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#the narrative doomed him
neirw · 6 months
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do you mean...
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lrndvs · 20 days
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A Fragment of My Former Self
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loveydive · 1 year
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The Tragedy of Hayakawa Aki - chainsaw man, tatsuki fujimoto
grief lessons: four plays by euripides, anne carson // chainsaw man, tatsuki fujimoto // deathless, catherynne m. valente // “untitled,” 2016, ink on paper, kara walker // james, clementine von radics // slide tackle, japanese breakfast // how to cure a ghost, fariha róisín // red glove, holly black // the letter, richard paul evans // interview with james hall, richard siken // ptolemaea, ethel cain // iq84, haruki murakami // the godfather, mario puzo // god's silence, franz wright // crush, richard siken // tumblr user ojibwe // when i was done dying, dan deacon
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canisalbus · 5 months
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I've been following you for years, and I love your art. Seeing you repost your older art pieces reminded me how much I loved the angry, bitter, miserable Machete art and how it resonated with me... but a part of me is also so happy to see the current art of him being happy. Cute art of him as a unicorn, or chilling in a bathtub with Vasco. Like, we're all growing and healing :')
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there was no place in nature we could meet ; suguru geto
synopsis; it’s never fun to run into an ex. especially when the ex in question is your unfairly handsome high school sweetheart — who also just so happens to be a wanted mass murderer.
word count; 3.3k
contents; suguru geto/reader, gn!reader, geto-typical angst, exes to [redacted], lots of longing, geto is kind of a cunt but also disgustingly charming, reader is understandably upset, biblical imagery (i just think he’s so serpent coded), curse user geto is his own warning tbh
a/n; i wanted this to be a drabble so bad but it ended up just a little too long for me to get away w it so … :’3 yeah. i hate suguru geto (said w affection)
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the moon is out.
in the shadows of the street corner you find yourself in, seated comfortably on the sidewalk, it’s a welcome distraction. something to look at, in the midst of your loneliness; the evanescent glow of the moon, illuminating your solitude.
a solitude soon to be broken. shattered into pieces, battered and bruised beyond recognition, jagged shards littering the asphalt. digging into the soles of your shoes.
”hey.”
for a second, you think you must be dreaming.
the figure obscuring the light of the lamp post in front of you is familiar. too familiar, a little too dear for your liking. as you grasp your shitty cup ramen, seeking the warmth seeping through the polystyrene, all you can do is stare. blinking dumbly, drowsily.
geto looks something like a bad omen.
sharp facial features, even sharper eyes. so dark they almost shift from an amber-tainted cedar into an obsidian black — two abysses, staring into your soul, beckoning you closer. they were always enchanting, but now you think they look almost hypnotizing. not at all in a good way. dark hair frames his face, cascading down his back, longer than you remember it being. and he’s wearing robes.
still has those fucked up bangs, though. of all the things to keep.
the gears of your mind turn, endlessly, untangling the mess of thoughts inside your brain. ensuring you that no, you are not hallucinating, and no, you didn’t fall into a deep slumber somewhere between the moment you exited the convenience store and sat down by one of tokyo’s empty street corners. this is real. a reality you can’t comprehend, can’t even begin to process.
what stands in front of you is a ghost. but ghosts don’t exist, can’t be seen, can’t touch the living.
(so how is he able to haunt you like this?)
what eventually jolts you out of your silent stupor is not the questioning tilt of his head, nor the suffocating sensation of your heart crawling up your throat, but the feeling of soft fur against your leg. the stray cat you met further down the street meows at you, sweetly, trying to get your attention. you think she must be asking for more grilled fish.
so, completely ignoring the apparition in front of you, you turn to reach for the little plastic bag you bought as a midnight snack — digging out a bit of fish for the kitty to enjoy. she seems happy, settling down by your feet. purring softly.
geto watches, eerily silent. 
(maybe he’s upset that you’re ruining his dramatic entrance. you hope so.)
finally, you have no choice but to look at him. a lump forms in the back of your throat, clogging up a little more for every second spent falling into the trap he’s laid out for you, trailing over his moonlit features with your tired gaze.
mouth full of noodles, staring holes into his attire, you narrow your eyes. suddenly disgruntled.
his lips quirk up. ”something the matter?” he asks, and you can’t even begin to describe how much you hate his voice. how devastatingly deep it is, during the late hours of the night. even deeper than it was back in high school. 
slurping up the soggy noodles, you lean back a little, licking some broth off your lips. finally meeting those abyssal eyes. 
”… i was gonna say those robes look like shit on you,” you exhale, weary, ”but you actually kinda pull them off. that’s…” 
a beat. you struggle to find the right word. 
”annoying.”
geto’s lips curl up, smoothly, and you find a hint of familiar amusement in the vague crinkle of his eyes. barely visible crows’ feet. then he’s moving — plopping down right beside you, robes fluttering with the breeze.
”thanks,” he hums. crossing his legs.
the silence that festers around you is odd. not quite suffocating, nor especially fragile. definitely not comforting. it’s familiar, yet different, and it hurts a bit more than it should. but you choose to look at him, out of the corner of your eye, and he looks right back at you. still smiling. 
when your eyes settle on the particular cloth wrapped around his torso, you just barely manage to bite back a taunting chuckle.
”a gojo-kesa, huh?” you grin, and geto doesn’t flinch. he doesn’t miss the meaningful glint in your eyes, either. almost satirical. ”you miss him that much?”
”just a coincidence,” is all he answers. smiling, but you think it looks a little stiff.
your grin widens, for a second, before settling back down. a sad transition. you let it go. 
”whatever you say, geto.”
at that, he visibly reacts. barely noticeable, but it’s there — a twitch of his lithe fingers, an unknown something that flickers through the scope of his iris. when he looks at you, a neutral smile is playing at his lips. 
”ah. i take it we’re not on first name basis anymore, then?” he asks, jovial. hiding a tinge of something mildly displeased.
a shrug. you pick at what’s left of your ramen with your chopsticks, a little too nauseous to enjoy it. ”call me whatever you want. i just don’t see suguru when i look at you, y’know?” leaning forward, you begin to pet the kitty by your feet. ”he was sweeter.”
geto smiles. almost a grin, but not quite there. a chuckle spills out from his lips, and something about it irritates you. ”was he?”
”yeah,” you nod. without hesitation. a summer-stained memory blooms behind your eyelids, but you try not to look at it. all you catch is a glimpse of cherry blossoms. ”you just seem bitter.” 
the grin that finds its way onto your lips is self-deprecating. a shadow falls over your face. ”guess we’re similar in that way, huh?”
a hum buzzes in his throat. he casts a meaningful glance towards your hand, scratching behind the cat’s ear. ”oh, i don’t know about that,” he drawls, smile growing. ”.. you seem just as sweet as always.”
to your grave annoyance, you can’t control the way your face changes at his words. a twitch of your lips gives away your discontentment, and something sour settles on the tip of your tongue.
(your blood begins to boil, beneath your skin.)
geto sighs, suddenly, filling the tense silence surrounding you. a little theatrical. ”ah, but that’s a shame.” he turns to you, soft pout playing at his lips. ”i was hoping i could hear you call me suguru again…”
”— i was hoping you’d come back.”
a beat.
(somewhere outside your vision, a crow takes flight into the night sky. swallowed by the darkness, melting into the sea of black. no longer perceivable, by you or the world.)
”but you never did,” the polystyrene of the plastic cup crinkles beneath your fingers. your eyes look dull. ”so what the fuck do you want, exactly?”
”i heard.” geto rests his jaw on the heel of his palm, gazing at you with those piercing eyes. like he’s trying to see inside your brain. ”.. about your decision.”
”ah,” a grin splits across the curve of your lips, showing off the white of your teeth. ”of course. that’s what this is about, huh?”
with groggy movements, you throw away your nearly-empty cup of noodles, haphazardly aiming towards a trash can across the street. it bounces off the steel cover, landing on the ground with a soft thud. leftover broth spilling out across the pavement.
(geto doesn’t bother to hide his amusement, lips twitching upwards as one of his curses goes to pick it up. you furrow your brows in embarrassed annoyance.)
a moment passes, and something in you knows that he’s waiting. it’s like you can practically sense it, like it’s etched into your bones. the same way you always knew exactly when he would begin to get impatient during your nightly convenience store runs in high school, after you had spent about five minutes struggling to decide what kind of chips you wanted. 
”what can i say,” you lean back, palms against the rough concrete. breathing in the midnight air. ”you inspired me.”
geto tilts his head. smiling. always, always smiling. he smiled at you the day before he massacred that village, too. ”oh?”
with a deep breath, cool air courses through your body. burning your lungs. ”i realized being a sorcerer is completely fucking meaningless,” you exhale through your nose. ”and that trying to change that fact is even more meaningless.” 
a wicked, rueful grin rests on your lips. ”so i left.”
geto doesn’t say anything, so you continue. voice dripping with venom.
”i’m a civilian now,” you purr, mocking. a sardonic coo cast his way. ”does that bother you? feel like killing me?”
his smile looks a little off, now. tilted in a direction you don’t want to recognize. you don’t care to examine it further, don’t care to figure out if it might look just a little bit sad, because that’d only hurt more.
so you look away.
a click of his tongue. then he speaks, with that honeyed voice, raspy and husky. almost a groan. ”well, i can’t say i approve.”
he’s looking at you. sharp eyes digging into your skin, dissecting you, a million words he expects you to grasp from that look alone.
”you’re better than them,” he states, and you try not to squirm when his eyes trail over your features. ”worlds better.” his voice sounds almost motherly, a twisted concern that makes you cower a little. like he’s scolding you. a crease between his brows.
”i don’t like the thought of you surrounded by these animals.”
a huff pushes past your lips, but it sounds shakier than you’d like it to. you hope he just chalks it up to the chill of the air. then again, when has he ever made anything easy for you?
”what, you got a problem with cats now?” you reach for the little furball licking grilled fish off the concrete, picking it up. cradling it close. ”gonna go on a cat-killing spree?”
an amused exhale. geto narrows his eyes. ”funny,” he hums, but his eyes say you know what i mean.
it takes you a moment to regain control over your breathing. there’s still something tense in your shoulders, and your heart still feels a little like it might jump out of your throat and crawl into his lap. the stray cat slips from your grasp, moving towards geto, curiously sniffing at his robes. he looks at it with no ill intent, and it puts you at ease.
”well, i appreciate the concern, buddy,” you pat his back, trying not to flinch at the contact. trying to appear relaxed. ”but frankly, i don’t give a shit. i actually like my job, unlike literally every single sorcerer on planet earth.”
geto stills.
”.. buddy?” he echoes, ignoring every other bitter word you just graced him with. for some reason, he actually seems visibly bothered. ”i’m buddy now?”
you click your tongue. muttering, tiredly. a little exasperated. ”.. what else would you be?”
and then he smiles, again. only this time, it looks oddly genuine. the same as you remember, framed by cherry blossoms and the fizzle of youth.
his movements are smooth. like he’s completely unguarded, like this situation doesn’t bother him in the slightest. elegant, in the way he leans back, palms on the concrete to support his weight. keeping eye contact with you, all the while.
when he speaks, his voice has a sweet tinge to it. nostalgic, maybe. wistful. if you hear a touch of longing, you choose to ignore it.
”i seem to recall you calling me baby quite a lot,” he hums, and you stiffen. gritting your teeth. eyes darkening, but he continues. ”what else was there? angel, i think… it was sweet.”
then he’s leaning forward. scratching the cat under its chin, gently. ”ironic, though.”
an inhale. then, an exhale. they’re a little shaky, a little meek, but at least they make the lump in your throat feel less like it’s blocking your windpipe. air fills your lungs, but it tastes like nothing at all. 
something like sorrow simmers in your eyes. or maybe more like fatigue. god, you really want to cry.
(you wonder if he gets some sickening satisfaction out of seeing you like this, out of breaking you. maybe it just makes him feel rotten. you don’t know what you’d prefer.)
”suguru,” you murmur, at last. voice dripping with exhaustion. defeated, the sigh that flows from your lips. ”why did you come here?”
”join me.”
the words spill out into the open air, slicing the silence in half. heavy. a request, not a question. against your better judgement, you turn your head to meet his gaze.
”we could use you,” he says, and there’s hope in those keen eyes. he maintains his distance, but for some reason you still feel like prey being sized up by a predator. like he’s weighing your value.
a chuckle slips from your lips, but there’s no humour to it. ”use me…” you echo, a tired murmur under your breath. ”you're just straight up admitting it, huh? kinda refreshing.”
”that’s not what i meant.”
he inches closer. slowly, as if trying not to scare you. reaching out, to brush through your bangs, his fingertips ghosting over your skin. tangling them between your locks, inserting himself into your space. testing the waters. 
you don’t look at him, completely still. barely breathing. like a wounded animal.
”i want you there,” he says, and it comes out almost as a whisper. ”with us.”
unable to resist the temptation, you indulge in a single brief glance his way. his eyes look warm, and his lips look soft as they part.
”with me.” 
there’s a devotion to his voice when he continues, one he’s always had. one you thought you’d always be able to trust. ”i’ll create a world where you can be happy,” he vows. ”i swear it.”
a moment passes.
(you swallow thickly. it takes everything you have not to burst into tears. when you remember how he brushed you off, back then, it gets a little easier. when you remember all the skipped meals.)
”.. like you give a damn.”
geto smiles. you loathe how soft it looks, how similar it is to the one suguru always had. when you used to eat your ramen too quickly and started choking on it, and he brought a palm to your upper back, patting it gently. he’d chuckle, and tell you to slow down, and the softness of his smile would almost be enough to distract you from the amusement in his eyes. 
”my love.”
you flinch. breath drawing back at the base of your throat, heart screeching to a halt, and some part of you emerges; the shy, sweet kid you used to be. hanging on to his every world. like he was your sun, your guiding light. back when that purr of my love had you blushing furiously, not choking back a string of curses.
it’s sudden, and you can’t react the way you want to. you want to kill him for calling you that. for thinking he has any right to call you his, anymore.
but that sweet, naive, innocent little kid still exists. even if you want to pretend otherwise. it’s there, somewhere, that part of you — peeking out from behind the curtain. and it stops you from saying anything that might hurt him.
(it’s so hard to hate him when he calls you that.)
if geto notices your inner turmoil — he must — then he doesn’t mention it. you don’t say anything, but you hope the amused, harsh exhale you partake in is signal enough for him to cut it off. now.
yet he continues. there’s love in his voice when he speaks, barely contained. if he’s trying not to hurt you he’s doing an awful job.
”… i never stopped thinking of you,” he whispers, so low you almost miss it. ”not once. i left for you, not just for myself.”
and, despite every part of your being resisting it, a sweetness settles on your tongue. so sweet it’s sickening; the thought that maybe he’s telling the truth, maybe he really has been thinking of you. maybe you’re more to him than just a means to meet an end, or a memory yet to be buried.
geto looks at the moon. bathed in moonlight, he looks a little like a god. like something reverent. his voice is honeyed. low, like a secret.
”this world doesn't deserve you.”
silence.
a subtle anger trickles through your veins, a kind of fury, subdued, carefully tucked away. sparking to life inside the depths of your eyes when you look at him. bitter, given everything. but your voice still comes out sounding something like a plea.
”and you think you do?”
another smile. this time, it looks a little sad. remorseful, maybe. ”… let me prove myself.”
his touch burns. the pads of his fingers against your cold skin, cupping your cheek. slithering down to grasp your hand. and you’re pliant, unable to react. just sitting with that aching hollow feeling in your chest.
”i wasn’t worthy, back then,” he hums, bringing your hand to his lips. ”but now…”
a kiss to your knuckle. featherlight. reverent. you try not to shiver, but when he says your name, dragging each syllable out, like they belong on his tongue —
a chill runs down your spine.
when he speaks, you feel his warm breath on your skin. it’s dizzying. ”i’m not the same suguru you once knew,” he admits, a forlorn look in his eyes. and devotion, frighteningly sincere. ”unlike him — i’ll never let you go.”
what a twisted desire. he wants to take you with him, drag you down to hell. the suguru you knew wouldn’t put you through that. but maybe you’re even more twisted, for wishing he had; for wishing he had taken you with him, ten years ago, instead of leaving without a single goodbye.
geto’s voice is soft. coaxing, like he's handling a frightened mouse. join me, he whispers, and you think of eve. when you look at his mouth you think you see serpents’ teeth behind his lips.
(you're almost sure he notices it. and you're almost sure his smile widens, lips curling up, as if preparing to open his maw and swallow you whole.)
a sickening sense of resignation roots itself somewhere in your gut. 
you pull your hand away, and he lets you. the loss of warmth hits you like a freight train, but you aren’t sure you could think clearly with his skin on yours. when you part your lips to speak, only air comes out, just barely forming a sentence. like there are no more words to say. like the world stopped spinning around you both a lifetime ago.
”i don't love you.”
for just a second, his smile falters. 
”.. no?” he hums, and you wish it didn’t hurt so bad to see him hurt. his eyes carry a kind of patience, something gentle. ”it’s fine… these things take time.”
a bitter chuckle. ”like you’d know anything about waiting,” you spit, and it comes out sounding venomous. a phantom ache sprouts in the spot where his lips touched your skin.
geto closes his eyes.
”.. you don't need to love me,” he says, finally. kind. you hate that he still sounds so kind. so understanding, like nothing you do could be wrong in his eyes. ”as long as you're beside me, that's enough.” 
he turns to look at you, and his smile looks very real, for a moment. impossibly fond. ”i have two daughters. i’ve told them about you,” he smiles. ”my family… you’d like them. i know they’d like you.”
dark clouds cover the moon, suddenly, and a shadow falls across you both. illuminated only by the streetlight. in the distance, you hear a car whooshing by.
”don’t stay at the bottom,” he beckons, and your name slips from his lips again. soft, his tongue bending around the vowels. coaxing. stirring your heartstrings like a puppeteer.
then he’s standing up, dusting off his robes, large hands smoothing down the fabric. turning around, towering over you; obscuring everything else. all you see is him, under the glow of the lamp post. a halo of artificial light.
”come. let me show you the world we can create.”
he gives you a sweet smile, two abysses gazing at you. the promise of something, something twisted. something new. forbidden. you think of red skin, yellow flesh. the bite of sin.
and for a second, you see it. the world. a world where laughter comes from the bottom of your gut, and the trees are always ripe for picking, red apples hanging from the branches like glowing rubies. 
paradise.
geto stretches a hand out towards you. fingers unfurling, one by one, like a blooming camellia. close, right there in front of you, so close that you’re tempted to take his hand in yours, let him carry you away. burn everything else to the ground. 
(you think of the serpent. you think of god.
only one of them banished eve.)
”so,” he smiles. ”what do you say?”
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quillsinkwell · 11 months
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do you ever think about how Michael probably hated being compared to his father, yet in both Watsonian and Doylist terms, that's all he ever was
like in watsonian ways, all the animatronics targeted him and attacked him because he looked so similar to his father that they were the same people to the children.
and in doylist ways, the only thing that defined him was his quest to defeat his father.
like, what in canon has clued us in about Mike's personality? That has nothing to do with his family or animatronics? it's that he likes a show called the immortal and the restless.
that's it.
everything else we have given him in fanon.
he spent his whole life trying to deal with his father to prove he wasn't him, yet he's entirely defined by his father.
and without him, he's barely a character.
it adds a sort of horror to his death in pizza sim. like when he attempted to lay his father to rest permanently, the universe laid him as well, because it had no purpose for him outside of his father.
it also kinda makes glammike a little fucked up if you think about it this way, even if he either moved on or his spirit lingered in the pizzeria. his father rose again and the universe either dragged him out of the afterlife or kept him in the basement because what else is he if not his father's watcher
do you ever think about that despite his best efforts to not be his father, he's entirely defined by the man
do you ever think about that
or are you normal.
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swordsandflowercrowns · 3 months
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luke is such an empathetic character because uncle rick just gives us a boy who's grown up feeling abandoned by his father, who he also deems responsible for essentially losing his mother. he loses one of his best friends because her very birth is seen as a mistake to the gods, and the very best zeus can do for her as she gives her life for her friends is to turn her into a tree. he becomes the best swordsman at camp, he successfully completes his quest, he's good, he's a good kid, and STILL he doesn't get so much as an acknowledgement from his father. he may be 19 during tlt but he has been a KID throughout all of this and he is desperate. of course he made the choices he did. it was ALWAYS going to happen.
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puppyeared · 1 year
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I just skimmed through the art part of your blog and holy bajeebus your LMK art is so beautiful and the headcanon ideas you come up with are so good I wanna steal em-
Kinda wanna see like a part 2 of the little angst you did between MK and Macaque a while ago. It's so interesting and I wanna see Macaque's reaction in your art style. (You don't have to of course, it's just a suggestion [idk if i spelled that right])
Thanks for reading and hope you have a good day/night!
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Hope this is to your liking ^^
Part one here
#I’m sure there are some character nuances im forgetting but well 🤷🏽#I want their misunderstanding or whatever they have going on between then come to a head. literally just going ‘wait what’#for me I think it’s entirely possible that there was an actual fight and maybe tension leading up to that point#cause I feel like macaque is not just bitter about thinking he died to wukong but maybe some stuff that built up to that#maybe the fight was just the breaking point. maybe they’re idiots who don’t talk about it because they think they’re on the same page idk#chipper-smol wrote a cool theory abt them using macaques ‘you’re nothing’ line in s4ep1. from what I understand it could be a direct parall#parallel to when he said that to MK right before MK regained his nerve and hit macaque in the eye.. since flying bark foreshadowed monkey mk#waaaay back in season 1 (where his shadow is his monkey form in the opening) i think that could be deliberate#and they could have gotten billy to voice an entirely different line for that scene. but they reused his line from s3#in a very specific scene with wukongs narrative foil. hm#that aside I would have liked to hear billy voice the ‘you abandoned me’ line that would have killed me. but that’s just me lol#also looking at this I should have shaded the last frame to make it look more dramatic and serious but I ran out of time :(#if anything I want to see MK try and help them get back together. poor kid tries so hard to understand people so I think it would be cool to#see that happen. that’s what I like about him.. he asked macaque why he was working for LBD instead of accusing him of dooming everyone bc#he wants to and he tried to comfort spider queen by admitting he was scared of LBD too 😭😭#my art#myart#Lego Monkie kid#lmk#Monkie kid#lmk spoilers#Lego Monkie kid spoilers#lmk macaque#six eared macaque#lmk sun wukong#lmk swk#lmk MK#lmk xiaotian#lmk season 4#Lego Monkie kid s4
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robinfollies · 1 month
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Been really pondering Fantoccio and the cursed citizens lately… like, if you’re stuck in a city for 15 years with some of your only company being these cursed globby versions of the people that used to surround you normally, you’d start to Notice Things that remind you of who they used to be, right?
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kitamars · 1 year
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hopeless wanderer
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wwxsflutesolo · 9 months
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"Chuuya. Come to your senses. Our fate will not end in a place like this. Because you and I are destined to—"
@/kedreeva// ernest hemingway - the old man and the sea// death cab for cutie - summer years// unknown// unknown// lidia yuknavitch - the chronology of water: a memoir// richard siken - saying your names// taylor swift - gorgeous// unknown// victor hugo - les miserables// jeanette winterson - lighthousekeeping// sylvia Plath - lady lazarus// margaret atwood - power politics// tory adkisson - Anecdote of the Pig//richard siken - planet of love, wishbone// ethel cain - hard times// margaret atwood - variations on the word love
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alphaboyd · 26 days
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— anne carson. (insp)
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jellyfilledeyes · 2 months
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I KNEW IT I FUCKING KNEW EDDIES FUCKING SELF AWARE I SWEAR I WAS RIGHT THE WHOLE FUCKING TIME
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aureentuluva70 · 2 months
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Just got my copy of the Fall of Gondolin and I was reading "The Conclusion of the Sketch of the Mythology" section, and I am obsessed with one of the early drafts, particularly concerning Maedhros's final fate in the story.
In this early draft, Maedhros doesn't commit suicide. Not only that, he never even steals a silmaril from Eonwë in the first place. Maglor is specifically mentioned as having stolen one of the jewels, but Maedhros is not mentioned alongside him.
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We aren't given anymore info on Maglor's fate, though we do get a little more on Maedhros, and it legit made me spit my drink out:
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LIKE, WHAT???!!!
WE NEED TO TALK ABOUT THIS (Talk about awkward roadtrip tho lol)
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aquickstart · 4 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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monochrome-sunsets · 4 months
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as an adult watching the show i feel SO BADLY for luke
imagine spending so much of your life taking care of your own mom. you never get the chance to be a kid because you have to be the caretaker. you finally have enough, you run away, you build your own little family- then you loose one of them. and you get to this place that's supposed to be safe, and you're put in charge of dozens of kids, and you have to be their caretaker. you need to make sure they eat healthy and brush their teeth and do their chores, and sometimes they leave and most of the time they don't come back. and the only time your all-powerful dad ever payed attention to you or any of your siblings is to say that you're his.
you don't have any support, no shoulders to cry on, no one to be your caretaker. so you snap. if they won't pay attention, won't help, then you'll make them.
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