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sapphic-agent · 2 months

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Rewriting the Gaang in LOK

Basically how I would have written the adult Gaang. Pretend the comics as they are don't exist.

Katara: Breaks up with Aang sometime post-finale to do some soul-searching. Travels the world on her own and sees how people are struggling after the war. After talking (beating) some sense into a few government officials, she realizes that the best way to help people post-war is through politics. She becomes an (unofficial) ambassador, helping and negotiating aid for small villages that tend to get overlooked and does this for a number of years. She joins up with Zuko and Aang after they found the United Republic of Nations and becomes Councilwoman Katara, representative of the Southern Water Tribe. She eventually gets voted chairwoman due to her passion to improve the lives of the citizens (and because her fellow council members are too scared to vote against her). She heals on the side when she needs to, but only out of obligation since she can't stand to see people suffer; she puts much more effort into getting raising funds for a hospital full of healers. A few years later, Haru moves to Republic City and is just as awestruck by her as he was the day they met (the pornstache has been removed by divine intervention). They meet up a couple of times; for drinks after work, walks around the city, and they even attend a few galas together. They eventually start dating and get married two years later. They have their first daughter Kya (who's an earthbender), a son- Tyro (who's a nonbender), and another daughter Suma (who's a waterbender). They live a happy, peaceful (if you could call Katara stopping the occasional criminal before the police peaceful) life together where their children are well-loved and as part of the Southern Water Tribe as they are the Earth Kingdom. Aang's death hits their family hard, but they all come together and support each other. Katara personally mentors Korra, even convincing her family move to Republic City so that the Avatar knows the people she's meant to protect (the White Lotus protests, they fail❤️). She teaches Korra Waterbending, but also teaches her empathy and appreciation for other cultures (and that sometimes, selfish world leaders need a good punch to the face, a lesson Korra took to heart even though she absolutely wasn't supposed to see it).

Aang: Is torn up after Katara breaks up with him. He's hurt and confused and doesn't know what to do with himself. He retreats to Ba Sing Se where he talks with Iroh and learns that he unfairly pushed his feelings onto Katara. Wracked with guilt at hurting someone he cares about so much, Aang realizes that he has a lot of growing up to do. He focuses on his job as the Avatar, working closely with Zuko, Kuei, and the other leaders to heal the world after the war. The first time he sees Katara again is when she arrives to help with the United Republic of Nations. He apologizes to her and Katara forgives him, promising they'll always be best friends. His role in Republic City is more or less the same, though at some point he develops feelings for Toph. But he fears doing to her what he had done to Katara, so he tries to ignore them. But Toph, never one to beat around the bush, point-blank asks him if he's ever gonna man-up and confess to her. They start dating, and Lin comes a few months later as a surprise. They have their hiccups- Aang especially needing to reconcile with the fact that there's a chance she might not be an Airbender- but they manage to resolve them. Lin is an Earthender, of course, but Aang loves his little girl to pieces (which is good, because Toph would kill him if she suspected otherwise). Tenzin is born three years later, an Airbender, and Su Yin is born two years after that as an Earthbender. Lastly there's Bumi, a nonbender. There's always the urge to favor Tenzin, but Aang knows he can't. They're all his children and they deserve to be treated as such. So he teaches them all about their culture, takes them all on trips. The kids fight, but Aang is always quick to help resolve it (as it turns out, getting Lin and Su to stop fighting is a lot harder than getting the four nations to get along, go figure). Aang loves his wife and kids and wouldn't trade any of them for the world. He dies peacefully at age 66, surrounded by his children and the love of his life.

Sokka: Fucking hates politics. He'll leave the negotiating and speeches to his sister, thank you very much. If the room of government officials isn't a war room, he wants no part in it. After the war, he spends most of his time in the Southern Water Tribe. He works with his father to rebuild and relearn their culture, and writes frequent letters to his sister. Though, something about his life in the south is unfulfilling. Maybe he misses Suki, but there's something about inventing that calls to him. He can't do much of that in the south pole, so he leaves for the Earth Kingdom, helping villages struggling with heat, agriculture, transportation, etc. In the United Republic of Nations, he becomes lead engineer of the city, utilizing bending to make quick technological advances. He and Suki reunite in Republic City where Suki becomes the police chief. They get back together and have a daughter, Lian. The three of them live a simple life together, until Suki gets gravely injured in the line of duty when Lian is twenty. They decide to retire to the Southern Water Tribe where Sokka takes over for Hakoda as chief and prepares Lian to take over for him.

Toph: When Toph hears that Twinkle Toes and Sparky finally started that fancy new city, she thinks it's the perfect opportunity to cause a little chaos. Closing her metalbending school, she decides to relive her days as the Blind Bandit by founding pro-bending (thanks @ecoterrorist-katara for the idea!). Zuko's a hater and tries to shut it down because "safety," but finds no help in Aang who really, really loves the idea. He goes to every one of her matches and Toph feels both smug pride and... Something else. But she tells herself it would never happen, Twinkle Toes likes girls like Sugar Queen and she was the furthest thing from that. But she isn't totally oblivious, she can feel his heartbeat pick up when he's around her and how he's started to stutter when he's talking to her. So she bites the bullet and they start happily dating. But the arrival of Lin uncovers issues she didn't even know were there. Lin cries loudly and for Toph who relies heavily on her sense of hearing, it's hell. She was also unprepared for how much her body would change. She finds herself not wanting to be around her daughter. But Aang realizes this and urges her to talk to someone. After some arguing, she does. Aang is attentive, so Toph can take breaks when she needs to and Katara and Suki are always ready to get her out of the house when she's overwhelmed. Things with Lin get better and when Tenzin comes around she doesn't suffer nearly as much. Su Yin is similar. It's hard with Bumi because she's older, but Aang and her friends are there to support her. Toph can be distant with her children- her closely monitored childhood always present in her mind- but sees how Aang can be doting and allow their kids freedom. She follows by his example, trying to find a balance between hovering and absence. Aang's death is the worst day of her life- she was there, she felt his heart stop- and she retreats into the swamp for a while to grieve. But she returns to Republic City when Katara begins to mentor the new Avatar. Not to be outdone by Sugar Queen, she becomes Korra's second teacher. It's hard to be around Korra sometimes, but she likes the girl's spunk and attitude, even if she is a brat.

Zuko: Zuko struggles after the war. The obligations of the Fire Lord are crushing and daunting and the fear of turning into his father feels like it's constantly looming over his head. Mai doesn't understand why he's struggling so much and he can't figure out how to explain it to her, so they break up. She goes to Kyoshi Island to spend time with Ty Lee and figure out what she wants in life. Stressed, burnt-out, and heartbroken, Zuko asks Aang to kill him if he ever starts to act like Ozai, but Aang steadfastly refuses, berating him for even suggesting it. Aang assures him that he'll never turn into his father and that he has his friends to rely on. He follows after Aang to Ba Sing Se, working in his uncle's tea shop as a much needed break. He opens up to Iroh about his fears and Iroh affirms that even having these worries proves that he'll never be Ozai. He spends time in Ba Sing Se working in the tea shop and negotiating with the Earth King when he meets Jin again. She's as carefree as she was back then and Zuko is both envious and in awe of it. But he knows he can't have a relationship with her, he can't burden her with his problems. But Jin is gently persistent, lending an ear when he needs one and assuring him that he isn't burdening her. When she asks him if he wants to be with her, he confesses that he does- more than anything- but also admits that he has no idea how it'll work. She tells him that if they want to be together no one should stop them. A year later, they're married and she's crowned Fire Lady Jin. There are some protests to their relationship from traditionalists, but Ambassador Katara (Zuko is so sure that she was never actually given that title, but he can't prove it) is quick to shut them down citing that the Fire Lord marrying an Earth Kingdom girl is a sign of unity. They have their daughter, Izumi, and she's Zuko's entire world. Zuko's greatest fear is that his children will end up like him and Azula, so he refrains from having more kids. Jin respects this, but urges him to talk to Azula. So he does; his sister curses him out, but seems to enjoy his company in her own way. They'll never have a good relationship, but Zuko doesn't want her to feel alone so he makes time at least once a week. It's shortly after Aang's death that Zuko relinquishes the title of Fire Lord to Izumi, his grief over his lifetime friend far too painful. Eventually, though, Katara and Toph bully him into training the new Avatar. It's not a role for a retired Fire Lord, but Zuko knows that the world needs Korra to be strong and it's his responsibility to make that happen as much as he can. And so, he becomes Avatar Korra's third teacher (if you told him 60 years ago that he'd become the Avatar's most sane instructor, he'd think you were high on cactus juice. But with Katara punching dictators in the face and Toph breaking every rule ever written, someone has to be a good influence).

Occupations if you missed them:

Katara: (Unofficial/Self-proclaimed) Ambassador of the Southern Water Tribe, United Republic of Nations Councilwoman and later Chairwoman, Healer (on the side), Waterbending Master to the Avatar

Aang: Avatar, United Republic of Nations Councilman

Sokka: Engineer and Inventor, Chief of the Southern Water Tribe

Toph: Pro-Bender, Manager of the Pro-Bending Arena, Earthbending Master to the Avatar

Zuko: Fire Lord, Firebending Master to the Avatar

Suki: Police Chief of Republic City (I'm sorry I didn't make a detailed background for her I got lazy, I promise I don't love her any less😭)

Defending my ship choices:

Harutara: Come on, y'all know what I'm about at this point. They're my everything, how could I not have them together? Plus, there's something really poetic about Haru falling for her as an adult the way he did as a teenager: watching her inspire those around her. I headcanon that he's enamoured with the sound of her voice because it's the voice that liberated him and his people and he attends all her speeches

Taang: I actually wasn't sure about this one. I'm not an active Taang shipper, but I do think they'd really balance each other out. Toph is the hard ass Aang needs to challenge him and Aang would bring out the softer side in her. Toph would never let Aang favor one kid over the other and Aang wouldn't let Toph neglect their kids. So looking at it like that, I felt them being together would be best for the story

Sukka: It's not as perfect in canon as people make it out to be, but I still love them. I wouldn't want any different for them

Jinko: This one actually made more sense than I would have thought. Jin is very different from Mai, so I can really see her being what Zuko needs considering where he would be mentally. I like Mai, but I feel Maiko really made her way more one dimensional so her living with Ty Lee and finding herself feels like a better end for her (and if they start dating, that's no one's business). And we've already seen Zuko go out of his way to make Jin happy so it's not like we're getting another Kataang situation. I'm happy with this for them

The Kids:

Yes, I purposely made Kya an Earthbender. And yes, Katara still gives her her mother's necklace. Because that's her firstborn daughter no matter what element she does (or doesn't) bend. One thing I hate is that Bryke made the Kataang kids primarily part of the culture that they bend. That's such a slap in the face to biracial kids, not to mention poor Bumi who doesn't seem to belong to either for some reason until he ends up an Airbender. So yeah, all of the Harutara kids are part of the EK and SWT. Suma is a name I made up because it sounded pretty

I know it's weird to think of Lin and Tenzin as siblings, I felt so odd writing it. But I love them both so I couldn't just not write them. I made Bumi the youngest so he could be spoiled because he deserved better in canon. Su and Lin have a better relationship, but they still butt heads because they feel the need to one-up each other due to them both being Earthbenders (and later Metalbenders). Lin still becomes a cop, but their big fight never happened because Su was never neglected to the point of becoming a criminal. All four kids are taught Air Nomad culture and traditions and taken on trips because Aang is a decent father

I named Lian partly after Yue, since Yuèliàng means moon in Chinese. One of my gripes with LOK is that Katara and Sokka's family are meant to be the leaders of the SWT. Kya or Bumi should be the chief in canon, but Bryke just... Didn't do that for some reason. So fuck it, Sokka's daughter is chief now

Nothing really changes about Izumi, although I'd say she's a little friendlier. I contemplated giving Zuko more kids, but I actually think his decision not to have more kids was one of Bryke's better choices. It makes sense, so I didn't feel the need to change it

Other notes:

The Gaang teaching/helping raise baby Korra is something I live for

The Red Lotus is swiftly dealt with by Katara, Toph, Zuko, Suki, and Sokka when Korra is a kid. They never stood a chance. I was actually going to have Sokka still die during the attack in the SWT and Suki kill Zaheer in revenge, but eh I decided not to off Sokka

The Civil War still happens, but differently. I don't have the patience to go into that, just know that Katara is HEAVILY involved

Welp, that's everything in my brain

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quotidianish · 10 months

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TF2 x ATLA AU :3

Lore, close ups, and doodles underneath !

Scout, Pauling, and Ludwig are the main three- scout, who’s an (admittedly shitty) airbender but not the avatar, who ran away after his father left. Once spotted by fire nation soldiers, he is presumed to be the avatar- and scout basks in the glory of his false identity. Pauling- a studious, too serious for her own good, non-bender, who’s Medic’s student. She’s of the southern water tribe, treating medic like her paternal figure after the disappearance of her aunt. Medic is (unbeknownst to pauling and scout) a blood bender who was exiled for his practices. He doesn’t seem to care for anyone or anything, also being very jovial and cheery.

All Pauling and Scout know is that Ludwig was exiled from the northern water tribe then fled to the south for an undisclosed reason. Pauling never bothered to pry and the Scout was too intimidated to. Here the avatar cycle has indeed been broken. It’s up to a group of nine ragtag men and one mousy girl to defeat Gray Mann.

And the main three villains are soldier, demo, and sniper who're all fire nation folk. Sort of the team rocket; never truly competent enough to cause real damage, that or their hearts truly aren’t in it.

Soldier's a fire bender who specializes in jet propulsion and was kicked out of the army. He thinks if he steals back the avatar, they'll let him back in. A weapon since childhood, once a bully, always a bully, or so he’s heard.Character arc being the realization the fire nation army isn't worth fighting for. Surprisingly, he is very good with spirits, opposite to his best friend, Tavish, who despises them.

Demo’s just trying to impress his mum and be a good friend to the Soldier. People pleasing tendencies, that's his character arc. He's supposedly a non bender who's mighty good with swords; but underneath his inconspicuous-ish eye patch holds a combustion bending tattoo. Only Jane knows this. Well-versed in calligraphy.

Sniper is a 26 year old yuyan archer who was discharged for failing a mission while he was young. He joined the other two with the same goal as the Soldier. His yuyan archer tattoo still remains. He's a non bender with excellent aim, who grew up on the rural outskirts of the fire nation. His character arc is something about not adhering to expectations and learning who he's fighting for; a combination of the demoman and the soldier’s lessons.

Spy's a crusty airbender constantly sporting a mask to hide his tattoos, and knife. Nobody has a clue where he's from and he takes orders from whoever pays him best. His airbending tricks are so subtle, the public believes him to be a crafty nonbender. Usually said tricks are only invisibility and voice alteration. While not assassinating political figures he traverses the spirit world looking for his wife, a fellow air nomad, avoiding physical aging in brief sprints of time. He returns on a well paid mission to kill the “avatar,” which was presumably the scout. Little does he know, that weird whiteboy is just some lame airbender. Who’s also his son. His bad.

Engineers the metalbender; an art perfected by his ancestors and passed down in whispers to him. I haven't developed him much. He teaches the Scout what he knows while obscuring information on how he got that metal arm. Him and the Pyro have a shared love of blacksmithing. From an explosion, he thinks..

Pyro's a spirit probably. Nobody knows what he is. Where he’s from? Pyro. What’s his gender? Pyro. Guy who sets things on fire. Presumably human judging by his questionable use of what looks to be fire bending. And also the Spy's companion! They met in the spirit world. He and the Soldier form a close bond quite quickly thanks to their good graces with spirits (to Tavish’s immense dismay).

Heavy's an earth bender who continues to win in underground fights. Residing in ba sing se with his three sisters and elderly mother, scout pauling and medic meet him in an earth bender championship. Despite what his appearance suggests, his patience is unmatched, which is his greatest strength. He has near -perfect seismic sense. He and the Medic get on quite well, and after the fire lord has been struck down, form a duo in the ring, earning even more won championships.

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mugentakeda · 8 months

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the successful aftermath of the first ever (improvised) top surgery, invented by master katara of the southern water tribe and performed on fire lord zuko (circa 104 ag)

#sokka is a prodigy inventor that specializes in engineering and tactics.#and katara is a prodigy that specializes in EVIL SURGERY and ANATOMY MURDER. she just doesnt know it yet.#and zuko is her NUMBER ONE ENABLER #its like how azula is a prodigy in firebending and zuko is a prodigy in breaking and entering #hes like I bet you anything we can use bloodbending for good things (trying to make her feel better about it)#and it leads to unethical medical practices (because they cant do anything legal and normal for fun together)#she didnt even come up with a plan for how she was gonna do it she free styled and it worked #sokka hates them both so much hes never leaving them unattended together for longer than 5 minutes ever again #atla #avatar the last airbender #katara #zuko #blood tw #alicias art

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yourfaveisafearavatar · 2 months

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The Fat Controller AKA Sir Topham Hatt from Thomas and Friends is an Avatar of the Slaughter.

#the fat controller #sir topham hatt #thomas and friends #thomas the tank engine #the magnus archives #tma #tma headcanons #avatar of the slaughter

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volleypearlfan · 2 years

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On Cringe Culture, Kids' Shows, and Elitism

i'M nOt rEaDiNg aLl tHaT" Ok, scroll down for the TL:DR. (Also on SpaceHey and Blogspot)

The now ex-CEO of Disney, Bob Chapek, has stated the animation is only for children. Never mind that this is the same company that owns The Simpsons, and was founded by a guy who said, and I quote "You're dead if you aim only for kids. Adults are only kids grown up, anyway."

Naturally, this has caused universal backlash within the animation community, with many people defending animation as a medium for everyone, not just kids. However, the animation community was also mocked by outsiders for using kids' shows, such as Gravity Falls, to prove that animation is for everyone. In fact, the animation community (more specifically the western animation community) has always been cruelly harassed by outsiders for watching cartoons, especially ones aimed at children.

There is nothing wrong with watching children's shows AT ALL. Watching kids' shows doesn't make you immature, a pedophile, or whatever bullshit that outsiders want to spew. Remember the Walt Disney quote above; many kids' shows are designed to be appealing to multiple audiences, including adults. Kids' shows with adult appeal (or ones that don't annoy the living daylights out of parents, or are legitimately good for kids) are more likely to be praised and recommended by said parents than, say, Cocomelon.

However, because of the stigma attached to kids' shows, many animation fans feel the need to hate on/ignore slice-of-life or comedy cartoons, while only praising plot-driven or "dark" ones like Gravity Falls, The Owl House, and Avatar, and say that they are "not for kids." Again, there is NOTHING wrong with liking kids' shows (these shows do feel more YA-ish though, but that's another subject for another blog). All three of these shows are very high quality, and you don't need to justify your enjoyment of them to outsiders. The constant prioritization of dramatic cartoons over lighthearted ones in the cartoon fandom creates a sense of snobby elitism, and leads to...

...fans of lighthearted shows like Big City Greens and My Little Pony: Friendship is Magic being bullied for liking said shows because they are "childish." Which, in turn, leads to fans of lighthearted kids' shows trying to make their shows seem dark in order to make the elitists like them. Back in the day, many bronies made dark fan works based on MLP such as "Cupcakes," "Smile HD," and "Rainbow Factory" and put them out in public with no age restriction, resulting in a bunch of traumatized children. The bronies also acted like they were the target audience and not children.

Apart from the bronies' fan works, MLP also suffered from exaggerated darkness on TV Tropes subpages. Speaking of TV Tropes, there was a very infamous incident regarding the kids' show "Ready Jet Go!" Aside from the stigma surrounding general kids' programs, you also have the stigma attached to preschool shows that they are dumb and for babies (never mind that babies/infants are too young to watch TV, and if they watch it before they turn 2, it would really hurt their brain. Look up the Baby Einstein controversy for more info), especially with GoAnimate users making it hip to hate on Dora and Barney. Not every preschool/elementary show is the same as Cocomelon. There are many high-quality programs for the little ones such as Arthur, Cyberchase, Sesame Street, Bluey, Mister Rogers, VeggieTales, Oswald, Blue's Clues, LazyTown, Bear in the Big Blue House, and WordGirl. Can you really blame fans for liking them when they’re just so good?

With all this in mind, someone once made a Nightmare Fuel page for Ready Jet Go on TV Tropes in order to make it more popular, because the user felt alone in liking the show and it was a big comfort for them. They also cited the snobbery of the cartoon community as a reason for their making the page on the Nightmare Fuel cleanup thread. The page was eventually deleted because it was mocked cruelly by 4chan. It didn't make the show more popular, it gave it a bad reputation.

The user shouldn't have to had made that stupid page with examples exaggerating the show's supposed scariness. If it weren't for the cartoon community being a bunch of elitists, as well as the kids/preschool show stigma, this wouldn't have happened. The sad part is, even though the page is long gone, the page STILL gets brought up by RJG haters to mock the show, its' fans, and TV Tropes for "pissing their pants over Ready Jet Go" which is beating a dead horse at this point. Seriously, make like Elsa and LET IT GO. Please stop bringing it up, and if you’re reading this blog, please don’t look it up. Please have sympathy for Ready Jet Go fans. We’re actually a very nice fandom.

The 4chan bullying also ties into cringe culture. On sites such as DeviantArt, Instagram, Twitter, YouTube, Reddit, and 4chan, many people are considered "cringe" and cyberbullied for "crimes" like making a colorful character or watching cartoons. The cyberbullies in question are just a bunch of pathetic lowlives who bully people for being happy, because they think that bullying happy people will make them feel better about their disgusting selves.

As noted here, cringe culture affects autistic people the most. Autistic people tend to get really passionate about their favorite things, or "special interests," and like to talk about them all the time and make their own characters. But according to some unwritten rule of society, your OCs have to be as deep as Shakespeare, and you're not allowed to like 'childish' things even a little bit. (I think it's worth mentioning that the Nightmare Fuel person was autistic themselves). Many proponents of cringe culture participate in concern trolling, acting like they don't want so-called "cringe" people to be bullied and want them to be good artists/writers. Cringe culture doesn't make people become better creators, it makes them become boring creators and repressing their true passions.

Every autistic person is different, which is why it's called the autism spectrum. However, it is true that a lot of autistic people enjoy children's media, likely because of how calming and simple they tend to be. For example, Thomas the Tank Engine is very popular with autistics because the engines' emotions are easy to tell, and the show has a chill atmosphere (by the way, the Thomas fandom is a frequent victim of cringe culture). Plus, it legitimately has Tolkien-level lore dating back to the 1940s. I'm not even kidding, look up "The Island of Sodor: Its People, History and Railways." It always pisses me off when outsiders act surprised that "tHOmAs tHe tRaIn hAs A fAnDoM?!?1!" It's based on a book series that's existed since 1945, of fucking course it has a fandom, dumbass.

TL;DR - 'Animation is for everyone' and 'it's okay to like kids' cartoons/lighthearted cartoons' are statements that can and should co-exist. Also, autistic people can like whatever they want and those who harass them are the scum of the earth.

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