#this has also been my experience with every other art medium but

[cultofthepigeon]

i want to use these new oil sticks but no one online wants to say what a good brush for them is. they all want to be as vague as assholeishly possible like "Well Um Actually It Depends In What You Want to Do" like????? paint. i want to paint. i want to make a nice landscape or portrait or a silly whimsical fuck nothing

i would like to be able to move paint across a canvas and blend my paints together to make new colors and make small details and big brush strokes???? like????

never mind trying to figure out what the difference between solvents and mediums when youre just trying to MIX YOUR PAINTS and eveyone wants to be as obtuse and needlessly whishy washy as possible

The fuck outta here with this

#i just want brushes that wont fall apart after one use and lose a bunch of bristles #using paint thinner to make the paint easier to mix and blend since fuckigb no one online wants to explain sbit or fuck all #layers??????? #fuck if i know! #everyone gives me 5 different answers on what to use on each layer and what you should and should not mix them with so fuck it! #ppp #this has also been my experience with every other art medium but #christ oils has been the worst #is it cause its more expensvive? #is it just a bunch of rich and/or gate keepy assholes who dont want it to be accesaible

[pi-slices]

10 Years, Every Day! - 240405

As of today, it has been exactly 10 years since I started creating and sharing a 3D animated GIF artwork every single day!

I originally began learning 3D and making GIFs after being inspired by many of the digital artists I had started to find on Tumblr back in 2013. When I decided to start making a GIF every day in April 2014, with very little prior art experience, I never could have imagined that I would still be here doing it 10 years later.

I'm incredibly grateful for everyone who has stuck around and supported my work in any way over the last decade. Likewise, I also have to thank everyone I've had the chance to work or collaborate with over the duration of this project! This has been a huge learning experience, and I am very proud of how far things have come.

To the best of my knowledge, I am the first artist to complete 10 years of daily GIFs, but I have to give major props to the other artists that I know of who paved the way and passed this milestone before me in their respective mediums: @songadaymann / @catswilleatyou / @beeple / @graebor / @rawandrendered

With that being said, after a lot of contemplation, I have decided that today will mark the completion of my daily GIF project. I have no plans to stop creating and sharing my art, but after 10 years of pushing to have an animation done every single day, it's time for a change of pace.

There are still so many things I want to learn, and now feels like the right time to give myself the room to explore and give it a try.

Thank you again for the support. I'm excited to see what the future holds.

- pi

#GIF #10 Years #Every Day #Thank you! #Artists on Tumblr #Design #Art #Animation #Abstract #Trippy #Pi-Slices #PiCreations #Everydays #Everyday #Daily #Mograph #Motion Graphics #Loop #Seamless Loop #Seamless #Perfect Loop #C4d #Cinema 4d #Cinema4d #After Effects #Octane

[atalienart]

@ianwaite replied to your post “Does Al also make you paranoid? Look at this...”:

Why do you assume that AI artists are not interested in their cause? What do you think of digital art?

​There are no Al artists, there are Al prompters. If you've ever been interested in something then you must know that the object of your interest is what really counts. You want to know more about it, you want to fully experience it. You want to be a writer, you sit and write, you develop your skills, find new techniques of writing and telling stories through written words. If you don't want to write, you're not a writer. You can tell stories but that doesn't mean you're a writer. You can have ideas but that doesn't make you a writer. If you tell another person or a machine to write you something you're not a writer. If someone else composes words for you, you're not a writer. You are not a carpenter when you tell a machine to make you a table in a rococo style. You're not interested in carpentry, you just want a table and want people to clap saying "wow, what a beautiful table, you're such an amazing carpenter" and then to buy it. This is what they're interested in. Al prompters are interested either in the technical aspects of Al, or the final "product" that can give them money or a pat on the back, or a short lasting pleasure of seeing their wife's head on a supergirl body. Tell me the difference between prompting and image searching? There is none.

What do I think about digital art? It's great and beautiful. Graphic programs artists use are another medium. Graphic programs don't lead your hand, don't magically pop images like Al. You draw lines with a stylus on tablet the same way you draw with a pencil on paper. Every medium has different properties. With oil paints you can do impasto paintings, watercolours react beautifully with water, Clip Studio allows you do draw on layers. There is no dark magic but Al prompters see a sped up, edited screen recording of a digital art proces and they think the drawing magically appears on screen without a physical input of the artist. They don't see work, just pats and some "product". I love digital art because it allowed me to share my art with other people much easier. I admire digital artists who can create amazing art pieces. I hope they won't give up when Al people constantly steal from them.

#q&a

[art]

Creator Spotlight: @velinxi​

Hello! I’m Xiao Tong Kong, better known as “Velinxi.” I’m the creator of the webcomic Countdown to Countdown and have been doing freelance artwork since I was a teenager. I love telling stories with my illustrations! Tumblr was where I first got my start as an artist, specifically a small fandom artist as a hobby… and now I’m somehow here! When I’m not trying my best to stay awake in front of my tablets, I’m usually cooking, gaming, or sleeping. Sometimes all three, in my dreams.

Check out our interview with Velinxi below!

Did you originally have a background in art? If not, how did you start?

Yeah! I’ve basically been on track to become an artist since I was a child. I went to a middle school with an emphasis on arts and a high school specializing in it. I went to SVA briefly for computer arts but dropped out to pursue freelance and webcomics after my first year.

Over the years as an artist, what or who were your biggest inspirations behind your creativity?

My biggest inspirations growing up were Yuumei and Shilin Huang, two titans on DeviantArt back in the day. They still inspire me today, but the list of inspirations has grown exponentially over the years, including artists, movies, entire art movements, etc.

What was your thought process behind the creation of your webcomic, Countdown to Countdown?

Well, Countdown to Countdown started as a passion project back when I was 15, in high school, and pretty depressed. I just wanted to draw whatever story I thought was cool, inspired by my favorite media at the time. There was a very loose beginning and outline, but I was truly just writing as I drew the story. That’s why I had to stop the comic in 2018 and restart from scratch the year after. Now, the story has a set story and a clear outline. It still has similar roots, characters, and themes of neglect, abuse, and escape—but I think the story is a lot easier to follow now. It’s got an artstyle I can actually keep up with in the long run. The origin of why CTC exists also remains the same: I simply wanted to make a story I wanted to read for myself. Which happens to be about two dumb boys with superpowers navigating a hostile world that wants them dead or caged—together.

Have you ever had an art block? If so, how did you overcome it?

Oh, all the time. It’s part of the process. Personally, though—I just have to draw through it. Every month on my Patreon, I have my patrons vote on a theme I have to draw by the end of the month, and I try my best to make it as interesting as possible. I draw quite a few—tens even, of doodles or compositions for each of these themes to try to make something that tells a story while still being aesthetically pleasing and clear. I think pushing myself like this helps with art block, really. I also do remember to take breaks and simply consume other media I like! It gets the inspiration juices flowing.

Advice you would give to an aspiring creator?

If you do one—your first webcomic should be a short, fun, messy thing. It’s not often you can get it right the first time, but you’ll certainly learn a lot through sheer experience. This goes for a lot of things in art, to be honest.

What is a medium that you have always been intrigued by but would never use yourself?

3D Animation. I briefly learned it at SVA, and I think that’s enough of that tech for me. I accept that there are some things that are truly beautiful if done right, and I am too simple and lazy for it.

What is your goal for the rest of this year?

Get Countdown to Countdown book 2 finished! And live HAHA

Who on Tumblr inspires you and why?

@yuumei-art on Tumblr, still! They’ve been a huge inspiration for digital artists and storytellers online for years. I have no doubt that many digital artists of my generation have been influenced by them, and they’re still here, making beautiful art and stories. It’s a thing to behold.

Thanks for stopping by, Velinxi! If you haven’t seen her Meet the Artist piece, be sure to check it out here. You can also follow her for more amazing art over at her Tumblr, @velinxi!

#creator spotlight #artists on tumblr #velinxi #xiao tong kong #countdown to countdown

[wellfine]

HII I love your art so much it's so expressive and it feels like theres so much movement in it! I was wondering if u had any tips or advice to help with that? I practice anatomy and expression so much but it seems like everything I draw on my own is so stiff!! Anyway I hope you have a great week :)) <3

Hi there! Firstly, thank you so much for the kind words, it means a lot that you would take the time to tell me!

Second- my advice is to take everything you've learned about anatomy and THROW IT OUT THE WINDOW!!!!!!!

... For now. Just into the front yard so you can keep an eye on it. But I have seen many artists concentrate chiefly on studying anatomy only to feel like their art ends up too stiff. My own experience has been to treat anatomy as a tool best used to correct an image in the later stages of construction rather than as your driving foundation.

If "correct" anatomy (however you choose to define that) is the priority of your undersketches, I find that you end up with a sort of Skeleton Song approach to drawing - y'know, the knee bone's connected to the thigh bone, etc etc. Whatever energy, emotion, or intent you wanted your drawing to convey is getting lost each time you split it into another anatomical segment. By over-focusing on individual parts, you lose sight of your image as a whole.

The key to conveying dynamic movement in motionless art is to ensure every element of your image agrees on and communicates the same action, the key to which is something called the line of action.

A line of action is simply that - an implied "line" with wich you lead the viewer's eye and communicate movement. Think of it as the core of your figure's action, simplified to its rawest form. By knowing this, you know what to emphasise and what to de-emphasise.

Well, art is a visual medium and I am better explaining with drawings than words or I'd never have picked up a pen in the first place, so:

Images can have multiple lines of action, lines of action can complement and contrast each other, and a line of action isn't always as obvious as something like running. Imagine you're tring to make your art more "aerodynamic" to the eye. Since I draw a lot of One Piece fanart, I assume you're also familiar with it, and you can probably imagine how Oda uses "lines of action" when composing panels of Luffy punching something, Zoro slicing something, Sanji kicking something- etc etc. He's really good at selling the "oomph" of action shots by reducing visual clutter so that the impact of the action is greater.

(The Monster Trio's abilities are all designed in such a way that allow for REALLY striking lines of action... you can tell Oda loves studying manga fight scenes and wanted to create a world where he could push these concepts to the limit, and it's no wonder One Piece caught the eye of animators even before it was serialised by Toei)

You're probably already noticing how line of action also feeds into composition and silhouette when it comes to conveying movement in an image. Basically put, once you've isolated whatever action it is that you want to convey, the more visual clutter you can streamline away from that action, the stronger an impact that will have on the viewer. A firm line of action, an uncomplicated silhouette for your figure, and a readable overall composition of your image/panel are all ways to minimise visual clutter.

You can also use this information to achieve the opposite effect! Sometimes the ideal action you want to convey is not fast, or powerful, or confident, and you can use the same principles.

In fact, you can apply line of action to images that don't have any "action" in them at all. You can make a drawing of someone simply standing there feel more lively by applying these same principles to their body language:

You can develop an eye for how to simplify movement down to its "lines of action" by studying real photos and other people's art. Try simplifying a figure to its silhouette, and then simplify that silhouette further to a stick figure. And honestly, a lot of this could be boiled down to "see your image as a whole and not just a collection of individual pieces". Set anatomy aside during the composition stage and bring it back in when you start building up the sketch.

Moving away from the line of action, my second piece of broad advice is simply to exaggerate more. Lots of artists subconsciously hold themselves back from pushing motion, expression, etc. out of concern that it will look "too much". Well, maybe it will- but you won't know that unless you try! You can always walk it back if you think you took it too far, but I think you'll be surprised by how far you can push your art before you hit that point.

My final piece of advice is to work on line confidence. Even if you follow the rest of this advice, if you have hesitant and scratchy lines, you're undermining the flow and punch of your art. The best way to improve line confidence is simply by practicing! Do a lot of quick, timed studies, and use a permanent medium like a ballpoint pen or marker. Focus on unbroken lines wherever possible even if it makes your studies look like garbo. I find traditional studies are best for improving line confidence, but if you'd really rather stick with digital then just don't let yourself use the eraser tool, and try using a chunky brush with limited pressure sensitivity.

And that's it! Don't stress about it too much though. Loosen up with your art and, like any other skill, you'll improve with practice, time, and analysing what you like about other people's art. Good luck!

#long post #sorry this is so long I just didn't want to hide it behind a cut because I think a lot of people would miss it #I hope this was helpful in some way! I'm always flattered whenever anyone thinks I'd know enough to ask HAHA #if I have the time then I'm always happy to answer questions like this! :) #not that I am an expert by any means but I can at least share what's worked for me

[melatonin-melanin]

menhera as a movement and how it can connect to race

most members of the menhera subculture tend to have one goal in mind, and it's to be able to improve their mental health one way or another. for those unaware, menhera is a mental health movement originating in japan, where the term was originally defined as "someone who seeks mental well being." you can learn more about it here.

a large aspect of the menhera subculture is creating art in order to vent your struggles. this art is expressed most commonly through mediums such as fashion, painting, and music. any topics are acceptable to create vent art from, and often there will be motifs related to the author's trauma. however, over time, menhera has been watered down to containing mainly medical motifs in creations, as opposed to the original intention of being an outlet for a vast majority of issues that people may struggle with. of course, this doesn't mean that people no longer use it to vent; there are still many active members of the community, at least overseas.

you might be thinking, "that's nice to learn about, but what does this have to do with race? isn't this about mental health?"

well, your race can directly impact your mental health in multiple ways. when it comes to race, it's important to keep in mind that it's not just the color of your skin. race, as it is defined in society, is also your hair texture, facial structure, culture, and traditions. race is ultimately a social category, as it is fluctuating throughout history and is solely determined by people in power. think about it: for those growing up in the U.S., did you ever have to fill out forms for mandated tests? do you recall that, as time went on, more and more racial categories were added as options to check off when asked for your race?

with all of these factors taken into account, it's no wonder that race can affect mental health. whether it's from racial discrimination in multiple communities and institutions, cultural-specific struggles, or trying to find one's own place inside and outside of race-based communities, any and all of these issues can be mentally draining and have someone questioning their self-worth. added to all of this, it can be more difficult for someone to receive help for these troubles when they're not surrounded with people who understand. not every person of color is going to understand what a person with a mental illness goes through, and not every person with a mental illness is going to understand what a person of color goes through, either. depending on the people around them, a person of color struggling with mental illness may feel much more hesitant about reaching out to others because of this.

menhera as a movement was created in order for people to express all kinds of feelings without needing any particular label for what they're struggling with. it lets you wear your heart on your sleeve, and embrace aspects of yourself that you have trouble accepting. you can be beautiful, despite everything. you can be beautiful despite having traits that you've felt so insecure about for the longest time, whether it be skin color, hair type, face shape, cultural significances; none of that makes you any lesser, regardless of what you may feel or what others may have told you. my own race has tied into many of my experiences with my self-image, and my struggle with that view is part of why i identify with the menhera subculture. for anyone reading this who feels similarly, this is sort of my way of saying that you aren't alone!

i feel that, although the medical association is most likely here to stay, the majority of the menhera community can also work beyond only acknowledging certain facets of mental illness. this isn't only referring to the acknowledgment of racial issues, but other intersecting traits that affect people's experiences with mental illness. gender, class, physical disability, orientation; all of these undoubtedly influence each individual's views on mental health, and the community should strive to be more open towards all of these different experiences no matter how messy or uncomfortable they get. after all, the purpose of menhera is to tell ourselves that we're pretty, cute, handsome, gorgeous, and all of those kinds of adjectives despite how our troubles make us feel!

#rise and shine #menhera #yamikawaii #yumekawaii #メンヘラ #mental health

[galaxygolfergirl]

Some of my favorite Helsa fan arts I’ve done throughout the years (dates are in the alt text).

I’ve been thinking about this ship recently, especially its place in the fandom, and I have some thoughts (read below)

Ever since I was roped into this franchise 10 years ago, I think I’ve almost always drawn Hans with a beard. Primarily, it was because I felt that if he ever did show up again in Frozen media, he would be more weathered and unpretentious about his appearance since dropping his facade in the first film. Also because I just thought he would look better with more facial hair (it’s a me thing).

As for Elsa, I’ve never been consistent in drawing her, as it was hard for me to read her animated model, what with her huge eyes and baby nose, as normal, so that’s evolved over the years to a happy medium where it still reads as Elsa, but also reads as human with normal face proportions.

As to why I’ve shipped helsa all these years? Hans and Elsa are two sides of the same coin to me, the main difference being that one of them succumbed to their worst intentions and desires, while the other freed themselves and learned to embrace love and peace in their life. Both were isolated during their childhoods, resulting in years of loneliness, misery, and bitterness; both try to appear poised and reserved, hiding their inner self-loathing; both are intelligent and cunning, both have a definite aggressive streak, and both have interesting chemistry in their very few scenes together. Hans seems to be the only one on equal footing with Elsa who can get through to her throughout the film, mainly for his own ambition, of course, but it intrigued me to see even all these years later how compelling their interactions are.

Why would he sympathetically plead, “don’t be the monster they fear you are,” and stop her from killing those two guards? If he was planning on killing her, why would he go to her and ask if she could stop the winter? Why does he look shocked, almost sad when she tells him that she can’t, like he’s regretting having to kill her? It’s moments like these that paint these characters with more nuance than meets the eye.

I’ve always thought after the first movie, there was definitely potential for a more nuanced and interesting story if Hans were to return. Not simply for revenge, but rather an “enemy of my enemy is my friend” situation, where Frohana would have to work with Hans somehow to fend off an invading force or adversary, like the Southern Isles, to stick it to his family. He and Elsa would be adversarial, for sure, but through forced cooperation, they could open up and become more vulnerable with one another. The amount of angst and turmoil over their feelings for one another would be doubly engrossing. The drama would be incredible.

Now listen: I don’t really expect any of that to happen. I got off the Helsa or die party bus years ago and I’m just mainly enjoying it as it’s own non-canon concept. Believe me, I would love it if it did happen, god willing and the creek don’t rise. But really, when you get down to it, these are movies marketed at little girls, and I don’t think it would really go that far. It’s not easy to come back from holding a sword over a girl’s head, as quoted by Santino Fontana himself.

I grew up with this fandom, I started all the way back in middle school 10 years ago, and this has been a definite learning experience for me in separating the extrapolated world of fan-fiction and the reality of a pg animated musical. I’ve grown up and my expectations are different, and now I understand that canon doesn’t mean shit. I beg, do not take any of this seriously. Just because it has the Disney trademark slapped on it does not mean it’s the end all be all of a story. Stories are fluid things that adapt and evolve in each of the hands they pass through. No one interpretation of a story or a character or a relationship has to be “the right one,” and not every character has to sit on a black and white scale of moral dichotomy, there are always shades of gray.

I’m not saying all of this to be deep about a ship between a Disney princess and a Disney villain that I got into when I was 13, believe I know it’s not that deep. I’m saying this because I’ve lived through fandom and set myself up with false expectations, only to be disappointed. Hell, I took a break from helsa for a solid 3 years because of how burnt out I was. It’s far too easy to dissociate from the text and treat fanon as canon; you’re just setting yourself up to be disappointed. Just let it be its own thing! Like I said, canon does not mean shit! Don’t take things so seriously! Feel free to tell your own stories!

Anyways, I still love this ship, or at least the version I came up with in my head, because I am a storyteller, and I saw potential in these two that could be realized through other means. It doesn’t matter to me if it’s canon or not. Just enjoy it as it is.

#helsa #disney #artists on tumblr #important #illustration #fan art #hans x elsa #queen elsa #prince hans #frozen #frozen 2 #frozen 3 #fandom #disney frozen

[jesncin]

please do tell about why woman of tomorrow sucks i love reading your takes they’re always so well written

Sure! And thank you for throwing me this bone because WOOF

(btw it's totally fine for people to like Woman of Tomorrow, and I can even see why! This is just my experience with it that I wish was talked about more)

Quick context: Woman of Tomorrow is about a space farmgirl named Ruthye who seeks revenge on Krem, a guy who killed her dad. Supergirl guides her on this journey so they can learn lessons about grief and revenge.

The biggest flaw of the comic is the narrative prose. Ruthye's dialogue is a rambly, over-indulgent, stylized mix of an attempt at medieval Shakespearian speak, but then in the last few issues the writer remembers she's a farmgirl so he decides she should suddenly say "ain't" more often and speak in double negatives to sound a bit more Southern. I can enjoy wordy comics! But Ruthye's dialogue and narration is blatantly excessive purple prose. So many scenes would hit harder with a less-is-more approach while still being stylized and characteristic. Sometimes the narrations pairs nicely with the art to create layered irony, but most of the time it feels like it's disregarding the comics medium altogether.

The other thing about Ruthye's narration is that it holds the story back. I get that the narration is Ruthye writing from the future, but the way it's done gives us a very passive relationship with the events of the story. We don't get to be with the characters in the action heavy moments because we're reading caption boxes of Future Ruthye rambling about poetry recounting The Battle of Capes. I'm not experiencing grief or dread with the characters, I'm being told about it. All of Ruthye's narrative rants boil down to "Supergirl is really badass, sad and kind. I promise this is deep." and "here's how my farm girl experience is relevant to this". Ruthye also speaks in glowing admiration, idealization and worship of Supergirl; it makes it really hard to get to know Kara in a humanizing way. I'm sure the purple prose hits differently for others, but I personally think the story would have more room to breathe without it.

You know how people like saying "Superman is boring because everything is too easy for him, he's too powerful" yeah that's Woman of Tomorrow. The conflict Kara faces are not challenges to her character, they're inconveniences. The resolutions to each story don't feel clever or earned. Kara just knows where to find the murdered purple aliens, Kara just happens to have a silver age-reference magical horse that can outrun the suffering-ball Krem throws at her, Kara just toughs out 10 hours in the green sun. Why be a smart storyteller when you can just give your heroine the upper hand every single time? There could've been a great bonding moment where Ruthye uses her famer-smarts to build shade for Kara, she could've crafted a salve to protect Kara's skin. But I guess having her guard Kara from dinosaurs is ok. Kara helps of course, even though she's dying because she's so cool, badass, sad, kind, etc.

Kara's internal conflict is that she was hoping that taking Ruthye on this journey would teach the farmgirl a lesson about revenge, but has Kara herself learned to move on? She's still thinking about Krypton after all. The problem with how this is presented is that it's not a flaw that we get to see evolve with the story. We see Kara act mopey, get an origin story flashback and then Kara tells us this- in hopes it'll recontextualize everything you've read before. By the time we make it to the end, the characters act like they've learned so much and I'm just standing here wishing I got to see all this growth they're talking about.

At the heart of it, I feel like Woman of Tomorrow represents the side of Super-fandom that wants to see the Kryptonians deified by the narrative. They hate seeing Kara do silly girly rom-com teenager things, she needs to be SERIOUS and EDGY and SAD and ALONE but like a god would be and not how a young woman would be that way. How else will boys take her seriously? Don't forget to remind the reader that she's STRONGER than her boy scout wholesome cousin! There's potential in a short revenge story about young girls finding hope in seeing a role-model woman survive loss, but not like this.

"You don't think I could've solved all those problems? C'mon I'm Supergirl." I sure love seeing female characters be badass girl-god legends who don't get to be humanized by being unflatteringly flawed people. Anyway the better Supergirl grief+revenge story is "Supergirl: Being Super". I don't think it's perfect because it misses the crucial difference between Kal and Kara among other things- but as a story about a teenage heroine learning how grief shapes her and those around her, it's way better.

Woman of Tomorrow's art is stellar though lmao would get a copy just as an artbook to reference.

#askjesncin #woman of tomorrow #jesncin dc meta #media criticism #there's a whole Ruthye rant where she talks about how superfam stories aren't pointless because they'll meet opponents stronger than them #and then the story proceeds to show supergirl defeating genocide pirates no biggie with help from horse #all she had to do was fight harder

[portraitoftheoddity]

Don't Drink The Paint Water

Ok, the title is a little misleading since a lot of the paint I'm gonna talk about in this post would have been tempera or oil, and not water-based acrylic, so there would be no paint water. But as someone who worked in acrylic and definitely accidentally drank their paint water more than once, the warning is what rings in my mind every time I think of this topic.

Art is great for the soul. Art supplies, however, are not always great for the body.

Humans love smearing ourselves and our stuff with pretty colors made of shit that will kill us. Lead facepaint in Queen Elizabeth's court; Arsenic Green Wallpaper in Victorian parlors; uranium in glassware and wristwatches. And of course, all kinds of heavy metals in paints.

I talked in my post about Caravaggio about how a lot of his balls-to-the-wall batshit insane behavior may have been a result of chronic poisoning from his paints. Many artists through that whole era of history suffered from lead poisoning, to the point that "Painter's Colic" was a term for the intestinal constipation caused by chronic lead poisoning.

Now let's talk about that a little, and the various toxins that some of your favorite historical painters may have had in their systems from the creation and application of their paints...

White Paint: Lead

Lead white has been used as far back at the 4th century B.C.E. by the ancient Egyptians, Greeks, and Romans, and was THE white pigment in western art up through the nineteenth century (and also appeared in works from China and Japan). It's important to note that through much of history, you didn't just go to the store and buy a tube of paint -- you made your own by grinding up pigment and adding it to a medium such as oil. To make lead white paint, artists would grind a block of lead into powder, releasing toxic dust particles into the air. The pigment's popularity largely stemmed from how thick and opaque it was, allowing for dense applications of radiant, warm white.

Lead poisoning resultantly affected a great many artists who worked extensively with lead white paint, with gastrointestinal, neuromuscular, and neurological symptoms. Chronic lead poisoning resulted in abdominal pain, nausea and constipation, as well as neuromuscular issues such as tremor, loss of coordination and numbness. Neurologically, sufferers could experience loss of short-term memory or concentration, depression, fatigue, headaches, stupor, slurred speech, and difficulty with emotional regulation, which may have contributed to the enduring stereotype of artists as erratic tortured geniuses.

Lead white would eventually be replaced by zinc white and titanium white.

Vermilion Paint: Cinnabar (Mercury-Sulfide)

Cinnabar is a form of mercury sulfide (HgS) that can range in color from bright scarlet to brick-red. It is the most common source ore for refining elemental mercury-- and from both its mined form and creation via synthetic alchemy was used to create a range of red 'vermilion' pigments. Cinnabar was used decoratively dating back to antiquity due to its color, appearing in fine craftsmanship and artworks ranging from China to South America, and was the primary source of red pigment in European painting from the Renaissance to the 20th century.

And of course; it came with the fun fun experience of mercury poisoning! While ingesting cinnabar isn't nearly as toxic as other forms of mercury since the chemical composition is less reactive, cutting and grinding cinnabar to create paint pigment would lead to inhalation of particles, and the more it was ground, the brighter the red it would produce. Plus, heating cinnabar would result in the release of highly toxic mercury vapor which would damage the lungs. Long term cinnabar use would lead to renal failure, and likely other symptoms of mercury poisoning such as damage to the brain and nervous system.

Vermilion would eventually be replaced with the less-toxic cadmium red.

Naples Yellow Paint: Lead + Antimony

Here's a two-for-one poisoning deal! Naples yellow -- a saturated, thick yellow that could range from pinkish orange to an almost green lemon-yellow -- is derived from lead antimonate. Inorganic and synthetically created, the pigment itself dates back to ancient Egypt and Mesopotamia, making it one of the oldest synthetic pigments (it was predated by the Egyptians' use of the yellow pigment 'Orpiment' which was made with arsenic, for even more fun!) It was first referred to as Naples Yellow in the 17th century, and became particularly popular in European painting from the mid 1700s to mid 1800s, used by artists such as Délacroix, Jacques-Louis David, and Goya.

In addition to the joys of lead as discussed above, Antimony can cause vomiting, headache, dizziness, and sleeplessness, with effects similar to arsenic poisoning.

While there were a number of holdout artists who continued to use Naples Yellow up to the 20th century, Naples Yellow was largely replaced by Chrome Yellow and Cadmium Yellow by the late 19th century.

--

These are just a few of the more popular culprits in western art history -- and not counting fabric dyes such as Scheele's Green which experienced brief and deadly popularity in the Victorian era (made with Arsenic), or Uranium Yellow pigment used in ceramics and glass, which... I think you can guess where the problem with that lay.

All of which is to say, Art Was Hazardous, and a lot of artists through history quite literally died for the dyes, sacrificing their health, sanity, and years off their lives, knowingly or not, for the colors in their masterworks.

#art history #poisoning cw #paint #pigments #lena rambles #renaissance art #baroque art #Y'all loved the crazy Caravaggio post so here's some deets on what may have made him that way

[taeiris]

if I’ve already sent this ask before I’m so sorry, I’ve got adhd, but how did you find your art? (I’m in my questioning phase)

hihi!!! no problem! i think i have some kind of glitch with asks bc when i go look for them it says i have 3, but when i check it, there isn’t any so im sorry if any of u have ever sent asks and i havent answered them it’s probably bc of that😭

but anyways lets get on it!

finding you art style is not smth simple at ALL. ive been drawing my entire life!!! and ive had a bunch of different styles until now, they kinda used to change every few months or so, i was always happy with them but it never really lasted??? and i always had at least one part of the process of it to dread doing, for example, coloring.

it wasn’t until recently i FINALLLYYY found a style im 100% comfortable in.

it really takes experimenting and finding what elements of creating art you love and enjoy the most. for me, i used to mostly do traditional art, just pencil or ink sketching and i would OCCASIONALLY color them. so i really used to enjoy kinda the messiness of the pencil on trad mediums and stuff? and i never rlly found a way to translate that element to digital art which is the one i enjoy the most now.

brushes are very important! it depends on the look you like. since i like that pencil feel, i use a pencil looking brush! (softy from esbenlash’s procreate brush set) and i also got a paper feel screen protector for my ipad to enhance the experience🔥

i found i mostly enjoyed doing lineart and didnt rlly look forward to coloring, i didnt find my past styles enjoyable bc they kind of felt restricting in that area? since i didnt find a way to make it more abt the lineart and less abt coloring that i liked (ofc theres plenty! i just didnt find one for me)

so tbh i think what mostly influenced the style i enjoy the most now is film, and baroque art!

i had recently seen:

Crimson Peak (2015)

The Shape of Water (2017)

and ofc

Stranger Things DUHHHHH

and i fell in love with the way the lightning was, heavy dark shadows and moody lights, and tried to match my style to it and found that it highlighted all the things i enjoy doing the most while drawing! so thats where i am now

special mention to the one movie im obsessed with currently

The Crow (1994)

also has the similar style

all that + experimenting, studying other’s art i liked and finding elements to integrate to my art, ANDDD music also played a huge part in it. so as you can see for me its about kind of combining aspects of every single piece of media i like 😭

its not gonna be the same for everyone, but its always good to have a guide so i hope this was useful for you and anyone else! im always willing answer any art questions :)

don’t worry too much about speeding up finding your style, it’ll come to you eventually, so focus on enjoying the moment and learning, take mental notes of what you like and don’t like!

sorry this is kinda long as hell… but i like rambling

#perfect opportunity to show off these shots from my fav movies teehee #art truly is all one! #i love getting inspired from multiple medias and combining it into drawing #ari answers asks

[cupids-chamber]

PLEASE READ

LET'S TALK, I've done this rant before but it seems people can't take a hint. Thought I'm grateful to receive attention, I think people need to learn the, ever so shocking truth.. that writers are people?!

Each time I release a fic, which is practically every day, I get my asks filled with requests, which is bothersome already, but it quite upsets me because in my pinned, it says and clearly states that my requests are closed. Not to mention that, you can clearly see that people legitimately don't read my pinned or rules when they send these requests (Yes I can tell, it's not that hard) and or the requests come off demanding, so instead of a request it sounds like an order.

Now you may be thinking, "Cupid, can't you just delete the requests?" To that I answer, yes and I have but you fail to see how this impacts me. I'm actually online, almost always and I do see your asks when you send them, but these sort of requests have deflated me to the point where I legit cant write anymore and or have the energy to talk with anyone. If you were to check my tumblr status, it would always say I'm online right now however, because of this happening frequently, it's ruining my personal tumblr experience and I've been here for about an year and have dealt with quite difficult situations, but it has never made me feel this bad.

Because, this shows how much respect an average fanfic writer lacks, please be kind to your writers and be polite when you requests, where artists are praised for their talent (They deserve all of it, I'm serious my artist friends have hands of God I tell you) and meme's/incorrect quote posts are almost always at the top of the tags with quite little effort compared to writing (I'm using the term compared, specifying this since people always find a way to cause a scene) and praised for being funny. Writer's are quite on the shelf when you think about it.

When requesting an art piece that is free, people make sure to ask rather politely and most of the times, they have something nice to say to the artist, once again they deserve it but compared to a writer who keeps requests open, even if they do commissions. We still lack this sort of respect, were providing free content, but it's much less appreciated then other things.

Let me provide another point, from my most popular deuce fic is a crackfic of Deuce discovering chocolate milk, didn't come from brown cows and my latest one is this a yandere fic with a wordcount of 2k, crackfics which took little to no effort on my part, is much more popular than a fic which I spent serious time and effort on. (Both are x readers)

And if that wasn't enough, let's touch the aspect of reblogs a bit.. (Reblogs are what help get posts on the top of tags and or attention in general) I've seen multiple blogs, which reblogged incorrect quote's and maybe even art (Mostly just twst incorrect quotes), but they don't reblog other works, (I'm not attacking meme blogs, they're funny as hell) but If you like something you should reblog it! (Including art), please I've seen many many good writers, fall down hill just because they don't get that attention, since they're so new! Hell I have side blogs other then my spam, in which I reblog a lot of writers & artists works, sometimes I'll reblog a particular post 5 times!

Since I'm going the rabit hole of everything wrong with how writers are treated compared to other contributors in fandoms.. new writers have to deal with ass, I was a new writer at one point, and I've had many side blogs that I do not share on my main blog, and I do not connect the two together. AND LET ME TELL YOU.. You have not seen disrespect when it comes to requests and asks, unless you are a new writer in huge and medium sized fandoms, small ones give you least amount of attention but they appreciate you since well the fandoms so dry of content!

Also nsfw writers, let's talk about them. (I'm not a Nsfw writer but I'm friends with a lot of them, and no I do not read adult blogs content, I only read their fluff, I respect that mdni sign with all my heart) JUST BECAUSE THEY WRITE NSFW DOESNT MEAN THEY'RE A PEDO, just because A WRITER IS 18 AND LIKES A CHARACTER WHO'S 17 DOES NOT MAKE THEM A PEDO, It's fictional, someone I knew got called a Pedo all over for liking Azul as a 18 year old, and they only wrote fluff for him. And also, just because they write Nsfw is not a valid reason to attack them, now if they wrote shotacon and you know things that generally is wrong then there is a reasonable reason to call them out? But when you attack someone for writing nsfw in general, and or hate of them for that. It's stupid, I've seen so many users genuinely hurt by the hate, and others play it off, but it really shouldn't be played off! Also by doing this, it takes away from the actual impact of the word pedo, it's a sensitive topic don't throw it around. Also on that note, many Nsfw writers are actually asexual! (From blogs I've seen in the past, and people I've met) so.. keep that in mind.

I'm beginning to see how off topic I went in this rant, but it's been eating me alive not talking about it. So let's talk about it.. If your against me in any part of this, and have an actual valid argument please feel free to inbox me about it, I know I may be in the wrong, it's just what I've personally seen and want to say, but I'd be more than happy to correct it, if I'm in the wrong. If I do get hate for mentioning this then I'll ignore you. (Most likely, unless I feel the need to add onto something or provide input/context to your ask)

Happy reading, enjoy your night/day!

EDIT: Just found out quick reblogging exists, what is your excuse now, like I'm genuinely asking. If reblogging hurts your precious aesthetic (I say, as I'm a very aesthetic oriented person.. make a side blog!)

#— important #— announcement

[thekeymonster]

Hi! Hello! Your art is very beautiful and whimsy! I just want to ask you a couple of questions because of it.

What/who are your inspirations behind making your art? Are they other artists, seasons, fond memories?

The lighting you use feels very nice to look at too so I just wonder what kind of references do you like to use?

What medium do you use? Do you have a favorite?

So many questions! Thank you for your interest in my artworks :3 My artwork is influenced mostly by my wonder and experience with the natural world, always has been. Seasons, weather and nature in general will always inspire me to make art or to draw a critter in a scene. When I was a kid I loved books by Jan Brett and Beatrix Potter so you could say they are an artistic inspiration, though I don't attempt to mimic their styles. Generally for references I will use them if the lighting is specific in a piece. I use references for dog noses at various angles a lot because they confound my mind despite drawing a lot them for a living. I just try to get photo refs that are close to a scene pose or angle I'm looking to achieve and go from there. If I'm really stumped on something I will find a photo that is close to what I'm going for and trace the lines many times to teach my hand and brain what is going on. Once I do that I will attempt to draw freehand again and it usually works pretty well. No shame in learning at every step. I only use digital media to make artwork right now because it has the lowest overhead and times are tough. I love digital artwork and mixing media, but my limitations to digital are mostly a necessity right now. I'm very fond of pen and ink, colored pencil, watercolor and gouache, and eventually want to get back into use them for creation. I also dabble sometimes in found art creation or painting on rocks, wood, feathers or leaves.

#answered #inbox

[ducktracy]

what is your most favorite form of animation in your opinion?

OHHHH WHAT A THOUGHT PROVOKING QUESTION!! i love this!

the famous Eliza copout answer would be to go “ALL OF THEM”, and there is genuine truth in that! but i can’t entirely kid myself, i’m such a sucker for traditional hand-drawn animation. part of that comes from a sense of familiarity, but i really, REALLY love how inescapably human it is. there’s a human touch in every pencil stroke or brush stroke on a cel, etc., etc. i’m incredibly big on feeling a connection with the artists that made this possible, the demonstration that yes, this literal feat of magic is possible and here is someone physically doing it right now… not to say other mediums are exempt from this (which is a point i’m about to indulge in shortly), but, at least for me, i just feel the most powerful connection with traditional animation. actually getting to see the pencil lines on paper. seeing where the cel paint has maybe begun to smudge or chip with age or human error. it’s a living archive of human touch. and i love how that is able to translate in the actual product itself—not just talking about looking at relics! (which is another benefit: physical relics!!!)

BUT! i have to say that i am also a HUUUUUUUGE fan of puppetry and stop motion. the day the stigma of puppets being scary dies is the day i will be a free and joyous not-so-man.. and yes! this includes all puppets! like traditional animation, i LOOOOOVE how innately human it feels, maybe even MORESO than traditional animation. you always always always feel the human touch involved. that, and it’s just so CREATIVE! so many cool ways to make art!!! so many wonderful set designs you can have! so many creative PUPPET designs you can have! the challenge of making these characters or sets feel lifelike or, at the very least, convincing to your intent.

it’s a big reason why i love Popeye cartoons as much as i do, since they combine two of my greatest animation loves (traditional animation + physical 3D sets) and it’s truly a magical experience to see them together.

this is also where i take the time to shill Beany and Cecil. WATCH BEANY AND CECIL!!!!!!! more recordings have been recently uncovered and they’re wonderful!! reading Bob Clampett’s interview with Mike Barrier and Milt Gray and how he got emotional talking about his experience working on it made ME emotional! it’s one of the reasons why i love and resonate with his work so much, i definitely share a very similar reverence for stop motion and puppetry. tell me you don’t crack a smile watching this

and the great Frank Tashlin did stop motion of his own!! which, again, is why i love and resonate with HIS work so much too!!

BUT YES!! this is just a blip really—i love so many styles and mediums of animation for different reasons, and look forward to all the ways well be able to incorporate these various styles and techniques together. animation is such a great feat and so beautiful through its versatility; we’d get a lot more done if there were fewer arguments about what the Best way to animate is and, more accurately, how we can adapt and combine and innovate new ways to continuously reach new potential we’ve never seen before

#(with that said i still am all for more 2D films and cartoons HAHA) #prismvision007 #asks

[girlfriendsofthegalaxy]

tuesday again 11/14/2023

twenty-nine, please be kinder than twenty-eight and the tail end of twenty-seven. phil update: unauthorized access

listening

Maisie Peters’ Guy on a Horse (previously featured with song Not Another Rockstar). headbanging indie rock off the spotify recced playlist. i would have liked this song much more in my worst misandrist period from high school-early college but the lines “Got this far and I’m Joan of Arc/And you’re just a guy on a horse” made me laugh. spotify

also off the spotify recced playlist (many bangers on last week’s) The Last Dinner Party’s My Lady of Mercy. all-girl baroque british indie rock, a dizzy quality i like very much in this small dose but would never be in the mood for a full album’s worth. spotify.

OH this feels like it’s probably on every griddlehawk playlist. one day i will read those things

-

reading

fallow week

-

watching

Sirocco (1951, dir. Bernhardt). it was on tubi and i wanted to watch a Bogart noir without hooking up my laptop and finagling The Big Sleep with the good subtitles off the dvd. Sirocco has…hm. aged poorly is an understatement. it is not internally consistent with character motivations (a truly fucking baffling ending) and the leads have zero chemistry. the leading lady didn’t have anything to fucking do to create chemistry. the hottest moment was when she absentmindedly gave him back a cigarette with a lipstick print, and he finishes smoking it with a thousand-yard stare. comparing this in marketing to Casablanca was criminal. stop fucking comparing everything to Casablanca it’s never going to be as good!!!

third most unforgivably, below the brownface and script that was once in the same room as fun dialogue, it could have been a singular half-hour episode of television instead of a feature length film.

-

playing

genuinely cried at the conclusion of the mainline Fontaine quest in g/enshin. this was a beefy fuckin update my god. i think the last act in the five-act quest was like two hours of cutscenes. i know how the fuck are they funding this (gacha) but still. any other company this would be hysterically cost prohibitive.

in other games: Luna Story Picross I, i am having fun but i think my brain has not yet picked up on the internal logic of picross yet. if there was a Good Picross paid app like the Good Sudoku paid app that teaches you sudoku strategy i would get that in a shot. this is a very millennial app, lovely gradients and extra chunky pixel art. very crossstitchable . ik pixel art is already crossstitchable but this lands somewhere between whimsigoth and every astronomy-themed gift on the marketplace and i find that compelling

-

making

horseshoe knife from the Dragon Forging Experience!!! at the ren faire. unrelated half pound block of beeswax for scale. i did not have enough upper body strength and got a blister :( but any excuse to swing a medium-sized hammer with malice aforethought. my initials are somewhat indifferently stamped on the other side bc again, upper body strength, but those don’t need to be on the internet

hung up all the cat wand toys. this is extremely not very hashtag aesthetic but hopefully seeing them every day will remind me to actually play with my fucking cats, bc they were in a horrible pile behind the futon and were a right bitch to detangle every time. we’ll see how this goes. mack has not ripped them all down yet bc she doesn’t want to stretch over the little samsonite train case i yoinked off the side of the road in mass. strongly recommend a big makeup case or train case like this one to hold all the cat bits and bobs like flea treatment and brushes and extra toys and the filters for the water fountain et al.

#tuesday again #tuesday again no problem #some real ringing musical endorsements

[kraaico]

Where/how do you get the ideas to make these super cute art? I love art but I basically copy others and I wanna have my own style.

What a nice question!! I could honestly write a book about this, but for now I'll keep it condensed. (maybe uhhhh a blog post later or smthn) ....Sorry it's long anyway lol

These are my thoughts as an independent illustrator/artist that has the time and freedom to create what I wish, keep that in mind. I can't vouch for what it takes to get through art school or build a portfolio for <specific thing X> cause I don't know shit about that, this is just for creating art that you love making.

✨️Developing a style ✨️

A lot of people talk about 'finding your style', but I'm personally an advocate of developing a style - and most importantly it being a process that never stops. Now I don't know how old/experienced you are, but especially when you are just getting into art (and with 'just' I mean years) it'll change a lot because you will be improving a lot!

Now for me personally, I've been busy ~finding a style~ since I was 10. And up to like 2 years ago (I'm now 28) I was frustrated I just wasn't able to find one. Every half year or so I'd try to get back into art "for real this time", stick to one medium and general style and/or subject, and within a matter of weeks become frustrated and then not draw for a good while. That style-mentality really took a toll on the fun I had in making art, but also stunted my own artistic development. I was restricting myself at a stage where I should be everything BUT. I told myself I wasn't good enough, not cut out to be a professional, wouldn't be able to sell myself if I couldn't stick to one thing, yada yada. Great mentality. I'm now in therapy!

Anyway, what broke me free of that was a promise I made to myself back in 2020. I told myself I would get back into making art, but this time, just do what feels fun *at any given moment*. Let go of the pressure. I didn't post to socials and just shared with my friends, and eventually started posting to my then very humble Twitter following. I liked Twitter, cause there wasn't the pressure that Instagram always gave me of having to have a perfect feed. So I drew digitally, I drew with pencils, did some painting, got oil pastels, tried collage. And those experiments all influenced one or another. That's been key for me. If I feel like I hit a creative wall, I just try another medium or another CSP brush or another app on my tablet. Just experiment with lines and colors and not worry about what ends up there. (it's usually cats) Creating like this kept the fun in it for me and I've created nearly every single day since then, and that too is key to style development: Create A LOT. Don't hyperfocus on one perfect piece when you can also create 4 good-enough pieces in the same time.

Now on the topic of copying: it's a natural thing to do. Just be responsible about it! (don't share on socials if you blatantly copy something. While it's a good method to learn certain techniques, it's something that should stay in your private sketchbook) Also be sure to study from many different places, don't fixate on just a couple of artists! Find what inspires you in real life: be it buildings or nature or animals or people or objects, and try to capture them in different ways: from realistic to just the basic shapes. You'll find out what kind of style and level of detail you're naturally drawn to soon enough. Creating your own visual library in your mind by drawing many different things is ultimately what will allow you to put your ideas to paper in a quick and intuitive way. Having a (cheap!) sketchbook that you don't show anyone but just goof around in and explore everything and anything is a very helpful tool.

✨️ Generating ideas ✨️

I get my ideas from SO many different places. Many of my cat paintings were actually created to deal with a strong emotion or feeling I was having at the time.

Now externally, I get a lot of inspiration from nature and from the place I live in. I used to live in a fairly urbanized area, but it wasn't until I moved to the country side with wide and far views that I saw daily that I started getting interested in drawing landscapes. I didn't draw a lot of cats until they were chilling in my garden everyday. When I lived at home I drew a lot of fish, cause my dad had an aquarium. What you see and observe everyday matters. Taking your camera or phone on a walk in the neighborhood and capturing small details is a great way to gather inspiration, even if the area is a bit boring. I have a Fujifilm X100F that I try to carry to most places I go, cause I can quickly photograph things and I like it better than phone photography.

I also draw a lot of ideas from the media I consume: shows, movies, games, comics, music... Sometimes it just hits that inspiration button and lights a lil flame that'll turn into an idea. I love the magical worlds Studio Ghibli creates for example and the soothing calmness that games like Animal Crossing and Stardew Valley have. Things like that just work their way into my art, often subconsiously.

I also draw what I yearn for: be it a doodle of a comforting hot bowl of soup when I crave it, or a beach scene cause I want to go for a beach walk. It's fun, and lets me daydream a little about things I maybe cannot have in that moment.

Another big thing is worldbuilding and storytelling: I have this fictional world in my mind that I desperately want to get out, and it will, piece by piece.

So yeah. There's many places to grab inspiration from. Writing down what inspired you is useful. Doing it every year or so is too, cause then you'll start to see trends and get a better understanding of what drives you. Cause in the end that's what's most important, I think: Find the things that ignite a flame in you and then let it out in a way that is fun and comforting to you. Don't worry about what other people are making or that you're not making what you 'should' make!

I hope this was somewhat helpful - it was fun to write at least, I have many thoughts about this :')

#art #art process #art education #personal #ask #thoughts #learning artist #learn art #creativity #art style #illustration #infodump #tldr: have fun making what you wanna make #you're spending more time with your art than anyone else #better to make sure you're enjoying it #artists on tumblr #art resources

[gwydion-aacblog]

Hello, I have a question about your fae post. Have you had other “special interests” in your life or has it only ever been one thing? I ask as a low-to-medium needs autistic, while my special interests stay very dear to me, I pick up new ones every so often, and tend to hyperfixate before my mind “moves on.” (can take months.) I was curious how similar or different our experiences are. Have a very nice day ❤️

have some other things over time that guess people would call " special interest " because more intense than " normal " , but still nothing as intense or as forever as fae is .

which is part in why not understand why people use that word so much because feel like everyone have different feeling about what " count " and what " intense " look like … so even in autism places . if say special interest fae , think people see as just really like and not actually understand how deep .

feel that not even begin to describe .

someone did send message say how DSM describe special interest . and . do know this . and still think that dismiss and reduce . not make feel like people understand , make feel like people pinch cheeks and say cute how love so much . but not just love , something even more deep .

also , people can decide anything " too intense " if want . and if hurt , sometimes people would prefer try focus on remove that interest . but even if could do that , might still be something else brain take and cling so hard and only need repeat repeat repeat .

gwydion know prone to hoard fae things , but not mean take away everything fae , that mean try learn how recognise and work with feelings , with love and with need . and feel like in some ways " special interest " gloss over these things because so widespread now , anything that feel more intense or weird than peers is special interest .

not know if feel should be word for this , let alone separate by how intense . not something care think about at moment . just think , would love more focus on how to cope with problems like that . and think can often do that without give particular words . anyone can have some these problems even if would not call " special interest " , and people who do call " special interest " not guarantee have these problems .

( for example : moms who just can not give up old baby clothes or any childhood art years later , because feel like would reject identity as mom or even woman to do that . that is , really , not different from gwydion hold on things that make think about fae , because feel like would reject part of self to do that . )

#special interest