other people's material, but because it's experienced a lot in its own right. We've all experienced love, we've mourned, we’ve endured trauma, we’ve laughed to the point of tears, we've left the fucking TV remote in the refrigerator again dammit, and all of these things affect how we relate to the world and to certain topics we may write about. We’re not even touching on how neurodivergence and other brain stuff can further change how we experience life; there’s even more variety to be found when factors like that are taken into account, but I'm not trying to write a dissertation here. As the products of all these influences, our brains make very intentional choices when we write (even when it feels like we're just slapping stuff on a page and hoping it sticks). The formal features of our prose are all going to be dependent on a combination of things we’ve done, felt, and read.
I mean, I guess some might want to use the Infinite Monkey Theorem (the idea that, if you leave infinite monkeys with infinite typewriters for an infinite amount of time, they will inevitably produce a finite number of texts, including the Complete Works of William Shakespeare, an infinite number of times) to argue that writing is actually more formulaic than artistic and so maybe utilizing these algorithms is totally fine. I guess the algorithm is being compared to infinite monkeys here. I don’t know. I’ve gotten hungry since sitting down to write this silly blog post and so I’m getting a little distracted. But humans aren’t alive an infinite amount of time, and the brevity of our existence necessitates a certain urgency in what and how we write—an urgency that leads us to conclude it’s better our work be flawed but out there than faultless but stuck inside our heads. So we write. We write good shit, we write bad shit, we buy a copy of Scrivener or MS Word, we join Tumblr dot com and publish all kinds of silly memes and dick jokes, and we get a world full of funky, crazy, chaotic art that reflects our funky, crazy, chaotic selves. Our humanity seeps out with every word we commit to paper, and we let it because it’s better to live in a world filled with jagged edges and mismatched hues than it is to live in one created by something that is literally fucking incapable of feeling.
You might think this is a great blog post. You might think it's garbage. You’re valid either way. But AI couldn't have written it. It’s full of tiny little pieces of me that just kinda slipped their way in as I was writing. It’s not super polished. It’s a bit all over the place because oh my god I’m craving a cookie but want to finish writing this before I leave my desk to go and get one. No matter what anyone’s thoughts are on my particular voice, though, I think we can all agree that it exists. It exists because I write often—daily, if I can—and because I feel, I think, I am. Those things come through, and they’re what make this a semi-coherent (I hope) blog post as opposed to a smattering of random words ChatGPT probably couldn’t define for you at gunpoint. Whatever you think about this post, AI couldn’t have written it and that’s the point.
This is just one of the reasons why I support the WGA strike and will continue to do so for as long as it takes the union to get the deal they deserve. I am not and will likely never be a member of this union, but the work they’re doing with this strike to push back against AI and its wildfire-like proliferation across creative industries is essential. Algorithms simply cannot do the work that humans do—not today, not ever. Not because they’re not advanced enough, but because vulnerability is what make art, art. Connecting with other human beings—which is all any of us ever really hope to do with our art anyway—requires that vulnerability.
I’m just some random dweeb on the internet, seeing marginalized workers struggle because a bunch of crappy billionaires don't want to come to the table and feeling like shouting some words into the void about it. Maybe nobody will see this post, and that’s okay. But maybe they will and I can do some good with it. I haven’t got a lot of money to help (I’m in my broke college student era). But donations to the Entertainment Community Fund are being accepted and these funds go back into the hands of union (WGA and SAG-AFTRA) members as hardship funds if they need financial help during the work stoppage—this is my understanding, at least; pls correct me if I’m wrong!
Link below:
If you can’t donate, please reblog. I know it would mean a lot to me if I were in their position.
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turnpage · 3 years
Text
send me a ✐ for a random sentence starter from my muse (1-1500) — tw: profanity, mild nsfw, long list
generator here quotes compiled from here inspired by
feel free to change to fit your preferences as need.
❨1❩ ❛ They are dreams, but I’m too out of control, I lose myself in them, and I’ve already lost too much to let them take over. ❜
 ❨2❩ ❛ Sometimes human places create inhuman monsters. ❜ ❨3❩ ❛ I'm not gonna hurt ya. I'm just going to bash your brains in. ❜ ❨4❩ ❛ Monsters are real. Ghosts are too. They live inside of us, and sometimes, they win. ❜ ❨5❩ ❛ The world's a hard place. It doesn't care. It doesn't hate you and me, but it doesn't love us, either. ❜ ❨6❩ ❛ The tears that heal are also the tears that scald and scourge. ❜ ❨7❩ ❛ Pull your act together and just go on. ❜ ❨8❩ ❛ I had never dreamed there could be so much pain in a life when there is nothing physically wrong. I hurt all the time. ❜ ❨9❩ ❛ Tough old world, baby. If you're not bolted together tightly, you're gonna shake, rattle, and roll before you turn thirty. ❜ ❨10❩ ❛ Are you sure self-pity is a luxury you can afford? ❜ ❨11❩ ❛ Truth comes out. In the end it always comes out. ❜ ❨12❩ ❛ Living by your wits is always knowing where the wasps are. ❜ ❨13❩ ❛ No matter where you go, the same asshole gets off the plane. ❜ ❨14❩ ❛ We sometimes need to create unreal monsters and bogies to stand in for all the things we fear in our real lives. ❜ ❨15❩ ❛ That’s your job in this hard world, to keep your love alive and see that you get on, no matter what. ❜ ❨16❩ ❛ Human nature, baby. Grab it and growl. ❜ ❨17❩ ❛ God wiped snot out of his nose and that was you. ❜ ❨18❩ ❛ Run away. Quick. And remember how much I love you. ❜ ❨19❩ ❛ How many times, over how many years, have I—a grown adult—asked for the mercy of another chance? ❜ ❨20❩ ❛ I was suddenly so sick of myself, so revolted. ❜ ❨21❩ ❛ You listen to me. I’m going to talk to you about it this once and never again this same way. ❜ ❨22❩ ❛ But those pieces, they’ll never fit just the same way again. Never in this world. ❜ ❨23❩ ❛ Dying is a part of living. You have to keep tuning in to that if you expect to be a whole person. ❜ ❨24❩ ❛ Officious little prick. ❜ ❨25❩ ❛ I’ve been sleepwalking again, my dear. — The plants are moving under the rug. ❜ ❨26❩ ❛ How I wish you were fear. ❜ ❨27❩ ❛ But it was a dreadful kind of curiosity, the kind that makes you peek through your fingers during the scariest parts of a scary movie. ❜ ❨28❩ ❛ All we have is time, you know. An eternity of time. Or shall we end it? Might as well. After all, we're missing the party. ❜ ❨29❩ ❛ We all remember our pleasant dreams more clearly than the scary ones. ❜ ❨30❩ ❛ The way things should be and the way things are hardly ever get together. ❜ ❨31❩ ❛ Got to be regular if you want to be happy. ❜ ❨32❩ ❛ But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. ❜ ❨33❩ ❛ He showed me his scars, and in return he let me pretend that I had none. ❜ ❨34❩ ❛ Humbling women seems to me a chief pastime of poets. As if there can be no story unless we crawl and weep. ❜ ❨35❩ ❛ It is a common saying that women are delicate creatures, flowers, eggs, anything that may be crushed in a moment's carelessness.  ❜ ❨36❩ ❛ If I had ever believed it, I no longer do. ❜ ❨37❩ ❛ I thought once that gods are the opposite of death, but I see now they are more dead than anything, for they are unchanging, and can hold nothing in their hands. ❜ ❨38❩ ❛ I cannot bear this world a moment longer. ❜ ❨39❩ ❛ I have a better idea. I will do as I please. ❜ ❨40❩ ❛ All my life has been murk and depths, but I am not a part of that dark water. I am a creature within it. ❜ ❨41❩ ❛ You cannot know how frightened gods are of pain. There is nothing more foreign to them, and so nothing they ache more deeply to see. ❜ ❨42❩ ❛ When we are young, we think ourselves the first to have each feeling in the world. ❜ ❨43❩ ❛ When I was born, the word for what I was did not exist. ❜ ❨44❩ ❛ But perhaps no parent can truly see their child. When we look we see only the mirror of our own faults. ❜ ❨45❩ ❛ I will not be like a bird bred in a cage, too dull to fly even when the door stands open. ❜ ❨46❩ ❛ This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive. ❜ ❨47❩ ❛ You threw me to the crows, but it turns out I prefer them to you. ❜ ❨48❩ ❛ Yet because I knew nothing, nothing was beneath me. ❜ ❨49❩ ❛ If now I am wise, it is only because I have been fool enough for a hundred lifetimes. ❜ ❨50❩ ❛ You can teach a viper to eat from your hands, but you cannot take away how much it likes to bite. ❜ ❨51❩ ❛ Give me the blade. Some things are worth spilling blood for. ❜ ❨52❩ ❛ I have been old and stern for so long, carved with regrets and years like a monolith. But that is only a shape I’ve been poured into. I do not have to keep it. ❜ ❨53❩ ❛ I wake sometimes in the dark terrified by my life's precariousness, its thready breath. ❜ ❨54❩ ❛ Understanding the world is a matter of keeping very still and showing no emotions, leaving room for others to reveal themselves. ❜ ❨55❩ ❛ Beneath the smooth, familiar face of things is another that waits to tear the world in two. ❜ ❨56❩ ❛ The truth is, men make terrible pigs. ❜ ❨57❩ ❛ My father has never been able to imagine the world without himself in it. ❜ ❨58❩ ❛ This is the grief that makes our kind choose to be stones and trees rather than flesh. ❜ ❨59❩ ❛ Witches are not so delicate. ❜ ❨60❩ ❛ Those who fight against prophecy only draw it more tightly around their throats. ❜ ❨61❩ ❛ I learned that I could bend the world to my will, as a bow is bent for an arrow. I would have done that toil a thousand times to keep such power in my hands. ❜ ❨62❩ ❛ There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too. ❜ ❨63❩ ❛ The best way of being kind to bears is not to be very close to them. ❜ ❨64❩ ❛ Life is warped. I'm just in sync. ❜ ❨65❩ ❛ Now it's a whisper from the past. ❜ ❨66❩ ❛ But hatred and viciousness are addictive. You can get high on them. Once you've had a little, you start shaking if you don't get more. ❜ ❨67❩ ❛ Why is it always such a surprise? The moon. Even though we know it's coming. Every time we see it, it makes us pause, and hush. ❜ ❨68❩ ❛ Perfection exacts a price, but it's the imperfect who pay it. ❜ ❨69❩ ❛ What is 'belief' but a willingness to suspend the negatives?  ❜ ❨70❩ ❛ I have scars, inside me. ❜ ❨71❩ ❛ The dead are not entirely dead but are alive in a different way; a paler way admittedly, and somewhat darker. ❜ ❨72❩ ❛ However dark, a darkness with voices in it is better than a silent void. ❜ ❨73❩ ❛ Amazing how quickly the past becomes idyllic. ❜ ❨74❩ ❛ It is another way of saying tough luck. To people you aren’t going to help out. ❜ ❨75❩ ❛ I'm waiting, far off in the future. ❜ ❨76❩ ❛ The only sure camouflage is unpredictability. ❜ ❨77❩ ❛ There are so many of them, and each one of them is doing part of the killing, whether they know it or not. ❜ ❨78❩ ❛ First rule: limit bloodshed by making sure that none of your own gets spilled. ❜ ❨79❩ ❛ I long to swim in liquid moonlight. ❜ ❨80❩ ❛ That's right, I don’t like to be summoned on trivial matters. ❜ ❨81❩ ❛ The part that really made me happy was that you wanted me to be happy. ❜ ❨82❩ ❛ Cut that part out of us: the grinning, elemental malice. Begin us anew. ❜ ❨83❩ ❛ Where there are wars, there will be crows, the carrion-fanciers. And ravens too, the warbirds, the eyeball gourmands. And vultures, the holy birds of yore, old connoisseurs of rot. ❜ ❨84❩ ❛ At last. It's you. ❜ ❨85❩ ❛ No, you will not be cooked on a fire when you die. Because you are not a fish. ❜ ❨86❩ ❛ Take what the moment offers. Don’t close doors. Be thankful. ❜ ❨87❩ ❛ How many others have stood in this place? Left behind, with all gone, all swept away. ❜ ❨88❩ ❛ Is it disapproval or extreme lust? With some men it’s hard to tell the difference. ❜ ❨89❩ ❛ My hair was driving me crazy, but then … I died. ❜ ❨90❩ ❛ Seek and ye shall find, eventually. And you found. You’re right, I don’t dispute that. Sorry. ❜ ❨91❩ ❛ Everything digests, and is digested. ❜ ❨92❩ ❛ My head was once a filing cabinet. Now it’s a flurry of papers, floating on a draft. ❜ ❨93❩ ❛ You cannot keep bumping your head against reality and saying it is not there. ❜ ❨94❩ ❛ I have a feeling that inside you somewhere, there’s something nobody knows about. ❜ ❨95❩ ❛ And if I don’t want to die, I’ve got to start living. ❜ ❨96❩ ❛ The world is a beautiful place. Don’t forget that. And don’t miss it. ❜ ❨97❩ ❛ I was fighting for my life. So I must not want to die. ❜ ❨98❩ ❛ Something’s happening to me, through me, something dangerous and new. ❜ ❨99❩ ❛ It’s taken root, a poison tree; it’s grown, fanning out, vines winding round my gut, my lungs, my heart. ❜ ❨100❩ ❛ We’re interpreters. We’re translators. ❜ ❨101❩ ❛ You’ll notice I’m not asking what made you this way. ❜ ❨102❩ ❛ No family, happy or unhappy, is quite like any other. Tolstoy was chock-fullo’shit. Remember that. ❜ ❨103❩ ❛ We lived in monochrome those nights. ❜ ❨104❩ ❛ You live in a dream. You’re a sleepwalker, blind. How do you know what the world is like? ❜ ❨105❩ ❛ Do you know, if you rip off the fronts of houses, you’d find swine? ❜ ❨106❩ ❛ I stand here in the dark: cold, utterly alone, full of fear and something that feels like longing. ❜ ❨107❩ ❛ The definition of insanity is doing the same thing again and again and expecting different results. ❜ ❨108❩ ❛ Not to warm the flesh, but solely to please the eye. ❜ ❨109❩ ❛ Selective emotional detachment. ❜ ❨110❩ ❛ Not for me, or at least not today. ❜ ❨111❩ ❛ Dead but not gone, watching life surge forward around me, powerless to intervene. ❜ ❨112❩ ❛ Do I sound like a hillbilly saying that? ❜ ❨113❩ ❛ Remember, you’ve got your secret weapon. ❜ ❨114❩ ❛ The dream drains away like water. The memory, really. I try to scoop it up in my palms, but it’s gone. ❜ ❨115❩ ❛ My shadow stretches along the carpet, as though trying to detach itself from me. ❜ ❨116❩ ❛ It curls away from me, like blood in water. ❜ ❨117❩ ❛ It’s been so long since I felt the rain. Or wind—the caress of wind. ❜ ❨118❩ ❛ But snow I never want to feel again. ❜ ❨119❩ ❛ Through adversity to the stars. ❜ ❨120❩ ❛ No hero. No sleuth. I am locked in. I am locked out. ❜ ❨121❩ ❛ Thinking hasn't gotten me anywhere so far. ❜ ❨122❩ ❛ The face you give the world tells the world how to treat you. ❜ ❨123❩ ❛ Sometimes I think illness sits inside every woman, waiting for the right moment to bloom. ❜ ❨124❩ ❛ Women get consumed. ❜ ❨125❩ ❛ Sometimes if you let people do things to you, you're really doing it to them. ❜ ❨126❩ ❛ A child weaned on poison considers harm a comfort. ❜ ❨127❩ ❛ Safer to be feared than loved. ❜ ❨128❩ ❛ I ached once, hard, like a period typed at the end of a sentence. ❜ ❨129❩ ❛ It's impossible to compete with the dead. I wish I could stop trying. ❜ ❨130❩ ❛ I always feel sad for the girl that I was. ❜ ❨131❩ ❛ Every time people said I was pretty, I thought of everything ugly swarming beneath my clothes. ❜ ❨132❩ ❛ How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. ❜ ❨133❩ ❛ See, there I am. I told you I lived. I told you I was. ❜ ❨134❩ ❛ Sometimes I think I won't ever feel safe until I can count my last days on one hand. ❜ ❨135❩ ❛ To refuse has so many more consequences than submitting. ❜ ❨136❩ ❛ I'm here. I don't usually feel that I am. ❜ ❨137❩ ❛ I'm tired of dying. ❜ ❨138❩ ❛ What if you hurt because it feels so good? ❜ ❨139❩ ❛ How confusing to live in the shadow of a shadow. ❜ ❨140❩ ❛ Do you ever feel like bad things are going to happen, and you can’t stop them? You can’t do anything, you just have to wait? ❜ ❨141❩ ❛ Sometimes my scars have a mind of their own. ❜ ❨142❩ ❛ Everyone has their own version of a memory. ❜ ❨143❩ ❛ Isn’t a smile a girl’s best weapon? ❜ ❨144❩ ❛ My sense of weightlessness, I think, comes from the fact that I know so little about my past. ❜ ❨145❩ ❛ Do what I want; I might like you. ❜ ❨146❩ ❛ I feel sorry for Persephone because even when she’s back with the living, people are afraid of her because of where’s she’s been. ❜ ❨147❩ ❛ She has never told me she loved me, and I never assumed she did. ❜ ❨148❩ ❛ The sight of it actually does something to you, makes you less human. ❜ ❨149❩ ❛ It infects you. It ruined me. ❜ ❨150❩ ❛ Your health is not a debt you just cancel. The body collects. ❜ ❨151❩ ❛ Men love to put things inside women, don’t they? ❜ ❨152❩ ❛ We can know only that we know nothing. And that is the highest degree of human wisdom. ❜ ❨153❩ ❛ Nothing is so necessary for a young man as the company of intelligent women. ❜ ❨154❩ ❛ The strongest of all warriors are these two — time and patience. ❜ ❨155❩ ❛ If everyone fought for their own convictions there would be no war. ❜ ❨156❩ ❛ There is no greatness where there is not simplicity, goodness, and truth. ❜ ❨157❩ ❛ The whole world is divided for me into two parts: one is she, and there is all happiness, hope, light; the other is where she is not, and there is dejection and darkness. ❜ ❨158❩ ❛ Let the dead bury the dead, but while I'm alive, I must live and be happy. ❜ ❨159❩ ❛ It's not given to people to judge what's right or wrong. People have eternally been mistaken and will be mistaken, and in nothing more than in what they consider right and wrong. ❜ ❨160❩ ❛ You can love a person dear to you with a human love, but an enemy can only be loved with divine love. ❜ ❨161❩ ❛ If we admit that human life can be ruled by reason, then all possibility of life is destroyed. ❜ ❨162❩ ❛ We are asleep until we fall in love! ❜ ❨163❩ ❛ I simply want to live; to cause no evil to anyone but myself. ❜ ❨164❩ ❛ Everything I know, I know because of love. ❜ ❨165❩ ❛ Man cannot possess anything as long as he fears death. But to him who does not fear it, everything belongs. ❜ ❨166❩ ❛ If there was no suffering, man would not know his limits, would not know himself. ❜ ❨167❩ ❛ Yes, love, but not the love that loves for something, to gain something, or because of something, but that love that I felt for the first time, when dying, I saw my enemy and yet loved him. ❜ ❨168❩ ❛ How can one be well...when one suffers morally? ❜ ❨169❩ ❛ Kings are the slaves of history. ❜ ❨170❩ ❛ God is the same everywhere. ❜ ❨171❩ ❛ Pure and complete sorrow is as impossible as pure and complete joy. ❜ ❨172❩ ❛ One must be cunning and wicked in this world. ❜ ❨173❩ ❛ We love people not so much for the good they've done us, as for the good we've done them. ❜ ❨174❩ ❛ When one's head is gone one doesn't weep over one's hair! ❜ ❨175❩ ❛ For what, for whom, must I kill and be killed? ❜ ❨176❩ ❛ He did what heroes do after their work is accomplished; he died. ❜ ❨177❩ ❛ Life is too long to say anything definitely; always say perhaps. ❜ ❨178❩ ❛ Everything ends in death, everything. Death is terrible. ❜ ❨179❩ ❛ The distant and impossible suddenly became near, possible, and inevitable. ❜ ❨180❩ ❛ How often we sin, how much we deceive, and all for what? ❜ ❨181❩ ❛ The wolves should be fed and the sheep kept safe. ❜ ❨182❩ ❛ When I was a child, adults would tell me not to make things up, warning me of what would happen if I did. ❜ ❨183❩ ❛ My memory is a patchwork of occurrences, of discontinuous events roughly sewn together: the parts I remember, I remember precisely, whilst other sections seem to have vanished completely. ❜ ❨184❩ ❛ Would it be worse to love someone who is no longer there, or not to love someone who is? ❜ ❨185❩ ❛ Like mirrors stories prepare us for the day to come. They distract us from the things in darkness. ❜ ❨186❩ ❛ It is not that I was credulous, simply that I believed in all things dark and dangerous. ❜ ❨187❩ ❛ Sometimes you do things you regret, but there's nothing you can do about them. Times change. Doors close behind you. You move on. ❜ ❨188❩ ❛ Love will be an impulse that will inspire and ruin in equal measure. ❜ ❨189❩ ❛ He died alone. It don't matter a rat's ass whether there was anyone with him or not. He died alone. ❜ ❨190❩ ❛ It was love, I knew, and it tasted like champagne in my mind. ❜ ❨191❩ ❛ The end of the world is a strange concept. The world is always ending, and the end is always being averted, by love or foolishness or just plain old dumb luck. ❜ ❨192❩ ❛ She was my dream; and if you touch a dream it vanishes, like a soap bubble. ❜ ❨193❩ ❛ Daylight is always safe. ❜ ❨194❩ ❛ If not for death, they'd be content to simply exist, but with death, well, their lives will have meaning. ❜ ❨195❩ ❛ You want to know the future, love? Then wait. ❜ ❨196❩ ❛ There are things in the darkness beneath us that wish us harm. ❜ ❨197❩ ❛ Fairy tales are more than true. Not because they tell us that dragons exist, but because they tell us that dragons can be defeated ❜ ❨198❩ ❛ But sometimes you leave blood on your instruments. ❜ ❨199❩ ❛ I'd like to be a wolf. Not all the time. Just sometimes. In the dark. I would run through the forests. ❜ ❨200❩ ❛ You've seen them. They have mouths that twitch, and eyes that stare, and they babble and they mewl and they whimper. ❜ ❨201❩ ❛ They are not mad, or rather, the loss of their sanity is the lesser of their problems. ❜ ❨202❩ ❛ Good a reason for writing as I know: releasing demons, letting them fly. ❜ ❨203❩ ❛ That miserable state in which everything seems flat and of equal importance; when nothing matters, and in which reality seems scraped thin and threadbare. ❜ ❨204❩ ❛ Someone had scrawled graffiti in black marker on the metal: JUST DIE, it said. Like it is easy. ❜ ❨205❩ ❛ Winter started today. The sky turned grey and the snow began to fall and it did not stop falling until well after dark. ❜ ❨206❩ ❛ Memory is the great deceiver. ❜ ❨207❩ ❛ Silly things do cease to be silly if they are done by sensible people in an impudent way. ❜ ❨208❩ ❛ I may have lost my heart, but not my self-control.  ❜ ❨209❩ ❛ If I loved you less, I might be able to talk about it more. ❜ ❨210❩ ❛ I always deserve the best treatment because I never put up with any other. ❜ ❨211❩ ❛ But you know what I am. You hear nothing but truth from me. ❜ ❨212❩ ❛ I have blamed you, and lectured you, and you have borne it as no other would have borne it. ❜ ❨213❩ ❛ There are people, who the more you do for them, the less they will do for themselves. ❜ ❨214❩ ❛ One half of the world cannot understand the pleasures of the other. ❜ ❨215❩ ❛ Better be without sense than misapply it as you do. ❜ ❨216❩ ❛ You must be the best judge of your own happiness. ❜ ❨217❩ ❛ Were I to fall in love, indeed, it would be a different thing ; but I have never been in love ; it is not my way, or my nature ; and I do not think I ever shall. ❜ ❨218❩ ❛ Indeed, I am very sorry to be right in this instance. I would much rather have been merry than wise. ❜ ❨219❩ ❛ If I have not spoken, it is because I am afraid I will awaken myself from this dream. ❜ ❨220❩ ❛ If a woman doubts as to whether she should accept a man or not, she certainly ought to refuse him. ❜ ❨221❩ ❛ Faultless in spite of all her faults. ❜ ❨222❩ ❛ A heroine whom no one but myself will much like. ❜ ❨223❩ ❛ There is no charm equal to tenderness of heart. ❜ ❨224❩ ❛ Full many a flower is born to blush unseen, and waste its fragrance on the desert air. ❜ ❨225❩ ❛ I pity you. I thought you cleverer. ❜ ❨226❩ ❛ Evil to some is always good to others. ❜ ❨227❩ ❛ I certainly will not persuade myself to feel more than I do. ❜ ❨228❩ ❛ She is loveliness itself. ❜ ❨229❩ ❛ Time does not compose me. ❜ ❨230❩ ❛ A man always imagines a woman to be ready for anybody who asks her. ❜ ❨231❩ ❛ I do not find myself making any use of the word sacrifice. ❜ ❨232❩ ❛ I am quite enough in love. I should be sorry to be any more. ❜ ❨233❩ ❛ I must tell you what you will not ask, though I may wish it unsaid the next moment. ❜ ❨234❩ ❛ I examined my own heart. And there you were. Never, I fear, to be removed. ❜ ❨235❩ ❛ With all your little faults, you are an excellent creature. ❜ ❨236❩ ❛ You have another long walk before you. ❜ ❨237❩ ❛ The child's laughter is pure until he first laughs at a clown. ❜ ❨238❩ ❛ What is marriage but prostitution to one man instead of many? ❜ ❨239❩ ❛ Out of the frying pan into the fire! ❜ ❨240❩ ❛ We must all make do with the rags of love we find flapping on the scarecrow of humanity. ❜ ❨241❩ ❛ She sleeps. And now she wakes each day a little less. ❜ ❨242❩ ❛ And, oh, God . . . how frequently I weep! ❜ ❨243❩ ❛ From the coffin of your madness there is no escape. ❜ ❨244❩ ❛ I am feeling supernatural tonight. I want to eat diamonds. ❜ ❨245❩ ❛ All the same there is a chance that if we keep on shaking our chains, one day, some day, the clasps upon the shackles will part. ❜ ❨246❩ ❛ It was sad music fit to make you cut your throat. ❜ ❨247❩ ❛ Nothing is more boring than being forced to play. ❜ ❨248❩ ❛ Amongst the monsters, I am well hidden; who looks for a leaf in a forest? ❜ ❨249❩ ❛ Wherein does a woman’s honour reside? In her vagina or in her spirit? ❜ ❨250❩ ❛ Perhaps...I could not be content with mere contentment! ❜ ❨251❩ ❛ Have you ever stared stark failure in the face? The trick is to outstare it. ❜ ❨252❩ ❛ Sometimes it seems that the faces exist of themselves, in a disembodied somewhere, waiting for the one who will wear them, who will bring them to life. ❜ ❨253❩ ❛ I have the febrile gaiety of a being without a past, without a present, yet I exist. ❜ ❨254❩ ❛ I felt myself turning, willy-nilly, from a woman into an idea. ❜ ❨255❩ ❛ She looks wonderful, but she doesn't look right. ❜ ❨256❩ ❛ The one-eyed man will be King in the country of the blind. ❜ ❨257❩ ❛ I raised you up to fly to the heavens, not to brood over a clutch of eggs! ❜ ❨258❩ ❛ I love to hear my bones rattle. That’s how I know I’m alive. ❜ ❨259❩ ❛ I learnt, first, as the birds do, from the birds. ❜ ❨260❩ ❛ Inside and outside match exactly, but both are badly wrong. ❜ ❨261❩ ❛ During the less-than-blink of time it took the last chime to die, there came a vertiginous sensation. ❜ ❨262❩ ❛ I fear a wound not of the body but the soul, an irreconcilable division between myself and the rest of humankind. ❜ ❨263❩ ❛ I fear the proof of my own singularity. ❜ ❨264❩ ❛ Still nothing could calm the fearful storm in my erupting skin. ❜ ❨265❩ ❛ Petersburg, loveliest of all hallucinations. ❜ ❨266❩ ❛ A breathless second between black forest and the frozen sea. ❜ ❨267❩ ❛ I'm beginning to feel totally cut off from the world. ❜ ❨268❩ ❛ What does this all mean? Where are we? ❜ ❨269❩ ❛ Sometimes I bleed. ❜ ❨270❩ ❛ If you see a ghost, you say "hello". ❜ ❨271❩ ❛ The war is not over. ❜ ❨272❩ ❛ You're not going. You left us once already. ❜ ❨273❩ ❛ You can’t go! ❜ ❨274❩ ❛ I loved you, but that wasn't enough, was it? ❜ ❨275❩ ❛ If you're dead, then leave me in peace. ❜ ❨276❩ ❛ The only thing that moves here is the light, but it changes everything. ❜ ❨277❩ ❛ I won't ask for forgiveness for something I didn't do! ❜ ❨278❩ ❛ Sometimes the world of the living gets mixed up with the world of the dead. ❜ ❨279❩ ❛ Death of a loved one can lead people to do the strangest things. ❜ ❨280❩ ❛ Sooner or later, they will find you. ❜ ❨281❩ ❛ They're everywhere - they say this house is theirs. ❜ ❨282❩ ❛ You're always teasing me, and telling lies. I'm sick of it. ❜ ❨283❩ ❛ Others will come. Sometimes we'll sense them. Other times, we won't. ❜ ❨284❩ ❛ No crying now. No crying. Stop that. Here. Look what an awful face you've got when you cry. ❜ ❨285❩ ❛ You listen to me. I've seen them too. ❜ ❨286❩ ❛ You'll see. There are going to be some big surprises. There are going to be... changes. ❜ ❨287❩ ❛ Why did you go and fight that stupid war that had nothing to do with us? Why didn't you stay like the others did? ❜ ❨288❩ ❛ Your place was here with your family. ❜ ❨289❩ ❛ So you say you know this house well? ❜ ❨290❩ ❛ I wasn't expecting you so soon. ❜ ❨291❩ ❛ What's the matter? Has the cat got your tongue? ❜ ❨292❩ ❛ You mean they just vanished? Into thin air? ❜ ❨293❩ ❛ No door must be opened without the previous one being closed first. ❜ ❨294❩ ❛ Here, most of the time, you can hardly see your way. ❜ ❨295❩ ❛ Whatever you do, don't open the curtains. ❜ ❨296❩ ❛ Now, come on. Eyes closed. ❜ ❨297❩ ❛ We start off with high hopes, then we bottle it. We realise that we’re all going to die, without really finding out the big answers. ❜ ❨298❩ ❛ By definition, you have to live until you die. Better to make that life as complete and enjoyable an experience as possible, in case death is shite, which I suspect it will be. ❜ ❨299❩ ❛ I chose not to choose life. I chose somethin’ else. ❜ ❨300❩ ❛ And the reasons? There are no reasons. ❜ ❨301❩ ❛ Love does not exist, it's like religion, made to control you. ❜ ❨302❩ ❛ After all, we're not fucking stupid. At least, we're not that fucking stupid. ❜ ❨303❩ ❛ You fucking knew that fucking cunt would fuck some cunt. ❜ ❨304❩ ❛ Everything in the street today seems soft focus. ❜ ❨305❩ ❛ What does that make us? The lowest of the low. ❜ ❨306❩ ❛ Take your best orgasm, multiply the feeling by twenty, and you're still fuckin’ miles off the pace. ❜ ❨307❩ ❛ It’s as if everything is a copy of what you knew before, similar, yet somehow lacking in its usual qualities, a bit like the way things are in a dream. ❜ ❨308❩ ❛ It’s all okay, it’s all beautiful; but I fear that this internal sea is going to subside soon, leaving this poisonous shite washed up, stranded up in my body. ❜ ❨309❩ ❛ It cuts me up. It confuses me. ❜ ❨310❩ ❛ It's not funny laughter. This is lynch mob laughter. ❜ ❨311❩ ❛ Protect me from those who wish to help us. ❜ ❨312❩ ❛ They mean well, and they mean well to me, but there's no way under the sun that they can appreciate what I feel, what I need. ❜ ❨313❩ ❛ The pit of melancholy is a bottomless one, and I am descending fast. ❜ ❨314❩ ❛ Living like this is a full-time business. ❜ ❨315❩ ❛ I’ll stand or fall alone. ❜ ❨316❩ ❛ We are no wiser now than at the start. ❜ ❨317❩ ❛ This is pathetic, and fucking boring. ❜ ❨318❩ ❛ Death is usually a process, rather than an event. ❜ ❨319❩ ❛ We're ruled by effete arseholes. What does that make us? ❜ ❨320❩ ❛ We are all acquaintances now. ❜ ❨321❩ ❛ The problem is that this beautiful ocean carries with it loads of poisonous flotsam and jetsam. ❜ ❨322❩ ❛ Life is beautiful. I'm going to enjoy it, and I'm going to have a long life. ❜ ❨323❩ ❛ The grim reality of impending death can be talked away by trying to invest in the present reality of life. ❜ ❨324❩ ❛ There must be more to life than this. ❜ ❨325❩ ❛ We all see what we want to see. ❜ ❨326❩ ❛ Statistically speaking, you're more likely to be killed by a member of your own family or a close friend, than by anyone else. ❜ ❨327❩ ❛ What am I living for and what am I dying for are the same question. ❜ ❨328❩ ❛ Maybe that's what love is: it's being pissed off. ❜ ❨329❩ ❛ You can forget who you are if you're alone too much. ❜ ❨330❩ ❛ Any religion is a shadow of God. But the shadows of God are not God. ❜ ❨331❩ ❛ Human understanding is fallible, and we see through a glass, darkly.  ❜ ❨332❩ ❛ We must be a beacon of hope, because if you tell people there's nothing they can do, they will do worse than nothing. ❜ ❨333❩ ❛ Everyone wants to feel like a princess, and princesses are selfish and overbearing. ❜ ❨334❩ ❛ We shouldn't have been so scornful; we should have had compassion. But compassion takes work, and we were young. ❜ ❨335❩ ❛ How easy it is, treachery. You just slide into it. ❜ ❨336❩ ❛ Amazing how the heart clutches at anything familiar, whimpering: Mine! Mine! ❜ ❨337❩ ❛ All creatures know that some must die ; that all the rest may take and eat. ❜ ❨338❩ ❛ Is this the image of a god? My tooth for yours, your eye for mine? ❜ ❨339❩ ❛ Without the light, no chance; without the dark, no dance. ❜ ❨340❩ ❛ Why are we designed to see the world as supremely beautiful just as we're about to be snuffed? Do rabbits feel the same as the fox teeth bite down on their necks? Is it mercy? ❜ ❨341❩ ❛ Love is useless, it leads you into dumb exchanges in which you give too much away, and then you get bitter and mean. ❜ ❨342❩ ❛ Maybe sadness is a kind of hunger. Maybe the two go together. ❜ ❨343❩ ❛ Now I can see how that can happen. You can fall in love with anybody -- a fool, a criminal, a nothing. There are no good rules. ❜ ❨344❩ ❛ If you really want to stay the same age you are now forever and ever, try jumping off the roof: death's a sure-fire method for stopping time. ❜ ❨345❩ ❛ You couldn’t leave words lying around where our enemies might find them. ❜ ❨346❩ ❛ I'm fine, for the moment. And the moment is the only time we can be fine in. ❜ ❨347❩ ❛ Because if you can't wish, why bother? ❜ ❨348❩ ❛ It's better to hope than mope! ❜ ❨349❩ ❛ Reality has too much darkness in it. Too many crows. ❜ ❨350❩ ❛ In any case, time is not a thing that passes, it’s a sea on which you float. ❜ ❨351❩ ❛ I know I’m deceiving myself, but I prefer to deceive myself. I desperately need to believe such pure joy is still possible. ❜ ❨352❩ ❛ Too much God and you overdose. God needs to be filtered. ❜ ❨353❩ ❛ Behind my eyelids I saw an animal. It was golden colour, with gentle green eyes and canine teeth, and curly wool instead of fur. It opened its mouth, but it did not speak. Instead, it yawned. ❜ ❨354❩ ❛ ‘Why can't I believe?’ I asked the darkness. ❜ ❨355❩ ❛ Everyone’s too sad for everything. ❜ ❨356❩ ❛ If you can’t stop the waves, go sailing. ❜ ❨357❩ ❛ I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed and that necessary. ❜ ❨358❩ ❛ Men are afraid that women will laugh at them. Women are afraid that men will kill them. ❜ ❨359❩ ❛ In the end, we'll all become stories. ❜ ❨360❩ ❛ I am inadequate and stupid, without worth. I might as well be dead. ❜ ❨361❩ ❛ If you knew what was going to happen, if you knew everything that was going to happen next—if you knew in advance the consequences of your own actions—you'd be doomed. You'd be ruined as God. ❜ ❨362❩ ❛ If you can't go through an obstacle, go around it. ❜ ❨363❩ ❛ Stupidity is the same as evil if you judge by the results. ❜ ❨364❩ ❛ Time in dreams is frozen. You can never get away from where you've been. ❜ ❨365❩ ❛ Male fantasies, male fantasies, is everything run by male fantasies? ❜ ❨366❩ ❛ We still think of a powerful man as a born leader and a powerful woman as an anomaly. ❜ ❨367❩ ❛ If I love you, is that a fact or a weapon? ❜ ❨368❩ ❛ You fit into me like a hook into an eye. ❜ ❨369❩ ❛ Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened. ❜ ❨370❩ ❛ Farewells can be shattering, but returns are surely worse. ❜ ❨371❩ ❛ Women have curious ways of hurting someone else. ❜ ❨372❩ ❛ This is the one song everyone would like to learn: the song that is irresistible: the song that forces men to leap overboard in squadrons. ❜ ❨373❩ ❛ Get rid of death. Make it be spring. ❜ ❨374❩ ❛ You are innocent as a bathtub full of bullets. ❜ ❨375❩ ❛ I am the space you desecrate as you pass through. ❜ ❨376❩ ❛ Favour me and give me riches, destroy my enemies. Save me from death. ❜ ❨377❩ ❛ She is a raw voice loose in the rooms beneath me. ❜ ❨378❩ ❛ Isn't the moon warm enough for you, why do you need the blanket of another body? ❜ ❨379❩ ❛ This is a torch song. Touch me and you'll burn. ❜ ❨380❩ ❛ If you look long enough eventually you will see me. ❜ ❨381❩ ❛ I would like to sleep with you, to enter your sleep as its smooth dark wave slides over my head. ❜ ❨382❩ ❛ I would like to give you the silver branch, the small white flower, the one word that will protect you from the grief. ❜ ❨383❩ ❛ But some people can't tell where it hurts. They can't calm down. They can't ever stop howling. ❜ ❨384❩ ❛ How else can we live, these days, except in the midst of ruin? ❜ ❨385❩ ❛ What am I living for and what am I dying for are the same question. ❜ ❨386❩ ❛ Gods always come in handy, they justify almost anything. ❜ ❨387❩ ❛ We loved with a love that was more than love. ❜ ❨388❩ ❛ Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before. ❜ ❨389❩ ❛ The boundaries which divide life from death are at best shadowy and vague. Who shall say where the one ends, and where the other begins? ❜ ❨390❩ ❛ There is no exquisite beauty without some strangeness in the proportion. ❜ ❨391❩ ❛ Never to suffer would never to have been blessed. ❜ ❨392❩ ❛ Believe only half of what you see and nothing that you hear. ❜ ❨393❩ ❛ And all I loved, I loved alone. ❜ ❨394❩ ❛ Years of love have been forgot, in the hatred of a minute. ❜ ❨395❩ ❛ The best things in life make you sweaty. ❜ ❨396❩ ❛ There are some secrets which do not permit themselves to be told. ❜ ❨397❩ ❛ Anything is better than this agony. ❜ ❨398❩ ❛ You fancy me mad. ❜ ❨399❩ ❛ I hear all things in the heaven and in the earth. ❜ ❨400❩ ❛ Who dares insult us with this blasphemous mockery? ❜ ❨401❩ ❛ Leave my loneliness unbroken! ❜ ❨402❩ ❛ A more than fiendish malevolence, gin-nurtured, thrills every fibre of my frame. ❜ ❨403❩ ❛ The fury of a demon instantly possessed me. I knew myself no longer. ❜ ❨404❩ ❛ Let my heart be still a moment. ❜ ❨405❩ ❛ You call it hope —  It is but agony of desire. ❜ ❨406❩ ❛ Who has not, a hundred times, found himself committing a vile or silly action for no other reason than because he knows he should not? ❜ ❨407❩ ❛ To die laughing must be the most glorious of all glorious deaths! ❜ ❨408❩ ❛ The beating of a drum stimulates the soldier into courage. ❜ ❨409❩ ❛ Oh what a tangled web we weave when first we practise to deceive. ❜ ❨410❩ ❛ I have been happy, though in a dream. ❜ ❨411❩ ❛ Nevermore. ❜ ❨412❩ ❛ The truth is, I am heartily sick of this life. ❜ ❨413❩ ❛ I am convinced that every thing is going wrong. ❜ ❨414❩ ❛ The scariest monsters are the ones that lurk within our souls. ❜ ❨415❩ ❛ And if I died, at least I will have died for you! ❜ ❨416❩ ❛ It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. ❜ ❨417❩ ❛ Hurt and humiliation — But this, I can not take. ❜ ❨418❩ ❛ The walls in there have ears. ❜ ❨419❩ ❛ This is for your ears only. ❜ ❨420❩ ❛ What is it? You have me scared. ❜ ❨421❩ ❛ Whoever isn’t for us, is against us. ❜ ❨422❩ ❛ You are just a body; to be dumped, disposed of like a carcass, left out for the birds to feed on. ❜ ❨423❩ ❛ The dead will have to forgive me. ❜ ❨424❩ ❛ From now on and no matter how your mind may I change, I will not accept your help. ❜ ❨425❩ ❛ If death comes, so be it. There will be glory in it. ❜ ❨426❩ ❛ Live, then; and live with your choice. ❜ ❨427❩ ❛ I am doing what has to be done. ❜ ❨428❩ ❛ Nothing is going to stop the ones that love you from keeping on loving you. ❜ ❨429❩ ❛ Worst is the man who has all the good advice, and then because his nerve fails, fails to act in accordance with it, as a leader should. ❜ ❨430❩ ❛ Only a loony would walk himself into this. ❜ ❨431❩ ❛ Why do you need such fences and defences? ❜ ❨432❩ ❛ Enough. Do not anger me. ❜ ❨433❩ ❛ The gods, you think, will side with the likes of him? ❜ ❨434❩ ❛ Watch it. You are over stepping. ❜ ❨435❩ ❛ I warn you. You should keep a civil tongue. ❜ ❨436❩ ❛ There is no such thing as an oath the can not be broken. ❜ ❨437❩ ❛ Every now and then, the things you’d hardly let yourself imagine, actually happen. ❜ ❨438❩ ❛ And you stand over this? This is the truth? ❜ ❨439❩ ❛ The bigger the resistance, the bigger the collapse. ❜ ❨440❩ ❛ Iron that’s forged the hardest, snaps the quickest. ❜ ❨441❩ ❛ Even the wildest horses come to heel when they are reined & bitted right. ❜ ❨442❩ ❛ That’s how guilt affects some people. They break and everything comes out. ❜ ❨443❩ ❛ Will it be enough for you? To see me executed? ❜ ❨444❩ ❛ So you know something no one else knows? ❜ ❨445❩ ❛ They know it too. They are just too afraid to say it. ❜ ❨446❩ ❛ If you die, how will I keep on living? ❜ ❨447❩ ❛ There was a star riding through clouds one night, & I said to the star, 'Consume me'. ❜ ❨448❩ ❛ How much better to sit by myself like the solitary sea-bird that opens its wings on the stake. ❜ ❨449❩ ❛ Alone, I often fall down into nothingness. I have to bang my head against some hard door to call myself back to the body. ❜ ❨450❩ ❛ I am made and remade continually. Different people draw different words from me. ❜ ❨451❩ ❛ For this moment, this one moment, we are together.  ❜ ❨452❩ ❛ Come, pain, feed on me. Bury your fangs in my flesh. Tear me asunder. ❜ ❨453❩ ❛ I am as neat as a cat in my habits. ❜ ❨454❩ ❛ Everything falls in a tremendous shower, dissolving me. ❜ ❨455❩ ❛ I am the foam that sweeps and fills the uttermost rims of the rocks with whiteness; I am also a girl, here in this room. ❜ ❨456❩ ❛ We are cut, we are fallen. We are become part of that unfeeling universe ❨457❩ that sleeps when we are at our quickest and burns red when we lie ❨458❩ asleep. ❜ ❨459❩ ❛ These moments of escape are not to be despised. They come too seldom. ❜ ❨460❩ ❛ Up here my eyes are green leaves, unseeing. ❜ ❨461❩ ❛ The moment is all; the moment is enough. ❜ ❨462❩ ❛ I do not want to be admired. I want to give, to be given. ❜ ❨463❩ ❛ I am not one and simple, but complex and many. ❜ ❨464❩ ❛ And if you are dead, I shall weep. ❜ ❨465❩ ❛ But beauty must be broken daily to remain beautiful. ❜ ❨466❩ ❛ But our hatred is almost indistinguishable from our love. ❜ ❨467❩ ❛ I desired always to stretch the night and fill it fuller and fuller with dreams. ❜ ❨468❩ ❛ Life is a dream surely. ❜ ❨469❩ ❛ I think sometimes I am not a woman, but the light that falls on this gate, on this ground. I am the seasons, I think sometimes, January, May, November; the mud, the mist, the dawn. ❜ ❨470❩ ❛ Oh, I am in love with life! ❜ ❨471❩ ❛ I have been knotted; I have been torn apart. ❜ ❨472❩ ❛ There was no freedom in life, and certainly there was none in death. ❜ ❨473❩ ❛ I do not know. I do not know myself sometimes, or how to measure and name and count out the grains that make me what I am. ❜ ❨474❩ ❛ I ride rough waters, and shall sink with no one to save me. ❜ ❨475❩ ❛ I am above the earth now. I am no longer upright, to be knocked against and damaged. ❜ ❨476❩ ❛ I see it all. I feel it all. ❜ ❨477❩ ❛ Death is woven in with the violets. Death and again death. ❜ ❨478❩ ❛ We have been walking for hours it seems. But where? I cannot remember. ❜ ❨479❩ ❛ If we were all on trial for our thoughts, we would all be hanged. ❜ ❨480❩ ❛ When you are in the middle of a story it isn't a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass. ❜ ❨481❩ ❛ Murderess is a strong word to have attached to you. It has a smell to it, that word; - musky and oppressive, like dead flowers in a vase.  ❜ ❨482❩ ❛ Sometimes at night I whisper it over to myself: Murderess, murderess. It rustles, like a taffeta skirt across the floor. ❜ ❨483❩ ❛ If the world treats you well, you come to believe you are deserving of it. ❜ ❨484❩ ❛ If I am good enough and quiet enough, perhaps after all they will let me go. ❜ ❨485❩ ❛ It’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength. ❜ ❨486❩ ❛ There is no fool like an educated fool. ❜ ❨487❩ ❛ There are many dangerous things that may take place in a bed. ❜ ❨488❩ ❛ I am afraid of falling into hopeless despair, over my wasted life, and I am still not sure how it happened. ❜ ❨489❩ ❛ Underneath it all is another feeling, a feeling of being wide-eyed awake and watchful. ❜ ❨490❩ ❛ And underneath all that is another feeling still, a feeling like being torn open; not like a body of flesh, it is not painful as such, but like a peach; and not even torn open, but ripe and splitting open of its own accord.  ❜ ❨491❩ ❛ The small details of life often hide a great significance. ❜ ❨492❩ ❛ Guilt comes to you not from the things you've done, but from the things that others have done to you. ❜ ❨493❩ ❛ I wonder, how can I be all of these different things at once? ❜ ❨494❩ ❛ It is always a mistake to curse back openly at those who are stronger than you unless there is a fence between. ❜ ❨495❩ ❛ Some call this "Eve's curse," but I think that is stupid because the real curse of Eve was having to put up with the nonsense of Adam. ❜ ❨496❩ ❛ I don't know why they are all so eager to be remembered. What good will it do them? There are some things that should be forgotten by everyone, and never spoken of again. ❜ ❨497❩ ❛ I would never blame a human creature for feeling lonely. ❜ ❨498❩ ❛ If they want a monster so badly they ought to be provided by one. ❜ ❨499❩ ❛ It’s as if I never existed, because no trace of me remains, I have left no marks. And that way I cannot be followed. It is almost the same as being innocent. ❜ ❨500❩ ❛ Today you wear your habitual expression of strained anxiety; you smell of violets. ❜ ❨501❩ ❛ Of course you have always been an idealist, and filled with your optimistic dreams; but reality must at some time obtrude. ❜ ❨502❩ ❛ I wonder what would become of me, and comfort myself that in a hundred years I will be dead and at peace. ❜ ❨503❩ ❛ For it is not always the one that strikes the blow that is the actual murderer. ❜ ❨504❩ ❛ There is a “do this” or “do that” with God, but not any “because”. ❜ ❨505❩ ❛ If you have a need and they find it out, they will use it against you. The best way is to stop from wanting anything. ❜ ❨506❩ ❛ They say, why don’t you ever smile or laugh, we never see you smiling, and I say I suppose I have gotten out of the way of it, my face won’t bend in that direction any more. ❜ ❨507❩ ❛ I was shut up inside that doll of myself, and my true voice could not get out. ❜ ❨508❩ ❛ I see what you’re after. You are a collector. You think all you have to do is give me an apple, and then you can collect me. ❜ ❨509❩ ❛ If you want to be an asshole, it's a free country. Millions before you have made the same life choice. ❜ ❨510❩ ❛ Then there's the future. Sheer vertigo. ❜ ❨511❩ ❛ Nature is to zoos as God is to churches. ❜ ❨512❩ ❛ After everything that's happened, how can the world still be so beautiful? ❜ ❨513❩ ❛ There's something to be said for hunger: at least it lets you know you're still alive. ❜ ❨514❩ ❛ These things sneak up on me for no reason, these flashes of irrational happiness. It's probably a vitamin deficiency. ❜ ❨515❩ ❛ Toast cannot be explained by any rational means. Toast is me. I am toast. ❜ ❨516❩ ❛ You can’t buy it, but it has a price. Everything has a price. ❜ ❨517❩ ❛ As a species were doomed by hope, then? You could call it hope. That, or desperation. ❜ ❨518❩ ❛ I am not my childhood. ❜ ❨519❩ ❛ Human beings hope they can stick their souls into someone else and live on forever. ❜ ❨520❩ ❛ “I'll make you mine”, lovers said in old books. They never said, “I'll make you me.” ❜ ❨521❩ ❛ How much is too much, how far is too far? ❜ ❨522❩ ❛ Expectation isn't the same as desire. ❜ ❨523❩ ❛ Why not cut to the chase? ❜ ❨524❩ ❛ Maybe there aren't any solutions. Human society, corpses and rubble. ❜ ❨525❩ ❛ I thought you didn’t believe in God. ❜ ❨526❩ ❛ I need at least the illusion of being understood. ❜ ❨527❩ ❛ What change would have altered the course of events? In the big picture, nothing. In the small picture, so much. ❜ ❨528❩ ❛ You are only looking at the dirt under your feet. It's not good for you. ❜ ❨529❩ ❛ I like to keep only the bright side of myself turned towards you.  ❜ ❨530❩ ❛ Grief in the face of inevitable death. The wish to stop time. The human condition. ❜ ❨531❩ ❛ So many crucial events take place behind people’s backs, when they aren’t in a position to watch: birth and death, for instance. ❜ ❨532❩ ❛ Would you kill someone you loved to spare them pain? ❜ ❨533❩ ❛ When the water’s moving faster than the boat, you can’t control a thing. ❜ ❨534❩ ❛ Don't be so fucking sentimental. ❜ ❨535❩ ❛ Wrong, as usual. ❜ ❨536❩ ❛ Why do you want to talk about ugly things? ❜ ❨537❩ ❛ I understand why serial killers send helpful clues to the police. ❜ ❨538❩ ❛ Take your time, leave mine alone. ❜ ❨539❩ ❛ You will hear thunder and remember me. ❜ ❨540❩ ❛ If you were music, I would listen to you ceaselessly. ❜ ❨541❩ ❛ I seem to myself an accidental guest in this dreadful body. ❜ ❨542❩ ❛ Call me a sinner, mock me maliciously. ❜ ❨543❩ ❛ I, from the very beginning, seemed to myself like someone's dream or delirium. Or a reflection in someone else's mirror. Without flesh, without meaning, without a name. ❜ ❨544❩ ❛ I knew the list of crimes that I was destined to commit. ❜ ❨545❩ ❛ The future ripens in the past, so the past rots in the future. ❜ ❨546❩ ❛ You are untranslatable into any one tongue. ❜ ❨547❩ ❛ I was hoping my silence would fit yours. ❜ ❨548❩ ❛ See, we were never about butterflies. All about us is unearthly and radiant. ❜ ❨549❩ ❛ You do not know just what you've been forgiven. ❜ ❨550❩ ❛ I need to slaughter my memory.  ❜ ❨551❩ ❛ Forgive me that I appeared to you in waking dreams. ❜ ❨552❩ ❛ I will condemn, I will forget, I will give comfort to the enemy. ❜ ❨553❩ ❛ I know beginnings, I know endings too, and life-in-death. ❜ ❨554❩ ❛ Wild honey smells of freedom. But gold smells of nothing. ❜ ❨555❩ ❛ You are three times more beautiful than angels. ❜ ❨556❩ ❛ I will kill you without spilling your blood on the ground, not touching you with my hand, not giving you one glance. ❜ ❨557❩ ❛ You invented me. There is no such earthly being. ❜ ❨558❩ ❛ You’re late. Way too late. I’m glad to see you, nonetheless. ❜ ❨559❩ ❛ Forgive me that I felt forsaken. Forgive me that I kept mistaking too many others for you. ❜ ❨560❩ ❛ Real tenderness can’t be confused, it’s quiet and can’t be heard. ❜ ❨561❩ ❛ What else lived in that house besides us? ❜ ❨562❩ ❛ How unhappy we are together! ❜ ❨563❩ ❛ I defend not my voice, but my silence. ❜ ❨564❩ ❛ Without love, I'm more at ease, I'm sure. ❜ ❨565❩ ❛ I've got no more tears or explanations. ❜ ❨566❩ ❛ I’m not complaining. Happiness is not for me. ❜ ❨567❩ ❛ Are you not the only tie between good and evil, earthly pits and paradise? ❜ ❨568❩ ❛ In the morning we shall find out who has died in the night. ❜ ❨569❩ ❛ I was not a lovable child, and I've grown into a deeply unlovable adult. ❜ ❨570❩ ❛ The truly frightening flaw in humanity is our capacity for cruelty - we all have it. ❜ ❨571❩ ❛ I have a meanness inside me, real as an organ. Slit me at my belly and it might slide out, meaty and dark. ❜ ❨572❩ ❛ I am not angry or sad or happy to see you. I could not give a shit. You don't even ripple. ❜ ❨573❩ ❛ I was raised feral, and I mostly stayed that way. ❜ ❨574❩ ❛ I can feel a better version of me somewhere in there - hidden behind a liver or attached to a bit of spleen. But the meanness usually wins out. ❜ ❨575❩ ❛ I felt something loosen in me, that shouldn't have loosened. A stitch come undone. ❜ ❨576❩ ❛ Everyone who keeps a secret, itches to tell it. ❜ ❨577❩ ❛ Coffee goes great with sudden death. ❜ ❨578❩ ❛ I should just listen to my gut and then do the opposite. ❜ ❨579❩ ❛ “Smile, it can't be that bad!” Yeah, actually, it can, jackwad. ❜ ❨580❩ ❛ Everything bad in the world already did happen. ❜ ❨581❩ ❛ You’re going to find peace? Like knowing is somehow going to fix you? ❜ ❨582❩ ❛ Instead of asking yourself what happened, just accept that it happened. ❜ ❨583❩ ❛ Homesick for a place I've never been. ❜ ❨584❩ ❛ Worries find you easily enough without inviting them. ❜ ❨585❩ ❛ It is always consoling to think of suicide. It's what gets one through many a bad night. ❜ ❨586❩ ❛ Do you understand this is serious? ❜ ❨587❩ ❛ Sometimes it feels good to fuck with something. Instead of always being fucked with. ❜ ❨588❩ ❛ How could you kill something you cared enough to name? ❜ ❨589❩ ❛ Draw a picture of my soul, and it’d be a scribble with fangs. ❜ ❨590❩ ❛ We have the same chemicals in our blood: shame, anger, greed. Unjustified nostalgia. ❜ ❨591❩ ❛ I appreciate a straightforward apology the way a tone-deaf person enjoys a fine piece of music. ❜ ❨592❩ ❛ The phrase fuck you may not rest on the tip of my tongue, but it’s near. Midtongue. ❜ ❨593❩ ❛ Nothing to it but to do it. ❜ ❨594❩ ❛ There are a lot of people who deserve a lesson, deserve to really understand, that nothing comes easy, that most things are going to go sour. ❜ ❨595❩ ❛ If ifs and buts were candies and nuts we’d all have a very Merry Christmas. ❜ ❨596❩ ❛ Grant me the serenity to accept the things I cannot change. ❜ ❨597❩ ❛ What does it do to a girl who knows her mother is a murderer? ❜ ❨598❩ ❛ That mean old bitch across the street bit it. ❜ ❨599❩ ❛ Survival is a talent. ❜ ❨600❩ ❛ Crazy isn't being broken or swallowing a dark secret. It’s you or me amplified. If you ever told a lie and enjoyed it. If you ever wished you could be a child forever. ❜ ❨601❩ ❛ Who has the courage to burn themselves? ❜ ❨602❩ ❛ Is insanity just a matter of dropping the act? ❜ ❨603❩ ❛ Have you ever confused a dream with life? Or stolen something when you have the cash? Have you ever been blue? Or thought your train moving while sitting still? ❜ ❨604❩ ❛ You need to be well fed, clothed, and housed to have time for this much self-pity. ❜ ❨605❩ ❛ When I am supposed to be awake, I am asleep; when I am supposed to speak, I am silent. When a pleasure offers itself to me, I avoid it. ❜ ❨606❩ ❛ There is thought, and then there is thinking about thoughts, and they don't feel the same. ❜ ❨607❩ ❛ In a strange way we are free. We've reached the end of the line. We have nothing more to lose. ❜ ❨608❩ ❛ The world won’t stop because we aren’t in it anymore. ❜ ❨609❩ ❛ I can't answer the real question. All I can tell you is, it's easy. ❜ ❨610❩ ❛ I am lighter, airier than I’ve been in years. ❜ ❨611❩ ❛ I am not dead, yet something in me definitely is. ❜ ❨612❩ ❛ You meant that as an insult but I am taking it as a compliment. ❜ ❨613❩ ❛ What life can recover from that? ❜ ❨614❩ ❛ It's a fairly accurate portrait of me. It's accurate but it isn't profound. ❜ ❨615❩ ❛ Pull yourself together! There's nothing wrong with you. ❜ ❨616❩ ❛ It's quiet. It's like― I don't know. It's like falling off a cliff. ❜ ❨617❩ ❛ Once you start parsing a face, it's a peculiar item: squishy, pointy, with lots of air vents and wet spots. ❜ ❨618❩ ❛ I lost him. I did it on purpose. ❜ ❨619❩ ❛ It’s a mean world. There’s nobody to take care of you out there. ❜ ❨620❩ ❛ Reality is getting too dense. ❜ ❨621❩ ❛ I'm ambivalent. In fact that's my new favourite word. ❜ ❨622❩ ❛ I can't come up with reassuring answers to the terrible questions you raise. ❜ ❨623❩ ❛ A spring day, the sort that gives people hope: all soft winds and delicate smells of warm earth. Suicide weather. ❜ ❨624❩ ❛ Twenty-five chocolate chip cookies would be the perfect dinner. ❜ ❨625❩ ❛ A thought is a hard thing to control. ❜ ❨626❩ ❛ Life demands skills I don’t have. ❜ ❨627❩ ❛ Light like this does not exist, but we wish it did. We wish the sun could make us young and beautiful. Most of all, we wish that everyone we knew could be brightened simply by our looking at them. ❜ ❨628❩ ❛ It never stops, even at night, it’s my lullaby. ❜ ❨629❩ ❛ Love blurs your vision; but after it recedes, you can see more clearly than ever. ❜ ❨630❩ ❛ This is the kind of thing you see if you sit in the darkness with open eyes. ❜ ❨631❩ ❛ I have done something wrong, something so huge I can't even see it, something that's drowning me. ❜ ❨632❩ ❛ Whatever is happening to me is my own fault. ❜ ❨633❩ ❛ Hatred is easier. Hatred is clear, metallic, one-handed, unwavering; unlike love. ❜ ❨634❩ ❛ Potential has a shelf life. ❜ ❨635❩ ❛ Don’t move. Stay like that, let me have that. ❜ ❨636❩ ❛ I have come to the edge, of the land. I could get pushed over. ❜ ❨637❩ ❛ Never pray for justice, because you might get some. ❜ ❨638❩ ❛ It disturbs me to learn I have hurt someone unintentionally. I want all my hurts to be intentional. ❜ ❨639❩ ❛ We have been shark to one another, but also lifeboat. That counts for something. ❜ ❨640❩ ❛ This is what I miss, not something that’s gone, but something that will never happen. ❜ ❨641❩ ❛ I am not good. I know too much to be good. I know myself. I know myself to be vengeful, greedy, secretive and sly. ❜ ❨642❩ ❛ You are amazing. Amazing and agonising and almost lethal. ❜ ❨643❩ ❛ In my dreams of this city I am always lost. ❜ ❨644❩ ❛ I don't know where these feelings have come from, I don’t know what I've done. ❜ ❨645❩ ❛ I am not the centre of your story, you are.  ❜ ❨646❩ ❛ I’m mad because you’re an asshole. ❜ ❨647❩ ❛ It's enormously pleasing to me, walking away. It's like being able to make people appear and vanish, at will. ❜ ❨648❩ ❛ There is never only one of anyone. ❜ ❨649❩ ❛ I can't do this without feeling I'm acting. ❜ ❨650❩ ❛ I am prepared for almost anything; except absence, except silence. ❜ ❨651❩ ❛ I’m losing my appetite for strangers. ❜ ❨652❩ ❛ You wear your cravings on the outside, like the suckers on a squid. You want it all. ❜ ❨653❩ ❛ Knowing too much about other people weakens you. You are forced to understand their reasons for doing things. ❜ ❨654❩ ❛ I have lost confidence: perhaps all I will ever be is what I am now. ❜ ❨655❩ ❛ Echoes of light, shining out of the midst of nothing. It's old light, and there's not much of it. But it's enough to see by. ❜ ❨656❩ ❛ Whoever cares the most will lose. ❜ ❨657❩ ❛ Young women need unfairness, it’s one of their few defences.  ❜ ❨658❩ ❛ Time has gone on without you. ❜ ❨659❩ ❛ Don't let the bastards grind you down. ❜ ❨660❩ ❛ Who can remember pain, once it’s over? Pain marks you, but too deep to see. Out of sight, out of mind. ❜ ❨661❩ ❛ Better never means better for everyone. It always means worse, for some. ❜ ❨662❩ ❛ There is more than one kind of freedom. Freedom to and freedom from. ❜ ❨663❩ ❛ Remember that forgiveness too is a power. ❜ ❨664❩ ❛ I am not your justification for existence. ❜ ❨665❩ ❛ I want to be valued, in ways that I am not; I want to be more than valuable. ❜ ❨666❩ ❛ If it's a story I'm telling, then I have control over the ending. ❜ ❨667❩ ❛ All you have to do is keep your mouth shut and look stupid. It shouldn't be that hard. ❜ ❨668❩ ❛ Truly amazing, what people can get used to, as long as there are a few compensations. ❜ ❨669❩ ❛ I want everything back, the way it was. ❜ ❨670❩ ❛ You can't help what you feel, but you can help how you behave. ❜ ❨671❩ ❛ Nothing changes instantaneously: in a gradually heating bathtub you'd be boiled to death before you knew it. ❜ ❨672❩ ❛ To want is to have a weakness. ❜ ❨673❩ ❛ There isn't even an enemy you could put your finger on. ❜ ❨674❩ ❛ The past is a great darkness, filled with echoes. ❜ ❨675❩ ❛ Ordinary is what you are used to. This may not seem ordinary to you now, but after a time it will. It will become ordinary. ❜ ❨676❩ ❛ I wish this story were different. I wish it were more civilised. I wish it showed me in a better light. ❜ ❨677❩ ❛ The night is mine, my own time, to do with it as I will, as long as I am quiet. As long as I don't move. As long as I lie still. ❜ ❨678❩ ❛ By telling you anything at all I'm at least believing in you. ❜ ❨679❩ ❛ Whatever is silenced will clamour to be heard. ❜ ❨680❩ ❛ Don't worry about forgiving me right now. There are more important things. ❜ ❨681❩ ❛ Keep the others safe. Don't let them suffer too much. If they have to die, let it be fast. ❜ ❨682��� ❛ The body is so easily damaged, so easily disposed of, water and chemicals is all it is, hardly more to it than a jellyfish, drying on sand. ❜ ❨683❩ ❛ The world is full of weapons if you're looking for them. ❜ ❨684❩ ❛ Nobody's heart is perfect. ❜ ❨685❩ ❛ One false move and I'm dead. ❜ ❨686❩ ❛ Watch out. I've got my eye on you. ❜ ❨687❩ ❛ Fear is a powerful stimulant. ❜ ❨688❩ ❛ I couldn't afford to lose you. ❜ ❨689❩ ❛ Name one hero who was happy. ---- You can’t. ❜ ❨690❩ ❛ I feel like I could eat the world raw. ❜ ❨691❩ ❛ We are like gods at the dawning of the world. ❜ ❨692❩ ❛ I could recognise him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world. ❜ ❨693❩ ❛ There are no bargains between lion and men. I will kill you and eat you raw. ❜ ❨694❩ ❛ You can use a spear as a walking stick, but that will not change its nature. ❜ ❨695❩ ❛ He is a weapon, a killer. Do not forget it. ❜ ❨696❩ ❛ Some men gain glory after they die, others fade. ❜ ❨697❩ ❛ I am made of memories. ❜ ❨698❩ ❛ Will you come with me? ❜ ❨699❩ ❛ I wish I had let you all die. ❜ ❨700❩ ❛ It is right to seek peace for the dead. You and I both know there is no peace for those who live after. ❜ ❨701❩ ❛ Bury us. Let us be free. ❜ ❨702❩ ❛ Go. He waits for you. ❜ ❨703❩ ❛ Nothing could eclipse the stain of this dirty, mortal mediocrity. ❜ ❨704❩ ❛ I know I have told you of this. ❜ ❨705❩ ❛ I don't know how you remember them all. I swear they look the same to me. ❜ ❨706❩ ❛ Perhaps you should get some new stories, so I don’t fucking kill myself of boredom. ❜ ❨707❩ ❛ I yearn for the darkness and silence of the underworld, where I can rest. ❜ ❨708❩ ❛ There is no honour in betraying your friends. ❜ ❨709❩ ❛ There is no answer. Whichever you choose, you are wrong. ❜ ❨710❩ ❛ Divine blood flows differently. ❜ ❨711❩ ❛ How is there glory in taking life? We die so easily. ❜ ❨712❩ ❛ This is what I will miss, I think. I will kill myself rather than miss it. ❜ ❨713❩ ❛ How long do we have? ❜ ❨714❩ ❛ Do you think we fight hopeless wars? ❜ ❨715❩ ❛ There is no law that gods must be fair. ❜ ❨716❩ ❛ I do not fear ridicule. I never have. ❜ ❨717❩ ❛ You were always better with words than I. ❜ ❨718❩ ❛ Who can be ashamed to lose to such beauty? ❜ ❨719❩ ❛ When you see beauty in desolation it changes something inside you. ❜ ❨720❩ ❛ That's how the madness of the world tries to colonise you: from the outside in, forcing you to live in its reality. ❜ ❨721❩ ❛ The shadows of the abyss are like the petals of a monstrous flower that shall blossom within the skull and expand the mind beyond what any man can bear. ❜ ❨722❩ ❛ Silence creates violence. ❜ ❨723❩ ❛ Some questions will ruin you if you are denied the answer long enough. ❜ ❨724❩ ❛ There are certain kinds of connections that are so deep that when broken you feel the snap of it inside you. ❜ ❨725❩ ❛ Nothing that ever lived and breathed was truly objective—even in a vacuum, even if all that possessed the brain was a self-immolating desire for the truth. ❜ ❨726❩ ❛ We all live in a kind of continuous dream. ❜ ❨727❩ ❛ You can either waste time worrying about a death that might not come or concentrate on what’s left to you. ❜ ❨728❩ ❛ What can you do when your five senses are not enough? ❜ ❨729❩ ❛ We will neither be what we had been nor what we would become once we reach our destination. ❜ ❨730❩ ❛ Perhaps my only real expertise, my only talent, is to endure beyond the endurable. ❜ ❨731❩ ❛ When you are too close to the centre of a mystery there is no way to pull back. ❜ ❨732❩ ❛ I long ago stopped believing in promises. Biological imperatives, yes. Environmental factors, yes. Promises, no. ❜ ❨733❩ ❛ I look not for shooting stars but for fixed ones, and I try to imagine what kind of life lives in those celestial tidal pools so far from us. ❜ ❨734❩ ❛ I hesitated for just a moment. Some part of me wanted to see the creature, I think. If so, it was a very small part. I ran. ❜ ❨735❩ ❛ I don’t require any of this to have a deeper meaning. ❜ ❨736❩ ❛ All of this speculation is incomplete, inexact, inaccurate, useless. ❜ ❨737❩ ❛ We don’t have real answers, because we still don’t know what questions to ask. Our instruments are useless, our methodology broken, our motivations selfish. ❜ ❨738❩ ❛ This part I will do alone. Don’t follow. ❜ ❨739❩ ❛ People my entire life have told me I am too much in control, but that has never been the case. I have never truly been in control. ❜ ❨740❩ ❛ Has there always been someone like me to bury the bodies, to have regrets, to carry on after everyone else was dead? ❜ ❨741❩ ❛ I loved them, but I didn’t need them, and I thought that was the way it was supposed to be. ❜ ❨742❩ ❛ Places can impress themselves upon me, and I can become part of them with ease. ❜ ❨743❩ ❛ There is no one with me. I am all by myself. ❜ ❨744❩ ❛ Pretending often leads to becoming a reasonable facsimile of what you mimic. ❜ ❨745❩ ❛ I think you're confusing suicide with self-destruction, and they're very different. Almost none of us commit suicide, whereas almost all of us self-destruct. ❜ ❨746❩ ❛ What did you eat? You had rations for only two weeks. You were there for nearly four months. ❜ ❨747❩ ❛ Something here is making giant waves in the gene pool. ❜ ❨748❩ ❛ I need to know what’s inside. ❜ ❨749❩ ❛ These aren't decisions. They're impulses ❜ ❨750❩ ❛ What do you think I do when you’re away? Do you think I’m out in the garden pinning, looking up at the sky? ❜ ❨751❩ ❛ If I know what’s happened I can save their life. ❜ ❨752❩ ❛ They either went crazy or something in here killed them. ❜ ❨753❩ ❛ Something is coming through the fence! ❜ ❨754❩ ❛ Nothing is written in the stars. Not these stars, nor any others. No one controls your destiny. ❜ ❨755❩ ❛ People who claim that they're evil are usually no worse than the rest of us. ❜ ❨756❩ ❛ Happy endings are still endings. ❜ ❨757❩ ❛ We believe in all sorts of things that aren't true; -- we call it history. ❜ ❨758❩ ❛ Does the devil ever struggle to be good again, or if so is he not a devil? ❜ ❨759❩ ❛ In the lives of children, pumpkins turn into coaches, mice and rats turn into men. When we grow up, we realise it is far more common for men to turn into rats. ❜ ❨760❩ ❛ Girls need cold anger. They need the cold simmer, the ceaseless grudge, the talent to avoid forgiveness, the side stepping of compromise.  ❜ ❨761❩ ❛ Love makes hunters of us all. ❜ ❨762❩ ❛ There is much to hate in this world and way too much to love. ❜ ❨763❩ ❛ You confuse not speaking with not listening. ❜ ❨764❩ ❛ As long as people are going to call you a lunatic anyway, why not get the benefit of it? It liberates you from convention. ❜ ❨765❩ ❛ The eye is always caught by light, but shadows have more to say. ❜ ❨766❩ ❛ Not everyone is born a witch or a saint. Not everyone is born talented, or crooked, or blessed; some are born definite in no particular at all. ❜ ❨767❩ ❛ We are a fountain of shimmering contradictions, most of us. ❜ ❨768❩ ❛ The wickedness of men is that their power breeds stupidity and blindness. ❜ ❨769❩ ❛ I know you don't want to hear this but someone has to say it! You are out of control! ❜ ❨770❩ ❛ Even at the very worst - there is always choice. ❜ ❨771❩ ❛ Maybe the definition of home is the place where you are never forgiven. So you may always belong there, bound by guilt. And maybe the cost of belonging is worth it. ❜ ❨772❩ ❛ Cross a man and you struggle, one of you wins, you adjust and go on -- or you lie there dead. Cross a woman and the entire universe is changed. ❜ ❨773❩ ❛ That was such a wonderful time, even in its strangeness and sadness. Life isn't the same now. It's wonderful, but it isn't the same. ❜ ❨774❩ ❛ I don't care for approval, and I don't mind doing without. ❜ ❨775❩ ❛ It's where I live. A permanent state of bereavement. This is nothing new. ❜ ❨776❩ ❛ Always the bridesmaid, never the bride. Always the godfather, never the god. ❜ ❨777❩ ❛ The world unwraps itself to you, again and again as soon as you are ready to see it anew. ❜ ❨778❩ ❛ Evil is an act, not an appetite. Everyone has the appetite. If you give in to it, that act is evil. The appetite is normal. ❜ ❨779❩ ❛ How many haven't wanted to slash the throat of some boor across the dining room table?  ❜ ❨780❩ ❛ Even God used silence as a strategy. ❜ ❨781❩ ❛ I learned failure early and mastered it. ❜ ❨782❩ ❛ It isn't whether you do it well or ill, it's that you do it all. ❜ ❨783❩ ❛ This is why you shouldn't fall in love, it blinds you. Love is a very wicked distraction. ❜ ❨784❩ ❛ Wisdom is not the understanding of mystery. Wisdom is accepting that mystery is beyond understanding. That's what makes it mystery. ❜ ❨785❩ ❛ Wrong takes an awful long time to be proven, in my experience. ❜ ❨786❩ ❛ Such brightness, as you know, decays brilliantly. ❜ ❨787❩ ❛ I take responsibility only for the future, not the past. The past can't hurt you the way the future can. ❜ ❨788❩ ❛ Tell me to mind my own business, tell me to go fuck myself, to piss off, go on, say it, but don’t tell me nothing’s wrong. ❜ ❨789❩ ❛ The truth isn't a thing of fact or reason. It is simply what everyone agrees on. ❜ ❨790❩ ❛ One can't make peace with another by force. ❜ ❨791❩ ❛ I am a forgettable leaf on a tree. ❜ ❨792❩ ❛ That's all I want; --- to do no harm. ❜ ❨793❩ ❛ I only believe in the opposite of luck, whatever that is. ❜ ❨794❩ ❛ Human beings are not born once and for all on the day their mothers give birth to them, life obliges them over and over again to give birth to themselves. ❜ ❨795❩ ❛ You’re too young to know that the heart's memory eliminates the bad and magnifies the good, and thanks to that we manage to endure the burden of the past. ❜ ❨796❩ ❛ Love, no matter what else it might be, is a natural talent. You are either born knowing how, or you never know. ❜ ❨797❩ ❛ Whatever you do, you will be sorry all the rest of your life. ❜ ❨798❩ ❛ There is no God worth worrying about. ❜ ❨799❩ ❛ The only regret I will have in dying is if it is not for love. ❜ ❨800❩ ❛ Wisdom comes to us when it can no longer do any good. ❜ ❨801❩ ❛ Think of love as a state of grace, not the means to anything, but the very end in itself. ❜ ❨802❩ ❛ Only God knows how much I love you. ❜ ❨803❩ ❛ There is no greater glory than to die for love. ❜ ❨804❩ ❛ Nothing resembles a person as much as the way he dies. ❜ ❨805❩ ❛ Take advantage of it now, while you are young, and suffer all you can, because these things don't last your whole life. ❜ ❨806❩ ❛ Today, when I saw you, I realised that what is between us is nothing more than an illusion. ❜ ❨807❩ ❛ I have waited for this opportunity for more than half a century. ❜ ❨808❩ ❛ I want to be myself again, to recover all that I was obliged to give up. ❜ ❨809❩ ❛ The only thing worse than bad health is a bad name. ❜ ❨810❩ ❛ This soup tastes like windows. ❜ ❨811❩ ❛ Why do you insist on talking about what does not exist? ❜ ❨812❩ ❛ One has to live a long time to know a man's true nature. ❜ ❨813❩ ❛ No, not rich, I am a poor man with money, which is not the same thing. ❜ ❨814❩ ❛ My heart has more rooms than a whorehouse. ❜ ❨815❩ ❛ That may be the reason he does so many things, so that he will not have to think. ❜ ❨816❩ ❛ Love if it exists, is something separate: another life. ❜ ❨817❩ ❛ Things did not go as badly for me as they would for you. ❜ ❨818❩ ❛ There are things you do only for love. ❜ ❨819❩ ❛ I’ll have plenty of time to rest when I die. ❜ ❨820❩ ❛ There is no innocence more dangerous than the innocence of age. ❜ ❨821❩ ❛ You treat me as if I were just anybody. ❜ ❨822❩ ❛ The symptoms of love are the same as those of cholera. ❜ ❨823❩ ❛ There is no law, human or divine, that you have not ignored. ❜ ❨824❩ ❛ Why is it that I feel I've known you so many years? ❜ ❨825❩ ❛ Stuff your eyes with wonder, live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. ❜ ❨826❩ ❛ It doesn't matter what you do, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. ❜ ❨827❩ ❛ We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real? ❜ ❨828❩ ❛ There must be something, something we can’t imagine, to make a woman stay in a burning house; there must be something there. You don’t stay for nothing. ❜ ❨829❩ ❛ If you hide your ignorance, no one will hit you and you'll never learn. ❜ ❨830❩ ❛ If you drown, at least die knowing you were heading for shore. ❜ ❨831❩ ❛ You can't make people listen. They have to come round in their own time, wondering what happened and why the world blew up around them. ❜ ❨832❩ ❛ It was a pleasure to burn. ❜ ❨833❩ ❛ I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? ❜ ❨834❩ ❛ Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? ❜ ❨835❩ ❛ Do you notice how people hurt each other nowadays? ❜ ❨836❩ ❛ Who knows who might be the target of the well-read man? ❜ ❨837❩ ❛ I don't talk things. I talk the meaning of things. ❜ ❨838❩ ❛ I'll hold on to the world tight some day. I've got one finger on it now; that's a beginning. ❜ ❨839❩ ❛ I just want someone to hear what I have to say. And maybe if I talk long enough it'll make sense. ❜ ❨840❩ ❛ That's the good part of dying; when you've nothing to lose, you run any risk you want. ❜ ❨841❩ ❛ Someday we'll build the biggest goddamn steamshovel in history and dig the biggest grave of all time and shove war in it and cover it up. ❜ ❨842❩ ❛ You're not like the others. I've seen a few; I know. When I talk, you look at me. ❜ ❨843❩ ❛ You're afraid of making mistakes. Don't be. Mistakes can be profited by. ❜ ❨844❩ ❛ When they give you lined paper, write the other way. ❜ ❨845❩ ❛ The sun burnt every day. It burnt time. ❜ ❨846❩ ❛ We have everything we need to be happy but we aren't happy. Something is missing. ❜ ❨847❩ ❛ I feel I'm doing what I should've done a lifetime ago. ❜ ❨848❩ ❛ I'm not afraid. Maybe it's because I'm doing the right thing at last. Maybe it's because I've done a rash thing and don't want to look the coward to you. ❜ ❨849❩ ❛ Good God, who were those men? I never saw them before in my life! ❜ ❨850❩ ❛ How do you get so empty? Who takes it out of you? ❜ ❨851❩ ❛ It must be right. It seems so right. ❜ ❨852❩ ❛ To everything there is a season. Yes. A time to break down, and a time to build up. A time to keep silence and a time to speak. ❜ ❨853❩ ❛ It's my game. And no one can help me. Not even you. ❜ ❨854❩ ❛ What makes earth feel like hell is our expectation that it should feel like heaven. Earth is earth. Dead is dead. You’ll find out for yourself soon enough. ❜ ❨855❩ ❛ Death is a long process. Your body is just the first part of you that croaks. Beyond that, your dreams have to die. Then your expectations. Your anger and memories must die. Your ego. Your pride and shame and ambition and hope. ❜ ❨856❩ ❛ Help me give up my addiction to hope. ❜ ❨857❩ ❛ Life is short, death is forever. ❜ ❨858❩ ❛ Hope is something really tough and tenacious you have to give up. It’s an addiction to break. ❜ ❨859❩ ❛ If the living are haunted by the dead, then the dead are haunted by their own mistakes. ❜ ❨860❩ ❛ We all wish to be pursued. We all long to be desired. ❜ ❨861❩ ❛ All the demons of hell formerly reigned as gods in previous cultures. No it's not fair, but one man's god is another man's devil. ❜ ❨862❩ ❛ I can become someone else, not out of pressure and desperation, but merely because a new life sounds fun or interesting or joyful. ❜ ❨863❩ ❛ It's my petty fear of personal rejection that allows so many true evils to exist. My cowardice enables atrocities. ❜ ❨864❩ ❛ You fucked up. Game over. So just relax. ❜ ❨865❩ ❛ The greatest weapon any warrior can carry into battle is absolute certainty of her eternal soul. ❜ ❨866❩ ❛ If killing you will end my existence as well, be it. Small loss. Such a life, as your puppet, is not worth living. ❜ ❨867❩ ❛ I might be a touch of a sadist and a little bit jejune but at least I'm not a victim, not any longer. I hope. ❜ ❨868❩ ❛ Dying seems like the greatest weakness, and in a world where people say you're lazy for not shaving your legs, then being dead seems like the ultimate character flaw. ❜ ❨869❩ ❛ Any concept of right versus wrong, is merely a cultural construct relative to one specific time and place. ❜ ❨870❩ ❛ To prove that I exist I must kill you. ❜ ❨871❩ ❛ I'd say that my life has been a way-too-long case history of chasing rainbows. ❜ ❨872❩ ❛ The world is a battle for attention, a war to be heard. ❜ ❨873❩ ❛ Every garden looks beautiful in May. ❜ ❨874❩ ❛ When we neglect to fear such brittle monstrosity, we render it powerless. ❜ ❨875❩ ❛ My taste for power continues to grow, as does my ability to accrue it. ❜ ❨876❩ ❛ Such language! Why don't you just take a dump in my ears? ❜ ❨877❩ ❛ You’d be foolish to count on people displaying high standards of honesty. ❜ ❨878❩ ❛ Depending on her mood, she can be more frightening than any demon or devil you might ever run across. ❜ ❨879❩ ❛ Cross your fingers! Maybe death won't happen to you. ❜ ❨880❩ ❛ Do not die while wearing cheap shoes. ❜ ❨881❩ ❛ Old habits die hard. ❜ ❨882❩ ❛ It's our attachments to a fixed identity that torture us. ❜ ❨883❩ ❛ What do I think I am? In a thousand words; I don't have a clue. ❨884❩ ❛ If I am to be saved it is because your love redeems me. ❜ ❨885❩ ❛ All I wanted was to be loved for myself. ❜ ❨886❩ ❛ I have tasted all the happiness the world can offer. ❜ ❨887❩ ❛ Shall we pity him? Shall we curse him? ❜ ❨888❩ ❛ You have a heart that can hold the entire empire of the world. ❜ ❨889❩ ❛ Look, I am not laughing now, crying, crying for you. ❜ ❨890❩ ❛ Tonight I gave you my soul, and I am dead. ❜ ❨891❩ ❛ You are afraid of me! And yet I am not really wicked. Love me and you shall see! ❜ ❨892❩ ❛ Are people so unhappy when they love? --- Yes, when they love and are not sure of being loved. ❜ ❨893❩ ❛ Your soul is a beautiful thing. No emperor received so fair a gift. The angels wept tonight. ❜ ❨894❩ ❛ Blood!...Blood!... That's a good thing! ❜ ❨895❩ ❛ Now I want to live like everybody else. I want to have a life like everybody else. ❜ ❨896❩ ❛ You will be the happiest of women. And we will sing, all by ourselves, till we swoon away with delight. ❜ ❨897❩ ❛ I should be as gentle as a lamb; and you could do anything with me that you pleased. ❜ ❨898❩ ❛ I am going to die of love, I am dying of love. That's how it is. I loved you so. I still love you so. ❜ ❨899❩ ❛ I am dying of love for her, I tell you! If only you knew how beautiful she was when she let me kiss her. ❜ ❨900❩ ❛ He fills me with horror but I do not hate him. How can I hate him? ❜ ❨901❩ ❛ Holy angel, in Heaven blessed, my spirit longs with thee to rest. ❜ ❨902❩ ❛ Nothing is colder or more dead than my heart. ❜ ❨903❩ ❛ I had loved an angel and now I despise a woman. ❜ ❨904❩ ❛ Our lives are one masked ball. ❜ ❨905❩ ❛ Why do you condemn a man whom you have never met, whom no one knows and about whom even you yourself know nothing? ❜ ❨906❩ ❛ He would commit murder for me. ❜ ❨907❩ ❛ If I don't save her from the hands of that humbug, she is lost. But I shall save her. ❜ ❨908❩ ❛ We will go from here together or die together. ❜ ❨909❩ ❛ Your fear, your terror, all of that is just love and love of the most exquisite kind, the kind which people do not admit even to themselves. The kind that gives you a thrill, when you think of it. ❜ ❨910❩ ❛ Destiny has chained you to me forever. ❜ ❨911❩ ❛ You must never ask me that. ❜ ❨912❩ ❛ Are you afraid that you will change your mind? ❜ ❨913❩ ❛ You must come and fetch me in my dressing room at midnight exactly. ❜ ❨914❩ ❛ The holes in your life are permanent. You have to grow around them, like tree roots around concrete; you mould yourself through the gaps. ❜ ❨915❩ ❛ I have never understood how people can blithely disregard the damage they do by following their hearts. ❜ ❨916❩ ❛ There’s something comforting about the sight of strangers safe at home. ❜ ❨917❩ ❛ I have lost control over everything, even the places in my head. ❜ ❨918❩ ❛ It’s possible to miss what you’ve never had, to even mourn for it. ❜ ❨919❩ ❛ There’s nothing so painful, so corrosive, as suspicion. ❜ ❨920❩ ❛ When did you become so weak? ❜ ❨921❩ ❛ I don’t know where that strength went, I don’t remember losing it. I think that over time it got chipped away, bit by bit, by life, by the living of it. ❜ ❨922❩ ❛ Let’s be honest: women are still only really valued for two things—their looks and their role as mothers. ❜ ❨923❩ ❛ Sadness gets boring after a while, for the sad person and for everyone around them. ❜ ❨924❩ ❛ I’m playing at real life instead of actually living it. ❜ ❨925❩ ❛ I’ve just got to let myself feel the pain, because if I don’t, if I keep numbing it, it’ll never really go away. ❜ ❨926❩ ❛ I am not the girl I used to be. I am no longer desirable, I’m off-putting in some way. It’s as if people can see the damage written all over me, can see it in my face, the way I hold myself, the way I move. ❜ ❨927❩ ❛ Who was it that said following your heart is a good thing? It is pure egotism, a selfishness to conquer all. ❜ ❨928❩ ❛ It’s impossible to resist the kindness of strangers. ❜ ❨929❩ ❛ Sometimes I catch myself trying to remember the last time I had meaningful physical contact with another person, just a hug or a heartfelt squeeze of my hand, and my heart twitches. ❜ ❨930❩ ❛ I have to find a way of making myself happy, I have to stop looking for happiness elsewhere. ❜ ❨931❩ ❛ How did I find myself here? I wonder where it started, my decline; I wonder at what point I could have halted it. Where did I take the wrong turn? ❜ ❨932❩ ❛ Now look -- Now look what you made me do. ❜ ❨933❩ ❛ It’s okay, whatever you did, whatever you’ve done: you suffered, you hurt, you deserve forgiveness. ❜ ❨934❩ ❛ They’re what I lost, they’re everything I want to be. ❜ ❨935❩ ❛ You broke me and I broke us. ❜ ❨936❩ ❛ I’ve been the fool. If he does it with you, he’ll do it to you. ❜ ❨937❩ ❛ I’d never realised, not until now, how shameful it is to be pitied. ❜ ❨938❩ ❛ Sometimes, I don’t want to go anywhere, I think I’ll be happy if I never have to set foot outside the house again. ❜ ❨939❩ ❛ I don’t believe in soul mates, but there’s an understanding between us that I just haven’t felt before, or at least, not for a long time. ❜ ❨940❩ ❛ There can be no greater agony, nothing can be more painful than the not knowing, which will never end. ❜ ❨941❩ ❛ Being the other woman is a huge turn-on, there’s no point in denying it: you’re the one he can’t help but betray his wife for, even though he loves her. That’s just how irresistible you are. ❜ ❨942❩ ❛ I feel a rush of gratitude so strong, it feels almost like love. ❜ ❨943❩ ❛ You don’t know how determined I can be. Once I’ve made my mind up, I’m a force to be reckoned with. ❜ ❨944❩ ❛ The more I want to be oblivious, the less I can be. Life and light will not let me be. ❜ ❨945❩ ❛ You don’t have to be afraid of being alone. It’s not the worst thing, is it? ❜ ❨946❩ ❛ I have felt this way before. On a larger scale, to a more intense degree, of course, but I remember the quality of the pain. You don’t forget it. ❜ ❨947❩ ❛ If he thinks I’m going to sit around crying, he’s got another thing coming. ❜ ❨948❩ ❛ I don’t like to lose. It’s not like me. None of this is like me. I don’t get rejected. I’m the one who walks away. ❜ ❨949❩ ❛ I don’t remember anger, raging fury. I remember fear. ❜ ❨950❩ ❛ I can’t sleep. I haven’t slept in days. I hate it, hate insomnia more than anything, just lying there, brain going round, tick, tick, tick, tick. ❜ ❨951❩ ❛ Maybe the courage I need has nothing to do with telling the truth and everything to do with walking away. ❜ ❨952❩ ❛ I’m not beautiful, and I can’t have kids, so what does that make me? Worthless. ❜ ❨953❩ ❛ Failure cloaked me like a mantle, it overwhelmed me, dragged me under and I gave up hope. ❜ ❨954❩ ❛ It’s an odd thing to say, but I think this all the time; I don’t feel bad enough. ❜ ❨955❩ ❛ Some battles aren’t worth fighting. ❜ ❨956❩ ❛ I never felt guilty. I pretended I did. I had to. ❜ ❨957❩ ❛ I never meant for any of this to happen, we fell in love, what could we do? ❜ ❨958❩ ❛ What bothers me most is that I haven’t got to the end of my story, and I can’t start over with someone else, it’s too hard. ❜ ❨959❩ ❛ A person is, among all else, a material thing, easily torn and not easily mended. ❜ ❨960❩ ❛ It isn’t only wickedness and scheming that make people unhappy, it is confusion and misunderstanding. ❜ ❨961❩ ❛ Falling in love can be achieved in a single word—a glance. ❜ ❨962❩ ❛ Though you think the world is at your feet, it can rise up and tread on you. ❜ ❨963❩ ❛ I’ve never had a moment’s doubt. I love you. I believe in you completely. You are my dearest one. My reason for life. ❜ ❨964❩ ❛ It might hurt, it is horribly inconvenient, no good might come of it, but it is what it is to be in love. ❜ ❨965❩ ❛ It was always an impossible task, and that was precisely the point. ❜ ❨966❩ ❛ Come back, come back to me. ❜ ❨967❩ ❛ In my thoughts I make love to you all day long. ❜ ❨968❩ ❛ The truth is I feel rather light headed and foolish in your presence and I don’t think I can blame the heat. ❜ ❨969❩ ❛ Beauty occupies a narrow band. Ugliness, on the other hand, has infinite variation. ❜ ❨970❩ ❛ Is there any meaning in my life that the inevitable death awaiting me does not destroy? ❜ ❨971❩ ❛ However, withered, I still feel myself to be exactly the same person I’ve always been. ❜ ❨972❩ ❛ Hate is a feeling as pure as love, but dispassionate and icily rational. ❜ ❨973❩ ❛ I’m going mad. Let me not be mad. ❜ ❨974❩ ❛ Is everyone really as alive as I am? ❜ ❨975❩ ❛ Every now and then, quite unintentionally, someone teaches you something about yourself. ❜ ❨976❩ ❛ Something has happened, hasn’t it? ❜ ❨977❩ ❛ I like to think that it isn’t weakness or evasion, but a final act of kindness. ❜ ❨978❩ ❛ Is it possible that I am, in the modern term, in denial? ❜ ❨979❩ ❛ How could anyone presume to know the world through the eyes of an insect? ❜ ❨980❩ ❛ Not everything has a cause. Some things are simply so. ❜ ❨981❩ ❛ I’ll be quite honest with you. I’m torn between breaking your neck here and throwing you down the stairs. ❜ ❨982❩ ❛ How old do you have to be before you know the difference between right and wrong? ❜ ❨983❩ ❛ It was never meant to be read. ❜ ❨984❩ ❛ If I fell in the river, would you save me? ❜ ❨985❩ ❛ That was an incredibly bloody stupid thing to do. ❜ ❨986❩ ❛ I want to thank you for saving my life. I’ll be eternally grateful to you. ❜ ❨987❩ ❛ I’m very, very sorry for the terrible distress that I have caused. I’m very, very sorry. ❜ ❨988❩ ❛ Don’t call me that! – Please don’t call me that. ❜ ❨989❩ ❛ It may be the wrong decision, but fuck it, it’s mine. ❜ ❨990❩ ❛ Like patience, passion comes from the same Latin root: pati. It does not mean to flow with exuberance. It means to suffer. ❜ ❨991❩ ❛ No one ever really gets used to nightmares. ❜ ❨992❩ ❛ I still get nightmares. In fact, I get them so often I should be used to them by now. I’m not. ❜ ❨993❩ ❛ Sublime is something you choke on after a shot of tequila. ❜ ❨994❩ ❛ Some people reflect light, some deflect it, you by some miracle, seem to collect it. ❜ ❨995❩ ❛ Beautiful women are always drawn to men they think will keep them beautiful. ❜ ❨996❩ ❛ The ruminations are mine, let the world be yours. ❜ ❨997❩ ❛ You will fulfil a promise I made years ago but failed to keep. ❜ ❨998❩ ❛ Darkness never satisfies. Especially if it takes something away which it almost always invariably does. ❜ ❨999❩ ❛ I want something else. I’m not even sure what to call it anymore. ❜ ❨1000❩ ❛ What can I say, I’m a sucker for abandoned stuff, misplaced stuff, forgotten stuff, any old stuff. ❜ ❨1001❩ ❛ Is it possible to love something so much, you imagine it wants to destroy you only because it has denied you? ❜ ❨1002❩ ❛ It’s just silent, no sound at all. It’s like something’s waiting. ❜ ❨1003❩ ❛ I guess I’m hoping the weapons will make me feel better, grant me some kind of fucking control. ❜ ❨1004❩ ❛ Oh and something else: – Fuck you. ❜ ❨1005❩ ❛ God I’ve never been afraid like this. ❜ ❨1006❩ ❛ I miss you. I love you. There’s no second I’ve lived that you can’t call your own. ❜ ❨1007❩ ❛ I’m so tired. Sleep’s been stalking me for too long to remember. Inevitable I suppose. ❜ ❨1008❩ ❛ Not seeing the rip doesn’t mean you automatically get to keep clear of the Hey-I’m-Bleeding part. ❜ ❨1009❩ ❛ These days fantasies flourish and die like summer flies. ❜ ❨1010❩ ❛ Yeah I know, I know. This shit’s getting ridiculous. ❜ ❨1011❩ ❛ ‘Fuck’ and 'fall for’ have very different meanings. The first one you do as much as you can. The second one you never ever, ever do. ❜ ❨1012❩ ❛ It’s a nice idea but it reeks of hope. False hope. ❜ ❨1013❩ ❛ It’s, well…one thing in two words: fucked up…very fucked up. Okay three words, four words, who the hell cares…very very fucked up. ❜ ❨1014❩ ❛ Do you think I could spend the night at your place?  ❜ ❨1015❩ ❛ Any fool can pray. ❜ ❨1016❩ ❛ I feel like I haven’t slept in months. My neighbours are scared of me. ❜ ❨1017❩ ❛ I’ve lost my mind? Maybe, maybe, maybe. Maybe I’m just really drunk. ❜ ❨1018❩ ❛ Perhaps by cleaning out my system I’ll come to a clearing where I can ease myself into peace. ❜ ❨1019❩ ❛ I should be dead. Why am I still here? ❜ ❨1020❩ ❛ Fuck if I know. Your guess is as good as mine. ❜ ❨1021❩ ❛ You are my flesh. You are my bones. I know you too well. I read you too perfectly. ❜ ❨1022❩ ❛ Not all complex problems have easy solutions. ❜ ❨1023❩ ❛ Do you believe in God? I don’t think I ever asked you that one. ❜ ❨1024❩ ❛ We all create stories to protect ourselves. ❜ ❨1025❩ ❛ Are you kidding me? This place is scary. ❜ ❨1026❩ ❛ These days the only thing that gets me outside is when I say: Fuck. Fuck. Fuck. Fuck you. Fuck me. Fuck this. Fuck. Fuck. Fuck. ❜ ❨1027❩ ❛ You like that crap because it reminds you of you. ❜ ❨1028❩ ❛ You may suddenly realise things are not how you perceived them to be at all. ❜ ❨1029❩ ❛ The two hardest tests are the patience to wait for the right moment and the courage not to be disappointed with what we encounter. ❜ ❨1030❩ ❛ People never learn anything by being told, they have to find out for themselves. ❜ ❨1031❩ ❛ Be crazy! But learn how to be crazy without being the center of attention. Be brave enough to live different. ❜ ❨1032❩ ❛ You are someone who is different, but who wants to be the same as everyone else. And that in my view is a serious illness. ❜ ❨1033❩ ❛ God chose you to be different. ❜ ❨1034❩ ❛ Why are you disappointing God with this kind of attitude? ❜ ❨1035❩ ❛ You have two choices, to control your mind or to let your mind control you. ❜ ❨1036❩ ❛ Everyone is indeed crazy, but the craziest are the ones who don't know they're crazy; they just keep repeating what others tell them to. ❜ ❨1037❩ ❛ Haven't you learned anything, not even with the approach of death?  ❜ ❨1038❩ ❛ If people don't like it, they can complain. And if they don't have the courage to complain, that's their problem. ❜ ❨1039❩ ❛ Nothing in this world happens by chance. ❜ ❨1040❩ ❛ I want to continue living my life the way I dream it, and not the way the other people want it to be. ❜ ❨1041❩ ❛ Be like the fountain that overflows, not like the cistern that merely contains. ❜ ❨1042❩ ❛ Collective madness is called sanity. ❜ ❨1043❩ ❛ Consider each day a miracle - which indeed it is, when you consider the number of unexpected things that could happen in each second of our fragile existences. ❜ ❨1044❩ ❛ You say they create their own reality, but what is reality? ❜ ❨1045❩ ❛ Many people don't allow themselves to love because there are a lot of things at risk. A lot of future and a lot of past. ❜ ❨1046❩ ❛ Death frees from the fear of dying. ❜ ❨1047❩ ❛ The danger of an adventure is worth a thousand days of ease and comfort. ❜ ❨1048❩ ❛ The happier people can be, the unhappier they are. ❜ ❨1049❩ ❛ Life is always a matter of waiting for the right moment to act. ❜ ❨1050❩ ❛ It's best to accept life as it really is and not as you imagined it to be. ❜ ❨1051❩ ❛ You don't seem mad at all. ❜ ❨1052❩ ❛ We’re allowed to make a lot of mistakes in our lives, except the mistake that destroys us. ❜ ❨1053❩ ❛ You’re what you are, not what others make of you. ❜ ❨1054❩ ❛ Am I cured? ❜ ❨1055❩ ❛ Real love changes and grows with time and discovers new ways of expressing itself. ❜ ❨1056❩ ❛ A lot of people think something is right, and so that thing becomes right. Is that it? ❜ ❨1057❩ ❛ They think they're normal, because they all do the same thing. ❜ ❨1058❩ ❛ I didn't know that other ‘me’s existed inside me, ‘Me’s that I could love. ❜ ❨1059❩ ❛ I have no idea what's awaiting me. ❜ ❨1060❩ ❛ What will happen when this all ends? ❜ ❨1061❩ ❛ I know that you are capable of great deeds. ❜ ❨1062❩ ❛ A loveless world is a dead world, and always there comes an hour when one is weary of prisons, of one's work, and of devotion to duty, and all one craves for is a loved face, the warmth and wonder of a loving heart. ❜ ❨1063❩ ❛ The truth is that everyone is bored. ❜ ❨1064❩ ❛ I feel more fellowship with the defeated than with saints. Heroism and sanctity don't really appeal to me, I imagine. ❜ ❨1065❩ ❛ If there is one thing one can always yearn for, and sometimes attain, it is human love. ❜ ❨1066❩ ❛ Who would dare to assert that eternal happiness can compensate for even a single moment's suffering? ❜ ❨1067❩ ❛ It's not easy. I've been thinking it over for years. ❜ ❨1068❩ ❛ While we loved each other we didn't need words to make ourselves understood. ❜ ❨1069❩ ❛ People are more often bad than good. ❜ ❨1070❩ ❛ I don't believe in heroism; I know it's easy and I've learned that it can be murderous. ❜ ❨1071❩ ❛ What interests me is living and dying for what one loves. ❜ ❨1072❩ ❛ In fact, nobody is capable of really thinking about anyone, even in the worst calamity. ❜ ❨1073❩ ❛ Nothing in the world is worth turning one's back on what one loves. ❜ ❨1074❩ ❛ Again and again there comes a time in history when the man who dares to say that two and two make four is punished with death. ❜ ❨1075❩ ❛ There are more things to admire in men then to despise. ❜ ❨1076❩ ❛ It is in the thick of calamity that one gets hardened to the truth - in other words, to silence. ❜ ❨1077❩ ❛ What on earth prompted you to take a hand in this? ❜ ❨1078❩ ❛ Your code of morals? What code, if I may ask? ❜ ❨1079❩ ❛ I'm fumbling in the dark, struggling to make something out. But I've long ceased finding anything. ❜ ❨1080❩ ❛ No doubt our love is still there, but quite simply it is unusable, heavy to carry, inert inside of us, sterile as crime or condemnation. ❜ ❨1081❩ ❛ I’m not happy to go, but one needn't be happy to make another start. ❜ ❨1082❩ ❛ I am incapable of suffering for a long time, or being happy for a long time. Which means that I am incapable of anything really worth while. ❜ ❨1083❩ ❛ I should have found the words to keep her with me. ❜ ❨1084❩ ❛ We can't stir a finger in this world without the risk of bringing death to somebody. ❜ ❨1085❩ ❛ The evil that is in the world comes out of ignorance, and good intentions may do as much harm as malevolence, if they lack understanding. ❜ ❨1086❩ ❛ There are always flies and itches. That’s why life is difficult to live. ❜ ❨1087❩ ❛ The best protection against anything is a good bottle of wine. ❜ ❨1088❩ ❛ There is no peace without hope. ❜ ❨1089❩ ❛ It's enough for me to be sure that you and I exist at this moment. ❜ ❨1090❩ ❛ There is always something left to love. ❜ ❨1091❩ ❛ A person doesn’t die when he should but when he can. ❜ ❨1092❩ ❛ Things have a life of their own. It's simply a matter of waking up their souls. ❜ ❨1093❩ ❛ Tell me something: why are you fighting? ❜ ❨1094❩ ❛ I've come to realise only just now that I'm fighting because of pride. ❜ ❨1095❩ ❛ One minute of reconciliation is worth more than a whole life of friendship. ❜ ❨1096❩ ❛ It's better than not knowing why you're fighting. Or fighting, like you, for something that doesn't have any meaning for anyone. ❜ ❨1097❩ ❛ Holy Mother of God! ❜ ❨1098❩ ❛ A person does not belong to a place until there is someone dead under the ground. ❜ ❨1099❩ ❛ I was born a son of a bitch and I'm going to die a son of a bitch. ❜ ❨1100❩ ❛ Bad luck doesn't have any chinks in it. ❜ ❨1101❩ ❛ I plead youth as a mitigating circumstance. ❜ ❨1102❩ ❛ Get those bad thoughts out of your head. You're going to be happy. ❜ ❨1103❩ ❛ Children inherit their parents' madness. ❜ ❨1104❩ ❛ I'll turn to ashes in here but I won't give this miserable town the pleasure of seeing me weep. ❜ ❨1105❩ ❛ You would be good in a war. Where you put your eye, you put your bullet. ❜ ❨1106❩ ❛ Men demand much more than you think. ❜ ❨1107❩ ❛ Even the craziest and most persistent love is just a temporary truth. ❜ ❨1108❩ ❛ If we’re alone you can whisper in my ear any crap you can think of. ❜ ❨1109❩ ❛ You have taken this horrible game very seriously and you have done well because you are doing your duty. ❜ ❨1110❩ ❛ We have the right to pull down your pants and give you a whipping at the first sign of disrespect. ❜ ❨1111❩ ❛ What worries me is not your shooting me, because after all, for people like us it's a natural death. ❜ ❨1112❩ ❛ What worries me is that you've ended up as bad as they are. ❜ ❨1113❩ ❛ It is characteristic of men to deny hunger once their appetites are satisfied. ❜ ❨1114❩ ❛ Dying is much more difficult than one imagines. ❜ ❨1115❩ ❛ If you have to go crazy, please go crazy all by yourself! ❜ ❨1116❩ ❛ We have still not had a death. ❜ ❨1117❩ ❛ How awful, the way time passes. ❜ ❨1118❩ ❛ You may be in command of your war, but I'm in command of my house. ❜ ❨1119❩ ❛ I missed you every hour. ❜ ❨1120❩ ❛ You know what the worst part was? It caught me completely by surprise. ❜ ❨1121❩ ❛ I’ve risked my life for you. ❜ ❨1122❩ ❛ The problem with wanting is that it makes us weak. ❜ ❨1123❩ ❛ I love you, even the part of you that loved him. ❜ ❨1124❩ ❛ I’m sorry it took me so long to see you. ❜ ❨1125❩ ❛ I never really belonged anywhere. ❜ ❨1126❩ ❛ Thanks for being my best friend and making my life bearable.  ❜ ❨1127❩ ❛ Thanks for finding me. ❜ ❨1128❩ ❛ You and I are going to change the world. ❜ ❨1129❩ ❛ I’ve been waiting for you a long time. ❜ ❨1130❩ ❛ I’m not used to people trying to kill me. ❜ ❨1131❩ ❛ You’re shaking. ❜ ❨1132❩ ❛ There's nothing wrong with being a lizard. Unless you were born to be a hawk. ❜ ❨1133❩ ❛ Make me your villain. ❜ ❨1134❩ ❛ Just you and me. It’s always just you and me. ❜ ❨1135❩ ❛ Do you blame me for every mistake I made? For every dumb thing I’ve said? ❜ ❨1136❩ ❛ Well, if it gets too bad, give me a signal. ❜ ❨1137❩ ❛ Did you tell him what I showed you in the dark? ❜ ❨1138❩ ❛ Did you miss me when you were gone? ❜ ❨1139❩ ❛ What is infinite? The universe and the greed of men. ❜ ❨1140❩ ❛ You’re interfering with my plan. ❜ ❨1141❩ ❛ Too much champagne? ❜ ❨1142❩ ❛ I hope you don’t expect fairness from me. It isn’t one of my specialties. ❜ ❨1143❩ ❛ There is something more powerful than any army. Something strong enough to topple kings. Faith. ❜ ❨1144❩ ❛ All you said was that I had to kill you. You didn’t say how. ❜ ❨1145❩ ❛ What is she? She’s everything, you dumb son of a bitch. ❜ ❨1146❩ ❛ She’s an ugly little thing. No child should look like that. Pale and sour, like a glass of milk that’s turned. ❜ ❨1147❩ ❛ I wouldn’t make that mistake again. ❜ ❨1148❩ ❛ It’s a great honor, to save a life. You saved many. ❜ ❨1149❩ ❛ In this world, there are things you can only do alone. ❜ ❨1150❩ ❛ What seems like a reasonable distance to one person might feel too far to somebody else. ❜ ❨1151❩ ❛ If you really want to know something, you have to be willing to pay the price. ❜ ❨1152❩ ❛ Why should you be interested in me? ❜ ❨1153❩ ❛ I have been told I've got a darkish personality. A few times. ❜ ❨1154❩ ❛ It's not as if our lives are divided simply into light and dark. There's shadowy middle ground. ❜ ❨1155❩ ❛ I'll write to you. A super-long letter, like in an old-fashioned novel. ❜ ❨1156❩ ❛ The spotlight doesn't suit me. I'm more of a side dish. ❜ ❨1157❩ ❛ The ground we stand on looks solid enough, but if something happens it can drop right out from under you.  ❜ ❨1158❩ ❛ So once you're dead there's just nothing? ❜ ❨1159❩ ❛ If only I could fall sound asleep and wake up in my old reality. ❜ ❨1160❩ ❛ Is action merely the incidental product of thought, or is thought the consequential product of action? ❜ ❨1161❩ ❛ Nobody can shake off their own shadow. ❜ ❨1162❩ ❛ The silence is so deep it hurts. ❜ ❨1163❩ ❛ I may not look it, but I can be a very patient guy. ❜ ❨1164❩ ❛ Killing time is one of my specialities. ❜ ❨1165❩ ❛ You can't fight it. ❜ ❨1166❩ ❛ Tell me something,—do you believe in reincarnation? ❜ ❨1167❩ ❛ I can’t understand nothingness. I can’t understand it and I can’t imagine it. ❜ ❨1168❩ ❛ I can hardly breathe, and my whole body wants to shrink into a corner.  ❜ ❨1169❩ ❛ I do have a few things wrong with me, but those are strictly problems I keep inside. ❜ ❨1170❩ ❛ I can't take it any more, I can't go on any more. ❜ ❨1171❩ ❛ You don't really have it together. ❜ ❨1172❩ ❛ Is it against the law for me to know it? ❜ ❨1173❩ ❛ I keep having the same dream. ❜ ❨1174❩ ❛ Are you asking because you really want an answer? ❜ ❨1175❩ ❛ I hate this! I don't want to be changed this way! ❜ ❨1176❩ ❛ No contradictions, no irony. They do everything according to numerical formulas. ❜ ❨1177❩ ❛ Want to hear the rest? If you’re not interested, I can stop. ❜ ❨1178❩ ❛ If I didn’t have these memories inside me, I would’ve snapped a long time ago. I would’ve curled up in a ditch somewhere and died. ❜ ❨1179❩ ❛ I don’t know what you’re feeling. I won’t even pretend. ❜ ❨1180❩ ❛ What are you doing here, honey? ❜ ❨1181❩ ❛ You're not even old enough to know how bad life gets. ❜ ❨1182❩ ❛ You don't understand me. ❜ ❨1183❩ ❛ All wisdom ends in paradox. ❜ ❨1184❩ ❛ It is love that overthrows empire. Love that binds two hearts together, come hellfire & brimstone. ❜ ❨1185❩ ❛ I have lost my gift. ❜ ❨1186❩ ❛ Winter is the season of alcoholism and despair. ❜ ❨1187❩ ❛ The seeds of death get lost in the mess that God made us. ❜ ❨1188❩ ❛ They're just memories now. It’s time to forget. ❜ ❨1189❩ ❛ The time has to be right and the heart willing. ❜ ❨1190❩ ❛ The world, a tired performer, offers us another half-assed season. ❜ ❨1191❩ ❛ Capitalism has resulted in material well-being but spiritual bankruptcy. ❜ ❨1192❩ ❛ Grief is natural, overcoming it is a matter of choice. ❜ ❨1193❩ ❛ I want out of that decorating scheme. ❜ ❨1194❩ ❛ With most people suicide is like Russian roulette. Only one chamber has a bullet. ❜ ❨1195❩ ❛ You never get over it but you get where it doesn't bother you so much. ❜ ❨1196❩ ❛ Don't waste your time on life. ❜ ❨1197❩ ❛ I'm a teenager. I've got problems! ❜ ❨1198❩ ❛ Adolescents tend to seek love where they can find it. ❜ ❨1199❩ ❛ Obviously, you've never been a thirteen-year-old girl. ❜ ❨1200❩ ❛ It was a mistake. ❜ ❨1201❩ ❛ It seemed like we were supposed to feel sorry for everything that ever happened, ever. ❜ ❨1202❩ ❛ Buffeted but not broken. ❜ ❨1203❩ ❛ Shit. What have kids got to be worried about now? ❜ ❨1204❩ ❛ If they want trouble, they should go live in Bangladesh. ❜ ❨1205❩ ❛ I can't wait until I get out of here. ❜ ❨1206❩ ❛ When she jumped she probably thought she’d fly. ❜ ❨1207❩ ❛ I do not think the patient truly meant to end her life. Her act was a cry for help. ❜ ❨1208❩ ❛ You're a stone fox. ❜ ❨1209❩ ❛ It was love at first sight, at last sight, at ever and ever sight. ❜ ❨1210❩ ❛ Light of my life, fire of my loins. My sin, my soul. ❜ ❨1211❩ ❛ He broke my heart. You merely broke my life. ❜ ❨1212❩ ❛ I'm sorry to have deceived you so much, but that's how life is. ❜ ❨1213❩ ❛ Words without experience are meaningless. ❜ ❨1214❩ ❛ I loved you. I was a monster, but I loved you. ❜ ❨1215❩ ❛ Come just as you are. ❜ ❨1216❩ ❛ If a violin string could ache, i would be that string. ❜ ❨1217❩ ❛ Perhaps, somewhere, some day, at a less miserable time, we may see each other again. ❜ ❨1218❩ ❛ What's so dreadful about dying is that you are completely on your own. ❜ ❨1219❩ ❛ Don't touch me; I'll die if you touch me. ❜ ❨1220❩ ❛ You took advantage of my disadvantage. ❜ ❨1221❩ ❛ I walk in a maze I cannot get out of. ❜ ❨1222❩ ❛ Life is just one small piece of light between two eternal darknesses. ❜ ❨1223❩ ❛ Imagine me; I shall not exist if you do not imagine me. ❜ ❨1224❩ ❛ There is no harm in smiling. ❜ ❨1225❩ ❛ There is no point in staying here. There is no point in staying anywhere. ❜ ❨1226❩ ❛ There is nothing more atrociously cruel than an adored child. ❜ ❨1227❩ ❛ I am so tired of being cynical. ❜ ❨1228❩ ❛ Come to live with me, and die with me, and everything with me. ❜ ❨1229❩ ❛ This is the only immortality that you and I may share. ❜ ❨1230❩ ❛ I loved her more than anything I had ever seen or imagined on earth, or hoped for anywhere else. ❜ ❨1231❩ ❛ I was despicable and brutal, and turpid, and everything, mais je t’aimais, je t’aimais! ❜ ❨1232❩ ❛ Years of secret suffering has taught me superhuman self-control. ❜ ❨1233❩ ❛ Solitude is corrupting me. I need company and care. ❜ ❨1234❩ ❛ I've missed you terribly. ❜ ❨1235❩ ❛ I've been revoltingly unfaithful to you. ❜ ❨1236❩ ❛ It doesn't matter a bit, because you've stopped caring anyway. ❜ ❨1237❩ ❛ What makes you say I've stopped caring for you? ❜ ❨1238❩ ❛ Nowadays you have to be a scientist if you want to be a killer. ❜ ❨1239❩ ❛ The sun climbs high in the sky, then starts down. People come, then go. ❜ ❨1240❩ ❛ Tell me, have you ever thought of killing me? ❜ ❨1241❩ ❛ I can not believe you are the same human being. ❜ ❨1242❩ ❛ Just how urgent is it? ❜ ❨1243❩ ❛ It is time for you to be going. ❜ ❨1244❩ ❛ How is it you know something like that? ❜ ❨1245❩ ❛ I don’t mind. Your mess is my mess. ❜ ❨1246❩ ❛ Everybody has one thing they do not want to lose. ❜ ❨1247❩ ❛ I’ll be late tonight, so don’t wait up for me. ❜ ❨1248❩ ❛ Nothing I’ve tried to do by myself has ever come off. ❜ ❨1249❩ ❛ I am not catching you in the middle of anything important, am I? ❜ ❨1250❩ ❛ Some things are forgotten, some things disappear, some things die. ❜ ❨1251❩ ❛ My biggest fault is that the faults I was born with grow bigger each year. ❜ ❨1252❩ ❛ To get irritated is to lose our way in life. ❜ ❨1253❩ ❛ A friend to kill time is a friend sublime. ❜ ❨1254❩ ❛ I don't really know if it's the right thing to do. ❜ ❨1255❩ ❛ Faster cars and more cats run over? Who needs it? ❜ ❨1256❩ ❛ Most of everything you think you know about me is nothing more than memories. ❜ ❨1257❩ ❛ Your fate is and will always be the fate of a dreamer. ❜ ❨1258❩ ❛ You’re loads better than you think you are. ❜ ❨1259❩ ❛ You’re only half-living, the other half is still untapped somewhere. ❜ ❨1260❩ ❛ The song is over. But the melody lingers on. ❜ ❨1261❩ ❛ You are extraordinary. ❜ ❨1262❩ ❛ We tend to fool ourselves into thinking that time is our size, but it really goes on and on. ❜ ❨1263❩ ❛ It could be five years or ten years or one month. It's all the same. ❜ ❨1264❩ ❛ I’m forever realising things too late. ❜ ❨1265❩ ❛ I’m not complaining when I say my life is boring. ❜ ❨1266❩ ❛ Weakness is something that rots in the body. ❜ ❨1267❩ ❛ Coming from your mouth, it has the ring of truth, but I doubt anyone would believe me if I told them. ❜ ❨1268❩ ❛ You can't expect something unreal to last anyway, can you? ❜ ❨1269❩ ❛ A wise man does not step betwixt the beast and his meat. ❜ ❨1270❩ ❛ So, kill me. Tell the others I attacked you so you killed me. ❜ ❨1271❩ ❛ Should never have come here. ❜ ❨1272❩ ❛ Hard to guess my tastes. ❜ ❨1273❩ ❛ Can’t it wait until the morning? ❜ ❨1274❩ ❛ You’ll find temper tantrums won’t help you here. ❜ ❨1275❩ ❛ It must have taken courage to return. ❜ ❨1276❩ ❛ It all sounds grimly dystopian. ❜ ❨1277❩ ❛ I am not afraid of you! ❜ ❨1278❩ ❛ All this could be avoided! ❜ ❨1279❩ ❛ You consider me a murderer? ❜ ❨1280❩ ❛ Gross way to die. ❜ ❨1281❩ ❛ What sparks wars? The will to power, the backbone of human nature. ❜ ❨1282❩ ❛ My life amounts to no more than one drop in a limitless ocean. Yet what is any ocean, but a multitude of drops? ❜ ❨1283❩ ❛ Our lives are not our own. We are bound to others. ❜ ❨1284❩ ❛ I believe there is another world waiting for us. A better world. And I'll be waiting for you there. ❜ ❨1285❩ ❛ You are allowed to feel messed up and inside out. It doesn't mean you're defective - it just means you're human. ❜ ❨1286❩ ❛ Power, time, gravity, love. The forces that really kick ass are all invisible. ❜ ❨1287❩ ❛ Unlimited power in the hands of limited people always leads to cruelty. ❜ ❨1288❩ ❛ Truth is singular. Its 'versions' are mistruths. ❜ ❨1289❩ ❛ Dreams are all I have ever truly owned. ❜ ❨1290❩ ❛ Your version of the truth is the only thing that matters. ❜ ❨1291❩ ❛ I believe death is only a door. One closes, and another opens. ❜ ❨1292❩ ❛ By each crime and every kindness, we birth our future. ❜ ❨1293❩ ❛ The healthy can't understand the emptied, the broken. ❜ ❨1294❩ ❛ Lying's wrong, but when the world spins backwards, a small wrong may be a big right. ❜ ❨1295❩ ❛ The weak are meat the strong do eat. ❜ ❨1296❩ ❛ Do whatever you can't not do. ❜ ❨1297❩ ❛ What precipitates outcomes? Vicious acts & virtuous acts. ❜ ❨1298❩ ❛ I remain thankful to God for all his mercies. ❜ ❨1299❩ ❛ You can maintain power over people, as long as you give them something. Rob a man of everything, and that man will no longer be in your power. ❜ ❨1300❩ ❛ Power. The ability to determine another man's luck. ❜ ❨1301❩ ❛ Pain is strong, aye - but friends' eyes, more strong. ❜ ❨1302❩ ❛ Perhaps those deprived of beauty perceive it most instinctively. ❜ ❨1303❩ ❛ Why ask a question whose answer would demand ten more questions? ❜ ❨1304❩ ❛ You can’t lie to your soul. ❜ ❨1305❩ ❛ Why would I want to do a thing like that? ❜ ❨1306❩ ❛ We start off with high hopes, then we bottle it. ❜ ❨1307❩ ❛ Better to make life as complete and enjoyable an experience as possible, in case death is shite, which I suspect it will be. ❜ ❨1308❩ ❛ I’m not running away, I’m moving on. ❜ ❨1309❩ ❛ The reasons? There are no reasons. ❜ ❨1310❩ ❛ Some people are easier to love when you don’t have to be around them. ❜ ❨1311❩ ❛ Love does not exist. ❜ ❨1312❩ ❛ Fuck that ‘regrets’ bullshit. ❜ ❨1313❩ ❛ How does it make you feel? ❜ ❨1314❩ ❛ It’s horrible how we always die alone, but no worse than living alone. ❜ ❨1315❩ ❛ Choose us. Choose life. ❜ ❨1316❩ ❛ You fucking knew that fucking cunt would fuck some cunt. ❜ ❨1317❩ ❛ I’m more of a warrior than you’ll ever be. ❜ ❨1318❩ ❛ What does that make us? The lowest of the low, the scum of the earth. ❜ ❨1319❩ ❛ You don’t have to run away.  ❜ ❨1320❩ ❛ I tried to stop because it was only causing pain. I couldn’t. ❜ ❨1321❩ ❛ I’m not going to get crushed. ❜ ❨1322❩ ❛ I love doubt in a woman. It’s nearly as sexy as determination. ❜ ❨1323❩ ❛ Take your best orgasm, multiply the feeling by twenty. ❜ ❨1324❩ ❛ You’re a mess. ❜ ❨1325❩ ❛ I know that it’s never left you alone. ❜ ❨1326❩ ❛ Are you asking me or telling me? ❜ ❨1327❩ ❛ You just get used to all the shit. ❜ ❨1328❩ ❛ You can’t afford a conscience in this life. ❜ ❨1329❩ ❛ None of us are saints and scapegoats are always handy. ❜ ❨1330❩ ❛ Doing things doesn’t hurt you; you get hurt by avoiding them. ❜ ❨1331❩ ❛ What was that? ❜ ❨1332❩ ❛ Protect me from those who wish to help us. ❜ ❨1333❩ ❛ You can’t love yourself if you want to hurt things like that. ❜ ❨1334❩ ❛ What happens when people open their hearts? ❜ ❨1335❩ ❛ Nobody likes being alone that much. ❜ ❨1336❩ ❛ I don’t go out of my way to make friends, that’s all. It just leads to disappointment.” ❨1337❩ ❛ Don’t feel sorry for yourself. Only assholes do that. ❜ ❨1338❩ ❛ You need to grab whatever chance you have of happiness where you find it, and not worry about other people too much. ❜ ❨1339❩ ❛ I want you always to remember me. ❜ ❨1340❩ ❛ Despite your best efforts, people are going to be hurt when it’s time for them to be hurt. ❜ ❨1341❩ ❛ What stays in your heart will stay; keep them, and what vanishes will vanish. ❜ ❨1342❩ ❛ All I want in this world is you. ❜ ❨1343❩ ❛ I want the two of us to begin everything from the beginning. ❜ ❨1344❩ ❛ No truth can cure the sorrow we feel from losing a loved one. ❜ ❨1345❩ ❛ What a terrible thing it is to wound someone you really care for and to do it so unconsciously. ❜ ❨1346❩ ❛ If you’re in pitch blackness, all you can do is sit tight until your eyes get used to the dark. ❜ ❨1347❩ ❛ I’ve had enough hurt already in my life. More than enough. Now I want to be happy. ❜ ❨1348❩ ❛ People leave strange little memories of themselves behind when they die. ❜ ❨1349❩ ❛ Stop eating yourself up alive. Things will go where they’re supposed to go if you just let them take their natural course. ❜ ❨1350❩ ❛ When your feelings build up and harden and die inside, then you’re in big trouble. ❜ ❨1351❩ ❛ When you fall in love, the natural thing to do is give yourself to it. ❜ ❨1352❩ ❛ If I have left a wound inside you, it is not just your wound but mine as well. ❜ ❨1353❩ ❛ Hey, what is it with you? Why are you so spaced out? You still haven’t answered me. ❜ ❨1354❩ ❛ People are strange when you’re a stranger. ❜ ❨1355❩ ❛ The dead will always be dead, but we have to go on living. ❜ ❨1356❩ ❛ You don’t get it, do you? ❜ ❨1357❩ ❛ I am a flawed human being - a far more flawed human being than you ❨1358❩ realise. ❜ ❨1359❩ ❛ At least let me know whether or not I hurt you. ❜ ❨1360❩ ❛ All of us are imperfect human beings living in an imperfect world. ❜ ❨1361❩ ❛ I’ve never once thought about how I was going to die. ❜ ❨1362❩ ❛ So I’m not crazy after all! ❜ ❨1363❩ ❛ I miss you terribly sometimes, but in general I go on living with all the energy I can muster. ❜ ❨1364❩ ❛ Will you wait for me forever? ❜ ❨1365❩ ❛ I don’t want our relationship to end like this. ❜ ❨1366❩ ❛ When am I going to be able to talk to you? I want you to tell me that much, at least. ❜ ❨1367❩ ❛ It hurts not being able to see you. ❜ ❨1368❩ ❛ I’m not totally mad at you. I’m just sad. ❜ ❨1369❩ ❛ The world is an inherently unfair place. ❜ ❨1370❩ ❛ Life frightens me sometimes. I don’t happen to take that as the premise for everything else though. ❜ ❨1371❩ ❛ I’m a real bargain, don’t you think? If you don’t take me, I’ll end up going somewhere else. ❜ ❨1372❩ ❛ We’re all kind of weird and twisted and drowning. ❜ ❨1373❩ ❛ Don’t you think it would be wonderful to get rid of everything and everybody and just go some place where you don’t know a soul? ❜ ❨1374❩ ❛ You’re not telling me anything I don’t know already. ❜ ❨1375❩ ❛ He who controls the past controls the future. He who controls the present controls the past. ❜ ❨1376❩ ❛ If you want to keep a secret, you must also hide it from yourself. ❜ ❨1377❩ ❛ We shall meet in the place where there is no darkness. ❜ ❨1378❩ ❛ Until they become conscious they will never rebel. ❜ ❨1379❩ ❛ Power is not a means; it is an end. ❜ ❨1380❩ ❛ They are not interested in the good of others; they are interested solely in power, pure power. ❜ ❨1381❩ ❛ Now you begin to understand me. ❜ ❨1382❩ ❛ In the face of pain there are no heroes. ❜ ❨1383❩ ❛ Big Brother is watching you. ❜ ❨1384❩ ❛ Power is tearing human minds to pieces and putting them together again in new shapes of your own choosing. ❜ ❨1385❩ ❛ It’s a beautiful thing, the destruction of words. ❜ ❨1386❩ ❛ The choice for mankind lies between freedom and happiness and for the great bulk of mankind, happiness is better. ❜ ❨1387❩ ❛ Your mind appeals to me. It resembles my own mind. ❜ ❨1388❩ ❛ Reality exists in the human mind, and nowhere else. ❜ ❨1389❩ ❛ We do not merely destroy our enemies; we change them. ❜ ❨1390❩ ❛ How can I help it? How can I help but see what is in front of my eyes? ❜ ❨1391❩ ❛ You must try harder. ❜ ❨1392❩ ❛ Confession is not betrayal. ❜ ❨1393❩ ❛ What you say or do doesn’t matter; only feelings matter. ❜ ❨1394❩ ❛ If they could make me stop loving you —- that would be the real betrayal. ❜ ❨1395❩ ❛ Of pain you can wish only one thing: that it should stop. ❜ ❨1396❩ ❛ To die hating them, that will be freedom. ❜ ❨1397❩ ❛ No one ever seizes power with the intention of relinquishing it. ❜ ❨1398❩ ❛ What can you do against the lunatic who is more intelligent than yourself? ❜ ❨1399❩ ❛ To keep them in control is not difficult. ❜ ❨1400❩ ❛ So long as they are not permitted to have standards of comparison, they never even become aware that they are oppressed. ❜ ❨1401❩ ❛ The consequences of every act are included in the act itself. ❜ ❨1402❩ ❛ The essential act of war is destruction, not necessarily of human lives, but of the products of human labour. ❜ ❨1403❩ ❛ Stupidity is as necessary as intelligence, and as difficult to attain. ❜ ❨1404❩ ❛ I hate purity, I hate goodness! I don’t want virtue to exist anywhere. I want everyone to be corrupt to the bones. ❜ ❨1405❩ ❛ The past is dead, the future is unimaginable. ❜ ❨1406❩ ❛ You know the answer already. Everyone knows it. ❜ ❨1407❩ ❛ You don’t give a damn what they suffer. All you care is yourself. ❜ ❨1408❩ ❛ It is not easy to become sane. ❜ ❨1409❩ ❛ No emotion is pure anymore, because everything is mixed up with fear and hatred. ❜ ❨1410❩ ❛ They say that time heals all things —- they say you can always forget. ❜ ❨1411❩ ❛ The object of waging a war is always to be in a better position in which to wage another war. ❜ ❨1412❩ ❛ I sold you and you sold me. ❜ ❨1413❩ ❛ You do not exist. ❜ ❨1414❩ ❛ How does one man assert his power over another? By making him suffer. ❜ ❨1415❩ ❛ Obedience is not enough. Unless he is suffering, how can you be sure that he is obeying your will and not his own? ❜ ❨1416❩ ❛ Everything else we shall destroy – everything. ❜ ❨1417❩ ❛ Two and two makes five. ❜ ❨1418❩ ❛ Facts, at any rate, can not be kept hidden. ❜ ❨1419❩ ❛ The past is whatever the records and the memories agree upon. ❜ ❨1420❩ ❛ So long as human beings stay human, death and life are the same thing. ❜ ❨1421❩ ❛ If both the past and the external world exist only in the mind, and if the mind itself is controllable—what then? ❜ ❨1422❩ ❛ The lie became the truth. ❜ ❨1423❩ ❛ It is like swimming against a current that sweeps you backwards however hard you struggle. ❜ ❨1424❩ ❛ Turn round and go with the current instead of opposing it. ❜ ❨1425❩ ❛ It’s only after we’ve lost everything that we’re free to do anything. ❜ ❨1426❩ ❛ I don’t want to die without any scars. ❜ ❨1427❩ ❛ This is your life and it’s ending one moment at a time. ❜ ❨1428❩ ❛ You know how they say you only hurt the ones you love? Well, it works both ways. ❜ ❨1429❩ ❛ You are not your job, you’re not how much money you have in the bank. You are not the car you drive. You’re not the contents of your wallet. ❜ ❨1430❩ ❛ You are not special. ❜ ❨1431❩ ❛ You’re not a beautiful and unique snowflake. You’re the same decaying organic matter as everything else. ❜ ❨1432❩ ❛ The things you used to own, now they own you. ❜ ❨1433❩ ❛ Today is the sort of day where the sun only comes up to humiliate you. ❜ ❨1434❩ ❛ Maybe we have to break everything to make something better out of ourselves. ❜ ❨1435❩ ❛ Only after disaster can we be resurrected. ❜ ❨1436❩ ❛ Everything is evolving, everything is falling apart. ❜ ❨1437❩ ❛ We’ve all been raised believe that one day we’d all be millionaires, and movie gods, and rock stars. But we won’t. ❜ ❨1438❩ ❛ Don’t you have other things to do? ❜ ❨1439❩ ❛ Prove you’re alive. If you don’t claim your humanity you will become a statistic. ❜ ❨1440❩ ❛ You have been warned. ❜ ❨1441❩ ❛ If you don’t know what you want, you end up with a lot you don’t. ❜ ❨1442❩ ❛ It’s not love or anything, but I think I like you, too. ❜ ❨1443❩ ❛ If I could wake up in a different place, at a different time, could I wake up as a different person? ❜ ❨1444❩ ❛ Why did I cause so much pain? ❜ ❨1445❩ ❛ The lower you fall, the higher you’ll fly. ❜ ❨1446❩ ❛ Maybe self-improvement isn’t the answer, maybe self-destruction is the answer. ❜ ❨1447❩ ❛ May I never be complete. May I never be content. May I never be perfect. ❜ ❨1448❩ ❛ Everyone smiles with that invisible gun to their head. ❜ ❨1449❩ ❛ We are not special. We are not crap or trash, either. We just are. We just are, and what happens just happens. ❜ ❨1450❩ ❛ The girl is infectious human waste. ❜ ❨1451❩ ❛ I want to destroy everything beautiful I’ll never have. ❜ ❨1452❩ ❛ On a long enough time line, the survival rate for everyone drops to zero. ❜ ❨1453❩ ❛ If you could be either God’s worst enemy or nothing, which would you choose? ❜ ❨1454❩ ❛ It is like you’re never really awake; but you’re never really asleep. ❜ ❨1455❩ ❛ Worker bees can leave. Even drones can fly away. The Queen is their slave. ❜ ❨1456❩ ❛ A moment is the most you could ever expect from perfection. ❜ ❨1457❩ ❛ The people you’re trying to step on, we’re everyone you depend on. ❜ ❨1458❩ ❛ You have to give up! ❜ ❨1459❩ ❛ Reject the basic assumptions of civilisation, especially the importance of material possessions. ❜ ❨1460❩ ❛ Without pain, without sacrifice we would have nothing. ❜ ❨1461❩ ❛ You have to realise that someday you will die, Until you know that, you are useless. ❜ ❨1462❩ ❛ A tiger can smile. A snake will say it loves you. ❜ ❨1463❩ ❛ Lies make us evil. ❜ ❨1464❩ ❛ If you died right now, how would you feel about your life? ❜ ❨1465❩ ❛ You always kill the one you love. ❜ ❨1466❩ ❛ Maybe we should always assume the worst. ❜ ❨1467❩ ❛ Put a gun to my head and paint the wall with my brains. ❜ ❨1468❩ ❛ Which is worse? Hell or nothing? ❜ ❨1469❩ ❛ A minute of perfection is worth the effort. ❜ ❨1470❩ ❛ You’re going to die, tonight. You might die in one second or in one hour, you decide. ❜ ❨1471❩ ❛ Lie to me. Tell me the first thing off the top of your head. Make something up. ❜ ❨1472❩ ❛ I don’t give a shit. I have a gun. ❜ ❨1473❩ ❛ I know who you are. I know where you live. ❜ ❨1474❩ ❛ Tomorrow will be the most beautiful day of your life. ❜ ❨1475❩ ❛ My philosophy of life is that I can die at any moment. And the tragedy of my life is that I do not. ❜ ❨1476❩ ❛ Everything is so far away, a copy of a copy of a copy. You can’t touch anything and nothing can touch you. ❜ ❨1477❩ ❛ There are a lot of things we don’t want to know about the people we love. ❜ ❨1478❩ ❛ We just had a near-life experience. ❜ ❨1479❩ ❛ If people think you are dying, they give you their full attention. They listen instead of just waiting for their turn to speak. ❜ ❨1480❩ ❛ I am nothing, and not even that. ❜ ❨1481❩ ❛ This isn’t really death. —- We’ll be legends. We won’t grow old. ❜ ❨1482❩ ❛ Stop trying to control everything and just let go. Let go. ❜ ❨1483❩ ❛ The amazing miracle of death, when one second you’re walking and talking, and the next second you’re an object. ❜ ❨1484❩ ❛ Only if we’re caught and punished can we be saved. ❜ ❨1485❩ ❛ I never thought about how important the sky was until I didn't have one. ❜ ❨1486❩ ❛ Dreams are like that: they go in and out of memories and scenes, but they're never real. They're never real, and I hate them because they aren't. ❜ ❨1487❩ ❛ Power isn’t control at all — power is strength, and giving that strength to others. ❜ ❨1488❩ ❛ A leader isn’t someone who forces others to make him stronger. ❜ ❨1489❩ ❛ A leader is someone willing to give his strength to others that they may have the strength to stand on their own. ❜ ❨1490❩ ❛ In the end, we are alone. ❜ ❨1491❩ ❛ It is like a piece of my soul is lost, empty. ❜ ❨1492❩ ❛ If my life on Earth must end, let it end with a promise. Let it end with hope. ❜ ❨1493❩ ❛ Sorry? Sorry isn't enough. ❜ ❨1494❩ ❛ Every single thing I ever loved is beyond my reach now. Everything I ever wanted. Everything I ever was. ❜ ❨1495❩ ❛ Will you stay with me? ❜ ❨1496❩ ❛ A leader doesn't make pawns - he makes people. ❜ ❨1497❩ ❛ Do you hear that? The pulse of life from your heart, the slow in-and-out from your lungs? Even when you are silent, even when you block out all noise, your body is still a cacophony of life. Mine is not. ❜ ❨1498❩ ❛ It is the silence that drives me mad. The silence that drives the nightmares to me. ❜ ❨1499❩ ❛ There is nothing between us but rain. There is nothing between us at all. ❜ ❨1500❩ ❛ I like a little chaos. ❜
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xiaq · 3 years
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Hi, I have a question re:sex and Christianity. Small background: I still go to church, and I still live with my parents even though I'm not much younger than you, because housing is very very expensive where I live (pretty common here, I would say about 2/3 of my friends live with their parents and we are decently privileged kids)
Anyway. How does one get over purity culture? To be clear, I've never been told in church not to have sex, I've never gotten the gendered lessons that you got. But I am terrified of having sex. My first real, multi-year relationship just ended and while there was hand stuff etc, there was never any p in v sex (lol I feel 12). But I still had insane anxiety about being pregnant despite being on bc. And I think its because I know my parents would be so disappointed if I had sex. And if I was pregnant I could imagine all the gossip. And honestly I think im from a pretty open church, b/c one of our previous ministers kids recently got married at 8 months pregnant and lots of church people were at the wedding and supportive and her parents were there and everything.
I dont even think I particularly like sex, i might be on the ace spectrum, but how do I remove it from all the anxiety that's tied to it so I can even give myself the chance to find out???
(Asking because it seems like you've been pretty open about purity culture/removing yourself from it)
CW for sex talk (again)
How does one get over purity culture?
Oh man. That really is the million-dollar question, huh? Obviously, I can only answer re my personal experiences, and this is something you should talk to a therapist about, but I can tell you how I’ve tackled it with my therapist at least.
Purity culture is, at its core, an ideology that is perpetuated by shame. If you’re indoctrinated into purity culture when you’re a kid, the concepts become baked into the way you construct your identity, your perception of self, and your perception of your sexuality. It’s practically intrinsic, by the time you’re an adult, to feel shame any time you’re reminded you have a body, much less a sexuality.
According to the chapels I sat through every week as a kid, a girl's body could be 3 things: an intentional stumbling block for men, an accidental stumbling block for men, or unnoticeable. Women were to strive for the third option so as to keep their (and their male friends/authority figures) purity intact. After all, if a boy, or even your male teacher, had impure thoughts about you, it was your fault for tempting them (which, holy shit. I still can’t believe that was a thing I bought into for so long. If my 45 yr old grown-ass teacher had impure thoughts because he could see my 12 yr old collarbone, that sure as hell wasn’t my fault. But I digress.) The Only time a woman’s body can be something else, is when she gives it to her husband, at which point she must suddenly flip the switch in her brain that she is now allowed to be a Sexual Being and she must perform Sexual Duties despite living in outright fear of her own body and sexuality for years (decades?) up until this point. Jesus take the wheel.
Purity culture isn’t a thing you can just decide to walk away from if you’ve grown up in it. Because its ideology is insidious and internalized. So first you need to submit to the fact that you’re going to be fucked up about sex. It sounds like you’re there. Second, you need to interrogate what you believe. If you’re leaving religion behind entirely, you’ll approach removing yourself from purity culture differently than if you still identify as a Christian. It sounds like you might be the latter, which meant, for me, separating what’s actually biblical and what’s shitty, contrived, doctrine that I was told is biblical but is actually more political than spiritual. This helps you address the shame issue.
You need to throw away I Kissed Dating Goodbye and Lady in Waiting and all those ridiculous books you read and reread in the hopes of somehow obtaining impossible marriage perfection and look into actual scripture interpreted within its historical context. I could write a book on this, but the TL;DR is that the text of the Bible was written, translated, curated, and changed multiple times over thousands of years by human beings with human biases and, often, personal and/or political agendas. It contradicts itself! Reading it as it is—a flawed historical document—rather than some sort of God-breathed perfect document—is incredibly freeing. When you do, you’ll probably realize that purity culture is bullshit on a spiritual level. Which is a good start, if that matters to you. Because any time you start to feel shame or guilt you can ask yourself: does God actually care if I wear a bikini or touch a dick I’m not married to? Probably not. Wear the bikini. Touch the dick.
The most important therapy session for me was when my therapist asked what I would do if I got to heaven and God was actually the God I’d been raised to fear. What would I do if he condemned me for being bisexual and having premarital sex and becoming educated, for arguing with men, and failing to isolate while menstruating, and wearing mixed fabrics? If Montero had come out at the point, I probably would have said I’d pole dance down to hell. Instead, I said I would spit on heaven’s gates. If a god that cruel and that pointlessly demeaning really exists—a god who would create in me condemned desire—I won't worship him. The good news is, I’m 99% sure he doesn’t exist. At the very least, he isn’t supported by scripture.
Okay. The final thing you need to do is figure out what you actually want, sexually speaking. This bit is probably the hardest. I’m still in the early stages of this myself. You say: “I dont even think I particularly like sex, i might be on the ace spectrum, but how do I remove it from all the anxiety that's tied to it so I can even give myself the chance to find out???” Bro, I wish I had an easy answer for you. For me, whenever I’m feeling anxious about Sex Things, I tell myself: 1. My God does not equate my worth to my sexual habits. 2. My partner does not equate my worth to my sexual habits. 3. I do not equate my worth to my sexual habits. It seems silly, but reminding myself of those three things is massively helpful. If, after I’ve sorted through those, I’m still anxious or uncomfortable, I stop doing the thing. I evaluate. Am I overwhelmed and I need to try again some other time? Do I just not like the thing? Sometimes it’s hard to tell. Sometimes you change your mind. Sometimes you just don’t know. That’s why having a partner who you trust and who’s willing to patiently explore your interests (and respect your disinterests) is so important. Half the battle, for me, was having a partner who told me they’d be ok with no sex at all. Because that took the pressure off me. If the bare minimum they need is nothing, then anything more than that is a bonus! Hooray! This is maybe TMI, but let me tell you. I thought I was asexual* right up until I was able to have moderately non-anxious sex. Never in my life did I think I would initiate a sexual situation but… I do now. It’s a fun thing to do with a person I love and, holy shit. I am furious that I nearly missed out on it.
Finally, re birth control: I don’t know how you can approach that fear in a way that works for you. If you don’t want to ever have penetrative sex, that’s fine! If that’s a point of anxiety you can’t get rid of, then don't push yourself to do it. If you find out you like other sex things, do the other sex things! If you don't like doing any sex things, don't do any sex things! Also, have you considered sleeping with people who can’t get you pregnant? Always an option if it’s an option you want to consider. ;)
Okay. I hope this was even a little bit helpful. Sorry if it’s a little convoluted, I typed it up in bursts during my work breaks.
*This is not at all to say that asexuality can be “fixed." Rather, it’s to say that things like purity culture can drastically confuse your sexuality in general. If you’re asexual, then this process is still important to discover what you like/dislike. Then you can be explicit about those necesities and find a partner who’s a good fit (if you want a partner at all, that is).
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pumpkinpaix · 3 years
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hello there, hope you're having a nice day <3
so i've been reading a lot of fics lately, uk for sanity's sake, and i've noticed that in most of them, lwj doesn't use contractions (eg., says do not instead of don't)?? and i think he doesn't in the novel either but i don't remember lol so i can't be sure but anyway that made me curious - does chinese have contractions as well? does he not use it bc it's informal?
hello there! I’m doing all right, i started to answer this ask while waiting for a jingyeast loaf to come out of the oven 😊 many thanks to @bookofstars for helping me look over/edit/correct this post!! :D
anyways! the answer to your questions are complicated (of course it is when is anything simple with me), so let’s see if I can break it down--you’re asking a) whether chinese has contractions, b) if it does, how does they change the tone of the sentence--is it similar to english or no?, and c) how does this all end up with lan wangji pretty much never using contractions in english fic/translation?
I’m gonna start by talking about how formality is (generally) expressed in each language, and hopefully, by the end of this post, all the questions will have been answered in one way or another. so: chinese and english express variations in formality/register differently, oftentimes in ways that run contrary to one another. I am, as always, neither a linguist nor an expert in chinese and english uhhh sociological grammar? for lack of a better word. I’m speaking from my own experience and knowledge :D
so with a character like lan wangji, it makes perfect sense in english to write his dialogue without contractions, as contractions are considered informal or colloquial. I don’t know if this has changed in recent years, but I was always taught in school to never use contractions in my academic papers.
However! not using contractions necessarily extends the length of the sentence: “do not” takes longer to say than “don’t”, “cannot” is longer than “can’t” etc. in english, formality is often correlated with sentence length: the longest way you can say something ends up sounding the most formal. for a very simplified example, take this progression from least formal to absurdly formal:
whatcha doin’?
what’re you doing?
what are you doing? [standard colloquial]
may I ask what you are doing?
might I inquire as to what you are doing?
excuse me, but might I inquire as to what you are doing?
pardon my intrusion, but might I inquire as to what you are doing?
please pardon my intrusion, but might inquire as to the nature of your current actions?
this is obviously a somewhat overwrought example, but you get the point. oftentimes, the longer, more complex, more indirect sentence constructions indicate a greater formality, often because there is a simultaneous decreasing of certainty. downplaying the speaker’s certainty can show deference (or weakness) in english, while certainty tends to show authority/confidence (or aggression/rudeness).
different words also carry different implications of formality—in the example, I switched “excuse me” to “pardon me” during one of the step ups. pardon (to me at least) feels like a more formal word than “excuse”. Similarly, “inquire” is more formal than “ask” etc. I suspect that at least some of what makes one word seem more formal than one of its synonyms has to do with etymology. many of english’s most formal/academic words come from latin (which also tends to have longer words generally!), while our personal/colloquial words tend to have germanic origins (inquire [latin] vs ask [germanic]).
you’ll also notice that changing a more direct sentence structure (“may I ask what”) to a more indirect one (“might I inquire as to”) also jumps a register. a lot of english is like this — you can complicate simple direct sentences by switching the way you use the verbs/how many auxiliaries you use etc.
THE POINT IS: with regards to english, more formal sentence structures are often (not always) longer and more indirect than informal ones. this leads us to a problem with a character like lan wangji.
lan wangji is canonically very taciturn. if he can express his meaning in two words rather than three, then he will. and chinese allows for this—in extreme ways. if you haven’t already read @hunxi-guilai’s post on linguistic register (in CQL only, but it’s applicable across the board), I would start there because haha! I certainly do Not have a degree in Classical Chinese lit and she does a great job. :D
you can see from the examples that hunxi chose that often, longer sentences tend to be more informal in chinese (not always, which I’ll circle back to at the end lol). Colloquial chinese makes use of helping particles to indicate tone and meaning, as is shown in wei wuxian’s dialogue. and, as hunxi explained, those particles are largely absent from lan wangji’s speech pattern. chinese isn’t built of “words” in the way English is—each character is less a word and more a morpheme—and the language allows for a lot of information to be encoded in one character. a single character can often stand for a phrase within a sentence without sacrificing either meaning or formality. lan wangji makes ample use of this in order to express himself in the fewest syllables possible.
so this obviously leads to an incongruity when trying to translate his dialogue or capture his voice in English: shorter sentences are usually more direct by nature, and directness/certainty is often construed as rudeness -- but it might seem strange to see lan wangji’s dialogue full of longer sentences while the narration explicitly says that he uses very short sentences. so what happens is that many english fic writers extrapolated this into creating an english speech pattern for lan wangji that reads oddly. they’ll have lan wangji speak in grammatically incoherent fragments that distill his intended thought because they’re trying to recreate his succinctness. unfortunately, English doesn’t have as much freedom as Chinese does in this way, and it results in lan wangji sounding as if he has some kind of linguistic impediment and/or as if he’s being unspeakably rude in certain situations. In reality, lan wangji’s speech is perfectly polite for a young member of the gentry (though he’s still terribly rude in other ways lol). he speaks in full, and honestly, quite eloquent sentences.
hunxi’s post already has a lot of examples, but I figure I’ll do one as well focused on the specifics of this post.
I’m going to use this exchange from chapter 63 between the twin jades because I think it’s a pretty simple way to illustrate what I’m talking about:
蓝曦臣道:“你亲眼所见?”
蓝忘机道:“他亲眼所见。”
蓝曦臣道:“你相信他?”
蓝忘机道:“信。”
[...] 蓝曦臣道:“那么金光瑶呢?”
蓝忘机道:“不可信。”
my translation:
Lan Xichen said, “You saw it with your own eyes?”
Lan Wangji said, “He saw it with his own eyes.”
Lan Xichen said, “You believe him?”
Lan Wangji said, “I believe him.”
[...] Lan Xichen said, “Then what about Jin Guangyao?”
Lan Wangji said, “He cannot be believed.”
you can see how much longer the (pretty literal) english translations are! every single line of dialogue is expanded because things that can be omitted in chinese cannot be omitted in english without losing grammatical coherency. i‘ll break a few of them down:
Lan Xichen’s first line:
你 (you) 亲眼 (with one’s own eyes) 所 (literary auxiliary) 见 (met/saw)?
idk but i love this line a lot lmao. it just has such an elegant feel to me, probably because I am an uncultured rube. anyways, you see here that he expressed his full thought in five characters.
if I were to rewrite this sentence into something much less formal/much more modern, I might have it become something like this:
你是自己看见的吗?
你 (you) 是 (to be) 自己 (oneself) 看见 (see) 的 (auxiliary) 吗 (interrogative particle)?
i suspect that this construction might even be somewhat childish? I’ve replaced every single formal part of the sentence with a more colloquial one. instead of 亲眼 i’ve used 自己, instead of 所见 i’ve used 看见的 and then also added an interrogative particle at the end for good measure (吗). To translate this, I would probably go with “Did you see it yourself?”
contained in this is also an example of how one character can represent a whole concept that can also be represented with two characters: 见 vs 看见. in this example, both mean “to see”. we’ll see it again in the next example as well:
in response to lan xichen’s, “you believe him?” --> 你 (you) 相信 (believe) 他 (him)? lan wangji answers with, “信” (believe).
chinese does not do yes or no questions in the same way that english does. there is no catch-all for yes or no, though there are general affirmative (是/有) and negative (不/没) characters. there are other affirmative/negative characters, but these are the ones that I believe are the most common and also the ones that you may see in response to yes or no questions on their own. (don’t quote me on that lol)
regardless, the way you respond to a yes or no question is often by repeating the verb phrase either in affirmative or negative. so here, when lan xichen asks if lan wangji believes wei wuxian, lan wangji responds “believe”. once again, you can see that one character can stand in for a concept that may also be expressed in two characters: 信 takes the place of 相信. lan wangji could have responded with “相信” just as well, but, true to his character, he didn’t because he didn’t need to. this is still a complete sentence. lan wangji has discarded the subject (I), the object (him), and also half the verb (相), and lost no meaning whatsoever. you can’t do this in english!
and onto the last exchange:
lan xichen: 那么 (then) 金光瑶 (jin guangyao) 呢 (what about)?
lan wangji: 不可 (cannot) 信 (believe)
you can actually see the contrast between the two brothers’ speech patterns even in this. lan xichen’s question is not quite as pared down as it could be. if it were wangji’s line instead, I would expect it to read simply “金光瑶呢?” which would just be “what about jin guangyao?” 那么 isn’t necessary to convey the core thought -- it’s just as how “then what about” is different than “what about”, but “then” is not necessary to the central question. if we wanted to keep the “then” aspect, you could still cut out 么 and it would be the same meaning as well.
a FINAL example of how something can be cut down just because I think examples are helpful:
“I don’t know” is usually given as 我不知道. (this is what nie huaisang says lol) It contains subject (我) and full verb (知道). you can pare this straight down to just 不知 and it would mean the same thing in the correct context. i think most of the characters do this at least once? it sounds more literary -- i don’t know that i would ever use it in everyday speech, but the fact remains that it’s a possibility. both could be translated as “I do not know” and it would be accurate.
ANYWAYS, getting all the way back to one of your original questions: does chinese have contractions? and the answer is like... kind of...?? but not really. there’s certainly slang/dialect variants that can be used in ways that are reminiscent of english contractions. the example I’m thinking of is the character 啥 (sha2) which can be used as slang in place of 什么 (shen2 me). (which means “what”)
so for a standard sentence of, 你在做什么? (what are you doing), you could shorten down to just 做啥? and the second construction is less formal than the first, but they mean the same thing.
other slang i can think of off the top of my head: 干嘛 (gan4 ma2) is also informal slang for “what are you doing”. and i think this is a regional thing, but you can also use 搞 (gao3) and 整 (zheng3) to mean “do” as well.
so in the same way that you can replace 什么 with 啥, you can replace 做 as well to get constructions like 搞啥 (gao3 sha2) and 整啥 (zheng3 sha2).
these are all different ways to say “what are you doing” lmao, and in this case, shorter is not, in fact, more formal.
woo! we made it to the end! I hope it was informative and helpful to you anon. :D
this is where I would normally throw my ko-fi, but instead, I’m actually going to link you to this fundraising post for an old fandom friend of mine. her house burned down mid-september and they could still use help if anyone can spare it! if this post would have moved you to buy me a ko-fi, please send that money to her family instead. :) rbs are also appreciated on the post itself. (* ´▽` *)
anyways, here’s the loaf jingyeast made :3 it was very tasty.
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be-gay-do-heists · 3 years
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hello yall :) the holy month of elul started last night, which is typically a time for contemplation, so since it is impossible for me to stop thinking about leverage, i decided to write an essay. hope anyone interested in reading it enjoys, and that it makes at least a little sense!! spoilers for leverage redemption
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Leverage, Judaism, and “Doing the Work”: An Essay for Elul
When it comes to Elul and the approaching High Holidays, Leverage might seem like an odd topic to meditate on.
The TNT crime drama that ran from 2008-2012, and which released a new season this summer following its renewal, centers on a group of found-family thieves who help the victims of corporations and oligarchs (sometimes based on real-world examples), using wacky heists and cons to bring down the rich and powerful. In one episode, the team’s clients want to reclaim their father’s prized Glimt piece that had been stolen in the Shoah and never returned, but aside from this and the throwaway lines and jokes standard for most mainstream television, there’s not a ton textually Jewish about Leverage. However, despite this, I have found that the show has strong resonance among Jewish fans, and lots of potential for analysis along Jewish themes. This tends to focus on one character in particular: the group’s brilliant, pop culture-savvy, and personable hacker, Alec Hardison, played by the phenomenally talented Aldis Hodge.
I can’t remember when or where I first encountered a reading of Hardison as Jewish, but not only is this a somewhat popular interpretation, it doesn’t feel like that much of a leap. In the show itself, Hardison has a couple of the aforementioned throwaway lines that potentially point to him being Jewish, even if they’re only in service of that moment’s grift. It’s hard to point to what exactly makes reading Hardison as Jewish feel so natural. My first guess is the easy way Hardison fits into the traditional paradigms of Jewish masculinity explored by scholars such as Daniel Boyarin (2). Most of the time, the hacker is not portrayed as athletic or physical; he is usually the foil to the team’s more physically-adept characters like fighter Eliot, or thief Parker. Indeed, Hardison’s strength is mental, expressed not only through his computer wizardry but his passions for science, technology, music, popular media, as well as his studious research into whatever scenario the group might come up against. In spite of his self-identification as a “geek,” Hardison is nevertheless confident, emotionally sensitive, and secure in his masculinity. I would argue he is representative of the traditional Jewish masculine ideal, originating in the rabbinic period and solidified in medieval Europe, of the dedicated and thoughtful scholar (3). Another reason for popular readings of Hardison as Jewish may be the desire for more representation of Jews of color. Although mainstream American Jewish institutions are beginning to recognize the incredible diversity of Jews in the United States (4), and popular figures such as Tiffany Haddish are amplifying the experiences of non-white Jews, it is still difficult to find Jews of color represented in popular media. For those eager to see this kind of representation, then, interpreting Hardison, a black man who places himself tangential to Jewishness, in this way is a tempting avenue.
Regardless, all of the above remains fan interpretation, and there was little in the text of the show that seriously tied Judaism into Hardison’s identity. At least, until we got this beautiful speech from Hardison in the very first episode of the renewed show, directed at the character of Harry Wilson, a former corporate lawyer looking to atone for the injustice he was partner to throughout his career:
“In the Jewish faith, repentance, redemption, is a process. You can’t make restitution and then promise to change. You have to change first. Do the work, Harry. Then and only then can you begin to ask for forgiveness. [...] So this… this isn’t the win. It’s the start, Harry.”
I was floored to hear this speech, and thrilled that it explained the reboot’s title, Leverage: Redemption. Although not mentioned by its Hebrew name, teshuvah forms the whole basis for the new season. Teshuvah is the concept of repentance or atonement for the sins one has committed. Stemming from the root shuv/shuva, it carries the literal sense of “return.” In a spiritual context, this usually means a return to G-d, of finding one’s way back to holiness and by extension good favor in the eyes of the Divine. But equally important is restoring one’s relationships with fellow humans by repairing any hurt one has caused over the past year. This is of special significance in the holy month of Elul, leading into Rosh haShanah, the Yamim Noraim, and Yom Kippur, but one can undertake a journey of redemption at any point in time. That teshuvah is a journey is a vital message for Harry to hear; one job, one reparative act isn’t enough to overturn years of being on the wrong side of justice, to his chagrin. As the season progresses, we get to watch his path of teshuvah unfold, with all its frustrations and consequences. Harry grows into his role as a fixer, not only someone who can find jobs and marks for the team, but fixes what he has broken or harmed.
So why was Hardison the one to make this speech?
I do maintain that it does provide a stronger textual basis for reading Hardison as Jewish by implication (though the brief on-screen explanation for why he knows about teshuvah, that his foster-parent Nana raised a multi-faith household, is important in its own merit, and meshes well with his character traits of empathy and understanding for diverse experiences). However, beyond this, Hardison isn’t exactly an archetypical model for teshuvah. In the original series, he was the youngest character of the main ensemble, a hacking prodigy in the start of his adult career, with few mistakes or slights against others under his belt. In one flashback we see that his possibly first crime was stealing from the Bank of Iceland to pay off his Nana’s medical bills, and that his other early hacking exploits were in the service of fulfilling personal desires, with only those who could afford to pay the bill as targets. Indeed, in the middle of his speech, Hardison points to Eliot, the character with the most violent and gritty past who views his work with the Leverage team as atonement, for a prime example of ongoing teshuvah. So while no one is perfect and everyone has a reason for doing teshuvah, this question of why Hardison is the one to give this series-defining speech inspired me to look at his character choices and behavior, and see how they resonate with a different but interrelated Jewish principle, that of tikkun olam. 
Tikkun olam is literally translated as “repairing the world,” and can take many different forms, such as protecting the rights of vulnerable people in society, or giving tzedakah (5). In modern times, tikkun olam is often the rallying cry for Jewish social activists, particularly among environmentalists for whom literally restoring the health of the natural world is the key goal. Teshuvah and tikkun olam are intertwined (the former is the latter performed at an interpersonal level) and both hold a sense of fixing or repairing, but tikkun olam really revolves around a person feeling called to address an injustice that they may have not had a personal hand in creating. Hardison’s sense of a universal scale of justice which he has the power to help right on a global level and his newfound drive to do humanitarian work, picked up sometime after the end of the original series, make tikkun olam a central value for his character. This is why we get this nice bit of dialogue from Eliot to Hardison in the second episode of the reboot, when the latter’s outside efforts to organize international aid start distracting him from his work with the team: “Is [humanitarian work] a side gig? In our line of work, you’re one of the best. But in that line of work… you’re the only one, man.” The character who most exemplifies teshuvah reminds Hardison of his amazing ability to effect change for the better on a huge stage, to do some effective tikkun olam. It’s this acknowledgement of where Hardison can do the most good that prompts the character’s absence for the remainder of the episodes released thus far, turning his side gig into his main gig.
With this in mind, it will be interesting to see where Hardison’s arc for this season goes. Separated from the rest of the team, the hacker still has remarkable power to change the world, because it is, after all, the “age of the geek.” However, he is still one person. For all that both teshuvah and tikkun olam are individual responsibilities and require individual decision-making and effort, the latter especially relies on collective work to actually make things happen. Hardison leaving is better than trying to do humanitarian work and Leverage at the same time, but there’s only so long he can be the “only one” in the field before burning out. I’m reminded of one of the most famous (for good reason) maxims in Judaism:
It is not your duty to finish the work, but neither are you free to neglect it. (6)
Elul is traditionally a time for introspection and heeding the calls to repentance. After a year where it’s never been easier to feel powerless and drained by everything going on around us, I think it’s worth taking the time to examine what kind of work we are capable of in our own lives. Maybe it’s fixing the very recent and tangible hurts we’ve left behind, like Harry. Maybe it’s the little changes for the better that we make every day, motivated by our sense of responsibility, like Eliot. And maybe it’s the grueling challenge of major social change, like Hardison. And if any of this work gets too much, who can we fall back on for support and healing? Determining what needs repair, working on our own scale and where our efforts are most helpful, and thereby contributing to justice in realistic ways means that we can start the new year fresh, having contemplated in holiday fashion how we can be better agents in the world.
Shana tovah u’metukah and ketivah tovah to all (7), and may the work we do in the coming year be for good!
------
(1) Disclaimer: everybody’s fandom experiences are different, and this is just what I’ve picked up on in my short time watching and enjoying this show with others.
(2) See, for example, the introduction and first chapter of Boyarin’s book Unheroic Conduct: The Rise of Heterosexuality and the Invention of the Jewish Man (I especially recommend at least this portion if you are interested in queer theory and Judaic studies). There he explores the development of Jewish masculinity in direct opposition to Christian masculine standards.
(3) I might even go so far as to place Hardison well within the Jewish masculine ideal of Edelkayt, gentle and studious nobility (although I would hesitate to call him timid, another trait associated with Edelkayt). Boyarin explains that this scholarly, non-athletic model of man did not carry negative associations in the historical Jewish mindset, but was rather the height of attractiveness (Boyarin, 2, 51).
(4) Jews of color make up 20% of American Jews, according to statistics from Be’chol Lashon, and this number is projected to increase as American demographics continue to change: https://globaljews.org/about/mission/. 
(5) Tzedakah is commonly known as righteous charity. According to traditional authority Maimonides, it should be given anonymously and without embarrassment to the person in need, generous, and designed to help the recipient become self-sufficient.
(6) Rabbi Tarfon, Pirkei Avot, 2:16
(7) “A good and sweet year” and “a good inscription [in the Book of Life]”
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fanmoose12 · 3 years
Text
Levihan Week 2021
Day two: Confessions
Summary: Confessions are to be made in the right place, in the right time.
"Confessions are to be made in the right place, in the right time."
It was an advice that Erwin once gave him, during one of the rare instances when the late Commander allowed himself to shrug off his heavy duty and act like a normal human.
Back then, Levi didn't understand the meaning of his words, didn't realize how this philosophical remark could be related to his question about “that red-haired lady that visited our barracks with Dawk today”.
But time went on, and the words refused to leave Levi's mind. Watching his fellow scouts, his friends and subordinates, he couldn't help but remember Erwin's wisdom.
Confessions are to be made in the right place, in the right time
The more Levi thought about it, the more he started to believe that it was a universal truth. Blurt out the wrong thing to the wrong person or in the wrong time, and you create a misunderstanding, tension or even a conflict.
Blurt out the right thing to the right person but in the wrong time, and you can very well destroy the relationship that was so treasured.
Levi saw examples of this everywhere - drunken soldiers slurring the admission of their love to their equally drunken comrades, heavily injured soldiers whispering the words of love on the verge of death, forever breaking the heart of the subject of their affections, angry and tired soldiers screaming out those dangerous three little words in the moments of frustration and resentment.
Love made people stupid, it made people reckless. It was dangerous and unwelcome in their line of work. He couldn't allow his heart to grow attached to someone else, couldn't let his eyes wander in the search of them during battles, couldn't let someone else's voice and laugh distract him from his duties.
Levi scoffed at the soldiers who waxed poetic about love, he rolled his eyes at the displays of affection, he pitied the fools who dedicated their hearts not to the indestructible idea of humanity and its future, but to a single, mortal person.
And then, out of nowhere, in the midst of battles, losses and rare moments of peace, he himself became that very same fool. During battles, his eyes searched for the shrieking idiot, his heartbeat slowing down only after he saw them alive and well. During late evenings and sleepless nights, he sat in the stuffy, dusty laboratory, listening to unending ramblings about titans, the outside world and the hopes of bright future.
He was more focused with them by his side. He slept better when they were curled up around him. Even his food was more delicious when they shared it with him, shamelessly stealing bits of his dinner.
It wasn't love, Levi had tried to assure himself. Love was dangerous and stupid, love was making people weak. But this— this bond, this comradery, this friendship, it wasn't making him weak. It was making him stronger, it was making him fight even harder, to ensure that this hell would end with both of them still alive. This bond, it was making him feel so... happy.
Love made people do stupid things when their other half was injured or in danger. But Levi's person, they were strong. Almost as skilled as was he, and twice as smart.
On the battlefield, they were quick and graceful, invisible, they did not make him worried. Whatever danger they were facing, they always managed to defeat it.
But then, then Kenny came back into his life and then they went after him straight into that fucking cave, and Levi's heart had stopped, it almost crushed when he heard their scream and saw them fall.
And blood, there was so much blood on their shirt, in front of his eyes. And that's when Levi realized - he became attached, he fell in love.
Confessions are to be made in the right place, in the right time
It was the first time he remembered these words in a very long time. He thought he would never need this advice. But that night, when they returned from that cave, when Levi stayed by their side, watching them hiss and wince as doctors bandaged their injured shoulder, he almost blurted it all out. Scared out of his mind, he wanted to grab their face and scream at them how he almost lost his shit during the fight, how even the thought of losing them was making him absolutely terrified. He wanted to press their forehead against his and whisper, so quietly than only two of them would hear, how much he loved them.
But they had a battle waiting for them first thing in the morning. Both of them were exhausted, both of them had too much on their minds. It wasn't the right time and it wasn’t the right place.
So he simply gripped their healthy hand and said, "You looked like a fucking amateur back there, four-eyes. Try to focus next time, alright?"
The answering laughter was quiet, but cheerful. It mended Levi's heart.
Then there was Shiganshina, and Levi's previous fears started to look like an overreaction. He thought he was afraid before, he thought he was close to losing them before, but last time, he could at least see them twitch and groan out in pain, he was somewhat comforted by the knowledge that there were people looking over them.
But now, now, there was no one. There was an explosion, a big, thundering explosion, and after it, there was nothing, nothing at all.
And Levi— Levi couldn't go there and check if someone was still alive. He couldn't even stop and make sense of what he was feeling. Everything was moving too quickly, and he could only follow that swift flow, trying his best not to get drown in it.
And, as he continued moving, never faltering, his eyes were wet - with sweat, with blood, with tears - Levi couldn't spare a second to wipe all of it. He could only continue marching forward.
Confessions are to be made in the right place, in the right time
It wasn't the right place, certainly not the right time, but his desperate, relieved "Hange!" could probably count as a confession. It certainly disclosed the feelings that otherwise he would never let out.
But the current kept moving forward, and both of them were struggling to keep their head afloat. There was no time for words of love, no time for being stupid and reckless.
After the utter disaster that was Shiganshina, they returned home, and the place was right, but the time wasn't, as both of them were still dealing with the losses they've endured. Dumping even more revelations onto them seemed unwise, cruel even, so Levi stayed silent, remained at their side, loyal and faithful.
When they finally arrived at the sea, it seemed like the place was right, and the time was right. And as Hange dragged him from one end of the beach to the other, shoving seashell after seashell into his face, Levi even prepared a romantic, touching speech, the kind of soft confession that his love deserved. Something along the lines, "you're more precious than the sea in front of me".
But that peaceful day was over before he could master the courage to let the truth out in the open.
And after that, after that, the time and the place were never quite right. He could not confess in the midst of thousands official meetings, strategy planning and war councils. He couldn't confess when they had to meet with the Marley volunteers, he couldn't confess when they went to explore Marley itself.
He couldn't confess before they went to retrieve Eren's stupid ass. Although, he wanted to, desperately so. But when he grabbed their shoulder before they boarded the airship, he could only tell them, "Don't die. I'd hate to be in charge of this circus."
He didn't know if his true meaning was clear enough, if his voice was tight enough to translate his curt words into their intended point.
Don't leave me alone. I don't know if I can do this without you.
It only went downhill from that. He had no time to speak with them after they came home, he had no time before he went to the forest with Zeke, the place and the time just weren't right.
When Zeke had escaped, when the explosion had almost killed him, Levi thought that he had lost his chance. He had hesitated for too long, and the moment was lost forever. But the explosion didn't kill him, Hange saved him.
And this time, the place was right, it was perfect, a quiet, dark forest where nothing and no one could get to them.
Maybe, the two of us just should live here together. Right, Levi?
He wanted to say yes, wanted to scream "let's leave this fucking hell behind and grow old together". He wanted bury his face in their neck and whisper "I love you, more than anything".
But he didn't.
The place was right, but the time wasn't.
The place, the time, they were never right.
After they got out of the forest, things were spending up and up, leaving Levi behind and unable to catch up. He was always at the back, watching but not doing anything, too weak to even talk. And they were at the front, leading everyone towards their noble goal.
As he watched them move forward, leaving him to fight the Yeagerists, discussing plans with their allies, as he watched them slip through his fingers like a morning fog, those words were at the tip of his tongue, ready to spill out.
But Hange never stopped, they had no time to hear him out.
And then, Hange finally stopped. Then they decided to become the one that was going to be left behind. And in the process, they left behind Levi.
He thought about it so much, for so long, he was carrying these feelings for almost a decade. But he never figured out just what words to use to explain the matters of his heart.
Confessions are to be made in the right place, in the right time
He was so focused on these words that he forgot about the most important thing. Confession had to be done right as well. But he had no time to ponder and search his mind for the fitting words. He had no time, Hange had no time, and in that last moment, when his heart was breaking and his mind kept chanting "please, don't leave me, not you, please, not you", the only thing he could get out was, "Dedicate your heart."
The confession was clumsy, too roundabout, but his feelings probably were clear enough. He hoped so, at least.
Before they went, before they left him alone, Levi wanted them to know, wanted them to remember just how loved they were.
As he sat in that plane, his mind going crazy with grief, he remembered the words spoken to him in the middle of the night, by a man who refused to feel the pain of loss, who shut himself away from affection and love.
Confessions are to be made in the right place, in the right time
Perhaps, Erwin was wrong in that regard, Levi realized. Perhaps, there was no such thing as right place and right time. There could only be right person.
And Levi had just lost his.
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yinyangswings · 3 years
Text
Hanging off the Ledge
Fandom: Assassin's Creed Unity
Characters: Arno Dorian, Reader, Elise de la Serre (mentioned)
Pairing: Arno x femReader
Notes/Warnings: Implied thoughts of suicide, drinking, mention of vomit, used Google translate for my French so forgive me on that
Word count: 3088
Summary: You knew that there would always be trials when you fell in love with Assassin Arno Dorian. Knew that he had demons within him. What you didn't know was that your own demons would rear their heads at a vulnerable moment after an argument with him. Nor did you know that it would be Arno who finds you standing on the ledge of the South Tower of Notre-Dame, staring down at the streets of Paris.
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She wandered around the streets of Paris. The moon mingled with the lamp light, the sound of men singing from the bars, dogs barking, a cat hissing from an alleyway.
She didn’t really notice.
“You’re going to get yourself killed if you keep being reckless like this, Arno!”
“For fuck’s sake Elise, I’m not a child!!”
She frowned, wrapping her arms around herself. The argument itself wasn’t a new one. She thought he was being reckless and he, as usual, didn’t appreciate being coddled. And if she was being truthful with herself, this hadn’t been the first time he had called her Elise by mistake. Right after she had died, he would call her that on a nearly daily basis. She had red hair. Elise had red hair. For a man who had been drinking away his sorrows, it hadn’t been a surprise to get the both of them confused. But as a few years had gone by and he had grieved correctly he had stopped. She had thought, naively apparently, that maybe he was beginning to move on. When they had gotten together she had thought that maybe he actually loved her. That, while Elise would always have some part of his heart, which she had expected, she could share with the ghost of his former lover.
But that seemed like it was a lost cause.
He doesn’t love you. He loves Elise. He’ll always love Elise over you. If he could save her by sacrificing you, he’d do it without hesitation.
She felt her eyes begin to burn and she roughly rubbed under them, pointedly ignoring the voice whispering in the back of her mind, but was pushing into her mind like a nail. She slowed when she found herself in front of Notre-Dame, the large building looming in the square. It wasn’t a church anymore. Some cult now ran it. The Cult of Supreme Being, if she remembered correctly. It was dark, signifying no one was likely in there.
Perfect.
She worked the door open and slid into the shadowed building. She remembered being a child and coming here once with her father and brother. It had been a beautiful cathedral, the stained glass glistening down upon the pews, the statues, the soft hymns of the choir.
She had gotten in trouble for staring too long, but she couldn’t help it. It had been a comfort for her.
It was now a shadow of what it once was. A daily reminder of the mistakes of this country. Of the change that had happened.
Just like you. You’re a mistake.
She found herself walking up the stairs in the back, her footsteps echoing despite being as quiet as she could. Several staircases, unlocking some doors, and climbing more stairs later she found herself in one of the towers, staring at the bells.
It was so quiet, only the wind passing through the room seemed to sing its song. She slid her hand across the one bell near her, feeling the chill of bronze soak into her hand. She jumped when her foot kicked something and she looked down to see a small crate of...wine bottles?
“Oh for God’s sake. Really?” She muttered, bending down to look at it more closely. It looked like someone had had the idea that no one would look for wine in an abandoned church.
Well...at least no one who wasn’t an assassin and knew how to pick locks.
She hesitated for a moment before she flipped the bottle over and looked at the label. It wasn’t even a good year. But it would do. She worked the cork out and took a swig, grimacing at the taste. She took another swig.
You’re useless. It’s no wonder your father died hating your existence. Why your brother died hating you.
And another.
You’re a disgrace to the Creed and the Brotherhood.
And another. The wine tasted bitter and she knew that she should stop, but it was helping with the pain, numbing it.
Arno will never love you. He will never see you as anything more than a replacement.
She coughed violently as she choked on the wine, not able to tell if the burn in her eyes was because of that or something else. She sank back, sniffling slightly and coughing at the burn. The voice was relentless.
Usually she could ignore it, plaster on a smile and carry on her day. But now…
Now…
Wouldn’t it be better if you just ended it?
As though to bolster the suggestion a sharp breeze rushed past her, creating a mournful sound through the tower she was in and she looked towards the opening.
And she took a step forward.
--------------
Arno Dorian was not in the greatest of moods as he jumped from roof to roof. The argument was still fresh in his mind. He understood Y/N’s point of view on the whole thing, but he felt that he wasn’t a child that needed to be coddled. He was an assassin, just like her. He hadn’t appreciated her scolding him, but looking back it hadn’t been a critique but more of a worry of hers. And he yelled at her, making her leave their room and the Café. Which was why he was running around Paris like a lunatic in the middle of the night looking for her to apologize. He had considered waiting at the Café but after three hours, he began to grow worried. Even at her angriest, she hadn’t been gone that long.
His desperation was growing in stature when she wasn’t in any of her normal spots that she would go to. He was about to head back and see if she had made it back to the Café when the moon peeked out of the clouds and illuminated Notre-Dame. He spotted a flash of red on the top of the South Tower. He stumbled to a stop, looking up, squinting to get a good look, before hurrying over to the church, making short work of getting to the top.
Sure enough it was Y/N, sitting on the railing of the tower. She glanced over her shoulder, before looking back out towards the city.
“Bonjour Arno.”
“There you are.” He huffed, landing on the roof of the tower, a frown on his face. He took a step and blinked as he kicked a wine bottle, watching it roll away from him.
“...Fancy a drink tonight?”
“Casse-toi. Like you’re any better.” Y/N slurred, taking another swig from another wine bottle, swaying slightly in the wind.
“Y/N, get off the ledge.” Arno said evenly, despite his heart threatening to pound its way out of his chest. “You’ll fall, Cherié.”
She cackled, though there didn’t seem to be any humor in her voice.
“Wouldn’t that be…” She hiccuped. “Wouldn’t that be une tragédie? I’m sure my funeral would have a grand total of...one attendee; moi! They might even bury me, or they’ll just dump my body into the Seine.”
She laughed again though he frowned.
“Y/N.”
She glared at him, before rolling her eyes, and pointedly ignoring him, taking a swig from the bottle in her hand. She was silent, staring at the few people of Paris wandering around, unaware of the two assassins sitting above them.
“Suppose I’d need to avoid some random passerby though, oui? Can’t...can’t hurt an innocent because of the Creed.”
It was as if cold water had been dumped on him.
She couldn’t mean...she wasn’t seriously considering...
“Y/N, get off the ledge.”
It wasn’t a gentle request anymore. She scoffed, standing like a child who was being called home during a riveting game of tag and didn’t want to. She swayed and stumbled on it, drawing closer to the edge.
“And if I do that by jumping off? No stacks of hay down there that I can see.” She asked good naturedly, her voice amazingly calm.
“Y/N, don’t joke like that.”
“Who’s saying I’m joking?” She hummed, twirling in an unsteady circle, swaying backwards. Arno dashed forward, grabbing her arm and yanking her back onto the roof, the bottle falling out of her hand and disappearing over the edge. He could only hope it didn’t hit anyone below as his arms folded around her, holding her close as she began to fight against him.
“Avez-vous perdu la raison?” He snapped. “Why would you even consider killing yourself?!”
“Because the place would be better without me!”
Arno staggered backwards as she kicked at his legs, his mind reeling, trying to catch up with the situation, but unable to comprehend it.
“What are you talking about?! Do you know how devastated we’d be if you died?!”
“Who, Arno? Who would fucking miss me!?” She cried, fighting against him. “My family is gone, Arno! My brother died hating me because of the reason I was even brought into this world! Father hated me because I killed Mother! Name on fucking person who would care if my brains splattered on the steps of Notre-Dame below!”
“Me!”
To that she let out a laugh that could have been a sob.
“You? YOU!?” Her voice went into hysterics. “You don’t give a damn about me! You never did!”
“Y/N, what’s gotten into you!? Of course I-”
“I’M NOT ELISE!”
He went still and he released her in shock. She stumbled away, but didn’t attempt to jump off the ledge again. She seemed to curl into herself, tears sliding down her face as she looked at him.
“You think...you think I’m stupid? Or blind? You don’t think I don’t know that you see Elise every fucking time I fucking turn and you see my hair, or when we spar, or...or argue? You think I’m that blind to not see that ache in your eyes every damn time you even look at me?? For fuck’s sake Arno, you’ve called me her damn name tonight!” She inhaled sharply, trying to stop crying, but failing. His eyes darted from side to side, replaying the argument earlier in his mind, before his eyes widened.
“Y/N, I didn’t-”
“Do you know how much it hurts trying to pretend I’m happy, when I’m reminded daily just how unnecessary and unwanted I am in this world? How much better you and this world would be without me? You want Elise back so much but I’m not Elise. I can’t be her. I can’t even begin to compare to her.” She whimpered. “I’m an assassin, but I was literally only born to be that because my brother was too sickly to be one. And despite that, despite working day in and day out to prove to him I could be a good assassin, I know that my father didn’t even want me! So...so why even bother being here? No one wants me, Arno. I’m just...just this big mistake...I...I…”
“Ma Cherié…” He said, his voice suddenly rough and he hurried over to her, pulling her to him again. She struggled for a moment, beating at his chest to get him to let go. He did not, digging his hand into her hair to keep her still. “Ma Cherié, no.”
“Let go, Arno!”
“No. Not until you listen to me.” He said. “I know I make mistakes. Too many to count. I hurt you so much without even realizing it. And you are the most patient woman to not murder me in my sleep for that.” He trailed off, swallowing noisily, “Oui, there are times I think about Elise, and wonder what life would be if she was still alive, and oui sometimes there are moments where I see her in you.”
She struggled against him again and he thanked the wine running through her right now. At least he could get her to listen to him.
“But that doesn’t mean I’d be better off without you. That I don’t want you here.”
She went still.
“I love you Cherié. I love you so much. You don’t deserve all this pain and weight I’ve put on your shoulders. Especially with Elise. There are similarities between the two of you, but the differences outweigh them. Christ...I don’t deserve you. I don’t deserve anything you give me.”
He moved her head away, cupping her face in his hands, brushing away the tears that were sliding down her cheeks.
“I don’t deserve waking up with you curled up to me and if I try to leave the bed, you hold onto me because it’s not yet time to wake up in your mind. I don’t deserve listening to you hum as you’re fixing a stitch in our robes while leaning against me, or your laughter when you’re sparring and you’ve pinned me. I don’t deserve having you scold me for being an idiot on a mission, yet having my back on said mission. I don’t deserve any of that.”
She stared at him and he gave a desperate laugh, his eyes glittering in tears.
“But even though I don’t deserve it, every day you bless me with those tiny memories. How could I be better off without you?”
She inhaled sharply, tears sliding down her cheeks. She let out a soft keening sound, closing her eyes tightly as a sob tore out of her throat, silencing the voice that was begging her to just pivot and jump.
“I can’t Arno...I just...I…I...I don’t know what to do.”
She heard him inhale shakily and felt him kiss her brow. He seemed to be shaking as well. He pulled her back into a hug, and she didn’t resist this time, just sobbing, face pressed into his shoulder.
“...Let’s go home.” His voice whispered into her ear after several minutes, rough as though he was holding back emotions. She nodded weakly, and he lifted her and carried her away. Before she could even object, he was walking down the stairs and past the bells of Notre-Dame.
She didn’t remember how exactly they got back to the Café Theatrë. She did remember having to stop several times in alleyways to puke her guts out from all that damn wine she drank. She remembered that Arno’s touch never seemed to vanish. Whether it was holding her hair away from the vomit, rubbing her back as she heaved, or holding her close to make sure she didn’t fall flat on her face when she stumbled away, he was always touching her.
The last thing she really remembered was going up the stairs to their room, being laid down on the bed and feeling a kiss against her temple. The next thing she knew, the sun was beaming into the room and her head felt like it had been used as a drum.
She let out a groan and curled up under the blanket, trying to rid herself of the headache. Distantly she heard a soft chuckle and then the clink of a cup on the nightstand.
“Can’t say I envy you. I know from experience it isn’t fun. Though this is a change in roles from what I usually remember.” Arno’s voice said softly. She muttered an expletive and peeked her head out from the covers. Arno sat down on the edge of the bed, offering a smile.
“Whatimeizzit?”
“It’s close to noon. I figured with the amount of drinking you did last night, you earned your sleep.”
Y/N groaned, covering her face with the blanket again.
“Come on. Let’s get some food into you. I promise you’ll feel much better.”
“If I ever go towards a wine bottle again, you are free to spank me.” She muttered, finally leaving the cocoon of blankets and Arno smiled.
“Oui m'dame. Granted, while it is a tempting offer, I have a feeling that’s not going to happen anytime soon.” He said and she snorted, instantly regretting it and cursed under her breath. He chuckled softly, pressing a kiss to her forehead before handing her a pastry.
“Eat.”
She wasn’t really hungry, but nibbled on it anyways, glancing over at him as he watched her. He was just staring at her as though making sure this wasn’t a dream and she was actually sitting in their bed alive and well, despite the hangover. He had dark bags under his eyes, which were curiously bloodshot. He was wearing the same clothes he had been wearing the night before. Almost as if he hadn’t...
“Did you stay up the entire night?” She muttered in surprise, realization dawning slowly in her hungover brain.
“...I wanted to make sure you didn’t try and leave to go back to Notre-Dame.” He finally said and she grimaced, looking away.
"Je suis désolé, Arno. I didn’t-”
“No! No, don’t apologize...just...is that the first time you’ve...that you’ve considered that?”
She shrugged.
“I’ve never gone as far as I did last night...but there’s always that voice in the back of my head saying that everyone would be better off if I wasn’t around...I don’t usually listen to it. But it was just...so loud last night. It drowned everything else out.”
“Y/N…”
She shifted away, embarrassed. He swallowed roughly before cupping her face, brushing a thumb against her cheek bone. She leaned into his touch, finally looking up at him.
“If it does happen again, if that voice becomes too loud?” He asked softly. “Find me. I meant what I said last night. I love you. I don’t deserve you, but I love you. And I’ll spend every day I have remaining telling you that. So find me, and I’ll put to rest any worry you have.”
She nodded, closing her eyes as he kissed her forehead, her cheeks, the tip of her nose, and then very delicately her lips, before resting his forehead against hers.
It wasn’t a clean fix. There were still problems that needed to be discussed. Issues that needed to be talked about. In the future he would have nightmares of wondering what if he hadn’t gone looking for her, if the next day they had found her body at the steps of Notre-Dame, and waking up in a cold sweat to check and see if she was still there next to him, still breathing. For a while after, she couldn’t go near Notre-Dame, couldn’t even take a sip of wine before her stomach revolted at the contents because it reminded her of that night.
But right then and there, it didn’t matter.
She was sitting there breathing, and in his arms.
And that was all Arno Dorian cared about.
--------------
Translations:
Bonjour : Hello
Casse-toi: Fuck off
Cherié: Sweetheart
Une tragédie: A tragedy
Moi: Me
Oui: Yes
Avez-vous perdu la raison: Have you lost your mind?
Ma Cherié: My Sweetheart
Oui m'dame: Yes Ma'am
Je suis désolé: I am sorry
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isamiral-soulwolf · 2 years
Note
What about prompt #16 for hand holding?
(I imagine that after Isa gets comfortable or sort of accepts Mira is her person, she wants to hold on and things like their daily chores keeping them apart is heart wrenching (cue Delores’ subtle teasing being a little shit because Isa’s flustered and knows she can’t do anything about it) ))
16. only linking the pinkies together, not ready to let go completely I hope you like this! I'm not entirely sure about it because today was a day, but I wanted to do this since I know you've been waiting awhile. If you had asked Isabela before the fall and rebuilding of Casita, she would have said she wasn’t a particularly physically affectionate person.
She loved her family–that she never doubted. It was a love that ran in her blood and her bones, a love so strong that it was almost like another heartbeat. She loved her family, and they loved her; she knew this, and that was never in question. Even when things had been at their most uncertain, even when she’d been at her worst about showing it, it was still known.
(Or at least, she’d thought that before Mirabel. Before Mirabel, and Casita crumbling into pieces. She was trying to be better about it, now.)
She loved her family, but it had never really translated into physical affection. The occasional hand hold with Dolores or hug, sure, but anything outside of that… well, it just hadn’t been. Past a certain age, Isabela had pulled away from her family and her family had pulled away in kind except for Alma, creating a distance that was no less loving for its existence–but a distance all the same. They were trying to be better about it, now.
It was a work in progress for everyone, except Mirabel. Mirabel, who threw herself into everything with her absolute best and took every setback like it was a personal challenge. In some ways, how completely and utterly relentless she was about it made it easier for Isabela to meet her in kind; it tapped into that small part of her brain that still at the very least, even if it didn’t want to be perfect, wanted to match the energy and enthusiasm of those around her.
Mirabel, it turned out, was very physically affectionate. And Isabela, well, maybe that just tickled the part of her that wanted to respond equally. And maybe, maybe somewhere along the way, Isabela had started to realize that she liked this whole physical affection thing far more than she had ever allowed herself to before. Not nearly to the same extent as Mirabel–she wasn’t about to start throwing herself at people–but she’d found something that was comfortable for her.
Like what she was doing right now.
Holding hands under the breakfast table had started after Casita had been rebuilt; a new normal that Isabela was finding she had come to crave. It had been a comfort thing, at first–a way to help Isabela’s nerves settle during a time when normally, Alma would have been handing out family chores and establishing expectations for the family. Mirabel had started it, gently taking Isabela’s hand under the table after sitting down next to her, but it had Isabela who had continued it, lacing their fingers together wordlessly and keeping it that way for the entire meal.
It was different, now, but the nerves those first few mornings together again as a family had been the same. It had been soothing, to have Mirabel’s thumb running absently over her skin, and the one time Isabela had thought to try and pull away once it had become obvious that Alma would stick to her word, Mirabel had let her–but before she could pull her hand away entirely her little sister had hooked their pinkies together. It had been small, light, and it would have been easy for Isabela to pull away entirely.
She hadn’t.
Isabela had kept their pinkies linked together, that last bit of warmth and closeness that still gave them some freedom in case anyone happened to ask them something. She’d chanced a glance at Mirabel, and saw the way her lips curved slightly, before she brushed it off when their mother asked.
It had warmed Isabela immensely. It shouldn’t have but, well, a lot of things about them shouldn’t have warmed her the way they did.
And if they kept holding hands like that in the morning under the table, nothing but their pinkies linked together until the last moment when they had to let each other go, no one else had to know about it but them.
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thoughts-on-bangtan · 3 years
Text
Let’s talk: Coldplay x BTS - My Universe
by Admin 1
After theories and discussions that started all the way back in April 2021 among ARMY when Christ Martin had been in Korea, the day has finally arrived--My Universe is here and it is a hit. As of me writing this the song has already gathered 90 #1s on iTunes and had the highest debut on Melon Top 100 (#6) and the first idol group song to reach #1 since the chart reform (doing so in 11 hours). 
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So then I called Phil, our fifth member, and Max Martin and said, ‘I think we’ve got a song to give to BTS.’ And they said, ‘Why don’t we hold onto it and give it to BTS.’ And then we started communicating with BTS and then went to Korea. — Chris Martin, NME interview
Sonically the song is a true collaboration of two legendary groups with neither losing any part of their identity. It sounds like a Coldplay song, but at the same time it also sounds like BTS, something that would share a shelf with Heartbeat, Mikrokosmos and a slice of Magic Shop. I won’t call myself an expert on Coldplay by any means. I own a few of their albums and I’ve been listening to them on and off for many years, but beyond certain songs and their general sound, especially the more recent one, my knowledge ends there. And yet, even based on that, everything in My Universe simply fits and works beautifully. It simply is a beautiful song.
Something I thought was a really beautiful touch was the song of the whale which reminded me of our lonely Whalian who so far sang his song all alone but now he isn’t alone anymore. His song did get heard in the end.
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Now lyrically it is a love song, Chris Martin having described it as such as well, that talks about “difficult love”, one that may be forbidden or complicated due to other circumstances, just like is says in the lines that Namjoon sings and then harmonizes on with Jimin:
And they said that we can’t be together
Because, because we come from different sides
And really, at least in the context of Bangtan, a song with such a sentiment, such a message, that love transcends these different sides and other “barriers” makes perfect sense. Because of them being Korean and singing in Korean, many might find it difficult to give them a chance, to fall in love with their music, due to various reasons, and yet, once you do try and set aside your prejudices and opinions based on the popular “it’s cool to hate BTS” mindset, falling in love is truly one of the easiest things to do.
Thematically it also fits BTS so perfectly with mentions of the universe, stars, infinity, and lyricism that’s so romantic and poetic, you can’t help but wonder how they manage to think of these beautiful sentences each time. Hobi, Namjoon and Yoongi are credited on the song, and I really do think you can feel their lyricism in this, even if their parts may have been short, and yet it’s enough to know and feel that it is them.
Looking at Hobi’s verse there is so much beauty to it (translation via doolset):
나를 밝혀주는 건 What lights me up is
너란 사랑으로 수 놓아진 별 the star that was embroidered with love that is you
내 우주의 넌 Inside my universe, you
또 다른 세상을 만들어 주는 걸 create another world for me
This sentiment of a star that isn’t you but is made more beautiful because its been embroidered by you, a piece of you being added to it to make it more special. It’s so different from the usual thought of you being the ultimate thing, but rather that you being part of it is what makes it so beautiful, you being a part of that persons life, their metaphorical star, is what makes the difference. It also goes along beautifully with the final line from JKs second verse harmonizing with Chris Martin: We are made of each other baby. Made of each other instead of for each other, two equal parts of something united instead of two separate pieces that work for each other/together.
Another line that stuck out to me was one of Yoongi’s lines, being:
지금 이 시련도 결국엔 잠시니까 Because the trial we face now is just for a moment anyway
Whatever hardships we may be facing right now, in the grand scheme of a lifetime, they are temporary, will pass “after a moment”. It reminds me of his lyric from so far away, being:
dream 결국 시련의 끝에 만개하리 dream, will eventually be in full bloom at the end of hardships
This is something I love about BTS and their lyrics, that you can see certain themes and ideas appear again and again over time, watch as they change or evolve, or something is added to them. It shows how much care and thought that goes into their songs, into everything they write.
Now, as it happens every time, there is a discussion that could be had about the thing we know causes fights every time: line distribution.
As someone who adores Tae’s voice, I’m beyond happy that he got to have his moment in this song, on his dream collab with a band he's mentioned so many times that he’d want to work with them and that he likes. After so many other collabs and songs happened where he either didn’t make it on at all or only in the chorus, this is a beautiful moment.
On the other hand, as someone who has both Tae and Seokjin has their bias wreckers, I can’t completely ignore/gloss over the fact that Seokjin is only on the song in the gang vocals for the chorus and his one line before the rap part. After how magnificent he was on their Fix You cover, you would’ve thought he’d get more of a moment in My Universe, but he didn’t. But, in all fairness, while he only had one line, Tae only had two while Namjoon had one on his own and one harmonizing with Jimin (so let’s call it 1.5 lines). If you look at it this way, lyric wise instead of how long it takes to sing the line, there isn’t much of a different between these three.
Of course, if you compare Seokjin’s line with JKs two verses, that’s an entirely different discussion, but the same can in that moment also be said about Tae, Namjoon and Jimin. JK though is the main vocalist so this makes his amount of lines always different from the other vocal line members.
Something to note though would be that the song essentially ends singing wise at 3:11 but continues with instrumentals for 37 more seconds before it actually ends, since it is 3:48 min long. If they really would’ve wanted, in theory there was room to fit more singing, more lines, in but the choice against that was made for whichever reason, one we’ll likely never know. Since it’s a Coldplay song and none of the BH producers and staff are on it, the call likely was made by Coldplay, though seeing as this was treated as more of an equal collab instead fo a feature, I’d guess Bangtan had a little more of a say, or at least could voice their opinion, and yet the song sounds the way it does.
We still have the acoustic version and the supernova 7 remix to come so who knows if perhaps the distribution will change a little on those. Interesting though is that, thanks to the video Namjoon posted on twt earlier, we saw him record the opening verse along with Chris Martin, though ultimately the verse is only sung by him on the final version. I’m curious to see if the documentary will give us more details on all of this, and what we’ll get to see in general.
Generally what I find fascinating is how, depending on what device and with what quality, you listen to the song, you can discover more of the song, more layers and more voices. From discussions and gushing I know that most people say that the member harmonizing with JK on JKs second verse is Jimin, but I’ll be honest that for me it sounds more like it’s Seokjin, or even both. At the same time, some say that at the end of JKs first verse the line where he harmonizes with Chris Martin that they can hear Tae there as well, which I only do sometimes, which makes no sense, but it shows just how seamlessly their voices blend into each other and fit together, which is a good thing, the whole point of harmonies.
The thing that, for me, “saves” the situation when it comes to Seokjin is the fact that despite having only one solo line, he was still so, so excited for this song to come out, that he walked around with a polaroid picture of him and Chris Martin behind his phone case, and that now he even got Chris Martin’s guitar with a signature and “Jin Worldwide Handsome” written on it as gift simply because he said the guitar is awesome. So, for me, as long as he seems happy, I’m happy too.
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When it comes to the lyric video we got that I thought was a really wonderful and fitting addition was this line at the end of it:
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We Are AllOne In The Universe
instead of
We Are Alone In The Universe
It goes along well with Coldplay calling themselves and their fans, if I got that right, “One Big Band” while Bangtan have We Are Bulletproof : The Eternal and the idea that BTS and ARMY have each other and because of that we are not alone anymore either.
From anon: Lately, the BTS collabs have been so great. In a sense that the artists are so respectful of BTS and genuinely get along with them and speak so kindly of them. Megan, Coldplay, also Halsey supporting My Universe. Jason Derulo who?
I completely agree. Megan showed so much love and support, I mean, she literally fought for the remix in court, and then met the members in NYC. Halsey was one of the few that since their first arrival in the US showed them support and didn’t treat them like outsiders, and has been supportive ever since. It was really nice seeing them And then Chris Martin who went out of his way to go to Korea despite COVID and all the restrictions to meet the members and record the song with them, instead of going the more standard route of each group recording on their own and them putting the parts together remotely.
I love them, and we love them, and it’s been such a joy… So, I unabashedly and unashamedly feel really grateful for the song, grateful for the person that inspired the song, and grateful for the people we sing it with. — Chris Martin, Apple Music interview
We’ve heard a lot about Chris singing My Universe and also singing the Korean lyrics, but actually getting to hear it ourselves, so cool! It’s wonderful to see him embrace Bangtan in such a way, not only have them sing in their own language on the track but also, when performing, sing it that way as well instead of substituting it with the translations which would make it easier for him.
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It shows that these are artists that really respect each other and see each other as equals despite all their differences. And that’s what makes My Universe feel like a song that is genuine and fits both perfectly.
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blu-joons · 3 years
Text
DATING BTOB HEADCANON A⇴Z ⇴  Lee Minhyuk
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A ⇴ AFFECTION
In anything that he did towards you, Minhyuk was always incredibly romantic, he would never be affectionate with you for no reason, there would always be a reason behind it, usually to remind you that he loved you.
B ⇴ BEFORE DATING
The two of you met at the gym one afternoon when you worked side by side on the treadmills. You could feel his eyes staring at you as you ran, and eventually you had enough, turning to face him with the machine on pause, keen to know what had caught his eye and why he was so focussed on you instead of himself.
C ⇴ CONFESSION
He wasn’t afraid of showing off in front of you, and his confession certainly emphasised that about him. Minhyuk ended up confessing to you at the end of a date that he had arranged for the two of you, confident that the sporting prowess and the romance he’d shown you would be enough, he decided to pull you back as you went to walk up to your door and let you know exactly how he felt about you.
D ⇴ DATES
Every date with Minhyuk somehow ended up turning into a competition, he just couldn’t help himself, and if you were honest, neither could you. Minhyuk loved doing physical, he’d snap up the chance to show you how athletic he was and how strong he was too. If you wanted to relax a little more, he’d strongly suggest the beach or the park, anywhere that presented him with the chance to take his shirt off and be able to flex his muscles at you throughout the day, making sure that you were impressed by his physique.
E ⇴ EXPERIENCE
He’d found himself in a small bit of controversy before when it came to his relationships, and so Minhyuk wanted to make sure that he kept himself, and you safe, this time around. Although everything was in the past, the backlash he faced still often played in the back of his mind, especially when the two of you were out in public. It was something he’d keep to himself too, not wanting to worry you or risk you getting nervous to be out in public with him when he was already a recognisable face.
F ⇴ FIGHTING
For the most part, Minhyuk loved to joke around, but a small part of him was serious too, and very hard working. When things got stressful and work became too much, you unfortunately tended to be the one that he’d take it out on. You’d sit and let him offload, trusting that most of what he said was nothing he truly meant. Once he’d taken the time to calm down and realise exactly what he’d said, Minhyuk would always be quick to apologise, determined to put things right and make sure you forgave him too.
G ⇴ GETTING TO KNOW HIS FAMILY
He loved to show you off to his family, he could never hype you up enough, which drove them up the wall. Even if you were sat right beside him, he’d still usually answer a question on your behalf, knowing how humble you’d try to be rather than really showing off to all of them just how talented you were.
H ⇴ HOME
Having your company was a big deal to Minhyuk, whilst he didn’t want to dive straight in and move you into his place, it also wouldn’t be too far into your relationship before he began to suggest that you should be a permanent resident of his household. A small part of him had always been lost when he lost Hamo, but having you around changed things.
I ⇴ “I LOVE YOU”
Minhyuk was the first one to say those three magical words at the end of one of your dates together. It almost felt like a rerun of his initial confession to you, only this time around Minhyuk was able to end the evening with a kiss, something he would have been far too scared of when he initially told you how he felt.
J ⇴ JEALOUSY
Whenever he finds himself feeling jealous, the jokes come to an end and serious Minhyuk comes out to play. He’ll stare more than anything else, silently letting whoever the problem is know that he’s around and that you’re very much not available to receive anyone’s attention aside from his. You’ll feel his presence stand a little bit closer to you when he’s jealous so he can keep a closer eye on things, without being too obvious about his feelings. Even though you’d always be able to tell every time what was going on.
K ⇴ KIDS
Having a family was a big deal for Minhyuk, and after discharge, something he thought a lot more about too. Whilst he didn’t want to rush you into making a decision so big, he also wasn’t afraid to see how you felt about having kids and where you saw it in your future. It’s definitely something he wants to happen, especially so when you came into his life, seeing no other option as far as his future was concerned.
L ⇴ LAUGHTER
Charisma is something that Minhyuk has in buckets, and so he’ll definitely use that to his advantage when he’s trying to make you smile. He loves to show off, but he knows that it’s a charming side of him that you adore. He works hard to make sure that you’re always happy around him, as your boyfriend he very much feels like its his duty to keep you smiling and give you a reason to try and be positive, even when you’re feeling low. Charm comes easy to Minhyuk, and so it doesn’t take much from him before him being his usual self ends up bringing a smile to your face and a laugh escaping from you.
M ⇴ MISSING
Being on the road is when he tries his hardest to show how strong he is, he refuses to really let anyone in and try and cope with the mixture of feelings he’s experiencing all to himself. It’s hard on him to not have you around, the two of you were always a team, and so to have his teammate no longer there was tough. Of course, the other members would rally around him, especially Eunkwang who would often try and do some sort of impression of you to try and bring a smile to his face, but it would never be enough to having you in person with him, instead he’d just have to wait until he could get home.
N ⇴ NICKNAMES
You loved to always tease him ‘minnie,’ as it was the one nickname for Minhyuk that would always ensure that you got your way. He hated to hear it, and so would give you what you wanted the second he heard it from you.
O ⇴ OBSESSION
He’s obsessed with your figure, he loves how it feels whenever he hugs you and how well you carry yourself, with or without him by your side.
P ⇴ PDA
Affection in public was often kept to a minimum, there was a time and place for Minhyuk to spoil you with affection, and out in public wasn’t it. Instead, he’d prioritise protecting you, secretly enjoying the fact that he can show off to you again how strong he is by keeping his arms firmly at your waist.
Q ⇴ QUESTIONS
He was incredibly competitive and loved to tease you when it came to something physical. The term fighting talk definitely springs to mind with Minhyuk, often questioning whether you really thought you were a match for him.
R ⇴ RANDOM FACTS
Minhyuk loved to cook, and you loved to taste the delicious meals that he made, and so Minhyuk found the perfect answer to it all, creating a recipe book filled with the recipes you loved for him to make. When date night came around, the book was his go to in order to make sure he found the perfect meal that he knew you would enjoy, which would be the perfect starter for the rest of your night together.
S ⇴ SEX
Every single time with Minhyuk is romantic, without a shadow of a doubt. Many might have him down for someone who enjoys a quick bit of fun, but he’s actually someone who takes a lot of time to look after you and pay close attention to the things that you want for him. As with most things, he’s a complete romantic, he can’t help but be soft around you and make each time with you an incredible love affair.
T ⇴ TEXTS
Whenever he was feeling lonely, Minhyuk would naturally pick up his phone and start texting you. It was always you that came to mind when he wanted someone to talk to, he just hoped that you’d be able to reply.
U ⇴ UNIVERSE
Knowing that you were always there for him was the biggest relief as far as Minhyuk was concerned. Sometimes his lifestyle was a little bit lonely, but knowing your company was always open to him meant the absolute world.
V ⇴ VACATION
When Minhyuk said anywhere in the world with you, he well and truly meant it. Anywhere was an adventure as long as the two of you made it one, and there were so many places around the world that the two of you wanted to explore. Someone, you managed to limit it to just one, at least for now anyway.
W ⇴ WHINING
If he wanted to show off to you, then he’d definitely let you know about it, whining until you finally paid attention to what he had to show.
X ⇴ XXXXX
Every kiss that you received from Minhyuk was always filled with affection and romance. He wasn’t one to waste a kiss or a moment with you, a true romantic at heart, he’d make sure each one meant something. Of course, with that, he would usually kiss against your lips, if he felt like it, he’d love to tease you, but most of the time he would keep things simple and make sure his kiss translated how much he loved you.
Y ⇴ YOU
You were his teammate, the two of you just did everything together.
Z ⇴ ZZZ
There was nothing Minhyuk loved more when he fell asleep than being able to feel you pulled tightly against his chest, being able to wrap his arms around you and whisper gently into your ear as you fell asleep beside him.
---
Masterlist
190 notes · View notes
nationalharryleague · 4 years
Text
Work of Art
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Pairing: Harry Styles x Reader
Genre: AU, Artist!Harry, fluff, angst if you squint
Word count: 4K
A/N: Hi everyone! This is my entry for @hsogolden​ ’s AU writing challenge! Check out their blog they are incredibly talented!!! ALSO, a MASSIVE thank you and shoutout to the lovely Miss Lu, @harrysgucciloafers​!!! I could have never done it without her!! Thank you so much for reading and remember, feedback is so so so appreciated!!! You can also send requests to my ask anytime!! I hope you enjoy :) More of my writing can be found in my masterlist :) 
***
Sleep was fleeting and you remained staring at your popcorn ceiling in your shitty apartment for longer than you would have liked. It was later than you would have liked when your phone buzzed and lit up the ceiling of your bedroom. Knowing sleep was still far off, you rolled over and examined the text from an unknown number, the bright screen blinding you in the process.
Hi, I was thinking of you today. I thought I would show you this piece that I made of you. Hope you’re doing well. Hx, attached was a slightly blurry photo of a beautiful painting of a woman.
The woman in the painting was made up of beautiful bright colors, her skin a mix of green, blue, and purple tones. Her eyes were a bright and captivating cerulean, standing out behind wide framed glasses, and she wore an intriguing and knowing smirk on her lips. Her hair fell down in blunt bangs over her forehead and framed her heart shaped face. She was young, looking to be only a little bit older than you.
The painting was captivating. It was crafted with such bright tones, using color blocking that blended the abstract with some elements of realism. It felt like someone poured all of their emotion and adoration or hurt (you couldn’t decide which) into it. You couldn’t decide if the artist loved or hated this figure staring back at you. One thing you knew was that whoever texted you was incredibly talented and had obviously dedicated so much time to this piece. You felt awful that it hadn’t reached its intended destination.
Um… Wrong number, you typed out, feeling a pang of sympathy for whoever ‘H’ was.
Oh… okay. Sorry to bother you., your phone screen lit up again.
Your art is beautiful, you quickly sent back, attempting to offer some sort of consolation to the mystery artist. Sorry I’m not who you wanted to talk to.
Don’t worry about it. Just looking for someone from a lifetime ago.
That last part kept you up for most of the night. You couldn’t stop thinking about what that could mean. Old friend? Estranged relative? Another artist? You let your mind dream up Oscar-worthy scenarios until you finally fell asleep.
***
“Please come to Scott’s art show with me,” Grace whined from across the table at your favorite coffee shop. Grace was your best friend from college and hadn’t figured out to get rid of you yet.
“You know how I feel about your shitty boyfriend and his shitty art,” you fired back. Scott was a pretentious “artist” who made “ironic” misogynistic sculptures and frequently “forgot” to pay Grace back for his share of rent. You hated his guts.
“I promise I’m going to break up with him soon. I just need to get to the end of the month so I get my money’s worth for rent,” she assured you. “By the way, I’m going to need some help moving out at the end of the month,” she mentioned nonchalantly. You let out a chuckle at her and playfully rolled your eyes.
“I will go to the show with you on one condition.”
“Anything.”
“You’ll hold my hand.”
A few hours later you walked into the modern and cold art show space, holding onto Grace’s hand for dear life, feeling unwelcome in this environment. Grace blended in easily, her bright blue hair and arms of tattoos suiting her well.  The edgiest thing you had ever done was getting your nose pierced… until your grandma threw a fit and your mom made you take it out. You were not an artist and you did not feel welcome in the art community, or at least the type of artists that hang out with Scott. You worked in an office, you dressed plainly and simply, and you didn’t think there was anything special about yourself. You were strikingly ordinary, a sharp contrast from most other people in the gallery. You felt like an outsider because you were one.
Walking around the gallery, you hung onto Grace while examining and appreciating the artwork. You took careful steps, as if to not take attention away from the paintings on the walls and spent time examining each piece as you moved through the room. As you moved from wall to wall, your eyes fell on a strikingly familiar painting. The same girl with the bright blue eyes and the bangs stared back at you, the devilish smirk still playing upon her lips like she knew you had met before.
Releasing Grace’s hand, you all but ran up to the painting in question, trying to take in all the details that didn’t translate over the slightly grainy photo on your phone. The painting took on a life of its own up close. The paint itself was layered thick and thin across the canvas creating a rough texture that made the girl come alive. You were half waiting for her to make eye contact with her captivating baby blues and start staring back at you. You felt like you could reach inside the canvas and hold the beautiful woman’s face in your hands.
“Do you like it?” a deep British voice asked after clearing their throat behind you.
“Oh, it’s so beautiful,” you murmured, still staring at the green and purple woman. It took you a moment to rip yourself away from her piercing eyes and look towards the voice, only to turn around and find an even more captivating set.
They were bright green and belonged to a tall, dark haired man that was breathtaking. He had chocolate brown curls that seemed to be sticking in every direction, like a purposefully perfect bedhead, and stubble that moved up his jaw and down his neck. He had plushy pink lips framing his bright smile and his two front teeth came down the tiniest bit too far. He was wearing a white tshirt that was painted to his fit body as it was a size too small for him, showing off his arms of tattoos, and a pair of orange corduroy flares. His ensemble was topped off with a pearl necklace. He arched a brow when your mouth hung open slightly, trying to take all of him in.
“The painting is gorgeous,” you eventually were able to spit out. “I feel like I know her.”
“I’m glad that I was able to create something so captivating,” he smiled at you. So he was the one that painted it, meaning he was the one who had texted it to you. After getting over the initial shock, you gave yourself an internal high five for having this guy’s number. “Harry,” he introduced himself, reaching out a perfectly manicured hand to shake yours. “Nice to meet you.”
“I’m Y/N,” you smiled back, debating if you should tell him that you had kind of met before. It felt creepy to tell him, like you were some sort of voyer on an intimate part of his life. “I love her. Can you tell me a little bit more about it?” you asked. You had to figure out if it was worth being creepy about.
“So did I,” he said with a light chuckle. “She’s someone that I used to know,” he elaborated looking over your shoulder, surely making eye contact with the woman. Maybe you were reading into it too closely, but you thought a flash of hurt passed across his features.
“Do you always paint mysterious people from your past?” you teased, wanting to break the slightly awkward silence and also willing to do anything to talk to him further.
“Actually, I’m mainly a landscape painter,” he smiled at the ground, hands shoved deep in his pockets. Looking back at Harry’s wall of paintings you realized that the girl was the only person on the wall, flanked by beautiful landscape paintings depicting all different areas of the world. You quickly picked your favorite, a monochromatic green scene of the Eiffel tower.
After you asked if he traveled a lot to paint, the conversation began to flow. You strolled around the mainly empty studio space, footsteps falling in sync, him teaching you about his paintings and you asking questions, desperate to learn anything you could from him and just wanting to hear that beautiful accent. You learned he grew up in Cheshire and moved to New York for school and never left, but he travelled to Europe often to see his family and to paint. He told you about how his ultimate goals in life were to have one of his pieces in the Museum of Modern Art and to find his soulmate. He was a hopeless yet hopeful romantic. He also had two cats, Evie and Stevie (the latter was obviously named after Stevie Nicks).
He was so beautiful. He had this magical twinkle in his eye that you just couldn’t get over. He looked like he was one of the sculptors’ in the room’s life work. He was just as much of a piece of art as anything on display in the studio.
When the crowd started to thin, Grace came and found you, still rolling her eyes from something stupid Scott had said, him trailing not far behind. “Hi my love,” she greeted you, kissing your cheek casually as always. “We were getting ready to head out but I can see you’ve made a friend.”
“Harry is the artist behind all these amazing paintings,” gesturing to the long wall displaying his artwork. “This is my best friend Grace,” you said, turning back to him. “And that’s her soon to be ex-boyfriend, Scott,” you laughed and pointed to him staring at a blank white canvas in the corner that was obviously not part of the exhibition.
“Wait,” he began, shaking his head and laughing, pointing accusingly between the two of you. “You two aren’t together?”
“What? No!”
“It’s just that you were holding hands for a while when you came in and then she called you ‘love,’ and then kissed your cheek,” he continued laughing, his cheeks a bright red. It was adorable. You felt your cheeks heat up just as bright red as his.
“Oh my god, no.” You broke out into a fit of giggles of your own.
“Well, in that case, would you like to grab a drink or something sometime?”
***
You decided to order a martini when you got to the bar the next night. You thought it would make you look fancy and you hoped it would impress your worldly date. You had put on your favorite red dress (the one that hugged you in all the right spots and hid the wrong ones), praying he would dress up like you did, and slid carefully onto the barstool. Bouncing your knee nervously, you sipped your drink slowly until you saw his well dressed figure enter the bar, making your heart skip a beat.
He was dressed in high-waisted wide-legged tan pants and a bright red cardigan printed with small white hearts that was held together in the front by a single button, leaving his chest and signature pearl necklace on display. His chest tattoos were now slightly visible, the faces of two swallows looking back at you, as well as what you thought might be some sort of antennae peeking up from his stomach. He also wore an award winning smile and shot you a wink when he spotted you from the entrance of the bar. Once again, he took your breath away.
“Hello darling,” he greeted you as he made his way over. You began to panic when he started leaning into you, relieved when his lips found their way to your cheek and quickly moved to the other. When he kissed your cheeks, it sent sparks through your body. Oh my god, he is so British, you squealed inside your head, unable to suppress your American excitement. “I like your color choice,” he smirked looking between your outfits of almost the exact same red. You could only hope your cheeks didn’t match as well.
“Great minds dress alike,” you remarked, earning a laugh from the gorgeous man in front of you. Turns out, your joke was enough to break the ice. Soon the conversation began to flow freely, without anxiety or trepidation, like you were a pair of souls reunited after lifetimes apart. You were two martinis in when you decided to break the news that the art gallery was not the first time you had spoken.
“I think I have to break something to you,” you giggled, everything seeming a little funny after a few drinks, “the art show was not the first time we met.” His eyebrows knit together in slight confusion so you decided to elaborate. “The night before the show you sent a picture of that painting to a wrong number, and that wrong number was me. I promise it was all a coincidence and I am not stalking you.” You held your breath while you waited a moment with bated breath for a reaction from him, but released the stress that had found its way into your shoulders when his smile returned to his lips.
“I knew you had more interest in Amelia than most people,” he chuckled. Amelia, you repeated to yourself, now having a name for the face of your mystery woman.
“When Grace dragged me to that studio and I saw her again, I just had to know more. But then I met you and got a little distracted,” you flirted, “accidentally” nudging his leg with the point of your stiletto.
“I’m glad I’m just a distraction to you,” he feigned offense, clutching his pearl necklace with the hand that wasn’t hanging onto his neat tequila.
“Meeting you tonight was actually just an elaborate ruse to learn more about your Amelia,” you sarcastically confessed, sending him back one of the winks he had been shooting you all night. Your wink wasn’t met with his typical laugh, but a slightly pained smile that didn’t reach his eyes. You worried you had hit a nerve.
“She’s not my Amelia anymore. Actually, I don’t think she ever was,” he spoke gently, taking a sip of his drink and breaking eye contact for what felt like the first time tonight. Oh no oh no oh no, you began to panic in your head. What did this woman do to him?  
“I once had an ex tell me they had cancer so I wouldn’t break up with them,” you offered, forcing a laugh and praying you could brighten up his mood again. Thankfully, it worked, bringing back the crinkles by his eyes that appeared whenever he smiled or laughed.
You breathed a sigh of relief when the rest of the night went smoothly. It was better than smooth actually, it felt easy and exciting. Harry made your heart sing and your stomach flutter. He was a perfect gentleman, walking you all the way home (even when he lived on the other side of the city) and even up to your apartment, insisting he needed to make sure you made it inside safe.
The pair of you were standing in front of your front door when he leaned in and pressed his blushed lips to yours. He tasted like the lime that sat on the rim of his drunk and smelled like shampoo and vanilla. Every hair on your body stood up on point and everywhere he touched you felt like your skin lit on fire; you never wanted this moment to end. He gently held your face and you could feel his lips turn into a smile as he pulled away, his beautiful green eyes meeting yours once again.
“I had a really good time tonight,” he breathed, unable to wipe the smile off his face.
“I think we should do this again,” you said, still catching the breath that he took away.
“I promise you’ll be hearing from me soon. I already have your number,” he chuckled, still beaming. You watched as he walked down the hallway away from you, winking and blowing you a kiss before turning the corner. As soon as you entered the apartment, you slid down your front door, dizzy from the haze he had created in your head. You couldn’t wait to see him again.
***
After that night, you couldn’t believe someone like him kept coming back to someone like you. You insisted you were too boring for someone who had such an incredible personality and background. Yet three months later, he was yours and you were his.
You spent almost all your nights together, crammed into one of your small New York City apartments, wrapped in each other’s arms and hypothetically solving the world’s problems. You had learned in this time that Harry was incredibly intelligent and well spoken, no matter how long it took him to get his words out due to his slow cadence. In your conversations, you had come to the agreement that most of the world’s problems could be solved with a little empathy and that green was definitely the best color.
Tonight you laid naked in his bed, your head resting just above your favorite butterfly, and played with his fingers as you listened to him speak about postmodernism and how it rocked the art world. You didn’t understand a thing he was going on about but you loved to hear him speak, his voice vibrating through his chest and how he pulled on his bottom lip when he was thinking. You scanned the studio apartment from his bed, trying to pay attention but losing that battle. The floor was littered with finished and unfinished paintings leaning up against the walls and you noticed one familiar face you had grown fond of was missing.
“Where did your painting of Amelia go?” you asked when he took a second to breathe during his diatribe.
“I sold it,” he said curtly.  You hadn’t talked much more about Amelia after that first night, the woman obviously being a sore spot, but you couldn’t help but wonder what happened.
“Oh, okay. I liked that painting a lot,” you spoke cautiously, trying not to hit whatever nerve you had previously.
“It was nice, but I think she should haunt someone else now,” he said with a sigh. Haunt?, you thought to yourself.
“H,” you began, rolling yourself off him to look him in the eye, “can I ask what happened with her?” You held your breath, afraid you might lose him to the heartbreak again.
��Don’t worry about her, she’s long gone.”
“Harry,” you lightly scolded him by using his full name which you rarely did, thinking back to when you agreed not to keep anything for each other. With a sigh, he began to speak.
“I was with her for a couple months last year and when I look back at it, it was really messy. We fought all the time and kept a lot from each other. But I had my rose colored glasses on and I would go as far as saying I was probably in love with her. I was even looking for engagement rings.” You felt a pang of jealousy within you at the idea of Harry loving anyone else. “That was until I found out that she already had a husband.”
Your heart broke for him after your initial shock, resting your hand on his warm cheek in an attempt to soothe him. He didn’t seem sad recounting the story or at the mention of her like he was before; he was now dealing with the remaining hurt of rejection.
“I painted her while I was still really mad,” he continued. “My original plan was to send it to her husband and tell him what had happened. But I decided that three lives didn’t need to be ruined instead of one. And then I was just kinda stuck with the painting. I thought selling it was a good way to get her out of my life and it’s more productive than lighting it on fire,” he finally said with a light chuckle.
A lot made sense all of a sudden. You now understood why Harry always got a little jealous when he saw other guys looking at you. He would loop an arm around your waist and press a kiss to your cheek while he stared them down. He thought you didn’t notice but you always did. You also understood why he was so open with you about how much he cared about you. It was a good thing you were equally as obsessed with him.
“I’m sorry, H. You didn’t deserve to go through all of that,” you said softly after a moment, unsure of what else you could offer.
“It’s okay. We grow from our past,” he shrugged. “And if I hadn’t painted her, I wouldn’t have found you,” he smiled sweetly, pulling you back into him and pressing his lips onto yours.
***
“Oh my goodness, what are you doing?” you giggled when Harry asked you to close your eyes.
“I have something to show you. Please close your eyes,” he asked again.
“What if I don’t want to close my eyes?” you teased, poking the dimple in his cheek caused by his cheeky grin. He rolled his eyes and began his plea again.
“Close your eyes, please. Do it.”
You gave in this time, closing your eyes and letting your heart flutter in anticipation. Harry knew you loved surprises and often took advantage of that fact. You felt him gently rest his cupped hands over your eyes, obviously not trusting you to not peak (he probably shouldn’t). He pressed himself to your back, urging you to make your way further into his apartment.
“Styles, if you let me walk into something, I swear to god,” you continued your giggling, overcome with excitement. Harry mumbled an ‘Oh, hush,’ in your ear before he stopped you both and lifted his hands away.
Your breath caught in your throat as you took it in. The painting was in Harry’s signature style, layered bright colors and varied textures across the canvas. Staring back was your own face, painted in a bright red monochrome with the exception of the color of your eyes that remained the same. You were posed with a bright smile that crinkled the skin by your eyes and you were wearing the red dress that you had worn that first night at the bar.
“Harry, oh my god. It’s so beautiful,” you managed to get out, still in shock.
“I know you don’t think you are, but are the most extraordinary person I’ve ever met. I wouldn’t want anyone else in the world to be my muse.” You felt as if you could explode or melt with the amount of love you had for this man. You held him up on such a pedestal, and now you knew he did the same for you. “From the moment I saw you, I thought you were a work of art. So, I thought I’d actually make you into one.”
Your cheeks burned from the smile you couldn’t shake if you wanted to and you felt yourself get a little teary eyed. You felt as if you had spent the majority of your life thinking you were nothing special and just another person walking down the street. Harry made you feel like you were the center of the universe. You wanted to love yourself like Harry loved you; like you loved him.
“I love you,” you blurted, small tears rolling down your face, wiped away by Harry’s talented hands.
“I love you too,” he murmured softly, pulling your body to his. “I’ll always have your face hung up high in my gallery.”
There she is!! I hope you enjoyed it!! You can let me know what you think here!! :) 
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sluttbuttsstuff · 3 years
Text
BUCCI GANG SKINCARE/BEAUTY ROUTINE (because this is what i care about)
BRUNO:
Probably has naturally perfect skin, because he’s beautiful and perfect
I love tan Buno, even if the anime and PPP make him super pale.  I translate this to the personal headcanon that he does have a natural tan, but he does use sunscreen everyday
He picked it up from being the son of a sailor, and one too many bad sunburns
Probably also loves using products with aloe in them, he knows he can trust them
Probably washes his face at night, but showers in the morning (because Abbacchio showers at night) so he thinks he doesn’t need to wash his face
Probably shaves often enough, but doesn’t cut his skin anymore when he does it because he is GROWN
Doesn’t use moisturizer because his skin is naturally on the more oily side, and thinks he doesn’t need it
He probably ends up getting wrinkles and aging MUCH faster because of this
  ABBACCHIO:
He has “A Routine” for his skincare, but he focuses more on his makeup and hair
If he’s just gonna cover it up with makeup anyways, who cares what his skin looks like
Because of that, his skin is on the sensitive side, i.e. he gets sunburn easily and has a bunch of allergies to chemicals and specific ingredients
Miraculously doesn’t get much acne anymore, just some blackheads on his nose
So yeah he puts a lot more effort into his makeup as a result
Very good at contour and cut creases-dramatic and gothic looks with dark/neutral pallets
Probably loves Kat Von D because of vibes, but also has an impressive collection of more indie brand’s liquid lipsticks and eyeliners
Actually does care a lot about his hair now that it's long
He originally let it grow out due to apathy, but Bruno complimented his hair so he keeps it long now and maintains it regularly
He washes his hair every other day give or take, then blow dries and irons it. It takes about 2 hours
He also regularly uses a hair mask, and protective sprays and oils
Also probably only uses brands recommended by hair stylists like redken and paul mitchell or the italian equivalent
He waxes all his body hair off.  All Of It.
As previously mentioned, he tends to take night showers because lets him take his time
Plus he's obv not a morning person.  He needs like an hour to do his makeup before he’s ready to go out in the morning
Probs wears the most makeup out of the gang
GIORNO:
Giorno is a person who’s carefully created a mask to achieve his dreams, and i believe this absolutely carries over into his appearance
Not to mention with issues of bullying and abuse in his past, he uses his beauty routine almost like a knight uses armor
Needless to say, he’s got the most intense skincare routine
Without fail, will wash his face and do a skincare regime twice a day
Im talking double cleansing, toner, spot correction, serum, essence, eye cream, moisturizer, etc
Spf in the highest protection available and regularly wears face masks at night
Will NOT go to bed without taking care of his skin
He definitely doesn’t seem like it, but might be the most obsessed with beauty and personal appearance out of anyone in the gang.
BUT it's the natural, effortless type of beauty.  The #wokeuplike this type
Wears some makeup, but its minimal, especially compared to Abbacchio
Some bb cream with spf and primer, lip gloss/tint, and eyebrow/lash tint.  Prefers brown mascara as opposed to black, and prefers long lashes as opposed to thick
He washes his hair with all natural products, and lets it air dry except for his donut holes in the front.  He pincurls them and uses as little hairspray as possible.
occasionally uses a straightening iron to add some curls, otherwise he thankfully has nice hair
Doesn’t really grow any facial hair.  Except for some leg/armpit hair, which is super soft and light.
Also uses hair masks and supplements for his hair, and again prefers organic/natural ingredients
I Want What He Has
MISTA:
Oh dear god
Probably one of the worst routines
Naturally has oily skin and hair, which is great for preventing aging, but bad for everything else
He does not know how to take care of himself, and unless it's brought to his attention, or he’s trying to impress/seduce someone, he doesn’t particularly care
That’s not to say that he’s a lost cause, he could probably be a model if he knew what he was doing.
Because he has oily skin, he got a lot of acne as a teen.  It’s getting better the older he gets, but he still gets plenty of white heads and acne.
Mainly on his forehead because of his beanie.
Will pop them every morning, and sometimes show it to Narancia (to his amusement) and Fugo (to his dismay)
After he pops his zits, he will use those alcohol pads
He thinks unless the skincare is actively burning his skin, it isn’t working
He’s recently started using witch hazel after a recommendation from Giorno, and it’s actually helping him a lot.  He’s not a huge fan of the smell, but it’s a start.  
This man needs to take at LEAST one shower a day, sometimes two.  Not just because of his oily hair, but because of his daily activities with passione, he sweats a lot which doesn’t help with his skin or hair
He uses Head and Shoulders , which is a crying shame.
I headcanon that his hair is naturally very dark, thick and wavy/curly, a bit coarse.  
9/10 his hair ends up sweat plastered to his skull by the end of the day after being under his hat
VERY HAIRY.  If he misses even a day of shaving, will grow stubble.  Body hair dark and curly
Also prolly has backne
FUGO:
Two words: Dry Skin
Which is nice because he doesn’t get a lot of acne, except for blackheads on his nose.
His skin is sensitive in other ways though
For one, it shows his blush easily, which can be embarrassing
Also dark bags under his eyes, although that’s mostly because of his irregular sleep schedules
Uses lotion on his hands a lot, because otherwise they can get very dry and cracked.
his lips are almost always cracked and chapped too, sometimes to the point of bleeding
He washes his face and hair daily, but doesn’t use moisturizer because he doesn't know that much about skincare.
He has learned about sheetmasks from Giorno, though, and likes them
He doesn’t do it often though, because Mista and Narancia make fun of him
Uses whatever shampoo or conditioner Bruno buys him, or whatever’s cheapest at the grocery store.  He does like to use mousse to slick his hair back and style it though
He can technically grow a beard and grows facial hair at a regular pace, but it’s so light and patchy that it doesn’t look that good, so he shaves regularly
NARANCIA:
Poor baby gets the painful kind of acne.
His skin is heavily affected by his hormones and diet
Maybe that’s why he prefers fruits and veggies to meats?  All the sugar and greasy food doesn’t do his skin any favors at all
Unconsciously picks at his acne, and doesn’t realize until he sees blood on his fingers that he knows isn’t from “work”
Could probably benefit from getting medication from a dermatologist, but he doesn’t know the first  thing about it, and is too embarrassed to ask Bruno for help
His hair is Dandruff prone, probably because he washes it every day.
Doesn’t use any special products or anything, but his hair is SO SOFT
It does get tangled up easily, unfortunately, and he has a cowlick on the back of his head that won’t. stay. Down.
Doesn’t really grow any facial hair yet, but his body hair is dark and thick, but very soft at the same time
Poor bby needs help with his routine
Got to Giorno, not Mista
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belongsinthetrash · 2 years
Note
i’m like 70% sure this will have already been sent but i didn’t find anything when i checked so… omori for the fandom ask thing? if it HAS already been done i’m so sorry </3
Don't worry, Cultist, I haven't gotten that yet. Though knowing my blog's main demographic, I can see why you think that. Anyways, onto the list:
Blorbo - This is gonna be a reoccurring thing throughout this whole thing, but I have so many characters in this game that I constantly think of. But, to make it so it ain't just the entire main cast here, I'm gonna say that my blorbo is Hero. Hero's story of being emotionally strong to set an example of being a reliable older brother for the rest of the group to confide in while burying his own sadness from a loved one's death because he finds it to interfere with other's problems he needs to solve is... it's relatable to an extent, I'll say. Now, nearly all what I've said for Hero can be said for Kel, I'll admit, but I'm playing the role of their parents right now. Not to worry though, because Kel will find a spot...
Scrunkly - ...within here! Partly the reason I've put Kel in this category than compared to this one is not only because I'm admittedly an unapologetic Hero simp, but because Kel does have more traits that make him fit right in. A super caring nature for his friends, a naive brashness gets him into trouble but can't help but love, and an inferiority complex given to him from his parents' clear favoritism of his older brother make for a character that you have a hard time hating and an easy time wanting to protect. Don't get me started on how much he wanted to bring the group back together but couldn't because he felt he would make the situation worse, because I will cry right here and now.
Scrimblo Bimblo - This one is a toss up because the Main Group is super liked in comparison to others within the game, but I'd give this to the one within that same group that is never talked about as much: Mari. I do know that she isn't talked about as much due to Omocat glossing over her character to make her the "perfect girl" she is, but the bits of info we do get paint a picture of a young woman trying to uphold standards of being an overachiever and suffering as a result of it, with her seeing anything less as failure. And her story is as important to tell as all the others' are, but unfortunately isn't, because she needs to be seen as without flaws to tell the story of forgiveness the game wants. Ironic, in a way. Anyway, sorry for game critique, back to funnies.
Glup Shitto - Another difficult one because of how much I've overanalyzed this game to hell, but the Chimera/Experiment 667 always come to mind for me. Paraphrasing a post I made on it a while ago, the fact that it resembles the Big Yellow Cat (a literal god-like entity in Headspace's lore) always made my crack theory brain speculating about how the Slime Sisters (or just Marina) have attempted to create a replica to either play creator with the world or to overthrow the hegemony of Headspace. I understand that it has its inspiration in the real world, but I'm a sucker for failed revolt type stories so give me this at least.
Poor Little Meow Meow - The Maverick, almost no question. I firmly believe that The Maverick persona is the result of Mikhael having a bit of an identity crisis or even body issues, and that's translated into a toxic personality that is honestly just pitiable but in funny way. Despite that, I still do like the implications of his character and I find it a shame that most write him off as funny meme character (which he kinda is, but maybe a bit more analysis for him would be dream-like to me).
Horse Plinko - Bit of a strange one maybe, but I'd put Omori here. I do NOT see him to be a villian (as that feels a bit wrong to say to a flawed coping mechanism doing their job to the letter), but with how almost organized they are in sealing the truth away when it seeps out, I'm always yearning for stories where Omori is put on the ropes from the threats he faces. Be itthe Stranger, Black Space in general, or even unaccounted threats that could happen in the strange world of Headspace, I just love to see the mostly composed controller become panicked from the overwhelming sense of defeat... There might be something wrong with me for wanting that. Too bad.
Eeby Deeby - There are few contenders for this spot, most of them parents unsurprisingly, but I choose to put Aubrey's Mom here for the reasons of all the other parents being implied bad or just not as bad. Sunny's parents are vaguely neglectful, Kel and Hero's parents' worst crimes are just guilt tripping and harmful favoritism, Basil's parents are close to earning the spot with how distant they are from their only son that has been clearly affected by their cold connection with him, and Aubrey's Father is at minimum a deadbeat dad. Meanwhile, Aubrey's Mother has let her daughter live in a house of filth to fend for herself in, with little attention ever given to how she feels or what's going on with her. We are never given much of a look into the minds of the parents, but with the absence of concrete evidence, Aubrey's Mom has shown herself to be a selfish individual that has given her daughter hell.
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