@13urningstars
"Do what you got to do doc, I can handle it. I'm a big girl." Despite the easy going grin on her face, she's incredibly tense and it takes everything in her power to keep her tail still and not worsen the wound, claws practically digging miniature ravines in the rock she'd been settled on.
It had been a bad turn of events really. She had been exploring outside the Iacon Shoal as she most often did during her free time, when she had stumbled upon a small shark trapped in a fishers net. Now she couldn't tell you how the net had separated from its source (although, based on the state of the cord, she assumed it had frayed due to age and over use), but she could say that she had managed to free its prey. At a price, of course. During its panic, the shark had perceived her as a threat and attacked, which she wasn't able to avoid before successfully calming it down.
She returned from that endeavor with a new friend to feed the next time she was out, and a decently bite in her tail that hurt like a bitch.
She's lucky ratchet stumbled upon her really. Primus known's he's do a better job at patching her up then she ever could. And really? How much more could it hurt compared to now?
He nodded at her reply to his warning, accepting the permission to proceed. Ratchet could feel her tension as his hand slid under her tail to hold it while his other retrieved a package of material from the pouches along his back. He opened it, removed and wrapped the alginate dressing tightly around her tail, then tied a knot on the side opposite her injury to secure it in place. Afterward, he pressed his large palm over the worst of the marks, relying only on memory now that the wound itself was hidden (but he had taken careful note, thus memory was all he required).
"There is an antimicrobial solution added to these, and that will suffice, but it would be safer to have it cleaned properly later." Whether by him, in a better equipped medical room, or someone else. That was her choice.
Maintaining the pressure on her wound, he added, in a lower tone, "... I prefer Rescue or Ratchet, over 'doc,' by the way." It was not as important as medical care, but he would be applying pressure for several minutes, and it was better on any patient to have a distraction such as conversation than silence. No other topic had come to mind.
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I said this in a whole reblog, but just copy-pasting to a separate post because I think it'll give some reading comprehension and reblogs don't show up in the search feature.. again, I'm reiterating what I said in another post.
Go check out @demidokuriya 's post for this; OP's post made me put this all down in like. 20 minutes. Mind went vroom vroom cuz HEY THEY'RE ONTO SOMETHING.
(They also reblogged the post with some hint to some behind the scenes of what led to the ideas if you wanna check that out)
Look below at how, when Mineta told AFO to spare Tokoyami, AFO specifically went "..."
He remembers Jirou and thinks, The braying howls of the weak...
He was going to take Tokoyami's Quirk. He took Hawks'. But after Mineta pleaded with him, AFO just straight-up left and didn't take anyone else's Quirk.
AFO saw Yoichi in Mineta.
These scenes are near-identical to each other.
Mineta and Yoichi (at that time) are both much smaller than the normal person at their age
They're both hurt, yet dragged themselves up from the ground to throw something at AFO, to get his attention and make their voice
Both are considered weak, even if they have a Quirk (Mineta's Pop-Off and Yoichi's undeveloped Factor)
The fact that Yoichi got AFO's attention here by throwing a can at him, while Mineta got his attention by throwing a Pop-Off ball; and it stuck.
Mineta's call for his attention landed and actually stuck to AFO. This is unlike when Yoichi and his can bounced off, and AFO kicked him, not listening to him; AFO listened to Mineta and left Tokoyami alone, technically doing what Mineta wanted—to not hurt this person.
AFO just went on to hurt more people away from Mineta's [Yoichi's] eyes so the small weakling wouldn't see.
Yoichi and Mineta both cried to AFO to not hurt in his ways, when AFO was intent on stealing people's Quirks
AFO even stole Hawks' Quirk during this time.
He had time to steal Hawks' Quirk, and though he could've tossed him to the side, he let Hawks stand in his way.
He had the energy. Right after this event, he flew off and left the scene. But he didn't go for Tokoyami immediately.
And this let Mineta play his part, and remind AFO of Yoichi.
"A putrid, festering Quirk Factor."
That sounds like Yoichi, AFO.
".. such garbage."
Hey hey hey, what did Yoichi throw at him when they were kids?
A discarded can. Garbage.
This chapter (385) where AFO listens to Mineta is literally called [A Youthful Urge].
Mineta told AFO to take his Pop-Off (hurt him) instead. But last time, AFO hurt Yoichi by kicking him; this time, AFO not only listened to Mineta to not hurt Tokoyami, but didn't touch Mineta at all.
Even though this time, Mineta [Yoichi] offered to take that place of suffering.
Yoichi didn't do that back then. AFO just turned on little Yoichi anyway.
Yoichi through his whole existence is literally [the braying howls of the weak]. AFO acknowledges he's weak and idealistic, yet he still loves him.
Side note about this panel, I think it's interesting that in this vision, this was the first time we saw Yoichi's eyes: when he was being defiant, despite being pushed down by someone much stronger than him.
Really characteristic of him, honestly. Yoichi's soft-spoken and frail, but it's always reiterated that Yoichi had a powerful will against his stronger big brother.
Mineta at this moment reminded him too much of Yoichi, because the two scenes are near-identical to each other. Parallels, really.
Reiterating something from OP's post that I reblogged this from;
"The reminder of his brother made him uncomfortable, so he hurried away."
AFO didn't want to hurt Yoichi again.
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In The Dream House by Carmen Maria Machado page 5 / Batman #614 / Detective Comics #790 / In The Dream House / Detective Comics #790 / Batman #614 / In The Dream House / Batman #410 / Batman #428 / In The Dream house / Batman #617 / Detective Comics #790 / In The Dream House / Detective Comics #790 / Batman #618 / In The Dream House / Detective Comics #790 / Batman #614
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[ID: Several photos weaving together text and comic panels.
First image is of text that reads “The memoir is, at its core, an act of resurrection.”
Second image is a panel of Jason’s face on the ground in watercolor art style from Batman: Hush. He is wearing the Robin domino mask and his mouth is parted open. He is splattered with blood. A blue caption reads “Jason.”. The panel is overlaid in red.
Third image is a cropped panel of Bruce and Cass in front of Jason’s grave. Bruce is saying “He would have been eighteen today.”
Fourth image is of text that reads “Memoirists re-create the past, reconstruct dialogue.”
Fifth image is of Bruce and Cass surrounded by graves as Bruce is saying “But he was brash. Impulsive. Headstrong. Never looking before he leapt…I knew that, but I didn’t stop him because he wanted it so badly. He wanted too much to prove something.”
Sixth and seventh images are cropped panels from Batman: Hush with Batman in watercolor art style. The sixth image has blue captions that reads “No matter what differences we’ve had through the years, I’ve always known that Dick had a gift. Jason only had…rage.” In the seventh image the captions are “Jason never had the skills that Dick had. I should never have let him put on that costume.”
The eighth image is text that reads “They summon meaning from events that have long been dormant.”
The ninth image is of two panels from Jason’s post-crisis Robin run in the 80s. The first panel is of Bruce’s face with the Batman cowl pulled down. He’s saying, “Hardly, the other Robin would’ve done the same thing…You two really are two of a kind.” The accompanying panel is an up close shot of Jason’s grinning face in the Robin suit. He’s saying, “Thank You, Mister Wayne. Mind if I stay up awhile and do some homework?”
The tenth image is of two panels from Death In The Family of Bruce cradling Jason’s dying mother, Sheila. In the first panel Shiela is saying with many ellipses between her words, “He turned out to be such a good kid all his problems and he still turned out good.” In the second panel she is saying, “He threw himself in front of me. He took the main brunt of the blast.”
The eleventh image is text that reads “They braid the clays of memory and essay and fact and perception together, smash them into a ball, roll them flat.”
The twelfth image is a panel from Batman: Hush that is cropped to only show a caption that reads “Jason saw being Robin as a game. It’s probably what got him killed.”
The thirteenth image are of two panels from Bruce and Cass at Jason’s grave. The first panel is a cropped shot of Bruce saying “Yes. Maybe if I’d put an end to his attempts, he’d be getting ready to go off to college…” The following panel is of Bruce and Cass standing as dark silhouettes against a red sky with the angel statue of Jason’s grave looming over them. Bruce is finishing his thought from the last panel and saying, “Or just having a normal life…”
The fourteenth image is text that reads “They manipulate time; resuscitate the dead.”
The fifteenth image is of two panels from two different comics. The first is from Batman: Hush in modern comics art style and not watercolor. It’s a cropped panel of Tim Drake in the Robin suit yelling, “No matter what he says, Jason’s death still haunts him. Why else would he keep Jason’s costume so prominently in the cave?” The second panel is a cropped image of Barbara Gordon on the BatComputer screen from the same issue of Bruce and Cass visiting Jason’s grave. She’s contacting Bruce before he goes to the graveyard, saying, “Maybe you’re busy...Look Batgirl just came by. She seemed…upset. I don’t know what happened, but…if this is about what today is, then…Just Know I’m here if you need…”
The sixteenth image is of text that reads “They put themselves, and others, into necessary context.”
The seventeenth image is a panel of Bruce and Cass in the graveyard. Bruce is saying, “But he’ll never have that. Maybe it’s not too late for Stephanie.”
The eighteenth and final image is an edited panel from Batman: Hush in watercolor style again. It is a close up of the R symbol of the Robin suit with blood stains on it. The panel is overlaid in red again. The edit is a blue caption from the same issue that is added to above the R symbol. It reads Batman’s inner monologue of “For these reasons, I’ve carried the burden of responsibility for Jason’s death.”
End ID.]
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