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#the pub scene
the-apology-dance · 7 months
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This scene makes me love Crowley even more than I did, which I didn't think was possible. Mostly because of how he acts towards the man Aziraphale is speaking with. He literally was eyeing this man from the bar while ordering drinks for him and Aziraphale and proceeds to cut him off MID SENTENCE when he walks over to the table.
He saw how uncomfortable Azi was and as usual comes over to rescue him from the awkward encounter.There could not be a better look to depict Crowley nonverbally communicating, “You’re in my spot.”
Crowley’s behavior in this scene is AMAZING. 😂
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romansmartini · 7 months
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crowley getting up to shenanigans such as robbery and smuggling with jane austen and telling her in the process it’s nice to have a likeminded individual to do these things with because really the only other friend he has on earth is too much of a goody two shoes to have any real fun and they don’t really agree on anything but well he is fun sometimes and it’s been a while since he’s seen him and maybe he ought to give him a call — and aziraphale having tea and discussing literature with jane austen and telling her it’s so nice to have a likeminded individual to do these things with because really his only other companion can’t stand reading books and doesn’t understand how nice it is to have a quiet night in because he’s far too rowdy and wily and he doesn’t know why he spends so much time with him anyway because he’s such a bad influence but really not as bad as you think, no, he really can be quite lovely when he’s not thinking about it. in 1813 jane austen published her novel pride and prejudice,
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blueintimeart · 9 months
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Holmes after he gets home from sending that guy home in a cart :)
ID in alt.
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kimberleyjean · 4 months
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Not *A* Resurrectionist Pub, *THE* Resurrectionist Pub! (or is it?)
We've all seen the Resurrectionist Pub many times, yeah? In Episode 3 we get a decent look at it. So, remind me again, what does The Resurrectionist's sign look like?
Is it the image on the left? Or the one on the right?
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They look quite different, don't they? The version of Dalrymple on 'Sign A' has a massive, bloody cleaver, it's pretty hard to miss. In contrast, 'Sign B' is significantly less bloody.
Well, Sign A is a screenshot directly from the show, Episode 3, just before Aziraphale walks into the pub. Sign B is what you can see in the behind-the-scenes photography here.
So why the difference? Did they make two versions to compare? Maybe they decided on 'Sign A' as the one they wanted in the show?
Well, why then do we see both? As Aziraphale walks into the pub at 22:44, we see Sign A, but only seconds later, by 22:53, Sign B is visible through the window.
Here's Sign B, as Az walks into the Pub:
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Compare this close-up of Sign B (left) with the pamphlet Az picks up as he leaves (right):
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They're the same, less-bloody version of Dalrymple. They wanted us to see both versions in the show.
So, how does history remember Mr Dalrymple? A bloody butcher? A dedicated surgeon? Or somewhere in the middle, a complicated character, made from shades of grey?
Also, if you're curious about other discrepancies in Good Omens, please check out my previous post about the "Surrender the Angle" sign or any of the posts over at @ineffable-detective-agency. Thanks also to @embracing-the-ineffable for her help on this post.
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galina · 5 months
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Sundays in Soho: taxis gleam lazy over the crook of denham st, crisp clear sunlight strikes my cheek, bitter cold—flotsam of cigarettes piled up at the curb—smell of stale beer, rubber, pastry—squeezing the glass door of bar italia where strangers, who are immediately friendly, are ending their night or starting their day with espresso—berwick st is still asleep under cobbles—in the devonshire they wave away my money, I nurse my guinness at the window, watching dogs and coats and glittering rickshaws—feeling the day could go anywhere from here
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rythyme · 7 months
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me when i'm in a hell of my own making
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subzeroparade · 1 month
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I imagine, when they both still worked at Byrgenwerth, they'd drink in sullen silence after a chalice dungeon dive went badly.
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lolrel · 3 months
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Coloured an old sketch. I want you to know that you’re doing great 💗
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mirandaviian · 4 months
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This is my best ever it’s will makes you happy 😊
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iantoharkness-jones · 8 months
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When Aziraphale says "hello":
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(Translation: Hello!)
...
When Crowley says "hello":
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(Translation: Who the Hell are you, why are you sitting in my chair and what do you want from my Angel?! Oh, and by the way, I don't like you. You're stressing him out AND ruining our nice moment so toodles!)
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theunderestimator-2 · 4 months
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Baxter Dury as a 5-year-old alongside his dad Ian Dury in a '77 shot by Chris Gabrin taken near their house in front of the Axford Clothing store in Vauxhall, London, and used for the cover of Ian Dury's debut album 'New Boots and Panties!!' and again in 2023 as captured by Pål Hansen and edited in a 2001 reworking of the original photo by Sir Peter Blake.
Baxter Dury: "There’s a fair bit of mythology generated around the shot because Dad was a bullshitter, and consequently so am I, but the recollection I have of that day is that he said: “I’m getting my picture taken. Come along with me.” Being bored, I went. I walked into the shot and said: “Can we go now?” There were four frames taken, and he decided it would become the album cover. That was that. We would have been pretty impoverished at the time. Dad made no money from music at this point (...) I have amazing memories of my childhood, but we were on the breadline. Dad lived in London, near the Oval, in a council flat that didn’t have a toilet, so you had to use a local bar. He used to cut my hair back then. But after New Boots and Panties!! came out, there was a boom period when all the royalties came in and we behaved like there was an endless stream of money. Dad devoured the cash and at one point he lived in the Montcalm hotel. Jemima and I would get dropped off at the entrance and the concierge would freak out at the unwashed, feral kids running through their premises. We’d end up ordering loads of club sandwiches in Dad’s room. It was pure decadence. ...I was mostly brought up by my mum who was artistic but gentle and conventional. She wasn’t in a pot-smoking fraternity like Dad was. He got up at 12 in the afternoon; she got up at a normal hour. But when I was about 13 I moved in with Dad. He was in a chaotic state of mind, one career had drawn to a halt, and he wasn’t in the healthiest state. I exploited that to do what I wanted. ...My son and I now live in the flat Dad bought in west London. When we moved in, our neighbours, who’ve been there for decades, were like: “Oh my God, no! They’re returning!” I was like: “No, wait! We’re different!” theguardian.com/
(via & via)
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the-apology-dance · 7 months
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Crowley In The Pub
Okay, I may be the last one to catch on to this but in the Pub when ordering, Crowley says “and a sherry for Lady Bracknell.”
I just discovered Lady Bracknell is a character from “The Importance of Being Earnest” written by Oscar Wilde, Aziraphale’s favorite author.
She had many memorable lines, one being “A handbag?!” This line and the whole conversation that surrounded it was referenced by the Fouth Doctor TWICE.
So, for people who HADN’T NOTICED, Neil Gaiman slipped another Doctor Who reference into Good Omens with that line when he orders Aziraphale’s drink.
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moonwoodhollow · 1 month
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Just a woman on her bike
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elderwisp · 1 month
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◁ || ▷
Frances: You have it together. Any problem I’ve had, quickly resolved with a bit of advice. You always have a solution. What could possibly stress you out? 
Icarus: A lot of things, actually. 
Frances: Like what? A dog swallowed its chew toy again? Or a horse has fallen and it can’t get up?
Icarus: Is that all I’m reduced to?
Frances: Oh god, no, I-
Icarus: I’m sorry. I could have worded that differently.
Frances: Don’t apologize to me. What I said was cruel. I’m really sorry, that was so out of pocket. 
Icarus: … You’re sorry?
Frances: Very. As I’m sure you’re aware, I can be a bit much sometimes. I know I can be insensitive and I’m working on it… [ mumbles ] Yet here I am, doing it again. To you.
Icarus: Frances-
Frances: Don’t try to downplay it, I crossed a boundary this time and I am so sorry. I recognize you’re a person as well, with feelings.
Icarus: …
Frances: Icarus…? Please say something.
Icarus: I’m sorry, I’m a bit taken back. 
Frances: I said something wrong, didn’t I?
Icarus: [ shakes head ] No! No, lately a genuine apology is difficult to come by.
Frances: Well... I just think you deserve better. 
Winona: Sooo… What’s going on here?
Icarus: Winona!
Winona: [ snorts ] Wait til grandma hears about this.
Icarus: Please go away.
[ clears throat ] Anyways… The piece you played-
Frances: [ flustered ] Yeah total shit I know!
Icarus: Jesus Frances! I was gonna say let’s have you play it again so we can refine it.
Frances: TRUE! I have this idea… What if I added a little vibrato?
Icarus: What’s that?
Frances: OH MY GOD, we studied this!
Icarus: I told you! Musically inept!!
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owlsie-hoot · 6 months
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Slowly realisation hits that there is something more...but it seems out of reach.
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apiosky · 2 months
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I can’t watch the pub scene anymore without thinking “you wore a slutty turtleneck and you didn’t even get fucked, Crowley” so thanks to whoever made that post
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