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#this was. 3k words?????? what?????
yesloulou · 10 months
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Do u have any tips/tutorial how to make gifs so smooth if there's movement? Mine are always choppy and weird :(
Hi anon, ty for sending this ask. I'm sooo honored!! (and plz don't call your gifs choppy or weird i have a feeling they're very lovely 😌)
✨ Gif Tutorial: making movements in ur gifs as smooth as possible✨ (updated)
↳ aka: speed management in gif making
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Remember to always source your content responsibly!! Process in this tutorial is simply what works best for me. Every creator has their own preferences and imo there is no right or wrong. We should always make content in the way we enjoy 🤍 Outline: 1. Remove duplicate frames 2. Repair missing frames 3. Speed management in Photoshop 4. Smoother slomo using Video Frame Interpolation
1. Remove duplicate frames
Obviously, if there're duplicate frames in a video, our gifs will end up with lil lags here and there (since some frames get more screen time than others). Although the dup frames are likely barely observable once compiled into gifs, imo this is what makes the difference between smooth and butter smooth. the two daniel gifs above (guy with big brown eyes, if ur not from our fandom 🤍) can hopefully showcase this difference**.
**technical explanation for this that you can totally skip: the persistence of human vision is approx. 0.1s, ie everything we see stay on our retina for this amount of time. since gifs refresh faster than this (eg. 0.04s on every frame for a 25 fps gif), we usually can't pinpoint exactly which frame is a duplicate just by looking at a gif. however. by definition, a duplicate frame will slow down a gif, by making it pause longer than it should. as a result, a movement during this lil chunk of time will move less pixels than your brain would've expected. and this is where we perceive the not-so-smoothness.
ok, now that we've established that we don't like duplicate frames -- I know it's common practice to handle this by looking for an optimal output frame rate to offset the dupes. to me this feels chancy. bc it's a process where you don't have control over exactly which frames to keep and not keep. Personally, I prefer making sure my videos are dupe free before everything else. (Again, this is just what works for me. Everybody has their own process and imo there is no right or wrong :)
To remove duplicate frames, the first thing I do with a clip is to play the first few seconds frame by frame to see which one of the following scenarios it falls into:
a. no duplicate frames ↳ best case scenario! congrats!! plz proceed directly to step 2 b. there is a duplicated frame once in a while ↳ This happens most often with (but not limited to) videos from social medias ↳ Reason behind this is frame rate conversion. For instance, instagram/tiktok has a default frame rate of 30 fps. However, many media sources (eg. no brakes, sharl's vlogs) produce at 25 fps. When these videos are uploaded, instagram/tiktok convert them from 25 to 30 fps by duplicating 1 frame every 5 frames, hence twitchiness in gifs when slowed down. ↳ Solution: in photoshop, go through the clip frame by frame, delete dupes manually (recommended) ↳ Alternative solution: use duplicate frames remover softwares (see next bullet point) c. almost every frame has duplicates ↳ This will almost always** be the case with screen record. ↳ What not to do: When there are many duplicates, we may be tempted to use photoshop's 'import 1 out of every n frames' function. this is not ideal bc, the dupes are rarely uniformly distributed. you could end up losing frames you don't want to lose (resulting in choppy gifs) or end up with dup frames still in the mix (resulting in laggy gifs) or, most likely: both. ↳ A better way: is to import all frames into photoshop, adjust the output frame rate to offset the dupes (here is a good tutorial on this) Pros: efficiency; yields decent results in most cases. Cons: again, in my experience this is a process where you don't have precise control over the frames. Therefore runs the same (albeit smaller) risks as the method above. It can also limit how much you can slow down a gif, and generally doesn't work well if the target frame rate (of the clip you're trying to gif) exceeds your computer's recording rate**. **More on this statement: when target rate is comfortably lower than recording rate (~ 55 fps for many), chances are most to all frames will be captured. It is therefore more tolerating towards skipping a unique frame from time to time. However, when target rate (i.e. anything 60 fps) nears or exceeds recording rate, you will be dealing with dup frames as well as missing ones. Using the method above can therefore subject you to the possibility of losing two unique frames in a row, making the gifs noticeably choppy. ↳ Solution: we always have the option to trim dupes by hand in photoshop. But in this case, it can be time consuming, even with keyboard shortcuts. as a result, here is where we can really use a: ↳ Dup remover software: google search 'dup frame remover software' will give you several options and tutorials (here a plug-in for after effects). i've heard good things about some of these but unfortunately can't give recommendations (they do cost money sooo i wrote my own)
Demonstration:
This is a frame-by-frame animation of an ad Charles did for apm. It was produced at 25 fps & uploaded to socmed where the default is 30 fps. You can see that: i. With screen recording, every frame has an unpredictable amount of duplicates. ii. Original clip from instagram has 1 dup frame every 5 frames. iii. After deduplication, the movement becomes lag free and continuous.
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2. Repair missing frames
At this point, our video clip is (hopefully) free of duplicate frames, which makes our gifs lag-free (yayy!!). At the same time, we don't want choppiness in our gifs either. Choppiness in a gif is usually caused by missing key (unique) frames. To check if there is any, replay the clip, look out for the sudden jumps/fast forwards in movements. Three possible scenarios:
a. no missing frames ↳ best case scenario! congrats!! plz proceed directly to step 3 b. a lot of missing frames ↳ This is usually the case if the target frame rate (of the clip you want to gif) exceeds the screen recording frame rate. ↳ Solution, imo: (surprise!) is to leave things be. Reason is that something like this would be quite tedious to fix, but not that noticeable if made into a gif that's fast enough ↳ Alternative solution: Record at 120 fps c. occasional missing frames If a video clip misses frames, but not a lot, chances are it's only gonna happen very occasionally, i.e. 1 or 2 occurrences in total. A frame-miss in this case is usually due to either the screen recording skipping a frame by mistake (in a 'slipping thru the cracks' sort of way)**, or that the original video misses frames/contains bad frames to begin with. **To my understanding, even if recording at a frame rate comfortably higher than target rate, something like this could still happen since a common denominator between the two rates will always exist. ↳ Solution (for screen recordings): record again, find missing frame (chances are it will be captured on a second try), insert frame back into original timeline in PS ↳ Solution (if video misses frames or contains bad frames to begin with): Let's talk about ✨ VFI ✨. VFI (Video Frame Interpolation) is the process of synthesizing in-between images from a given set of images. It can increase videos' frame rates (i.e. 30 fps to 60 fps), achieve smoother slomos, and by definition, also help with missing/bad frames. There are many software products that let you use VFI by simply dragging videos into the app and clicking 'export'. Afterwards, all we need to do is to find the missing frame generated by the app & insert it back into the original timeline in PS (ahh technology). For more info on VFI, see "4. Smoother slomo". ↳ Note that VFI processed footages will likely differ slightly from the originals in terms of colors & lightings. This may be tuned out using clipping masks (allow a group of adjustment layers to only apply to one frame/layer, keyboard shortcut: Command+Opt+G)
3. Speed Management in Photoshop (✨ updated ✨)
At this point, our clip is without dupe or missing frames (or at least as close as can be). Whether you dodged the first 2 steps like a breeze or freshly emerged victorious from photoshop covered in blood to get here, good news is, things will be very straightforward for this point on. congrats!!!
🎉🎊🎉
As mentioned before, in terms of smoothness, our clip is now in ideal shape. The important thing is to keep it this way throughout the rest of the process. My workflow looks something like this:
Open file, crop, resize, sharpen, color, export gif, reopen gif in photoshop (which won't compromise quality), assign frame delay, export finalized gif
If you're used to finding a comfortable frame delay or speed/duration combo at the beginning, this process might feel unnatural. But it's so so so so important to leave the speed related settings alone until right before exporting. Here's why:
By not converting frames with modified delays into timelines with fps, we avoid having to give our finished product a frame rate (which photoshop timelines have to specify). This is crucial bc, there is no such a thing as frame rates in gifs. According to the syntax of GIF89a (the current '.gif' format, screenshot below), gifs control their speeds through (and only through) how much time to wait in between frames, aka delay time. Our process above does exactly that. It compiles frames directly into gifs, and avoids expressing frame delays (a gif concept) through frame rates (a photoshop concept), a conversion where dupe frames and missing frames come from**. In other words, using frame delays to control speed is simply more natural to a gif's syntax. **Why would this conversion cause dupe frames? ↳ On paper, frame delays should translate into frame rates seamlessly (i.e. 1 second ÷ 0.06s per frame = 16.67 fps). In reality, photoshop does not support direct translations like this. When converting frame animations into timelines, PS defaults outputs to 30 fps, regardless of frame delays. This disagreement between frame rates is where dupe frames come from. ↳ Some examples: i. Consider a frame animation where frame delay = 0.04s (25 fps), to convert it into a timeline defaulted at 30 fps, 5 out of every 25 frames will be 'duplicated' by photoshop (30-25=5) ii. Now, consider a frame delay = 0.06s (16.67 fps roughly 17 fps), to convert it into a timeline defaulted at 30 fps, 13 out of every 17 frames will be 'duplicated' by photoshop (30-17=13) ↳ (the 'duplicated' was in quotes bc photoshop achieves this thru assigning a frame roughly twice it's original screen time instead of actually adding another) ↳ (afaik, currently there's no way of changing the default 30 fps as long as u start with frame animations. If anyone does know how please let me know 😳) **Why would this conversion cause missing frames? ↳ This happens when one tries to reverse the harm done by photoshop in prev step by changing the 30 fps frame rate back to what it's supposed to be (using function 'Set Timeline Frame Rate') ↳ Let's use the last example again. As mentioned, to go from 16.67 fps to 30 fps, 13 out of every 17 frames will receive roughly twice its original screen time (0.033s * 2 ≈ 0.07s). On the other hand, 4 out of every 17 frames' screen time will remain the same (0.03s). to go from 30 fps back to 16.67 fps, photoshop resamples frames from its 30 fps timeline in 0.06s intervals. As a result, any frame with screen time less than 0.06s runs the risk of 'slipping through the cracks', namely ones whose screen time remained 0.03s ↳ (gifs require frame delays to be rounded to the nearest hundredth of a second) ** What if I open the file as video object, instead of importing as frames? ↳ Indeed, when opening as video object (i.e. command+o instead of command+i), photoshop inherits its frame rate as is. We would then have the option to manipulate it's speed by right-click ➡️ adjusting the percentage (of how much to speed up or slow down). ↳ Here, if we slow down a gif without changing its frame rate, we risk introducing duplicate frames into the result (since frame rate is now higher than needed). If we slow down a gif and lowered the frame rate, but the math didn't check out, we also risk losing unique frames (frame rate not high enough). The same (opposite) goes for speeding things up. Therefore the best and easiest approach is, again, leaving speed related settings alone until right before exporting.
(the block of GIF89a syntax responsible for graphic control:)
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Ok in hindsight this probably isn't exactly like. the most straightforward thing ever but the execution part is very much so 😳 here goes:
1. Open file in PS via Command + O note the (25 fps) on bottom left
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without changing speed, duration, or frame rate: 2. Trim ✂️ 3. Crop 4. Resize 5. Sharpen 6. Color
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(Updated!!!) 6. Export gif, and then reopen it in Photoshop **Compare to the original method (timeline into smart object, smart object back into frames), the updated method has the following benefits: i. Avoid lowering gif quality by converting into smart objectsii. Reopening gif into frames and reassign frame delay saves time (bc less steps) and won't hurt the quality at all (bc no image processing required)
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7. Assign Frame Delay (i usually go with original frame delay + 0.01s) 8. Export ✨
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Tada!! Speed = managed!!
This ad actually came out last December where I was aware of like, maybe 5% of what's in this post. Here is what my original gif looks like. I'd say what we have rn is a big improvement :)
Now, imo there are situations where it simply makes more sense to start with frame animations (imported using command + i). For instance: when we need to remove duplicate frames by hand, when there is a missing frame/bad frame that needs to be repaired, etc. My workflow would then look like this:
1. Command + i 2. (do things to frames) 3. Set frame delay to 0.03s 4. Convert to video timeline 5. (the rest will look exactly like the workflow above)
This works bc when frame delay is set to 0.03s, photoshop will treat your video timeline as a "natural" 30 fps timeline and leave your frames alone. Therefore maintaining its uniform speed.
4. Smoother Slomo using Video Frame Interpolation
As mentioned above, VFI (Video Frame Interpolation) is the process of synthesizing in-between images from a given set of images. It can increase videos' frame rates (i.e. 30 fps to 60 fps), hence smoother slomos. There are many software products that let you use VFI by simply dragging videos into the app and clicking 'export'. I've had very good experiences with Topaz and After Effects.
Let's talk about After Effects first. If you have Photoshop, chances are you have AE as well. To use AE's Keyframe Interpolation:
i. Import ii. Set speed to half iii. Click square twice until you see lil arrow iv. Export
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Topaz is a production grade video enhancing software. It's capable of enhancing frame rates (i.e. 30 fps to 60 fps), increasing resolutions (i.e. 540p to 4K/2160p) and more. Unlike AE who uses only the two neighboring key frames to generate an in-between frame, Topaz takes the whole sequence into account, hence better reliability. It's also more user friendly than AE imo.
Here is a before-and-after interpolation using Topaz.
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That's all 🎉🎉🎉
To sum up: remove dupe frames (if any), repair missing frames (if any), use and only use frame delay to control speed, and software enhance frame rate if needed.
This post got way longer and more technical than I had planned and I honestly have no idea where all this stuff came from lol. But it was really fun and I hope you'll find it helpful. Feel free to message me if you have any questions. Have fun moving-picture making!!
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keyotos · 25 days
Text
face-to-face
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summary ↯
aventurine has a bit of a staring problem while shopping
tags ⎯ unestablished relationship. like we are in the baby stages of their relationship. minor jealousy. lots of banter. lowk dialogue heavy.
word count ⎯ 3.3k
tana's thoughts ⎯ aventurine has taken over my brain so here's a snippet of the series i'm writing
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over the years, it's become easier for you to notice when someone stares at you. before, it was an uncomfortable feeling. you felt eyes peering over your shoulder as if you were a pest–it made your skin churn and shoulders twitch up self-consciously. now though, gazes move past you like air. you don't care as much about the opinions of other people–it's not like you'll be seeing them for long anyway.
except, today is different.
you can feel aventurine's colorful eyes trail your every move. from the moment you chose the necklace, to the moment you took it up to the cashier. he wasn't being as inconspicuous as he assumed to be: that died after the fifth glance that he shot your way while you were inspecting said necklace.
even through his glasses, aventurine's stare was burning and heavy. you never thought that such light-colored eyes could install such a hefty weight on your back, but aventurine proves you wrong.
while the cashier rings up your necklace, you look back at aventurine. coincidentally, he was already eyeing you before you even turned around. so when you catch him, he thinks that the other pieces of jewelry in the store are far more interesting than your face could ever be.
you scrunch your eyebrows and shake it off. by now, you're quite used to his unusual antics, so you brush him off. the cashier engages in light conversation with you, and then you feel it again. the hairs on the back of your neck stand up, and everything feels like it's weighted down.
you bid the cashier goodbye, and aventurine follows you outside. his hands are in his pockets while he whistles, almost like he wants you to start talking. you shoot him a confused look back, your eyebrow raised and nose crinkled.
when he only whistles louder, you decide to poke the bear.
"okay, what is it?" you stop and turn to face him.
"what? you don't like my whistling?" aventurine responds with an innocent tone; he even shrugs his shoulders like he has no idea what's going on.
you huff, "not just the whistling. what's up with your staring?" you raise a hand up to his eyes, "we're supposed to be acting normal. i don't think gawking at the person you're shopping with is exactly normal."
aventurine's jolts back, like he was accused of murder instead of ogling. "i wasn't gawking."
you nod, "yeah, you were staring."
"those mean the same thing."
"i think you've been hanging out with the doctor too much," you roll your eyes and continue walking. aventurine quickly marches up to you, matching your pace sooner than you thought.
"are you trying to compare me to him? we're completely different people, you know that, right? i don't act like him at all," aventurine rambles on. his head is turned to you so that his mouth is directly next to your ear, meaning you hear all of his words. you can't tune him out like usual.
"first of all," it's your turn to look at him, "i just said you hang out with him a lot. and you do, don't you?" aventurine's lips fall into a flat as you say that.
"and second of all, stop changing the subject. why were you staring at me back there?"
the man next to you huffs, and it sounds nearly childlike, "i'm not changing the subject. i'm just trying to tell you that i'm nothing like the doctor," he says with disdain.
"you are changing the subject, otherwise you wouldn't be talking about dr. ratio as much as you are now," you glance around at the various stores surround the two of you, and for a second, you swear that you see aventurine's eyes linger on you once more.
"you did it again!" you fully stop, pointing a finger at his eyes.
aventurine has to catch himself before he falls over at your sudden stop. "what? what are you talking about?"
"you keep glancing over at me! do i have something in my face? my teeth?" a large smile blossoms across your face as you beam at aventurine. for a moment, his annoyed facade falters, and his face relaxes.
"no, and if you did, i'd tell you," he swats a hand in your face, "i don't know what you're talking about."
you roll your eyes. it's obvious that he's hiding something, because usually his lies are more believable. but when you're catching him in the act, denial is not a good way to refute false claims.
"yeah, whatever," you look around the plaza the two of you are currently in when another store catches your eye. your face instantly brightens, and you wander towards the doors.
it's another clothing store, similar to all the other ones on the planet. except, something specific drew you here, and it was the display of hats they had near the window. you walk up to it, spinning the shelf around a few times to grasp onto all the options. your eyes are wide and your mouth is slightly parted as you examine each hat with awe.
unbeknownst to you, aventurine catches up to you and finds you fumbling around with each hat on the rack.
he sneaks up behind you, mumbling, "now, that's what you call gawking."
you jump up in surprise, hitting your head on something more soft than the hard shelf. aventurine quickly redacts his hand from the top of your head.
"i'm just doing what any normal shopper would do," you rub the top of your head before going back to the hats. aventurine's long sigh rings in your ear as you browse.
"yeah, okay," he looks at the selection of hats beside you, "i doubt anything you do is normal, but–" aventurine doesn't get to finish his sentence. he hears your boisterous gasp, and his eyes are on you once more.
"do you see this!!" you lift a fedora up to his eyes, "we could match," you whisper it like a secret, as if matching would be your thing. like matching would only be a tangible thought between the two of you, and no one else.
"yeah, no," aventurine lifts the hat down and places it back on the shelf, "sorry sweetheart, but the hat is my thing."
you grimace at the pet name, "mkay. so, you're gatekeeping fedoras now?"
aventurine sputters, "what? what is gatekeeping?"
you heavily sigh, and aventurine is pretty sure you're putting on an act right now. "are you serious? how do you not know what gatekeeping is?" you shake your head as you grab the hat from the shelf, "anyway, i think i know the real reason you don't want to match."
"because it's childish? and totally not my style?"
you turn around and flick your partner on the shoulder, "no. and you really have been hanging around the doctor too much." you shudder and place the hat on your head, "i think it's because you know i would show you up in it."
aventurine muffles a chortle when he sees you put on the fedora, "keep in mind that we're in the land of dreams."
your lips curl up in the way that they always do when you're annoyed. you are not very amused by his bits today. "you suck," you take the fedora off and continue browsing for different options.
you hear aventurine's footsteps gradually get softer and softer as you keep browsing. that's fine, you think, this is his shopping trip too–he's allowed to find things for himself.
one hat after another: that's your current predicament at the moment. you're glad aventurine is off doing his own shopping, but you also wish that you glued him to the ground so he could give you a second opinion. unfortunately, he is nowhere to be seen, and you are having trouble deciding between two caps.
"do you need any help finding anything?" a voice perks up from behind you, making your shoulders jolt up. it's not the voice you want to hear, instead it belongs to a lovely retail worker.
"ah, no thank you," you smile politely and turn back to the two hats in your hand.
"okay, let me know if you need anything!" sometimes, you wonder how retail employees are able to maintain such a chipper tone of voice for hours on end. do they really want to help you or are they just saying that because they have to?
and that's when the thought hits you: either way, they're still offering themselves up. your eyes widen and you rush towards the employee.
"actually, wait!" he turns around when you touch his shoulder, "i do need help. and this is gonna sound super random–and possibly weird–but what do you think of these two hats?"
you put one hat on–a red one that seems to flop on your head, "this one is nice, right?" the employee in front of you just nods. he's a bit tense and stiff; it seems like he's trying not to offend you.
"yeah, i think it's nice too. only thing is that it's kinda flopping on my head, and caps aren't really supposed to flop," you take it off and hold it in your hand.
you're surprised the employee hasn't made his break yet, because he's still standing in front of you when you grab the other cap.
"and this one," you hold your free hand up to the new, black hat, "is the one that belongs to my favorite team. well, i guess the other one also belonged to another one of my–"
"what are you doing?" you can recognize that voice anywhere. that voice that carries a slightly whiny tone. that voice that always seems to have some judgement sprinkled throughout it.
you and the worker both seem surprised. well, the employee seems to be more intimidated than surprised, but either way, his entire face had gone pale.
"um, trying on hats?" you take off the cap and hold it up.
"i can see that," he looks over towards the employee in front of you, "but is it seriously a two-person job?"
you scrunch your eyebrows together, "i needed a second opinion."
"you could've asked me," aventurine whispered, though it sounded more like a hiss.
"i think someone else needs help," the employee takes a few steps back from the both of you, "i hope you find everything!" there it is. he tries his best to sound cheerful, but his voice quivered as he moved away from the two of you.
"he was such a nice guy," you said as you waved goodbye. aventurine did not look as pleased as you did.
"we're supposed to be laying low. you know that, right?" the blond emphasizes.
you shake him off, "yeah, and tell me how a regular retail worker is gonna rat us out? what about us possibly screams 'sleuth'?"
"we're buying hats." aventurine isn't very proud of his answer, and he can tell that you thought it was weak as well.
"so everyone that buys hats are suspicious?" you retort, putting on the cap you previously took off. "do i look like a murderer to you?"
aventurine sighs. his fingers go to his temples and you're sure that you've brought him to his last nerve.
"this hat is better than the other one," he puts the red one back onto the shelf. "the other one practically fell on your face. i doubt you could even see with that one."
you look at the red hat and then look back at aventurine, furrowing your eyebrows together. "that was a specific answer. i never even showed you what the red hat looked like."
aventurine cleared his throat, and the ceiling must look extra nice, "i overheard the other guy talking. you're loud, y'know that?"
your face immediately breaks out in a huge grin, so wide and bright that aventurine looks back at you for a mere second, before turning back to the ceiling.
"you were doing it again!! the staring! goodness, i thought you were good at lying," you laugh, slapping him on the shoulder to garner his attention, "admit it. i've caught you."
"i'm being serious. you're a little loud," aventurine crosses his arms, biting on the inside of his cheek.
"la-la-la-la. can't hear you. guess i'm speaking too loudly to notice," you put the black cap on again–the brim sticking the opposite direction–and look in the mirror. "hey, since you're here, can you give me another opinion."
aventurine nods for you to continue, and you smile, "perfect. does this make me look like a cool galactic baseball player?"
this is what takes him aback, "huh? why would you want to look like that?"
"well, i'm going to a game soon, and i didn't want to look like a fake fan," you shrug and look in the mirror again. "but now that i'm really looking at myself, i think i’d be an amazing galactic baseballer. what do you think?”
you pretend to hold a baseball bat in your hands, getting into a hitter stance. you make sound effects as you swing your pretend-bat into aventurine's chest, aiming for the open hole in the middle.
aventurine reaches over your head, "well first of all, i'm pretty sure baseball players wear their caps the right way." he grabs your hat and places it on the right way, but not without making sure the brim covered your eyes.
"are you serious right now?!" you yelp, quickly pulling up the hat so you can regain your vision.
and there aventurine is, staring at you again.
you briefly gulp before broadcasting, "you're staring!" you march closer to him. "i caught you!" you're only inches apart now. "and it was obvious!" your finger is pointed at his eyes, but unlike earlier, your finger is much closer.
if you had gotten only an inch closer, you would be able to feel aventurine's heartbeat, despite not even being chest-to-chest.
"okay, okay," aventurine is the first one to step back, and you feel something sinking, "but that was only once."
"yeah, whatever. 'once.' not like i haven't caught you a million other times," you shook your head and regained your baseball posture, "you can't hide from these sharp eyes. told you i'd be a great galactic baseballer."
the blond chuckles, and your eyebrows raise up at the sound, "keep dreaming."
"well, a really weird guy did tell me earlier that we are in the land of dreams. so, if i dreamt that i could be a galactic baseballer, it'd actually happen."
aventurine tilts your hat down once more, dismissing your cries while he does it.
"remember what i said about acting normal?"
"this is actually pretty normal for me," you take the hat off.
"can't argue with that," aventurine looks towards the cashier and then back at you. you raise an eyebrow, as if to raise the question, "is there something wrong with my hair?"
if there is, aventurine doesn't do something about it. surprising, since he's practically been doing something this whole trip. "are you ready to go up?" he asks you.
"you're not gonna get anything?" you look around the store, "we can look at stuff for you. there's tons of things here."
aventurine shakes his head and gives you a wink, "i've got everything i need." you suck in a sharp breath, and you try to focus on anything else other than how fast your heart begins to beat. when aventurine turns his back away from you, then you gulp.
when the two of you get to the cash register, you stand next to aventurine, preparing to pay. you're well aware of how costly things on penacony are–after all, this whole planet is like a tourist attraction. that's why you're paying with card instead of the usual credits.
"did you find everything?" the cashier asks you. you smile at the woman and nod, making idle chatter with her while aventurine idly stands next to you.
the woman turns over to aventurine, "i'm guessing you also want to pay for your item too?"
it's aventurine's turn to plaster a smile on his face. from what you've gathered from being with him so often, his smiles are often sly. some would compare it to the cheshire cat, but you thought he rather resembled an evil cartoon villain.
"yes ma'am," his saccharine voice masked his villain grin, "do you still have it?"
"that i do," she responds, grabbing something from underneath the counter. your eyes fly from the woman to aventurine. you simply couldn't believe what you were looking at.
"you're buying the freaking feodora?" your posture straightens and you beam up at him, "i knew you wanted to match!"
"slow your roll," aventurine puts a hand up to you, "who said i was buying this for you?"
your smile drops and you shove his shoulder, "are you serious? i thought you didn't like that hat."
"i didn't not like the hat. i just didn't like the thought of us matching," he tilts his head to smirk at you.
the cashier's eye's bounce between you two, not knowing whose side to take. eventually, she settles for ringing your cap and aventurine's feodora up, not even wanting to say a word.
"alright, who's paying?" she looks up at the both of you.
"i am," you and aventurine say in unison. your face contorts while aventurine displays a confused expression.
"um," you whisper, stepping closer to the blond next to you, "i'm paying."
"um," aventurine mocks you, "you're broke."
"not broke!" you kick his shin, and aventurine grips onto the counter in order to keep his balance, "just budgeting."
"yeah, and you know who don't have to budget? people that aren't broke."
"so he's paying?" the cashier interrupts. you step away from aventurine out of shame. he can have this.
when aventurine sees you put away your wallet, he proudly hands his card up to the woman in front of you. when she looks down to scan his card, he shoots you a sly look and a wink. your mouth rests in a flat line and your eyes show no signs of hilarity.
the moment the two of you step out of the store, you immediately go for aventurine's bag. before he could even catch you, the hat is already in your hands.
"we can switch!" you try to reason with him, "you would be a great baseball player. just, y'know, not as great as me."
"and..." you sing, "we wouldn't match. wouldn't that suit both of our goals?"
aventurine looks over at you, and his gaze is softer. this time, you don't get onto him for gawking. how could you, when he's looking at you like that? you don't think you've ever seen him like that... ever.
you squint your eyes, trying to decipher his real expression. but there's nothing for you to investigate.
"what?" you ask.
"you can keep it."
immediately you take a step back, nearly bumping into a bystander walking behind you. you shout a quick apology before returning back to aventurine, "didn't you buy this for yourself though? what's the point of me keeping it?"
"i just realized that it didn't go with any of the outfits i have," he sighed, looking into the distance, "what a waste of money. so, it's yours."
"what kind of bullshit is that?" you scold the blond, "you always have to think about whether or not you'd actually wear the item before you buy it. that's like... number one rule of shopping."
"i don't shop that much," aventurine shrugs, glancing at you one last time before focusing on the street ahead. he bites the inside of his cheek and tries his hardest not to look to the side. you'd give him hell for it.
but you're not focused on that. everything's slow, and it feels like the street is empty.
"well, then we're gonna have to go more often."
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prince-liest · 3 months
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Some thoughts on Lucifer's mental health, relationships, and role as king of hell!
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Lucifer’s perception of himself as the king of hell is really interesting to me because he’s very blase about it in canon while totally using it when it suits him.
I think it’s really telling that the first time he actually brings it up himself is when it’s something he can leverage to help Charlie out. He reads to me like someone who objectively knows that he’s the hottest shit in town, but also just doesn’t really think that it matters most of the time because it's not relevant to his personal problems. Being Lucifer Morningstar did not allow him to achieve his goals in petitioning heaven. Being the most powerful person in hell didn’t even un-fuck his family life!
...Except for when suddenly it might in fact help un-fuck his relationship with his daughter.
It's the main thing he can desperately and dramatically showcase as a worthwhile reason for Charlie to maintain a relationship with him, because he as a person is depressed, half-functional, and barely has enough spoons to pay attention to a conversation he's having with her while he's actively having it, nevermind remembering their last one.
He wants to! And it doesn't start with his song at the hotel! It starts with him answering the phone, heavily fumbling actually connecting with Charlie despite clearly desperately wanting to, and then realizing she's asking him for something and promptly choking on his tea before excitedly telling her, "Yeah! Of course! Anything within my power is yours for the asking, you just name it." He knows that there is a great deal 'within his power,' and he's happy and relieved that he can offer her that!
Lilith has been gone for years but he's still wearing his wedding ring. His walls are still covered in family portraits. He's just been sitting in his room making thousands of rubber ducks he thinks suck instead of ruling hell, because his daughter liked that one duck he made one time.
Charlie needed him to support her in her mission, but damn did Lucifer also need Charlie to get him out and moving and actually doing things again.
Anyway, someone get this man on an SSRI.
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luxaofhesperides · 5 months
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Surprise husbands + "How are you real?" ; requested by @vehan-tikkun-olam-and-stuff!
They may not have planned to get married, or even wanted it all too much at the beginning, but that doesn’t mean they aren’t going to treat each other right. It was rough going, with both of them coming out of relationships and having secret identities, but time had softened the hurt feelings and allowed them to actually get to know each other.
And Danny, Duke has discovered, is a really good husband. 
Neither of them ever saw themselves as married at 20, but sometimes life throws horrible curses at you and the embodiment of balance and life and death swoops in to save your life. Via marriage. 
His life is weird, okay? Duke has made his peace with it.
The thing is, if they had met naturally and started off as friends, Duke could see himself falling for Danny and asking him to marry him in a far off future. Instead, they’re doing everything backwards: married, then going on dates to know each other, and finally feeling close enough to be friends. 
It helps that Danny does his best to communicate and that helps Duke find the words he needs as well. 
He’s sweet, too, so kind and doting and affectionate. Like a really lovable cat, honestly. Duke’s never been cuddled so much in his life and he’s loving every minute of it. 
He… might be falling in love with his husband. What a revelation.
“Duke?” 
He blinks, looking up from his half-empty plate, pulled out of his thoughts suddenly. Tim and Dick stare at him, concerned, and he realizes he’s missed the entire conversation because he was so preoccupied thinking about Danny. In his defense, it was their one year anniversary the night before and Danny had kissed him for the first time after a date night spent playing video games and talking shit about their respective rogues. 
Tim snaps a finger in front of his face, and Duke startles. He got distracted by his Danny Thoughts again.
“Yeah, what’s up?”
“You okay? You’ve been out of it all day,” Dick says, clearly concerned.
“Oh, uh, yeah, it’s all good. Just… adjusting.”
“To what? Did something happen?”
Duke shrugs, scooping up another forkful of pasta to shove in his mouth. “Yeah, I… this is going to sound kind of stupid, but I think I’m in love with my husband.”
Tim, taking an ill-timed drink, chokes and spits out his Zesti. Dick springs back, trying to get out of the spray zone but doesn’t move far, shocked still by Duke’s words.
“Oh, yeah,” Duke realizes, “I didn’t tell you guys, did I?”
“You’re married?!” Tim shrieks as Dick clutches at his chest, eyes wide.
“You didn’t tell me?” Dick asks, offended.
“Seriously? That’s what you focus on?”
Duke smiles as they begin to bicker. They do it constantly, but this time it’s halfhearted, as if they’re just going through the motions of something familiar to distract themselves from the bomb he’s dropped on them.
In all fairness, Duke did forget that he didn’t tell them that he’s married to Danny. He’s also only mentioned Danny once or twice and heavily implied that Danny was just a classmate at GCU. And then forgot that he didn’t tell them, assuming that they’d figure it out eventually being Batman trained detectives, after all.
Well. 
Oops.
Clearly that is not the case. Duke hurries to finish his pasta before Tim and Dick finish their joint freak out and get their senses back together enough to interrogate him. He can’t escape it, but he refuses to have this discussion with an empty stomach. 
He just barely manages to scrape the last mouthful off the plate when his fork is being yanked out of his hands. Tim and Dick close in on him, standing to either side of him, trapping him in place, and look at him with knife-sharp smiles.
Here we go, Duke thinks tiredly, and resigns himself to clearing up this misunderstanding.
Somehow, he manages to explain the situation (I got cursed, he saved my life, we ended up married because magic is bullshit, he treats me so well) and Tim and Dick both agree to not hunt down Danny to show him the wrath of older brothers on one condition: Danny has to join them for a family dinner.
“Don’t worry, we’ll catch everyone up on your… situation,” Dick says, pulling on his jacket to head out. Tim is already on his phone, no doubt telling someone already. 
“Great,” Duke says, unenthused. “You’ll also be answering all the questions because I’m not in the mood. So if you’ll excuse me, I’m going to figure out a day that works for all of us, and then I’m going to kick my husband’s ass in Mario Cart.”
He walks out the door, grinning as he hears them scramble after him, then twists the ring on his finger (not a wedding ring, but a magic portal making gift) and steps into the portal. It closes quietly behind him, leaving him in Danny’s lair, a comfortable, spacious house with high ceilings and little bits of his personality scattered about. There are soft rugs with geometric patterns on them, star maps on the wall, stained glass windows that throw colors across the floor, and a giant couch and pillow pit in the living room.
Danny’s asleep in it, curled up and looking completely at peace. Duke toes off his shoes and carefully makes his way over, footsteps silent so he doesn’t wake him up, all plans of Mario Cart fading away instantly.
Danny doesn’t get much sleep, with the stress of school and an internship and ghost fights to worry about. It’s why his lair is so quiet and comfortable; it’s what he needs, and he doesn’t let anyone else in without invitation, rare as it is.
Duke is allowed to waltz right in thanks to the ring Danny gave him. It never stops making him feel overwhelmed by how much trust Danny puts in him to allow him unlimited access to what is his only true sanctuary, letting his lair be a place of safety and respite for Duke as well. 
He crawls into the pillow pit, There’s no way to do this without waking Danny up since he can’t fly, so he isn’t surprised to see Danny blink his eyes open, still looking soft and content. He smiles when he sees Duke, reaching a hand out to him that Duke gladly takes, bringing it up to his mouth to kiss his palm.
Sitting up, Danny tilts his head up in a silent request. Duke happily obliges, still reeling over the fact that he’s allowed to do this! He can kiss his husband whenever he wants! 
Yeah, he’s going to be riding that high for a while.
“Hey,” Danny murmurs, sleepy and quietly pleased to see him.
“Hi honey,” Duke returns fondly, “Have a nice nap?”
Danny nods, leaning into Duke and closing his eyes again. “Mhm. How long are you staying? I wanna cuddle.”
“I got nothing going on today. I’m all yours, baby.”
“C’mon,” Danny tries to tug him down. Duke goes slowly, covering Danny’s body with his own, but holds himself with one hand before he blankets his husband completely.
“Wait. There’s something we need to talk about.”
Immediately, the sleepy haze is fading from Danny’s eyes, leaving him alert. “What’s up? Is something wrong?”
“Not really? You know how we agreed to keep our marriage a secret until we weren’t in danger anymore and all those cultists and sorcerers were taken care of?”
“...Yes?”
“Well.” Duke sucks in a breath and offers a bashful smile. “Guess who forgot to tell people we were married after that whole mess was dealt with?”
The nervousness clears from Danny’s gaze as he stares up at Duke with incredulous amusement. “No. No way.”
“Yeah. Kinda dropped a bomb on them and they started freaking out over me being married. Anyways, they want you to come to dinner?”
“When?”
Duke leans back, sitting on his heels. “Let me check.” He pulls out his phone and sends a quick text to the group chat asking for a day they could have a family meal to meet his husband.
His phone is bombarded with texts and calls immediately until Barbara, bless her entire soul, forcibly mutes all of them and puts in a poll with a few dates, setting the poll to close in 24 hours.
“Okay, well, they’re deciding now, but probably soon.”
Danny nods. “Alright. I know these aren’t normal circumstances at all, but I’m so excited to meet the Bats.”
“You do not mean that after hearing all my stories about them.”
“No, I do!” Danny laughs, surging up to wrap his arms around Duke and pull him back down to lay among the giant pillows with him. “They sound nice!”
“The Bats sound nice?!” Duke repeats in horror. “Did you hit your head?”
“They do sound nice! You talk about them so fondly, and yeah they have problems and are dysfunctional, but they’re heroes. Of course they have problems. Even with all their baggage, they’re kind. And you clearly love them, so I do too.”
It’s hard to resist the urge to hug Danny tight enough to make him squeak while peppering his face with kisses, so Duke doesn’t. He just goes and does it, because he’s allowed to shower his husband (!) with affection (!!!) as much as he pleases.
“How are you real?” he says against the corner of Danny’s lips. “How are you so perfect! To me specifically! Honey, if we weren’t already married, I’d be going down on one knee right now.”
“I mean, you still can. We never got a proper wedding either. Think if we offer them a chance to help plan our wedding, they’ll forgive us for secretly being married for so long?”
“Oh, absolutely,” Duke says. He’s already giddy, just imagining what their wedding will look like, what song they’ll play for their first dance, where they’ll have the ceremony… He should create a Pinterest account to start putting ideas together. 
Later, though. He wants to woo Danny properly and take him on so many dates.
Dates which include dinner with the Waynes and Wayne-adjacents, apparently.
“You sure you’re okay with meeting them over dinner?” he asks, just to be sure. He knows how intense they can be, even when pretending to be normal civilians. It took him years to get used to them, himself, and he doesn’t want to push Danny into doing something he’s not ready to do.
Danny cups Duke’s face in his hands and gives him a quick, reassuring kiss. “I’m sure. If nothing else, it’ll be fun to see how long it takes for them to realize I’m not fully human.”
“I really am glad it’s you.”
“Yeah, me too. I’d choose you all over again if given the choice.”
“Took the words right out of my mouth,” Duke laughs, wrapping an arm around Danny’s waist.
“Can we nap now? Now that you’re here and holding me, it’s taking everything I’ve got to stay awake.”
“Yeah, we can nap now.” Duke settles into the pillows, Danny cradled in his arms and closes his eyes to bask in the quiet easiness of it all. 
He really couldn’t ask for a better husband, unexpected as he was. The others will see that too, once they meet him. It’s impossible to not love Danny once you meet him; Duke knows this all too well.
He loves his husband.
And his husband loves him back.
Duke is fully prepared to keep making that choice for the rest of his life.
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ruumirmir · 1 year
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Reprise of a rolling mist
Part 1 Part 2 (soon)
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☽◯☾ Summary - You, the revered God of Healing and Mist, one of the oldest friends of Zhongli, are not one to be easily taken down, but alas, in the Archon war of brutal massacres, you can’t escape death for long.  ‎ ‎ ‎ ‎ ☽◯☾ Characters - Zhongli, (minor) Cloud Retainer, (minor) Madame Ping ‎ ‎ ‎ ‎ ☽◯☾ Tags - Zhongli x Reader || Gender Neutral || Angst || Eventual happy ending || Description of blood, violence, and fatal injuries || Mention of death   ‎ ‎ ‎ ‎ ☽◯☾ Word count - 1.2k ‎ ‎ ‎ ‎ ☽◯☾ Rumour◇ says - my first ever fanfic to be published on tumblr. In case you haven’t seen my previous post, please do! It has some context in it. I hope i did peepaw some justice,, as much as I love him, it was slightly hard to pin his personality down especially in this wild scenario. I’ll probably belt out the part 2 really soon cause I’m done with it, just gotta decorate the post lmao.
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‎• ——————————————————————— The nearby corpse of a beast twitches once before falling still. The loud ringing in your head gets louder by the passing minute. Mouth set into a grimace, you roll onto your back and hack out a wet cough.
‎ ‎ ‎ ‎ It's hard to breathe with a gaping hole in your torso, still fresh and bloody. Your half-lidded eyes focus onto a speck of ash, floating up to melt into the night air. ‎  ‎
‎ ‎ ‎
The God of War doesn’t fear. No. He is the one who’s feared. And yet...
“No...”, Morax kneels there, watching his old friend, laid upon the charred grass.‎ ‎ ‎ ‎
Your once lustrous hair, now melds into the soot-stained ground, tainted by blood and grime. Your breaths come shallow and short. For all the dust and debris left in the battle's wake, Mt. Tianheng had a pleasant breeze to offer.
His palm find its way to yours; cold to the touch. Fingers tighten around you, and the clarity slowly returns to your hazy eyes.
‎ ‎ ‎ ‎
The stench of burnt flesh permeates the air. His gaze lingers over the yawning cavity in your body; charred at the edges. From such a pair of gods, its not Morax who wields the power to heal and mend. It’s not you who possesses the energy to do so.
‎ ‎ ‎ ‎ And so. his hands tremble uselessly over your gut, or the lack thereof.
‎ ‎ ‎ ‎
His most trusted. His closest companion. His oldest friend... The one who shares countless memories with him. The one who had promised to do so for many more years to come.
‎ ‎ ‎ ‎
"M-morax," his name spoken like a sigh. The corners of his mouth twitch into a small smile. Your stomach flares in pain when you fight back a strangled whine. "I am... not your burden to bear amidst a battle."
‎ ‎ ‎ ‎
He sits by you, pained. “Hush... do not strain yourself by talking.” You lie before him, bleeding.
‎ ‎ ‎ ‎
“O great Rex Lapis, won't you be kind? Won't you be wise? Renounce your lands and people? Spare us all a calamity from befalling those subjects of yours? It’s the least of your payment... for eons of slaughter caused by your hands”
A great many creatures had cackled, with many more swarming in. The seething mass of... beastly wasps, misshapen and overgrown, were all too eager for a massacre. A hivemind; disgustingly coordinated in brains and brawn. ‎ ‎ ‎ ‎ ‎
By the first rumbling of his meteorite that bombed over Mt. Tianheng, a familiar billowing mist had rolled forward to assist. Whether in your solid body, or a lashing mist, it was hard to quell the pyro gnats. ‎ ‎ ‎‎ ‎ ‎ ‎ ‎ ‎
The grass is stained red by now.  He takes your hand and grips it tight, to his chest. You brush your fingers over his bruised knuckles.
‎ ‎ ‎ ‎ ‎ By the second rumbling of raining spears, Morax’s harsh orders had sent the adepti and yakshas scrambling towards the unprotected city of Liyue. . . . By the third rumbling of his shield molding around you... a flaming projectile had already shot clean through your torso.
‎ ‎ ‎ ‎ ‎ ‎
You need to fight to keep your eyes open.  From a simple flesh wound... what a joke. Your not the admired deity of recovery, just in name, are you?
‎ ‎ ‎ ‎ ‎ ‎ Your fingers twitch, tightening around his robes. "Help me sit upright..."
His sharp exhale falls upon your brows, and with the utmost softest touch, You’re pulled up against his torso. Your head sags against his shoulder, where you can feel the thick pool of sorrow under his skin.
"Please... I do not want to cause you more hurt," The words fall hollow from his lips. He holds you up gently, and you can finally focus on his face.  … where you’re met with a wet shine to his eyes.
"What... are you trying to do?" His mouth trembles downwards ever so slightly.
‎ ‎ ‎ ‎
But you... you break out in a rebellious smile, don’t you?
The pain is unbearable. And you laugh all the harder for it. Sweat beads your forehead, and your fingers dig into his arm when he presses into your stomach to slow the bleeding. You bite out a groan. It burns.
"Don't look at me like that Morax", you pant. "This... this is but child’s play for a healer of my caliber...."
‎ ‎ ‎ ‎ ‎ ‎
Yet, your life trickles out like the grains of sand in an hourglass, and your vision flickers. 
He wipes the blood off your lip, clearly vexed, "You are still yourself, I see. Even as you lay here, near death, you are still joking."
‎ ‎ ‎ ‎
"Just... won’t you humor me one last time?" You rasp out, feeling faint. All sensations except the gritting pain have left already. "Lend me some energy- so my body can return to what it once was..."
"Because... I, the Healer God of Mist, am alone the revered one... who holds mortality at my fingertips..." your voice breaks towards the end, but you still flash a smile of dogged arrogance, don’t you? (There is nothing but a theory borne from your feverish thoughts.)
‎ ‎ ‎ ‎
He gazes at you; minutes away from the end. The god who holds no regrets, who has not one ounce of fear in their voice. (You have never been more terrified of death, for you only know how to run from it.) With a melancholy rustle of feathers, comes another soft voice, "Ever so conceited, until the very end...”, Cloud retainer murmurs into the night.
‎ ‎ ‎ ‎
His skin glows alight, veins illuminated on his chest and arms. His gnosis ignites for your fanatical whims. It always did.  "How could I ever refuse you...?", his trembling voice, so quiet. You’re met with a familiar embrace.
‎ … ‎ ‎ ‎ “If mortals pray to gods in their time of need, who does a god pray to?”
Two drops fall to your neck, rolling away until they wet your clothes.
“No one.” His smile is soft, and voice raspy. “A god can only pray to himself... but, he may have hope in others.” ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎
Your body slowly starts to dissipate into millions of droplets of condensation that scatter into the air, where the wind blows parts of you away, and away. ‎ ‎ ‎ ‎ The soft tunes of a zither ring out into the air, permeating the atmosphere with a slow melody. An adeptus sits atop a nearby rock, her eyes downcast.
ah. ‘Ping's zither’, you sigh. ‘How kind of her.’
And he smiles through his tears.
Isn't it beautiful?
A great rolling mist dissolves into the air. With dust and ash in the air, it swirls and rises up and above. The wasted grassland is littered with thousands of droplets that shimmer like stars as the moonlight reflects off them. It is as beautiful. as it is empty.
On a night like this, Streetward rambler’s tune graces the wind, until her fingers bleed. Cloud Retainer sheds no tears, but know that she holds your memory well.
And you, Rex Lapis,
Morax,
you weep for me.
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Taglist - @ainescribe ||  @theorchardcollective  || @flos-historia​ || @nightrayseishina ||  @thesparklingwriter
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00fairylights00 · 4 months
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bitches become obsessed with a new fictional man, claim they will write fanfiction about him but never post it and then promptly lie.
It's me, I'm bitches.
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selfproclaimedunicorn · 2 months
Note
Prompt: Daddy Daemon and Mommy Rhea finally find common ground and maybe fall in love through mutual violence against the bane of their existence: Viserys.
Enjoy the absolutely unhinged AU we entertained the idea of one time. Feeding you well with nearly 3.3k of Daemon being mentally unwell & Rhea being a mama bear
Adrenaline had not stopped coursing through him since he had found Rhaella sobbing in the gardens, wailing and carrying on worse than when he’d taken Yorick to squire. Words tumbled forth from her, muffled by his chest as she desperately clung to him; as disgusted and angry and hurt by betrayal as he’d been nearly fifteen years earlier.
Daemon had gone to Viserys, had unburdened himself of his feelings about being tossed aside to be further forgotten and ignored by their father, and he’d nodded and hummed and patted his shoulder in a bland attempt at comfort. That his elder brother would turn around and wound him so, would do to his child what was done to him–worst of all by his own hand. Hells, this was worse! Daemon had at least drunk himself into compliance so he could make nice for a day while the realm watched him put a black cloak around that bronze bitch’s shoulders, and she had at least been willing and girlishly excited enough he’d thought once would not hurt. There was no complacency from Rhaella, she had not wanted anything more than to aleve her brother of the duty of giving sympathy to the king.
She was wrapped in the blankets from his bed, and curled in on herself on a couch with her head on his lap. Daemon wanted to get up, to pace and spit venom, to go to his brother and smash his face into the model of the old empire he fancied so; he wanted to curl protectively around what was his and not let anyone touch it, hissing and snapping like The Blood Wyrm with anyone who came too close. He stewed in his anger, fingers curling into one of the black blankets.
He wanted and he ached and he yearned. Power some days, recognition and respect all of them, affection too. No one he wanted to gave him that one, not how he desired; but Rhaella so desperately clinging to him for protection and love like how he had done with Prince Baelon and then Viserys…maybe that was how he had wanted it? To be a first choice, to be needed.
There was a pounding on the door, and Ella startled in his lap before huddling in on herself more.
“Leave!” He barked the order as his head snapped towards the door. The knocking did not stop.
“Daemon, open the fucking door!”
“Mother!” Ella’s call was broken and achingly familiar, drawing foggy, half-remembered visions of Vermithor setting a pyre alight to the front of his mind.
“Ella?!” It was Yorick who burst through the door, one of the infrequent flashes of real emotion on his face: outrage and grief–the most common combination Daemon had ever witnessed from his older son. Their mother followed behind him, only to bump into him a moment later. They both stood only a foot into Daemon’s chambers, staring at him and Rhaella.
“You, you–” she pointed at him, face twisted with blind fury for only a moment before her gaze fell to their daughter, “my sweet girl.” She rushed to where they sat, dropping to her knees to take Rhaella into her arms. It was strange and uncomfortable seeing the Lady of Runestone in such a position, to feel her arms brushing against him as one of the children they shared held onto her without getting up from where she laid on top of him.
“I am sorry! I am sorry! I didn’t think that–I just wanted to help!”
“It isn’t your fault.”
“It is mine,” Yorick mumbled. He was always mumbling if he was dejected.
“It is Viserys’s fault,” Daemon snapped.
A strange look passed over Lady Rhea Royce’s face as her eyes, brown and terribly common, darted up to him. Their gazes met, briefly, and then she looked back down to Rhaella. “Go to your brother, sweet girl.”
“But, but–kepus.” Her voice sounded so small when she twisted around to look back up at him, her mismatched eyes watery and pleading.
“He will keep you safe, just over there,” Daemon pointed to the tall divider painted with dragons that separated his chambers in half, and he glanced at Yorick when he continued, “jātās.” Rhaella sniffed hard as she slowly sat up and slid off the couch, and she still held the blankets tightly around herself as she shuffled over to Yorick’s side. Neither of them touched the other, but she was still close enough it was as if they moved as one.
Daemon sprang up immediately, standing at full attention almost before Lady Royce could get herself out of the way to not be knocked in the face by his knees. When she was standing and looking up at him there was anger on her face again. His lip curled and he turned towards the door, but before he could leave to go do something, she grabbed his arm.
“Will you fucking think for five minutes?”
“All I have been doing is thinking, and I decided the best way to off him is to cave his head in.” Daemon pulled his arm further away to try and get her to let go, but the Lady of Runestone held fast to him. He could have pulled harder, yanking his arm from her to go do what he needed to do as she fumed, but he knew she was not mad at him this time. Their anger shared a common goal that served something besides staying away from each other, probably for the first time ever.
“Something has to be done! I will not just sit here and let Viserys marry my daughter!” Not when his brother would treat Rhaella as little more than a broodmare to replace him with, not when Rhaella had flung herself into his arms and screamed her hurt that he could fix.
“Do you think I want that to happen?! Do you think I want our daughter to go through what Aemma did?! We just–gods you are so stupid!”
“I am not stupid!”
“When have you ever had a fully formed plan? Tell me quickly.”
“Going to Dragonstone when Viserys exiled me for Yorick cavorting with that boy from the brothel was a fully formed plan. It is not my fault he brought you to the island and hardly made a decision he was not pushed to.” Sometimes Daemon forgot his brother had barely been primed to rule, and that their quarrels as boys would end with Viserys acting as if he had indigestion.
“Yes, of course, hinging your bets on that cunt making a decision is a perfect, well-formed plan and not some malformed stillbirth of an idea.”
His lips went tight as he glowered down at her. Lady Royce’s insults would be funny if they were not so often pointed at him. “Do you wish to help me save Rhaella, or not?”
***
It took everything in Rhea to keep her expression calm. Her heart hammered in her chest and her hands felt clammy. The weight of the gold ring with its raised emerald felt like it should keep her from raising her hands as she attempted casual gesticulation, and she wanted nothing more than to look at her good brother with disgust after everything he'd done. She hated him, had for years. He was ineffectual and weak and as fickle as the day was long, preferring to stick his head in the sand instead of making any kind of firm choice or resolving a single issue that arose. He had spent years making one of her dearest cousins miserable, keeping her from rest and subtly blaming her for each lost prince as he put on a show to make everyone feel more sorry for him than they did Aemma. He was not going to do the same to her daughter–his niece–no matter how much she “reminded him of Princess Alyssa.” Ella was not dying in the child bed after promising anyone an army of sons.
“A shame Daemon could not join us.”
“You know how he is,” she replied with a noncommittal shrug.
“He is prone to going into moods,” a disarming, almost bland, smile pulled up the corners of his mouth, “he has been since we were boys. There is dragonfire in him.”
Kinder words than she would have chosen on most days, although they were not untrue. That “dragonfire” had been part of why Daemon had been so exciting…then he decided to point it at her. Things usually lost their charm when their worst parts were aimed in Rhea’s direction.
“One could still hope the king’s brother would be pleasant enough that Ser Westerling and Ser Marbrand would let them speak to each other.”
When Viserys let out his annoying little chuckle Rhea wanted to punch him in the face. Nothing about this was enjoyable or casual, and laughter would not divert any tension. Although, if he was so at ease she must have been doing a decent job at pretending to not be bothered. Her father would have been proud of his little girl playing politics so well.
“Have you told him of my announcement? Surely such joyous news would see Daemon’s mood improve.”
“I tried to talk to him earlier, but you know how he is, Viserys,” Rhea stood up and turned away from him so she would not have to see his satisfied smile for another moment, “something wedged itself into his mind and he will have to wait it out.” She traced a finger over the decanter on the small table near their chairs, the digit easily gliding along the neck and crest of the glass dragon.
“But that is enough about my husband, there are other things to talk about than him.”
“Like the rejoining of the two halves of House Targaryen.”
Bile rose in her throat. He'd said as much when he betrothed Yorick and Rhaenyra, ignoring her father’s petitioning of Jaehaerys to have at least Rhea's heir known as a Royce, and now he said the same thing about his wanting to marry her daughter–the girl who so often went by Ella Royce. Not that any of the Targaryens seemed to care what her sweet girl wanted. She took the stopper out of the mouth of the dragon, and placed it on the table. Rhea needed both hands, and she was not going to back down now. She poured wine into two glasses, her hands hovering over one of them a bit longer as the powder her husband’s bastard had snuck from the grand maester’s chambers poured out of the well under the emerald in the ring and into the dark red liquid filling the goblet.
Rhea turned back around to face Viserys, both goblets in her hands and a fake smile plastered across her face. “Indeed. Something so joyous as your honoring House Royce twice over by betrothing Yorick and Rhaenyra, and then announcing your intent to have Ella as your new queen requires much discussion. And perhaps, also celebration?” She extended one of the glasses towards the king, and he gladly accepted it.
She smiled into her own goblet as her good brother drank some of the tainted wine. King Viserys could not content himself with trying to take her oldest son, pretending Yorick was his and snatching him away to saddle him with her fate: an outsider married to one of them. This was for Yorick and Ella, and Aemon eventually. The Targaryen dynasty would not take anything more from House Royce, not unless it was willingly given.
Rhea barely paid attention as the minutes passed, letting the king talk himself in circles. She would nod where appropriate, blow smoke up his ass if his pause seemed to be for a response. Eventually he grew listless, and Rhea excused herself under the guise of attending to her duties, whatever her good brother assumed those even were when she was away from home.
“Seven hells,” Rhea grumbled just loud enough to be heard, “you would think he would want to be at least a bit moderate if he wanted to speak with me.” She paused in her walk from his room to look over her shoulder at the two kingsguard stationed outside Viserys’s chambers.
“Do let me know when His Grace will have had enough time to recover his faculties for a conversation. I do not know his tolerance for wine as well as the two of you would.”
***
Daemon glanced over his shoulder for a brief moment to see if she was keeping up, they needed to move quickly if they wanted to make it to Viserys’s chambers before the kingsguard checked in on Viserys’s progress with “sobering up,” and he was not above simply leaving Lady Rhea behind. She kept pace with him though, trotting along behind him as he led her through the secret passages of The Red Keep.
She had insisted on coming even though her part in the affair of saving their daughter from the angry despondence they had been shafted with was over. But she had said that she wanted to see the whole thing through, and that she wanted to make sure he actually did it. As if Daemon wasn't full of righteous fury, building up over years and finally spilling forth after being given a taste of what he craved; as if he could not be trusted to do what needed to be done.
He stopped before a spot in the wall where light filtered into the secret passage between a small gap in the bricks, and pushed, opening the hidden door just a crack. He pressed his face against the door, peering into the room beyond to make sure he had remembered the correct paths to the king’s chambers. When his eye landed on his elder brother, softly moaning and bent over the great, oblong table where his model of Valyria sat, Daemon felt a mixture of sympathy and rage bubbling up inside him. That was his brother, the person who had raised him when their father withdrew from the world. That was his betrayer, the person who constantly sent him away and had put his hand on Daemon’s daughter.
He pushed the door open and stormed past the tapestry hanging over part of the secret door in order to conceal it. Viserys was slow moving and clumsy when he sat up, and his pale eyes were bloodshot.
“Wha–Daemon?” His words were slurred, and the look on his face was far away. Viserys seemed so fragile under the effects of the poison that Lady Rhea had slipped into his wine.
“Don't just stand there.” Her whisper came out as a hiss, and she shoved him from behind so he had to take a step towards Viserys. Daemon looked back at her, both of them frowning and full of fire. She was right; they needed to act quickly, he needed to let years of carefully tended anger carry him forward like he always did.
Daemon crossed the floor and hauled his brother out of his chair by the shoulders, the extra fabric of his black and red coat bunching in his fists. The king, just a hair shorter than him, was dead weight in his arms, ineffectually struggling against Daemon’s hold on him as words, all mumbled mush, spilled from his mouth.
His bright purple eyes flitted from his elder brother’s neck, to the model of Valyria, to the fireplace. It had seemed so simple before actually being in his apartments, but now his wife’s warnings of the consequence of not thinking nagged at his mind. It was strangely less grating than usual.
“The balcony.” Her words, still hushed to not draw undue attention to their actions while the kingsguard continued to wait out “His Grace’s drunkenness” just outside, were matter-of-fact and unexpectedly calm. She had always been quick to think, and when it was aimed towards collaboration Daemon actually welcomed it was an admirable quality. He followed Lady Rhea as she walked quickly to the other end of the room, throwing open the glass doors that blocked their path. As he was dragged into the twilight something seemed to pierce the fog of Viserys’s mind, and he moaned again, louder than before.
He adjusted his hold on his brother, letting go of one shoulder to stand beside him and wrap the free hand around his mouth. Lavender eyes darted up to meet Daemon’s brighter gaze, searching and desperate and only slightly less far away than before. His heart beat impossibly fast, and he knew that somewhere in the depths of the dragonpit Caraxes was restless and grumbling.
“You do not get to push me off for years, ignoring me until I do some trick to please you and then discarding me as soon as you’re upset, and then believe yourself entitled to putting your hands on my daughter. Rhaella wants you as much as you do me.” With that, he finally freed Viserys from his hold on him and shoved him in the chest, sending the listless king easily over the railing of the balcony.
His wife came up beside him, one hand on the railing and the other on his bicep, as she looked over the balcony to see the last of Viserys I’s fall and broken landing. Daemon didn’t look down at his brother, instead glancing over at Lady Rhea as she winced. The weight of what he just did, what they did, felt heavy. It needed to be done though. Viserys had had as much coming all his years of selfishly casting him aside, at least that’s what the hurt and adrenaline was telling Daemon.
“Come on, you cannot get distracted now,” he stepped back from the balcony and grabbed her hand, pulling her back into the interior of the late king’s apartments and towards the door to the secret passage, “you said we needed to not be suspects, and we will be if someone sees you gawking at the body.” She huffed from behind him, but she did not say anything or fight his hold on her. Pliant as the night at Storm’s End she’d gotten drunk enough to open her legs to make a child to claim Silverwing, but without blushing or giggling like the night of their wedding. Strangely, Daemon liked this better.
His nerves still raced when they slipped into the tunnel hidden between the walls of the keep and closed the door, leaving them in the almost-dark of the secret passages. He walked quickly, navigating back towards his own apartments and their hidden door in the false back of the wardrobe that he’d discovered as a boy. Daemon must have been going faster than when they were going to the chambers of the king, because Lady Rhea took hold of his hand again and stopped him in his tracks.
He looked back at her, and her expression was unreadable. It was soft though, softer than it had been for over a decade. Her eyes were amber when they met his, warm and almost golden in the dim light of the hidden passage. How had he never noticed that before?
“I…I appreciate your–”
That ignited something in him, and Daemon cut her off with his mouth, taking her face in his hands and pressing his lips into hers. Rhea let out a sound of surprise that was muffled by their kiss, but soon she met his enthusiasm with her own.
They were all teeth and tongues and soft moans as he pinned her against the wall. Her hands threaded through his hair, and Rhea gasped when he pressed himself against her. Their lips met again, and he growled into her mouth when she rolled her hips against his.
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pendwelling · 2 months
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mended with gold, i can now hold more than a drop of you
Pairing: Cédric Riester/Jung Yeseo
22.5k words (oneshot). Rated E (they bang near the end for 3k WKGFKDKS). Guardian Angel/Fix-it AU of sorts, Childhood Friends to Lovers, Fluff, Possessive AND Obsessive!Cédric (it runs in his blood lmao), Angel!Yeseo.
(more explicit tags in the link)
SUMMARY:
As Cédric's father lay bleeding amidst the vast magic formula, drawn in a desperate attempt at summoning divine intervention, the Lord sends them Her reply.
(Or: Cédric is twelve years old when the Almighty God finally bestows him mercy in the form of Her incarnation Yeseo.)
(Cédric and Angel Yeseo throughout the years.)
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delta-piscium · 1 year
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part 2 | this is part two to this from Steve's perspective leading up to and including part one | cw unresolved angst [unfinished/for now not being worked on]
31 days until moving day.
Steve burst through the door to Family Video, swinging it open with way too much force. 
Robin jumps and opens her mouth, probably to tell him off for scaring her but he speaks before she gets the chance. 
“Eddie asked me to move to Chicago with him,” he blurts out, “Robin, he asked me to go with him.” 
Her eyes widen, “what did you say?” 
“That I’d go, of course,” he huffs. Like it’s even a question? like not going was ever an option?
Robin jumps over the counter squealing and hugs him so tight breathing becomes a little bit hard. 
“I’m moving away with Eddie,” he whispers into her hair, awed as he hugs her back. She somehow squeezes him even tighter and they stay like that for a minute until they have to actually do their jobs. 
An hour passes and Robin keeps shooting him contemplative looks.
“What?” He finally snaps after getting tired of waiting for her to say what she wants to say herself. 
She jumps again like she didn’t realize how obvious she was being, which honestly, she probably didn’t.
“Nothing, nothing.” 
“Robin,” he whines.
“Okay, just,” she scrunches her face up a bit and Steve knows that face, she’s trying to figure out how to say something to him she thinks he’ll react badly to. 
He narrows his eyes at her, bracing himself, “yes?” 
“I think you and Eddie are great together, and like I love you both and I am excited for you guys. You know that right?”
Steve nods, doesn’t say anything though, wants her to get to the point.
“I’m just also, maybe, a little bit worried.”
Steve’s eyebrows draw together, “what do you mean?” 
Robin is looking around nervously. Something heavy starts to form in Steve’s stomach. 
“You haven’t been together for very long and this is a big step. I just don’t wanna see either of you get hurt you know? I guess I’m just wondering if you’ve talked it all through? Because both of you have a tendency to jump into things without thought.”
They haven’t talked it through, not really. Eddie asked Steve to move, he said yes and that was pretty much it. It didn’t feel like they needed to talk it through though? Did they? Usually, they just dealt with things as they became relevant, that had worked for them so far. 
Robin must see something on his face because she quickly talks again, backtracking and interrupting his thoughts. 
“Not that I don’t think it will be great, you know I just worry about things a lot. This is my anxiety talking. You know what, ignore everything I just said. You two know what you’re doing.” 
He doesn’t want her to know she’s already put doubts in his head so even though he’s starting to freak out a little he smiles and shakes his head. 
“It’s fine Rob, I’m sure we will talk more with time.” 
22 days until moving day.
Steve meant it when he said he and Eddie would talk. Meant to ask about the logistics, meant to make sure they were on the same page, he really did. But every time the move comes up Eddie just seems so sure about it already. Steve doesn’t want to make him think he’s having second thoughts. Thinks maybe it’s better to not say anything, to wait and let it come up naturally. 
He thinks maybe they’ll talk about it tonight. The kids had joked about them all evening, about how fast they were moving.
Mike had made some snarky comment about them moving to a city where they knew no one and how awkward it would be if they crashed and burned and they’d have to share a bedroom. 
Eddie had laughed, said it was good they weren’t gonna crash and burn then. But, he’d also added that his band was also going so actually he would know people. 
It was just jokes, Steve knew that. That didn’t make it any less true though. Steve wouldn’t have anyone except Eddie, sure he liked the guys in his band but they weren’t his friends. Steve would have Eddie and Eddie would have his band. It suddenly seemed like a big deal.
He expects Eddie to also feel it, to get worried and bring it up but he doesn’t. If he is worried he isn’t saying anything, just like Steve isn’t.
8 days until moving day.
There’s a knock on Steve's door and when he opens Gareth is standing there. Steve is a lot confused about it but lets him in. 
“Uh,” he starts a little unsure, “do you want anything to drink or?” He offers, mostly because he doesn’t know what else to say or do. 
Gareth shakes his head, looking about as uncomfortable as Steve feels. Shuffling around where he’s standing and fiddling with the sleeve of his shirt. “No, I’m gonna leave again soon. I just came here to say something.” 
Steve gestures for him to speak, “I’m listening.” 
Gareth doesn’t immediately say anything, he shuffles some more and looks around the room before his eyes land on Steve again, a determined look in them. 
“Look, I like you. I know Eddie loves you.”
Steve can’t help but smile a little at that, even though he’s starting to suspect he’s in for a shovel talk. 
“And like, I probably wouldn’t do this if it weren’t for the fact that you haven’t dated for very long at all and are about to move in together in a city four hours away.”Gareth pauses and waits to speak again until Steve nods, showing he’s listening. 
“Eddie does things without thinking. He doesn’t think about the consequences, not anything, just does. I love that about him, it’s the reason our band has gotten anywhere at all, but it also means that he gets hurt a lot, disappointed a lot. He can handle it with most things, he won’t be able to handle it with you.”
“What are you saying?” Steve asks even though he’s pretty sure he already knows. 
Gareth looks pained but continues, “I’m saying that if you aren’t one hundred percent sure about moving with him, if you have any doubts at all, you can’t go.”
Steve can’t suppress his flinch. He expected Gareth to say he needed to be sure, that if he wasn’t he needed to tell Eddie. He wasn’t expecting him to say he shouldn’t, no, couldn’t go. 
Gareth catches it and narrows his eyes, “I mean it Steve, it will break him more if you go, let him think it’s gonna work and then leave, then if you don’t go at all.” He steps closer to Steve, getting into his space. “So, if you’re not absolutely sure,” he pauses, steps even closer, “Do. Not. Go.” He punctuates every word and then he turns on his heel and leaves.
6 days until moving day.
Steve needs to talk with Eddie about it now, can’t ignore it anymore. He isn’t gonna just not go like Gareth told him to do. No, he’ll talk to Eddie and it will be fine. 
They’re in his bed together, laying next to each other. Skin touching skin and a comfortable silence between them. Now is as good a time as any. 
“Hey, Eddie?” 
“Mhh?” He hums, shifting slightly next to him. 
“What happens if something goes wrong when we move?” 
Eddie snorts, “what? Like if we get a flat wheel? I know how to change a wheel, sweetheart.” 
Steve smiles despite his nerves, tries to not imagine what Eddie would look like changing a wheel. 
“Good to know, but no, not quite what I meant.” 
Next to him, Eddie props himself up on his elbow so he can properly look at Steve. 
“What did you mean?” He reaches out and tucks a strand of hair behind Steve’s ear as he speaks. Steve has to focus harder than he’d like to admit to not get lost in it. Even the smallest touches have an effect on him when it’s Eddie. 
“What if something happens with us?” His voice is small and he can’t look at Eddie, afraid of what his reaction might be. “Remember that thing Mike said about us not really knowing anyone there? Just, what would happen?” 
“Baby,” Eddie gently grabs Steve’s chin with his thumb and forefinger, tilting his face towards him. Steve easily follows but closes his eyes. 
“Baby, please look at me,” Eddie’s voice is even softer than before, and Steve has always been weak when it comes to Eddie asking him to do things so he slowly blinks his eyes open.
“There you are,” he smiles, face open and tendrils of hair falling around it. He looks angelic and Steve almost forgets what they are talking about, too overwhelmed by the man next to him. 
Eddie keeps them on track though. 
“Like I told Mike, nothing will happen. We will be fine. But,” he continued before Steve can protest, “if something does, we both have jobs already, we’ve done this right. We will be able to save eventually. Quicker because we’re two people, paying rent and all that stuff on two salaries. If something happens we will have that security.” 
Steve relaxes then and Eddie must see it because he grins and continues, “now if you didn’t have a job then I’d be worried. I’m not cut out for all the responsibility of being the breadwinner, princess.”
Steve groans and shoves Eddie away. Mostly to hide the blush he can feel creeping up his face just from Eddie calling him princess. Judging by the way Eddie cackles he doesn’t have to see Steve blush to know the effect it has on him. 
He reaches out and pulls Steve in against his chest. “Worst case scenario we have to move back. Wayne will probably pretend to be unhappy about it but he’ll let me take over his trailer again. And, I know you have complicated feelings about this house, that your parents are the worst, but you’ll be able to come back if you need to.” 
“Okay,” Steve says, his worries mostly calmed. 
1 day until moving day. 
Steve and Eddie are spending the night apart. Eddie wanting to spend his last night with Wayne and both of them needing to do some last minute packing. 
Just as he finishes closing one of the last boxes the phone rings, he’s a bit confused about who would call him right now. His friends all having seen him earlier in the day to say goodbye. Maybe Eddie needs to double-check what time they decided to leave. 
He picks up but it’s not Eddie, or even one of the kids, who speaks.
“Steven,” his mother's shrill voice crackles on the other end of the line. 
“Hi mom,” he tries to hide his sigh as he speaks, doesn’t have the energy to get into anything with her right now, doesn’t want her to ruin his excitement. 
“I thought you were moving to Chicago alone?” 
His freezes, when he told his parents he was gonna move he didn’t say he was going alone but he also didn’t mention Eddie. He knew they wouldn’t like it, knew it would be easier to let them assume he was going by himself. 
“But I just got off a call with Mrs. Hagan and she told me that Tommy had said you were moving there with- with that cult boy? The one who’s wanted for murder?” 
Steve closes his eyes and this time he doesn’t bother hiding his sigh. Fucking Tommy, he’s always had a big mouth but Steve suspects that this hadn’t been him blabbering without thinking. No, Steve thinks Tommy knew exactly what he was doing telling his mom this piece of information. 
“His name is Eddie, and he was cleared of all charges. The ‘cult’ was literally just a school club.”
“So it’s true? You’re moving with him?” Her voice is sharp and even just hearing it over the phone makes him flinch.
“Yeah, we’re friends and it’s cheaper that way. We got a better apartment because we’re two people with a job each.” It’s such a simplification of the truth it’s almost a lie but Steve doesn’t think this is the time to come out to her. He hopes the ‘better apartment’ comment will calm her, it’s the sort of thing she cares about after all. Not for his safety and comfort though but for how it will reflect on her.
He’s not sure she actually hears him though because she hisses a vicious, “If you move with him you will not be welcome back Steven, this will be the last time we speak.” Before she hangs up on him. 
Steve carefully places the phone back in its cradle, then he’s left standing alone in the living room, both too shocked to move and not really shocked at all. 
He’s not close to his parents. Has slowly been understanding just how much they’ve neglected him. He’s been relieved about moving away, about being in another city where he won’t have to see them when they waltz back into town. But to never speak to them again? That’s a whole different thing. He still hoped that they’d be able to fix their relationship. That him not being dependent on them anymore would allow him to stand up for himself. That everything would get better. Now instead, the thing he thought would allow their relationship to get better is gonna destroy it forever. 
He debates calling Eddie, wants to tell him what his mom just said, wants to hear his voice, wants to let him make it better. He decides against it, he doesn’t wanna ruin Eddie’s last night with Wayne and he’ll see him tomorrow anyway. He can tell him in the car. 
He doesn’t call Robin either, she’ll insist on coming over and he knows she’s on a date with Nancy right now. He doesn’t wanna ruin that either, even though both of them will tell him he’s not, he knows he will be. He goes to bed instead, sleep seems like the best option right now, at least he won’t have to think if he’s asleep.
Moving day.
He ended up not really sleeping at all. Tossing and turning for hours and after finally falling asleep sometime in the early morning he wakes up just hours later from a nightmare. He doesn’t remember what it was about but can feel the lingering panic. He gives up on getting any more sleep, doesn’t wanna risk more nightmares when he’s alone.
He picks at his breakfast, still thrown off from the conversation with his mom the night before and not feeling like eating, so he gives up on that too. He spends the rest of the morning wandering around, touching the walls and the furniture in the house he grew up in. The house he’s been left alone in since he was nine. The house he both hates and loves. The house he will never be allowed to return to after today. 
Then the phone rings again, it’s probably his mom calling to ask if he’s decided to stay he thinks. It’s not, it turns out.
“Hi I’m Patricia, I’m looking for Steve Harrington?” A chipper voice says.
“This is him.”
“Okay well, good. I’m calling about a barista job you’re supposed to start with us next week.” 
“Yeah?” Steve chews on his cheek. 
“I’m so sorry but due to our rent being raised we’re having to do cutbacks. Since you haven’t signed your contract with us yet, it’s the first one to go.” 
“You’re firing me?” Steve asks, it’s not entirely right since he hasn’t started yet but it’s all he can think to say. 
“Essentially,” Patricia responds, “I’m sorry for the short notice.” 
“Okay,” he says, his voice void of emotion, “thank you for calling.” 
He hangs up without waiting for a response, he doesn’t have the energy to be polite. 
He barely has time to let the information sink in before his doorbell rings. Eddie on the other side of the door with a wide grin on his face. 
“Did you oversleep?” He jokes. 
Steve’s confused for a second but then he realizes he’s still in his pajamas, that he’s spent the whole morning wandering around like a ghost in his house not getting any of the things he needed to do done. 
He hasn’t packed the bag of all his essentials. He hasn’t gotten dressed. He hasn’t even brushed his teeth. What he has done is get fired from a job he never even started.
He sees Eddie’s teasing smile, the combination of it and his sudden joblessness tugs at something in his brain, brings back the conversation they had last week.
“Now, if you didn’t have a job then I’d be worried. I’m not cut out for all the responsibility of being the breadwinner princess.”
He doesn’t have a job. He’ll have to live off Eddie and what little savings he has left. Become a responsibility Eddie doesn’t want, a burden probably.
“Worst case scenario we move back”, “you’ll be able to come back if you need to.”
If he leaves now he won’t be able to come back. 
Gareths words play back in his mind too.
“if you have any doubts at all, you can’t go.”, “it will break him more if you go, let him think it’s gonna work and then leave, then if you don’t go at all.”
“I’m not going,” Steve hears himself say as he steps back from the hand Eddie reaches out to him. 
“You’re not-“ Eddie looks so confused. “Like today? Do you need extra time? We can postpone by a couple of days but-“
He’s not getting it. Steve interrupts him, needs to make him understand because he can’t listen to him try to come up with solutions. 
“No, Eddie. I’m not going it all.” 
The words feel wrong in his mouth but he forces them out anyways. 
“What do you mean?” Eddie asks and it fucking ruins him. He feels his carefully blank expression break, despair showing through. 
“I can’t leave Hawkins, the kids,” he has to look away from Eddie as he says this. Knows it’s the only thing Eddie won’t question, knows Eddie thinks he doesn’t mean as much to Steve as the kids do. “They need me.”
“When did you decide you weren’t going?” Eddie asks and Steve didn’t know it was possible but he breaks even more from that, from Eddie not fighting him. 
I didn’t, he thinks, I don’t know why I’m saying this now. If you ask me to stop and just go with you I will. 
“A couple of days ago,” he lies. 
It’s silent then, just their breathing and the distant sound of cars down the street being heard. Eventually, Eddie breaks it.
“Steve?”
His voice cracks in the middle. Steve can hear the plea for him to take it all back and he nearly does, has to swallow the words creeping up his throat before they get out. 
“I’m sorry,” he says instead. He turns around, closing the door behind him. Destroying their future and breaking the last bit of his heart in the process.
He doesn’t get more than two steps into the house before his legs give out beneath him. He stays there, sitting on the floor for what feels like forever. 
After some time he hears a car drive away and he knows Eddie has left. He feels silent tears start streaming down his face that soon turns into sobs. Making him curl in on himself and gasp for air. 
He doesn’t know how long he stays there, crying until he can’t anymore and then just sitting there. But after a while, he’s interrupted by a loud ringing. For the third time in less than twenty-four hours he picks up the god-forsaken phone. 
“Hello?” He rasps, his voice dull and raw from crying.
“Steven. You made the right decision and stayed I take it?” His mother asks.
“Yes.” He says and hangs up on her. 
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backslashdelta · 4 months
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trying to write an outline for a new fic and the outline is already longer than many of my completed one-shots and I'm nOT EVEN AT THE END YET
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szollibisz · 22 days
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been thinking about this a loooot recently (even if my "writing style" annoys the shit out of me now) but yeahw.. my little guy my favourite doomed gay.....
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hmm. yeah these last few chapters of amicus curiae are gonna be. long.
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mattodore · 11 months
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60 questions with Theo | playlist, pinterest | ->
1. What’s the one thing they would save in a fire?
Theo is a collector and a bit of a hoarder, so there’d be too much he’d try to save. I really couldn’t just say one thing… but I guess he’d grab his memory journal first.
2. What’s their biggest regret?
Not being good enough. Not being lovable enough. 
3. How would they fare in a zombie apocalypse?
Theo would do very well up until a point. He’s a survivor through and through, but I do think he’d burn out eventually. He could go a few years before breaking down. When he’s no longer able to repress all of his emotions, the feeling of exhaustion would weigh on him. He’d get bitten soon after, almost on purpose.
4. Where do they see themselves in five years? Ten?
Working for his father for a few decades and later taking over his father’s company. He feels a lot of dread and nausea over this.
5. What’s their most useless, weirdest, or least marketable skill?
He can wiggle his ears.
6. What are they like in the bedroom — well-rounded lover or wooden plank?
Theo is… well. More wooden plank than anything. Sorry, Theo. But, well, he normally goes for more aggressive partners who tend to take control anyway. I don’t think Theo really wants to be all there during sex… it’s one of the reasons why he normally uses before finding hook-ups… it makes him a little foggy and loose. I do think, however, that it’s a little bit different when he’s with women. In Theo’s experience, women treat him kinder… which is one of the reasons why he mostly sleeps with men. He wants affection, sure, but he’s also uncomfortable with it… he’s used to pain. With Matthias, however, this does end up changing. Maybe it’s because Matthias is gentle with him unless he’s asked for it to be rough, or because Matthias won’t fuck him when he’s using, but Theo’s more active when having sex with Matthias. Not a lot of talking, but he pulls and pushes and moves how he wants. After a while, he starts taking control and speaking more.
7. Have they committed a crime before? Which one(s)?
Theo uses drugs frequently.
8. If they were an animal, which one would they be? Which one would they think they’d be?
Theo is a pygmy rabbit or a netherland dwarf rabbit (that temperament… yeah). I think Theo would see himself as… well, a goldfish trapped in a bowl, swimming in endless circles and going nowhere.
9. Do they cheat to win or play by the rules?
Theo plays by the rules, generally speaking. If we’re talking sports, though, he does play dirty. He’s very competitive.
10. What do they fantasize about?
Comfort. A room with a door that locks and will keep him safe all night. A bed on the floor. Blinds and curtains on every window. Matthias’s arms wrapped around him so tight he can hardly breathe.
11. Who’s the most important person in their life?
I want to say Matthias, but it’s his parents. It’s hard for Theo to cut them off, even despite the abuse. I don’t think this changes to Matthias for a very, very long time.
12. What’s their ideal vacation like?
Theo can’t even imagine what a vacation would be like. I think even fantasizing about it would stress him out… he’d just think about how far behind it’d put him academically. 
13. What is/was/will be their college major?
Business. Statistics and data. He doesn’t like it.
14. What’s their favorite book genre, if they enjoy reading at all?
Theo doesn’t read for pleasure very often — he has too much reading to do for school — but I think he’s always enjoyed science fiction from a very young age.
15. How would they describe themselves?
Theo wouldn’t know how to describe himself at all. He’d freeze at the question and become despondent.
16. How would others describe them?
Matthias: Lovely beyond words. Intelligent and wry. Shy, pulls away when feelings are too much or too positive. Irresistible. Anxious about things that I could make go away if he'd let me. Lashes out when he gets scared. Strong when he shouldn’t have to be. Soft when he should be hard. Too forgiving to the wrong people. Easily frustrated. Standing on the edge. Endearingly insolent. A mirrored image. Every beautiful thing. Angel. Bambi. Mała myszko.
Everett: Sometimes he makes himself so small… like an injured animal. Jumpy and skittish. But strong, too… impassive when he’s hurt. He’s hiding a lot, but you can see through the cracks sometimes. He needs help, but he won’t let anyone in.
Jordan: Stubborn and headstrong. Naïve or just reckless. Lost. Like a child.
Dutchie: Hard to get to know. Honestly couldn’t tell you much about him despite the years of friendship. Still… you wanna protect him.
Jackson: Fun to be around, y’know… for a rich kid. Troubled, though. Hard to reach. Everyone wants to get to know him better, but… he doesn’t really allow that.
Kavi: Incredibly intelligent but totally aloof. Mysterious. Nose always buried in his books. Cold.
Imani: Too good for Matthias. Sweet. 
17. What’s the most ridiculous thing they’ve ever spent money on?
A large collection of delicate Fenton glass bells and assorted pieces. He collects them and stores them in an antique curio cabinet in his apartment.
18. What’s their dream job?
He doesn’t have a dream job. He just does what he’s told and expected to do, which is to work for his father.
19. How’s their financial situation?
His parents have a lot of money. He doesn’t have a job (honestly… he isn’t permitted one). He’s financially reliant on his parents.
20. Who’s their go-to person for advice?
Theo doesn’t ask for advice from anyone. 
21. What’s one secret of theirs that could potentially ruin a relationship they have?
If he told his parents that he’s bisexual and interested in men they would cut him off or worse…
22. Are they a dog person or a cat person — or something else?
Theo’s never had a pet before, so I don’t even think he himself knows the answer to this. He likes Matthias’s cat well enough, but he’s never been around many dogs to really choose between the two. I think he really likes looking at fish… I’m iffy on if he’d ever actually own one, though.
23. What’s one childhood memory they’ve never forgotten?
CW for child abuse. I’m talking directly about an instance of abuse. This isn’t vague like I usually am when I talk about Theo’s trauma.
Being beaten for tracking mud onto the rug in his father’s office. His father stood him in front of a full length mirror in the hall and made him watch. If he looked away he would be struck again. If his knees buckled he would be hauled back up and hit harder. It felt like it lasted for hours. Theo had been in the gardens beforehand, an umbrella held over him by his au pair. The dwarf sunflowers had bloomed and in his excitement he pulled off a petal and barreled into the home, heading straight to his father to show him how yellow the petals were. His au pair couldn’t keep up with him, and Theo was always forgetting to take off his shoes when he came in from outside. He was very young… maybe five or six.
24. Do they have any phobias?
Open doors. Windows without curtains or blinds. Locks that aren’t sturdy. Mirrors. Older men. Authoritative figures.
25. What’s one thing they’re utterly incapable of doing without the help of someone else?
Theo is actually very independent. It’s hard to think of anything he couldn’t do himself, because he’s always been on his own, really. 
26. What’s one topic they could never get tired of researching or learning about?
Theo is very intelligent, but he’s not actually that interested in learning. He lost that drive and passion at a relatively young age. He’s no longer curious. Hm… I think he might get a little thrill from learning information that’s just… completely useless. Like, think dumb trivia. Still, though… knowledge is synonymous with pressure to him. It makes him feel sick.
27. What’s their favorite genre of music?
Theo will listen to anything. I don’t think he necessarily has a favorite genre. Hm… I think he likes lullabies, though. Quiet music. Calming.
28. Who, if anyone, do they dislike most?
Himself.
29. If they could change one thing about themselves, physical or otherwise, what would it be?
Whatever would make his parents happy with him. Whatever could make him better suited for the part they want him to play.
30. What’s their political stance?
Theo is whatever his parents want him to be on paper, but politically he’s… a liberal, I guess. His party friends, in general, lean left… and they’re definitely influencing him some. However, I don’t think he has the backbone to really go any which way. 
This question is a little hard for me to answer with some of the echthroi cast because they’re rich at the end of the day, ya’ know? Materially, politics don’t touch them.
31. Are they religious?
No.
32. What were they like in high school?
He was all over the place. Quiet and then having these uncontrollable outbursts. Fearful. Frequently pulled aside by teachers, being asked pointed questions. Standoffish. Flinching when touched. Far away from the other students. At the same time he was scared to be alone, though, so he would blend in with the crowds when he could. At the summer school he was sent to yearly, the outbursts always got worse.
33. What’s the worst injury they’ve ever had?
I’m going to choose not to answer this one.
34. Do they work to live or live to work?
Live to work. He doesn’t know who he’d be without it. It’s what he was molded for.
35. Do/did they want children?
No. Theo is scared of even the idea of having children.
36. What’s their favorite thing about themselves?
Nothing? I don’t know. Theo… really doesn’t like himself. Maybe his hair, though… his pierced ears… the things he feels give him autonomy.
37. What’s their favorite thing about their significant other, if they have one?
Hm. I think Theo really likes how big Matthias is. He towers over people and is visibly strong. I think that offers Theo a lot of comfort. He feels safe when Matthias is around. Matthias is also very protective, so… it makes it easier for Theo to face his fears. There’s a reliability to Matthias that Theo needs. Matthias cares about him and tells him frequently how much he loves him… Theo’s never had that before. It makes him feel lighter.
38. If they hear something go bump in the night, do they get out of bed to check it out or do they stay put?
Theo is paralyzed but his mind shoots off at a mile a minute. He’s too terrified to do anything.
39. What’s one skill they wish they had?
A photographic memory. It would make his life a lot easier with regards to his education. He’s never thought about the downsides to this… especially as someone with drug and trauma related memory loss…
40. What do other people find annoying about them, if anything?
He can be very cutting and dismissive. He's judgmental, too. First impressions are everything if you want him to even be cordial with you.
41. What do other people love most about them?
He has this magnetism to him that you can’t really put your finger on. I think it’s a combination of how handsome he is alongside the way he keeps himself almost entirely separate from everyone else… you always want what you can’t have. 
42. What’s the typical first impression after meeting this person?
That he’s very prickly or just cold… restless… doleful. 
43. What do people notice first about them, as far as their appearance goes?
The repressed anger and sorrow in his eyes. Then, maybe, all those beauty marks. The elegant line of his body.
44. Does this person try their best to be honest or are they not above lying to get their way?
Theo isn’t a very good liar, but he’s very good at prevarication and skirts the truth with ease. 
45. What kind of movies do they like?
Theo doesn’t have time for movies. Regardless… I think he’d like horror movies. I think… Theo would find a lot of comfort in watching horrible things happen to fictional people. He could fictionalize the abuse he’s faced that way.
46. Are they the life of the party or a wallflower?
I’d say he’s a bit of a mixed bag on this one. If he’s using, he’s the life of the party. If he’s sober, he’s a wallflower. Either way, though, people will approach him to strike up conversation and ask him to dance.
47. Are they an early bird or a night owl?
Early bird. Theo doesn’t actually like the night. Does he still party until three in the morning? Yeah. But… well. Theo tortures himself in many different ways, doesn’t he?
48. Are they a good kisser?
He’s not bad at it, but he never really kissed anyone until Matthias. So… he’s not amazing at it or anything. He’s learning as he goes. 
49. Do they think about what they wear or do they throw on whatever they find first?
Theo definitely plans out outfits. I think he has three separate lives he’s living and three separate fashion senses to suit each of them. He dresses very typically masculine and rich when he’s with his parents. He dresses down for university but incorporates some elements of his nightlife wardrobe on occasion. He experiments more with sexuality and gender for his nightlife fashion… I think this is what he would prefer to wear all the time, only with a less dramatic flare.
50. Do they have any insecurities?
I could be contracted to write a trilogy about Theo’s insecurities and would meet every deadline with ease. The underlying root of all of his insecurities is his belief that he’s unlovable and dirty, though. Let’s keep it simple with that.
51. What is their favorite thing about themselves?
A repeat question. I’ll add onto my last answer, though, to say that I think he has some days where he feels really good about his appearance and some days he doesn’t. He’s temperamental.
52. What’s their diet like?
Theo eats whatever is made for him and will finish all of it even if he dislikes it or isn’t hungry. He doesn’t have any favorites, but he really dislikes candy or sweets.
53. If they could only eat one thing for the rest of their life, what would it be?
Again, he doesn’t have anything in particular he likes. I guess something easy to eat would be the answer… maybe mangos.
54. What’s their body count, if they have one?
I think he has sex very regularly… on average I'd say once a week unless he’s studying too intensely for a break or his last experience was a really rough one. He doesn’t always sleep with new people, either. The faces blur, though. Hm. I can’t say an exact number and Theo wouldn’t be counting anyway.
55. Who do they look up to most?
The blurry image he has of his childhood au pair.
56. What do they smell like?
Copying things I’ve mentioned previously here… Theo smells very clean. Think green and fresh… a little powdery. He doesn’t often wear cologne, so he mostly just smells like soap — not even his body lotion is scented. He doesn’t like strong or chemical smells on himself. As a signature he’d wear a spritz of Francis Kurkdjian’s Aqua Universalis. However, Theo will also wear Gucci’s Tears from the Moon, which was a gift from his mother, if he’s at family events — it’s outside of his preference but that’s neither here nor there.
57. How do they feel about drugs?
…Theo is an addict. He doesn’t get clean for a few years and relapses multiple times. He relies on them but he also wishes he’d never touched them sometimes, usually when the guilt floods in after he’s sobered up from one of the outbursts he’s had because of them.
58. If they could change one thing about their life, what would it be?
Hm. I’m going to bow out of answering this question as well.
59. What motivates them?
A desire for recognition, acceptance, and love.
60. What are some of their simple pleasures?
Collecting knickknacks. Cold showers. The wind whipping through his hair when he sticks his head out of the window of a car. The sound of the windchimes outside his bedroom window. Odious purring on his chest. Matthias’s voice in his ear.
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wundrousarts · 9 months
Text
Various Wundersmith thoughts and things I've noticed after rereading the book for yet another time:
This one is significantly longer and a little bit more random than my recent Nevermoor reread, but who cares 🤷 the more the merrier!
There are things both serious (theories, thematic parallels, etc.) and silly (jokes, personal reactions). This time around I discovered the annotations feature in Apple Books and had a lot of fun with that, so I'll try to include the bits I highlighted when necessary. Enjoy!
— I don't mean to have a shippingbrain, but it feels impossible to view Jupiter and Israfel as anything but exes/folks that had a Thing in the beginning, omg.
—— Israfel throwing the "old friend" back at Jove..... my note for this one was "#gay"
— I like the interest Mog has in Bohemia, and I'm interested based on that one Silverborn snippet for her to return (and eventually explore other parts of the city as well)
— Jupiter referring to the junkies as "they're not patrons of the fine arts" feels like a nice little set up for the Museum later on. Thought of and admired as an art piece, but the rich folks at the auction don't actually care about the work put into it.
— Do you think the folks at Wunsoc that organize the little show that welcomes 919 are a little peeved that the Fireblossom's being reignited means that they can't perch creepily in them anymore lol.
— I wonder if the Wunsoc Oath has a pre- or post- Massacre origin
“The nature of Miss Crow’s unusual –" she paused, seeming to catch herself before calling it a ‘knack’ – "situation.” (Ch2)
—— Elder Quinn hesitates to refer to Mog's power as a knack, so I wonder if that's just a general thing of Wundersmithery being different, or if knacks are a post-Massacre categorization
— I love how this book really starts to solidify the theme of family in Nevermoor... Wunsoc, her Unit, the Deucalion, Wundersmiths, the Crows, her mother..... AAAHHHH!!! I can't wait to see where it all goes.
— A "note sealed with silver wax" from "the Celes-" ..... YOU KNOW WHAT THAT MEANS!!! 😁😁😁
—— Likely about Cassiel but even that and beyond could tie into a lot of other Silverborn Theories..... Noelle..... The Silver District....... I will keep this all in mind
—— Also, updating my SIlverborn Masterpost posthaste ✍️✍️✍️
— It likely doesn't matter and will never be explained, but I wonder if the room between student's houses and their hometrain station is part of the Gossamer, and like a thin place between worlds
— Miss Cheery's first outfit is so y2k I need to draw her. It makes sense because she's like 20 in this book.
— The Wunsoc circle diagram has always interested me since I first read it. I wonder if the size of the circles ever means anything??
—— Could it relate to the probability (?) of the knacks? Mundane is the most common to occur, Arcane more specialized, and then Wundersmiths are very, very rare
—— Something I often forget is that folks in Wunsoc that weren't Wundersmiths have always existed. Were there more than 9 of them in each year? Were there always 9 non-Wundersmiths? Did the trials always exist? What was the relationship between non-Wundersmiths and Wundersmiths like?
—— On that note, did C&D only become the Wunsoc motto / purpose post-Massacre? Or did they do that before as well? If the motives of Wunsoc have changed over the years, has what they look for in students changed as well?
“Everybody at Wunsoc has a job to get on with – every junior and senior scholar, every graduate, every teacher, every patron, every Elder and every Master.” (Ch5)
— I am still forever curious about what Masters are, and why they are on the same level or possibly even slightly higher than Elders
—— Are they previous Elders? Are they people who excel in their craft? I'd like to say there could be a connection to Wundrous Apprenticeships but 1. those seemed like a natural given, 2. likely aren't really around anymore, and 3. I'm not really sure why they would have so much authority if so.
—— I like to headcanon that senior scholars do internships/apprenticeships
— Something that makes me laugh is that I will famously agonize over something, in this case the Wunsoc academic school year, only to discover upon a reread that it is explicitly stated how it works. lol.
— Brilliance Amadeo and her predecessors are referred to as "First-Line Wundersmiths." This likely relates to the chambers in the Liminal Hall in Sub-Nine that we see in Hollowpox.
—— Knowing Jess, I bet that either Mog or Squall are part of the Ninth Line
“Your kind are … all … dead," continued Professor Onstald. "And if they’re … not –" he blinked his watery eyes at her and took a long, rasping breath – "they should be.” (Ch6)
“My duty is not … to save you … from yourself. It is to show you … that you are … beyond saving. All of your … kind … are beyond …” (Ch6)
“If you were half the Wundersmith you ought to be by now, it wouldn’t be possible for me to tap into your power like this. (Ch24)
— I've had a theory post on the progression of Wundersmiths in society towards the Massacre in the works for awhile that I've postponed until after my Hollowpox reread, but:
—— What if it was a group effort?
——— There's a part in one of the books that's like, "Squall led his fellow Wundersmiths in a coup, and then turned on them" and as much as Wunsoc likes to spin and fabricate things, I think that this could also be true. What caused Squall to turn? That's a mystery we'll have to unravel later...
———— This book is heavy on Squall controlling and manipulating folks, both literally with Wunder but also mentally with words, so could be interesting if that played a part in the revolt
— Regardless, something spooked Onstald enough to turn from admiring and studying Wundersmiths and their ways to hating them, and I'll forever be interested in what happened.
—— I think there could be some slight truth in him viewing all Wundersmiths as bad, because some stuff, like Mathilde's Morbid Museum (lol), could indicate some darker inclinations by folks other than Squall
— Maybe I'm an idiot for not realizing this before, but I don't think it was Jupiter that got Mog/919 into the Maps class.
“I have dedicated my life to taming this monstrous city, and I love her with every fiber of my being.” (Ch8)
“Goodness. You’ve only been here a year? And yet you and Nevermoor seem to go hand in glove. It’s almost like this place was made just for you.” (Ch8)
—— So Squallish. I wonder if anything he said was coached.
—— Do you think this is how he got him on his side? Did they bond over both being obsessed with Nevermoor?
— I think a lot of Mildmay's problems would have been fixed if he had simply been more proactive about networking instead of turning to a life of crime. I mean, he's only 19, just out of school! Way to quit early, dude.
One bite brought on the specific sensation of bittersweet late-summer nostalgia … which sent Francis straight back to the test kitchen, as he’d actually been aiming for the carefree abandon of a mid-summer music festival. (Ch9)
— I wonder how much of Francis's knack/what he cooks/cooks with has a Wundrous origin. I'm also often reminded of the Smoking Parlor.
—— I like to relate it to my Communication "Art" but alternatively... does remind me of Israfel's voice. Curious about how Celestials and Wunder interact.
—— Alice Frankenreiter of 915 is mentioned as a shapeshifter..... how Masquerade-esque. Another point for the "knacks being related to Arts" theory?
——— I also have to point out how funny to me the "Franken-" is with the knack. lol. (makes me think about Frankenstein)
— There is a "noise like a thousand tinkling bells" when the Ghastly Market is revealed. This noise also shows up in the other two books during the Christmas Eve battle. In a world where magic by Wundersmiths heavily involves singing in order to use Wunder, I like the further comparisons of magic and sound. Will keep an eye out for more during Hollowpox.
—— We see this as well with this line:
Her fear and revulsion and rage swelled inside her like a symphony (Ch16)
which I just annotated as "music/art comparison. slay."
——— On that note, I feel like the connection between Wundersmiths/Divinities and the Celestials being explored more could be interesting, as both of their powers involve singing. I'm curious how/if their magic overlaps.
— The fact that the Loyalty Trial was from the Elders and thus they were the ones who asked Cadence to humiliate Baz will never not be funny
— Chapter 18 mentions a "Polaris Hill." Named after Griselda Polaris?
— Have to say: Between being excited about a killer flytrap and teaching 919 swears, an underrated Mahir trait is that he is actually very silly.
— If you've ever seen me call the Gossamer-Spun Garden the "Wundergarden", please know that the Murdergarden is 100% why lol
— I hope hope HOPE!!! we get some proper definitions someday for the Wundrous Act Classifications. Like Spectacle, Phenomenon, Singularity, etc... I hope we get to learn what they each are someday!!!
“To do just what a Wundersmith does," One corner of Squall’s mouth twisted into a quarter-smile.” ... "To grant your fondest wish. To give you the thing you want more than anything else.” (Ch19)
— I feel like this line is often overlooked and is an underrated hint at what a Wundersmith's role in society was like
— I'm a bit of a pessimist (SORRY) about the movie adaptation, and once thing about this book is that I'm mourning that it'll probably never get adapted.
—— I think that the idea of Nevermoor as a movie musical works so much better with Wundersmith because there's so much more magic and music and singing in this one, with both Israfel and the first Nocturne lessons. I could see it the integration of the non-diegetic (?) songs that the characters sing and the themes of the movie/books work better with this book than the first one just because of that.
—— Also the theatricality of characters such as Squall and Mildmay is off the charts in this book! I'd even throw Dearborn and Murgatroyd in there as well. I think they could make for more interesting characters in a movie musical than the general supporting cast of the first book.
—— I'd say that perhaps they could mix and mash stuff from both books 1 and 2 into a single movie, but I don't know if they have rights past the first book.
Squall cocked his head to one side, a deep frown etched into his forehead. ... Squall took a step towards her. He looked like he was remembering something. (Ch19)
— I wonder why he recognizes the song!
—— Curious if anyone else has their own theories on this they want to share. I brought this up in the discord a few months ago and have yet to make a proper post but here's my idea:
——— Squall's song and Mog's song are very similar in a few ways, so perhaps one of the songs was influenced by / is “descended from” so to say from the other, or they have a common ancestor.
——— Could explain why Little Crowling is familiar to Mog and Morningtide’s Child is familiar to Squall
... into the cold embrace of a capricious and unknowable city. (Ch19)
— This is like, baby's first comparison, but I do enjoy how this refers not only to Nevermoor but also Squall just a moment earlier. They are sooooo linked. I wonder if there's other moments like this in the book that I've missed.
— The Jemmity Park stuff is interesting to think about because I think Odbuoy is the youngest Wundersmith present at the time of the Massacre.
—— The idea of him being the youngest I feel then fits with him making the park only work for children, as that seems appropriately mischievous.
——— Because of my (outdated tbh) Eventide theories, I had a silly theory he was 7 when he made the park, but when you think about that more, it falls apart. A little funny to think about though, ngl.
— Anyone else think that the Elders should have told Jupiter about Sub-Nine in case he wanted a part in that? I feel like as a patron and adoptive father figure of a Wundersmith, he might want some access to Wundersmith history and culture. His excursions to the park and Cascade Falls really prove an interest and he could be helpful to the group.
— Morrigan compares Squall's Séance Synchronicity to Coven 13 in the Fright Trial... are these magics connected at all, or will we learn more about the different magics in the world at some point?
Squall held his hands out – palms downward, twisted into claws – and made his fingers dance like a puppeteer twitching strings. (Ch24)
— I find it so funny how the Puppeteering (also known as Marionette) parallels– the statue in the Elder's hall, the stunt with the Charlton Five on the platform, and this scene– were so obvious, and yet it took a solid 2 years after Wundersmith's release (right before Hollowpox was out!) for somebody to bring it up for the first time. And now everyone accepts it as basically canon lol!
— Wonder if the Wundrous Arts sign got changed to Wretched Arts before or after Squall's exile, in order for him to know about it. I have some theories on the timeline of all that that I'll share at a later date.
— I often forget and I think it's often overlooked that the Magnificub growing was Squall's doing, not just Mog's.
—— Wonder if he was stalking her that night as normal OR detected her intention and swooped in OR was there already due to the auction
— The way that Squall bows dramatically to tease Mog and then Mildmay does the same a chapter later is so funny.
“There are far greater monsters –" his eyes flashed – "and far greater dangers. Miss Crow, we have a shared enemy you could never imagine. If the Wundrous Society doesn’t take you off the leash, if you aren’t given the freedom to grow, to become the Wundersmith I need you to be … then terrible things are coming down the line. For both of us.” (Ch24)
— War in Arc 3 pleaseeee
—— It's interesting because it seems that Nevermoor/Free State has been relatively peaceful ever since restructuring… but the Wintersea Republic has had the same amount of time to build up! And now they’re looking to take the last slice of the pie…..
“There. That feeling. That fire in your heart, that spark of anger and fear. Focus on it. Feel it. The flickering, burning anger inside – THAT is Inferno.” (Ch24)
— What if each of the Arts are bolstered by an emotion? Doesn't seem so but 🤷 could be a fun AU idea perhaps
— A lot of the description of Inferno in this book– a flame or firework in Morrigan's chest– reminds me so much of Howls Moving Castle (2004) that it's on my eternal to-do list to draw.
— Between Mog's lessons in this book and Goldberry's circular breathing, I think it's interesting how much of Inferno relates to breath
—— "Breath of life" ?
—— Could relate back to music/singing, which is needed to summon Wunder
—— Do any of the other Arts (excluding Nocturne and Inferno) have any connections to breath that we know of? Or even are just aligned with a specific part of the body? If anyone has any thoughts on this, please do share!
— Anyone else like to think about the Hunt of Smoke and Shadow and the way the Hollowpox hunted? No? Just me? Okay
—— I think that Wundersmiths definitely probably have specialties– and these are based on natural affinities, NOT lineage– and Mog's is likely Inferno whereas Squall's is likely Veil
He took a deep bow, still laughing. (Ch25)
— My note for this line and the whole scene was simply, "🖕 WORST 19 YEAR OLD EVER" lol
“You saved my life tonight. I find myself in your debt." He watched her for a moment, pressing his mouth into a line. Morrigan could tell he wanted to say something more, but wasn’t sure if he should … or perhaps he couldn’t quite find the right words. Israfel breathed a deep sigh. "You’d do well not to mention that to the folks at Wunsoc. I shouldn’t be in your debt.” (Ch27)
— What does this all meannnnn
— Interesting how Jupiter mentions that he thinks Cassiel's disappearance is unconnected to all the Ghastly Market stuff
—— I've mentioned before (maybe not on here, sorry) that the timing could perhaps line up in order for Cassiel to be the Celestial that Noelle's knack is stolen from, if we want to go with that theory
— Mog saying that Squall said something funny, as in weird, yet Jupiter's first response is to ask if he said something "funny haha" is so funny to me. Why is that his first response.
— Folks have mentioned it before, but I'd love some more bonding between Mog and Lam based on the fact that they're both from the Republic
— Elder Quinn refers to Mog as "our Wundersmith" as in like, just another brother and sister in Wunsoc, but it could be interesting if that wording is ever brought up again to try to use Mog, or make her do something no one else can because of her powers, like in the days of old
And finally (about 3k words later):
— Lam is referred to as "the smallest of all of them" in terms of 919. Not to me! While I wholeheartedly believe she is certainly short, she's not the shortest for me. #ShortMogSupremacy.
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starstruckodysseys · 23 days
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heartbreaking news local girl who keeps writing 7k word stories has to condense themself into 3k
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mirrortouchedsea · 3 months
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HiMERU was fuming when he walked into the church. His brother was just sitting here this whole time, not even bothering to look for him or do anything useful? HiMERU needed to stay calm. His fists were clenched at his side. He walked up to Tatsumi Kazehaya and asked him if he had been keeping Kaname against his will, which was met with a negative response. Kaname had stayed of his own free will. I would never force someone to stay, Tatsumi said.
HiMERU stormed over to his brother seated in one of the pews next to Amagi’s younger brother and the other child he couldn’t be bothered to learn the name of and grabbed him by the wrist. Let’s go, there’s no reason for you to stay here. Kaname resisted, though HiMERU was stronger and continued walking out to where Rinne, Niki and Kohaku were sitting outside. 
Onii-chan I can’t leave. That priest said he wasn’t forcing you to stay so we’re going. He isn’t but--onii-chan please just listen-- 
HiMERU took one step outside the chapel, Kaname’s hand breaching the doorway, still in his grasp. It suddenly felt… 
He looked down and saw it begin to rot away. 
I can’t leave, Onii-chan. 
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