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artist-issues · 6 months

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Disney doesn't need to change "the formula." That's the last thing that Wish proves.

What Wish proves is that "the formula" only works when you know why the ingredients are in it, and you use them the correct way.

The Princess Character is meant to wish for only half of the movie's message, and go through an adventure that teaches her what the other half is; what her dream was missing. Ariel dreamed of understanding but she was missing love. Tiana dreamed of achieving her goals but she was missing faith. Jasmine dreamed of freedom but she was missing trust. Belle dreamed of adventure but she was missing being understood.

The Villain is meant to highlight the opposite of the movie's message. Jafar gets what he wants through trickery and manipulation; that's the opposite of Aladdin's "truth will set you free" message, and he gets imprisoned in a lamp. Scar thinks being a King is having his way all the time and can't learn from his past of living in Mufasa's shadow; that's the opposite of The Lion King's "Let the past remind you of your responsibility to selflessness." Gaston loves only himself and is always obsessed with appearances; that's the opposite of Beauty & the Beast's "true love is found within a heart of self-sacrifice." That's what makes them such good villains. (and that clear direction is what drives good villain songs, since Magnifico's is what everyone is talking about)

The sidekick is supposed to compare/contrast with the main character's qualities. Abu is a greedy thief, which is what everyone in Agrabah thinks Aladdin is; when he scolds Abu and teaches him selflessness, it shows us who Aladdin actually is. Flounder is easily frightened and looks at the glass half-full; when Ariel coaxes him and leads by example, we see her bravery and positivity reflected in Flounder's tiny character arc. Timon & Pumbaa do whatever they want all day just like young Simba always dreamed of; when Simba goes to live with them, he finds that "getting his way all the time" makes him forget who he really is and feel empty.

The setting is supposed to show off the characters and highlight the movie's message. Rapunzel's tower is designed to be pretty on the inside because of her influence; if it were too dark and prison-shaped, we'd wonder why she didn't work up the courage to leave sooner. Just like how Quasimodo has made his corner of the bell-tower beautiful, too; they're taught the world is cruel and they're not strong enough for it, but they make their own worlds beautiful enough to hint that that's wrong right from the start. Ariel's grotto is shaped like a tower with no roof so that she only has one window to the forbidden Surface, and it's the light that comes from that forbidden world into her dark grotto which literally makes her able to see human things differently. Tiana's apartment has no interesting features except her father's picture, a perfectly made bed, a drawer with no extra outfits but stuffed with tip money, and only two dresses; both of which are for work.

None of that is happening in Wish, because they didn't know why the formula ingredients are there. Disney needs to understand and return to the formula the right way; forgetting it was what got them here.

Asha learns nothing to add to her dream, unless you count "the power to grant wishes is in me." Which you shouldn't, because we didn't even know she was confused about that until the animals sang a song that was completely off-topic and she had the chance to jump in and sing "I'm a Star!"

Magnifico does not demonstrate the opposite of Wish's message effectively because his character has nothing to do with a philosophy against making wishes, and everything to do with power. (He is the strongest character in the film. But because the message and core concept of what wishes are are so bad, that's not saying much.)

Valentino, and Asha's friends, do not highlight anything about her character through compare/contrast. Valentino is brave and all over the place. Her friends are seven-dwarfs parodies. Happy, Doc, Sneezy, Dopey, Bashful, Sleepy, Grumpy. None of that contrasts with Asha's vague characterization of "cares too much." None of it compares to that characterization, either.

The setting is empty. There are no interesting details that teach you something about any of the characters. None in Asha's home, none in the neat-and-tidy one-dimensional forest, none in the Rosas square, and none in the bland, empty castle. Magnifico's study is the closest anything gets; there's a loose concept that all of Asha's friends have to work together to open the roof, and take a leap of faith to weigh the pulley system down. Unfortunately, none of these characters is shown struggling to work together, OR to take leaps of faith, at all, before this point.

The ingredients of the formula are in Wish. They're just not being used correctly. This is how not to use the formula; it's not the formulas fault. If it ain't broke. They should never have let people convince them to try and fix it.

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yanderecrazysie · 5 months

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Twisted Zoo (Prologue)

Summary: You’re a brand new zookeeper at The Halfling Zoo- a place where half-animals live in captivity. Your job is simple- feed them and study them. Your main worry is that one of the more dangerous halflings might kill you.

Unfortunately, that may become the least of your worries.

WARNINGS: none for now

Note: This is based on the stories of a keeper reader with the octotrio by @ashensgrotto and @merakiui except I decided to take it a step further and include all the dorms. I know that a lot of these animals don’t fit them perfectly, but I did the best I could. I left out Ortho because he has no age and he looks really young so… no.

All characters are aged up, since there will be mature themes in future parts.

Also, I can’t promise I’ll finish this. I suck at finishing stories.

Chapter One here

—----------------------

“Pleased to meet you Mr. Crowley.”

“It’s a pleasure to meet you as well, Ms. (Y/n)!”

You smiled up at your new boss, taking in his eccentric appearance- everything from his crow feather-lined cape, to his sparkling suit, to his top hat, and to the black bird mask that covered half his face.

That name suits him.

“Now, you’re mainly a researcher, but you will also be assisting with some of the general chores, such as feeding the animals,” Mr. Crowley explained what you already knew.

“That’s alright,” you said, smiling brightly, “That will allow me to observe even more of their behaviors.”

You were fresh out of college and ready to face The Halfling Zoo. There was plenty of debate whether it was okay to treat half-humans as animals and keep them in a zoo, but it was convenient for you. You didn’t have to travel the world to attempt to study animals from afar through a camera lens.

“You will be supervising the lion and hyena exhibit, the wolf exhibit, the panther and tiger exhibit, the bird exhibits, the reptile house, and the aquarium,” Mr. Crowley explained.

“Wait, did you mean to say the lions and hyenas are together? And the panthers and tigers? Or did I misunderstand?” you asked, confused.

“They are bonded groups, so it would be wrong to separate them,” Crowley explained, “Halflings don’t always act like their animal counterparts.”

You nodded, cursing yourself internally. You had learned that on your first day at college! How could I be so stupid to forget about the bonds different Halfling species make?

“Follow me,” Mr. Crowley’s voice broke through your thoughts, “I’ll show you around.”

The two of you left the cramped office in the main staff building and headed out onto the guests’ paths. You could see a few families walking by- less than usual, since it was nearing closing time. It felt as though the sky was growing darker by the minute as the sun made its way down the horizon, beautiful orange and pink clouds lighting its path.

You almost immediately arrived at the lion and hyena exhibit. It was a huge enclosure, the terrain so detailed that you felt as though you had stepped straight into an African savannah. In fact, you could even feel the heat emanating from the ground itself.

“We keep it as hot as their home naturally is,” Mr. Crowley explained, reading your thoughts, “They’re happy here- it’s home with no need to hunt to survive.”

You nodded, but inside you wondered if that was really true or not. Were they really happier in a giant cage on display for humans than they were in Africa? You couldn’t imagine feeling that way.

Mr. Crowley pointed out a big rock where a pride of lions had gathered, “On top of that rock is the top dog- er, cat, I mean. The king of the jungle.”

Upon closer inspection, and a lot more eye strain, you could make out a figure lying on the top of the large rock. It was a Lion Halfling, with tan skin and thick, dark mane of brown hair that fell to his shoulders, except for the braids in front of his face, which were even longer. You could just make out the lion’s ears on top of his head and the lion’s tail draped over the rock’s side.

“And those are the hyenas,” Mr. Crowley supplied, pointing to the edge of the enclosure, “They’re used to aggressive females, so the males might be a little jumpy around you.”

You remembered reading about that in school, but it was amazing to see all the Halflings in person. You couldn’t help but feel excited to study them up close. Imagine if you made a big discovery that no one else had ever discovered about Halflings! After all, there were a lot of unknowns about them.

“Onto the wolf exhibit!” Mr. Crowley said in a sing-song voice.

The enclosure was right across the way from the lions and hyenas, but it had a completely different feel. The air was cooler when you walked up to the giant forest. Through the trees, it was difficult to actually see any wolf halflings. You thought you saw a flash of white, but it was too quick to tell.

“Yes, well, this exhibit is pretty quiet during the day,” the zoo director said awkwardly, “They’ll be out tonight, howling at the moon and whatnot.”

“Wolves don’t actually howl at the moon,” you helpfully supplied, “They howl to communicate with other wolves.”

Mr. Crowley stared at you for a moment and you wondered if you had annoyed him, until he grinned widely, “Such a knowledgeable new researcher!”

You smiled at the compliment, a little embarrassed as the two of you headed for the panther and tiger exhibit. You were surprised to see it alive with Halflings, all of them staring back at the two of you with narrowed eyes.

“There’s two black panthers,” Mr. Crowley pointed them out, “and two albino tigers. The four of them are as thick as thieves.”

You cautiously waved at them, but they merely turned away and disappeared into the jungle enclosure. You wondered if they were somehow curious to see you, or if they always did this to guests.

“Next, the bird exhibits!” Mr. Crowley led the way to the aviary. He pointed out Halflings left and right in the closely-packed enclosures, “A parrot, three albino peacocks, two flamingos, an owl, and a raven. You’ll get to know them well, since they’re mostly all very friendly. Except the peacocks are a little cocky.”

You giggled a little and waved to all the birds. It was a futile effort, because, save for the owl halfling, they were all fast asleep. The owl halfling stayed on his perch, wings tucked around his body, his bespectacled face scrutinizing you. Not in a rude way, just sort of deciding what you were.

You followed Mr. Crowley into a heated building with a glass wall on one side. You peered through the glass wall and immediately spotted the Boa Constrictor Halfling lying against the wall. Human until the torso, which then winded into a snake tail.

“Don’t be fooled!” Mr. Crowley said, “There is more than one snake in that exhibit. See if you can spot it.”

You looked at every angle, struggling to spot anything different. Then, a part of the sand moved and two gray eyes glared back at you.

“A Viper Halfling, right?” you said in awe, “Aren’t those venomous?”

“Ah, yes, well,” Mr. Crowley stuttered a little, “Don’t get bitten.”

You stared at him for a moment before it sunk in. All of these animals, except the birds, were extremely dangerous! And you were going to go into their enclosures to study and feed them? Were you insane?

You pushed down the panic and took a deep breath. This is what you signed up for. You probably already waived all your rights away anyway. You hadn’t looked at the fine print of your contracts, of course.

You noticed another tank on the other side of the room and walked up to it. You couldn’t see anything inside this one, but Mr. Crowley was quick to explain, “There’s a salamander in this one. A beautiful electric blue, but extremely shy.”

You peered inside, trying to catch a glance of blue, but you couldn’t see a thing.

“Lastly, the aquarium,” Mr. Crowley clapped his hands together, as though to bring you back to reality.

The aquarium was a huge glass tank where visitors could go down the stairs and see inside. The two of you walked by it, and saw very little signs of life.

“You’ll probably see the eel twins a bit. They’re a little shy at first, but Floyd is pretty playful. The octopus, on the other hand, rarely leaves his cave. He’ll venture out to eat, but that’s about it. We should have made that damn thing see-through, but it’s too late now.”

You were glad it was a normal cave, and not transparent like the glass. The Octopus Halfling probably felt safe inside it. It wouldn’t be fair to rob him of that simple pleasure.

“That’s the end of your tour, young lady,” Mr. Crowley said cheerfully, “You start bright and early tomorrow, have a long lunch break, then leave late at night. Are you sure you’re ready to do this?”

He looked down at you with a hint of nervousness, as though he expected you to say “no”. But you were determined and excited to explore what your classes had trained you for. Real life application.

“I’m ready!”

Note: So, some of the animals are obvious, but I’m wondering what you all think the others are?

#yandere #yandere x reader #yandere twisted wonderland #twisted wonderland

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coefore · 3 months

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I did it! This is an IDW AU born while watching The Green Knight (2021), specifically from one movie shot that I'd like to redraw. I was torn on whether or not to draw them all as robots or humans, so I started making designs for their human counterparts first - mostly because it is more fun to come up with clothes and accessories. I will eventually tackle a robot version. This is a long post, btw!

Indeed, this is a completely separate version from the Lion King AU I had come up with a couple of years ago, I just borrowed the crowns because I really liked those designs lol.

But let's set the stage under the cut. You can listen to the playlist on spotify dedicated to it: I've placed the songs in sequence so that they can create a certain vibe for the scenes I had in mind. You can read the plot part while listening.

Some character traits

This royalty au supposes a parliamentary monarchy (like the UK, Spain or Japan). This work is an in-between of later Roman/early Medieval aesthetics and some Futuristic Stuff. The Autobot brand is the royal family crest, while the Decepticon brand can be used to signal the Protector and their entourage, but only in formal settings outside the nation. Usually, the Protector can show elements of the Decepticon colours (red) in their attires.

Optimus Prime

Optimus is prideful and domineering: he knows he has the power to do real damage to people. After all, he was born into royalty and has known no other life. He has anger outbursts, but that's a side effect of his paranoia. At the start of the story, he is not the prime yet. He's around 23-24, already suffering from a mental affliction much like schizophrenia, but, just as in ye old days, the court and his father (Zeta) are not really concerned about his odd behaviours. "He is just volatile", you know. He is also dramatic, making big scenes when his emotions are too cooped up. Optimus, though, is not intentionally cruel - this isn't a Shattered Glass au where he wants some kind of bloodlust sated. He has a deep inner mind, feeling much more like a philosopher and a writer than a brute. This makes him a little naive, too, having people in court (like Prowl) taking advantage of him - and sometimes even Megatron uses his influence on Optimus to stir him where he wants to. He reads a lot, is curious, and is deeply in love with Megatron - sometimes becoming a little cringy about it. He can be a bit of a goofball, telling jokes and being rather affectionate with his family. Sadly, he's a Pisces.

Megatron

Megatron is a diligent engineer who just so happens to pick the Prime's son's interest at some point while assisting his father (Terminus, a strict, distant man) in a job at court. Optimus and Megatron are the same age. He is aloof, quiet and a very good listener. That means he often allows people to speak over him or for him - that doesn't mean, however, that he isn't going to correct them or speak his mind. He is just a careful man. Coming from a rather cold family environment, he has a hard time expressing his emotions, both verbally and physically: he kisses and hugs, sure, but that doesn't come naturally to him. After becoming protector, he has a hard time getting used to the court lifestyle since he is quite bothered by the intricacies of royal "rituals", may they be clothing, hairstyles or make-up choices. Or Starscream fussing over him about that all day. He also often stands up against abuse of power, especially from Optimus. They fight quite a lot. He enjoys drawing (buildings, like architecture) and reading novels, but he's not particularly cultured. He is also, sadly, an Aquarius. (And transgender, but this has no political or social bearing in the story besides being Rodimus' biological carrier).

Prowl

Prowl is about fifteen years older than Optimus, becoming his advisor once Zeta Prime passes in "a tragic accident". He is ambitious, cunning and... Deceptive. His ultimate goal is to push Optimus to insanity, convince the parliament he is unfit to rule and become reagent in his stead. This would allow him to create an oligarchy with other senators. His words always support Optimus' delusions, abusing the Prime's naivety for his scheming. Prowl thinks of Optimus as an idiot lucky enough to be born in a high position in the social pyramid. He has attempted various times to "warn" Megatron, one of the few people who is extremely suspicious of Prowl. And by warn, I mean having him pushed down the stairs, giving him a nice broken leg. He also acts suspiciously around Rodimus.

Zeta Prime

Zeta Prime was a balanced, careful ruler. He held concerns about his son's future, as he thought Optimus wasn't fit for a leading role. He was a stern man and often frustrated by Optimus' antics. However, their relationship was on good terms. He was "found" dead by Prowl during a political meeting abroad, as he was standing in for Alpha Trion (Zeta's advisor), prompting Optimus' coronation. Zeta wasn't sick, but all primes in this AU suffer from haemophilia (a hereditary illness that makes it harder for the body to stop bleeding).

Rodimus

Rodimus was born three years into Optimus' primacy. He was brought up in a restrictive environment, as Megatron grew more suspicious of Prowl, fearing for Rodimus' safety. That translated into Rodimus feeling anxious when Megatron's not around (for too long, at least) and becoming a little jealous of him, even if it's Optimus taking Megatron's attention. Rodimus uses "dad" for Megatron and "Father" for Optimus. He doesn't like Optimus too much, usually bearing his presence and ignoring him whenever he can, but deep down he worries about his father, too. He is a very knowledgeable child with a vast vocabulary, as he enjoys books of every kind and, just like his dad, he is a good listener, learning a lot from the "adult conversations" around him. Rodimus is often seen together with Starscream (his nanny, in a way lol), who he is fond of but has difficulties showing it. He becomes Prime-to-be at the age of 16, like all Primes.

Starscream

Starscream was the royal alchemist, an inspired researcher and a man of science. He is loyal and has strong opinions on many subjects, especially on morals and ethics. That is also why, during Zeta's late reign, he was demoted to servant with the accusation of insubordination. He is still a high-grade servant, usually dealing with bureaucracy... Until a new Protector shows up, that is. As soon as Megatron becomes a Protector-to-be, he is assigned the role of first maid in assisting him, a task he takes very seriously. Although Megatron's distance and lack of interactions with him drive him quite mad at first, he slowly realises they're quite compatible. Their relationship evolves into confidants and then friends, as Megatron often takes Starscream's side. Also, Starscream has been suspicious of Prowl since day one. He enjoys Rodimus until he starts being a little opinionated pest-- but he's fond of the child, even as he grows older and more anxious. His hobby is sneaking into the court laboratories and fixing whatever annotations made by other alchemists he deems wrong.

Skywarp & Thundercracker

They are part of the Protector's entourage (and Starscream's brothers). Skywarp is a little airheaded, a bit clumsy, and usually focuses on entertainment, mostly writing poems and songs. He is the only one who knows all the intricate inner passages of the court's buildings by heart, meaning he never gets lost. Thundercracker, on the other hand, is a bit more cocky. He is built like a brick, so he helps with manual tasks and is a decent leader, usually picking up the ranks when Starscream is busy. Both of them were not demoted like their brother, they just started working at the court as high-grade servants. They are very loyal to Megatron, although they treat him more like a royal than a friend.

The Plot (generally speaking)

Optimus is interested in this one engineer working at the court he has seen a couple of times in the last few months. He is gorgeous, and it sounds like a fun time to fill in his afternoons, maybe even getting some sex out of it. That's a thing he hasn't lacked in his life, like most royals he was used to having sex workers available at whim. However, Megatron doesn't seem too affected by the Prime-to-be's attention. He is very deadpan and interested in him as a person; he finds Optimus interesting and funny, so, in a matter of weeks, they kind of hit it off, Optimus falling madly in love with this man, spending most of the time daydreaming and absolutely useless at his duties, much to Zeta's dismay.

As this love story progresses over the next couple of years, Prowl's machination starts rolling out: being a young overachiever, he patiently waits for the chance to get rid of Zeta in a way that doesn't point directly to him. After all, Prowl is trusted and seen as loyal and caring for the Primes he serves; he is an incredibly talented actor, having the support of a few Autobot senators, too. On an out-of-country political trip, he lets Zeta bleed to death, coming back home in a hurry to announce the Prime's death and rushing Optimus' coronation. At this point, Optimus is not mentally ready to hold that position; he is quickly pushed to marry Megatron, making him his Protector. In a matter of a year and a half, Optimus' mental state quickly deteriorates, allowing Prowl to take hold of the neo-Prime's decisions.

Optimus' mental illness worsens, which stresses Megatron into stirring his husband away from Prowl. Rodimus is born in that worried, paranoid environment. Although mostly wanted by Optimus as one of his fixations (and also discouraged by Prowl himself), Rodimus brings more stability to the court. Megatron finally takes hold of Optimus' volatile behaviour as Rodimus grows older, making the Prime doubt his advisor's suggestions more than once. Prowl, thus, "warns" Megatron to lay low, having him pushed down the stairs. The goal wasn't to kill Megatron but to show him Prowl could. As Rodimus turns seven, Megatron becomes more anxious and paranoid, rubbing that over to his son. Optimus doesn't allow them to go around the court or outside without being accompanied.

Prowl's hold on Optimus slowly slips away. At the time of Rodimus' coronation as a Prime-to-be, during a medical examination for his haemophilia, the court physician (Ratchet) tells him he needs to be careful, as that illness was Zeta's cause of death. That was a known thing, of course, but it made Optimus think over the mechanics of his father's death in a way only an obsession-driven man can. He confides with Megatron over his suspicion of Prowl killing his father, and finally, they seem to be on the same page on this...

This is somehow the story up to now. I don't know if I'll update it further. I just enjoy the idea of whatever can happen in this setting. I hope you enjoyed reading this wall of text.

#transformers #shattered glass #maccadam #starscream #megop #megatron #optimus prime #rodimus #megaop #prowl #alternate universe #skywarp #thundercracker #humanformers #fanart #erinni #Spotify #a morte

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ryin-silverfish · 1 month

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I really like Azure Lion as a character. Yeah, you can stop following me now. /j

But no, seriously, I like how LMK has adapted this particular character, given him way more potential complexity than his novel counterpart——not that it's a high bar, the LCR trio of JTTW are just demon warlords living in a literal human slaughterhouse.

Which is why I deeply dislike the take that "Oh, Azure manipulated SWK into fighting the JE! He's just using him like a pawn!" Like, wow, way to completely butcher two characters' personality and agency in one go.

Such takes reduce SWK to some innocent kid, when he is at most an impulsive, daring teenager who haven't met a single real obstacle so far——he robbed the dragon kings blind, and they couldn't do a thing! He struck his name and all his monkeys' names off the Book of Life and Death! What couldn't he do?

And Azure's failing isn't him telling a toddler: "You know what? Driving your tricycle into oncoming traffic will be real fun, trust me kiddo." It's letting his friend go way over the speed limit and not telling him that he should maybe, y'know, slow down, bc he'd seen his epic driving skills, SWK's the bestest driver he ever met, surely nothing would happen!

(And also, no one in that car is sober, except Macaque.)

What I'm getting at here is, even without Azure, SWK is not gonna be content with sitting on his mountain, eating peaches forever. Hell, he sure doesn't in the novel, where his demon king brothers are little more than namedropped NPCs.

He is always gonna want more, chase after greater destinies, drown out that existential ennui and fear of death at the back of his mind with bigger and bigger power-ups and the laughters of his companions.

He told himself he would be content after getting this one thing he wanted. That he could stop at any time. But alas, like any ADHDer, he will not stop at this one exciting thing, and sooner or later, the boredom sets in, and he gets ideas and impulsively leaps into making them reality.

That is the Mind Monkey at his worst: being a whirlwind of chaos, while unknowingly enslaved to his own chaotic mind.

(In the book, this is Wu Cheng'en's reminder to the reader that, even though you shouldn't keep your heart constantly under lock and keys, Neo-Confucian style, the other extreme——letting it go completely wild, disregarding all external rules and consequences, can be equally disastrous.)

And when that car was driven through the Celestial Palace's front door, off a bridge, and straight into a ditch, it was him in the driver's seat, steering the wheels the whole time.

Everyone else in that car failed terribly as friends when they didn't voice any objections, or try to get him off the driver's seat, or realize that cheering and egging him on is an awful idea, however genuine their blind trust was.

Like, they are certainly not helping, and made the situation much, much worse. If you let your buddy drive while under influence and hand him more beers in the car, even if you are also drunk out of your mind and aren't actively trying to get him into a traffic accident, you are a shitty, irresponsible friend.

But the thing is? SWK is still responsible for the consequences of his decisions. He could have stopped, by his own volition, and no one was holding a gun to his head and forcing him to drive. He, too, wanted this.

That, to me, makes a much more interesting narrative than "Poor innocent baby SWK was puppeted into becoming the Great Sage in Heaven by shady blue cat, how awful!"

Oh, and since I'm feeling particularly salty today, I'll also ask some last questions: is SWK so weak-willed and devoid of self-agency to you that he couldn't even OWE his most famous title, the Great Sage in Heaven, 100%, without being manipulated into it?

Is SWK so immature and unintelligent to you that he is incapable of being a genuine idealist or rebel, that he cannot agree, out of the depth of his heart, that the Celestial Realm sucks balls and needs better management?

TL;DR: Havoc! Era Azure Lion isn't some cult leader brainwashing this kid into becoming his figurehead. He's the dumbass who's too busy staring at his teenage crush to care about the blaring police sirens.

Also, I had a bit of an epiphany after writing this: why am I so annoyed by people reading Azure's idealization of SWK as him intentionally manipulating and love-bombing him? Because it is a very western and modern reading.

For someone with traditional Confucian beliefs, it is perfectly normal——it is what you are supposed to feel, as a liege who has found your just and virtuous lord.

If Romance of the Three Kingdoms existed back then, he would probably describe himself as the Guan Yu to SWK's Liu Bei, however wonky the analogy was.

(Gosh, now I want a "Four Classics read each other" crossover.)

I'm not saying it is healthy or wise. But under this context, putting your lord on a pedestral was normalized, and even encouraged, as the virtue of a righteous gentleman. It was the sort of ideals romanticized culture-wide. NOT having such beliefs would probably make you look weird.

And since the Celestial Realm in the novel is a parody of Confucian hierarchy in a Daoist trenchcoat, it was really no surprise that an idealistic ex-celestial soldier would hold the same beliefs.

To torture the analogy further, the problem is that he was trying to be the Guan Yu to SWK's Liu Bei, when the Brotherhood had more in common with the Bandits of the Marsh, down to their giant downer ending.

#lego monkie kid #azure lion #lmk azure lion #lmk sun wukong #sun wukong #rant #chinese literature #journey to the west

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pupsandartwork · 9 months

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Rose flying

She learned she can summon wings although they only last about five minutes

She’s awkward when flying that when she’s just hovering she resorts to an almost sitting position

it took her about six months to fly confidently

although she never got rid of her hovering in a sitting position

Feather watches her when she practices and always rushes to make sure she was ok if she crashed

#art #oc artwork #mia and me #lion king #elf #half elf oc #au #my pride #the lion king human characters #the lion guard #the lion king #crossover #half human half elf oc #half human

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bookishdaze · 16 days

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Noa and Mae as Romeo and Juliet in the Next Planet of the Apes Movie?

Here's why a potential "love story" between Mae and Noa, whether explicit or simply implied, may not be such a terrible idea.

Why? Because Shakespeare told me so, that's why.

"When in doubt, it's from Shakespeare....or the Bible." At least according to a book I had to read for high school, lol.

The biblical references in Caesar's trilogy have been pointed out multiple times already, and these movies have also been described as Shakespearean tragedies. So I thought, 'ok, what kind of Shakespearean tragedy will we have this time around?'

I'm first gonna start off with Hamlet in the Caesar trilogy. I'm also gonna mention other popular movies that are based on Shakespeare's plays. Not necessarily because it's concrete proof that this is what will happen in future POTA movies. This is me simply picking up certain storytelling beats and patterns I've noticed in some of my favorite movies.

It's not 100% the same, but there are some similarities. Also, this isn't anything new. Many have pointed this out before, but I love talking about this stuff!

The Lion King, Black Panther, and Dawn of the Planet of the Apes are loosely based on Hamlet. A king or rightful heir is killed. Usually by an evil uncle, cousin, or family member. For some reason this always results in them falling off a very high cliff.

Everyone thinks they're dead, the evil relative takes power, and everything kinda sucks. There is not enough food in the Pride Lands under Scar's rule. Killmonger burns the heart-shaped herbs. Koba leads the apes to war against the humans.

The rightful ruler spends time in exile, recovering from their wounds and trauma. They might even get a visit or have a recollection of their dead father.

Then the rightful ruler comes back from the dead, challenges the usurper, and regains their rightful place upon the throne.

Now lets take a look at their sequels.

The Lion King 2 and Wakanda Forever share some similarities. They both follow another one of Shakespeare's popular plays, Romeo and Juliet.

Like the Montagues and Capulets, we have two rival kingdoms in both movies. We got the Pridelanders and the Outsiders. We also got the Wakandans and Talokanils.

The two heirs/rulers from both kingdoms meet. They hate and don't trust each other at first, but then they start to have compassion for the other. In Kiara and Kovu's case, they fall in love. Namor and Shuri don't fall in love, but after Namor shows her his underwater kingdom and what he has to protect, she softens and begins to understand him more. (They even got the whole Hades and Persephone thing going on, who are a couple in Greek mythology, by the way).

There are losses on both sides. Kovu's brother was killed while going after Simba. One of Namor's people was killed when Shuri was rescued by Nakia, and Shuri's mother, Queen Ramonda, died after Namor's attack on Wakanda. (Starts nervously eyeing Anaya here...)

These losses make things worse, by the way.

In the end, both pairs are able to bring the fighting between their people to a stop. The Outsiders are welcomed into Simba's pride. The Wakandans and Talokanils stop fighting after seeing their leaders return together.

In the end, they realize that they're the same. That they can't let hate and fear of the other side cloud their judgement.

Kiara tells her father, "A wise king once told me we are one....Look at them. They are us. What differences do you see?"

Shuri tells Namor while she spares his life, "Vengeance has consumed us. We cannot let it consume our people."

And I think this goes well with one of the core themes of these POTA movies. The apes are a mirror to humanity. We the audience are seeing us through them, and the characters in the movies themselves must come to the realization that they're the same.

Like when Caesar tells his son, "I always think ape better than human. I see now how much like them we are."

Maybe something similar like this will happen with Noa and Mae and whatever fight will happen between apes and humans. While I'm all for a good romance, it may end up being more like Namor and Shuri's case. There's something there. The tropes are present, but they don't fall in love. (At least not yet. Please Ryan Coogler, give me Nashuri endgame in Black Panther 3, hehe).

This is just a theory, by the way. This doesn't have to happen, but I just think it'd be neat. There would be differences though. What those differences would be, idk, but whatever happens in the next one, I can't wait!

"But but.... aren't you forgetting something?"

What's that?

"Don't they...ya know...both die at the end?"

Besides, they don't have to die. Things can be a little more hopeful for our two heroes 🙈

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vanessagillings · 2 months

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Please talk about your favorite animated movies and what makes them special to you! I'm really curious about what you enjoyed about them both in the past and now?

haha, okay you asked!

I LOVE animated movies. My theory on this is that it took me a long time to emotionally relate to most media growing up, where I felt next to nothing watching most movies and shows as a young kid, and didn't relate to books until I was quite a lot older (I read picture books until I was around 10, and then suddenly in middle school, I hopped right to adult novels like 1984 and the entire Darkover series by Marion Zimmer Bradley, ha). But even before I emotionally related to fiction, I really enjoyed watching animation. It was nice to look at, and I enjoyed watching everything move and change. I grew up in the 90's where animated movies were largely 2D, and I spent hours watching and re-watching my favorite movies just studying how the characters moved -- it's definitely a lot of where I got my understanding of human expressions from. But I also think as I got older and started to relate more to fiction, animation was easier to parse emotionally than live action. The body language is clear. The stories are direct and not as forgiving of bad human behavior (I get frustrated sometimes with the defeatism in adult media, that assumes that People Just Act Badly, and that just needs to be accepted). Facial expressions are also exaggerated and more stylized -- think of a single arched eyebrow, for example, an expression that's commonly drawn to express one particular emotion in animation/illustration but which you next to never see on a real human face. My first introduction into serious reading was also manga -- a highly visual medium -- which uses a lot of the same tactics stylistically as western animation: big, expressive faces, bold gestures and big stories. Compare manga with western comics being printed at the time and it's even more obvious to me why I didn't particularly like comics until I was given manga as an option -- and thankfully I lived close to a kinokuniya, so I could spend all my allowance on untranslated books and magazines, which is also where I learned Japanese (もうたくさん忘れてしまいましたけど).

As far as my favorite movies? THAT IS SO HARD. The first animated movie that BLEW MY MIND was The Lion King. I saw it in theaters when I was eight and I was obsessed; it was definitely one of my first special interests. I know that entire movie line by line, frame by frame, and I had the stuffed animals and the trading cards and the clothes (man, was I teased for those clothes!). My other favorite movies as a kid were The Land Before Time, American Tale, and The Secret of NIMH (I was a big Don Bluth fan!) which have left deep impressions on how to approach storytelling for children; I warn you, I go hard on emotions for kids, because I needed that as a kid, and I know I'm not alone. Some of my other favorites are anything Miyazaki but especially Howl's Moving Castle (I relate to Sophie a lot), Cloudy with a Chance of Meatballs (what I watch when I'm In A Mood), Ratatouille (a huge source of echolalia for my husband and me, we often detect nuttiness, let me tell you), Wallace and Gromit and Fantastic Mr Fox, which I watch every fall as an autumnal tradition. Even as an adult who likes live action, too, I still tend to like slightly over the top directors like Wes Anderson and Guy Ritchie, or movies that are highly cinematic like Road to Perdition, which is still one of my favorite films of all time.

In my opinion, animation is a super important medium outside of it being a very beautiful one. I truly believe it helped me access and understand emotion better as a child, and as an adult, it's a massive source of inspiration in my own work 💛

(Sorry for length, but you did ask!)

#actually autistic #asks

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yuurei20 · 6 months

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Strange question but!! Yk how the villains are treated as heroes? How on earth did the heroes stories work if they, uh, yk, dont have the villains? Like i briefly remember TWST!Jafar hijacking Aladdin’s plan to fake being a prince, so theres not rlly any more “aladdin” story, but im curious how other stories went if u know! Are the OG heroes still treated as heroes, etc etc, that fun stuff

Hello hello! Thank you so much for this question!!

The different interpretations of history that seem exist in Twst are fascinating, and one of my favorite things is the part in Book 6 where Lilia seems to insinuate that the Disney stories that we know might not actually be what really happened, because history is written by the victors:

These "classic" stories--were they, too, twisted to suit an agenda? Is the truth closer to what is taught as history in Twst, or is it somewhere in the middle? It is so interesting to think about!

For the most part it seems that the heroes from the stories we know are not turned into villains in Twst, and the deeds that are attributed to them were actually done by multiple characters from different folklore:

For example, Harveston has stories about miners and customs based on "a young lady who made a wish at a well," a "traveler" who cleaned a stranger's home and then a tale about "some princess who wished to fall in love right away," as if the young lady, princess and traveler are three separate people.

While basing their traditions on the miners, the lady and traveler, they also deify the Fairest Queen, as if they are all independent individuals with no overlap.

One of the more interesting parts of the Fairest Queen's history, in particular, is that there is actually a "dastardly villain" in Harveston folklore that stalks a woman who is then saved by forest creatures.

The huntsman is--just like the queen--not a villain in the Twst universe. Who was who, and what really happened? 👀

For the Scalding Sands, it seems that the unnamed princess and the sultan from local stories are just as revered as the Sorcerer of the Sands himself, with the sultan known to be the person who named the Sorcerer as his vizier and retaining their connection from the story we know.

Much like in Harveston, the history of the Scalding Sands seems to attribute what we believe to be the history of just one character to multiple individuals: Kalim talks about the Sorcerer saving his country from a street rat, who was a swindler/charlatan/usurper who tried to trick the sultan and princess, in a rare case of a "hero" being vilified.

But they also have folklore about "a poor but kind-hearted young man" who shared his food with children, and whose marriage to the beautiful princess they celebrate every year with a festival.

Whereas the Disney movies make the charlatan and the kind man into one person, in Twst's history it seems they were two different people.

Diasomnia is very big on the Thorn Fairy, and they also talk about the human king who feared her, the princess whose birthday she was not invited to (Silver: "Was their king raised in a barn?") and the three presents that the princess received.

Lilia talks about a trio of fairies that were not able to break the Thorn Fairy's curses and also put an entire kingdom to sleep, while Silver comments on how Lilia is consciously, intentionally emulating the three fairies from that tale with his cooking.

Silver and Malleus discuss "some faeries" raising a child for 16 years without magic, but they do not seem to know why they did so, and it is unclear if they believe that those faeries and the three faeries that put the kingdom to sleep are the same or different people.

Heartslabyul seems to separate Alice into two different characters as well, referring to a 1-km-tall giant that the Queen of Hearts tried in court and a child that got lost in the castle as if they were two people.

The only reference we get of the "heroes" of the Lion King tale are Jack referring to the King of Beast's "rascal of a nephew" and Leona mentioning that he deposed his brother "to build a better, wiser kingdom."

While the characters seem similar to the stories we know it's possible that the timelines are slightly different, with the rebirth of the pridelands being attributed to the King of Beasts himself rather than his nephew.

The history of the Sea Witch in Twst might be the most fascinating: the characters reference the Sea Witch taking someone's voice for a contract and making a shapeshifting potion to facilitate love between a mermaid and a human, but also turning herself into a human and being proposed to by a prince the next day, with no acknowledgement that the human from the first tale and the prince from the second might have been the same person.

They also talk about the eels flipping over a boat and a mermaid princess who had trouble walking on land, but there is no mention of the princess being in the boat in the eel story.

Octavinelle even acknowledges that the Sea Witch once made herself huge and sunk a ship with a whirlpool and "some even labeled her a monster," saying that she was later lauded as a compassionate figure after turning over a new leaf. (While the less-than-pleasant deeds done by the Sorcerer, the Fairest Queen and the King of Beasts in the stories that we know are never mentioned.)

Silver's tale from Halloween seems to be an exception to this rule. Everything done by the "hero" in the tale we know is still attributed to the hero in the story that Silver knows, and the enemy army is still the enemy army.

To the initial question: it seems that the heroes from the histories that we know are still being regarded as heroes in Twst (though they tend to get separated into multiple people), while the characters that we know as villains are also highly regarded. This sometimes includes their pasts (in the case of the Sea Witch and the Queen of Hearts), being separated from their pasts (in the case of the Hunter) or with no mention of their pasts (the King of Beasts, the Sorcerer of the Sands, the Fairest Queen, the Thorn Fairy).

(Not a lot of information about the King of the Underworld when compared to the others! Idia mostly just talks about how charismatic he was. Ortho suggests something about "the truth" about him being closer to Idia's own situation than they have been taught, but Idia is not convinced.)

Also: there is a reference to a hero rescuing his ladylove from the Underworld in Book 6, so it seems the hero in that tale remains a hero in Twst as well!

#twstask

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dungeon-brain-rot200 · 2 months

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Dungeon Menshi spoilers:

It is interesting how in Dungeon Meshi, history of the Golden kingdom is a circle. A power fuel kingdom appearing out of nowhere, lead by a tallman in the world dominated by the long living races. Dergal and his ancestors even have some similarities in look to Laios. As well as Thistle and Marcille being elven court mages, with the fear of loosing their new family because of lifespan difference. And Laios court advisors (Kabru) being cautious of long living races plots the same way that court advisors didn't wanted for the Dergal father to have an adult elven mage in fear of them influencing the king in a wrong way. In general both Laios and Marcille are characters that do not fit their current society. Marcille uses dark arts, now forbidden yet once openly practiced magic, as well as her life span is closer to elves from centuries ago. And Laios while we can't say he would fit better in, in the past, well what about future? His fascination with monsters can remind us of cryptid lovers or even our days biologist! Humans in the past weren't studying animals and if someone would have this kind of hobby they would find it quiet strang I think.

I think this is also part of Dungeon teachings. In the end Marcille and Laios as well as Chilchuck (someone that really fits in the current world.), Senshi and Izutsumi (both not really belonging in the now, yet they don't fit into past and future either.) bring back an ancient kingdom and save the world. It is the fusion of what was is and will be that helps in this task, that helps to creat a better tomorrow. We can not reject the past, we need to learn from it (like Marcille learned from tragedy of Thistle life) and bring the best parts from it with us. We also need to be brave enough to break conventions and typical ways of thinking (As Laios monster fascination and his overthinking of their traits were the key to defeating the Winged Lion). But we can not forget those people of now and those that do not fit (As relationships with and skill set of Chilchuck, Senshi and Izutsumi helped to keep Laios and Marcille grounded and break the Lions hold on them). In the end it will help us to creat a better tomorrow.

#dungeon meshi #laios touden #marcille #laois #senshi #chilchuck #delicious in dungeon #izutsumi #marcille donato

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peony-flowerking7 · 2 months

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Duzhe Character Sheet

Duzhe

She/They

Age: 20-24

Height: 5'10

Titles: Big Sib, Insect, Fairy, Little One, Captain, Old friend, gift.

Affiliation: Pigsy's Noodle

Occupations: delivery, cook, support and Mk big sibling

Weapon of choice: Debating

Home: Megapolis

Likes: Mysteries, space, myths and history, their friends, the unknown, make-up and cats anything with cats

Dislikes: letting her emotions control them, hurting Mk, eggplants, shorts, their legs, someone ruining her plan

Family: Pigsy, Tang, Mk

Friends/Allies: Mei, Sandy, Tang, Pigsy, Mk, Monkey King, Mo, Demon Bull Family (even Princess Iron Fan), Nezha, Macaque, Bai He, Jin and Yin, the Two Guardian Lions, Nakazawa, Wang Laoshi.

Enemy: Lady Bone Demon, Mayor, Spider Demons especially Spider Queen.

Duzhe is a college student with a chance of many dreams, although they unfortunately got way too involved with Mk's problems. They are the support and try their best, she only won one time yet she's proud of it. She works at Pigsy's Noodle with Mk and seems to be a bit responsible although she can slack off a little bit like her brother.

You could say they are the complete opposite of Mk, but that would be a lie. Mk and Duzhe have few similar traits, only thing to differentiate them from people thinking they are twins is that Duzhe has common sense. Duzhe has higher intelligence than Mk, she is very good at problem solving and just as Mk she can create a plan that half of the time can work. They are a big fan of space and wants to one day conquer it, everything about space is inherently more interesting than their life. Though they know their dreams are not reachable. It's the reason why they stook with the same hobbies as Tang except that they likes to expand themselves more on that knowledge.

Can be short-tempered if provoke and hate acting without thinking. She hold and manages their emotions pretty well. Once they do they act without thinking they messed thing up. She can be just as eccentric as Mk but keeps to themselves, they prefer thinking with their head than with their heart. They have trust issues against Macaque yet considers him as a powerful ally. Sometimes when situation are extremely stressful they can freeze up and go unresponsive, they have been getting a better handle on this response as they've been getting use to the adventures. Even so it still happens and Duzhe has no control over it.

They have rivalry with Princess Iron Fan, must be an hubris thing yet both have fought against each other. Their last encounter Princess Iron Fan call it a truce with Mk though that means Duzhe and her are in neutral tones...that doesn't mean they wouldn't fight each other at sight. They are sociable just as much as Mk and can make a friend in seconds, although most of their friends seemed to be more demon than humans. Either way, it's friendship and they care more about that.

Duzhe lacks physical abilities such as fighting or running. Overtime Wukong and Macaque's training have increase Duzhe abilities and have been able to manage their body pretty well, that saying they are getting a bit stronger and might even get stronger. Duzhe also has a fear towards The Mayor after an incident that had happened, she hates remembering that.

There's more to add about Duzhe but only as the story progresses.

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