Halloween prompts no. 19
Danny is flung into a new dimension by Skulker and they continue to fight above a strange city. Danny makes sure to end it quickly after that in case he attracts the attention of yet another person or group of people who want to hurt him for whatever reason..
He flies into a nearby building only to discover a freaky mad scientists lab and finds a clone of someone named "Robin". The clone was appearently a baby that they were planning on brainwashing and raising in a cult like setting to kill the "Bats"
"Jee, is the rodent problem that bad?!" Either way he decides to kidnap the baby and destroy everything in a blaze of glory. No child soldiers on his watch. No siree! He then portals his way home.
What he did not count on was him immediately running into his parents in his ghost form with a very alive baby in his arms. They stared eachother down in uncharacteristic silence, one afraid that they would hurt the baby with thier reckless firing and the others staring slack jawed cause why does he have a baby?!
The whole of Amity Park is also asking this question. Many assume its his, despite his age because teenages parents do exist, plus phantom kept calling it "his" baby so...
Others are worried that he might have just taken a baby from a dangerous environment and decided to keep it not realizing how much work a baby is. (Spot on) Both theories raise questions about how ghosts view families and how they reproduce. Upon asking Phantom he turned bright green, made a witty one liner and bolted.
Frostbite calls Danny in to give a check up to both him and the baby and uses this time to get a DNA sample from the child, and with a bit of ghostly magic he tracks down the parents and contacts them by straight up ringing thier doorbell. He and Alfred get along immediately.
Eventually Frosty tricks Phantom into coming back to Gotham and reveals the babies paternity in front of the batfam and the bird in question (whichever one) is freaking out a bit, "I'm too young to be a father!" style and Dannys like, "Cool. Cause I have no intention of sharing! Byeeee!" Before vanishing. Frostbite wants a nap.
Cue batfam following Phantom back to his dimension via Frostbite only to discover various people in Amity Park have also grouped together armed with ghost hunting gear to capture Phantom and get the baby away from him. Yeah, they know the kid has good intentions but hes only 14 and its not good for him or the baby. So they're effectively acting like undead CPS.
About time.
Anyway, Danny realizes he can't revert to his living form because his ecto signature would still ping on the equipment as Phantom and thats not something he wants to explain right now. Or possibly ever. With that being said he refuses to abandon his child. Hes only had them for two weeks and they're already his whole world.
Sam keeps telling him this was stupid and even Tuckers concerned. "How will you take care of a baby, dude? You can't even balance your hero life with you real life" Okay, fair. Jazz then started talking to him about talking to the babys father to at least get some help raising them and Danny finally agreed. For the baby's sake.
Bruce is so relieved when he finally gets to see his grandchild safe and sound.
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so lately i’ve been obsessed with a 141 dancer au
gaz runs classes, has a youtube channel and quickly becomes one of the most sought after choreographers in the music video scene. soap is his dance partner for his classes, he helps run them and does demonstrations with him
ghost is also a choreographer and he’s gaz’s Arch Nemesis
he's famous for never performing his routines, never doing public appearances without his skull mask and being highly exclusive with who he allows to perform his choreo which earns him his name (since he’s a ghost creator). gaz however is a social media darling, his classes and videos regularly doing huge numbers
they both popped up around the same time and are neck and neck in terms of popularity and skill and they immediately rub each other the wrong way
gaz accuses ghost of not actually choreographing his routines himself bc no one has ever seen him dance and ghost thinks gaz is a clout chaser who's just in it for the fame instead of passion
he became a dancer as a way to channel his rage after years of being an underground fighter, the discipline and physicality helping him more than fights ever did. he hates the thought of someone just using it just to get famous when it literally saved his life
deep down they know their accusations are wrong and they have a grudging appreciation for the other's talent but they'd both rather die than admit it
price is a famous dancer turned director they both work with frequently and they always fight over him; trying to get their routines picked for his music videos. he's also the only one in the industry who's ever seen the ghost perform (before he got famous and before the Incident™)
he finally gets fed up with them constantly being at each other's throats and hires them both to work together and choreograph a joint routine. they're both famous in their own right but this video is for a huge artist so neither of them can refuse no matter how much they hate the other
gaz has a gymnastics background but also a ballet background which lends him to a more fluid style whereas ghost’s style is stronger, more masculine with sharper movements so they naturally end up butting heads
then there's soap who has a completely different style altogether, focusing on a more modern, breakdancer style which makes him see everything completely differently
but it also adds to his self-doubt bc he didn't have a formal dance education, he built his entire repertoire by himself. people see him as inferior to gaz who has that very formal, highly disciplined style. his insecurities about only ever being seen as gaz's demonstration partner and that he can only do gaz’s routines so all his skill is just an extension of him instead of being seen as a dancer in his own right forces him to adopt a rigid - destructive - perfectionism in himself and his body
soap meets ghost before the first rehearsal. he gets to the studio early to practice when sees this beautiful man dancing
he has no idea who he is but he moves so seamlessly, almost better than gaz, and he immediately falls a little in love. the man catches him watching in the mirror and he flusters, getting worse as the man just smirks at him and flawlessly completes the routine
soap tries to save face and asks him to teach him the routine he's doing
the man agrees, introducing himself as simon. the style of the routine is familiar to soap but he can't focus on it when simon's hands are on his waist, guiding him through the steps; his chest pressed up against his back. they work together beautifully, picking up each other's body language and dancing together easier and better than they've ever danced with anyone
then gaz arrives and the vibe in the studio immediately changes
simon's easy confidence becomes hostility, pulling up the skull gaiter he'd let hang around his neck as he practically pushes soap behind him to square up to gaz
soap’s shocked when gaz hits back with the same energy until he realises it's the same way he acts whenever he talks about ghost and his stomach drops
he steps out from behind ghost to side with gaz and the betrayal in simon's eyes hurts more than anything he's ever felt
from there it's romeo and juliet; camp gaz versus camp ghost as they fight over every step of the choreo and soap is the poor bastard stuck in the middle
soap tries to channel that “you’re my best friend’s rival, i have to hate you,” mindset but he can’t forget the way it felt to dance with simon
and how much he wants to do it again
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"There's a bond that exists between mother and child --
Ah, but then again...how would you know?"
~"After All" from Ever After (musical)
x~x~x~x
Tristan Cromwell never knew his mother. She’d died bringing him into the world. Even so, he’d heard all about her from his father, Blaise, from the time he was very small. An objective witness of the young woman’s life, however, could’ve noted a few discrepancies.
“That’s Marianne. That’s your mother.”
“That’s your mother there, on the right. She was the youngest in her family, same as you and me.”
Marianne Fudge-Cromwell was actually the second youngest. Her youngest brother Frederick is a Squib, living alone happily in Suffolk with a Saint Bernard named George.
“…I was sure to mention to your great-uncle Cornelius how much you've grown -- how much you resemble your mother…”
If one were to simply describe Tristan and Marianne, then they would think they looked very alike. They both had dark hair, slender builds, delicate features, and long-fingered hands. If Marianne’s uncle Cornelius Fudge had ever actually met Tristan, however, he wouldn’t have thought they resembled each other much at all — his youngest niece had never been as gaunt and pale as her son. However thin she may have been, Marianne had always had youthful chubbiness in her face, and however porcelain her skin may have been, her cheeks were always pink and sweet. She was also quite small at 5'6", while Tristan was tall and gangling. As an adult the boy even ended up an inch taller than his own father. On top of all this, the stiff, proud way Tristan held himself mirrored his father Blaise completely. Marianne had always been the sort to keep her shoulders and head down and generally make herself seem even smaller than she was.
“You’ll be staying inside where it’s safe. Now take your workbook and go sit in your mother’s armchair. She loved reading by that window; I daresay you will as well.”
Marianne placed her reading chair in that spot because the window neighbored her real favorite place at Cromwell Manor: the garden. Blaise had encouraged her to read indoors more while she was pregnant out of concern for her health, so this was the best way she could keep an eye on her white rose bushes while staying indoors.
“Of course your mother loved music. She had a beautiful singing voice…like a songbird in May. And she was proud of it — she would only ever share it with the most deserving. And she only ever sang duets with me.”
Marianne was so deathly shy that she only sang for people she felt comfortable with. The first time Blaise heard her sing, it was because he’d overheard her when she thought she was alone, tending to some flowers. On the flip side, Marianne was incredibly fond of Blaise’s voice, when they were first courting — she even in some letters rambled romantically about his heavenly Tenor serenades.
“You have no other ‘grandfather,’ son. Your mother’s parents passed when she was quite little — even younger than you.”
This is one of the few things Blaise told Tristan that is entirely true. Marianne and her sisters were largely passed around to various family members, including their uncle Cornelius and his wife, when they were not away at Hogwarts. Poor Frederick was shunted to the side, left mainly in the custody of their grandparents when outside of Muggle grade school and then kind of cut loose after graduating. Perhaps this is why Marianne was so desperate for some sort of stability and comfort…
“Your mother’s sisters grew…distant, after your mother’s death. They stopped coming to see you, not long after you were born. Quite frankly, I’d say you’re better off without them in your life.”
Emma and Elizabeth Fudge had never liked Blaise, even when their sister Marianne was most charmed by him. This was in part due to the age and therefore maturity difference between them and Marianne -- Elizabeth had been seven when Marianne was born, and Emma had already started at Hogwarts by the time their brother Frederick was born a year later. They stopped coming to see Tristan because it required them to make arrangements with Blaise ahead of time to come to the Cromwell Manor. And considering Blaise thought the two women would be a bad influence on his son, since they would inevitably try to “challenge his parenting,” he gave them almost no openings to come and visit. Eventually the two witches sadly gave up trying.
“There would be no point in me marrying again. Marianne was my other half and soulmate, and her final gift to me was you, my son and heir. I would not disgrace her memory by marrying a second time.”
Marianne married Blaise after just turning 18, while he was 37. Blaise had not married sooner because he’d been too picky about potential matches, so he'd only started actively searching after his father Charles finally put his foot down and demanded that Blaise marry and produce an heir. Blaise selected Marianne in large part because of her innocence, which made him want to “protect” her from the evils of the world and treat her like his own precious treasure to cherish and keep under lock and key. At first Marianne was enthralled by this, loving the idea of a wealthy man who would provide for her, care for her, and be completely loyal and devoted to her. Plus his dashing good looks was a plus. These favorable points of Blaise's soured in Marianne’s mind, though, after she became pregnant with Tristan right after her and Blaise's honeymoon.
"Your mother was in very poor health long before she gave birth to you. She stayed alive just long enough to make sure she saw your face, even if it was just the once."
Disregarding the usual childhood illnesses of Black Cat Flu and the like, Marianne's health had been fine prior to moving to the Cromwell estate. The decline really seemed to come about after her move and the suffocating isolation that ensued from it. She began to eat less, even while having to eat for two, and she often ate superficially, leaning more on salty, sugary things that could offer her some small bit of cheer, far more than anything that would give her any real strength. Over time the stress of dealing with Blaise's obsessive control and flashes of rage took its toll as well. Marianne's high blood pressure, when combined with her young age, was ultimately what helped contribute to the excessive bleeding that accompanied Tristan's birth and led to Marianne's death. However much Blaise may have seen how unhappy and unwell his wife was and however much he may have truly wanted to help, the only way he'd ever learned how to love someone else was through micromanagement and possessiveness. And so the more he tried to love Marianne, the more he only served to hurt her.
"Your mother was an angel long before she left us."
"I will not hear you complain a moment longer. I never complained, when my father told me to stay at home, and your mother likewise minded me. She knew her duty to me and to this family, and so do you."
“Your mother was a saint, Tristan. Don’t you dare let anyone ever insinuate otherwise.”
Oh, far from it. Marianne was a rather stupid and immature person, quite truthfully. She'd never had great marks at Hogwarts, not just because of her distinctly average magical talent, but because of her flightiness about studying and her tendency to tune out in class when her stuffy old professors didn't maintain her interest. She'd had little intellectual curiosity aside from superficial homely matters, such as maintaining a garden or embroidery. Her favorite aspect of Hogwarts weren't the spells or classes or group activities, but instead the way everything was cooked and cleaned for her, so she could focus on other (and, to her view, more important) things. She'd been rather lonely growing up, since her sisters had been so much older than her, so she never became versed in making friends or reading people overall. She was even a bit eccentric, giving all of her flowers names and talking to them the way many people would their pets. She'd named the Fanged Geranium in the Hufflepuff commonroom Audrey.
Most of all, though, Marianne was naive. She never could've predicted just how many strings would be attached to Blaise's love, nor how quickly they would tangle around her and leave her feeling helpless, isolated, and depressed in this place that should've been a home, but now felt more like a prison. She'd made excuses for Blaise to her family while they were courting with the thought that any of his rougher edges would smooth themselves out once they were married, but soon it became clear they never would. If she'd lived longer, it's not improbable that Marianne might've turned to the bottle or some other method of escaping her worries. Had she not been so trapped inside the Cromwell estate, perhaps she might've tried having an affair while her husband was out, just as something to cheer her up. Maybe that affair could've led her to another man who would've "rescued" her from this marriage she'd so hastily agreed to. Maybe she could've taken her son with her. Maybe she wouldn't have -- after all, Blaise and the rest of the Cromwells wouldn't have rested until they'd gotten him back. She didn't know how good of a mother she'd even be anyway -- maybe her son would be better off at least being provided for. Or maybe he'd be better off with some other family, living a normal, happy life somewhere else -- with one of her sisters, hell, maybe even her brother! Frederick had always been a natural with younger children. Honestly, it's doubtful Marianne had ever thought that far ahead, considering she'd given up any real hope of finding anything better.
Perhaps this is why Marianne didn't stay behind as a ghost, even after dying so young and tragically. If she hadn't gone on when she did, she would've been stuck haunting the prison that was Cromwell Manor for the remainder of her days. At least if she had to go...when she finally saw her son again, it would be in freedom.
"Fafa...did Mama love me too?" "Yes, my son. With all her heart, son."
The other rare thing Blaise told Tristan that was completely true.
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