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#that just means my drawing tablet is broken
omchar · 3 months
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realized that some of my last digital sketches were of the guy, so you get more of my oc >:D
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also, traditional doodle because i have brainrot
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foreverephemeral-art · 5 months
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I love this creautre............
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daenerysoftarth · 9 months
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if someone doesn’t draw sansa running around the vale with myranda royce, relishing the opportunity to be a carefree simple child again whilst simultaneously knowing that her entire situation is precarious and rests on the edge of a knife.. but nonetheless letting herself enjoy her youth just for one more moment…. if someone doesn’t draw this scene I’m gonna scream
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shrublee · 1 year
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Sometimes I remember I haven't made a fully colored drawing in awhile and get upset at myself THEN I REMEMBER THAT MY TABLET IS LITERALLY BROKEN????
LIKE WHAT AM I SUPPOSED TO DO???
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kapitein-oranghien-29 · 3 months
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Hello dear followers! ฅ^•ﻌ•^ฅ
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My tablet's glass has broken, and the frame slightly dented when it fell off my bureau. I've been to the repair store, and it will indeed cost 578 euros to fix the screen of my broken ipad, the one I draw on. Since it's a model from 2017, there's just less out there to fix it. But there's also the fact that it might not work when I do get it fixed. Or that it will die and slow in the coming years by its age, making fixing it an expensive band-aid. So the opinion of the ones around me is that I would be better off buying a new tablet. And as you know, that is a quite expensive ordeal, looking at the prices around 1000 euro (*ノヮノ)
I just have no choice, and after a few tears and a night of sleep, I decided that I still want to continue doing (digital) art. (´。• ᵕ •。`) ♡
But with the costs of the tablets, I will be forced to at least wait till my payday to even think of buying one. This means comms will have about a 3 week delay. Rn, I'm trying to hold my tablet together with tape, so at least I won't be cut by the splinters. For the comms that I've already started I will finish them on my tablet to the best of my abilities, but for the ones I've only made a sketch for or yet to start, I will feel more secure if I start them on my new coming tablet.
So, I'll be scraping together some money for the new one, and maybe will do doodles for a buck or something to try and raise a little buffer? If you want to support me, I'd appreciate it so much! But don't feel obliged! I have a savings account I can dip into a little bit. ^^’
You can sun to my patreon and see spicy doodles and past comms! It's a euro per month, and you can cancel whenever too! (˵ ͡° ͜ʖ ͡°˵)
patreon.com/KapiteinOranghien
There is nothing posted on there, butt you can drop me a kofi (・ω<)
https://ko-fi.com/kapitein_oranghien
Any help, including just, sending positive thoughts is appreciated, and I take that all to heart. After all, you guys liking my art spurs me on to make more!
🧡 kap
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frostfire-17 · 6 months
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What is cuneiform?
@ipsomaniac asked if I could explain the cuneiform system, and so I am going to give it a shot. Here goes! (Update: it got long! But there's pictures!)
Part I: What does it look like? How do we work with it?
This is the cuneiform script:
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This is a first-millennium BC text of Sargon II, in Akkadian (specifically Neo-Assyrian). My user icon is a much older Sumerian text. In a second we'll see some Hittite. Just like the Latin script is used for English, French, Turkish, and many other languages today, the cuneiform script was used for lots of languages in the ancient world. It changed a bit over three thousand years of constant use, but it remains pretty recognizable because of the wedges. "Cuneiform" is just Latin for "wedge-shaped," because scholars love giving things banal names and then translating them into Latin or Greek so no one can tell.
This is a Hittite tablet:
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This particular tablet is part of the royal funerary ritual (which has many many MANY tablets, many of which are way more broken than this one, and/or missing entirely). It's been pieced together from lots of fragments, all excavated separately. (You can see their excavation numbers written on the fragments, e.g. 39/c.) It's written on clay, like most of their texts were. This is a pretty good amount of preservation for a tablet this size - many are more fragmentary. I wish the picture were better, but tablets are not catalogued by how good the pictures are and it would have taken a million years to find a really hi-res one suitable for our purposes.
You can see that each symbol is made up of a bunch of wedges. These were pressed into the clay with a stylus while it was still wet. If you look closely, you can also spot spaces between words (more obvious at the end of a paragraph).
Here's a little slice of our tablet:
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And here's a drawing of that same little slice. This is how scholars usually interact with texts on a day-to-day basis, because taking readable photos of tablets is difficult and going to see the tablets is more difficult. Drawings are made by experts in the presence of the tablets and published so that everyone can look at them.
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Here the scholar who did this drawing (published in Keilschrifturkunden aus Boghazköi vol. 39, text no. 4) was working with only some of the fragments, and so has written in the transliteration of the left half, which they weren't copying. So you can see how each cuneiform sign corresponds to a written syllable, sometimes in lowercase, sometimes in all caps, and sometimes in superscript.
What does all this mean? How does it work? Okay. Cuneiform is a really difficult and frustrating writing system to read, for a few reasons. 1) It grew organically from a time before writing existed, so people were just kind of slowly figuring out how to use pictures to represent words; 2) it lasted for thousands of years, so there were all sorts of innovations tacked on without necessarily jettisoning any of the old stuff; and 3) it was borrowed through quite a few languages, almost none of which were related to one another, so it had to twist around and adapt to totally different sounds and word structures. So it's weird! And hard to learn, especially for us, because we are not native speakers of any of the languages that used it, and also we're not a single person existing in a snapshot of time, where cuneiform had a specific form and iteration - we're looking at its whole span of three thousand years.
THAT SAID. I can explain some stuff about it and how it worked! Here goes!
Part 2: How does it work as a writing system?
We start with a picture. Let's use a star. Like this: 𒀭
Or this:
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(this is a student text copying the star sign over and over - ignore the leftmost column. I got it from this excellent thread here)
This is the cuneiform sign for the sky, or for a god. In Sumerian, the language that first used cuneiform, the word for "sky" is AN. The word for "god" is DINGIR. So this sign could be pronounced either AN, and mean sky, or DINGIR, and mean god. This sort of usage is called "logographic" - a sign equals a word. It started as just a picture of a star, and came to mean a couple of things associated with the stars.
Eventually, there reaches a point where it doesn't just only mean the word "sky," it also means the syllable "an." That is, you could use it to represent a part of a word, or a grammatical element, that was pronounced "an." (E.g., ma-ah-ha-an: mahhan, which is a Hittite word that means "when," and which is written with four signs, including our an.) This is called the rebus principle: like a rebus puzzle, a picture of an eye can also mean "I" because they sound the same. This usage supplements the logograms rather than replacing them: you could still use "an" to mean "sky." You know which usage is in play based on context. (Or at this stage, maybe you don't. Sumerian is real hard and we don't understand it perfectly.)
You can also use signs a third way, which is designed to make reading easier: as what's called a "determinative." A determinative tells you what type of thing a word is. So if you use the star symbol as a determinative, it comes before a word and indicates that upcoming is a god's name. It's not pronounced when it's used like that. Other determinatives include: male and female markers, plural markers, markers to indicate what something is made of, what kind of animal it is, etc.
So any sign you see could potentially be a word (logogram), a sound (syllable), or a soundless classifier (determinative). In practice, only some signs take on all three of these functions.
When we transcribe signs now, we write them in Latin script based on which function they're serving. That's why, in the above Hittite texts, some of the signs were written in all-caps (for logograms), some of them in lowercase (for syllables), and some of them in superscript (for determinatives).
So then Akkadian borrows the system. They like to spell words out a lot more than the Sumerians do, so more and more signs are used primarily for their syllables, rather than their meaning. The signs also take on more syllabic meanings, because Akkadian has different words behind the logograms, and also has different sounds than Sumerian. A lot of signs end up doing double, triple or even-more-ple duty (e.g. the sign for "ag" can also be read "ak" or "aq" in an Akkadian text). Once again, you know how to read a sign from context, and in Akkadian you usually actually do know, because Akkadian is a Semitic language rather than an isolate like Sumerian, so we understand it way, way better.
Akkadian keeps using the symbols as logograms, though, too. Sometimes they'll spell out a word, but sometimes they'll just use the logographic symbol for it - like how sometimes we write out "two," and sometimes just write "2". Sometimes there are full Sumerian words or combinations of words that have become logograms: that is, they're not loanwords. They're not pronounced in Sumerian. They're written as a symbol (like 2), and the Akkadian word would be pronounced underneath (like "two.") The Akkadians also keep using determinatives.
At this point, most signs at least have a logographic value and a few syllabic values. Also (to make it extra difficult) plenty of syllables have a couple of different signs that could be used to represent them. In total there's a bit over a thousand cuneiform signs, incidentally, but usually only a few hundred were in use at any given time and place.
Then Hittite borrows it! They actually overall reduce the number of signs used, and the number of signs doing double duty, so it's generally simpler to read. Hittite's sound system is totally different from Akkadian's, though - which is totally different from Sumerian's - so they do some weird stuff with which signs represent which sounds. (The result of this is that our understanding of Hittite phonetics is somewhat imperfect.) They do use a ton of logograms whenever they're talking about physical objects, especially ritual offerings. Ritual texts are A PAIN IN THE ASS to read because they're full up with obscure logograms, and so you pore over a signlist trying to work out what the bonkers twelve-wedge sign you've never seen before is, and then when you finally find it you're like, "oh ANOTHER kind of bread. cool cool."
Part 3: Let's Read Hittite! (This is probably excessive.)
So finally, let's read some together! This is two lines from the Ten-Year Annals of Mursili II, an account of the first ten years of that king's reign. It's mostly conquering, but this bit is calmer.
(ANNOYINGLY, Tumblr will not do superscript, or I cannot make it anyway, so I will put determinatives in parentheses.)
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nam-ma (URU)Ha-at-tu-ši ú-wa-nu-un nu (URU)Ha-at-tu-ši
gi-im-ma-an-da-ri-nu-un nu-za EZEN4.HI.A ŠA MU.6.KAM i-ya-nu-un
That's the text rendered sign-by-sign. Everything that is separated by a dash, a period, a space, or a parenthesis is a separate sign. Words are separated with spaces. Here's a more normalized rendition of the words (still with the logograms, though).
namma (URU)Hattusi uwanun nu (URU)Hattusi gimmandarinun nu=za EZEN4.HI.A ŠA MU.6.KAM iyanun
"Then I went to Hattusa, and I spent the winter in Hattusa and performed the festivals of the sixth year."
The ú in uwanun in the first line is written with an accent because there are several signs that can mean "u" and this is the second one. Similar for EZEN4: there's more than one sign for EZEN, and this is the fourth. Scholars always write logograms and determinatives in Sumerian, because that's where the meanings were fixed. URU, used before Hattusa, is both the determinative for "city" and the Sumerian word meaning the same. ŠA in the last line is italicized and capitalized because it's a logogram that comes from Akkadian: "ša" means "of" in Akkadian, and the Hittites used Akkadian words as logograms just like the Akkadians used Sumerian words.
Anyway, that's how cuneiform works! If you made it this far you're a hero! <3
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sun-stricken · 4 months
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Some ideas for you! Take your pick!
Gray frequents the infirmary the most. In one of my ideas lately, after thinking about iced shell, maybe ice make makes the body a bit more…prone to cracking? Maybe he bruises easy and gets a lot of head wounds. It’s why he’s always in bandages longer. I like the idea of Porlyusica getting sick of him.
Team Natsu/the guild/slayers taking care of him, even when he doesn’t realise it. (Against pervs, against himself, maybe people are a bit racist (with him being not from Fiore).
Gray gets sad sometimes and dissociates.
Gray has night terrors so he has sleeping pills, but on missions he also has caffeine tablets to keep him awake so he doesn’t have terrors around them. Safe to say, they aren’t happy when they find this.
Lucy asks Gray about where he’s from, traditions etc, and the guild realises he might be homesick so they secretly try to learn things for him. (Over the years they’ve picked up swear words (Gray doesn’t realise he’s doing it and they’ve never told him))
Gray’s actually quite touch starved. His body temperature is cold so most people stay away/ don’t touch him (but don’t realise they’re doing it). The only one who can stand is Natsu because of his magic. Maybe it gets worse after becoming a slayer.
…also do you take spicy requests?
you cant just give me all these amazing concepts and tell me to pick☹️ i will do a little for all of them if it kills me
Also yes! i absolutely do take nsfw requests! feel free to ask me anything! im surprised it took so long to ask me that tbh
there is a lot here so vv
1.
* Hes the single reason why the guild infirmary is always having to restock
* Due to Grays multiple usages of iced shell some of his body did turn to ice, most sections of his bones, it looks like a normal bones but it acts like ice, which means hes more likely to break a bone
* unfortunately, its not like a normal broken bone for obvious reasons. itll splinter and have hairline cracks all over the bones before it breaks.
* It takes less time to heal than a normal break, he just has to get it wrapped and limit his usage of his magic so it can ‘heal’ (as in, ice it over again) the breaks and cracks. It takes less time to heal and also less pressure to break, win lose situation tbh
* Which is also why head wounds are especially dangerous for him, skull fractures are more common for him than anyone would like, which is to say any at all
* His external body temperature is low and causes him to bruise like a peach, getting a friendly slap on the back can cause him to bruise for weeks, especially from Erza
* bro hasnt gone a day without a bruise in like ten years
* Hes been dragged to Porlyusica so many times now that anytime she sees him (on the field, in her office, even completely out of context and hes not visibly injured) its like second nature to check him out first
* if she could go a month, or even just two weeks! without seeing him she might consider changing her views on humanity (probably not but its the thought that counts)
* Also Gray has small sections of what people think is frostbite on his hands and feet. It doesnt hurt or limit him at all but theyre there, showed up some time post devil slayer magic
* ALSO! His blood runs slower and is darker due to his low body temperature, causes him only the vaguest of problems but its a thing (this is common in most powerful ice wizards)
2.
* Gray likes to pretend hes good at taking care of himself, but hes not hes really not
* Luckily he has a lot of nosy and protective friends thatll do it for him (in their own ways)
* Natsu literally temperature exploding some guys glass at a bar when he got wayyyy too friendly and handsy with Gray
* they were kicked out but he was really proud of himself
* Rogue drawing shadows towards Gray if he needs to sleep and its too bright, or Sting creating a warm light beam when its dark out and Gray wants to embrace his inner cat and sleep in a sunbeam
* Wendy checking him over first bc she knows hes one of the people who wouldnt ask for help if he was injured
* hes had multiple people physically remove him from fights/training sessions because he was visibly pushing himself way too hard
* Part of the reason Gray learned Fioren so fast was because he was sick of people looking at him like he was stupid for not speaking ‘right’
* he mentioned this to the little slayer group they got goin on and from then on out they were like, hella hyper vigilant with anything that could make him insecure like that again
3.
* It really scared him the first couple times he did it, it still does. He hates losing time
* It started happening during his time with Ur, he cant remember a lot of it, training, blink, fighting, blink, training, blink, training, you get the idea
* It doesnt happen often, and he tried not to think of it past the point of trying to get it to stop
* Its happens often when hes highly stressed but theres no immediate physical threat, his brain doesnt understand whats going on or why its so stressed but knows he doesnt need to physically protect himself yet so it mentally protects him (if that makes sense), usually when hes alone, or when a threat is gone
* he confided in Erza about this once, and now more times than not when he ‘wakes up’ shes there talking to him
* only part he feels is good about it is that it makes him exhausted and lets him sleep easier
* He doesn’t usually dissociate often, not that he has much of a choice, if he did it wouldnt happen at all, but it was a lot worse when he was younger, his memories of early fairy tail are all blurry and he felt like he was on autopilot even when he was ‘awake’
* he hates it
4.
* After his team found out abt his vast array of pharmaceuticals they were so confused and concerned and probably borderline paranoid, because who needs that many medications for one person??
* Gray had been taking sleeping pills at a high enough dose to let him have a dreamless sleep for so long that most over the counter brands dont actually work on him
* but he kept all the old bottle that didnt work just in case he got desperate to sleep and they suddenly magically worked again
* The caffeine tablets were self explanatory after seeing all the sleeping meds, but he also (unwillingly) admitted he takes them on missions so he wouldnt wake them if he had a nightmare, and also for days when they were especially bad so he could go long enough without sleep hed just crash and sleep with no issues. Canr have a nightmare if you dont sleep
* His team was also extremely unimpressed by these explanations
* Erza and Natsu (and also Happy) strong armed him into going to Porlyusica for actual helpful solutions since he refused to go to his actual doctor
* While Lucy and Wendy disposed of the full fucking pharmacy (seriously, he coulda started a business or smth) he had in his bedroom
* For some odd reason he felt lighter and less moody when he was on actual helpful medication and was getting genuine rest
* how strange
* and if his team checks his house for another pharmacy in the making thats nobodies business but theirs
* Also Erza tried to ban Gray from caffeine while on a quest , or at least limit it, but he looked at her like she was absolutely batshit crazy to the point she got embarrassed and had to retract the ban
* But she will tie him to the bed to make him sleep on quests if she has to
5.
* The first time Lucy asked where Gray was from was before Galuna, he ended up giving her a shady answer and redirecting the question to her (reminder, before galuna, before phantom lord) which she ended up also being a bit cagey about so she let it go
* But Lucy is nosy (endearing) by nature, so she asked if he had any different holiday type traditions sometime after Galuna, and to the surprise of, well, literally everyone, he did and gave examples
* which lead down a rabbit hole of the guild fretting a bit abt how to make him comfortable (even though hed been with them for a decade) bc he mentioned he used to be really homesick the first couple years, and sometimes still is
* Most the guild still had no clue where he was from so they were really just running in circles for awhile
* Levy tried to figure it out from the time he accidentally dropped, what she assumed to be colorful curse words, random foreign language bits
* didnt really work but she tried
* so for months he was bombarded with ‘subtle’ questions about his hometown and its culture, which got shut down most the time
* Thats not to say he didnt give them anything, he gave them enough that they were incorporated into existing traditions and holidays they already celebrated
* it was a very sweet gesture that Gray absolutely did not tear up at, so shut up—
6.
* Gray is the most touch starved fool on the planet. ive always loved the idea of him liking touch a lot
* He grew up in a pretty affectionate family, his parents were always around to ruffle his hair, or hug, or hold his hand, or carry him, they were just very physically affectionate and he enjoyed it
* With it made him nauseous, guilty really, because Ur and Lyon were also physically affectionate but it wasnt them, it wasnt his family
* Also it was plain uncomfortable at times, part of learning ice magic was to almost numb himself to cold, but in the beginning numbed him to everything and it became uncomfortable to be touched because it was tingly and it hurt
* Early Fairy Tail he was completely closed off, couldnt stand being touched, didnt want to get cozy and make friends because he planned to leave anyways.
* Ice mages (Fire mages also) temperatures can fluctuate depending on how they feel, for example, if they’re experiencing negative emotions their temperature and the space around them will get colder
* and Gray used to be so angry and upset all the time, and hed just beginning to learn magic so he didnt know how to fix it yet, which caused a lot of discomfort for people.
* People didnt stay around him long because the discomfort of being too cold, and what was he gonna do about it? ask them to come back?? hell no
* So he gained a reputation and people didnt want to disrespect a volatile childs apparent boundaries so they didnt question it
* He was fine with fighting being the only real prolonged touch hed get, totally
* But Natsus got this thing about him that makes him think he can do the impossible, which includes shaking Grays world view and comfort levels
* At some point in their teens Natsu would not let go of the alleged fact that Grays didnt like being touched for some reason, so he did what he does best and pressed the issue
* it ended with Gray being a puddle in his lap while he had a crisis about everything he thought he knew about himself while Natsu celebrated his victory against him
* Its not completely public knowledge but the guild most definitely knows at least a little about how much Gray is touch starved
* he doesnt openly welcome it with open arms but if its happening and he trusts the person hes not gonna say no
* he probably gets a euphoria high from a head pat or smth
* After getting his devil slayer magic is absolutely got worse, having two powerful ice magics, one of which he was still struggling to get the hang of, in one body made it difficult to control the temperature around him, and after long enough people would start shivering if he wasnt careful
* it sucked, totally and completely sucked
* Natsu still remained unbothered and would increase his own temperature to counterbalance Grays, which helped a lot
* he still gets all up in Grays space no matter how much Gray tell him to fuck off, he knows he needs it
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bullet-prooflove · 6 months
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Coffee Shop AU: Neron 'Creeper' Vargas x Reader
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Tagging: @est1887 @anime-weeb-4-life @creativitybeware @mortal--soul @spaghettificationandpretzels @redpoodlern @lexondeck @librarian1002 @thanossexual @justreblogginfics @im-just-a-mississippi-girl @adaydreamaway08 @wnbweasley @skyesthebomb @kmc1989
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You don’t know that Neron’s in love with you, in fact Neron is pretty sure that you don’t even know his name. To you he’s just the coffee guy, the one that serves you when you come in for your toffee nut Frappuccino.
To him you’re Nina.
The pretty girl with the tattoos that that decorate your skin.
He’s written your name a thousand times on your coffee cups, and you always give him that smile, the one that makes his heart feel like it’s beating right out of his chest. You’re sitting on the couch in the corner today. Your drink is set on the side table, your tablet is perched on your lap as you sketch out a client design.
You’re a tattoo artist, one of the best that he’s seen. He’s thought about speaking to you, discussing a new design to cover up the cigarette burns on his torso but that would mean showing them to you and then you’d know what happened to him.
Instead, he sits behind the coffee counter and focuses his own work, the black and white comics that he draws when Coco’s Coffeeshop hits a lull. It’s something he’s done since he was a kid, a way of escaping his reality. His parent’s addiction issues, the foster homes he cycled through, his stints in rehab. Each one is another reason why a girl like you wouldn’t want to be with a guy like him. He’s too damaged, too broken.
It's when he comes to collect your empty cup that he sees the scar that chases up your forearm. It’s long and vine like, buried underneath the inked leaves and pretty flowers.  He’s never noticed it before; you’re always wearing sleeves but today you’ve pushed them up to keep them out of the way whilst you draw.
He realises in that moment, that maybe you’d understand a little more than he thinks.
Love Creeper? Don’t miss any of his stories by joining the taglist here.
Like My Work? - Why Not Buy Me A Coffee
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askbendyblogg · 6 months
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Hey! This post is very important about the blog and what is currently happening! Please read if you will! (Ps: this is a very long post)
Hello everyone! Not to long ago I made a post explaining some certain stuff that will be changing and other junk like that. I have come here to inform you all some bad news involving this blog. This blog will be going on a long hiatus, and I mean long. The main reason being that my connector for the cable I use for my drawing tablet has broken, which means that I can no longer draw on my laptop or drawing tablet anymore. During that time it certainly has made me realize lots of things that I do with this blog, and that includes some of the empty promises I make. I've come to the realization that I don't have the right skill for an askblog, atleast not yet anyway, and also considering I'm still in school, it has definitely taken a toll on my work. When I first started this blog, I thought it was gonna be a piece of cake! But I was dead wrong when I decided to put some story into it, I kept on procrastinating on the story and never actually added onto it which made me frustrated. And even when I wasn't working on it, the other asks that were in the askbox felt like a challenge! And that eventually evolved to me not posting for a long while. Even in the present that still is very obviously a challenge. I will like to apologize for not posting and making some empty promises, I very obviously don't have enough skill in the moment to run an askblog, so that's why this blog will be going on hiatus, and be restarting entirely. You heard that right, the art/answered asks will be deleted. The reason behind this is due to me wanting to start over, begin something new! And y’know, actually gain more skill before deciding to add a story (if that will ever happen). I know this is all very sudden, but I made the decision that I hope will be best for me! I honestly just want to get out of school before actually doing anything, cause BOY OH BOY IS SCHOOL ABSOLUTELY HORRIBLE! And the moment I finally have enough time and skill, I will consider finally coming back to this blog and all of you, I have a feeling none of you will remember me or even this blog, hell, I think some of you will begin to unfollow! But that's a-okay with me, its quite understandable really, people don't exactly follow blogs that don't post anything! I'm gonna come back, thats a fact, but it will be a long time until I finally post once more, I will be back eventually. I forgot to mention, all of the asks in the askbox will be deleted, I'm extremely sorry for this! Like I said, everything is restarting and I hope you understand!
Before I finally decide to head off, I just want to thank each and every one of you, I never had any idea that alot of people would even enjoy this blog! To all the people who followed, liked, and all that other junk, I thank you×1000, I probably would've given up way earlier if it wasn't for you guys!! YALL ARE AWESOME AND DESERVE ALL THE GOOD ENERGY!!!
Alright, now incase I don't see ya, good afternoon, good evening, and goodnight. 👋
(If you got that reference you are very swag)
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umedao · 10 months
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Heartslabyul, but they're in teyvat
I've been having a lot of genshin x twst brainrot lately so here we go, I'll try to draw them later but rn I don't have my tablet with me so please bear with the messy text block
((note that if we're speaking twst lore then technically ALL of them would be catalyst user (save for rook, silver, sebek and maybe vil since he did fencing but we're not gonna talk about them here) but we're going to ignore all of that and go with aesthetic/vibes))
starting from ace, I feel like he'd either use bow or polearm because as seen in the og alice in wonderland movie, all of the trump soldiers use some sort of lance(?), but I'm going with bow because I feel like it matches his vibes the most. rust would fit his overall visual especially with his dorm uniform (bc I am not about to teyvat-ivy their outfits I Am Not The Art Archon).
if we’re talking about kits/skill set, I picture him having an anemo vision (dead friend aside and purely by aesthetic bc we dont know much abt his past/um/I will not kill deuce) and being an off-field dmg dealer sort of like yelan and his skill being an enemy aggro that also do a mini swirl like mona’s/faruzan’s. so a sub dps maybe.
then we go to deuce, I want to say he’s a catalyst like heizou that punches his enemies like he got a personal grudge but listen to me : deuce with a claymore. deuce just. swinging that shit around and beating the mobs to death. I mean I can picture him being a catalyst that do normal, sort of calm attack until you make him do his charged attack and it’s a rage-filled uppercut sort of but. claymore deuce. deuce wielding song of broken pines.
now about the kit, I can’t see him with any other vision than hydro and I’m torn between him being an elemental dmg dealer with parry gimmick like beidou or just a full blown physical dps. while hydro isn’t a good element to do physical reaction, at the same time I also see him being able to deal some sort of decent physical dmg so I’m really conflicted about what his kit is going to be like. but I DO see that he’s going to be the type thats going to scale off of hp like zhongli or nilou.
next is trey, I see him as somewhere between sword or polearm, but then I decided on polearm because imagine trey with those baker hand swinging a polearm around. also he reminds me of thoma for some reason (househusband material, serving powerful/important figure??). Also he’d look good wielding skyward spine, no?
I cant decide on his vision but I can see him being dendro, mainly bc he’s green and also that the whole reaction with dendro kinda(?) fits his unique magic ig. Which means he’d probably be both a healer and em support/buffer. I think he’d have kits similar to shenhe and bennett where he increases dmg with his skill while he heals and buffs em/atk with his burst and doing small continuous dmg.
cater is kind of hard for me to picture in this setting. like ace I do think that bow fits his vibe, but so does polearm and sword. I literally cannot decide. I wanted him to be like childe where he wields one weapon and change stance during skill, but I already have different idea for his skill that would match his um better so. I ended up going with polearm after seeing mika with that crossbow
just like his weapon, I cannot decide on a vision for him. it’s either cryo or electro, based on his personality alone. he reminds me of fischl in a weird way. kit wise I think he’s going to summon his clone for his skill that function more as totems like yae’s that also do aggro (it is a bit funny imagining like 3 caters ganging up on a mob in game tho lmao). I think it wont do that much damage but it’ll be a consistent element applicator. as for his burst I really have no idea except maybe it’ll be like gorou where he’ll summon just 1 copy/totem that follows the character and also buffing/dealing damage alongside them(?)
now riddle, we can already tell that this boy is a full blown catalyst dps. I’m sure he can wield a sword/polearm just fine but catalyst just seems to fit his vibe the most. blackliff agate would look sick on him even if it’s not a 5 star weapon.
and yeah he’s definitely pyro. his kit would also be like yanfei and klee mainly bc I cannot think of a way to integrate his unique magic completely (zhongli’s burst is literally stunning the mob and his um is more close to taking the vision away from his enemy teyvat-wise). so he’d be a normal+charged atk focused dps. like yanfei he’d have this point(?) thingy(???) on his back everytime he do normal attack and if he do charge attack with them (max 4) he’d do big damage. I think his skill would have that pyro/elemental res effect while dealing damage and I think it would be cool if his burst is a one-shot pyro hit that deals lots of dmg like hu-tao’s while also giving him the maximum amount of point for charge attack. 
That is all for now, I think. might also do a hsr au with heartslabyul (please don't ask me why I keep throwing them into aus. I. Am not. A Heartslabyul fan I swear ((that's a lie)))
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comicaurora · 2 years
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Hello Red! I'm happy to say you've inspired me to start drawing comics, but the biggest issue I've encountered is that it takes actually forever. I'm always really happy I did it when I'm done but it's hard to convince myself to start when I know a couple panels is gonna take me days. So I was wondering if you had any advice regarding streamlining the process for time efficiency or keeping up motivation for long projects, and, if you remember, how long a page took you when you first started vs how long it takes now?
Hoo boy. Yeah, I can help out with that. The very first page of the comic took me, if I'm recalling correctly, a full week. No other projects or pages, just this.
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A lot of work went into details that are frankly impossible to see, though I am still glad I did it, both as a learning experience and because I felt like I owed it to Vash to do it some justice before I squished it in twelve pages.
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Hell, if you look closely, you can even see the cavalcade of little visual errors I missed because I didn't have it in me to do a seventeenth cleanup pass after a week straight of drawing tiny houses. Getting faster meant I'd have more energy left to polish the pages and get them looking nicer.
The process of getting faster has been kind of a fits-and-starts situation. Drawing that many humanoid figures over and over again eventually means you just get better at the parts you're less sure of, so the process of lining the pages has gotten rather faster since I don't need to burn as much time getting the character poses and lines right. Currently, depending on page complexity, I can fairly consistently get 3-5 pages fully lined in one night. Backgrounds have also gotten faster, and I tend to do those in large batches, sometimes filling out entire chapters with location backgrounds and skyboxes because the scene location isn't going to change and that makes it easier to keep it consistent.
Initially my backgrounds were both more complicated and worse-looking, which is a bad combination.
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I ended up deciding between chapters that painstakingly lining a bunch of background trees probably wasn't worth the effort, and worked on finding a shortcut that would work better. I ended up doing something a little more lineless, a shortcut I initially discovered because I didn't want to plug in my drawing tablet and was playing around with things I could do with just my trackpad.
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It was simpler, faster, not too jarring, and it meant my clearly-lined foreground figures were more naturally visually separated from the distant background. Win-win-win.
For the style of coloring I do, I tend to shade before I add color, though this is a shortcut I didn't figure out until something like chapter 6. This process is also pretty fast, all things considered, though I've had a lot of practice doing this kind of cel shading which is why I can hammer out a lot of pages' worth of shading quite quickly.
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I like working in batches of about one scene, often broken up into subgroups of 4-6 pages at a time, so I can't give a front-to-back turnaround for an individual page - but I also think this kind of assembly-line process has sped up the process overall and makes it more fun for me, because I can storyboard basically as far in advance as I want to, which in turn makes it easier for me to motivate myself to keep going, because I know there's all kinds of good stuff I'm looking forward to drawing down the line. There's some good shit I'm excited for in Chapter 21, and bursts of enthusiasm on the storyboard end of things often translate to enthusiasm on the page-finalizing end which makes it easier to slog through even the tedious bits.
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As a bonus, working ahead means the story's got a better chance of making sense and having good pacing when it's read back as an archive. Another win-win.
Overall the greatest optimization tool I can recommend is just working on the project. There's no better way to identify the parts that feel unnecessarily slow and could be changed, or the parts of your art you're unsure of that need polish to get more speedy. If you're planning on publishing the comic anywhere, I recommend building up a buffer beforehand - something like the first chapter (or in my case, first three chapters) will give you a very good sense of what parts need more practice or improvement as you move forward. And it is genuinely easier to motivate yourself to continue if you have an audience giving you positive feedback and/or panicking at what you're doing to their darlings.
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skellagirl · 5 months
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I am, as usual, late lol, but Y'KNOW. This is gonna be a long, rambly post lol, sorry, I have a lot of thoughts.
2023 was a weird year for me, artwise. When it began I was still deep in my Art Block From Hell, which had begun in mid-2021 and lasted the entirety of 2022.
Being in the thick of such a ridiculously suffocating art block, for TWO AND A HALF YEARS, is like... I can't describe how fucking life-draining it is. It felt like something was fundamentally wrong with me -- like a part of me, which used to be as effortless as breathing or blinking my eyes, had ceased to function altogether. It wasn't just a regular art block, it was a complete identity crisis. I could no longer trust the instincts I'd honed over twenty-plus years, could no longer trust my sense of observation or my ability to recreate what I saw. I felt BROKEN, and every single time I picked up my tablet pen it was like I was scraping my insides with a spoon, trying to pick up whatever tiny dregs of dried-up, crusty shit I could manage to puke up onto my canvas. It was fucking painful and humiliating and completely demoralizing.
I'm not really sure what finally got me to do so, but sometime in summer (my memory is shit lol) I downloaded Game Maker, found a video tutorial on youtube, and just... gave myself over to it. I made myself learn how to use Aseprite, and working with pixels, making teeny-tiny little sprites, forced me to work in ways I usually don't. It was a lot harder for me to find the flaws in my art when my art was thirty-five pixels tall and the anatomy was stylized to communicate clear information rather than be a recreation or approximation of reality. I think I really do credit that time working on game dev as the thing that finally cracked loose all the gunk that was keeping me stuck -- I could not perpetuate the cycle of toxicity I'd fallen into because I could barely even conceptualize what 'good' or 'bad' pixel art even looked like lol. I just knew that I was making art, and for the first time in two years, it didn't feel like I was having to desperately beg the emaciated husks of my sense of self-worth and confidence to cooperate while doing so.
(I actually sort of abandoned my foray into game dev around August/September lol, as my adhd-brain, flitting around like a little hummingbird to every dopamine-rich-flower, is wont to do 🥲 But I wanna get back into it at some point!)
From there I had a rush of inspiration for an original project I've been mulling around in my head for years, and I wrote thousands of words in my worldbuilding document, made a map, developed the shell of a possible actual STORY. I returned to sketching. Conventional sketching. It was, at first, largely still comprised of that same demotivating struggle against myself, but I was so deep in the throes of inspiration (after several years of this project laying dormant in my google drive) that I NEEDED to sketch. So I kept going. And after a while, it got....... easier. And I started hating everything I made a little less. I painted, properly, for the first time in years. I stayed up late into the night, even if it meant I would be tired at work the next day, because drawing felt so damn GOOD again and I had missed that feeling so much. All I wanted to do was draw. For the first time in two and a half years, I could finally see the light at the end of the fucking tunnel.
I still don't think I'm quite out of the woods yet. My style is changing, as all artists' styles do over time, and that comes with stumbling adjustments. My confidence is still small and shaky and recovering; I still catch myself second-guessing what I've drawn, and even looking at some of the things here on my grid makes me cringe a little bit for one reason or another.
But compared to both 2021 and 2022, the volume of art, and in particular the volume of art I don't actively despise, is WAY higher, and I'm really really hopeful that that means I'm finding my footing again.
So! Here's to 2024, and to continuing to move towards the light at the end of the tunnel 🙏🌟 I'm gonna try.
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louellaby · 8 months
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W I T H M E
A Self-Insert Story: Solomon × Loue
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W A R N I N G
oc × canon, self-insert, angst, hurt/comfort (?)
Loue's Note: I've been going through an emotional rollercoaster these past few days, and I don’t even know why. I've been feeling less motivated to do the stuff I love doing, even when I'm in the mood to do them. Like when I'm in the mood to draw, but the moment I pick my tablet up, I suddenly lose interest, or I'll think, "Nope, this would cost too much energy. I don't want to do it."
And so here we are; with me having written a self-indulgent story with my comfort character Solomon and my main and original character Loue. I felt like I needed to do this while I still had the energy to write. This may or may not make sense in the end, but I'm not emotionally stable enough to write something that does.
— — — — — — — — — — — — — — — —
If you don't like self-insert stories, feel free to ignore this.
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It's dark outside. All I could see from looking out my bedroom window was my own reflection, lit up by the bright lights burning in my room.
The Devildom has always been a dark place, but on days like this, it always feels like it can get much darker; much colder, much stranger, and much, much more dangerous. On days like this... It makes me want to succumb to the darkness and let it swallow me whole.
It has been a while since I landed in the past. I felt like I was going to lose control over my own sanity when my demons didn't recognise me, and the realisation finally seeped it. Everyone says I'm good at adapting to situations quickly, but in all honesty, I'm not. I just try to, to keep up with the expectations.
I've been working my hardest for the longest time. It almost never felt like it was appreciated.
I've solved problems, given advice that may or may not have helped, comforted others, fixed broken connections, and I'm sure there's much, much more. But it's never enough. Nothing will ever be enough for them.
I'm not one to complain about my troubles to others, at least not whenever I have the possibility to. I'm one to bottle up my feelings until I explode. And by "exploding," I mean bursting into tears in the safety of my own bedroom. No one can see me like this. I refuse to let them see me like this.
My D.D.D. beeped, receiving a message from the one and only Solomon.
"I've gotten a message from Luke saying he and Barbatos made cakes and cookies together. He asked us if we were willing to be taste-testers."
Desserts made by Luke and Barbatos. I've always loved them; here in the past and in the future. Not only are they delicious, probably the best in all three realms, but they also give me this joyful feeling.
I want to feel that again.
I need to feel that again.
"Luke said that the brothers are with them in the Demon Lord's Castle, and we should hurry before Beelzebub eats every single thing."
...
I should want to go. Right? Because they're there. I'm obligated to see them, right? Because they're my...
No. They're not my family. Not those versions of them. I'm just their attendant. That's my job. They don't know me as well as the others back in the future. I don't belong with them. I want to go back. I want to leave this place. I can't take any more of this.
"I want to go home."
My D.D.D. keyboard beeped as I clicked send. Not long after that, I heard footsteps in the distance. They were growing louder and louder. And then they stopped. Right in front of my bedroom door.
"Loue? May I come in?"
While I still had the energy to, I got up from my bed and walked towards the door. I opened it to find Solomon, standing there with a concerned look on his face.
Now that I think about it, he's always been there for me. He's never forced me into difficult situations. He'd always take the heat himself whenever I get in trouble. He would always use his own body to shield me from harm while offering sweet words to calm me down.
And here he is again, holding me close to his chest while patting my head with a gentle touch.
"We don't have to go anywhere. We can just stay indoors and do whatever you want."
"But... I have to go. Don't I...?"
"No. You don't have to do anything you don't want to. At least not when you're with me, I won't allow it."
Solomon picks me up and walks down the hall after closing the door to my room using magic.
"Where are we going?"
"To my room. I have a feeling we will have visitors soon and the first place they'll check is your room, so it's best if you stay in mine until they leave."
"... Can I stay even after they leave?"
The man looked down to meet my eyes, and with a wide smile, he answered, "Of course. You can stay for as long as you want."
Just as Solomon said, the doorbell rang and echoed through the halls of the mansion. He told me to stay while he went out to deal with the problem we both knew was coming. I insisted on going with him to try and calm them down myself, but he refused and left the room after making sure I was comfortable in his bed.
I stayed quiet.
Listening for any hints of arguing and fighting, but there came none. Well, I heard loud voices through the halls for a moment, but it soon died down. It was much quicker than I anticipated. I was expecting loud sets of footsteps rushing their way to me, but nothing like that happened.
I heard a faint sound of the front door open and another faint sound of it closing after twenty minutes. Then, Solomon came back to his room, a tray with milk coffee and sweets in hand.
"Luke was here with Simeon and the brothers. They delivered the sweets to us, and they all wished you a quick recovery."
He must have told them I wasn't feeling well. They probably assumed I caught a cold, instead of me being emotionally and physically exhausted. Lucifer must have been the one to convince everyone to give me space.
Solomon served me the sweets he got from Luke and sat down on a chair he placed next to his bed. He assured me that no one would bother us for as long as I wanted.
He read me one of the books we bought together at the book market. He told me stories about himself when I asked him to; all the adventures he went on, all the twists, surprises, disappointments, and success. He told me that even when he was alone on his adventures, it doesn't mean I'm alone on mine.
Because no matter how difficult the road ahead will be, he'll always be there right next to me.
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katyspersonal · 9 months
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When you started drawing? And how? Your works are so detailed and you feel the perspective so Q_Q Your drawing of old hunter from DLC is incredibly cool, I am looking respectfully
Oh- You mean this ( x ) one? Haha, yeah, it was an art commission, so I tried to give it the best I could... Though maybe using something I was paid for as a chance to practice perspective was a little irresponcible :') But the customer was happy, and this is what matters!
To be honest, I've been drawing for as long as I can remember...? I have quite the regrets about having basically none of my drawings from childhood survive, because it's been a LOT. But I've been going over the top with details, colors and settings since the age of like, 4-5 I think? I recall the caretakers at kindergarden REALLY loving my drawing of underwater, because I killed it with variety of fish and seaweed, despite having no references or knowledge! Also, fun fact - the very first art criticism of my life from me was towards a girl that colored every woman in her coloring book as blonde with blue eyes! I criticized her saying that there were other colors for people and that it was boring to be so samey dsfjjdshfsd Had to apologize, but.. yeah, it was the ultimate "I've always been this way" moment if I've seen one. :')
I used to visit classes to practice my drawing in elementary school, though! But it was mostly environment and animals, when I was more interested in drawing people at that time! The period from 8 to 12 years was the one where I kept creating OCs obsessively, and stories for them, and I've had like 6 comics I've been drawing and coloring at the same time (mostly comedy + fantasy)! I think what really inspired me to start creating the comics and characters that were mostly young girls with elemental powers was the Russian comic, Rainbow Knights x) (Журнал "Юла", припоминаешь? хд) I was obsessed with it, and I was obsessed with excuse to use more colors, effects and nature/elemental aesthetic. And yes, it was all trdaitional! I love using crayons, markers, pens and pencils for coloring. My clumsy hands were never good for paintbrushes... I moved more onto digital around the age of 14. It was when I've found a summer job, and earned enough money to buy a tablet! So.. I started prioritize digital art since then! But it had the form of me first drawing something on the paper, and then scanning and fixing/lining/coloring it on the computer for a LONG time! Well, it was taking some time to get used to, as well, so I also had some drawings I did with my mouse and vector tool in PS or SAI, like this:
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It is one of the only few remaining "ancient" ones, since most of them got lost forever on the old hard drive! ...I still HAVE this hard drive, I just have no idea how to extract anything from it.. It is kinda broken :U But if I get my hands on very old doodles trapped there, I will share!
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^ I believe this was the first doodle that I did 100% on the computer AND with the tablet! Without mouse, without first drawing traditonally and then digitally, but just on the computer, from start to finish! But it was still hard to do, so I kept with the use of paper and pencil for some more while. Like- I hoped I'd find some old drawings for this ask, but all I found were traditional versions of some of my drawings!
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You could tell that using traditional paper + pencil were beneficial for anatomy and proportions. And that I used to be better at that, VERY much better. And that it was sorta... easier to 'get lost' in the process? It was a simpler life when not only I was far less depressed and broken, not only I had more spare time in schoo/uni years, but also just... I did not feel burnt out. Or guilty over the fact of not finishing new drawing "fast enough" (and thus, looking like a loser). I also had less things online to drain my spare time, less distractions... I kinda miss that time, really...
All in all, I've never learned to draw PROPERLY. I was self-taught but not studying too hard, mostly I was just analysing art of artists I loved to improve my own, and asking advice from good artists to fix this or that! Hence, my skill used to be better! Year 2015-16 was my most productive year artistically! I've been drawing a bunch of (then) popular cartoon stuff, as well as TONS of fanart for Rick and Morty RP community, and all the things were sooooo bright, colorful and full of energy...
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And now meet the man that sorta ended my art career :^) I've picked interest in Mark (Endlish localisation called him Marx and I hate it lol), and that pulled me into the rest of K1rby. Except I could not actually play anything (besides 64 Crystal Shards that I emulated), so I compensated with letsplays and anime. And Super Paper Mario was a side obsession. xD But.... yeah, since MARK, dark ages for my art started. No, no, my art was good! Awesome, even! I kept people begging me to "please draw K1rby again" for years since fandom shifting! Words like, 'no one ever cared about this universe and characters the same way you do'... But! Drawing 'creatures' for 2-3 years completely destroyed my prior (already loose) knowledge of human anatomy and proportions, and I am still struggling to recover that former skill! :')
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Finally, year later, around February/March 2021, I've gotten pulled into Bloodb0rne! Badly. And thanks to Mic0lash. Huh, it is always some madman, isn't it? xD But I felt very self-consious about my art... I felt like serious, detailed, dark and beautiful atmosphere of BB deserved better than my "overly cutesy" and "tone-deaf" art.... annnnd if this sounds like something I'd never say, but rather as an unfair criticism from some antsy reddit-ish asshole? It is because it is EXACTLY what it was! :')
But in either case, the Doll was the first time I've used paper and pencil again in many years. I felt so... alive? I recall the feeling I could only describe as 'blood returned in my veins' but spiritual, you know? It felt like so much fun! To remember how to draw traditonally, to break out of my 'round cutesy' comfort zone- heck, I even downloaded brushes for my SAI for the first time in my life, just to color the characters better! Learned new coloring style, too: usually my coloring was very rigid and relying on very concrete colors for shadow and base.. but from this point on, I prioritized more 'chaotic' approach, as I felt it was more appropriate!
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....and so, now we are here. x)
You could tell that some of the things I am just used to persisted, and that colorful, "childish" energy is still slipping through the cracks. Soulsb0rne games are ideal for how my mind works... but perhaps not for how my soul works. There is just something in me that craves that sillyness, overly colorful designs and settings, and maybe ER is closer to that aesthetic? Yeah, had I not been criticized on my art harshly upon joining BB, maybe my art would've been way more cute and 'free'! I always loved drawing many details, but something about the route I've taken about drawing made it very heavy. My brain short-circuits at the AMOUNT of the details I keep in mind, yet I can't rest unless I got it "at least 90% correct", even when it is a darn shitpost ;-; I will figure out what went wrong compared with the way I used to draw humans..... someday.
Thank you for asking, though! Ha! Honorable mention: tons of shitposty comics and doodles I kept drawing in classes, both school and uni! x)
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trikovioz · 30 days
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"When the world before you shatters
When your mask falls apart
When you try to hold onto anything
Just to heal your broken heart
You will find that you will fail
No matter how hard you try
Some people turn to substance
Some people break and cry
You cannot fix what has occurred
You cannot even pry
You can only accept what has become
Don't bother asking why
You loved, you lost
At else's cost
You know you'd rather die
But good luck finding your light now, bitch
You can't escape to the other side."
/// Directed at myself, poem written by myself as well
This was definitely a vent piece and...it may be a bit much. But. This is also my actual first ever attempt at actually full on, drawing tablet digital art.
It isn't by any means jaw dropping. I know. But I kind of like how it came out.
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pridayph · 2 months
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So this is my first post on Tumblr, and i love to shared some artworks which i can say "First time", but you can really easy to found out which one is "me", right?.
So let me to introduce myself since this post is not about artwork at all because ppl need to know about me, right? hehe.
In this world, you can call me as Priday (i like to pronounce as: prīd dā) for short, sorry for my broken english which i never proud of. I'm 28 years old until now, working at a factory company which 8 hours per day and only have a weekend leave is sunday. today is day 333 of my art journey and of course my artwork in future will better than this one, but i have been thinking of quitting long time ago just because i have to focus on my job to make money, and i have no support form my parent or anyone else than internet friends, i have to spend by my tiny salary to start my digital art dreams last year with what's i have is just a cheap Samsung tablet, and my time with art become more tighter when my job took over my free times and i never have a peaceful night after work because my job really complicated and heavy.
I'm not good at communication and bad to making friends with anybody, so i had a lot of trauma and stress just because i'm not good enough to talk with anybody and got ignore most of the time. That's why i choose to silent and ngl all of my best friends are grew up and got family for their own, i'm still single and no hope for my brighter futures when i have no friends to supports and became self hatred.
i'm not a good artist, not a perfect person, not young anymore. So i hope you guys can understand my situations and feel free don't need to follow me, i'm not forcing you guys to like anything when i can feel i'm not deserve to have more loves when i almost stop fighting for my dream when i basically "making for almost nobody" if you know what's i mean. maybe because i draw ugly make me hate my own artworks before, maybe because i'm too old, maybe because i'm not deserve it. if i keep "Drawing for almost nobody", i afraid i will bring hobbies become a torture things or even worst.
I'm not quitting yet, but i afraid i can't go anywhere further, my life right now depend about my company than my tablet, and i having less free time to draw whatever i want, so i hope you guys can understand if i'm not posting artworks for long time, i need to make money too haha.
If you guys still here and read all of this long words, thank you for understand and i just hope your journey will be brighter with loves and positives. <3
With loves:
Priday Phuong.
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