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#to add some further context
gaydryad · 10 months
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vote now on your phones:
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tunnels-end · 5 months
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sorry. guess I'm blogging trans drama now. But I still don't know what a baeddel is and at this point I really just don't super care
#my impressions from the vague things i've heard is like. vocal neoradfem transfem movement#that's kinda annoying and jerkfacey but fundamentally right in a lot of their assessments but fundamentally wrong in others#and got mocked into obscurity#and like. who cares? do they have any serious institutional or social power to weaponize?#does this matter at all outside of niche tumblr drama?#idk i can think of like 10 other kinda problematic angry movements that 'we' at least are sympathetic to#and aren't nearly this hostile towards. even though they result in much more tangible harms#idk. just kinda feels like a mix of the 'angry women aren't fulfilling their role' deal that got classic radfem seen as#a serious threat to whiteness-gender with the pressure in some contexts for trans women to be inoffensively feminine and 'fit in.'#... which brings me to i feel like The Left™️. particularly in social media contexts. very much has a problem with an economy of#who is worth critically allying with and who is worth driving off#in the popularity economy of social media. you don't need to consciously hold bigoted beliefs to create discriminatory outcomes#you just need to subconsciously make a discriminatory judgement when something makes you uncomfortable#which you totally do! yes! i mean you! literally nobody in this society is above it! that's just how culture works!#it doesn't even have to be much. when hundreds of thousands of people are. even little bits add up#so you get this weird self-reinforcing filter where even if everyone is consciously against oppressive systems. and is correct in their#assessments and analysis. and is critically engaging#a status quo forms manifests in what actually reaches you. which then of proceeds to further reinforce itself since that impacts#what even exists in the first place *to* filter.#and in a lot of ways. reflects 'ambient' culture's biases.
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i'm the first to admit i'm doing a bad job of not liveblogging, but i gotta be nogblogging
#the fault of having captions on lol. if not i'd've gone ''didn't quite catch that'' & moved on b/c Context Is Enough#apparently indeed [nog] on its own could historically refer to a strong ale; so says top result on an etymology search. further origin [?]#and for all i know maybe it was already used as [cited star wars drink] or something lol. i don't know these little details at all reliably#like i Know gun to head everything will have the blue milk lol e.g. but not much further than that#technically seen most? all? of the original / prequel trilogy movies but Ages ago & never moved to rewatch. eh.#i can live w/the nog possibilities. maybe if the original movie was just luke being a funny little gay icon i'd be like yeah i'll see it as#like an exercise in the novelty of that. but then i remember like eh...han solo will be there. i can sense the vibes of [annoying & boring]#which should be a star wars quote really#now i'll have to watch [will roland singing something so right] like the original paul simon version? kinda take it or leave it like#i appreciate it but i wouldn't ever seek it out. but then it's like ah....Augh#(b/c of the lyrics When Something Goes Wrong / I'm The First To Admit It (x2) / But The Last One To Know)#when someone....noggg blogggs....iii'm the first to admit it....i'm the first to Admit it....but the last one to knooooww....#oh okay a scene later and this guy refers to revnog. what is this; fury road (watched fury road and now i'm antifascist)#as well as reads out the [any witnesses?] quote ft cassian described as ''a human w/dark features'' space racial profiling hours indeed#and then going on ''they clearly harassed a human w/dark features'' implying that's correlation w/some Meaning to be sure#now coming back to add ah another moment with. mednog. seems like an established beverasuffix#andor
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divorcedmalewife · 9 months
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just talked shibari with a 70-something retiree how is y'all's day
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v5hadow · 1 year
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WIP Wednesday.... At 8 in the morning Thursday after I didn't sleep... (I got scrolling okay?)
Persona 5 Strikers/Royal AU (with romance with Mishima Yuuki amongst other... choices~ but only one relevant today) Chapter 1 Scene 1 because I finally got THIS to happy enough point and larger chunks until late Sendai written. I'll rant about it some other day. I've got like a 3 page rant on this thing written already actually.
----
A jingle of a bell, and Akira was through the door, Morgana popping out of the bag onto the boy’s shoulder. Near immediately they walked into a bunch of streamers. A bunch of other pops and streamers quickly followed. In a series of blending rounds came a chorus of “Welcome home!” Almost everyone got up to welcome the returning hero.
A quick glance at the first booth, Akira’s eyes were met with mostly midnight blue hair, but their eyes connected even through Mishima’s hands. The new arrival smiled and quirked an eyebrow before moving to greeting everyone with thanks. Before long the smiles spread to everyone.
Everyone surrounded the returning boy, barely taking turns to ask the pair how they are doing and how travel was. Sojiro clapped his hands together before announcing: “While it's good to have you back, kid, I still can’t have the cat down here during business hours.”
“Understood.” Akira nodded as he started to search his bag for something. He nudged Morgana as he looked in his bag.  
Futaba took the moment to shout: “Moving the party upstairs!” She proceeded to grab Yusuke and Makoto’s wrists and start towards the stairs at the end of the store.
“Thanks, Boss!” Ryuji shot to the owner. He patted Akira on the back as he passed, getting nods from both. Ann followed quickly behind.
Haru took a moment to bow to Sojiro. “Yes, thank you for hosting.”
Akira managed to pull a box out of the bottom of his bag. “Figure you’d like this over what I got most everyone else.” 
“Mochi? Oh right, your town has that really famous one.” Sojiro examined the box a moment before patting Akira’s head. “Thanks, kid.” The shop owner got a honestly happy smile.
One straggling teenager remained of the greeting group, as he took until Haru went upstairs to stand up and walk towards the stairs. “Yuuki.” The shorter boy stopped and turned as Akira quickly moved to follow. Akira took the moment to take Yuuki’s hand as he said, “Well someone was excited to see me.” 
Yuuki’s face flashed into an even darker shade of pink, before he bashfully turned his face away. The taller boy took a moment to drag his thumb across red checks. The red-faced teen took a breath in before  turning back with narrowed eyes, telling Akira: “Nope, you do not get to tease me about that.”
“Especially not with me right here!” The cat popped his head out from the bag on Akira’s arm, reminding them both of his presence.
In a quick series of motions Akira threw the bag onto a table still near the corner of the stairs accompanied with a “That better, Morgana?”
“This is animal abuse!” Morgana screeched as he got out of the bag and then stretched.
“Wow, he seriously tossed you up here?” Ann’s voice with some amazement floated down to them.
“Mona-chan, are you alright?” Haru called to the cat.
“Really, Akira?” Yuuki breathed out as he looked back and forth between where Morgana landed and the man in front of him. He got a brighter innocent smile in return. Yuuki rolled his eyes in response before giving Akira a peck on the cheek. “Welcome back.”
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hanggarae · 7 months
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WAYS WE CAN HELP PALESTINE:
as of 9am today, 8131 palestinians were killed, 20438 are injured and 1.4 million have been displaced. it’s important for all of us to help palestine in as many ways as we can.
i also cannot stress how much just spreading awareness in general can help. staying silent because of your discomfort is not an excuse to sit by while a genocide takes place. when we learn about these events in history we often think “how was this allowed to happen?” but that’s exactly what’s happening now and it’s our responsibility to not sit by and let an entire country be wiped out. i will continue adding more ways to help to this post and i’d really appreciate it if anyone can spread this as much as possible.
it’s important to get educated on everything going on in palestine right now, here are some sources that could help!
decolonize palestine - made by two palestinians, answers a lot of questions regarding everything right now (including debunking a lot of myths from biased news stations) and provides a lot of historical context.
list of documentaries to watch if you want to gain further knowledge
list of accounts to follow on twitter that can also provide information
linktree with information
you can also donate to organisations! even if you can’t donate tons of money, you can help by spreading these links so others can also try to donate!
red crescent
PCRF
MAP
doctors w/o borders
palestinian social fund
palestinian in pain launch good
this website is free and uses ad revenue for donations, all you need to do is click it once daily!
some more places you can donate to and some more
boycotting will also help!! also some of the kpop idols we stan have brand deals with ones that support 🇮🇱 so please let’s not interact with their posts with those brands
list from BDS of companies to boycott
signing petitions!
write to representatives and demand they retract their support of 🇮🇱
ways to contact local governments about helping palestine
if you’re in the uk here’s a link to contact your local MP
change org ceasefire petition
Text "CEASEFIRE" to 51905 if you live in America. The link provided leads you to a page to sign and call for a ceasefire once the goal is met. They are so close to meeting its goal!!
here's a link that lets you send a letter directly to your state representatives
here are some threads that will also give you ways to help.
thread of things we can do to help palestine
HOW TO HELP PALESTINE!! resources and links to other threads on how to donate and spread awareness of what's happening in palestine currently!!! a thread 🧵
here’s what we know, and links to donate to help aid palestinians, a thread:
Here is a list of list of resources and people you can follow to educate yourself on what’s going on in Palestine RIGHT NOW🇵🇸
Ways US, Canada, and UK residents can reach out to their state representatives and MPs to call for ceasefire in Gaza:
if there are any more sources that you would like me to add pls send me an ask or dm me !!
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junityy · 3 months
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🕸 — stay.
pairing. spider-man!jake x fem!reader genre. fluff, slight angst, slightly suggestive?? wc. 2k warnings. for context, this is the #infamous scene in the amazing spiderman 1 when peter shows up hurt at gwens window!! and yes im including the lizard LMAO and jake is kinda down Bad note. THIS TURNED OUT SO LONG.... and also NOT how i wanted but erm well.. spiderman jake is truly all i can think about so i hope you enjoy!!!
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You were just finishing up your chemistry homework when Jake leaned against your window frame outside, and lightly knocked against your window. By now, this had become a routine-like thing, so you didn't even flinch.
The first time he did that, though, you felt slightly creeped out before letting him in regardless - because, after all, you do live on the 21st floor. The second time he did that, you started getting used to it. After all, your boyfriend just so turned out to be Spider-man. It was just something you'd get used to sooner rather than later.
Turning around and telling him, “Come in.”, you could already feel your lips form into a smile like that of a little kid's. Jake does as you said and opens the window, slowly climbing inside while you quickly save your homework document in the meantime.
“So, big guy, what was saving New York like today?” you joke before turning around to look at him. Though, once you see Jake holding onto your armchair for stability, your smile fades as quickly as it appeared and you get up when your eyes scan his body - three major scratches across his chest, along with other small wounds across his face (though these are a given by now). But also- scratches? No, it looks more like someone tried to slice him up with.. you don't even know what. Knives? This big? You can only imagine how he got these.
“Different, for sure.” he replies in a joking manner (even though there is no smile), and you can hear just a tiny bit of the pain he must be in in his voice.
“Jake?” you end up whispering as you walk towards him, and he simply lets himself fall onto your armchair before you sit down beside him.
“Seems that reptiles aren't my biggest fans.” he jokes; now smiling as he lets his head fall back while trying to catch his breath. In the meantime, you can't help but scan his wounds up close and - it's safe to say, someone (or something) possibly did try to slice him up from the looks of it.
“Reptiles?” you repeat, the confusion in your voice being very easy to identify; something Jake had already seen coming though, so that is far from surprising.
Before speaking up to elaborate further, he lifts his head again to look at you up close, then explains; “Remember that thing on the bridge yesterday? The thing that was ‘bigger’ than a human.. Well, turns out it's actually some kind of giant, mutant lizard. And it's living in the sewers, apparently.”
“A what?” raising your eyebrows in shock immediately, you can't help but blink in utter confusion a few times - at least before your eyes find their way back to his chest, and some dots start to connect by themselves. Well, his wounds make a little sense now at least. Still, neither of you could deny that ‘giant mutant lizard’ doesn't sound absolutely insane - so naturally, it takes you a second to process and.. imagine what that fight must've looked like just now.
“You're..” you frown; making eye contact with your boyfriend again after breaking it shortly. Jake on the other hand can't seem to even think about taking his eyes off of you. As per usual. “You're telling me you're fighting.. giant lizards?” you simply add. You're also certain that no matter how you would've worded this, it would sound equally just as crazy.
But, well.. your boyfriend IS Spider-man after all. So really, nothing should probably surprise you anymore. If you had to guess, things would, most likely, only get crazier from here on.
“Yeah. Well, they suck.” Jake scoffs, followed by another smile on his face, but he quickly groans in pain right after; your eyes still fixated on his wounds. It’s not like he'll die of them, so you try telling yourself to stop being so dramatic, but still.. it's a sight you'd rather not get too used to.
You hate seeing him like this. Usually, you're pretty used to seeing him with small or at least smaller wounds by now, but this? This is.. low-key crazy. You keep telling yourself that he is literally Spider-man, and that there's.. kinda no way to avoid getting hurt, yet all you hope for is to see him in one piece every single time. And it seems that the longer he keeps doing what he's doing, the chances of seeing him at all keep getting slimmer. Which is something that truly keeps you up at night, easily causing goosebumps all over your body.
“Hey.” Jake quietly says, simply to bring you back to reality once he notices you're lost in thoughts, and the next thing you feel is his hand on your cheek, softly cupping it.
Once you're actually back, you properly reconnect the eye contact you so love with him again. “What is it?” he questions not too long after, barely whispering while trying to read your expression. You, on the other hand, just remain silent; swallowing, before taking a sharp breath.
“Take this off, I'll take care of it.” pretty much avoiding the question, you point to his suit instead (or at least the upper part of it) - since, every time Jake has come here, you took care of him and his injuries. And today was gonna be no different.
While he makes sure the city is okay, you need to make sure he's okay. And vice versa, Jake has to make sure you're okay, by coming back to you every time like promised. New York could be safe for all he wants - only seeing your face every time makes him feel truly safe and sound.
And so again, he does as you say; moving to sit on the floor while leaning against your bed, he watches you do your little magic in silence. Silence, awe, admiration - it's all the same when it comes to you, really. He doesn't even deserve you, Jake thinks to himself. Like he does everyday.
Your ‘little magic’ though, simply includes disinfecting his wounds first; a process the both of you have gotten used to by now.
Once he's rolled down his suit a little, you begin to carefully pat his chest with the tissue again and again, so careful as if he'd break if you made one wrong move. Which.. seems sort of funny. You're patching up the Spider-man after all.
Jake, in the meantime, can't seem to take his eyes off of you again, so he simply doesn't. Instead, he watches your every move like his life depends on it. The look in your eyes has changed. You've gone quiet. Like, awfully quiet.
“Y/N.” he tries again after just a moment - after you clearly avoided his question the first time. When you look up just the tiniest bit, you're immediately met with his eyes on you already in no time. Oh. His eyes. “What is it?” he repeats, hoping to get you to talk this time.
Looking at him, it takes you a few moments to even form a somewhat coherent thought. Sometimes you wish you could just stop time and stay like this. With him, here. Forever.
Sure, being Spider-man's girlfriend had its perks - like Jake taking you with him to swing around New York together. Surely.. an original experience! But it also meant praying he'd come home to you every time there was trouble in the city.
“I'm just scared for you, is all.” you sigh quietly, tilting your head a tiny bit. For just a moment, silence enters, and it feels like you're falling in love with him all over again. You're just glad he's here.
“You won't lose me.” Jake assures you in the softest tone possible and immediately brings his hand back to your cheek, only to bring your face closer to his. Close enough to place a kiss on your lips, a reassuring one. A kiss that, as you both know, says something words wish they could truly encapsulate. Breaking the kiss for a short, simple “I promise.”, he immediately reconnects your lips again like he'd suffocate if he didn't.
What starts as a lovely, reassuring kiss, quickly seems to turn into something much more intimate when you feel Jake rest his other hand on your waist only to pull you as close as possible; to feel your body right against his.
Spider-man might have impressive healing abilities that are above those of the average person, but Jake felt as if having you near him was already enough healing.
“I love you.” he breathes into the kiss, and quickly tries to catch his breath when you do the same for a second. Your faces still dangerously close, all you seem to be able to get out is a “I love you too.” that sounds very out of breath, like you were the one fighting a giant mutant lizard just before.
Bringing your hand up to rest on the side of his neck, Jake can't help but sigh when he backs off a tiny bit, only so he can get a good look at you. God, you're beautiful he thinks to himself. Basically looking at you the same way he did when he first told you he loved you, he automatically moves the few strands of hair out of your face; tucking them behind your ear, while his eyes simply shine with admiration. But mostly love.
“I just love you, Y/N.” your boyfriend repeats while shaking his head slightly, and sounding completely hopeless as if he just accepted that he is, indeed, hopelessly in love with you. Though, that was more or less the case anyway.. it still is, actually. Watching his eyes go back and forth between your eyes and lips, Jake speaks up again in a low voice, “You won't lose me.”. However this time, it's a promise rather than a reassurance.
Your eyes lighting up with pure love at his words and the look in his eyes, you can't seem to hide the way your lips are forming into another tiny smile - so you decide to just let them speak by placing them on his once again.
It's like your lips were perfectly made for each other, especially when Jake tilts his head a tiny bit more to deepen the kiss - his hand still on your neck, and if it were to go after him, he'd never remove it again. It's like you were perfectly made for each other.
“Jake.” you mumble into the kiss, yet keep it going because his lips feel a little too good moving against yours. Although you don't wanna let go, you (sadly) do end up breaking the kiss - which causes Jake to immediately look at you as you're gathering your thoughts one by one.
“I need to ask you a favour. It'll sound really selfish, though.” you begin quietly, only to receive a promising nod from his side, waiting for you to continue curiously while his eyes go back and forth between your eyes and lips again. Swallowing, you carefully ask, “You know I love that you're Spider-man, but can you just be Jake for tonight and stay?” Yeah, you were right about it sounding kinda selfish. Jesus.
But, like, it's true, and you couldn't really figure out a better way to word it. I mean, obviously you love that he's Spider-man - literally who wouldn't? But it's true that you love Jake Sim more. Even if just a tiny bit, which is why you want, - or need, actually - him with you tonight. Just Jake. Just the two of you.
“It doesn't sound selfish.” is the first thing he says in response, slightly shaking his head for further assurance. You're not only glad about it, but you feel your heartbeat increase rapidly when you see yet another smile form on his face, which (thank god), he doesn't even try to hide as it's getting too big. “Actually,” he lightly scoffs, biting on his lip as you watch him do so (it drives you nuts every time).
“I was hoping you'd say that, princess.” is the last thing he says before pulling you in for a kiss much, much more intimate than the ones before.
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taglist @tyunni @geombyu @jaeyunverse @yjwfav @sieuneo @beombisou @neos127
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3hks · 4 months
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7 Ways to Hook Your Readers
How do you start a story? Why, you start it with a hook! A hook is something that intrigues the reader and has them enthralled. Sometimes, the first sentence is the hardest one to form, so here, I'll give you some examples on how to hook your audience into your story!
>>> A question: This is a pretty well-known tactic: starting off with a question for your reader has them thinking how they'd answer; hence, pulling them further into your work. If you want, your character can answer the question too! However, the question must be relevant to your story.
>>> A idiom/quote/saying: Sayings are commonly used, though one can find them controversial at times. Regardless, the majority of people understand what the meaning behind them are; and because of that factor, along with its popular usage, proverbs quickly attract readers' attention while giving some insight to your character.
>>> One-word starter: This one is pretty simple, and if you really don't have any ideas, maybe give this one a shot! The hook is simply one word (or even a short phrase) that portrays a strong part of your character. Its out-of-context and vagueness trigger interest in your reader.
>>> Starting action: Like the one-word starter, this hook seems contextless, but it's a quick way to captivate your reader and have the suspense emerge! Example: "Blood covered the ground like a thin blanket, staining the once-clean quartz with a shade of scarlet. A pair of depthless eyes seemed to burn a hole into the last person in the room; a messy, pitiful, scrambling figure."
>>> Dialogue: By now, it should be obvious that your hook should be enthralling and evoke interest in your reader. Opening with compelling dialogue can help introduce the plot and characters of your story!
>>> Interesting Introduction: Is there something special about your character? Introductions can be difficult to sneak in, but not when it's a hook! Make a short description consisting of several defining traits of your character, and be sure to add the special thing about your character as a twist to snag your reader's attention! Additionally, you can be creative with this! An introduction doesn't have to come from your main character, it can come from another character describing the protagonist!
>>> Setting: Does the setting have a strong influence on the story? Even if it doesn't, beginning with a descriptive setting can slowly captivate your audience!
Alright! These are seven ways to hook your reader: a question, a saying, one-word, action, dialogue, an introduction, and a setting! Of course, there are many more ways, so explore around!
Happy writing~
3hks :)
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warrioreowynofrohan · 2 months
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Reading Tolkien’s annotated translation of Beowulf, and learning all kinds of things about LOTR and the Silm from it!
First:
Leave here your warlike shields [from Beowulf]
[Tolkien’s commentary; bold mine:] Note the prohibition of weapons or accoutrements of battle in the hall. To walk in with spear and shield was like walking in nowadays with your hat on. The basis of these rules was of course fear and prudence among the ever-present dangers of a heroic age, but they were made part of the ritual, of good manners. Compare the prohibition against drawing a sword in the officers’ mess. Swords of course also were dangerous; but they were evidently regarded as part of a knight’s attire, and he would not in any case be willing to lay aside his sword, a thing of great cost and often an heirloom.
This gives me some perspective around Tolkien’s probable intended tone for the moment in Meduseld in The Two Towers where Aragon strongly protests against being told to leave Andúril (a sword of very great value and ancientry, and very much an heirloom) with the door-warden. From a contemporary perspective it’s easy to read it as Aragorn being unnecessarily prideful and combative, but this passage strongly indicates that Tolkien intends it to be Théoden who is being unreasonable in that event, an indication - along with many others in the scene, prior to Gandalf dislodging Saruman’s influence - that Théoden is being discourteous and behaving in a manner unworthy of a king who is recieving heroes offering aid. (The fact of Meduseld being a ‘golden hall’ like famous Heorot in Beowulf may be deliberate to strengthen the parallel.)
Second (immediately following the above commentary):
But against this danger [from swords] very severe laws existed protecting the ‘peace’ of a king’s hall. It was death in Scandanavia to cause a brawl in the king’s hall. Among the laws of the West Saxon king Ine is found: ‘If any man fight in the king’s house, he shall forfeit all his estate, and it shall be for the king to judge whether he be put to death or not.’
This adds context to the incident in the story of Túrin in The Silmarillion where Saeros taunts Túrin in Menegroth and Túrin responds by throwing a heavy drinking-vessel at him and injuring him (it’s indicated the injury is serious, so I’d take it along the lines of him giving him a broken nose and knocking out some teeth.) It is stated in at least some versions of the story that death is the punishment for drawing weapons in the king’s hall, in line with the historical customs mentioned here. This gives a further emphasis that what actually happens - Túrin is not punished at all and Mablung strongly reprimands Saeros for provoking him - illustrates that Túrin is, Saeros’ behaviour notwithstanding, in very high favour in Menegroth. (Saeros as the king’s counsellor is also in roughly the same position as Unferth in Beowulf, who taunts the titular character - Beowulf responds heatedly but without violence. Tolkien may be setting up a deliberate contrast here.)
Third:
The word hádor is an adjective meaning ‘clear, bright’…it is almost always found in reference to the sky (or the sun or stars). But that association is in description of brightness…
This was one a lightbulb moment: oh, in the name of Hador Goldenhead (the ancestor of Húrin, Túrin, and Tuor in The Silmarillion), ‘Goldenhead’ isn’t an additional name/epessë so much as it’s a glossed translation of ‘Hador’! The guy with bright, golden hair.
Fourth: Going back to the Rohirrim - Edoras, the name of their capital city/royal court, is basically just the Old English for ‘courts’:
under was very frequently used in describing position within, or movement to within, a confined space, especially of enclosures or prisons, ‘within four walls’. Cf. in under eoderas (eoderas being the outer fences of the courts), ‘in amid the courts’….‘eoder’ means both ‘fence (protection)’ and ‘fenced enclosure, a court’.
I’m also learning a lot about Beowulf - Tolkien’s notes are clarifying a lot of tone and nuances, not to mention the political/diplomatic relationships between the different kingdoms, which were confusing me - but it’s amazing how much it reveals about ways that Tolkien’s knowledge informed his legendarium!
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rafesfavgirl · 2 months
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her lips on your neck — j. maybank
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meant to have this up last night, but i got fucked up lolz
❝ since you admitted it, i keep picturing her lips on your neck, i can't unsee it ❞
pairing: cheater!jj x fem!reader
context: late at night, you get back to the obx from a week-long trip to new york with your parents and decide to surprise your boyfriend and best friends.
words: 1.4k+
warnings: cheating (i don't condone it!!), might break you, no happy ending, ANGST ANGST ANGST
"what the fuck are we suppose to tell y/n?" you hear pope mention your name, as he sat with john b in the enclosed back porch of the chateau and immediately stop yourself from joining them, curious as to what else they had to say.
"dude, i don't know," john b shrugged at him, the expression on his face looking as if he was torn between some hard decision.
what could they possibly be talking about?
"i mean, it's not like they meant for it to happen, right?" john b continued, sounding like he was trying to convince himself of something.
"do you really think she'll see it that way?" pope asks him. "jj just slept with kie."
john b winces at pope's words like they were too hard for him to hear and your heart drops to the pit of your stomach, your eyes becoming blurry with tears as anger starts coursing through your veins.
"we gotta tell her," pope adds.
they didn't even hear that you'd entered the porch, now only standing a few feet away from them.
"you just did." the sound of your voice causes them to snap their heads towards you, both of them now completely at a loss for words. "is jj here?" you speak slowly to stop your voice from shaking.
when neither of them reply and just exchange glances, you repeat yourself. "where's. jj."
"y/n…" john b starts to stand from his seat, but you don't let him finish or get any closer, before you're barging into the chateau.
you feel your body shake as jj comes out of one of the rooms chuckling and pulling his muscle tank down.
"you didn't," you shake your head as he looks at you.
"y/n…"
when kiara comes out of the same room and steps up behind him, you get your answer.
"you did," you say, your eyes shifting from kie to jj.
"babe, i-" jj begins, taking a step towards you.
"no," you immediately cut him off and hold a hand out in front of you to stop him from getting any closer. “we’re done.”
that was two weeks ago. you hadn’t seen jj, or your friends since then, actively trying to avoid them as much as possible. that didn’t stop them from texting though.
john b and pope have checked in every now and then to make sure you’re doing okay, while kie and jj blow your phone up 24/7 with empty apologies.
j<3: i’m outside. please let me explain.
you stare at the text on your phone for a second and hop to your feet to peek out the window, where surely enough, you saw jj perched against his bike on the curb of your front lawn, waiting.
letting out a deep sigh and against your better judgment, you walk towards the front door and open it, only to find that he had walked up your front porch and was about to knock.
“hey…” his voice is small, and his baby blue eyes light up at the sight of you, making your heart ache.
by the prominent eye bags under them, you could tell he hadn’t gotten much sleep either. but wasn’t that how it should have been? he was the one who cheated on you.
you don’t say a word and just turn to walk further into your living room, jj following after you and shutting the door.
“i know you don’t owe me anything,” he continues, as you turn to look at him again, your arms crossed across your chest.
“you’re right, i don’t,” you say, trying to be cold.
it was hard, though. there was a piece of your heart that still yearned for him. a piece that you had a feeling would love him forever. no matter how badly he’s just screwed you over.
“why’d you do it?” you ask.
“i don’t know,” he shrugs. “i don’t know why i did it. we were drinking… and talking… you weren’t here, and i- i guess we just…”
“what?” you feel your hand start to shake as he tried to come up with an excuse. “got caught up in the moment?”
“y- yeah…” he glances down, and you scoff.
“god, i am such an idiot!” you run your hands through your hair and take a seat on the armchair behind you.
“y/n that’s not…” he slowly approaches you while you shake your head at him.
“i should’ve known,” you say. “it was her before me.”
jj shakes his head as he closes the distance between the two of you and crouches down in front of you, a hand landing on your knee. “baby, that’s not true.”
you glance at his hand on your knee before looking at him again. “but it is.”
“look, i fucked up, okay?” he said, his tone desperate now. “i know that. but please… please believe me when i tell you that it was a mistake. and it’s never going to happen again.”
“how can i believe that?” you ask, tears threatening to brim along your lower lashes. 
“just trust me,” he tells you.
a bitter scoff falls from your lips as you stand up and cross the room, half angry and half confused, not knowing what to think or believe.
“i did trust you, j!” you say, turning to look at him again with tears in your eyes as he gets up from his crouching position and faces you. “and you screwed me over anyway.”
“y/n…” he walks towards you, and you feel your weight shift to one foot, your body feeling a little limp. 
there was a part of you that still loved him—feelings don’t disappear just like that—but you knew you deserved better. that there was someone out there who wouldn’t even think about doing what he did.
"i love you…" he brings a hand up to caress your cheek and push your hair back, your first instinct causing you to lean into his touch, a sad smile pulling at the corner of your lips as you lock your eyes with his. "pretty girl." he closes the distance between you two, his forehead resting against yours, a tear trailing down your cheek as you closed your eyes. "i am so so so sorry. i promise— i promise, i won't ever hurt you again."
you wanted nothing more than to believe him. to forgive him. to forget. but you knew, deep down, that wasn't possible.
you shake you hear against his, sniffling. "j, i can't…"
"no, no, no," he replied. "you can. you— you have to, i can't-" he tilts his chin upwards to kiss you, and though you want desperately to let him, you push him away.
"no, jj!" you shout. "you— you can't just kiss me and think it's all gonna go away!"
"okay, okay, i'm not," he backs off a little, and then takes your hands in his, baby blues pleading. "but you need to forgive me. i could never live with myself if you didn't. i— i can't go on without you… without…" he brings your hands together and clasps his hands around them as he brings them up to his lips to kiss them softly. "your touch…" he moves a hand towards your cheek again, caressing it just like last time. "your smile…" he trails it across your collar bone and down your arm to place it on your chest. "your love… god, y/n i’ve never been loved by anyone like you."
his face falls limp against you and he drops to his knees, arms immediately locking around your hips as he rests the side of his head against you.
"please… please forgive me," his voice sounds desperate now, breaking your heart even more.
"i— i can't…" you wrap your hands around his arms and try to pull him off you, but it doesn't work—he just clutches onto you tighter. "you're just not the same person to me anymore…" you shake your head. "the jj i fell for would've never ever done anything to hurt me, but now…" you bring your hands up to your head, trying to keep it together. "god! every time i look at you… all i see is her and what you did… i— i just keep picturing you guys together and-"
"and we can fix that," jj pulls away and gets back on his feet to look at you. "i mean, it's gon' take time, but eventually… you— you can forget it, right?"
there was a hopeful look in his eyes, but you knew that wasn't enough to fix things.
you shake your head and sigh, the hope in his eyes immediately diminishing. "no, i don't think i can."
"but that— that would mean that this…" his voice cracks, his mind clearly in disarray as he motions a hand between you two. "no. this can't be over."
your watery eyes lock with his, which were now red from holding back tears. "then why is it?"
if you happen to also be a rafe girl, consider this part 2 & part 3.
reblogs and comments are deeply appreciated <33
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something i noticed
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A while back, I wrote this analysis reviewing how unfair the magic education system is in Twisted Wonderland. I would recommend reading that before this post, as it provides tons of context for what I’m about to talk about and add onto the discussion.
In 2-6 of the Tapis Rouge event, Vil has stylists from Luxe, a high end fashion brand, dress up Azul, Jamil, and Ace to be a part of his red carpet entourage. Once the boys come out in their new threads and makeup, Jamil and Azul, two individuals who are meticulous about details, provide some telling commentary.
According to those two, the team of stylists that helped them were mages. Azul further remarks that they were quite skilled mages and that having this kind of talent indicates a “first class brand store”. Their hair and makeup is also suggested to be done via magic, though this service is not normally performed for customers. Previously, we knew that skincare can be infused with magic (Vil does so with his own) and that magic can be used to style one’s hair (Jamil tells us in his Birthday Boy vignettes that he does his intricate hair with magic and used to take far longer with it when he lacked the precision). Idia states in book 6 that Jamil had no formal magic training before NRC, so that means Jamil was self-taught in his hair-handling magic.
… Okay but 😭 WHAT DOES THIS IMPLY ABOUT MAGIC AND CLASS??? Is it just a coincidence that the teams of stylists who staff a high class store are ALL mages? Surely not, given how uncommon mages are in the general population. The store (or maybe the brand itself?) must be going out of its way to hire them because I guess being dressed with magic is a more “luxurious” experience than the normal way. We can also guess from Azul and Jamil’s accounts that the degree of magic these staffers use requires significant skill and precision, which either means they need formal instruction or lots of practice on their own. Neither option is afforded to people with naturally low or no magic reserves at all 💀 meaning jobs like this are gated to mages only.
Now, this doesn’t inherently mean the rich and famous people who frequent these stores are also all mages (Kalim’s dad and Vil’s dad are two non-mages who are extremely wealthy and influential); the majority of them must still be regular people since humans seem to be the majority, and 90% of humans are non-mages. It also doesn’t guarantee that the Luxe stylists are paid more than a non-Luxe stylist (although I do think this is possible for a prestige brand, especially if we factor in commissions on sales).
What’s sticking out to me here is that there exists an association between magic and luxury. The reverse also appears to have some truth based on what little other lore we have; Ruggie states that there are not a lot of mages from his hometown, which could imply a history of non-mages being driven into poorer communities. It all fits together a little too well to seem coincidental… but obviously, Ruggie’s hometown is just one place and could be an outlier rather than the exemplar. We know that most non-mages must live an average lifestyle, not the extremes that Ruggie has experienced. Still, the claim that magic is typically associated with the upper class holds and it continues to be perpetuated in the lore.
Anyway, Fellow and Rollo were right—
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eemamminy-art · 4 months
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Commission for an anonymous client! Some further context to add to the other pieces I've drawn of this ship, with Cass being conflicted about her feelings and Veronica being an actual ray of sunshine as always!!
The comic goes on slightly longer but it becomes explicit, so you can find that on my bluesky or twitter but tumblr gets a cropped edit!
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I have the most random and oddball question... What would be some expletive type language in Welsh?
I'm playing a dragon in my D&D group who is from this fantasy world's equivalent of Wales and I want to add some flavor when he is fighting that he starts using bits of his mother-tongue instead of Common.
It's easy enough to find a random list of words, but without cultural context I have no clue what would be a proper equivalent of, for example "fuck off you asshole"... I probably am putting "too much" thought into it, but I'm a cultural anthropologist, so it bugs me to not think too much about it.
A funny quirk of Welsh is that we actually tend to swear in English when we need to - because one of the social arenas it survived in was through the chapels, the closest you'd get are things that in English you'd probably associate with your granny saying, or those sad little Christian youth camps in America. One of my favourites is Nêfi blŵ, which is literally just the Welsh transliteration of the words 'navy blue' said in a Welsh accent. Why is this a swear? Unknown. I presume someone somewhere hated the colour.
However, there are a couple:
Sweary
Sguthan/ysguthan: this is probably equivalent to 'bitch', it's certainly gendered the same way and has similar weight. Except much as 'bitch' literally just means a dog, sguthan means 'woodpigeon'. Why is this a swear? Unknown
Cach i fant: fuck off. 'Shit off', literally. Tbh though I don't actually know anyone who would actually use this. Mileage can and will vary wildly (keep an eye on the notes for other Welsh speakers chiming in), but this one always felt a bit like a sheep's eyeball to me, to use a Pratchett-ism. Like something Golwg would use to Appeal To The Youth. But, it is real, and does work.
Dos i ffwcio dy hunan: go fuck yourself. Now THIS one I use
Twll tin bob ____: Every ____ is an asshole. Naturally, the phrase in Wales is 'Twll tin bob Sais', but substitute Sais for the group of your choice.
Cêr y diawl: go to hell. Literally, 'go to the devil', with devil there being a reasonable stand-in for any devil you wish, not just, like, Satan.
And of course, Wenglish can provide:
Be'r ffyc 'dy hwnna: what the fuck is that
Pwy'r ffyc 'dy hwnna: who the fuck is that
etc
Non-Sweary
Bois bach a mawr: okay listen this is going to sound like I'm joshing you but I swear this is real. It's used by an older generation, admittedly, but even younger generations will say 'Bois bach' sometimes. It, uh. It literally means "Big and little boys". Or just "little boys". Just a sort of general mild exclamation. Or what you say when you sit down and your knees complain. Um.
Ych a fi: gross. Can also be Wenglished to 'Ych a ffycin fi' which is, you know, fucking gross.
Be' ti 'di 'neud?: what have you done?
Be' sy'n bod 'da ti?: What is wrong with you?
Cô ni off, bois!: Off we go, lads (gender neutral)!
There's probably a million I'm forgetting and will think of as I try to sleep tonight, but hopefully these will tide you over. Keep an eye on the notes, I expect others will chime in with further suggestions!
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theghostofashton · 2 years
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#people have talked the issues w the word 'problematic' to death and i don't have anything new to add to that#but i find it really interesting that there seems to be this.....expectation that character needs to become good to deserve analysis#like their ~problematic~ behavior has to mean something specifically in lead up to a redemption arc#which i find kind of restrictive? there is value in analyzing villainous characters that do not get better that stay villains#but even further i constantly see people being like 'well they were problematic but.....' and it's like okay so?#so what they were problematic does that mean we aren't allowed to discuss that character and what they contribute to the narrative#does a character need to earn the right to even be worthy of discussion#not to mention like....being that this is fiction and none of these characters or their actions are real#if we aren't able to discuss and analyze motivation in fiction what are we really saying about perceived immoral behavior#if we can't do it irl and we can't do it in fiction are we just trying to get to a point where it ceases to exist? bc that feels impossible#and even further my biggest issue w morality politics in regards to literature is that there is no one definition#cultural contexts and lived experiences play SUCH a role in someone determining what is problematic and what is irredeemable#and to expect every person to agree upon certain parameters is frankly super naive#your personal boundaries and issues w characters as a result are yours that's one thing#but using that to discourage and dismiss other people who don't have those same boundaries just feels....idk it makes me feel gross#all of this feels in the interest of being morally superior and gaining validation from that which like. doesn't mean anything?#you don't get some gold medal for only loving ~unproblematic~ characters it doesn't make you better than anyone else#idk what my point is honestly i just really hate this idea that fictional characters need to deserve redemption or whatever#to even be worth analysis#it just feels gross and shame-y and purposeless#also there is a BIG difference between 'i don't like this character bc they're problematic' and 'this character's behavior bothers me'#bc the former implies this sense of condescension and judgement of people who DO like that character#and the latter is simply......im bothered and i don't like them i don't want to talk about them#the internet looooooves the former and that's why we have so many frankly cruel discussions that make people feel bad#it would be so much easier to accept the latter and leave peoples' fictional tastes alone but what do i know lol
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sleeplesssmoll · 7 months
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Vertin's personality and traits based on in-game context.
Contains Spoilers.
Will update when I find more tidbits about our beloved Timekeeper.
Updated: March 15 2024
Vertin sucks at math.
Not much to say here. Although, this is another difference between her and Sonetto, who loves math. I hope they do something with this later because it'd be fun.
Vertin is 16 confirmed
While this isn't a personality trait, I did see some debate about her age since it wasn't officials stated until now and it was assumed through context. Prisoner in the Cave explicitly confirms her age. Vertin became Timekeeper when she was 12 and has been the the TK for the past 4 years.
Vertin is a pianist and a painter.
You can see a piano in the back of her office in the Suitcase by the window. It makes sense in regards to Vertin's musically inclined Arcanum. There's an easel and stool in her office too. She doesn't merely collect art, she creates it. Vertin also owns a camera (official artwork released) too and mentions her photography in the begining, so this isn't new but I thought I should add it.
Vertin's still playful under all her composure.
We know baby Vertin was a little menace, but we can still see a spark of that mischief in her later years. For example, Vertin slapping a fake mustache on Regulus to avoid Sonetto really captures this. We can tell from other characters' voice lines that Vertin will most likely play along with their shenanigans. She'll chirp like a bird in response to Rabies talking about his bird friends (Wilderness interaction). She'll help Sonetto during hide and seek (Wilderness). She watches movies with Eternity and An An Lee. X asks her for help with his projects. Going through her crew's voice lines really paints a better picture of how she interacts with others. The voice lines point to someone playful and curious when she's not in work mode.
Vertin was a gremlin.
Vertin's love language is giving.
We know baby Vertin loved to give gifts to a reluctant Sonetto, but that part of her still exists. She tried to grant everyone's last wishes during the 1929 Storm. We also know she gives Lilya alcohol as a gift upon her return from 1929. She is also very direct. We see her ask people what they want or what can she do for them throughout the story. To expand further, you could say she likes fulfilling people's desires instead of limiting it to material gifts. We can see more of instances of this during the Green Lake event, especially in the way she protects Jessica from the Foundation. She also tried to get Regulus funding for a ship. I love the Suitcase Dad meme, but it's rooted in nuggets of truth.
She was a crappy student, yet she was also a resourceful gremiln. Vertin never liked the institution! Honor student? Top of the class? Never. Teachers are filled with that "Godamnit Vertin" energy toward her too. I hope we see more gremlin energy in the future.
One-sided childhood friends.
Vertin is a collector.
Sonetto and Vertin were desk mates but Sonetto couldn't stand Vertin when they were kids. She even tried to avoid Vertin at times but Vertin persisted with her gifts. We can see this in the hallway scene. Sonetto's about to change routes to avoid Vertin but Vertin called out to her to give her a frog she caught. Kinda funny how Sonetto can't stand Vertin but also can't resist her when they were kids. Vertin and Matilda were actually closer back then. Well, at least until the tear gas incident. Sonetto changed after Vertin was hurt and the rascal wasn't around to bother her. I feel like this tidbit says a lot about Vertin and her influence on people.
Baby Vertin collected rocks, bugs, and frogs. Adult Vertin collects painting and mementos of people she's lost. Things were simpler as a kid.
Vertin is stronger than she looks.
She was a wild child and she's still got it years later. Vertin can run for long periods of time, endure injuries, and climb obstacles. That, and she's still essentially a child solider. We see her hold her own when she needs to fight solo doing stuff like dodging bullets. Sonetto and Matilda also exhibit these freakishly athletic traits, especially Sonetto.
Vertin befriends people in every Era, despite knowing she'll lose them.
Compared to the other children raised by the Foundation, Vertin's traveled the world and witnessed loss in every Era. This opens doors to a whole new set of questions. How did she change over time? How do the Arcanists she recruited before the story treat her? Did she have crushes in previous Eras? Were the oranges just as bitter? Vertin seems to get close to people very easily and doesn't build walls around herself despite the trauma. You'd think someone who's lost so much would stop trying to get close to people, but she doesn't.
Vertin is optimistic.
Even as a child, she was full of hope. It's why she fights for the future and is a core part of her personality. She needs to fight for all those she lost and stop the Storm from taking more lives.
Vertin gets quiet when embarrassed/shy.
She'll blush and fall silent, but she doesn't stammer or go all tsundere. We can see this in voice lines. Sonetto's high praises make her cover her face with her hands. Eternity gets a reaction out of her when she holds her hand. She also blushed when she received surprise smooch and fell silent.
Vertin has a unique scar on her back.
Vertin is a tactile person.
Arcana mentions the scar after Vertin was shot multiple times in the back by Schneider. It's a big scar and new theories about the scar are ongoing and interesting!
In several voice line interactions, Vertin is patting people's heads or holding their hands. Not all her crew mates are on board with it, some seem confused, and others play along. We can also see examples in story like her handing Sonetto a frog while gently grasping her hand or her taking Regulus's hand to lead her into the Suitcase. Here is a post with the evidence to back this claim.
Vertin sucks at arcanum but her deep understanding of arcanum is uncanny.
The story mentions her weak arcanum skills throughout the story. They really want you to remember this. Also, her arcanum didn't manifest until sometime after the break away event but before the events in the prologue. During her stay in the guardhouse, she doubts if she's even an arcanist and mentions her arcanum has yet to manifest, which is wild. Smoltin is fighting with her tiny hands and wit in this chapter. However, in the prologue it's mentioned Vertin's understanding of arcanum and her perception makes her unique amongst arcanists. She's also considered more "rationale" than other arcanists. You can read more about this here.
Vertin is stealthy.
Smoltin sneaks around to play outside. She steals food for herself and the Ring from the Staff Canteen, which has better quality food than what the kids get. This tells me she's done this before. Adult Vertin also sneaks around the Walden to find Schneider. She makes maps, tracks guard routes, and avoids detection since whe was a kid.
Tooth Fairy was one of the few Foundation members who cared about Vertin.
Tooth Fairy is the one who gave Smoltin the toffees (chit chat voicelines). She also covered for Vertin on a few occasions to protect her from punishment. She remembers Vertin faking her illness to skip class, but her bruises and wounds were real. The Foundation does have a few kind hearts that genuinely care about the children. The causes of Vertin's injuries is up to speculation.
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bu-blegh-ost · 10 months
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The time has finally come, @girlsonlytreehouse !!!
Today I shall share with you the fruits of my work. But first, allow me to take you on a journey I myself have been through while counting all of this shit down.
First things first, I decided to count the rolls in the context of the characters rather than the people playing them, simply because the luck of the actual people could not be measured accurately if I only take Riptide into consideration (and also I thought it would be more fun). The guys have several different campaigns, some that I do not have access to, so I've decided to seperate all their Riptide rolls into characters they play instead, cause then we can clearly see which character is the luckiest. But ofc if you want this to be attributed differently, the data remains unchanged, so that way you all can interpret the results however you wanted and still have all the info you need on hand.
Another issue were the advantage/disadvantage rolls. When a character rolls at advantage, they roll twice and the only roll that counts is the one that was higher, while the other is discarded and the opposite goes for disadvantage. So for example if you roll at Disadvantage and you roll a nat 20 and a 2, that nat 20 technically doesn't matter. Despite that I decided to count each adv/disadv roll anyway, because despite the fact that it does not count, it was still physically ROLLED, which means it contributes to the character's overall pool of luck. I tried to separate them at first so you guys can make your own decision whether to add them or not, but in the end I decided against it cause it was insanely hard to keep up with. There were just too many and too often, which led me to believe that it was fair enough to count everything as long as they actually rolled a dice.
Which brings me to the last complication, which is of course Gillion's Prophetic Screwup. At the beginning of the campaign Gillion was able to exchange anything that he actually rolled into a nat 20, and in return the DM can change any roll he does afterwards into a nat 1. That way there was supposed to be an equal number of wild unrolled nat 20's and nat 1's to balance Gillion out back to 0, but it didn't turn out this way. In more cases than not, Grizzly would either forget or fail to find a good place to screw Gillion over, so the ability bacame much too unbalanced. So they changed it somwhere in the middle of Edison Kingdom Arc. From then on, if Gill rolled anything from 1-10 it would automatically become a nat 1, and if he rolled from 11-20, that'd be a nat 20 instead. Either way these rolls had nothing to do with luck, as he wasn't actually rolling anything, thus I decided not to count these 'artificial' nat 20's/1's. However I did keep track of them nonetheless and I'll still give you the number of those, just separately, and from then on you guys can make your own decision on whether or not you wish to count it.
OOOFFF ALRIGHT.
Without further ado, here are the nat 20's results (up to ep106):
Gillion: 52
Chip: 58
Jay: 55
Goobleck: 8
Surprised? Yeah I was as well. First things first I never expected this to be this close. And never in my right mind could I possibly predict that it would he CHIP of all people to have the highest score here. But I've seen it with my own eyes. And tell you what. Jay had this in the bag for most of the damn series. She would consistently roll good and always when you need a good roll the most. There were times when she would have such a massive lead it was unthinkable she could loose it. But then she would just kinda...stop rolling good for a bit and allow the other two to catch up. It just wasn't as visble if you don't pay much attention, but I thought it to be cute. It's as she was waiting for them <3 But she was still mostly leading. It was only the current arc that made Chip surpass her. After his terrible luck in Feywilde, he bounced back so strongly right after, that he managed to jump in front of the luck queen herself.
And now I bet you're curious about the other side of the coin. Give it up for natural 1's!:
Gillion: 55
Chip: 53
Jay: 52
Goobleck: 1
You see, I kind of expected it to be Gill, but I need you guys to know that this wasn't the case at all times. Jay? Yes. If there is one thing that's consistent is that she had the lowest amount of natural 1s at all times almost, but the person that was suffering from nat 1 curse for a long while was Chip. In the Feywilde Arc he would be so far ahead of everyone, that I was genuinely sure that there is no way anyone catches up to him. But then he popped off in the next arc with nat 20's and Gillion? Oh my gosh, Gillion didn't disappoint. I've never seen a man fail this much let me tell you XD He ended up with the least nat 20's as well, but I thought the difference would be much higher until he didn't roll 4 fucking nat 20s in ep 100 and then this double nat 20 attack roll in the Black Sea whduihdius AND HE CAUGHT UP AS WELL, more or less.
Idunno, maybe this is just how luck works, but it truly seems that the trio shares their successes and burdens almost equally. They support each other and in return fate has their backs as well. Honestly I couldn't have hoped for better results. Also can we give shout out to Goobleck, the true MVP? He's been on the show only for a while but look at this nat1 - nat20 ratio!!! Go goop man goo!!!
So now for the additional stuff that I also counted just for fun:
*Prophethic screwup nats:
Before the rules changed Gillion replaced 8 of his rolls into natural 20s, and in return Grizzly replaced 3 of his rolls into natural 1s.
After the rules changed he only got high enough number for 4 nat 20s, and a low enough number for 7 nat 1s.
So that together makes additional 12 nat 20s and 10 nat 1s from the prophetic screwup alone. I don't think they should be added, but the numbers are there so feel free to do whatever you want with them :)
Downs and death saves:
Throughout the campaign Gillion went down 14 times and rolled 8 death saves.
Chip went down 6 times and rolled 4 death saves.
Jay went down 4 times and rolled 3 death saves.
No shocker here, Gillion dies a lot XD
Knights:
In their journey Gillion knighted 4 people: Julien Booker, Clorton, Garrieth and Duke.
Corruption score:
Thus far each character has the following amount of corruption points (Black Sea):
Gillion: 0
Chip: 2
Jay: 3
Queen: 1
Gryffon: 2 (i think, unsure abt that one, may edit later XD)
Earl: 1
That is all I have for now. I may be clinically insane :)
Good day to everyone and I hope you found this data interesting. Take care <3
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