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twelve-forfend · 4 months

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Well, I did say this was a multi-fandom blog... Alright, let's do this.

The Qing Jing Peak Lord's Bamboo House

(and the symbolism therein, as recorded in the donghua)

I was snooping through the establishing shots of the Qing Jing Peak Lord's Bamboo House, and had to laugh as I always do at all the gay symbolism that managed to sneak its way inside. But then I looked a little closer, and was floored by just how much passive storytelling was packed into background assets. I talked about it at length over discord, and at the urging of others decided to make a shareable post on social media as well.

First, the shots which first piqued my interest in this topic years ago:

Shen Yuan transmigrates into the stallion-genre webnovel entitled 狂傲仙魔途 (translated as Proud Immortal Demon Way). The author's and his own usernames are dick jokes.

Notice the chrysanthemum vase, the cock vase, and the stallion statuette.

The stallion and cock are obvious nods to these jokes on their own, but for the uninitiated, the chrysanthemum is a symbol of gay sex between men, as the asshole itself is often euphemistically referred to as a chrysanthemum. This should have been Shen Yuan's first clue that not all is as it seems here! These are the personal quarters of Shen Jiu — the original Shen Qingqiu!

But let's move to the main room you first walk into upon entering the bamboo house.

There it is: the writing on the wall.

As the Peak Lord of strategy and the scholarly arts, Shen Qingqiu would naturally have calligraphy and paintings hanging everywhere! So let's break it down.

On the top we have 道㳒自然 ("Dao Follows Nature"), which comes from a Dao teaching by Laozi (founder of Daoism) meaning that life, death, the entire universe, the heavens and earth and everything outside and inbetween, all follow a set of laws referred to as the nature of things. Although unrelated to the Buddhist couplet below, it's certainly relevant!

Originally hanging in right-to-left order, I've arranged them to read left to right here to make things easier to keep track of. The calligraphy reads 西方竹葉千年翠；南海蓮九品香 and is a couplet commonly found in Guanyin temples. My classical chinese is not as strong as I'd like, but this translates roughly to "The bamboo leaves in Paradise are green for a thousand years / The fragrance of lotus flowers in the South China Sea is as thick as 9 sticks of incense."

The character 西 for West is used to denote the destination of enlightenment/purity: the buddhist Paradise (think Journey to the West). The South China Sea is where Guanyin was born. Upon the Lotus flowers is where Guanyin is commonly depicted as sitting. The "9 sticks of incense" though literal can also refer to the 9 tiers/grades of reincarnation lotuses with the 9th tier being the lowest, meant for those who in life committed the most evil of crimes — the 4 parajikas — and who can only manage a sincere Amitabha recitation 10 times and no more than this.

To put this in context with Shen Jiu (the same jiu as in 9/九), the 4 parajikas committed by the 9th Tier Lotuses Reborn (officially entitled the Lowest of the Low) are:

Sexual Intercourse

Stealing

Murder

Claiming attainments of stages of pure mental concentration that have not been achieved (in other words, rushing or lying about your cultivation/enlightenment, or maybe even becoming a Peak Lord without having formed a golden core beforehand).

From what we know in the context of the novel, Shen Jiu is innocent of at least the first of this parajikas, but the overall view of Shen Jiu in the eyes of others in the story is that he is guilty of them all. This calligraphy can be seen as a condemnation or a reminder for the character Shen Jiu, who even as the Peak Lord Shen Qingqiu is widely thought of as a scum villain and the lowest of the low.

Phew! That's a lot to unpack.

But if you turn your gaze to the original screenshot, you'll see to the right that there's a vase painted with a blue bird. This vase appears in several rooms of the bamboo house, and seems to be the image of a qingniao (青鸟; lit: Qing bird, wherein 青 can mean blue/green/clear-but-brackish black).

These qing-coloured birds are messengers and foragers of the Goddess-Mother of Paradise (Xiwang-mu 西王母, the "west/paradise" character from before, lit West-King(unisex)-Mother). They're a highly intelligent species who are exceptional in song (a good representative for Qing Jing's scholarly arts and pursuit of qin!), and the older ones might learn to speak human tongue. As a subspecies of luanniao (鸾鸟 lit: luan bird), they're thought to be related to The Phoenix and indeed thought to be the lifetime/samsara just before being reborn as a Phoenix.

If given to a "master" they don't like, the qingniao may refuse to pass messages or sing until they're set free, but if they do get along with you then they're loyal to the end.

As a point of interest, the Qing generation of Peak Lords uses the character 清, which is 青 ("colour of nature; brackish black, blue, green; young) + the radical for "water," resulting in the meaning of clear (as in water or heart; see-through); distinct; quiet (as in still); just and honest; pure; to settle or clear up; to clean up, expunge, or purge.

And as a bit of trivia, Liu Qingge's sword Cheng Luan 乘鸾 means "to ride the luan, take flight on the back of a luan." (Relevant, because the qingniao is considered a subspecies of luanniao).

With the Lords of both Qing Jing and Bai Zhan referencing this bird, I really wonder about its significance! It's spawning plenty of theories and headcanons for me.

Heading back outside for a moment, you'll find that in the Quiet Pool (清静小池 qingjing xiaochi (yes, the same Qing Jing the peak is named for)), there are lotuses, and on land there are flower shrubs which are either wide-petaled chrysanthemums (gay bottom jokes ahoy), or a type of peony, the king of flowers demarcating wealth and prosperity. Either way, a blossom fitting of our Qing Jing Peak Lord Shen Qingqiu!

My one regret is that I cannot get a clear shot of the fan hanging on the wall to try and translate the calligraphy on it. If anyone can snag one, please tag me! I also couldn't translate the paintings with poems hanging in Shen Qingqiu's bedroom (it's just too small and blurry for my bad eyes to make out). If I make another post attempting these things, I'll append them to this initial post in an edit afterwards.

#svsss #shen qingqiu #liu qingge #i started writing this at 3am #and now it's 8am #what am i doing with my life #who have i become #qing jing peak

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soupthatistohot · 9 months

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BSD 109 Spoilers!!!

I will always always ALWAYS come back to this panel when talking about Asagiri’s storytelling.

At its very core, BSD is an absurdist text, Kafka Asagiri having been inspired by many absurdist authors. Franz Kafka, who he took his pseudonym from is one of them. Albert Camus, basically the most well-known absurdist is referenced with the Mersault prison, the name of which comes from a character in his most famous absurdist work, The Stranger.

Absurdism is the belief that the world around us is irrational and inherently absurd and that explicitly seeking meaning is pointless. In his essay The Myth of Sisyphus, Camus explains, that there is value in the act of rebellion, though. Sisyphus, who has been doomed to roll a boulder up a mountain only for the boulder to tumble back down each time he reaches the peak, finds meaning in the act of continuing to push the boulder. Even though he will continue this cycle for all of eternity, he doesn’t just lay down and give up, he rebels against the absurdity of his situation by continuing to push the boulder, despite the seemingly futile nature of the act.

As I said earlier, BSD is an absurdist text. All of the animanga’s main characters are on a journey of discovering their meaning in life, and their place in the world, and they do this by rebelling against its absurdity — especially Dazai.

Dazai sees the absurd world for what it is, and when he was in the PM, he hated it. Thus, he sought suicide as a solution. I will note here that absurdists generally view suicide as a failure to rebel against the absurd, just giving up and giving into hopelessness. But ever since Dazai left the PM and took Oda’s advice, he’s been rebelling against this, doing good despite his inherent beliefs about morality and the world, and he’s absolutely gotten better for it.

Other characters embody this idea of rebelling against the absurd, hell, that’s kinda what this whole arc is about. The world is literally ending, and things seem to be at their absolute worst, but someone like Atsushi still has hope that he can change the minds of the hunting dogs and save reality as we know it. He even has hope that he can get through to a vampiric Akutagawa when the guy is literally brainwashed and attacking him. Aya as the “last hope” right now embodies this, too, deciding that she can’t just sit around and do nothing and then trying to remove the sword from Bram even though the effort appears futile.

But everything is going wrong right now. Fukuzawa is bleeding out, Dazai has just been shot through the forehead and appears to have died, Atsushi’s had his limbs ripped off and is at Akutagawa’s mercy, and Fukuchi is literally going to end the world! How can we have hope?!

Think about BSD. Think about the story that’s been told so far. Surely Asagiri isn’t killing everyone right now, surely the world isn’t gonna actually end. I’m not entirely convinced Aya’s plan is gonna work— but please consider that the point of absurdist storytelling is that even when everything seems to be at its worst, even when life seems completely meaningless, there is inherent meaning in still continuing to fight against this.

BSD has never been a story where the villains win, and I don’t think it’s gonna start being one. I think, as usual, Asagiri wants to scare us, to make us feel hopeless about the situation, only for someone to pull through and completely turn the tides.

Dazai laying down and accepting his death at Chuuya’s hands is not going to be the end of his story, because it goes against everything Asagiri seems to stand for. Dazai wouldn’t just give up in his fight against Fyodor, because he needs to prove he’s right about what he says in this panel:

"The ones who actually make the world turn are those who scream within the storm of uncertainty and run with flowing blood."

I think this reflects Asagiri's own beliefs and is also the reason why he is not going to let Dazai die like this, because in a way, that would be proving that Fyodor is right. From a storytelling perspective, it’d be saying “everything I’ve communicated up to this point actually means nothing and life is truly hopeless!”

Dazai has cheated death before, as has basically everyone else in danger right now. I promise you, something is going to happen and they’re all going to survive, because BSD is not trauma porn, for lack of a better term. It’s a story about how a group of people fight against the absurdity of their reality, even when everything seems completely and utterly hopeless.

There’s a lot of theories circulating about how things could work out, especially Dazai’s “death,” and I’m not here to repeat all of them, but I will say that a lot of them have credence, especially because Asagiri isn’t the type of author to make mistakes, every single detail has a distinct reason.

So even though I don't know how things are going to work out, I have full faith that they will, including Dazai's current situation. None of these characters are done just yet, they've got too much fight left in them to just give up.

[original twt thread]

#bsd #bungo stray dogs #bungou stray dogs #bsd 109 #bsd spoilers #bsd manga spoilers #bsd meta #kafka asagiri #asagiri kafka #soup rants #being a hashtag camus girlie has its merits!!!#bsd absurdism analysis

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thechekhov · 4 months

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Dungeon Meshi Quick Reacts

CH. 34 Cockatrice

He's doing his best.

L...Laios no..... LaioS NO

I respect Kui-san so much for the work she puts into not only the Senshi pantyshots but also affirming the fact that Marcille and Laios are in no way sexually interested in one another whatever.

I suppose it itches BECAUSE it's healing but also.... w...why does it look infected?

...did.... did Senshi consent to being a test subject? He looks a bit nervous 😂

FIRMLY GRASP IT.

(Marcille has no time for your internalized homophobia)

Oh??? Is there old-party drama that we're about to be privy to? I'm listening reading.

In a storytelling sense, this is very clever. Chillchuck is clearly drawing parallels (unknowingly, I assume?) between Laios and Kirby(?). That guy is.... In Control of his party in a sense, and clearly has earned their trust as a leader. But he trusts himself a little bit too much for it to result in an unhealthy feedback loop of 'I'm always right, these other people think so too!'

Meanwhile, although Laios isn't actively trying to steer the group, they DO trust him to care about their safety, to an extent, and retain their own goals and judgements about certain other things. In fact, it's arguably BECAUSE they all trust each other to be better judges of character that they keep one another in check, so to speak.

The tea is SIZZLING. The girls are fighiiiing

So. Natural energy points. You're basically using energy of unknown origin to fuel spells instead of tapping into what is available readily.

But that sounds like maybe you'd have some. Hm. Questionable side effects? From adding ingredients into the mix which you can neither understand nor fully control.

......of course............of course it was.

👁👁

it's got business to attend do, presumably. Also, which floor are you guys on? Are you still in that ancient city?

IS THAT A THING?????

Maybe that would have been good to.... lead with.......

.........IS THIS WHAT FALIN IS CAPABLE OF?? IS THIS WHAT SHE USES TO COMMUNICATE WITH SPIRITS? Maybe they ARE both talented, but Laios just never bothered to tap into this.

I'm sure it's fine. Hang on, didn't they fight this before once already?

AH right, that was the basilisk. My bad.

I don't. So this'll be a double surprise for me!

I aLmost thought this was it!!! Marcille don't fuck with me like this!

"I'M MARCILLE AND I DON'T LOOK AT THE EXPLOSIONS I, MYSELF, CREATE!!"

You can't not love her.

NOOOO ARE YOU KIDDING ME!!!

This is NOT the time to be a zombie movie deuteragonist

wh--i THOUGHT THIS WAS GOING TO BE A CHANCE FOR HIM TO DO MORE HEALING MAGIC

.........I guess that's. a good point but. Laios. Buddy.

I have nothing to say here. This is peak DnD behavior.

...hang on they never took her out of the pot? 😂

..how proud you are of them?

....................yeah alright I guess that works too.

For a second there I thought maybe her petrified hair was gonna snap off and she'd get a haircut.

#dungeon meshi #chekhov reads dungeon meshi #dungeon meshi liveblog #delicious in dungeon

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genericpuff · 2 months

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Genuinely I would give anything to hear your thoughts or read more critical analysis of yours on other webcomics writing (*slides you Marionetta* I like the webtoon but there are some things in the writing that I'd like to see be discussed critically more often but the fandom focuses way too much on shipping. sighs..)

Anyway, you probably have been asked this before but are there any webtoons in particular you would recommend? :D

Oh lord, you don't know how many times a week I get asks in my inbox asking for my opinions on webtoons they're reading. It's really sweet that people wanna hear me talk about other works outside of LO, but unfortunately I just don't have the time to read as much as I used to, even keeping up on LO lately is getting really difficult 😅 I'm definitely keeping a list though of works to check out!

That said, I try not to read series on the basis of criticizing them because frankly I just... don't want to spend time reading something if people are only looking for me to rag on it? 😆 Of course I know that's not the only reason, I know there's also just the element of seeing me talk extensively about other works the way that I do with LO, but it's not really something I can turn on and off like that, I have to get really into a series to want to talk about it to that extent. So it often comes down to just luck of the draw :'0

Right now the series I'm keeping up the most on (or have completed and would absolutely 100% re-read):

Alfie (18+, it's porn with plot but the plot is REALLY GOOD , I SWEAR LMAO the art is gorgeous, the characterization is IMMACULATE, and it ironically tackles the subject of purity culture way better than LO ever has lol)

Theia Mania (the creator is often in my comment section / neck of the woods, she's been working on an Abduction of Persephone retelling for a long while now and has also tackled other myth retellings in her style! I always love seeing new pages of her work in my feed :' ) <3)

Tales from Alderwood (if you like fantasy and comedy, this one's great, the plot's really starting to get interesting and it's just got this really great sense of humor about it)

The Black Parade (this one's REALLY interesting, it's a comic-stylized version of My Chemical Romance's The Black Parade, using the songs as narration and sometimes even dialogue to tell a visual story, it's really cool and the art matches beautifully with the lyrics and style of MCR!)

A Tale of Two Rulers (this is a Legend of Zelda fancomic that poses the question, "What if Zelda and Ganondorf got married to solve their political crisis?" It updates a lot slower than most of the other comics I follow but the art and writing is so worth it <3)

Dogs of Future Past (and p much all of Lynx's Undertale comics which can be found in the link, seriously, THESE are the comics you wanna read if you wanna get into Undertale fanworks, they are PEAK)

Tamberlane (this one's an anthro comic, I normally don't read anthro but this one actually gripped me by the throat, the art is gorgeous and the character arcs so far have been great!)

The Mafia Nanny (okay it's legit so funny that I'm including this one here but I've been reading it the last couple days after seeing it basically beat out LO at the top of the trending tab for a couple days, so I figured I'd give it a shot, at first I was like "great more tropey shit" but the more I read it the more it's actually started to get pretty good, I'm holding out and hoping to god it stays that way LOL it's not especially deep or anything like that, but it's really fun and cute to read and the shipping of the main character within the narrative isn't too self-absorbed which I can always appreciate, I'd honestly be 100% fine with it if it didn't turn into a romance)

City of Blank (I talk about this one a lot here, but it's one of my favorite Originals right now, the art is super polished and the writing has gotten INTENSE, go check it out if you want some fun action / sci-fi storytelling!)

Time and Time Again (a time-travelling vampire and his werewolf boyfriend get into all kinds of misadventures, what more could you ask for?)

Touch of Divinity (like the Mafia Nanny, this is one I just started reading, it's got a very interesting premise so far and I'm looking forward to seeing where it goes!)

#if i ever do read marionetta then y'all will definitely hear about it LOL #ask me anything #ama #anon ask me anything #anon ama #recommendations #reading reccs #reading recommendations

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enpr-ss · 7 months

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TWO HOURS??!?!?!?!! WE ARE FEASTING TODAY GIRLIES

Etho “I suck at parkour” Slab nailing the lava area while being chased by ravager and vexes.

“What is this garbage!” One of my favorite Etho catchphrases.

Sir how did you get up there. And of course your strategy is to camp even when Tango changed it to stop you from doing that. Dies and immediately does a level 1 treasure run. Peak Etho.

HE’S SO GREEDY!! “Can we get four more embers” dude you want 25 embers on a level 1 medium run? Man is delusional. I CANT BELIEVE HE GOT AWAY WITH IT!!! BRO. Tango must have been fuming. Etho has some frost ember loss aversion here lol.

DOES HE HAVE 3 LOOT AND SCOOTS???

“I am not going to be greedy…. I’m going to get my crowns and get out…..You would treasure hunter me just before I leave.” THE DUNGEON IS TROLLING HIM SO HARD. the sheer petulance in his voice, the slight shakes in his mouse => excellent storytelling

His strategy is solid. And of course he’s the first one to figure out the spider passage, with its high risk and rewards. Of course he likes it. LOL ONLY 21 FE ARTIFACT WHAT A SCAM HAHA. He doesn’t even care about getting out on a “worthless” run. This guy. He’s always one short.

“That means we’re going to get a great artifact, the best one ever.” Gets a 23 Artifact. “I’m going back to medium! This is baloney, man!” LOL GET SCAMMED.

Silk Road is such a good name for the spider passage.

HE GOT ETHO WALLED AGAIN HAHAHA. but he loot and scoots on by the ravager. Plot armor. “Happy tunnel leads to misery bridge” LOL TRUE

28 COINS! HE KEEPS GETTING TROLLED BY THE DUNGEON. SPEAKS IT INTO EXISTENCE. “Even if I get an uncommon card here” gets the lowest uncommon card. Even Cub and Tango are counting his dings LOL.

He needs more pockets to stuff all of his treasure in! “Oh we gotta need to leave” ember pops up behind him. The shaky cam, the sneak card playing all too late, no clank block… the dungeon wants him to stay in SO BAD! It’s even getting sneaky about it. 39 COINS! “Tango doesn’t need to know about this.” Tango sighs.

Man will nearly die to clank and hazard multiple times and still refuse to buy blockers. And then the other hermits gleefully reporting his dings.

“Eleven! Oh my god this is just getting ridiculous” -Cub

with the last indignant “thirteen!” before the cut

THE TREASURE DING AND THE SLOW HEAD TURN BACK. TECHNOBLADE MOMENT.

“I’m not running hard after I fail until I build up my deck” buys frost seeker and treasure cards and tomes instead of blockers.

I cannot believe he got a refund. He deserved that ravager fair and square. That’s favoritism. Tango just wants to see Etho suffer in Hard (same). And Cub and Jevin joining the peanut (heh) gallery to heckle him along. And Cub coming in strong on the trolling right on the get go.

“What’s your run success rate Tango, huh?” ETHO TRASH TALKING BACK!! Trolling his audience with greedy plays LOL.

His greed kills him so much.

Dude that etho wall jumpscared me too! He unstuck that ravager what a pro.

#Technoblade game breaking vibes are very strong lol #Etho #ethoslab #enpr-ss #decked out 2 #hermitcraft #phase 2

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starbylers · 1 year

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Mike ‘rejecting but accepting’ Will cannot co-exist with Will getting a happy ending

Even when I try to genuinely picture a scenario in which we get an ‘I accept you’ ending to Byler (it’s not happening this is just a thought exercise lol) I just…can’t? It's impossible to do without sounding like someone who's never read or written a story in their life:

Mike says 'You'll always be my best friend but I'm straight and I love my girlfriend sorry' and then what? They just never talk about it again? Ignore the elephant in the room every time they're together? Mike can't do anything to help Will with this, other than distance himself to make it easier but it's practically confirmed they will be a team next season so that's not happening. Will is not a robot, he won't just stop loving Mike because Mike says he's straight. Will already believes Mike is straight and in love with El, and yet his feelings are strong as ever. They won't just disappear, it would take time and active effort.

So if this 'rejection' happens early in the season (giving Will actual time to feasibly move on), if his arc was really to 'get over Mike', is he just going to hang around the rest of the season feeling sad but trying to forget about it? So it's just another season of Will being in unnecessary emotional turmoil...and then one day he just kind of does forget about it and the storyline fizzles out? What even is that. Like try and picture how this would actually play out on screen, it's ridiculous to even consider.

The only solid place Will's acceptance story could go after confessing to Mike is coming out to his family (and hopefully the party) which we obviously all want for him and I hope they get a really beautiful scene, but the problem is the audience knows everyone will love Will no matter what (he might not know, but we do and we are the target audience here) so there's no stakes. The only real stakes in Will's coming out from a storytelling perspective is how Mike will react (it’s the only uncertain variable), and if we get this very early on in the season (giving Will time for a believable 'moving on' arc) his storyline would be incredibly anti-climactic, it would have peaked and have nowhere else to go. It's not like he's going to date someone else.

And if we don't get the 'rejection' early on, Will won't have time to feasibly get over it (especially since we already established that being rejected and moving on would not be an automatic process for someone as unconditionally in love as Will is with Mike), and he would inevitably end the season unhappy. But we know that's not happening so...

And no him getting over it during the time-skip is still not logical or good storytelling, it would be a cop-out and an unsatisfying plot device. Like Will confesses and is rejected by the boy he loves then it’s the next episode and he just doesn’t care anymore and the whole storyline is dropped? If it was an early season time-skip, then he’d have no real personal arc for the rest of (majority of) the season. If it was a mid-late season time skip, we’d still have him either pining or trying to move on (which is a painful and hard process for anyone) for the whole pre-skip, depending on when exactly the rejection occurs.

It's not that Bylers think Will couldn’t ever be happy without Mike but it's that the narrative as it's set up is not going to accomodate that whilst also adhering to basic storytelling principles (and without the writers letting a gay character constantly suffer with no pay off). He will either end up with Mike, spend the season hurting/pining/struggling again but by the end it just sort of fades into nothing (‘moving on’), OR they will drag his unrequited love to the final episodes guaranteeing his unhappy ending. Anything else would be nonsensical and unrealistic aka him just being fine and happy and completely over it right after he's rejected. Or them completely forgetting about the build up of this storyline with the excuse of a time jump, cutting short his personal arc and leaving the character with nowhere to go. These are literally the only options for the end of Will's story, and the only one that is happy and is objectively the better-written story is Byler.

#byler #I wrote this during an exam help

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moonpaw · 1 year

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Skypiea really was one of the arcs of all time. It may not hold a candle to all the crazy stuff that’s been going on recently since it’s considered early One Piece still, but honestly nothing could compare to how Skypiea came to be and it’s overall tone.

The sense of mystery and adventure as the crew finds out there is an island in the sky, and as they scramble to find clues of its existence, even after getting laughed in their faces for believing such a thing could be real. Learning about the weird ocean current where there might be a CHANCE that this massive cloud just might be holding the island, with no real for sure proof that it’s really there, knowing that if it wasn’t they’ll all fall right back down and die.

Then the knockup stream shoots up and everyone is sailing on a vertical current as the original opening starts to play and-- there it is! A sea of clouds! They can sail on it, catch fish that have adapted to living in the sky, lounge is chairs made of fluffy clouds, discover dials, meet people who made their home up here and are a bit different than those down in the blue sea and it’s all so wonderful it really feels like a secret vacation hideaway were you can just live your best life in leisure!

Then there’s plot with Upper Yard, God Enel, and the Shandians and the whole thing quickly develops into a large scale free for all treasure hunt-- where is the city of gold? The Strawhats have a pretty good idea! Let’s go find it! There’s currently a large scale war going on in Upper Yard, but it’s not really #TheirBusiness at the moment. Until it is. Enter Enel, and he’s a huge threat. The tension keeps building and the treat level only grows and grows because what can you do against lightning? He has all the gold, after discovering where the city was years ago and he’s about to destroy the very island the Strawhats worked so hard to get to!

But then Luffy’s back after getting eaten by a giant snake (don’t worry about it) and proceeds to kick his ass hilariously just because he’s rubber and lightning doesn’t work on him. He does this just because he wanted to ring a giant golden bell so the 3 people down in the blue sea would hear it and because Enel made the weather a bit stormy on their day off.

Also that bell was the reason the Shandians were fighting so hard btw. Yes their home got stolen 400 years ago but they were sooo angry about the bell and wanted to ring it so so bad, because the previous top warrior was in love with a chestnut from the north blue and he wanted to let him know they were still here.

Peak writing and storytelling, slay

#one piece #this meant to be a short post but i cant help it i love skypiea too much

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cobra-diamond · 6 months

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What I Liked From Azula in the Spirit Temple

Now that Azula in the Spirit Temple has been out for a few days, I can confidently say I found the majority of the book compelling and worthwhile. However, it is difficult for me to say I enjoyed it due to the dark and depressing subject and its flaws, which I will cover later, but not all art is meant to be fun and I would consider Spirit Temple to be a work of art rather than entertainment. Here are the things I liked from Spirit Temple:

It Tackles Heavy Topics

Azula’s feelings toward Mai and Ty Lee’s betrayal. Her relationship with her father and mother. Azulon’s order to have Zuko killed. Her mother’s disappearance. Vengeance. Feudal piety. The consequences of going against royalty. Azula’s ability to reach into a dark place. These have been dangling plot threads since the show ended, for fifteen years, and this comic sufficiently touched on them to provide much-needed context and clarity.

The Asylum is Contextualized

A dumping ground for rebellious noble children. A place for the most traditional families to imprison their unruly daughters (read: sluts and lesbians) to punish them for “transgressions” against their proper roles in society. Scraps of humanity drifting down the river of life. This is high-level stuff with direct historical analogues. Not only is this how Azula saw her imprisonment at the asylum (dumped there to be humbled and broken) and saw herself while there (a scrap of a person), it world-builds the Fire Nation’s society in a much-needed way.

Hair-Down-and-Angry Azula

Thematically perfect. Not only does this feel like the “real” Azula bursting forth—angry, jaded, tormented, troubled—but it harkens back to pre-breakdown Finale Azula, when she was struggling with the very topics the comic addressed (see: throne room scenes). I love Hair-Down-and-Angry Azula. Some might call it Angry Wet Cat Azula. It feels like a return to the Finale when all of this “Who is Azula?” questioning began. Brilliant creative decision. Need more of it like I need oxygen.

Azula Hates Herself

This has long been speculated. Azula loathes herself and has low self-esteem despite also having immense pride, talent, and achievements to bolster her self-worth. She uses the word “loser” to describe Ty Lee and Mai, which means she views her current self as a loser. She hates that she is alone and betrayed. She hates that the best of herself doesn’t cancel out the worst. She hates that who she is is not who others want to be with. I think this is great for a prodigy who has experienced conditional love by her most influential parent.

Azula is Darkly, Horribly Conflicted

She loves her father, but also sees how he harmed her. She wants her family to be together and happy, but she also feels that if Zuko had been killed her life would have been better. She is proud of her achievements, but the consequences of what she had to be and do to achieve them makes her hate herself. Zuko was never this conflicted, even at the peak of his journey. This will take an enormous narrative effort to overcome, with likely tons of setbacks, but when it happens, it will make Zuko’s redemption look like a warmup.

There are professional authors who spend their entire careers never sniffing a character like this. I can’t say where the Avatar franchise will take Azula, and they could still fuck this all up, but this is a character capable of reaching the highest summits of literary storytelling. Capable of, not necessary will. There is not a character remaining in Avatar who can hold a candle to the moral and internal conflict found in Azula in this comic. The franchise has something special, if they handle it right.

Azula’s Desire for Family

If her family was together, that would mean none of the bad things would have happened. Her low self-esteem would be fixed by the love and admiration of her family. This is a good development. There are tons of evidence for it in the show based on how often Azula says “we” and “us” and acts like the Queen Bee of a group rather than a loner. She hates being alone and the idea of family and parental figures gives her the most security. Very realistic and compelling. Avatar has not had a character motivated by pain of loneliness and want for human connection.

Azula Continues to Use Collective Pronouns

A pattern existed in the show where Azula would very often use “we”, “us”, “our”, and other forms of collective pronouns or group references instead of “I” or “my”. The pattern continues in this comic. There are several instances where she uses collective terms when she could have said “I” or “my”. At this point, it is intentional by the writers. They are signaling something that shows up again in this comic: Azula wants community and teamwork, not isolation.

Azula is Willing to Accept Blame, But Not All of It

Just like a real person with strong will and pride would. We are all the heroes of our own journeys. Accepting blame is painful, and for a person like Azula, who has all these accomplishments under her belt, to bury herself under 100% guilt and culpability, and to allow people to denigrate those accomplishments in turn because of how "bad" she is, can likely come across as a bridge too far. She conquered Ba Sing Se, killed the Avatar, saved the capital during the Day of Black Sun. Who is anyone to tell her she did nothing right and everything wrong? Azula is also highly intelligent, which makes it easier for her to justify her actions and beliefs and craft narratives explaining it all.

Azula is recognizing she has flaws and has made mistakes. It even appears she wants to be able to talk about them. The door is not shut on listening to criticism. This makes Azula’s potential reconciliation with the heroes full of drama and dynamic conversations.

Azula Won’t Be Brow-Beat or Guilt-Tripped into Submission

If she is backed into a corner with accusations of being cruel, evil, to blame for everything, the cause of all her problems, a monster, like the Zuko apparition was doing, she will lash out. Call it denial. Call it a defense mechanism. She will not allow what she is proud of, what she feels was worth it, what has been her closely-held identity, to be thrown in the gutter. This is high-level literature and human psychology. And it holds an important implication for the future: the heroes will not be able to shame Azula into accepting their morality or worldview. Unless her feelings are taken into account, the back-and-forth dialogue observed in Spirit Temple will not happen.

Azula’s Walls Can Snap Up in an Instant

She can let her guard down and hear criticism, but if the criticism turns into a personal attack, her walls will snap back up and she will drop back into old habits and beliefs to protect herself. This is a tough problem for the narrative to solve based on its complexity, sensitivity, and need for tact, and so will require a special character to help Azula work through. I don’t think the franchise currently has such a character. Maybe a more militant, warrior-poet version of Guru Pathik could do this.

Azula Talks and Thinks Like a Feudal Princess, Not a 21st Century Teenager

This needed to happen. ATLA needs to start developing the politics of the Fire Nation if they are to successfully build out Azula’s and Zuko’s post-war dynastic struggles. This is the first time the franchise has taken this seriously. Azula calls her family traitors, thinks Ty Lee should have been grateful for having the ear of royalty. Royalty. Finally, the word is being used to describe the social dynamic between her and her friends. Great stuff. This is who Azula would be in “reality” and part of why she is so scary to us today.

Azula Sets Her Terms for Reconciliation with the Heroes

Apologies. Acknowledgments of the pain and damage they caused her. Them valuing the “good” things she has done for them, much of it from her feudal princess perspective, and some from her troubled teenage girl perspective. I don’t think this is everything she will put on the table, but it’s major pieces of the redemption and reconciliation puzzle. This is probably one of the most profound parts of the book, because it says the door is not closed between her and the heroes. Zuko being Fire Lord and the war being over are not showstoppers.

Azula Loves, and Hates, Her Dad

Her father has both hurt and helped her. She hates him for turning her into his firebending weapon, but loves him for how that led her to greatness, and the conditional love she received from him. She is a villain loving another villain. I think there is something significant here that might play a role in the future: Azula will continue to love her father until he shows he doesn’t love her. In fact, she might seek confirmation of love from him and his response might be a turning point in their relationship.

Azula is Developing Her Own Identity

She says she is the last of her kind, the only one left. Sounds like she sees herself as representing a version of the Fire Nation that doesn’t want to go down quietly, the version of the Fire Nation that Zuko needs to figure out how to redeem rather than destroy. Even though she recognizes the damage her father did to her, she retains enough pride and belief in the Fire Nation’s war to stand by him. This looks like a sign of Azula coming into her own person, even if it is villainous and could send her down a dark path. Regardless of the morality, she seems to be voicing her own beliefs, and beliefs are supremely important to developing character, as beliefs can change. Azula still has to learn the wrongness of the war. This might be her “Zuko Alone” moment equivalent to Zuko declaring his identity to the corrupt soldiers.

The Spirit Centipede

Awesome design and capabilities. It seems it was trying to pump her full of opium in the form of the beach dream whereby she falls into a forever sleep in that perfect world allowing the centipede spirit to eat her. Instead, Azula rejected it and the spirit discovered it doesn't actually know this human as well as it thought it did and so panics and tries whatever it can to get Azula to succumb to its offerings of pain alleviation. One of the best spirit designs we have seen in the post-show products in my opinion.

Coraline References

Fantastic movie. Still creeps me the hell out. I’m afraid Azula would not last a week against the Other Mother. The Centipede Spirit tried to be an Other Mother. It couldn’t hold a candle.

More Evidence Azula’s Design Was Inspired by Lady Eboshi

Page 72, Panel 3.

#avatar the last airbender #azula #avatar comics #azula in the spirit temple #princess azula

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fallstaticexit · 23 days

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Postponing my COTF update I had planned for Monday because I decided last minute to change one tiny, little detail 🙂‍↕️☝🏾 ALSO I have this feverish itch to set up this flashback scene with Simeon and Grace that if I don’t execute like right away, I won’t be able to think about anything else lol because if you recall, Simeon was incredibly tempted to have an affair with Grace moments before the start of the war and I really need to unpack that and how that affects Grace today as well as her survivors guilt. Because even though she was healing those around her, did she ever truly heal herself?

Speaking of flashback scenes, those are my favorite to do and I got plenty in the chamber lol I love alluding to something, which is 99% of my storytelling lol, and then being able to show and expand on it via flashback. I have several big scenes like that in the queue of my brain I just can’t wait to see in action and almost every main character has at least 2 or so big scenes. Here’s some sneak peaks of what to anticipate straight from my google doc (under cut for spoilers);

Adelina’s rise to power

Adelina’s fall from grace + death

Nora’s curse -and redemption

The birth of Edin

The battle of the Occult war

Adie’s first curse

L. Faba’s turning (from Spellcaster to Vampire)

The creation of Lucius Glass V4

Teenaged Tomax and his master, the former Sage of Alchemy

The tale of two sisters (Nora and Adelina’s relationship dynamic as youths)

The Cruel Story of Oyema; the first Dark Witch (will have triggers warnings)

#cotf tag #story update #fallen angel theory

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whimsyqueen · 2 years

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Alternative Story Structures/Patterns (a.k.a how to avoid that damn triangle)

Disclaimer: these are all taken from Jane Alison's Meander, Spiral, Explode under the idea that we should draw more from patterns in nature when structuring works of fiction. Alison is a white woman, and a lot of non-western storytelling (especially utilizing different structures other than the triangle/wave) was pioneered by Authors of Color. I highly recommend you also research types of non-western nonlinear storytelling that Authors of Color have been utilizing and pioneering way before western storytellers even began to think about them. Here's a great article, and here's another one to begin your research there!

I'm gonna start each section with a quote from Meander, Spiral, Explode that I think explains them best, and then extrapolate where I can from there!

Waves

I've already discussed this one! If you wanna know my thoughts and feelings about the wave (a.k.a Evil Triangle That Might Have Some Uses, Maybe) you can check out this post here!

Wavelets

"Once I translated the dramatic arc to a wave, I began to think that energy in narrative might also flow in smaller waves, wavelets. Dispersed patterning, a sense of ripple or oscillation, little ups and downs, might be more true to human experience than a single crashing wave: I'm more likely to feel some tension, a small discovery, a tiny change, a relapse. The same epiphanies every week..."

I love the idea of this, and her comparison to the human experience. I feel like we sort of tried to accomplish this by adding various peaks to the original triangle, but sometimes a narrative can have multiple waves. She talks a lot about how this can show up as patterning in stories as well, moving back and forth between two different energies that could be important to a character, back and forth between motivations. I don't know if that makes any sense, wavelets aren't really my style, but I know they'll resonate with someone, because what are we doing if not trying to connect to the human experience?

Meanders

"A meander begins at one point and moves towards a final one, but with digressive loops. Italo Calvino says that "digression is a strategy for putting off the ending, a multiplying of time within the work, a perpetual evasion or flight. Flight from what? From death of course!" The Meander river in Turkey gave us the word, and speaking of how an actual river flows, Peter Stevens (in Patterns in Nature) says it "winds and turns in a quiet but seemingly desperate manner to avoid the straight schuss to the bottom"... In either case, there's deliberate slowness, a delight in curving this way or that, luxuriating in diversions, carving slow labyrinths of time."

OHHHHH THE MEANDERING NARRATIVE. I do enjoy this one, it isn't my favorite, but it is very very good. I specifically love the part she mentions about the narrative being afraid to reach its end. Sometimes characters meander, they want to experience the slowness, to stop and enjoy the things that are going on around them before moving forward with the plot. If you learn how to use the meander to your advantage, people who have a tendency to under-write could seriously be helped out by trying to do this. Also, sometimes people's minds just wander. Why should a narrative not wander too? A river will always end up spilling out somewhere, after all.

Spirals

"A spiraling narrative could be a helix winding downward– into a character's soul, or deep into the past– or it might wind upward, around and around to a future. Near repetitions, but moving onward. What gives a spiraling narrative a good sense of ending? Good question, for spirals could go on forever."

and also

"I wonder if first-person retrospective narratives– especially obsessive ones– might naturally follow a vortex."

Can you tell which quote gave me my epiphany about Verity and To Make a Fool of Death? Maybe it's mixed in with the radial narrative (right below this!!) but a spiraling narrative is truly a beautiful thing. This one and the radial one are both truly very deeply character focused, which makes me happy. The idea of telling a story based around a character, or just always coming back to the central of the character, is deeply fascinating. At another point in this chapter, she compares the spiral narrative to like the spiraling of a panic attack: you start thinking, and then you think more, and the problem becomes bigger, and you just keep going and then you cannot stop. Whether your spiraling narrative is fast, slow, or somewhere in between (not even gonna go off on a tangent about combining some of the patterns like a meandering spiral), it wanders around but remains true to the central core of what STARTED the panic attack, and will always have come from that true center.

Radials or Explosions

"Unlike in a spiral, the story itself– the incidents we see dramatized– barely moves forward in time. Instead, a reader might have a sense of being drawn again and again to a hot core– or, conversely, of trying to get away from that core. You might already know the end at the start and get many fractured views of things avoiding that moment. You might feel a sense of violent scatteration from a central point. Radials can be centrifugal or centripetal, but linear they are not."

This one might just be my favorite. Her example for it is truly perfect, too. She uses Gabriel García Márquez's Chronicle of a Death Foretold to talk about the point of this one. The entire story revolves around the death of this one man, we know he's going to die from the beginning of the story, and everyone else knows it too. We get the reactions of people to the idea of his death, the effect his death has on others, the WHY of his murder, and so on and so forth. The entire story centers around the hot core of the death of the main character, and that is BEAUTIFUL. I don't know what else to say about this kind of narrative outside of that example, because it does exactly what the radial/explosive narrative requires of it. Vignettes that all center around a big, dramatic point. That kind of thing. I love it, I can't get enough.

Networks or Cells

"So, again, any complex narrative will be a little spatial: certainly the spiraling or radial ones we looked at are. I think the idea of spatiality becomes most clear in cellular texts made discrete parts that gain power through patterns of images or ideas rather than sequential incidents." [section removed where she's talking about three examples provided to prove her point] "In all three, no linear chronology makes the parts cohere; instead, you draw the lines."

and also

"Translating to natural patters, I think of Peter Stevens's words about honeycombs or foam: 'chunks of space, miniature rooms, each one different from its neighbors and yet perfectly interlocked with those neighbors'."

I feel like these really speak for themselves. Think like... a short story collection, right, where all of the stories are seemingly unrelated, but you're able to connect the dots in your own mind and realize how these narratives are actually entwined in some truly beautiful ways? This method places a lot of trust on the reader, and I think that's important. As long as you have readers who have an ounce of critical thinking skills, of course. Stories like this are particularly interesting, especially when you as a writer have to decide how to subtly connect them all, or how MUCH you even want them to be connected.

Fractals

"The most fractal works– meaning fractals of fractals– were stream-of-consciousness narratives, although it's not clear whether that style reveals depths of consciousness or the writer's imagination. But fractals forming the shape of a whole narrative are what interest me: Texts that start with a "seed" or blueprint that spawns several more."

and also, in reference to Caryl Phillips' Crossing the River, an example of a Fractal Narrative:

"Instead the book is polyphonic, taking the points of view of four characters and delivering them in different styles: letters, diary entries, mixtures of third person and first. Yet the stories all grow from a single seed..."

I cut off the last one, but to give some context: Phillips' Crossing the River is the point of view of four characters across time periods that are stories that are inherently related to each other, in that they all stem from the same fractured point, but the linear plot lines do not connect. That's why it's so interesting. It kind of reminds me of the butterfly effect, right, but in a narrative sense. One action that someone takes will fracture, splitting across the story and creating so many smaller, new stories that are just as integral and wouldn't have happened without that first fracture. Will it all come together and will the fracture heal and reconnect at the end? Idk, maybe, it can. It's more of an exercise in seeing what happens based off of one simple event.

Additionally...

She has an entire chapter at the end called "Tsunami?" where she talks about David Mitchell's Cloud Atlas, which is like... a wave, right, a symmetrical wave, but SO MUCH MORE THAN THAT. Remember in "networks or cells" where I was talking about stories that don't seem to be connected but then there's a beautiful through line that somehow magically connects them all? And then in the wave post, when I talk about symmetry and traveling up the wave and down the wave so that the end reflects the beginning again? Cloud Atlas does all of that and more. I couldn't recommend this book enough. It's impossible to explain. It's perfectly written. I honestly don't even really consider it one of my favorite books, but I know that it has FEW rivals for how actually good it is. And, again, PLEASE DO NOT WATCH THE MOVIE.

If anyone wants extrapolation on any of these specifically, I'd be happy to talk about them in their own individual posts, if you've got something specific you want to know more about!! I mean fuck, I might write more about them later on just because I want to and I have feelings. All I really did here was just kinda explain them. And, once again, I encourage you to seek the perspectives of Authors of Color for this one as well. Countries that aren't North American/European have been doing this way longer than us, and those formats deserve some fucking respect.

I also of course have a few people that have asked to be tagged in my posts like this, and if you'd like to add yourself to this list, please let me know! I'll be posting a bunch of these as I go through grad school, so there's a lot to learn! @approximately20eggs @faeriegutz @moonscribbler @marigoldispeculiar

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zaffiri-saffici · 8 months

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Here's a screenshot of my fic's tagline from the SQSN Blurb Generator. (if you want to use the generator yourself to read the other taglines for the amazing fics being released, click here!)

Ahhhh, y'all don't know HOW excited I am about this!

Not many know this, but I've been in a big writing slump the last 10+ years. I used to write Sweenett, Bellamort, Bellamoine (my how the times have changed lol) and when I got a corporate job, I lost a lot of my motivation to be creative from a storytelling perspective. Going into 2023, I decided it was time to change that.

This year's SwanQueen Supernova Challenge was just the kick I needed to get motivated to write again. Over the last few months, I've put together a ~86K retelling of the Camelot arc, a story that does the arc justice and gives us the SwanQueen tale we should have gotten on screen - the real story that was being set up since the beginning of the show.

This arc was especially impactful for me when it first aired years ago. After Emma sacrificed herself in place of Regina to become the Dark One at the end of season 4, I thought to myself, Yes, this is it. This is how the writers are going to finally give us SwanQueen. The greatest magic in OUAT is about True Love, and love is sacrifice - the ways in which we demonstrate, through our actions, what oftentimes words fail to do, right?

Wrong. A&E shat the bed, turned the Dark Swan arc into a complete mess, and slapped a big CS stamp on it at the end. Outside of just the blatant queer bait, 5A was simply: unfulfilling. It was lopsided, lazy. It did not fit the countless messages we were receiving as watchers and fans of the show, in all the ways the writers would define what 'True Love' was, to then push the story in a direction that made no sense to those definitions.

Well, this October, as part of SQSN, I'm here to change that. I am so excited about this piece. I am so proud of myself, too. I have never put together something so large (my longest fic was 18K words and is still incomplete). Further, I've never put together something as complex and full as this piece. It not only rounds out that arc, along with lots of the unanswered concepts that the show introduced in earlier seasons that eventually went nowhere, it does it in a way that feels right. Good.

This story was a practice in healing; I hope it can offer you the same.

Sneak Peak 1 | Sneak Peak 2 | Sneak Peak 3

Stay tuned for the reveal and the fic link drop this October 3rd!

10/3 Edit: The fic is officially here! Enjoy, my friends!

#swan queen #swanqueen #regina mills #emma swan #fanfiction #sq #sq ff #sq fanfiction #swanqueen fanfiction #sapphic fanfiction #lesbian fanfiction #sqsn #swanqueen supernova #swan mills family #sqsn viii #sqsn viii reveals #swen #personal

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