Tumgik
#this is about endgame by the way
thecornerofegg · 6 months
Text
Ok
Ok.
Ok
Ok
Okokokokok
Ok
So
Wow ok
Love that
Holy crêpes
0 notes
Text
oh but the clothing choices are SO interesting here.
Tumblr media
right when mew finally seems to be letting ray in, mew starts dressing in a style that's awfully reminiscent of ray himself:
Tumblr media Tumblr media
meanwhile, right when ray is finally getting to receive the type of affection from mew he's yearned for ages - ray's not dressed the way he usually does for nights out.
in fact if i didn't know any better, i might even say he's dressed up in an outfit that's awfully reminiscent of a style a certain someone picked out just for him:
Tumblr media Tumblr media
what a coincidence, that right when mew's external appearance finally seems to imply he's ready to be on the same page as ray...........ray's external appearance has shifted to reflect the lingering influence of someone new.
1K notes · View notes
a2zillustration · 2 months
Text
Tumblr media
:)
| First | | Previous | | Next |
[[ All Croissant Adventures (chronological, desktop) ]]
[[ All Croissant Adventures (app) ]]
435 notes · View notes
chirpsythismorning · 10 months
Text
They know 😉
1K notes · View notes
whenwewereyoung97 · 3 months
Text
It’s taken me way too long to appreciate the symbolism behind Xaden’s scars.
The scars for the Marked Ones are on his back, because he carries the weight of their lives, choices and loyalty on his shoulders.
And the scar for Violet is over his heart, because he’s vouching for the woman who holds it.
246 notes · View notes
theminecraftbee · 5 months
Text
incidentally, for anyone wondering about the current state of me playing vault hunters: I’ve been playing on a server with some friends for a few months and am level 89, have several absurdly expensive endgame items unlocked, and am going “I mean I technically don’t NEED a fission reactor, but I feel like there’s a point in every bee’s life where really, why not harness the unlimited power of nuclear energy?”
272 notes · View notes
eddiezpaghetti · 4 months
Text
Okay, so my experience with Stranger Things is a weird one.
I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.
And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.
It's really fucking obvious that Will and Mike are gonna be endgame.
Like holy fuck. It's so fucking blatant I don't even know why people are nervous.
Tumblr media
No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.
And then this?
Tumblr media
They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.
Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.
Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.
But this?
Tumblr media
This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.
It's the same reason you look at this
Tumblr media
And go, "Oh..."
Tumblr media
"Those two are probably a couple."
And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--
Tumblr media
--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.
Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.
347 notes · View notes
babydarkstar · 6 months
Text
so many griddlehark doomers on this website. smh my head…….theyre doomed by fate AND the narrative to be intrinsically intertwined no matter what. i cannot conceive of a finished locked tomb series where theyre not lying dead in each other’s arms or existing together in some fugue state of unbeing. not even death can separate the lesbians that scratch each other bloody and then cry in each other’s arms. they have been fated to orbit one another literally since their conception. one flesh one end, bitch.
#also harrow literally lobotomized to forget gideon and she still couldnt in the end#anyways i often think abt the whole#‘i gave you my whole life and you didnt even want it’#and the thing is like. yeah gideon. she didnt want it because she never wanted to lose YOU who was attached to it#you who she just bonded with. has had a very tumultuous girlbestfriend situationship with#when i think abt how young they are i fucking scream#this is why i hate john gaius. insane man. kill him to death alecto#tlt#griddlehark#tlt spoilers#anyways. thinking about the saddest girl in the whole world tonight :(#this is a john gaius HATE account all my homies HATE john gaius#anyways. why is everybody so so scared that theyre going to have a terrible endgame#baby theyve already been falling through a terrible endgame thru the duration of their entire existence#i will say. if harrowhark ends up with anybody else i’ll have to off myself#i support womens wrongs but ianthe can go be wrong somewhere far away from harrow#im about to go through the entire series again so i can screenshot and prove why im right about this#theres a narrative thread to follow#and never once have i been afraid of them not finding their way back to each other#the thing is like. above everything. these girls exist to orbit each other#gideon thinking harrow is her past when harrow has always been her present and her future#harrow thinking gideon’s death will be her undoing#because to harrow. gideon is unable to die. she WOULDNT die for so long#and when she found something to die for. she went to it with her whole being#but heres the thing. one flesh one end is more than just becoming one body and dying one death#idk im incoherent i need to talk abt this in a post instead of tags#i will. soon
240 notes · View notes
marymekpop · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
a daily dose of sunshine & wisdom
330 notes · View notes
robynrocksforbrains · 9 months
Text
Mike Wheeler is important and there's nothing wrong with analyzing him
Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!
We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.
Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.
In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.
There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?
Will's love for Mike
Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.
Let's do a quick recap of the very significant role Mike has played in Will's entire life:
Mike is Will's first friend.
They have grown up together and it can be assumed that they've reached important milestones together.
Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)
When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.
When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.
When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.
After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.
Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.
Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.
SO.
These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.
Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.
Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.
If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.
So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.
No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.
Mike's struggles
To name a few
Dysfunctional family
Has been bullied his entire life
Extreme self worth issues
Inferiority complex
Hero complex
Lack of self preservation
Suicidal ideation (has been on display since SEASON ONE)
Internalized homophobia
To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.
Moving on
I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.
If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?
If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?
Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.
I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.
And that leads me to my concluding point...
A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well
God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.
Here's a hypothetical:
Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.
Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?
Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.
Back to Mike!
Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.
Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.
And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.
And Mike is just as important to that conclusion as Will is.
And one last thing...
Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.
295 notes · View notes
dykealloy · 5 months
Text
supernova idiots supercut
149 notes · View notes
lostuntothisworld · 2 months
Text
Okay so I think it's time for another spaghetti theory:
Lilamoth isn't collecting moms. She's collecting sisters (or siblings)
Let me explain my thought process here. So a big complaint the fandom has is that we don't have a proper rogue gallery for villains. It's just the butterfly, and nothing else. It worked for early seasons, but things might be getting stale for some folks.
Enter new characters connected to Lilamoth somehow.
So she has 3 moms so far (that we know about.) All but one have something in common: dark hair and blue eyes.
Tumblr media Tumblr media Tumblr media
From left to right we have Mrs. Rossi (red), Mrs. Bianca (white), and her third mother who is deaf could possibly be Mrs. Verdi (green).
Tumblr media
Then we have this fourth lady that we see Lilamoth watching on her phone in the season 5 finale. I would NOT be surprised if Odille is going to be her 4th mom. Dark hair and blue eyes, and she is also disabled, just like her third mom.
(And I would not be surprised if we find out her surname is Nero (black), or Viola (violet). More on that aspect of this crack theory in a bit...)
Anyway, back to the concept of a rogues gallery. In the finale we see Lila in a disguise that 's VERY reminiscent of one of her moms:
Tumblr media Tumblr media
Certainly she can't expect to disguise herself as a woman in her 30's-40's, and especially not with glasses and bangs. But she can pass reasonably as a teenage girl with a dark bob and glasses. You know, a sister.
So we know a certain main character whose name is in the title and wears red with black polkadots has dark hair and blue eyes. We don't know Lilamoth's motivations and and end goal, but we can surmise that she wants to take the place of Marinette.
(And I KNOW I've seen at least one other person theorize this, and I cannot find the post(s) so if you can find it please let me know so I can link it here!)
Tumblr media Tumblr media Tumblr media
The pictures we see is one of Marinette with her classmates on the Liberty where Zoe is accepted in the friend group, Marinette with her parents, 3 pictures of Marinette with Kagami, and one picture of Marinette with Luka.
It's interesting to note that there isn't a picture of Marinette and Adrien together shown to the audience. You'd think they'd emphasize that, but no, it's mostly Kagami. I know it's because it's because the episode focuses on Kagami, but still. Other than her, it's just Marinette's parents, Zoe and Luka (Luka! Marinette's ex!) showcased in the closeup screenshot.
I got sidetracked! Anyway, I think other than similar coloring (and color-themed surnames haha) Lilamoth is trying to find other teenagers who are willing to join forces with her. She probably will get her hands on some Miraculous for them, somehow. But I don't think the new jewels will be from the Chinese box.
Here's where things start REALLY going off the rails with this theory:
All of Lilamoth's rogue gallery of villains are her adopted sisters (or siblings) and they are all Luka's exes. He's got a type for Italians with dark hair and blue eyes...
Going back to the surnames, all the surnames have something in common: they share the colors of all of Adrien's various transformations over the course of the series so far:
Rossi: Mister Bug
Bianca: Chat Blanc
Verdi: Aspik
We're just missing Chat Noir (could possibly will be the surname Nero, as it's Italian)
and Ephemeral (it's interesting to note that the surname Lee in Chinese can mean plum, which of course, is purple)
So naturally, my crack theory circles back to Lukadrien is endgame.
Thank you for coming to my Ted Talk.
{{{{{{Edit as of April 3, 2024.}}}}}
I will NOT be surprised if this girl with black hair in an extremely recognizable style is a disguise of another sister.
Tumblr media Tumblr media
Is Lilamoth collecting blackmail to manipulate them later? She's very obviously walking disguised in areas where there would be lots of cameras (The inside of the Agreste mansion, and the hotel).
(Edit as of April 27, 2024!)
Now we know the synopsis of the London Special, I believe the disguises are to hide Lilamoth's tracks because she knows Maribug's identity. Bonus points if these girls were previous Ladybugs in past time lines that Lilamoth stole the identities of...
[[[Edit: May 4, 2024]]]
Tumblr media
I think I found the names of the previous Ladybugs: Marina, Shone, and Mio. (Please enjoy a silly extremely rough draft of where I'd personally go with the show)
As for the rest of the spray paint on the walls, this mural is an actual feature of the Paris Catacombs:
Tumblr media Tumblr media
And while I think that most of the other tags on the wall are functionally meaningless and just there for ambiance, I do find the 777-777 tag to be of note. 7 Ladybugs till Lilamoth's goal? What's the deal with the arrows and the floating away 3 7's? Are 3 already "gone"??? Fascinating stuff! My mind is reeling!
[Edit for May 6, 2024]
Possibly figured out the source of the lightning in the season 5 finale. For whatever reason it's not showing up in the tags lmfao tungle is a functional website
91 notes · View notes
satsuha · 2 months
Text
Tumblr media
valerio for 60min challenge
91 notes · View notes
crimsonlovebartylus · 1 month
Text
unpopular opinion:
but as a plus-size person, I don't really like, the whole "Lily rejecting James because she thinks hes making fun of her because shes fat" HC. It just feels icky to me - it might be because fat people could be confident and Lily would be someone that is confident, and knows her worth and at the time she did not feel like dating immature James Potter.
It has nothing to do with her weight and I genuinely don't think James would be idk fatphobic?
I just don't understand the need of characters that are fat to always be portrayed as unconfident or that they have to believe everyone around them is making fun of them or that they are hard to "love" because of their weight.... 😃
112 notes · View notes
very-feral-lesbian · 13 days
Text
Tumblr media
looks like tommy is coming back for season 8
97 notes · View notes
ghostlycleric · 7 months
Text
I just can’t get over the cool cool scene in Will’s bedroom oh my god.
The fact that Mike “gets kicked into gear when the people he loves are in danger and usually makes apologies and confessions in the heat of the moment (or hes forced to either by circumstance or friends after refusing to apologize)” Wheeler goes up to Will to apologize and get him back without any danger involved. As far as Mike knows, they’re just about to go on a “roadtrip”, and the danger is far ahead of them.
They had the other heart to heart before this, less centered around eachother, but still sweet and a clear indication of being on good terms. Mike could’ve went with that. He could’ve been satisfied with that. BUT HE WASN’T.
He purposefully goes to Will’s room just before they leave, before any danger arrives, to make sure they’re best friends. To make sure that Will knows Hawkins wasn’t the same without him, and that their friends are great but they’re not him. He apologizes without prompting, after a heart to heart that he totally could’ve considered enough.
Tumblr media
May I also point out that Mike didn’t have to saying anything
BUT HE WANTED TO
Tumblr media
154 notes · View notes