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creatingblackcharacters · 16 days

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“Why’s she so rude?” (She’s Not)- Stereotypes, pt2

So I'm sure that you all thought I was going to give a blow-by-blow list of "visual stereotypes to avoid". I'm going to be honest here, I thought about it, and figured it would be redundant. My page already includes sensitivity on depicting Black people. So instead, I'm going to focus on stereotypical "character" concepts, so that you can 1) not write it in your stories and/or 2) recognize it in media (fiction and reality!) and in life!

Two major resources: the Jim Crow Museum website is an EXCELLENT resource to understand the imagery of antiblack racism in U.S. history and society. The other, White Tears, Brown Scars by Ruby Hamad. The book focuses on the many racist stereotypes projected onto women of color and how that purposeful, systemic negative perception of us bleeds into every aspect of our lives- specifically by white women/white feminists who believe that they are not contributing to said oppression.

I'll start with Black women, just because I’m passionate about it (obviously) and there are so many things I wish I had and hadn’t seen growing up. We deserve better by the year of our lord 2024.

TRIGGER WARNINGS: mention of sexual assault, assault

Misogynoir

What I want everyone to understand, before I get into this, is the concept of intersectionality, and more specifically, misogynoir. Misogynoir is the specific type of contempt and prejudice that Black women face at the intersection of race and gender. I say this because you might read these things and go “oh, as a woman, I experience these things!” I get it, but I want you to PAUSE, and remember, that right now, we are talking about Black women’s experiences. And those will often be different, due to that intersection of identities. And that understanding will have an effect on how you understand (and thus, write) those experiences.

The Jezebel

The link goes into much deeper detail, but the Jezebel is the idea that a Black woman or girl who is sexual is somehow “fast”, “salacious”, “a hoe”, “driven by desire/doesn’t understand purity”, and at its worst, unable to be r*ped/a victim because she is less valuable yet somehow inherently seductive to men.

This gets thrown around CONSTANTLY in media and life for Black women (my first experience of treated like I was ‘fast’ was when I was like… twelve?) One major, visible example is Megan Thee Stallion. Meg has a college degree, she likes anime, she’s a brilliant rapper, and has an entire personality and struggles she’s shared… But she also likes to dress scantily clad and have sex. By doing those things, she ‘lessened in value’. And because of this, when she was shot at and assaulted, even Black people questioned her character, rather than understanding that she could have been anyone, and she still wouldn’t have deserved to be assaulted. She's not allowed to be multi-faceted; she "brought it on herself".

Black girls and women who happen to take charge of their own sexuality, to the discomfort of society, are treated as Jezebels- as whores. Think about it- if one of Taylor Swift's recent boyfriends shot at her, would the media question her value or her word? Question her equivalently high ‘body count’?

Question how you write your Black woman- she can enjoy sex! She can be sexy! We love to see it! But if you're punishing her specifically, or judging her within the narrative, versus your other characters who are allowed to safely explore and act upon their sexuality… Check your judgment! Why do you feel the way you do about this character? Why do you think that your Black character is the one that should be judged for her actions. Would you feel this way if it were a nonblack character?

The Sapphire/Angry Black Woman

Ohohoho, I have infinite amounts of feelings about this one.

This is the "sassy Black friend", the "aggressive Black boss", “step on me angry mommy”, the one who does the z formation and makes everyone "uncomfortable". She’s not allowed to be confident, assertive, or self-assured- she’s arrogant, rude, and aggressive.

I discussed it in part one, but I'll reemphasize it: your Black woman doesn't have to be an ‘Angry Black Woman’ in order to be angry! Just like any other human being on the planet, we are allowed to be mad. (In my honest opinion, we have a lot to be mad about, but I digress 😅)

If the only character that ever gets angry is your Black character, I want you to consider why. What is she angry at? Was this something you wanted the reader to understand or empathize with? Are we supposed to disagree? How does everyone around her treat her anger? Is her anger righteous? Is she always shut down or dismissed for it? Is it only meant to defend her friends, but never herself? Does the narrative suggest that it’s only good in use of others and not herself? Would this be the same reaction if one of the nonblack characters was angry? Is this something you did on purpose?

Very often, we're called 'angry Black women/girls' to invalidate our emotions. My therapist once said anger is a protective emotion. We might be hurt, overstimulated, sad, depressed, frightened, anxious… But we are often not allowed the grace of others digging deeper to see that. Even if the other characters do not understand her anger, even if her motives are not meant to be understood at the moment… you as the writer should be aware. But if every time it’s time to show anger or upset, it’s your Black character… consider why this is the one you thought would best convey that message, and how your Black readers might feel seeing that this character (who may not even be the ‘bad guy’) is the one that is ‘only’ angry. No other development, no other emotions, just… there to be mad.

I take this one to heart, as someone who feels very passionately about things… this is one of those things where I wish, in life and in media, people would have more grace for Black women. We're human, too. We have feelings, too.

The Mammy

This one isn’t as visually blatant anymore in media as it was in the past (like every Mammy doesnt look like Aunt Jemima), but you may have seen this one as "the mommy figure". The "lesbian that parents the silly gay boys". The one that’s always encouraging the ship of the white boys, but never the one allowed to be in the ship (especially when her ship is canon!)

A good example of this was how people expected Jessica Drew from ATSV to be "more loving" to Gwen, rather than the mentor and boss she was (plus, as a Black woman with a Black mother�� trust and believe, she was quite direct and gentle). And in comparison to her counterpart, white man Peter B. Parker, was decried far worse for similar detrimental actions.

The Mammy often serves in opposition to the Jezebel and Sapphire/Angry Black Woman. What makes the Mammy particularly annoying is that it implies that the only good Black woman character is a ‘nice’, demure, unthreatening, homely, motherly figure whose job it is to make sure to center the (usually) white ones. The Mammy is expected to coddle everyone, to her own detriment. She's a ‘good Black’ because she causes no issue, raises no fuss, never shows a negative feeling, knows that she has to ‘be strong’ but to always defer because the white characters know best. She’s ‘not a threat’, and that’s why she’s ‘allowed’ to be around. We shouldn’t have to be those things in order for our stories to be heard and understood, in order to be empathized with or treated like someone of value.

The Strong Black Woman

If I never hear this phrase again in my life, if we eradicate it from future generations for Black girls and women, I'll cry of joy lmao. I hate it, and it's not for the reasons most nonblack people would expect. Lord, this one. Anyway. The ‘strong Black woman’ is meant to protect everyone, no help needed! Whenever something is wrong and we all need a pickup, here she comes to ‘let me do it’ and everything is going to be okay! She did all the necessary suffering so that your characters don't have to! She can sweep in and save the day!

Now here's the dissonance kicks in. This one on its surface probably sounds like a good thing. She's a hero! She’s resilient! She's great! Who wouldn't want to be superwoman? Who wouldn't want to reject being a love interest, all women are always love interests! Let us be the badass that kicks ass and shows the men what for! Who wouldn’t want that, 24/7?!

The answer: US. 👍🏾🤣

This is a long, separate conversation on its own, but we have to understand that Black women (women of color, really) and White women do not always share the same end goals and understanding of "strong woman character" or even feminism. We certainly aren't always the love interest. Very usually not, in fact. We are always pushed to the side. We are already the hero in our lives, we're already the "strong woman".

Not everyone yearns to be the Singular Hero who will Fix It All as many of us are already expected to do. It's exhausting having to swallow your own needs for everyone else all the time, especially when it's suggested that you have no value otherwise if you don't. Heroism is Exhausting, and it's something worth looking into when you’re characterizing your Black girls and women. I’m not saying that we can’t be strong! We are, and it’s impressive! But I also want us to add some nuance to that strength, the way we would for any other character. What it means to have community, rather than to do it all alone. How even if she wants to be the hero (and that’s okay! That’s fine!) how it would still wear on her. Surrounding your Black girl character with unconditional support, to have a lover that actually wants to pull some weight- that's something many of us actually would like to see, because we're usually shafted to the side as 'someone who can do it all herself' (in order to hide that no one thinks we need or are deserving of the help).

It's okay to let your Black woman and girls show weakness, to rest, to be taken care of! It's not "less feminist" to accept that we're humans that need help and can't carry it all, too. That it’s okay to want to feel valued and protected. Because god knows, I wish I didn’t grow up strong and resilient, I wish I grew up knowing that the world cared that I was safe.

Standards of Beauty

These standards are not the same! I've mentioned it before in my lesson on skin tones, but very often when we think of "beauty", it’s easy to fall into the idea of whiteness. Pale skin, thin hair textures, etc. If those are our existing standards of beauty, then it doesn’t matter what any of us look like- we’re ugly! When I was in high school, I remember a classmate saying that Swedish people were the most beautiful people because of "white hair and pale skin". Without even meaning to, that guy basically said everyone darker than a stack of loose leaf printer paper was ugly by proxy of not being Nordic White (no matter how pretty they actually might be!!) 🤣

It’s also of note that whiteness/paleness tends to be connected with innocence and cleanliness in western culture, while blackness/darkness tends to be considered dirty, sinful, fearful. Now, while the origin of this idea may not be racist itself, when you spend hundreds of years implying that Blackness is bad- to the point that, in the U.S. they came up with an entire slur one step past “negro” (meaning ‘Black’) to deem you less than- it’s hard to say that the societal connotation didn’t apply.

Now we've already discussed working on describing our Black characters better! I continually remind you all that you should be describing them as wonderfully made as you do your white characters. Keep in mind that we live in a world where from day one when we enter the world, Blackness and Black features are not seen as beautiful nor emphasized. Whiteness is the standard of beauty that we, for a long time and still, are expected to adhere to. If you'd like to do better by your characters, remember that you don't have to give them "white features" or use "white" as an adjective to do that!

Black Women as Women

“There was literally nothing, not a thing, that a white woman could ever have that was worth more than her sexual virtue, and this obligated mandatory chasteness and sexual vulnerability… If the most important thing a woman has is virtue, and only white women can have virtue, then by definition, only white women can be women.” Ruby Hamad, ‘Only White Women Can Be Damsels’, White Tears, Brown Scars

Often, Black women by definition are not included under the societal banner of “women”, from our features, to our personalities, to our 'role' in life. "True Womanhood" is denied us, cis and trans, because of our Blackness. The things that make women ‘women’, we are not included under, because systemically, the only ‘women’ that were meant to mean anything were white.

I bring up Megan Thee Stallion again. Meg is probably one of the most beautiful, feminine women I've ever seen in my life. Men still call her a man, due to her height, due to her confidence, and due to their insecurities. Same with Serena Williams; Serena is damn near built like a god in my eyes. She was told she was manly from the beginning of her career, no matter how beyond skilled she was in women's tennis. Even when she damn near died giving birth- the most basic of 'tasks' women are seen as having in this society, it didn't matter. Black women are 'less womanly', 'less valuable', 'less in need' of that protection and identity that society swears Women™ need (and not in the honest way that we do need protection).

Consider that you're making sure that your Black women have the options of range of gender expression and emotions (and if they aren't allowed to, is that on purpose). If you're only ever creating us and we're in service of some dainty white woman and never the other way around... consider how that may reflect what you think our role is in your story, and in your mind.

Adultification

“Awkward moment when Rue is some black girl and not the innocent blond girl you imagine.” twitter: sw4q

It has been shown that Black girls the same age as their white girl counterparts are deemed older and less in need of protection, and supposed to 'be more mature'. Imagine that. Deemed inherently less innocent, due to your skin color. Having to parent our siblings, get jobs to contribute, do all the cleaning, and more. Yet, when we act with the maturity that we've been forced to grow into, we're "fast". A little 12-year-old girl, now to society, the Jezebel. All because she wanted to try pink lip gloss or wear a skirt; things that little tween girls might try to understand the big world around them and push boundaries. Now she's a woman, now she can never be a victim. Now she can be beat on and hurt and it's her fault.

I explain this for two reasons: One, for you to think about how your write your Black girls, and Two, for you to hold more grace for Black girls- real and fake. Do you hold her to a higher standard than your white characters of similar age? Does she inherently seem less innocent to you for reasons outside the plot? Is she as human to you as your other characters? Is she allowed to be a child? To act like one? To make mistakes? Are you as empathetic or understanding about that childishness as you are towards nonblack characters? Do you make these decisions on purpose?

It's not like Black girls can never be YA protags or anything- ofc we can. But keep in mind that she's not somehow automatically "stronger" by proxy of her Blackness, that she'd "be tougher". She's a kid. Let her be one.

Conclusion

There’s a LOT you have to consider when writing Black girls and women. I’m not going to sit here and say it’s easy, because being Black, and being a Black woman, is not easy. If you’re stressed reading it, imagine being stressed living it lmao. It’s a constant chain of quick-time events every day of your life to prevent nonblack nuclear meltdown in response to your every single action. I’m not going to apologize for it, either.

That being said, I don’t expect you to understand everything, especially not all at once. I just want you all to keep these things in mind, to question yourself when you’re writing your character- are you treating her differently on purpose? Or are you treating her differently because of a bias you might not even notice you have? It might help to go back, to read how you treat all of your characters. Or, if you’ve never written before, to maybe outline the traits of your characters and figure out where things balance out. As always, all you can do is practice at it. Because it's the thought that counts, but the action that delivers.

Whew, I'm actually emotionally strained after this one. My chest is beating fast. Let me go get some groceries now.

#creatingblackcharacters #character design #black characters #black character design #writing #creative writing #stereotypes #antiblackness #racism

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im-totally-not-an-alien-2 · 5 months

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"Please stop asking how I got in here," the white haired kid said, annoyance laced in his voice, "All I want to know is if any of you can do detective work in the supernatural world!"

Constantine just barely opened his mouth before the kid turned on him, "Not you! You have terrible reviews!"

Bruce tensed as Lazarus green eyes locked on him, "How about you? You're the worlds greatest detective, right? I know you probably won't take gold as payment since Bruce Wayne is your sugar daddy, but I can offer up information on the Infinite Realms instead!"

Batman, calm and collected even as Green Arrow and Flash snickered from across the room, "Infinite Realms?"

Phantom grinned, "Is that an agreement? Cause Prince Psaro could really use your help. He has so many questions, and the answers may save his life. You want to save the life of a teenage boy surrounded by demons and monsters, don't you?"

Bruce stared at the teen, not looking away even with Constantine motioning not to agree, Bruce nodded.

And in a moment, they were gone. They reappeared in a grand hall with a ruby eyed teenager looking impossibly small from his place on the massive throne. Silver hair shined oddly in the light of the purples flames that danced in the sconces, making the boy seem more ethereal.

"Hey Psaro!" The white haired kid from before greeted, "I brought you a detective like you asked. Don't forget you have to teach me magic now!" The first teen vanished without a trace leaving Batman and what he now recognized as an angsty goth alone together.

As it turns out Psaro had many questions and offered to pay him a generous amount in gold each day.

Some of his questions include:

What kingdom was my human mother a princess of?

Why can't I remember key information from my childhood, such as my brothers very existence?

I was framed for the murder of all of the "Chosen Heros" loved ones. How do I prove im innocent before he comes to take off my head?

Why do Rose's tears shatter?

Is there a way to stop his younger brother from destroying the world without caging him or killing him?

Ect.

Bruce has his work cut out for him, but between the mysterious white haired kid popping in now and then to give him cryptic conversations, the team on litteral monsters he was given to defend himself with, and his access to royal libraries and vaults this might not be so bad

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starlost97 · 4 months

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— obsession.

summary: Max always have been obsessed with you, and he thought that his love couldn't possibly grow bigger. That was until you surprised him with an "I love my boyfriend" shirt.

keywords: fluff, Max Verstappen is obsessed with reader (worryingly so), f!reader.

characters: Max Verstappen.

warnings: none, just fluff.

a/n: lewis is going to ferrari. no one talk to me. (I had fun writing this one)

word count: 287.

requested?: yes! by a friend.

There are some things that are considered by society as common knowledge. Some examples are the amount of months in a year, where the Eiffel Tower is and how hopelessly and proudly obsessed Max Verstappen is over you, his girlfriend.

He could spend weeks talking about every little thing about you that made his heartbeat go faster, and still, it wouldn’t be enough time.

In school, he had a hard time comprehending infinity, but he learned it with you. He learned with you how there isn’t enough time in life for him to give you all the love he has for you, not only because it was too much, but also because it infinitely grew more each and every day.

How could you teach him so much?

It came to a point where people — and Max — thought that he physically couldn’t love you any more.

Well, people were wrong. Completely wrong.

When Max saw the surprise that you had made him, he felt like his connection with you were blessed by some God of love. Like you two were officially tied together till the end of times.

And it was just a silly little “I love my boyfriend” shirt.

He would feel stupid if he wasn’t so in love. Drunk with everything that there was to know about you.

It didn’t matter anymore. He would buy the ring later. He just couldn’t wait.

As he got down on one knee, one could say that his surprise was bigger than yours. But they were mistaken.

You surprised him with his own obsession over you, of which he had never doubted.

Maybe that was why Max didn’t have a choice but to be a devotee to you.

#f1 #fluff #formula 1 #formula one #f1 x reader #formula one x reader #max verstappen x you #max verstappen x reader #max verstappen #max verstappen fluff #max verstappen x female reader

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literaila · 3 months

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keeping secrets

gojo satoru x fem!reader

summary: you and satoru avoid each other

warnings: actual fighting, sad everyone, hurt/little comfort (sorry)

last part | next part

year four.

"did megumi give you a permission slip?" you ask satoru, leaning against the side of the couch, peeking at his phone. "it's for a field trip, but i haven't seen it. he says he set it on the counter."

satoru glances at you. then back, and shakes his head.

"he didn't give you anything to sign?"

"not recently."

you sigh. "i don't think he lost it."

satoru's lip quirks. "you think i'm hiding it?"

"i don't know. did you accidentally eat it?"

his eyes roll. "i have better taste than that."

"well, can you help me look for it?"

satoru sighs, head hanging back for a moment, then he throws his phone down, groaning as he stands up. after he stretches, he half-heartedly moves a pillow, pretending to look under it.

you snort.

but satoru doesn't look back at you, and moves to the table, to look at the stack of papers there.

and, admittedly, things have been a bit off.

you tried to ignore it at first--ignore the way satoru avoided your eyes, or kept himself five feet away from you at all times. you tried to pretend that it wasn't happening. that he wasn't giving you short responses, or only joking with you in dire moments (like when something you say goes over both of the kid's heads and they stare at you weirdly).

honestly, you hadn't even noticed anything was wrong until you'd realized that it'd been a week since he fell asleep with you. since he even bothered to come out of his room after putting the kids to bed. a week since he tried to squeeze you to death, or grossly kissed your cheek.

and... it shouldn't be weird.

no rule says that he has to spend a specific amount of time with you, or cuddle in your bed, or smile at you, or... do anything that your best friend probably shouldnt do.

but it's weird.

it's strange because your relationship with satoru has stayed relatively consistent, an upward slope for the past six years. you've grown closer, but never farther.

and, in the depths of your mind, usually when you're lying awake at night, you recognize that there's one single moment when it switched. that everything changed a specific morning, and you haven't been able to rewind it. to take it all back.

and you could just blame the alcohol for your confession, you probably should.

but then you'd also have to blame your sixteen-year-old self, the girl who'd been attracted to satoru in the first place. the eighteen-year-old who agreed to tie her life to his and take in the kids, or you now, still cursing yourself for falling in love with him.

it's not like satoru made you.

if intoxication is to blame, so is your heart, your soul, for starting all of this in the first place.

you'd decided to not blame anything at all, in the end. everything's fine.

"find anything?" you ask him, a bit cold in the room, feeling that same tension that's been there. those unspoken words, infinite amounts of distance.

you try to ignore it, really.

"just the receipt for tsumiki's violin."

"tsumiki's what?" you ask, blinking at him.

"i didn't tell you about that?"

"satoru, you can't just buy them things on a whim--"

he holds a hand up, stopping you. "she said it was for school," he says, giving you a quick grin. "plus, she's pretty good."

"there's no way she's good."

"you'll see," he says, "when we go to her recital."

"what?"

satoru shrugs, then he turns around, organizing the piles of papers into neat stacks. it almost makes you want to check him for a spider bite, a fever, remnants of poison. no way your satoru is doing that.

not that he's yours. he hasn't been yours in years, hasn't been your anything ever.

"oh, here," he says, eventually, handing you a paper which he already signed--of course--and shaking his head. "museums," he grumbles.

but he doesn't give you the chance to respond, turning to walk down the hall--towards his room--before you can even chide him for forgetting about it.

so, yeah. things are fine.

"where's gojo?" megumi asks, as the two of you walk through the door.

the house is empty without satoru there. colder, dimmer. and, of course, there's no one to irritate the boy right when he walks in.

you try not to wince at the question, or spiral into your own question of 'where's gojo?'

"uh," you lock the door, then unlock it. then lock it again. "he's on another job."

"again?"

you give megumi a bland smile, taking his backpack from him. "guess they think he needs more practice," you say, trying to tease.

it falls flat.

"did he get in trouble?"

"i don't know," you shrug. "probably."

honestly, it's not like you would know anyway. satoru doesn't tell you anything these days.

it's probably what bothers you the most, because if he's not saying anything, then neither can you. you can't ask him what he thinks about tsumiki's new friend, or if megumi should be eating more, or if you're just making everything up, probably going insane--

"when's he going to be back?"

"he said probably tomorrow. maybe the day after if it takes longer. i can't remember where they sent him..."

megumi looks mischievous. his eyes are bright. "so we can make those miso brownies? since he's gone?"

you laugh, ruffling his hair. "sure, when tsumiki gets home."

he nods, satisfied, and turns around. then he looks back at you, eyes trailing over your expression.

megumi looks at you quizzically, like he knows something you don't. "do you miss him?"

you roll your eyes. "do you miss him, megumi?"

he doesn't even think about it. "true," he says, then walks into the kitchen, grabbing something from the fridge.

maybe you miss him, you think, but only a little bit. it's not like he's been gone long.

just, you know, forever.

"hey," you lean against the desk in the office. satoru must be filling out a report, which should make you blink twice, but really it's him being out in the open that surprises you.

most days he goes to hide in his room. he locks his door and makes sure that you wouldn't dare to walk through. that you have no means to interrupt his solitude.

"oh, hey," satoru answers, not bothering to look up at you. his voice is low, familiar, and creates goosebumps on your skin.

seriously, why is it so cold in this house?

"i'm surprised those haven't gone missing yet," you gesture toward the papers, trying to be casual.

he snorts. "yaga said that if i lost them again, i was fired."

"he said that two years ago."

satoru nods, still scribbling. you want more than anything to just see his eyes for a moment, for him to look at you and grin like you're used to.

but you know he won't, so you tap your fingers against the desk. "do you have a second?"

"sure. what's up? megumi do something?"

"no, the kids are fine, i, um--" you pause. it feels ridiculous to have to ask him this, to not know the answer. it feels ridiculous to be nervous around satoru. you haven't felt anxious, or worried about asking him anything since you were sixteen and realized that it didn't matter. "shoko texted me about that work 'meeting' that's happening on friday. do you want to go to that? i just need to know so i can tell her..."

"meeting?"

your smile is teasing, not that he's looking. "i think she meant party."

"on friday?"

"yeah. she said that the booze is free, and i think nanami's going, so i thought..." you hint, not even sure what you mean.

i thought we could talk. i thought we could go together and maybe everything would go back to normal. i thought that we were friends, if anything, and that you cared about me--

satoru hums. "what about the kids?"

"tsumiki has a birthday party that night, and megumi likes the sitter from last time," you wince at your accidental mention of that night. "or he can come, i guess, but he'd probably hate it."

satoru snorts, nodding in agreement. you watch his hands freeze, then resume.

he's thinking the same things you are, you know. he's thinking about how stupid you are, how ridiculous it is to imagine him being in love with you, caring about who you are or how you feel.

you just know it.

"so..." you whisper, after a second. "do you want to go?"

you feel like you're standing on uneven ground. how can this be the only real conversation you've had with satoru this week?

how can you miss him this much when he's literally right there?

"i don't--" satoru makes a face, finally looking toward you. he sets down the pen. "i don't think so. but you can go and i can stay here with megumi," he suggests easily like he's not rejecting you. "we can have a guy's night."

"megumi hates guy's nights."

satoru has a cheeky grin on, but it's half-hearted. barely there.

like a glimpse of him in a peephole, a moment where he's not hiding completely from you.

he doesn't say anything, though. he doesn't even bother to come up with a better excuse.

it's clear as day that he just doesn't want to hang out with you, even in a crowd of people.

"that's okay," you hum, eventually, trying to keep your voice steady. "i don't really--"

"no, you should go. you haven't seen nanami in a while. you can have a night out," he says genuinely, but it sounds more like i need a break from you.

"yeah," you try to laugh. "i--um, okay. if you're sure."

he nods, looking away again. he hasn't touched you in weeks. your skin is almost molding, going completely stale. "i'm sure. we'll order dinner, so you don't have to worry about the brat complaining."

"okay."

"okay," satoru answers, but it doesn't mean anything.

and it's not okay.

the two of them walk through the door, and megumi looks... pleasant. he's got the makings of a smile on his face, a little jump in his step.

it's one of the only times you've seen him look like the ten-year-old he is, instead of someone who's concerned about economic collapse.

it makes you smile a bit, even if just the sight of satoru sends pangs down your chest.

"hey," you say, hand on his head as he lingers by you, eyes meeting yours in greeting. you look to satoru, who's pretending to wipe away a smudge on his glasses. "where were you guys?"

"we were--"

"gojo took me to that old hospital by my school," megumi says, "there were cursed spirits hanging outside. he let me and my divine dogs deal with them," he says this almost excitedly--as excited as megumi gets--and you can see it in his eyes. that little twinkle of pride.

your eyes widen, but you smile, trying to be genuine. it's difficult because you've been lying for weeks. "really?" you ask, trying not to look over at satoru accusingly. "how'd it go?"

"good," megumi, moves to the sink, washing his hands. "they're getting better at scenting them out. it didn't take long."

"that's great."

"megumi didn't need any of my help," satoru adds, giving you a short glance. "he's got good intuition."

megumi looks at satoru with a glare in his eyes, but you can tell that he appreciates the compliment.

you can tell that he's completely fine with this, that the two of them are going to act like it's normal, but you can't.

you try to ignore it when megumi looks between you and satoru, a slight furrow in his brows. he knows something wrong, you know. but you're not going to admit that.

you swallow. "do you have any homework you need to finish, megs?"

"uh..." he pauses. "i think so. reading?"

you smile, hand on his back as you lead him out of the room. "okay, how about you go work on that? i need to talk to satoru real quick."

he nods immediately, looking eager to leave--both the room and the tension.

as soon as he's gone, you turn to satoru, narrowed eyes as you observe him. he's already smiling because he knows that he's in trouble. because he knows that you're angry.

because, even if he hasn't actually spoken to you in weeks, satoru has always read you so well. he's always known what you're going to say before you say it.

but you can't care about it. it doesn't mean anything to him.

“you can’t do that,” you say, almost whispering. “not without asking me.”

“i knew you’d say no.”

you laugh, looking away from him. “exactly.”

“he’s fine,” satoru reassures. he shrugs, because why should he care about your concern? “he did good, and there’s not a scratch on him. i’m sorry for not telling you but—“

“no buts, satoru. you can’t take megumi out on missions like he’s a student. he’s not. and you definitely can’t do it without even telling me," there's a burning in your chest. your head is clouded over with anger.

just looking at him--at his ridiculous smile and stupid perfect face--makes you clench your fists.

how can he stand there and act like you're a team?

“it’s not a big deal. i was there the whole time—and he didn’t need me.”

“i don’t care!”

satoru rolls his eyes, his arms crossed. “i think you’re overreacting.”

“i’m not," you say, trying to get him to look at you--actually look--but he won't. it makes your chest hurt even more. "you’re not telling me things—fine, whatever, keep whatever secrets you want, gojo. don't bother talking to me. but you can’t keep secrets from me about the kids.”

“secrets? i’m not—“

you shake your head, hands in the air, trying to clear all of it away. you want the past month to go away, the past six years. “megumi’s just a kid. he’s ten. he can’t be going on missions, not until he’s ready.”

“i think i’ve already proved how ready he is.”

“well, maybe i'm not ready. he’s a kid.”

“yeah,” satoru says, obviously. he scoffs. “yeah, he’s a kid. but he’s also a jujutsu sorcerer. you can’t separate the two.”

his voice is all-knowing and his stance is firm. you know that you won't convince him otherwise--know that he's right, to some degree, but this isn't about megumi.

this isn't about cursed spirits or jujutsu.

“yes, you can," you say, clenching your jaw. "he doesn’t need to be seeing that shit right now. not until he decides he wants to. practice his technique with him all you want, but you can’t just take him to exorcise a curse with you.”

“like i said, he’s fine.”

“it’s not about that! it’s about you doing something reckless—again—and acting like there aren’t any consequences to your decisions. he’s my son,” you hiss, “he shouldn’t be going anywhere i don’t know about. you shouldn’t be making decisions about him behind my back.”

you shouldn't be pushing me away, you shouldn't be ruining this--

“so you want to lock him up here?" satoru asks, laughing at you. his teeth are sharp and he is still. "you want to take away his ability to defend himself?”

you scoff. “are you kidding? you think me saying i don’t want you to get him killed is equal to me—“

“he was fine. if anything—anything—had been there that megumi couldn’t handle, i would’ve taken care of it. i wasn't going to let anyone touch him. that’s why i was there! and he didn’t even need me," he's boasting, swearing to you--you can feel it as he rolls his eyes at you.

“you know what he needs, satoru? he needs you to treat him like he’s a little boy and not some experiment for you to play with.”

“i would never—“

you cut him off, “bringing him out into the open, where anyone could see him, could hurt him, and making him deal with your cursed spirit is not okay.”

“i didn’t make him deal with anything," satoru swears, chin up.

you snort. the two of you are standing in front of each other, arms crossed, head guarded. your muscles are tense like something is about to attack you. “oh, so he asked you to go?”

“well, no, but—“

“then you made him! you put him up against a monster and treated him like a student, like a 16-year-old, and not your son.”

the words feel nice to say. some version of the truth that's much better than whatever this version is. if satoru won't talk to you, you'll talk for him.

you'll make every assumption, every bad perception (because he's supposed to keep you from worrying, he's supposed to be there to calm you down, to save you from that spiraling). but if he's not going to try, neither will you.

satoru’s eyes grow hard. “what?”

“why can’t you just let him be a kid? why do you have to push him into these things—“

“we talked with megumi about who he is,” satoru grinds, “he knows about the privilege of his strength, and the fact that he has to work to use it—“

“a ten-year-old shouldn’t have to work for anything!”

he laughs at you. you can't see his eyes, but you watch his face as he tries to hide his expression, trying to keep his voice low. the kids are still in the house, so you shouldn't be yelling. but you can't bring it in yourself to really care.

“what do you think the point of him living here was? why do you think we took him in?”

you gape at him. “are you kidding?” you ask. “are you serious? we took him, and tsumiki, in because you’re responsible for killing their father! because they didn’t have anyone else, and that’s your fault.”

“you think i don’t know that?”

“well, i thought you did," you say, stepping away from him. some part of you wants to push him out, make him leave. the other part desperately wants him to stay--to say he's sorry. "but you just said that the only reason megumi is here is so you can teach him! when i agreed to this i thought you were facing the consequences of your actions, doing the right thing for those kids because you could. i thought you wanted to take care of them! to keep them away from our awful, messed up world.”

satoru is staring at you with his jaw clenched.

you continue, without consideration for the consequences of your words. “i didn’t think that you only wanted to keep megumi here so you could train him, like a dog.”

“that’s not what i said.”

you shake your head, a bitter smile on your face. “well it’s what you meant, and clearly you have no regard for his feelings or the way that curses might affect him—“

“don’t act like i did it just to mess with him," he interrupts, harshly. "it’s not a joke. i want him to be strong, i want him to be able to take care of himself—“

“and i want him to have a dad who isn’t so selfish!”

“what?”

“did you even think about it? what about the nightmares he’s going to have?" you wonder, rhetorically. "what about the fact that he’s different—that he’s already struggling to relate to other kids in school? what about him, satoru? why is it only about you?”

what about me? you don't say.

“i didn’t bring him for me—“

“you want a replacement. you want someone else to deal with everything, while you sit back and watch. i know what you’re trying to do—“

“really?" he points at you, the other hand clenched in the air. he's laughing again. "you can read my mind? you’ve already been let in on my plans—“

“don’t you wish that you’d had the opportunity to be just a kid?” you demand. “don’t you want that for megumi?”

he shrugs. “sure. but it’s never going to happen.”

“well, clearly, because you won’t let it.”

“he gets to be a kid every day. god forbid i take him to see one curse, to understand how to use his powers, to protect himself, and you treat me like i wanted to kill him.”

you laugh. your mind is a minefield, and everything he says ruins another part of it.

all you can think about is him, him as a teenager, him with you, telling satoru you love him and him having nothing left to say--

but you scoff again, shoving yourself further away from him. “do you know how many times i’ve wanted to go back to when i was ten and just got to live my life? do you know how often i think about how everything could’ve been different?”

“this isn’t about us."

“yes, it is. it is, satoru, because i didn’t get that chance and neither did you. and you just took away megumi’s chance.”

“i didn’t take anything away," he says, softly, like he's trying to convince himself.

clearly, you've struck a nerve.

“he’s never going to be able to look at the world normally, but he doesn’t need the burden of saving people before he’s even in middle school.”

“why is being strong so bad?” satoru asks you, demanding something more. why am i so bad? “why do you treat it like it’s a curse? like it’s going to hurt him?”

“look at you!” you respond. “look at suguru, and me, and shoko! look at any jujutsu sorcerer and ask them if being strong is worth it—is worth screwing your life over.”

satoru looks taken aback. he steps away from you.

“god, it’s like you think that we’re a different species," you tell him, never having felt like it's more true. "you’re human, satoru. you might be the strongest, but you’re still human, and you still have nightmares like all of the rest of us.”

he shakes his head at you.

“why do you want that for megumi? why push him into this right now?”

“i want him to be able to take care of himself. so that he doesn’t die like our colleagues, so that he doesn’t make the wrong choice like—“

he stops, his voice breaking before he can continue.

and maybe you know what this is really about, but if satoru doesn’t want to tell you how he feels, if he wants to pretend like it doesn’t matter—

fine. you will too.

“it wouldn’t make a difference. he’s already—his life is already messed up.”

satoru looks at you, his eyes ablaze. “don’t you think that if i was him, if i could’ve been stronger, if i could’ve saved all of those people—don’t you think i would do it in an instant? don’t you think i know that because i wasn’t strong enough, people died?”

this is the thing you've feared since you were eighteen, a brand new person responsible for two little lives. you've feared satoru's moral commitment since before you met him. since you saw him destroy a curse in an instant and realized he was different than everyone else.

“megumi isn’t you! he doesn’t need to be taught to take on the responsibility of everyone’s lives—“

“you can’t say that i’m selfish, that i don’t care, and then say that i care too much,” he says, shaking his head, unable to look at you.

he hasn't been able to look you in the eye in weeks.

“you’re both!" you say, almost yelling. "you’re everything. and you don’t think! you haven’t thought for a moment about what megumi might be feeling, who he might want to be—“

“and you have? what about what you want him to be?”

“i want him to be happy! i want him to grow up better than i ever did. i don’t want him chasing a bunch of cursed spirits around on the weekend like it’s a normal thing—“

“it is normal. for us, it’s normal. for him, it’s normal.”

you sigh, a weight on your chest, a burning in your throat. “well, maybe it shouldn’t be.”

you're not going to start crying now. not with satoru watching, not when he gets to know just how much you care.

satoru scoffs. “so you’d just have everyone defend themselves--"

"i don't know how you're arrogant enough to believe that you can save everyone--"

"--you’d just forget that we’re strong for a reason, that we--“

“but you’re never going to be strong enough, satoru. never.”

satoru stares at you. he doesn’t say a thing, doesn’t hesitate, and doesn’t bother to argue.

and after a moment he turns around. you reach your hand out to grab him--hold onto him and keep him here, because this isn't finished, and you're not done with him. you haven't even started.

but you run into a wall. you look down and your hand is dangling idly in front of his arm, stuck in the air.

you can't see satoru's eyes, but you can feel his heart--your heart--as it skips a beat in realization.

but then satoru shakes you off, pushes you infinitely farther away from infinity, and keeps going.

he walks out the door, slamming it shut.

you stand there for a moment, watching. you wait for the door to open again, for satoru to come back, for him to laugh--tell you that everything's fine, that it'll all be fine. that it's okay if you're angry, that he doesn't care.

but after a minute, he doesn't return.

and after another, you have to lean against the counter. your hand burns--but maybe that's just your imagination. you're pretty sure that infinity has no drawbacks, that there's no consequence for touching, for not touching satoru.

pretty sure.

but you still look over your skin, trying to see if he's left some mark. it would be nice to have some evidence of what he's done to you. you clench your fist, but the feeling doesn't go away.

and maybe it's not your hand. maybe it's your chest. maybe it's these weeks of feeling separated, feeling miles apart from him, feeling like it's all your fault that any of this has happened.

you... you can't even remember what you were arguing about.

you feel like a kid again, hiding yourself in your room just so your parents don't have to deal with you. you feel like that little girl who hid in the cupboards, trying to escape the monsters that no one else could see. you feel like that smaller, reckless version of yourself that left home at the first chance, who knew she wasn't allowed back.

are you allowed here? you wonder. is it going to happen again? are these monsters--real and fake--too much for your family to handle again?

you exhale, trying to catch your breath again. none of this feels right, normal, easy.

should you--should you call him? should you wait for him to come back?

is he going to come back?

the slam of the door is still echoing throughout the house when they creep down the hallway, making sure their footsteps are soft, but also loud enough for you to hear.

maybe you've only been standing there, waiting for satoru to turn around, for thirty seconds.

but it feels like an hour.

"mom?" a tiny voice asks, and both of them are turning around the corner, taking hesitant steps towards you.

you have to swallow. you need some water, an icepack maybe, to get rid of the burning feeling in your throat. the telltale signs that you're going to cry--that you've suffered blows to the core, and you can't backtrack now.

but you don't want to cry in front of them. you refuse to. if you didn't want to cry in front of satoru, you won't cry in front of the kids.

so you turn around, swallow again, and fill a glass of water.

you chug it down, wanting it to wash away that feeling, that ache.

you can't say anything just yet because then you'll actually fall apart.

megumi and tsumiki watch you, both of them silent as they wait for your direction. for some solution you should have.

you take a deep breath, then turn, almost faltering when you see the worried look on both of their faces, the concern in their eyes. neither of them should have to worry about this.

god, how could you forget that they were there? that they could hear everything?

how could you make another mistake?

"hey, guys," you say, clearing your throat. you want to be nonchalant, and casual, but you've never been either a day in your life.

"where did gojo go?"

"i, um," you take another sip of water, because that feeling crawls up your throat, makes itself known again. "i think he went on a walk."

"is he okay?" tsumiki asks.

"are you okay?" megumi follows.

"yeah, he's fine. he's good. i--he just needed some space, you know? um... a break."

"from us?"

your eyes widen. "no, no, no. of course not, never you guys. he's... just been busy this week. working a lot. and, i, well, he's good. we're good."

megumi leans on the counter next to you, looking at you very closely. "are you okay?" he repeats.

"i'm good, megs. it's..." you smile. "it's fine. um, did satoru get you anything to eat while you were out? i'm not sure what we've got, but i can make something if you--"

"when is he going to be back?"

you stop, sighing. you shouldn't have taught either of them how to read emotions, or how to eavesdrop. you shouldn't be speaking to anyone, or trusted with anything.

"i'm not sure, buddy. he'll be back when he's ready."

"is he going to stay out all night?" tsumiki asks, worried.

"no, i'm sure--" you stop again. "gojo will be back in time for bed, okay?"

they're both staring at you, waiting for you to say something profound, something to make it actually okay.

but you have nothing. is satoru going to come back? is he going to stay somewhere else? you know he'll exhaust himself just to avoid coming home--

this is why you shouldn't have moved in--

this is why you never should've agreed to this, allowed himself to burrow a hole in your heart, in your soul--

"hey," megumi takes a step towards you. and then, before you can blink the tears out of your eyes, reassure him that it's fine, his arms are around your waist.

he nuzzles his face into your side, squeezing tighter than you thought a little boy could.

theres only a second of this before tsumiki's on your other side, and squeezing just as hard.

your hands fall on both of their backs, and you take a breath that feels more like never breathing again. your lungs won't fill, and your chest is incomplete

but they stand there with you, and eventually, your heart begins to match theirs, and their little hands keep you together.

you can't cry, but you really want to.

satoru's entire body feels different.

he knows what it's lacking, the changes he's made in a short period of time--giving himself no time to acclimate, no pause where he slowly adapts to the differences.

he misses you.

it's been like this before--when suguru left and satoru couldn't bear to look at himself in the mirror, nonetheless you in the eyes--but it's never felt so severe.

because you're right there. you've been there every day, waking him up, making the kids breakfast, laughing when megumi bullies him, smiling at tsumiki's attempts at mediating.

you're there in the morning, in the afternoon, and every night. you're right there for him--and he can't say a word.

he doesn't want this, this thing to be real.

denial is his favorite emotion, and recently, he can't even muster the strength to go through with it.

and now, he feels even more hopeless, lacking, never ever enough.

but he walks through the door because he has nowhere else to go. he has no other home--besides the three of you.

it's dark outside when he comes back, and the door is unlocked, so he knows that you've been waiting. that you had to deal with the aftermath of shouted voices and scared children who he felt lurking behind a wall before he got the chance to think about any of it.

he needs to talk to you. satoru knows that, he really does. but he's not sure what to say.

he could apologize for tonight--could tell you that he won't make any more decisions, that he won't wreck this thing you've built--but it's not enough.

he should probably apologize for the last seven years. for letting himself grow attached to you, and then continue to hold you at arms length. he should probably apologize for being himself, for being less than he could be.

but those words feel too rotten to say aloud.

so, when he walks up to your door, waiting to feel your obvious presence--to see it, like he always does, the wall of cursed energy that you are--he feels like running away again.

you don't even need to know that he's home. satoru could go to bed, and he could probably pretend that nothing happened in the morning and you would follow along.

but he doesn't want to do that. not to you.

and he needs to see you, needs to say something before he figures it all out--should he leave, or stay? should he continue to push you away to protect you? should he tell you all of it?

it doesn't matter, he knows, because he probably won't be able to do any of it.

and for the first time in years, satoru makes sure to knock before he opens your door. just a small repetition of his knuckles, but he might as well be breaking down a tradition.

there's no answer, but he's not waiting, so he creaks the door open, looking for you immediately.

and he sees you, lying in bed.

and he sees your shoulders shaking slightly, with you curled up in the fetal position, and he can hear the sniffle before the door is all the way open.

there's no choice, he knows. he's not going to let you cry yourself to sleep without saying anything. he's not going to leave you alone.

you don't turn around, but satoru knows that you must know he's there. he walks across the floor, sitting at the edge of your bed, waiting for you to turn to him.

and yell, maybe. tell him to leave again. tell him that you don't want to look at him anymore.

but you don't move. your shaking is slightly stifled, and satoru can tell that you're trying to keep your breathing low, to keep him from noticing you cry.

it's foolish, really, because satoru hasn't missed a single detail about you since he was seventeen.

he doesn't say anything, but it's a natural reflex to tap your legs, to stand and slip off his shoes, gently pushing you off of the edge of the bed, towards the middle.

and then he's laying there, curling his limbs around yours, arms wrapping around your waist, pulling you into him.

immediately, there's a release somewhere inside of him. that yearning--that ridiculous need is finally satiated.

satoru swallows. he needs to say something, he knows, but he's not sure what. should he apologize right now? should he tell you that he hates it when you cry--that he never feels more desperate to be more than in moments like this?

should he whisper that he loves you, just to get it off his chest?

but you cough, body shuttering as you relax into him, never pushing him away. and your voice is so small when you say, "you can't leave."

satoru feels the pieces of him crack into even more.

he tries to hold you tighter, but you move in his hold, turning so that you're facing him, and you nuzzle your face into his neck--trying to hide, but making sure that he's there.

your hands cling onto him, leaving marks.

he can feel your tears against his skin, your entire body on overdrive.

"you can't leave," you repeat, voice breaking. satoru feels it against the very outline of his soul.

"okay," he says, quickly. "i won't."

"i can't lose you too."

he pales, body going still. his heart might stop for a moment. "you won't. i'm not going anywhere." he sighs. "i'm sorry."

"i can't--" you're still crying, and you begin to shake again. "i can't do this without you. i won't."

"you don't have to."

"you can't leave, satoru," you say, leaning up to meet his eyes--yours glistening with years full of hurt, a lifetime of secrets and unsaid words. "please don't leave."

"i won't," he repeats, feeling a bit desperate. what can he say to prove to you that he's not like everyone else? that he would trap you within his atoms, if he could? that he would stay in this bed, holding you, even if it meant nothing, forever?

there's nothing, he knows. nothing but the truth. but that doesn't come out--it can't, now. it's not the right time.

so instead, satoru wipes the tears from your face, even though they're replaced immediately, your breath coming in short, short bursts. he wraps his arm around your back, pulling you back to him again.

"i'm sorry," you whisper against his skin, so quietly that he can barely hear it.

"i'm not going anywhere," he answers.

and, just for tonight, it's enough.

he'll fix the rest of it tomorrow.

next part | series masterlist

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keiscorner · 12 days

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thinking about... boyfriend!haikyuu things

haikyuu boys as stupid cute things my boyfriend does for me

✧ feat. tsuikshima, oikawa, bokuto, kenma!

warnings: pure fluff and nothing else, g/n reader!

a/n: my warmup into writing again! it's been a few years so i'm very rusty T-T

✧ tsukishima — has always had a good memory. he remembers the things you like and thousands of tiktoks you send him every day, and will plan accordingly for your next date. if you tell him you like strawberries? he will take you strawberry picking the next weekend. he likes the look on your face when you realize he remembered and how excited you are. of course, if you make a big deal out of it, he'll just shrug it off. "do you want to go or not?" (the sassy man apocalypse started with him) he thinks, that's just what good boyfriends should do of course. it's nothing to write home about.

✧ oikawa — gets into a "i love you", "i love you more", "i love you the most" argument with you every time you say i love you. he knows he loves you the most, because how could he not? you understand him. however, you ultimately gaslight/confuse him into saying that you love him the most. he pouts. (he requires a kiss to "mend his broken heart after being manipulated by the love of his life.") tooru oikawa invented the term drama queen. you are the sappiest couple alive and you love every second of it, congrats! it makes the team sick to their stomachs.

✧ bokuto — tries to buy you everything you look at for more than a second. when you gasp at your phone or say something like "i want this", he will pounce on you to look at your phone. he just wants to spoil you! he thinks that you're so perfect for him, so obviously that you should get anything you could ever want. you have to remind him that you're both still young and don't have infinite amounts of money. but like the cutie he is, he will show up at your door the next day with a haphazardly wrapped present. (he did his best. and his best was amazing.) what's inside you ask? nothing other than the thing you told him about yesterday!

✧ kenma — gets excited to play when you decide to game with him, since you don't get on very often. he's logged on and already warmed up half an hour ahead of time so he can play his best. he obviously has to impress you, no matter how long the two of you have been dating. if he sees someone shit talking you in game, he'll pull out profanities you've never even heard of. (unrelated i think he loves giving you forehead kisses. he's just that kind of guy. SO PERFECT MWAHAHA) he loves spending time with you in any way possible, but this is one of his favorites.

#bell's thoughts — 🪼#this was fun hehe #haikyuu x reader #bokuto x reader #haikyuu x you #oikawa x reader #kenma x reader #tsukishima x reader #hq x reader #haikyuu fluff #hq x y/n #hq x gender neutral reader #hq fluff #haikyu x reader #haikyuu x y/n #haikyu x you #haikyu x y/n

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ew-selfish-art · 11 months

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DpxDc AU: Soulmates only meet in the afterlife...And Danny is dead half of the time.

It was the general consensus that Soulmates did indeed exist, and that there were a couple of hints to know if your soulmate was, but you wouldn’t know for certain until you died. This was often devastating for widows of non-soulmates but... Widows could hear the voices of and feel the phantom touches of their Soulmates. That after their loved one passed away, they didn’t truly leave them.

Soulmates always traveled to the infinite realms together in a pair, unwilling to pass on without the other. This leads to the ghosts that seemingly never moved on and gave Danny so much grief, they needed to pass the time until their loved one died some how.

Danny dies and feels himself talking to himself more often while transformed into Phantom, kicking butt and taking names aside. Just small things to reassure himself, nothing more than an instinct to process the situation he was in with this insane life he was living.

I’m going to be okay, I’m going to get out of this.

I swear to all the ancients that Casper High better make a statue in my honor.

Mom and Dad don’t mean it.

The fundraiser to rebuild Poltergeist Avenue is going to be ridiculous.

Mom and Dad wouldn’t mean it if they really knew.

Nasty burger really should rebrand but my goodness is this the best shit ever.

It takes a few years to think about the fact that he might have a soulmate who could hear him- how unlikely would that be though? It’s not like he was haunting the person, so it probably wasn’t any big issue. Was there a proximity thing involved? Clockwork sighs and gives him no true answers.

...

Tim has been hearing the voice of his Soulmate for years. Not...All the time though. He’d mapped out the time frame by which he did hear the additional male voice, accumulated enough data to determine a general profile and geotagged a few of the landmarks mentioned to find the most likely town. Restaurants, street names, highschools, and notable names all help Tim to find what he’s looking for. The concerning amount of comments on his soulmates parents make Tim’s blood boil and motivate him all the more.

Thing is...Amity Park is under a complete media blackout. The challenge nearly makes him swoon, as if his dead soulmate were leading him towards his favorite hobby (taking down corrupt groups of assholes with too much power, cult or government, was his ideal pass time). He just wants to know who his soulmate was. He wants to know who is waiting for him.

Arriving undercover and unannounced as a random tourist, Tim cannot find his soulmates grave. Can’t find anything about the person who died all those years ago and had spoken in his ear ever since. He’s about to storm the Mayor’s office, his plans for the GIW already in motion, when a ghost attack begins.

Phantom arrives and suddenly Tim understands who exactly he’s been looking for. Getting into the crosshairs of the fight, Tim pulls a few RR moves and Phantom cautiously approaches him after capturing the assailant ghost.

“I’m here because you’re my soulmate, and it’s very interesting that you only talk to me during non-business hours. Care to explain what you’re doing between 9 am and 3 pm, Monday through Friday?”

“Uh... High school mostly. Wait you can hear me? You’re my soulmate?”

Cue Danny de-transformation, explanation of his death and ability to die on command, and Tim’s very softball interrogation with his presentation on how he found Danny through the small conversational phrases.

They kiss as the GIW headquarters explode in the background.

#dpxdc #dcxdp #dp x dc #dc x dp #dc crossover #dp crossover #danny phantom #tim drake #this could work with a number of other soulmates in the JL #It would be interesting with Jason or Damian also since they've died and come back #that got more complicated than i wanted to write tho lmao #soulmate au

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gay-dorito-dust · 3 months

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Modern! Au zuko things:

Has an entire album in his phone dedicated to you and only you, some were even from way before you were a thing and he was still a love sick loser.

Who am I kidding even after you two become a thing Zuko still is a love sick loser who stares at you lovingly, the hand that his head is propped up on almost gives way once or twice because he’s so lost within your natural self. If you were to catch him during this embarrassing moment, his face would become extremely flustered that you would begin to get worried for his health.

Uncle Iroh would tell you stuff that Zuko admitted to him in confidence while he was crushing hard after you two officially become a thing, you found it adorable and endearing to know that Zuko felt that way and saw you in a light of which you didn’t even see yourself, Zuko on the other hand wanted to die right then and there as he burrows his face into his hands with his ear read as cherries.

During the times when Zuko was crushing hard, his subtlety was nonexistent especially to uncle Iroh, who saw through Zuko’s every interaction with you as a man longing for a love that was unparalleled, unmatched and without equal but more importantly a love that was the purest by all definition. And now as he watched you and Zuko shared sweet smiles, gentle touches of the hands and a abundance of unified joy, he could honestly say that Zuko had found the love he had been chasing after all this time.

Uncle Iroh approving of your relationship would probably be important to Zuko as he loves his uncle dearly and admires him greatly for his infinite wisdom, he was practically Zuko’s father with how much influence he had in the young man’s life.

So needless to say Zuko is ecstatic when Iroh asks him if you’d like to come over for tea sometime soon. He was originally worried about how his uncle would view you but the fact that his uncle liked you made all the worries and fears all worthwhile as he felt that crushing weight lift up from his chest.

Zuko runs warmer then most so he uses this to his advantage to be close to you by holding your hands between his own or by holding you from behind as as he innocently rests his chin on your shoulder.

‘Is there a reason you’re holding me?’ You’d ask.

‘Keeping you warm.’ He’d reply as though the answer was obvious.

‘ I’m warm enough with your hoodie on alone, now this is just overkill, you’re killing your partner with your inhumane body heat Zuko.’ You would joke as you tried to get away from him, only for Zuko to tighten his hold on you and burry his face into your neck, making you squeal at the flurry of kisses he was planting there.

Zuko loves being with you so much to an embarrassing amount but he couldn’t help it! He spent so long avoiding asking you out that now that he’s got you, he wants to spend every possible opportunity to be with you without it coming across as borderline suffocating.

Zuko could spend an entire week with you and it still wouldn’t be enough for him!

Star gazing dates/ picnic dates that are interrupted by a flock of turtle ducks, which makes for great pictures that you would then send to uncle Iroh later on, just as one of the turtle ducks decided to sleep in Zuko’s lap and he’s gone all awkward on trying his hardest not to wake them up. Which meant more pictures were sent to Uncle Iroh. (I just like the idea of turtle ducks being in the modern au. They’re just too cute not to!)

#zuko x y/n #zuko imagine #zuko imagines #zuko x you #zuko fanfic #zuko x reader #atla x you #atla x reader #atla imagine #atla imagines #atla fanfic

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mazamba · 2 months

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