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#woman of tomorrow
dailydccomics · 3 months
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Supergirl: Woman of Tomorrow (2021—2022) cover art by Bilquis Evely and Mat Lopes
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soranatus · 1 year
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The Woman of Tomorrow By Jo Cheol-Hong (Mi-Gyeung)
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rogueartistjyn · 3 months
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Cover for the special edition Hardcover of "Supergirl: Woman of Tomorrow" by Tom King
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Bilquis Evely artist, Mat Lopes on colors.
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buthigor · 3 months
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Supergirl
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(the credits are in the image)
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gritjunkie · 10 months
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Supergirl: Woman of Tomorrow #3, art by Bilquis Evely
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wonder-vixen · 4 months
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Lisa Mancini as Supergirl
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tbcanary · 9 months
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I know there's people everywhere with injustice on their lips And there's this open wound bleeding between my hips And I'd be lying if I told you I wasn't scared I'm scared, I'm scared, I'm scared, I'm scared (x)
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cassandrascayn · 2 years
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Supergirl: Woman of Tomorrow #2
So if you're Supergirl, I got to kill you. Well. Let's see. I'm wearing a big yellow S on my chest. And a very fashionable red skirt. So if I'm not Supergirl... Who the &#%% do you think I am?
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jesncin · 5 days
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please do tell about why woman of tomorrow sucks i love reading your takes they’re always so well written
Sure! And thank you for throwing me this bone because WOOF
(btw it's totally fine for people to like Woman of Tomorrow, and I can even see why! This is just my experience with it that I wish was talked about more)
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Quick context: Woman of Tomorrow is about a space farmgirl named Ruthye who seeks revenge on Krem, a guy who killed her dad. Supergirl guides her on this journey so they can learn lessons about grief and revenge.
The biggest flaw of the comic is the narrative prose. Ruthye's dialogue is a rambly, over-indulgent, stylized mix of an attempt at medieval Shakespearian speak, but then in the last few issues the writer remembers she's a farmgirl so he decides she should suddenly say "ain't" more often and speak in double negatives to sound a bit more Southern. I can enjoy wordy comics! But Ruthye's dialogue and narration is blatantly excessive purple prose. So many scenes would hit harder with a less-is-more approach while still being stylized and characteristic. Sometimes the narrations pairs nicely with the art to create layered irony, but most of the time it feels like it's disregarding the comics medium altogether.
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The other thing about Ruthye's narration is that it holds the story back. I get that the narration is Ruthye writing from the future, but the way it's done gives us a very passive relationship with the events of the story. We don't get to be with the characters in the action heavy moments because we're reading caption boxes of Future Ruthye rambling about poetry recounting The Battle of Capes. I'm not experiencing grief or dread with the characters, I'm being told about it. All of Ruthye's narrative rants boil down to "Supergirl is really badass, sad and kind. I promise this is deep." and "here's how my farm girl experience is relevant to this". Ruthye also speaks in glowing admiration, idealization and worship of Supergirl; it makes it really hard to get to know Kara in a humanizing way. I'm sure the purple prose hits differently for others, but I personally think the story would have more room to breathe without it.
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You know how people like saying "Superman is boring because everything is too easy for him, he's too powerful" yeah that's Woman of Tomorrow. The conflict Kara faces are not challenges to her character, they're inconveniences. The resolutions to each story don't feel clever or earned. Kara just knows where to find the murdered purple aliens, Kara just happens to have a silver age-reference magical horse that can outrun the suffering-ball Krem throws at her, Kara just toughs out 10 hours in the green sun. Why be a smart storyteller when you can just give your heroine the upper hand every single time? There could've been a great bonding moment where Ruthye uses her famer-smarts to build shade for Kara, she could've crafted a salve to protect Kara's skin. But I guess having her guard Kara from dinosaurs is ok. Kara helps of course, even though she's dying because she's so cool, badass, sad, kind, etc.
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Kara's internal conflict is that she was hoping that taking Ruthye on this journey would teach the farmgirl a lesson about revenge, but has Kara herself learned to move on? She's still thinking about Krypton after all. The problem with how this is presented is that it's not a flaw that we get to see evolve with the story. We see Kara act mopey, get an origin story flashback and then Kara tells us this- in hopes it'll recontextualize everything you've read before. By the time we make it to the end, the characters act like they've learned so much and I'm just standing here wishing I got to see all this growth they're talking about.
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At the heart of it, I feel like Woman of Tomorrow represents the side of Super-fandom that wants to see the Kryptonians deified by the narrative. They hate seeing Kara do silly girly rom-com teenager things, she needs to be SERIOUS and EDGY and SAD and ALONE but like a god would be and not how a young woman would be that way. How else will boys take her seriously? Don't forget to remind the reader that she's STRONGER than her boy scout wholesome cousin! There's potential in a short revenge story about young girls finding hope in seeing a role-model woman survive loss, but not like this.
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"You don't think I could've solved all those problems? C'mon I'm Supergirl." I sure love seeing female characters be badass girl-god legends who don't get to be humanized by being unflatteringly flawed people. Anyway the better Supergirl grief+revenge story is "Supergirl: Being Super". I don't think it's perfect because it misses the crucial difference between Kal and Kara among other things- but as a story about a teenage heroine learning how grief shapes her and those around her, it's way better.
Woman of Tomorrow's art is stellar though lmao would get a copy just as an artbook to reference.
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dcuniverse-jamesgunn · 3 months
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drugofchoice76 · 10 months
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dailydccomics · 29 days
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Supergirl by Lee Weeks
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soranatus · 10 months
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The Woman of Tomorrow By Kitti Schmitti
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rogueartistjyn · 3 months
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"Edgy Girl with a Sword Trope". I just saw an Insta commenter use that to described Tom King's Supergirl Woman of Tomorrow.
Edgy Girl with a Sword.
Trope.
LMAO.
My dude, that is not a trope.
That is an entire genre.
A beautiful Queer genre.
Let's hope that's the movie poster teaser tagline.
"EDGY GIRL WITH A SWORD"
ALL the queer kids will show up.
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preciousdemonbrat · 10 months
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Supergirl: woman of tomorrow
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qvvir · 1 year
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favorite fit
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