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#that he was supposedly captain of for two years
ronandhermy · 10 months
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thinking about the fact that jack doesn't actually have any friends pre-samwell. or at least none that he keeps in contact with. so not only did jack ghost/cut out kent he also cut out EVERYONE on his previous teams, schools, etc. which is just...incredibly sad. and would be interesting to see explored in a fic of jack trying to make amends to those people because, guess what, jack is an addict. he didn't magically stop being an addict when bitty fell in love with him. he may be sober now but there are people like kent who jack owes apologies to
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secretmellowblog · 1 year
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On the subject of the Titanic ‘submersible’ that was lost in the deep with all its wealthy tourists— it’s so insane/eerie in hindsight to read this article from the Smithsonian that interviews the CEO Stockton Rush long before the disaster.
Despite the Smithsonian supposedly being an organization that cares about science and truth, and the fact that there were SO MANY obvious red flags from the beginning and so many people criticizing the company…..the article is a puff piece uncritically glorifying the CEO’s obviously terrible submersible project. It compares him in glowing terms to Elon Musk. It is an article about how private ventures like those of Stockton Rush and Elon Musk can and should be the future of the world.
We’ve obviously learned now that there were whistleblowers at the company who were warning for a long time that Stockton Rush’s submersible was unsafe— only to be fired and then sued. It makes sense the submersible was so unsafe, because the CEO in this interview is open about how he has no background in underwater engineering and is annoyed by quote “regulations that needlessly prioritize passenger safety.”
Soon after, the private [submersible] market died too, Rush found, for two reasons that were “understandable but illogical.” First, subs gained a reputation for danger. Working on offshore rigs in harsh locations like the North Sea, saturation divers, who breathe gas mixtures to avoid diving sicknesses, would be taken in subs to work at great depths. It was the world’s most perilous job, with frequent fatalities. (“It wasn’t the sub’s fault,” says Rush.) To save lives, the industries moved toward using underwater robots to perform the same work.
Second, tourist subs, which could once be skippered by anyone with a U.S. Coast Guard captain’s license, were regulated by the Passenger Vessel Safety Act of 1993, which imposed rigorous new manufacturing and inspection requirements and prohibited dives below 150 feet. The law was well-meaning, Rush says, but he believes it needlessly prioritized passenger safety over commercial innovation (a position a less adventurous submariner might find open to debate). “There hasn’t been an injury in the commercial sub industry in over 35 years. It’s obscenely safe, because they have all these regulations. But it also hasn’t innovated or grown—because they have all these regulations.”
The fact that Stockton Rush (who was piloting the submarine when the disaster happened) is on record complaining about the evils of regulations that prioritize people’s safety, and the Smithsonian uncritically regurgitated that rhetoric in their glowing puff piece about how rich tycoons like Elon Musk and Stockton Rush are going to save the world is just…..in hindsight of how everything ended it’s just so much horrible black comedy? It’s like a satire about the dangers of uncritically worshipping the rich.
It is mentioned in the article that Rush chose to make his submersible in a different shape, and with a different (cheaper) material than is usually used for submersibles. The article frames this as a result of daring innovation, and not of negligence/ignorance. This passage in particular, which in context is supposed to portray Rush’s critics as joyless naysayers who were proven wrong by the noble tycoon, is pretty foreboding in hindsight:
Rush planned to pilot the sub himself, which critics said was an unnecessary risk: Under pressure, the experimental carbon fiber hull might, in the jargon of the sub world, “collapse catastrophically.”
And then!!
The exact problem that happened to Titan this weekend, happened on Titan’s very first test voyage to the Titanic! The experimental carbon fiber hull had an issue and it caused communications to break down!
The dive was going according to plan until about 10,000 feet, when the descent unexpectedly halted, possibly, Rush says, because the density of the salt water added extra buoyancy to the carbon fiber hull. He now used thrusters to drive Titan deeper, which interfered with the communications system, and he lost contact with the support crew. He recalls the next hour in hallucinogenic terms. “It was like being on the Starship Enterprise,” he says. “There were these particles going by, like stars. Every so often a jellyfish would go whipping by. It was the childhood dream.”
Both Rush and the article writer treat this as a fun quirky story, instead of a serious safety failure and red flag with his experimental macgyvered regulation-flaunting submersible.
Other highlights from the article include:
Stockton rush saying that if 3/4 of the planet is water, why haven’t we monetized it?
Stockton saying we will “colonize the ocean long before we colonize space”
Lots of weird pro colonialism stuff in general??? This article loves colonialism and thinks it’s cool
Rush saying he plans for this to eventually help find more underwater resources for the US to exploit and profit from
Elon musk comparisons. The article writer does not mention that Elon Musk’s rockets explode and therefore it would be a bad idea to get in one of them, because that would imply it’s a bad idea to get into the submersible
Stockton rush seeing himself as Captain Kirk
The article writer comparing the tourists who plan to join Rush to Englishmen who went on colonialist journeys to Africa as if that’s like, a good thing. So much pro colonialism stuff in this article
So many sentences about Stockton Rush being handsome when he literally just looks like some guy
The article beginning with an editor’s note from years later disclaiming that the extraordinary submersible they’re advertising in this article is uh. It’s now uhhhh
But yeah it really does just bring home how so many organizations that supposedly care about scientific truth or journalistic integrity are willing to uncritically platform propaganda for wealthy CEOS. It’s frustrating how easily people fall for the fake myths that careless wealthy people invent for themselves, and even more frustrating that supposedly respectable institutions will platform irresponsible lies that end up getting people killed.
Rush is such an obvious and simple example of this, and his negligence is “only” killing five people including himself. But to me it feels like a cautionary tale to bear in mind when it comes to uncritical puff piece media coverage of similar “daring tycoon innovations” by people like Bezos or Musk.
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jongseongsnudes · 6 months
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ruin you
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bff!jake. 1.6k words. smuttt.
“how long left til your date?”
“an hour.”
“perfect. that’s plenty of time.”
“for what jake- ahh-” your words turn into squeals when the man carries you over to his side of the car, literally manhandling you as if you weighed nothing to him.
guess his trips to the gym really were beneficial.
the man holds you still on his lap, facing him, while grounding your hips down so you can feel the growing tent in his sweat pants that you swore you had just helped get rid of back at his place.
“again?”
“what can i do?” the ends of his lips pull into a smug grin as he leans in to place a kiss on your chin, “you’re such a pretty, pretty girl.”
“sweet talk isn’t always going to get you what you want, mr sim.”
“just trying to help. i just want to get you ready for your date,” he shrugs his shoulders nonchalantly, the grin on his face however tells you that his next words were going to be anything but nonchalant.
“and how will you be doing that?”
your words seem to be the cue for him to lean in and kiss you sweetly. you loved these kind of kisses from jake, when he treated you so gently, as if you were his most prized possession.
you had spent the day at your best friend’s place, in his bed with his arms around you and his lips on yours for most of it. this was how you both spent most of your sundays, literally joined by the hip with heaps of what you and him liked to call, lazy fucking.
and usually, you’d stay there til the very next day and head off classes together but you had a date tonight. a blind date.
you and jake were best friends, have been for the past two years but a drunken mistake one night led to the beginning of your hook ups. with no strings attached of course. the man would go on dates and you would go on yours but by the end of the night, you’d be knocking at each other’s doors. like clockwork, a familiar routine.
it was a strange friendship but it worked and it had been for the past three months. you’ve always enjoyed the man’s fun company but you’d be lying if you said you didn’t love the dominant side of jake sim that only you got to experience.
like the him right now, sitting before you.
“my pretty, i’m going to ruin you. i’m going to make sure he’ll never be good enough. no one will.”
he kisses you again almost immediately, not letting you have a single say.
there was something noticeably different about jake today, something slightly off that you can’t pinpoint. your bestie never cared much about who you went on dates with but his words and his actions today told you different. maybe it’s because your blind date was supposedly the captain of the football team, someone good looking, smart and rich. what girl wouldn’t fall for that right?
the delusional side of you hoped that you were right, that you going on a date tonight did bother jake. but you knew yourself that it wasn’t likely, not when said man had hot girls lined up for him every week.
you were just an easier fuck whenever he needed it.
the coldness of his fingers on your skin brings you out of your stupid thoughts, only to realise what he was actually doing. trust him to already have his sweatpants down his knees and your panties under your dress slipped to one side. how he could be so fast still manages to surprise you, time after time.
the feeling of his cock rubbing at your bareness elicits a breathy moan from you. it drove you to almost insanity whenever he did this, your core desperate and screaming to be filled up by the man.
“will you let me put it in pretty?”
“yes jake please,” your words sounded more like whimpers, something he enjoyed a little too much with the way he was already grinning.
he knows you’re desperate for him and he was loving every bit of it.
he kisses you again while his hands are busy at your waist, easily lifting you up. every part of you is immediately put on overdrive as you slowly sink onto him, your wetness taking as much of his hard on as possible. and damn was that a full time job of its own.
“oh my god- jake-” you’re already seeing stars, your mind spinning and it was just the tip. no matter how many times you’ve done this, you always end up struggling to fit it. just proves how big jake sim really was.
“poor baby. need my help?”
you nod way too quickly at his question, causing the man to laugh. but you don’t care how pathetic you must’ve looked because you wanted him to help. it’s always how it went between you two anyway, with jake doing most of the work, manhandling your body like it was his own personal rag doll.
and you would never complain. ever.
because by the end of it all, jake always made sure you were satisfied first, letting you cum countless times before he would.
so you didn’t expect anything different this time either.
his arms circle your waist, hugging you even closer as he thrusts upwards, filling you. all you could do was whine at the feeling of him even deeper inside of you, his thickness almost breaking you in half. but you couldn’t care less, not when it felt this good.
you grip tighter onto his shoulders as jake pounds into you, your nails almost ripping the man’s poor shirt, similar to your dress strap that was currently hanging on for dear life.
“f- feels so good-”
“i know baby, i know,” he coos into your ear, his voice so deep, just like his cock that’s currently buried inside of you. his hands are now grasping your waist, holding you still in place so he could angle himself better.
of course fucking in jake’s car wasn’t at the top of your favourite places to do it but just something about it, perhaps the tight space or the high chance of getting caught or even the fogged up windows... turned you on a little too much.
“jake...”
“what do you want pretty, tell me. you know i’d give you anything right?”
“please... i want to cum-”
your body begins to fall apart when he hits one specific angle, an angle he had perfected only after a week. it was like he knew everything about your body already. where to touch, where to kiss, where to suck. the man was a fast learner and you were more than thankful for that.
“anything for my pretty baby...” his thrusts fastens almost immediately, causing your head to fall back against the stirring wheel. you have no idea of what’s what anymore, all you know is that you were going to have the best orgasm of your life.
your moans, his groans and the unholy sound of skin smacking continue to fill the small space as jake works you towards your high, his thrusts gradually becoming erratic.
his name is the only thing on your lips as a violent rush erupts through your body, your juices coating the man’s dick just as he also cums deep inside of you, filling you to the brim.
with no energy left, you lay your head onto his shoulder, your arms now weakly clinging onto the material of his shirt. you could hear him laughing lowly beside you as he begins to pat your head, something you’ve always loved him doing.
the smirk on his lips tells you just how pleased he is with how whiny you always become because of him. how pathetic and dishevelled you always looked when he’s fucking you, with hair so messy and with tears in your eyes.
that’s exactly what jake sim loved seeing. you being a complete mess for him.
just like right now.
“oh shit i- i have to go,” you barely manage to mutter with how exhausted you are, your eyes going to your wrist watch to see the time, “there’s only 20 minutes left. i need to go wash up-”
“or,” you can tell from the look in his eyes that he wasn’t about to let you go, that he wasn’t going to take no for an answer either. it’s always with that gaze, the one he knows for a fact always works on you, “we take a nice bath, have some take out and then we stay in bed all night. just me and you.”
“but jake-”
“come on,” he coos at you again, his tone more desperate than before if you could say so yourself.
of course you wanted to scream hell yes, but deep down you knew you shouldn’t. this secret, scandalous relationship between you and your best friend that was supposed to be no strings attached was becoming anything but that for you.
it all happened so suddenly, something you weren’t able to control. you didn’t even know when or how but you found yourself falling for him over time. you tried to go on dates, meet new people but no one could take your mind off jake sim. it was as if he really did ruin you for everyone else, both mentally and physically.
and what did you do about your feelings?
answer was simple, nothing, just so you could salvage your friendship.
so now that you’re given yet another chance to distance yourself from him, with a blind date, you knew you had to go. just like he would, if he had a date to go on.
“stay with me pretty.”
“i- i can’t jake... not tonight.”
end.
2023 © jongseongsnudes on TUMBLR. PLEASE DO NOT COPY, TRANSLATE OR REPOST.  
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catdemondez · 11 months
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So my autistic ass was OBSESSED with The Titanic as a kid and one thing I keep thinking about with this whole lost submarine incident is the “name curse”.
White Star Line, the company that produced the Titanic, made three Olympic class ocean liners: The Olympic, The Titanic, and The Britannic.
(Seen in order top to bottom. Picture stolen from reddit. X )
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The Olympic is the only of those three that did not sink.
Now, the “name curse” that comes in to play here is related to greek mytholoical races from which each ship has supposedly taken its name: The Olympic Gods (also just called Olympians), The Titans, and The Giants. The giants are involved due to a claim that The Britannic was originally called The Gigantic, based on an unofficial poster featuring the ship with the supposed name above it, as well as a contemporary newspaper stating that the company announced a ship with said name three years before The Britannic was launched.
Both The Giants and The Titans were races that were vanquished by The Olympic Gods in what are called the Titanomachy and Gigantomachy, with the latter event being less well know.
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Another race of gigantic beings seen in greek mythology is The Cyclopes. The Cyclops were never vanquished by The Olympic Gods as they were never at odds with the gods, even crafting artifacts for the gods themselves, namely: Zeus’s thunderbolts, Poseidon’s trident, and Hades’s helmet of invisibility. 
The submarine that went missing is part of the Cyclops class submarine line produced by OceanGate Inc., probably called such due to the design. Two vessels of the class have been produced with two more planned following a naming scheme of Cyclops I, Cyclops II, and so on. Cyclops II however was renamed to Titan specifically for its use in touristic viewing expeditions of The Titanic.
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Now, more about the submarine itself;
Cyclops I performed well for its intended depth, Titan however has not, with OceanGate having lost track of it before. This is due to the vessel lacking a tracking beacon, as well as navigation controls and communication devices, relying on a support ship to text Titan’s captain its directions, as revealed by Journalist David Progue, who also said that they “turned off the ship’s internet to prevent tweeting.” Also, due to the lack of these features, Titan was denied official certification by ship classification societies for not meeting safety standards of ANY society. Problems started long before this, though.
During the testing of Titan’s design, OceanGate claimed that the dimensions and structure were partly designed and tested by NASA, Boeing (the plane company) and The University of Washington. All three of which have denied this. In fact, when Titan was first built, it was handed over to the company’s operations department with no testing whatsoever as well as an insufficient monitoring system. The Director of Operations, however, saw this and submitted a negative quality report, for which he was promptly fired. When they DID finally test it over a year later, the vessel resurfaced with signs of cyclic fatigue, which is the near microscopic bending of metal that happens before cracks appear. Instead of changing the design to prevent this from happening in future expeditions, the company simply replaced the damaged parts and called it good.
All in all, its just so funny to me that OceanGate used the same supposedly cursed naming pattern for its ONE safety violation riddled submarine only to send it to a lethal depth its not equipped to handle AND SOMEHOW not expect it to eventually crush like a soda can under a semi.
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hihhasotherfixations · 5 months
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Cheating - Price x Reader NSFW
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When you find your boyfriend cheating on you, you look for refuge in your captain’s arms.
CW: fem!reader, unprotected p in v, cheating
Word Count: 6280
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If you said you didn’t expect your evening to go like this, it was an understatement.
Standing in the doorway to your bedroom, your eyes were locked on the bodies moving under the sheets.
Your boyfriend, the man you had been with for the last 2 years, lay in your shared bed on top of his coworker.
With every movement, the raggedy bed creaked, their lower halves covered by the blanket - though the thin material did nothing to hide what was going on underneath, his hips vigorously thrusting while the woman moaned - the two of them completely in their own world.
After two months out in the field, you’d finally returned from deployment, coming back a week early even. And now here you stood, watching the man who supposedly loved you fucking another woman.
It was like you were frozen. Every cel in your body wanted you to run, disgust curling through your stomach, and yet you couldn’t move. You just stood there, nauseous as you watched.
And what was even worse; the woman (though you recognised her, you couldn’t remember her name) was wearing a blindfold. Your blindfold. Your shitty excuse of a boyfriend couldn’t even have the decency to buy her separate stuff.
That thought, that rage, was enough to get you moving as you stormed over, yanking the blanket back, causing both parties on the bed to gasp.
“You absolute asshole!” You yelled, slamming your army bag into your boyfriend’s side, successfully breaking the two apart and causing him to nearly topple off the bed.
“Y-Y/N?” He asked, the colour draining from his flushed face as he looked at you, his eyes wide as he saw you standing there. Home. “You’re early…”
The woman, hearing everything, scrambled back on the bed, pushing the blindfold up to be able to see, her eyes settling on you.
Immediately, a guilty look overtook her features but you couldn’t be bothered to give her another second as you glared at your boyfriend instead.
“Look, baby…” He tried but you instantly shut him up with just a hand gesture, seething.
Standing there in your army uniform, with your naked lover and his affair partner in front of you, you were simply at a loss for words.
A part of you wanted to grab him, throw him, hurt him - do everything you were ever taught when it came to fighting - but you decided against it. He wasn’t worth a possible assault charge.
So instead, you took a step back while your emotions raged inside you. “We’re done.” With that, you turned around and walked out.
“Y/N, wait!” Your boyfriend called out, scrambling to cover himself before he ran after you but by that point you’d already reached the front door, glaring back at him before you slammed the door right in his face and locked it.
Immediately, the doorknob started to jiggle before you heard a muffled curse.
With tears in your eyes, you looked down at the two keys in your hand. You’d purposely taken his as well, locking him inside.
Sniffling, you just dropped his keys on the doorstep, leaving him to figure out how he’d get out and get them as you then proceeded to walk away and to your car, needing to just get away.
As if things couldn’t get any worse, rain started up.
Within 20 seconds it was pouring down and you ran along the street to your car.
Your usual parking spot in front of your apartment wasn’t free, which is why you’d had to park an entire block away. Now you knew why.
By the time you reached your car and jumped in, you were soaked to the bone. Droplets splattered satisfyingly on the windshield of your car while you threw your duffel bag to the backseat, letting your head fall back against the seat as you covered your face with your hands.
Within ten minutes, everything had gone to shit.
The relationship you’d been so secure in was a sham. The guys had always joked you were smitten whenever you mentioned your boyfriend; Ghost playfully complaining and Soap making crude jokes whenever he could while Gaz would nudge you. It had all been fun then. As you sat here now however, it wasn’t.
Reaching into your pocket, you pulled out your phone - only moderately damp - and scrolled through your contacts with tears in your eyes.
You needed someone, you needed someplace to stay even. But you knew your best friend would ask a million questions before going on a warpath, and you weren’t exactly in the mood to explain it to the teasing triad, seeing their jokes turn into sympathy.
That left one person. Captain Price.
Sniffling, you let out a shaky breath before scrolling through your contacts. Last time you’d contacted him outside of work was to ask him for what he wanted as a birthday gift. That wasn’t to say you didn’t speak with the man or had a bad relationship, no, the complete opposite even. When not out in the field giving orders, he was kind, supportive, understanding and funny even. And most of all, he left you be in your relationship without meddling like the others.
So, without much of a thought, you typed up a message.
‘Hey, cap.
Due to some circumstances I need a place to sleep. Could I crash at your place?’
It was vague and probably a stupid way to ask but at the moment you couldn’t muster up the energy to care - all of said energy going into the effort to not cry over the piece of shit your ex-boyfriend was.
Faster than you expected, your message turned to being read as you saw the indication he was replying pop up.
‘Without question.
You know the address?’
Sniffling, you wiped your nose with the back of your hand and smiled at your phone. Typing a quick ‘yes’, you then got another message.
‘Good. Drive safe in this weather.’
For some reason, just that was enough to make your emotions spill over the wall you’d shoddily built and you began to cry while putting your phone down and starting the ignition.
Putting your captain’s address in your car’s navigation took a bit longer because of it, though the added benefit was that your cries quietened enough for you to drive by the time you’d managed to get it on.
Despite Price’s text, you drove without much care, the windshield wipers doing overtime in the pouring rain as thunder started to rumble.
Beside you, your phone started to light up with texts and calls, your boyfriend trying to contact you though you ignored them.
Within twenty minutes, you reached Price’s house and you parked your car right in front of his door. His own was sitting neatly in the driveway, leaving room for you on the street.
Wiping your tears away one last time, you composed yourself as much as you could before grabbing your bag and phone, taking your keys out of the ignition before you got out of the car and began rushing to Price’s home.
Looking up, the door was already open with Price standing beside it, beckoning you inside.
The moment you did, he closed the door, shutting out the rain and thunder right as a lightning flash in the clouds lit up the dark outside.
“Bloody hell.” Price remarked as he then took a step back and took you in, scanning you from head to toe.
Standing there, dripping wet, you guiltily stepped back until you were standing on the ‘welcome’ mat by the door, not wanting to drip water into his wooden floor. “Sorry to barge in.” You spoke softly but at that point, Price had already clocked the puffiness of your eyes and congestion of your nose, clear indicators you’d been crying.
“Here, let me.” He spoke as he took your bag from you, setting it down on the floor next to his own. Because of course, he’d only just gotten home as well. He stood before you in jeans and a shirt, but you figured he didn’t have much time to change into that before you’d already contacted him.
“I… uhm-“ You started, wanting to offer some sort of excuse or explanation but Price stopped you with a shake of his head.
“We need to get you dry first.” He spoke, a hint of his trademark authority in his voice. “Take off your shoes and follow me. I’m not letting you put on a dirty uniform, so you can borrow from me for the time being.” He spoke, nudging at your duffle bag with his sock-clad foot to emphasise what he meant.
Simply nodding, you bent down, cringing at the feeling of your wet clothes moving with you as you untied your boots. Though you’d worn this uniform while wet plenty of times, that didn’t mean it was ever nice.
Once your shoes were off, you stood back up straight and Price motioned for you to follow him.
Doing just that, you stepped from his entrance hall out into the living room, seeing the comfortable couch to the left that you and the team had spent many a night drinking on whenever your captain hosted an evening in together.
“Y/N.”
Snapped out of your reverie, you looked up to see Price standing to the right, at the bottom of the stairs leading upwards.
“Sorry.” You mumbled but Price just waved it off, beckoning you to follow him.
When you did, he started ascending the stairs, leading you to a room at the far end of the hallway, opening it to reveal what seemed to be his own bedroom.
“I don’t have a lot of choice of clothes for you unfortunately, my apologies.” He hummed, walking over to a drawer cabinet as he opened the bottom drawer, revealing pants.
Taking out a pair of sweatpants, he handed it to you before opening the second most top drawer, grabbing a random black long-sleeve shirt from the bottom of the pile to give to you as well.
“I think those would fit best.” He hummed before his eyes trailed down, lingering on your hips as he then slightly pursed his lips. “Do you think you need uh…” He started, hesitating to actually say it, though you quickly picked up on it.
“Oh, no. I’m not that wet, thankfully.” You quickly said, holding up the pants and shirt he gave. “These are fine, thank you. I’ll just go change in the toilet downstairs.” You spoke, feeling awkward and a little skittish and suddenly, Price’s hand was covering yours, warm and calm.
“You can change in the bathroom next door. There’s a warm towel there too which you can use.” He spoke, his voice suddenly calm and reassuring, almost soothing.
And it was embarrassing how much it helped to calm your nerves. But then again, maybe it was an instinct weened into you given your captain always was the voice of reason and calm on the battlefield. That’s what you told yourself at least.
Walking into the bathroom with the clothes in your arms, you gently shut the door behind you, letting out a shuddering breath as you leaned back into it, closing your eyes.
I the span of an half an hour, everything was flipped upside down and even if you’d already broken down, it didn’t feel like you’d truly processed what had happened.
Just shaking the thoughts off for now, you decided to change, getting into the sweatpants and tightening the draw string around your hips before switching shirts as well, adjusting the clothing where necessary.
Once done with that, you looked around to see a white towel hanging next to a grey one on a heated rack. Reaching out, you ran your hands over it, feeling the grey one damp - most likely used by Price to take a shower earlier when he got home. Moving over to the white one, you grabbed it, pleasantly surprised by the warmth and softness of it.
Using it to dry your hair, you were soon done and politely hung the towel back on the rack, making your way out of the bathroom after.
Moving downstairs, you heard the sound of a kettle whistling, making a small smile form on your face, knowing how proud your captain was of his kettle, passed down to him by his late mother.
Coming off the stairs, you saw Price by the kitchen counter, busying himself with pouring two cups of tea.
“Thank you for letting me borrow these.” You spoke softly, catching Price’s attention who looked up at you and smiled.
“Not a problem, love.” He hummed, making you blink at the nickname. “Come with me to the couch.” He beckoned before picking up the mugs, taking the lead.
Following him, you gingerly sat beside him while he placed your mug on a coaster, for which you softly thanked him.
“What’s going on then?” He asked after a moment, turning his body to you.
Looking over at the man, instead of the stern look you expected - one you’d seen plenty of times when reprimanded during training - his face was soft, a worry line on his forehead and his eyes slightly creased. Concern.
“I, uhm.” You mumbled, reaching out to grab the mug of tea as you cradled it, revelling in the warmth as it warmed your chilly bones.
“Take your time.”
It was the way he spoke it. Soft and in a whisper, a care shining through that broke you, causing tears to rapidly fill your eyes.
Seeing that, Price shifted closer, placing a comforting hand on your leg as he squeezed.
“I found my boyfriend, uhm-“ You started, taking in a shaky breath, trying so hard not to cry, trying to stay composed. “With another woman.”
Your voice cracked and diluted into a whisper near the end as you hid behind the mug, feeling pathetic.
“Oh, sweetheart…” Price breathed out, moving closer until his hip was pressed to yours, his right hand slinging over your shoulders while his left carefully took the time to put the tea back down. Wasting not a second after, he pulled you into himself.
Being so suddenly pulled into a hug, your face screwed up and you started crying all over, your breaths small and fast and your sobs pained.
“It’s okay.” Price soothed, holding you tightly.
Slowly, you curled your arms around his waist, crying into his shirt. “He was just there, doing it in our bed.” You cried and Price gently held you, rubbing your back.
“It’s not your fault.” He spoke softly, almost muttering into your hair and you nodded, trying to believe it as you felt yourself melt into his warmth and the comfort he brought.
“I broke up with him on- on the spot.” You sniffled, not wanting to sob in front of the man you looked up to. “He tried to run after me.”
“But he didn’t?” Price asked, a little confused but you shook your head no.
“I locked him inside the house.”
At that, a small, baffled laugh escaped the brunet. “You locked him inside? That’s my girl.” He grinned, pulling you in tighter as he rubbed your back again.
Just then however, his eyes landed on your pocket, his smile replaced by a frown.
“Your phone keeps going off.”
Sniffling, you wiped your nose and looked at your pocket. Though you kept feeling the thing buzzing in your pants, you were too far in your head to register it. Now however, you remembered and reached into the pocket, pulling your phone out.
Unsurprisingly, your boyfriend’s contact was displayed on the screen. You’d lost count of the amount of messages and missed calls.
“He’s been trying all night.” You muttered, making the brunet frown.
“All night? Even despite-? You should turn it off, love.” He spoke while the both of you watched the call go to voicemail.
“I can just ignore it.” You sniffled, trying to wipe your eyes. Yet right then, his contact came onto the screen again as he once more called.
While you were ready to ignore however, Price wasn’t as inclined. “Can I?” He questioned, holding out his hand for your phone.
Shrugging you handed it over.
Gently taking it from you, the man turned the screen towards himself. Glaring at it and the contact on it, Price suddenly swiped the green button, answering the call and making your heart lurch into your throat.
“Y/N, I-“
“Listen, mate, you need to stop.” Price interrupted, making your boyfriend halt in his steps.
“Who are you?”
Because your face was pressed to Price’s chest, you could hear every word your boyfriend said, even if a little quiet.
“You think that’s the most important thing right now?” Price scoffed in answer. “You need to stop texting and calling, you’re hurting her.”
“I’ll do as I please, it’s my girlfriend, dude. Now who are you? Why is she with you?”
Almost amazed at the gall of this guy, Price looks down at you, his brows raised and his head shaking in disbelief over how he kept blabbering.
“She’s not your girlfriend anymore.” Price spoke calmly. “She made that quite clear, didn’t she? Now it’s none of your business but I’m her goddamn boss. You hurt her so bad that she’s seeking refuge with her boss. And you think that warrants you still calling her your girlfriend? No, mate.” Price spoke, gripping the phone tighter, his jaw clenched.
“Just send her home to talk.”
“Absolutely not.”
“What’s your problem?!”
“You disrespected and hurt one of my best soldiers. That’s my problem. Now if you can’t treat her right and fill her needs, I sure as shit will. Call this number again and I’m coming over to shut you up personally.”
With that, Price ended the call, placing your phone on the table with a huff.
It took a second before the silence fully set in and Price looked down at you, swallowing. “Sorry, I- uh. I couldn’t have him talk about you anymore.”
He seemed almost embarrassed by practically yelling over the phone at a man he didn’t even know.
“Thank you.” You whispered, the tightness in your chest seeming a little looser before you let out a sigh. “How big do you think the chance is he’s now going to accuse me of cheating?”
“Moderately big.” Price sighed, pulling you up a bit to sit better in his arms. “I don’t know how you dated that asshole for so long, I’m sorry to say it so bluntly.”
Letting out a sigh, you shook your head. “It’s okay, I don’t know either. Just… was too blinded to see it, I guess.”
“Hey, you couldn’t have known he was cheating.” Price speaks softly, tilting your chin up to make you look at him.
You nod, letting out a shuddering breath before tightening your hold on the man as your thoughts raced. “I’m so angry, Price. I just want to do something to get back at him. I thought about beating him up when I- but I decided against it because of legal shit.”
A chuckle rumbled from his chest at that, pleasant against your cheek and you glance up at him. “Probably for the best, though I can understand your want.” He hummed and you sighed.
Looking down again, you shifted a bit before your tongue darted out to moisten your lips. “Price?”
“Hm?”
“What did you mean saying that if he didn’t take care of me, you would?”
At your words, Price froze a bit, his eyes locked on a point across the room, darting a bit as he thought, his body shifting awkwardly.
“Well…” He started. “You deserve someone who loves you. He evidently didn’t.”
Pulling yourself back from his arms, Price instantly brought them down to his sides, crossing his legs and refusing to look at you. Somehow, he’d had the idle hope you wouldn’t read between the lines.
“I’ll go see if we can order some food.” He mumbled, deciding ignoring was the best course of action, yet as he began to move to stand up, you grabbed his wrist and tugged him back down.
Falling into the couch with a grunt, your hand was on his cheek and turning his face within a second, your lips connecting to his.
Shocked, Price stayed still for a second, not knowing what to do before his brain caught up on what was happening.
His left hand shot to the back of your head, tangling into your hair as he pulled you closer, starting to reciprocate the kiss in full, his mouth meshing with yours with no further hesitation.
Your eyes closed, you felt your captain kissing you so eagerly. And you felt more alive than you had in months of your past relationship.
Losing himself in your lips, Price felt his heart hammering in his chest as his right arm curled around your waist, grabbing and lifting you, turning until you were on his lap, making him tilt his head up to keep kissing you.
Shifting your hips, your hands dragged down his chest as you kissed him, the bristles of his muttonchops grazing against your skin in a drag more delicious than anything you’d ever imagined.
Finally, Price pulled back, his breathing heavy and laboured as he looked up at you. “Jesus, love.”
Panting softly, you looked down at Price, seeing his usually bright blue eyes darkened, his pupils wide as he looked at you, an almost adoring look on his face.
“I’m sorry-“ You started, only for Price to move both of his arms to your waist, pulling you in closer, forcing your legs to spread a bit further to accommodate his hips.
“Don’t you apologise.” He warned, leaning in to ghost his lips over your jaw, pressing a little kiss right below your ear. “You and I both know I don’t mind.”
Swallowing nervously, your hands tightened on his shoulders. “Yes but… it’s not right.”
“What’s not right is your boyfriend treating you like shit. You deserve more, sweetheart.” He rasped, shifting his hips a bit, making your eyes widen as you felt something press into you. “Let me make a proposition.” He said softly, one of his hands cupping your chin to make you look at him.
“I’ve seen you staring at me, I know what goes on in that mind of yours. But you were loyal to your boyfriend. That’s good. But he’s your ex now.”
“What are you saying?” You whisper.
At that, Price smirked, running his knuckles down your cheek. “I think you know. You want to get back at him? I can give you that.”
Biting your lip, you looked down, blushing as that left you staring at you sitting on his lap, practically on top of his crotch. “I-“
“Hey.” His voice was suddenly a lot softer as he made you look up at him. “You can say no, yeah? I’m reading between the lines here but if you don’t want this, just say it.” He spoke softly, his arm around your waist shifting to loosely hold onto your hip.
“You’re my boss.” You whisper and Price nods, a little dejected but masking it fairly well.
“I understand. I’m sorry if I made you uncomfortable.” He smiled kindly, taking in a deep breath, shifting to sit up to lift you off of his lap, only for your hand to land on his chest and push him back into the couch cushions.
Surprised, Price blinked up at you. “I’m not uncomfortable.” You spoke lowly. “I… want this. But what if we get in trouble?”
Hearing those words, it was like the flip of a switch as he got the green light. Reaching up, he placed his hand on your cheek. “We won’t get in trouble. Because right now I’m not your captain. We’re off duty, there is no ranks here.”
“That’s such semantics.” You whispered and Price chuckled, his hand on your hip starting to wander back, partially splaying onto your ass where he lightly squeezed.
“Semantics is all we need, darling. Tell me you want this.”
Biting your lip, you nodded. “I want this.”
“Good.” Price grinned before leaning in, kissing you.
Wasting no time, he parted his lips, his tongue swiping yours as he asked for entrance, his hips starting to rock into you.
Grunting softly, you opened up, feeling his tongue start to delve into your mouth and explore, his hands wandering up and down your body as he rocked his hips, searching for friction.
Throwing caution to the wind, you began returning in kind. Placing your hands on his shoulders, you started grinding your hips, earning a groan from Price while you kissed, your lips feverishly moving against each other, desperate and needy.
Gripping your hip with his left hand, Price moved his right down your stomach, teasing his shirt that you were wearing up, a little groan leaving him as his palm brushed against his own joggers currently on your hips.
Breaking the kiss, he instantly started kissing down your jaw and to your neck. “Fuck, you look so heavenly in my clothes. It was such a mistake to give it to you.” He panted, his right hand gripping the waistband of your pants. “Wanted to take them off you straight away.
Smiling softly against his hair, you felt him nip at the skin of your neck, his hand grazing your lower stomach making butterflies crash around. “Do you really have such little self-control, sir?” You teased and Price bit down hard on your neck with a groan.
“Told you, there’s no ranks here.”
“You did, but I think you like it, sir.” You grinned and Price tensed beneath you, his hips twitching.
“You’re playing a dangerous game.” He whispered. His hand starting to slip past your waistband, moving into your pants. “I’ll play along.”
Biting your lip, you felt his fingers explore down, rubbing the fabric of your panties, barely grazing your clit.
“Price-“ You whispered, feeling him buck his hips up into you, making you whimper, desperate for more.
“I know.” He hummed, his finger finding your clit, pressing it through the fabric of your panties, making you whine as he started circling his finger on it.
Biting your lip, you tried to push your hand into your pants as well, wanting to move your panties for him but Price stopped you, grabbing your wrist and tutting softly.
“None of that now. I’m taking my time with you.” He whispered, moving his finger down to the seat of your panties now, feeling how damp the fabric was, your slick soaking into it.
Unable to take it, you reached forward and grabbed onto the fabric of his jeans. Unbuttoning it, Price groaned softly, feeling his erection jump.
Carefully reaching in, you bypassed his underwear, feeling him instantly, his length straining against the confinements of his clothing.
Licking your lips, you carefully wrapped your fingers around it, your heart beating a little faster as you felt the width, sitting heavy in your palm.
“Go on, love.” Price encouraged, his breathing a little faster as he felt your hand on him, his own fingers finally pushing the fabric of your panties aside as he instead started running his fingers through your folds, feeling how wet you were.
Shuddering out a breath, you started trying to pull him out, only to stop as Price sunk a finger into you, his mouth on your neck starting to suck little hickeys while he kept encouraging you to continue.
Steeling yourself, you pulled him out, hard and big, making you bite your lip in equal nervousness and excitement.
“You’re so warm.” Price whispered into your ear, slowly thrusting his finger in and out, quickly adding a second, making you groan faintly. “That’s it. My girl.”
Shifting your hips, his fingers dragged through your walls and you started moving your hand up to the tip, using your thumb to rub over his slit, starting to spread his precum.
“Good girl.” Price praised, his teeth grazing your earlobe as he started scissoring his fingers, his palm finding your clit and rubbing into it.
“Hn-“ Suppressing a whine, you held onto the man with your free hand, your eyes closing. “Price, I want you…”
Groaning softly at your admission, Price smiled to himself, kissing under your ear and down your neck, sucking softly every now and then.
“I want you too but I don’t have a condom, love. Didn’t exactly prepare for this.”
“I’m clean.” You whispered, having always used protection with your boyfriend.
“I meant it more for your comfort than mine, sweetheart.” Price rumbled a chuckle. “Don’t want any happy accidents, do we?”
“I’m on birth control.” You whispered, grinding your hips, desperate for friction even as Price continued to softly pump his fingers, scissoring them and caressing your walls.
“Are you sure?” He asked, stifling a groan as you squeezed your hand around him.
“I want you.”
Letting out a little strained huff, Price pulled his head back and kissed you while pushing a third finger into you, gently moving it in and out, stretching you open.
Whimpering in response, your eyes shut as pleasure curled through you, his palm still digging into your clit while he moved his fingers.
“Please-“ You whined again and he couldn’t resist anymore.
Pulling his fingers out, you groaned at the kiss, feeling him retract his hand completely before he lifted you up and quickly turned the both of you around, pushing you down onto the couch while he leaned over you, his hips between your legs still.
“Are you sure, sweetheart?”
Without hesitation, you nodded and Price stuttered out a breath, reaching down to pump himself a few times, purposely using his right hand to spread your slick onto himself, a little groan leaving him.
“Take it off for me, sweetheart, yeah?” He asked, using that time to take his turtleneck off, throwing it over the back of the couch, watching you strip of all your clothes except your underwear.
Pushing his own pants down to his knees, he shifted to lean over you, his hands on either side of your head.
“You’re so pretty for me.” He whispered, his eyes roving your body. “Imagined this so many times and now here you are.” He smiled, leaning in and kissing you, his hand moving down in the meantime, starting to push your panties down your legs, slowly taking them off completely, leaving you bare beneath him.
Panting softly, you looked up, seeing Price hovering over you, his chest covered with hair, leading down to his stomach where it gathered in a point, running down until it flared again into a happy trail.
His cock stood, hard and the tip red, clearly just as needy as you felt.
Seeing you blatantly ogling him, Price smirked, leaning over you again, his right hand grabbing himself as he pressed his tip against your entrance.
“Are you ready, love?” He whispered, starting to glide the head through your folds, smearing your slick onto himself, spreading it.
“Yes, god, please-“ You practically begged, seeing the man’s lip curled up as he then positioned himself by your entrance again before pushing into you.
While he took it slow, your mouth fell open at the stretch, your eyes falling shut as you focused on his cock slowly pushing in.
“There you go, doing so good.” Price whispered, his breathing sped up in excitement as he slid in. You were so wet, making it easy.
About halfway in, he felt resistance and Price groaned. Your walls were wrapped so snugly around him and he carefully pulled out, keeping it slow to keep you comfortable.
“F-Feels good.” You whispered, feeling him slowly thrust in and out, slowly working more and more of himself into you.
“You’re taking me well, love.” Price praised, unable to take his eyes off of the slick coating his cock every time he pulled out, watching his length disappear into you just a second after.
“Sir-“ You whined and Price groaned, pushing in a little harder. Starting to speed up.
“That’s it. My pretty girl.” He gasped, reaching down to start playing with your clit.
“Ah-“ You whined and Price bit his lip, starting to increase his thrusts, watching you take more and more of his cock.
“Come on, take all of me, love.” He encouraged, pushing his hips forward, trying to push past your tight walls before he pulled out until the tip, thrusting back in after, repeating the process and working himself into your heat. “Almost.”
“Price-“ You moaned, the stretch making you gasp as he rubbed your clit.
“I know, I know.” He soothed, pushing his hips forward until finally, his hips were flush with yours, his entire length inside you. “Good girl, fuck-“
Panting, Price gripped your thigh, pulling your leg around his waist. “Please move.” You begged and he nodded, starting to thrust, making sure you were taking him entirely every time.
“You feel so good. So tight.” He praised, leaning down to bite into your neck while his hips moved.
“Price-!” You moaned, throwing your head back while he sped up.
Groaning into your skin, Price fucked into you, his eyes closed as he focused on your tight cunt wrapped around him.
His fingers still played with your clit, making a heat spread through you as you whimpered.
Reaching up, your hands tangled in the hair on the back of his head and you pulled his face up and away from your neck, instead slamming your lips to his, to which he quickly reciprocated.
Thrusting into you, Price’s right hand moved from your thigh to your ass, squeezing it appreciatively while he delved his tongue into your mouth, his other hand moved from your clit to resting on the side of your neck, his thumb splayed around the front of it, making him have a light hold on your throat while he kissed you.
Moaning into his mouth, your toes curled as he worked his cock inside you again and again, your heart pounding as a sheen of sweat started to appear on both your bodies.
Breaking the kiss, Price groaned against your lips, his right hand shifting to rub your clit again, making you clench around him.
“Oh fuck-“ Price moaned ever so softly, speeding up his thrusts as he felt a heat grow, his climax impending.
“Price, sir-“ You whimpered out a moan, Price pushing harder on your clit while he pounded into you fast and deep, making sure to hit all the way inside.
With every thrust into you, his cock hit your G-spot, making your back arch as you felt your walls begin to clench.
“That’s it, good girl. Needed me inside this pussy so bad, huh?” Price panted, his thrusts starting to stutter.
Nodding desperately, you whined out, bucking your hips into his thrusts, making him hit even deeper, the tip of his cock brushing your cervix. “Fuck!” You cried out, causing Price to groan, his hand retreating from your neck to instead hold your hips up, making sure to keep hitting that exact angle over and over and over.
“He didn’t deserve you. Didn’t deserve to taste you, to feel you, to love you.” Price rambled, slowing down though he went rougher, starting to chase his high.
“Price, I’m-“ You cried out, throwing your head back as you felt his thumb push down firmly on your clit, a pressure building up in your abdomen.
“Go ahead.” He groaned. “I’m not far behind.”
Moaning, you sharply arched your back, feeling hum thrust in, your cunt stretched so wide on him while he circled your clit with just the right amount of pressure.
Unable to hold it in, it took just one more thrust for you to fall over the edge. Your orgasm hit hard as you moaned, your eyes forced shut as you clung onto Price, your nails digging into his shoulders while your walls spasmed and clenched around his shaft.
Gasping, Price continued to fuck you through your climax, your cunt tightening repeatedly around him and making him moan.
Releasing your clit, he caught himself with both hands on either side of your head, desperately thrusting into you, feeling your heat and the tightness overwhelming him.
“Fuck, you’re so perfect, so good for me.” He groaned, panting harshly as he thrust a few more times before feeling himself start to twitch.
With a groan, he pulled out, his hand shooting down to rapidly jerk himself, needing just a few strokes before he too was cumming.
Moaning, he released his load onto your stomach and chest, thick, white spurts landing on your skin and pooling in the grooves of your flesh.
Jerking himself a few more times, Price then let go, panting harshly as he opened his eyes, looking down to see you laying beneath him, your eyes hazy, your chest heaving, and your skin painted with his seed.
Trying to catch his breath, Price hovered over you, his eyes glazed as his gaze slowly ran up and down your torso, unable to look away from his cum splattered onto your skin - thick, white and possessive.
“Fuck, I wanna take a picture and send it to that asshole.” He whispered, leaning down to kiss you. “Show him who’s taking care of you now. Taking proper care of you.” There was a slight smile in his voice and you gently kissed back, instantly taking Price with it as he leaned closer, kissing you eagerly.
While the night started terribly for you, neither Price or you would see much sleep before sunrise.
-
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absurdthirst · 1 month
Text
Evidence of a Date {Tim Rockford x F!Reader}
Rating: Explicit
Word Count: 10.3k
Warnings: SEX POLLEN(ish), snuff films, power of suggestion, hypnosis, compulsory need to fuck, rough sex, unprotected sex, multiple orgasms, oral sex (male and female receiving)
Comments: Asked to assist Detective Rockford with finding evidence on a supposed snuff tape, you find it to be very different from what either one of you were expecting. Leading you to some surprising outcomes.
Co-written with @storiesofthefandomlovers
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Click Keep Reading only if you have read the Rating and Warnings and understand the warnings may not be complete to avoid listing spoilers. As AO3 says 'creator chooses not to use warnings'. You also agree that you're the right age to be consuming anything here.
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Getting called into the Captain’s office is never a good thing. No matter how clean you keep your nose or what rank you are, even as a Detective. “You wanted to see me, sir?” Knocking and opening the door, you are surprised to see Rockford sitting in a chair opposite the captain’s desk. 
“Come in, shut the door.” He waves you in and your stomach twists, wondering what the hell is going on. You’ve worked with Tim before, but not recently. You’ve been too busy with your own caseload. “I need you to do something for me.” Captain Carnell is a no bullshit man, a pragmatist who hated sitting behind a desk. “Tim’s got a video he needs to go through, evidence.” You frown slightly, unsure why that should have any impact on you. “It’s a snuff film, supposedly and the forensic team refuses to touch it.” He grumbles and you still don’t quite understand. 
Tim shuffles awkwardly. “I need to watch it. And I need another set of eyes.” Your head turns towards him. “You can keep your mouth shut, unlike 90% of the others around here.” It’s true, cops like to gossip and if it is a snuff film, the details need to be kept quiet while the investigation is ongoing. 
“I see. And that’s why you called me in?” You ask the captain. 
“Yes.” Carnell nods. “Tim asked if your cases could be transferred and you to help him on this, and I think it’s a good idea. That way there’s no talk of sexism if the case goes nowhere.” 
You nod. “Of course.” You agree, not sure if you’re dreading watching the video or spending all your time with Tim more. It’s hard working with someone that you are hopelessly attracted to and know that it’s unrequited. “I’ll move my cases over to Robertson and we can get on the case right away.”
Your captain nods, “excellent. After closing time, go to the break room. He’s secured the room so it will be just you two.” Tim nods, crossing his arms and you glance between the two men. “Go back to your paperwork. Half an hour…the office will be closed up after everyone heads out and you can get started.” 
You nod and Tim shuffles a little as he exits the office, holding the door open for you. “Thanks for helping with this. It’s - it could be the breakthrough we need and I know it’s gonna be hard to watch but I’m glad you’re helping me with it.” Tim says quietly as you stand in the hallway before you get to the bullpen.
“It’s okay.” You don’t know what to expect. Hopefully it’s not too gory, you have been to plenty of crime scenes, but you had hoped to go to a party tonight after work. Even if you stay late to work on the case, you could get there later. “We’ll watch the tape and then make any notes before we go back through it again.”
Tim nods, reaching out to squeeze your upper arm. He can’t help but think you look gorgeous today. Well, every day really but you’d never want him. He’s older. He’s divorced and has a ten year old son. He’s got baggage and you deserve the world. With a sigh, he makes his way back to his desk, eager to finish the work day to spend time with you. God, he’s pathetic. He’s desperate to spend time with you. Even if it means watching a snuff tape. The day seems to drag by and finally he sees his colleagues starting to pack up and he wipes his hands on his pants, glancing across the room to your desk.
Your cases have been passed off you and endured the grumbling, telling Robertson to talk to the captain if he had a problem with it. Finishing up some paperwork while you wait for everyone else to go home. “You leaving?” One of the other detectives comes by your desk on his way out. 
“No.” You shake your head and look down at your file. “Backlog of paperwork. Captain’s on my ass about it.” You know most of them have every intention of heading down to the bar for happy hour. “Drink a beer for me though, okay?”
Tim is asked the same thing except he got waggled eyebrows as most of them know about his crush on you…everyone except you apparently. He sighs and pushes back from his desk after everyone is gone. “You want a coffee before we get started? I’ve got…something to add if you want to take the edge off.” He says, pulling out a small flask as he looks at you.
“Detective Rockford.” You sound scandalized, but you grin as you pick up your coffee cup. “Absolutely.” You laugh as you start to walk towards the break room. “At least if we can’t go for happy hour, we can brace ourselves for what is to come.” You tell him, emptying out the sludge in the pot and setting it to make a fresh batch. Lord only knows how long you will end up staying. “So where did you get this tape from?”
Tim sits down and sets the flask down on the little coffee table in front of the sofa in the break room. He’s slept on the sofa before. Especially when he was trying to crack the case of the old woman who was murdered for her inheritance. It kept him up all night and he ended up sleeping in the office a few times while looking over the case. “I have an inside contact. He’s looking for immunity and he left me a copy of the tape. Some mafia bullshit…it’s heavy. Supposedly.” He tells you, watching you make the coffee.
“So don’t plan on wanting to eat, got it.” You frown, deciding it was a stupid idea to ask Tim if he wanted to go out to that little dinner down the road from your apartment anyway. You were work colleagues, not romantically linked. “As long as it’s not a kid, I’ll be fine.” You admit softly, looking up from where you are pouring sugar and creamer in your cup to get it ready for the coffee. “I hate when it’s kids. I can’t imagine how you feel, having your son.”
Tim shakes his head, rubbing his cheek. “That - any kid - it kills me. Wondering what I’d do…how id feel if someone - I think you’d be locking me up because I’d burn the fucking world if something happened to Billy.” Tim confesses and you come over to the sofa with your cup and a cup for him. “Thanks sweetheart.” He says, grabbing the remote. He doesn’t call you sweetheart in front of the other guys but you’ve always been close to his heart. “You ready?” He asks you, wanting to make sure you’re mentally prepared.
It’s almost embarrassing how much you enjoy when he calls you sweetheart, not taking offense to it at all. It’s almost like an endearment and you cherish it. “I’m ready.” You tell him after taking a deep breath, knowing you need to be professional.
He grabs the flask, pouring a generous amount of whiskey in each mug before he sets it down. “Just to take the edge off.” He says before he takes a sip and hits play on the tape. He’s tense beside you, waiting to see the gruesome scene unfold.
"I hope that we don't have to finish the flask and go find a bottle." You murmur as you immediately take a large sip of your doctored coffee. Enjoying the slight burn before a naked woman walks into the view of the camera. Obviously set up in some kind of bedroom. "Well, fuck." You hiss. "It's gonna be one of those snuff films."
Tim shifts awkwardly as the woman comes over to the camera, her tits swaying as she adjusts it before she steps back and a man appears behind her. “Yeah. I, uh, I wasn’t told that this was - yeah. Sorry.” He blushes slightly, knowing he’s secretly wondered what you look like naked more than enough times.
"It's okay." You take another sip of your coffee before you look over at Tim for a split second, eyes flying back to the tv. You watch as the man starts to massage the woman's tits. "It's not like I've never watched porn before." You tell him, wanting him to relax slightly. "Caucasian female, approximately mid to late twenties, brown hair, Caucasian male, mid forties, short blond hair." You observe. "It looks like there is a tattoo on his left bicep."
Tim had completely forgotten to take any notes, his mind shamefully thinking about you naked and him behind you palming your tits. He leans forward, clasping his hands together to force himself to pay attention. He watches the couple fondle each other and he feels guilty that you’re having to watch this. “I- I’m not sure if he’s the one that gets killed.” Tim says, paying attention as the man’s hand slides down to rub the clit of the woman.
"Most snuff films, it's the woman who's murdered." You huff quietly, biting your lip and frowning slightly when the screen flashes for a split second. "I-" you shake your head, afraid you might have just imagined it. The woman's moan hadn't stopped so you just continue to watch. Your cunt bottoms out when the man slaps her pussy and then starts to rub again, his other hand still toying with her right nipple. "He's left-handed?" You ask, not quite sure but it's a strong theory. "Most often men finger a woman with their dominant hand."
“This is supposed to be the tape of the victim.” Tim says, trying to work through the evidence despite his cock twitching, suddenly aroused and he puts that down to being close to you.
You hum and lean in, trying to pretend the foreplay in the video isn't erotic, or you aren't getting turned on. It's natural, that's what you are trying to convince yourself of. That your panties would be soaked already if you were just watching a normal porn, alone in your room where you could pretend your hand was Tim's. Clearing your throat, you swear you see the screen flash again, but the audio doesn't stop.
Tim swears he saw something flash on the screen but he doesn’t bother telling you. He is trying to conceal his rapidly hardening cock. Sweat starts to bead on his forehead and he wipes it with the back of his hand. “I - this isn’t a normal snuff tape.” He murmurs, confused as the man pushes his fingers into the woman, her moan echoing in the break room as the image flashes on screen again and he pays attention. “You see that?” He asks, curious if you’ve seen it.
You gasp, but you don't know if it's from the fact that Tim might have seen the same flashes you have, or from how warm you are getting. How your entire body seems to be lighting up, aching for someone, Tim, to touch you. "I- yes?" You almost ask as you try to keep from moaning quietly.
“What - What does it say?” He asks, wondering if you’ve seen it better than he did and he tugs on his tie, loosening it and undoing the top button. Suddenly overheated, he shifts his feet and his fingers flex as he smothers down the urge to touch you.
“I don’t know. It’s- it’s flashing too fast to read.” You know you should probably stop the tape and go back, but you can’t. “Is it- fuck, it’s hot in here, right?” You ask him, biting your lip when the woman cums on the tape, moaning softly as you wonder if Tim would finger you before he fucks you or if he would just shove his cock into your needy pussy.
“Yeah. It is.” Tim murmurs, suddenly boiling hot and he unbuttons a couple more buttons on his shirt, his tie pulled over his head to fling it down on the sofa. The man grabs the woman, dragging her to the bed and he wastes no time pushing into her, her moan echoing in the room and the screen flashes again. This time slower. The word ‘Fuck’ flashes again, and again. Tim is rock hard now, unable to tear his eyes away from the tv.
“It’s saying ‘Fuck’.” You breathe out, unsure why someone would cut that word into a snuff film. “Right?” Your cunt is throbbing and you squirm as you watch the couple fuck on the screen. You bite your lip, trying to keep your breathing regulated and you want to touch yourself, or have Tim touch you.
“Ye-yeah. That’s what I- shit. It’s so hot.” He says, unbuttoning another couple of buttons and he undoes the wrist buttons, rolling his sleeves up. ‘Fuck’ flashes up on the screen again and Tim grunts, unable to resist palming his cock through his pants. “So-sorry. I- shit. I’m so hard it hurts.” He confesses, “you should - you should go.” He says, trying to get you away from him before he breaks.
You snort, pressing your thighs together. “Of course you are. We are watching two attractive people have sex.” You reason. “And it’s been a long goddamn time since a man made me cum.
Tim frowns, turning his head for a second to look at you before he focuses on the screen again. “It has? How? You’re - Jesus. You’re gorgeous. I always thought you had a secret boyfriend or something and just didn’t tell us.” He admits as the man fucks the woman harder and the screen flashes again. ‘Fuck’ Flashes and almost burns in his retinas as he sees it when he blinks.
You squirm again, wanting to shove your hand into your panties and rub your clit. “No time to date.” You groan. “You know how it is. Long hours. Turbulent cases. I just- have a vibrator.” You hiss when the screen flashes again. “Fuck! Why does it keep telling me to fuck?” You cry.
Tim bites his lip, his gaze flicking between you and the screen. The man flips the woman over to push back inside of her, making her cry out. ‘Fuck’ flashes again and Tim shakes his head, “I don’t - shit - I can’t - I need to-” He surges forward to cup your cheeks, pressing his lips to yours as ‘Fuck. Fuck. Fuck.’ repeats in his mind over and over again until he no longer controls himself.
It’s such a fucking relief to feel his lips against yours that you let out a small sob. Pulling him closer and pressing your entire body against his as ‘Fuck’ flashes in your mind again and again. Driven by some unseen force that is practically compelling you to touch the other detective. The need for him clawing under your skin like a drug.
His hands slide down to grab your waist, dragging you not his lap as his tongue slides into your mouth. The moans continue on the tv and the word ‘Fuck’ continues flashing in his mind. “Fuck.” He rasps out. “I- I can’t stop. Tell me to stop.” He managed to choke out despite grabbing your hips to drag you down on top of him.
“Don’t stop.” You gasp out, rolling your hips down shamelessly to grind against his hard cock. You don’t know why you need him inside you, but you desperately do. “Touch me, Tim.” You beg breathlessly. “Please baby.”
He can’t deny you. He helps you grind down on his cock, his hands sliding up to squeeze your tits through your blouse. “I - shit - I need to - to be inside of you.” He tells you, reaching down to work on unbuttoning your pants and he pushes his hand inside to find you wet and ready for him.
"Fuck." You whimper at the first touch of his thick fingers against your clit. "Yes, need- fuck, I need your cock." You groan out, reaching down around his own hand in your pants to squeeze his cock through his. "Now Tim." You insist.
Tim groans when you squeeze him and he slides his fingers between your folds, groaning at how wet you are. “Fuck. I- stand up. Take your pants off.” He demands, working on his belt buckle and his cock is aching, he’s in pain. The word ‘Fuck’ keeps flashing on the screen as the moans continue to pour out of the tv speakers.
Scrambling to your feet, you nearly fall over in your haste to strip down. Pushing down your pants and kicking them off with your panties, your knees shake in need and you are panting like you've just finished a marathon. "Oh fuck." you turn back around and find Tim with his cock in his hand, pumping it furiously. "Oh shit, let me- I need-" You dive back onto his lap, eager to sink down on his thick, uncut cock.
He grabs your ass as you reach between you to grip his cock and he groans when you start to sink down onto him. “Fuck. Fuck. Fuck” starts to echo on the tv but Tim isn’t paying attention, to obsessed with the way you are sinking onto his cock. You’re so wet and tight and he loses his ability to breathe as you settle into his cock.
The slightly intense, grim detective looks amazing as he moans for you. Feeling his cock scrub against your walls in the best way as he breaks you open. Making your mouth drop open and a loud moan of his name, your arms wrapped around his neck to keep you upright.
“Shiiiiiiiiiiiiiittt.” He hisses in delight, groaning your name as you start to rock on top of him and his hands slide up to work on the buttons of your shirt, wanting to feel every inch of you. The buttons become tiresome so he just rips your blouse, sending buttons flying across the room and he groans when he finally gets access to your tits, pulling them out of your bra so he can duck down and take a nipple into his mouth.
“Oh fuck!” You cry out when his mouth attacks your breasts. Never imagining he would be such a dominant lover. Tearing your shirt off has you clenching down around him and squeezing him tight in your walls. “More.” You beg, tangling your fingers into his hair and tugging on it, pressing him into your breast. “More, baby, fuck.”
He bites down, sucking on your tits, alternating as he groans into your flesh and you whimper, making his cock twitch inside of you. ‘Fuck. Fuck. Fuck’ continues on the screen, the moans stopping from the couple as yours replace them, the words on the screen flashing constantly and Tim hisses as he grabs your ass, lifting you up to place you on the sofa so he can fuck into you.
“Oh fuck.” You whine when his cock slips out of you but the second he is driving back into you, your scream rings out. Scratching your nails down his shirt, you wish he was undressed. At least so you could feel his skin under your fingers.
He grunts, leaning down to kiss along your neck. “Imagined this so many fucking times.” He admits shamelessly, “imagined fucking you on my desk. In my bed. In here. In the captain's office. Imagined you a fuck ton. Shit. So tight. Knew you would be.” He rambles, his thrusts deep and slightly frantic as the mantra continues around you.
You moan, unable to believe that he would imagine fucking you. You have never thought he noticed you beyond working together. “Imagined how good you’d feel. How thick you would be.” You confess as he punches deep inside you. “Better that I could have imagined.”
Tim groans, spurred on by your words and the repeated mantra urging him on and he hisses your name as he pushes deep. “Wanna - wanna feel you cum.” He says, reaching down to rub your clit.
You shudder, clenching down around him and digging your nails into his shoulder as you lunge up to bite his chin. “Yes, fuck, fuck me harder.” You beg, driven by this invisible force.
He clenches his jaw, pushing deeper, harder, faster. Sweat beads on his forehead as he kneels on the sofa, lifting your thigh over his hip to get even deeper inside of you, his fingers rubbing your clit.
“Tim, oh fuck, oh fuck.” You choke out, feeling that familiar polling in the pit of your stomach. Except it’s better than using your toy at home. The nerves screaming in pleasure and you kiss every inch of skin you can reach.
“Fuck. Fuck. Fuck” repeats over and over and Tim hisses as he rocks into you, trying to get you to cum. It’s like he needs you to cum like he needs to breathe. “That’s it. Shit. Gettin’ so wet on my cock. Cum for me. Cum for me.” He begs, his cock twitching as he gets closer to his own orgasm.
The harsh, jarring thrusts are everything you need and more. Pushing you closer every time his hips snap forward and if there was ever a question of Tim Rockford’s ability in bed, this answered it. “Gonna baby.” You squeal, not making any sense, but it doesn’t matter. Your orgasm crashes through you and all you can do is cry out wordlessly.
“Yesss. That’s it. Good girl.” Tim hisses as you clamp down around him and he swears he could fuck you all night long just to hear you cry out his name like that. He rocks you through it, his jaw clenching and he releases a deep groan as he buries his cock deep and cums inside of you, painting your walls.
You whine, loving the feeling of his hot cum filling you up. Panting as you try to catch your breath when he drops his head on your shoulder. “Fuck.”
“Fuck.” He echoes, his cock still hard inside of you. The mantra is still playing on the tv and it’s wiggled into Tim’s head, making him ache for more. “I need - wanna fuck you from behind.”
You are surprised that he can keep going, but you can’t deny that your body still aches for more. “Yessss.” You hiss, clenching down around him and biting your lip. “Fuck me again. Never stop fucking me.”
Tim groans, pulling out of you and his dark eyes focus on the cum dripping out of you and he watches you shift onto your knees. His fingers wrap around his cock as you position yourself until he’s notching himself at your entrance and pushes into you with a groan.
“Fuck!” You cry out, enjoying the sharp ping of pain when he pushes deep and his cock hits the back of your cervix from this angle. “Jesus how are you single with a dick like that?” You moan.
“The job.” He chuckles, grabbing your hips and he starts to push deep, setting another harsh pace. “Divorced. Father of one. Not exactly - exactly Prince Charming.” He says breathlessly as his cock hits hard against your cervix.
“Fuuuuuuck.” You whine, dropping your head down onto the back of the sofa and rocking your hips back. “Don’t- fuck, don’t stop.” You beg him, barely getting the words out as he slams into you over and over again.
“I can’t.” He says truthfully and he slams into you, over and over. Desperate to hear and feel you cum for him again. “Can’t fucking stop. You’re - shit - this pussy is - fuck. Never wanna pull out.”
Moaning softly, all you can do is clench around him while you take his cock over and over again. Feeling like he's in your guts every time he snaps his hips forward and you want him even deeper. "Don't." you pant over your shoulder. "Just fuck me forever."
Tim nods, sweat glistening on his forehead and neck as he pushes into you over and over again. “I will, baby. Oh I fucking will.” He promises and groans when you clench around him. The tv keeps flashing and he hears ‘Fuck’ in the back of his mind over and over. “Jesus Christ. Never wanna stop.”
Your eyes slip closed. 'Fuck' flashing in your mind over and over again. Like you are possessed by this need to fuck. You moan his name and push your hips back. Needing more. Needing him deeper inside you. It doesn't matter that you've always dreamed of having sex with him, you need more of it. You whine, biting your lip so hard that you almost feel your teeth break the skin. Humming in agreement as you push back more forcefully. Letting his hips slam against your ass hard enough to rock you forward and press your chest against the back of the sofa.
“Good girl. That’s it. Yes. Yes.” Tim grunts, loving how you are pushing back against him. “Keep going. Keep - fuck - need you to cum again.” He pleads, leaning over your body to kiss along your neck, his hand cupping your tit to squeeze and pinch the nipple.
Gasping at the pain, you reach down. Frantically rubbing your clit as he hammers into you from behind. Striking that perfect spot deep inside you. "Gonna cum!" you squeal seconds before you clench down around him.
“That’s it, baby. Cum. Cum. Shit - need you to-” He chokes when you clamp down on his cock and he groans when you soak him, his cock nearly trapped inside of you but he manages to move to work you through it and he’s so close. “Shit. Baby. I- I’m gonna - I gotta - fuuuuuuckkkk.” He growls as he cums for the second time, painting your walls.
Whimpering Tim's name, you relax into the sofa, feeling him coating the inside of your cunt in his seed. Closing your eyes and sighing at the feeling, a small smile on your face. "So good. Feels so good." You moan quietly.
Tim exhales shakily, turning his head to see the screen has gone gray and he pants, leaning in to kiss your neck before he slowly pulls out of you, his cock finally going soft. “Shit.” He hisses and shifts to sit down on the sofa.
You turn slightly, grabbing your ruined shirt to sit down so you don’t leak cum all over the sofa. Other officers use it too. “God.” You pant, flopping back and trying to catch your breath. “That was- holy shit.”
Tim’s chest heaves, the mantra finally leaving his mind and he leans against the sofa after tucking himself away. “I guess…I guess it’s not, uh, it’s not a snuff tape.” He chuckles breathlessly.
"No." You frown slightly, wondering why it was said to be a snuff film when you think you saw both people in the film, alive and exhausted. "I- it was so strange. I kept seeing the word 'Fuck' flash on the screen between the scenes. Did you?"
“Yeah. It’s like - it’s like it burned into my retinas and all I could think of was fucking you and Jesus…I - did you want me to - or have I just-?” He can’t even sound out his thoughts, too horrified at the thought of it being what it could be. 
"No!" Your eyes widen and you quickly shake your head. "I wanted you to." You promise, rushing to reassure him that it was something you had been very enthusiastic to experience. "I needed you too. It was like I had to have you or I was going to go crazy." You admit. "I thought I was pretty good at hiding my feelings."
The detective’s head swivels over to look at you. “You mean you- this wasn’t just the crazy hypnosis snuff video? You - Christ above, sweetheart. You have any fucking idea how many times I’ve thought about touching you…about being inside you…about loving you.” He adds softer than his prior exclamation.
You bite your lip, trying and failing not to grin at his confession. It seems like what could have been something troubling has turned out pretty fucking good. "So, I guess it was a good thing that you watched this with me rather than Robertson." You joke softly.
Tim’s eyes go wide as he turns to look at you, “thank the fucking Lord.” He runs his fingers through his hair. “That video…I don’t know what the fuck that was but we, uh, we gotta report it because this - it might not be so consensual for the next ones that get it and it could be dangerous.” He says, trying to focus on his job again instead of the way your lips look utterly kissable again.
"Who gave you this tape again?" You ask with a frown. "Why would they tell you it's a snuff film when it's.....obviously not?" It is concerning that it was given to a detective, and you wonder if it was meant to cause havoc in the department. Or the crime lab. "Normally this would be examined by the crime lab......not us."
“Yeah. The, uh, you know Greg? He gave it to me. Told me the crime lab didn’t have a working VHS so I’d have to watch it if I wanted to get the evidence from it.” He says and frowns, “he - he kinda knew I had a thing for you. Might’ve mentioned it when he noticed how pissed I’d get when the others talked about you behind your back.”
"Others talk about me?" You frown slightly, although you know shit talking is a part of being a cop. Especially a female detective in a male dominated field. "And Greg told you to watch this...with me?"
“They - they talk about your body. Your ass…what they wanna do to you. I- I try to shut them down. Say it’s disrespectful and yeah…he told me to get the captain to have you assigned to the case and I thought it was just to have your brains on the case…not - not this.” He gestures to the tv.
"Do you think Greg knew what was on the tape?" You ask quietly. reaching out and taking his hand and squeezing it gently for his kindness. For sticking up for you.
Tim looks down at your hands and shakes his head, “I don’t know babe. I- shit. I’m so sorry I put you in this situation. We gotta try and trace this tape back. We can’t let this shit get out.” He says, caressing the back of your hand with his thumb.
"I know." You nod as you look over at where the tv is still displaying a gray screen. "Maybe we need to take the video out of the station." You hum. "You know how nosy all these assholes are."
Tim nods, “I can take it home. Hide it.” He says, squeezing your hand again. “And I- I wouldn’t mind going to dinner with you sometime.” He adds, staring at the gray screen as he anxiously awaits your answer.
"I don't think we are going to get much work done tonight." You admit. "And I don't know about you, but I'm starving." You shrug. "I would say let's go to that dinner around the corner, but you ripped my shirt, so how about I make you dinner at my place?"
Tim nods, “how about I meet you at your place and I can pick up some Chinese food. Save you cooking.” He adds, “and then maybe we can talk about what happened when we are clear headed.”
"That sounds good." You agree, standing up and picking up your panties and pants after you tuck your boobs back into your bra. You wonder if he will blow you off, or if he wants to actually meet you at your place.
He knows your order from late nights in the station with everyone. He stands up, adjusting his shirt and he grabs his tie, shoving it into his pocket. “Sorry about your shirt. You, uh, want to use my jacket?” He offers, knowing you’ll want your decency when you leave.
"I've got an extra shirt in my desk drawer." You tell him with a grin. "For those all nighters." You know he understands that. Most detectives keep a complete change of clothes in a drawer just in case. "But help me hunt down the buttons?"
Tim nods, kneeling down and he blushes when he sees how far the buttons went. “I was - Jesus. That video made me feral.” He admits and picks up a few buttons. He hands them to you and when you stand there, he gently reaches up to cup your cheek, his eyes meeting yours as he leans in to kiss you softly.
You've kissed, but it had been frantic and needy. This is so much more gentle. A real kiss that is not because of that video. "I- thank you." You murmur quietly.
“You deserved better than that for our first time.” He murmurs as he pulls back, “I’ll make it up to you.” He promises as he looks at you. “Lemme grab your shirt from your desk just in case.”
“I don’t know.” You admit as you pull your pants back on. “I think multiple orgasms and being fucked within an inch of my life was a great first time.” You laugh. “Although I’m a little disappointed I didn’t get to suck your cock.”
Tim smirks, feeling confident now that you want him again and enjoyed earlier. “Don’t you worry baby. Maybe later…we can explore each other a little more.” He smirks and you giggle. “Let’s get out of here.” He says, walking over to the TV to eject the tape.
“That’s an amazingly suggestive tape.” You hum as you watch him analyze the tape like it might tell him its secrets. “Let’s go, Rockford.” You order with a smirk. “I’m starving and the captain authorized overtime, but I’d rather have our next viewing of the tape be in my bed.”
Tim’s eyes widen, “you wanna - I’d rather have you without watching the tape.” He tells you and you smirk, nodding, “that’s exactly what I’m suggesting.” He grins and follows you into the bullpen so you can collect your things. “You wanna come in my car or I can follow you?”
You smirk and shrug. "I might as well take my car." You tell him, "since I think that we won't be back in the office until next week." You wink at him. "Might cause some rumors if I leave it here."
Tim nods, willing to follow your lead and he grabs his things as you put the shirt on. “Come on, babe.” He says once you’re ready and he guides you out of the station to your car, glancing around to check out the surroundings like he always does.
You smile at the way that his hand rests on your hip. Protective and possessive. Waiting until you unlock the door to hold it open for you. "I'll meet you at my place?" You ask, glancing over at him. "You remember how to get there?"
He knows where you live, having dropped you off during late night stakeouts and ops. He waits until you’re in your car with the door locked before he makes his way over to his vehicle, quick to leave the parking lot and follow you to your house.
It's a bit nerve wracking, knowing Tim is following you. Excited in a way that you don't understand, you keep watching his car in your rearview mirror.
He grips the steering wheel, a little nervous actually to be going to your place if you are regretting sleeping with him. He calls up the Chinese restaurant to place your orders and he makes his way there. After picking up the food, he makes his way to your place and rings the doorbell with the food in hand.
In the spare time you had while Tim got the food, you had jumped into a quick shower. Bare feet and comfortable clothes are what greets him when he knocks on the door and you open it with a smile. "Hi." You greet him, waving him in. "Do you want a beer? Something stronger?"
Tim chuckles, “tempted to have something stronger but a beer will do. I don’t wanna be on anything around you. Especially after that fucking tape.” The tape is currently hidden in his glove box. “I wanna be sober around you.”
You nod in agreement and lean in to press your lips to his. "A beer it is." You hum, closing the door behind him and leading him into the kitchen. "I'll get the beers and some plates."
Tim checks your door is locked before he follows you into the kitchen, setting the bag of food down on your counter. “I haven’t been in here since you hosted that party after Samson closed that cold case.”
“Yeah, that’s been awhile.” You open the fridge and grab two beers to open before you turn back to him. “That  was right after you and your wife divorced.” You wince slightly. “I’m sorry about that. I know it was rough. I hated that you were under a lot of stress during that time.” 
Tom shakes his head as he takes the beer from your hand. “It was over a long time ago. We - we stayed together for our son and - shit. She really gave me hell.” He confesses, “anyway. I, uh, I guess I never really asked about your dating life. Never wanted to know if you had a boyfriend that I could be jealous of.
“No dating life, not when I wanted someone at work.” You confess. 
Tim's eyes widen as he absorbs your words before he chuckles, "you mean you were lusting after Jackson?" He teases, knowing the nearly retired old man is not the one you wanted. "I, uh, seriously though...I didn't know. I was a little busy eying you up without being a creepy asshole." He admits, licking his lips.
“You shouldn’t have worried about being creepy.” You smile softly. Despite the fact that you had been junior to him. It’s one of the reasons you respect him, he wouldn’t abuse his authority. Now both of you are equals, so there is no worry about improprieties. “Although now you can eye me up however you want.”
"Well that's good to know." His eyes slowly trail along your body, enjoying the fact that he can unashamedly admire you. "You're so fucking pretty, baby." He says after a moment, his fingers flexing around the beer bottle.
“Do you want to eat and talk, talk or just eat?” You ask, not sure what he wants to do. Despite the fucking that had happened at the station, you still want to touch him, but you know you can’t just act like a horny teenager.
"Let's talk and eat. You need to eat after how I - you know." He clears his throat and blushes a little. "I kinda - I kinda wanna touch you again but only if you want." He adds, suddenly nervous.
“I want to touch you too.” It’s endearing that he had fucked you so hard earlier and now he’s blushing. “If you want, of course.” You smirk slightly as you turn back to the cabinets to get the plates and silverware.
Tim’s eyes drop down to your ass as you get the plates. “Of course I want to.” He scoffs like you asked him a ridiculous question. “Baby, let’s sit down and eat. You need food after I - well, I’m starving.” He admits, taking out the containers after opening the bag.
You hum, dipping out some of the food onto plates and take them over to the small table while Tim carries the beers. “We do need to refill the tanks, so to speak.” You laugh. “I have to admit, I was shocked when you kept fucking me.”
“So was I!” Tim exclaims with wide eyes. “I ain’t eighteen anymore and I- shit - that kind of stamina…not my normal gig I gotta be honest. Usually I cum once and that’s it. I need a nap and a snack before I’m ready to go again.”
“A nap and a snack, huh?” You giggle at that, finding him too cute and you lean over to press a kiss to his lips. “I’m normally a ‘once and I’m good’ kind of girl too. But tonight?” You point to his sweet and sour chicken. “Eat your snack baby.”
He grins, liking the way you think and he must admit he’s eager to have you again. He grabs a plate to start serving up his food and he grabs his beer and follows you into the living room after you’ve grabbed your own plate. “You wanna watch something on RV?” You ask and Tim bites his lip, “maybe not the best considering the last thing we watched.”
You snort and nod, biting your lip as the two of you sit down. “So, where do you see this going?” You ask quietly. “Something serious? Causal? I wouldn’t blame you after the divorce.”
Tim sets his plate down on your coffee table, "honestly? I kinda want to date you. I want to take you out for dinner and see where this goes." He admits, "unless you want casual but...I'm not really a casual kind of guy."
“I don’t really like casual either.” You admit, turning towards him after setting your own plate down. “I would have put up with it for you.”
He's taken back at your confession and he smiles, "guess we both suck at casual. I was thinking about asking you out, you know? I just didn't want to be that creepy older guy that asks you on a date and makes it awkward at work when you said no."
“I would have said yes.” You promise, leaning in and touching his hand. “Tonight just….sped up the timeline.” You joke. “And will give us one hell of a first date story.”
Snorting, he nods as he takes a bite of orange chicken as he squeezes your hand with his free one. “Yeah. Maybe we can edit it a little bit.” He teases, “and hopefully you include the detail of me having a big cock.” He jokes, winking at you.
You giggle and your cunt clenches. “Don’t worry. That fact will be repeated with the high praise on how well you use that cock.” You promise. “Don’t think I’ve ever been fucked so well.”
Tim can’t help but grin with pride at your statement and he swears he will make you feel that way if you let him touch you again. “Sounds good to me, sweetheart.”
Both of you finish your meal, chatting about different things, different cases you had been working on. Setting your plate down with a content sigh, you drain the last drops of your beer and look over at Tim. “So, do you want to go back to my bedroom? We could take a nap, or….”
He watches you for a moment, “bedroom…I wanna touch you in a bed. I wanna have my mind be my own when I touch you next.” He says, reaching for your hand to pull you closer so he can lean in and press his lips to yours.
You can agree with that. As much as you needed him back at the station, you want to be in control. This time, your arms go around his neck because you want to keep the kiss going, slowly feeling his mouth out as it starts to deepen.
His tongue slides against yours and he groans into your mouth, loving how you feel as your fingers tangle in his hair. “Fuck.” He grunts into your mouth when you’re a little rougher but he loves it.
You love how his embrace is solid. The steady weight of him beside you makes you shift to straddle him. Settling back into his lap and pressing close, there’s not the urgency of before, but you are learning each other
His hands trail along your body, enjoying how you feel pressed against him, and the kisses are slow, passionate and he loves it. His hands slide down to squeeze your ass and he can’t resist slapping your cheeks before he grabs them again.
“Tim!” You gasp into his mouth and laugh, enjoying the smug smirk on his handsome face. Reaching up, you tangle your fingers back into his hair as you continue to make out. You know how he feels inside, but this is almost more intimate.
He kisses along your jaw, down your neck and bites gently over your pulse. “You’re so Goddamn beautiful. Inside and out. Why you want me, I’ll never know.” He confesses, knowing he’s fucked up but he’s gonna take this opportunity to be with you by the fucking horns and ride it as long as you want him.
“Because you are a good man.” You’ve seen plenty of men who pretend to be good but they are rotten at their core. Tim Rockford is honest, noble. “I want to take you to bed,” you confess softly. “Can you go again, or should we just cuddle?”
Tim nods, "I can go again." He is surprisingly half hard and he rocks up to grind against you, showing you he can be ready. "Let's go to your bedroom." He says, smacking your ass again and you stand up. He stands up after you and takes your outstretched hand as you guide him to your room.
In your bedroom, that’s where your personality shines. The bright, beautiful colors of your bedding and the natural light. The bookshelves are loaded down with novels and the slightly messy open closet door. “Sorry.” You move to close the door. “Didn’t think I would have company today when I left.”
Tim snorts, "this is nothing. You should see my place. It's chaos. My boy leaves his fucking legos on the floor and guess who steps on them in the middle of the night?" Tim asks you, eyebrows raised.
You giggle, imagining him cursing and stumbling over the blocks in the dark. “Ouch.” You wince sympathetically. “I know that hurts.”
"It does." He tells you with wide eyes, glancing around your room before he exhales softly and steps closer to you. He reaches up to cup your cheek, "I really do think you're beautiful." He murmurs, his dark eyes burning into yours. "Can I eat you out?" He asks, curious if you'll be happy for him to do that.
It’s your turn to be surprised by the request. “I- yes.” You sputter. “It’s- are you sure? You want to do that? I mean, I’m not complaining, but we- you came inside me.”
Tim snorts, “I put it there. I’m sure I can clean up my mess.” He says and smirks at you, reaching for the hem of your shirt. “Let’s get naked. I wanna see all of you. Wanna taste every inch of you. Take my time.”
“It’ll be nice seeing you this time.” You admit with a grin, letting him pull your shirt over your head and reaching for the buttons of his collared shirt. “Never had a boyfriend who would go down on me after sex.” You admit with a giggle.
Tim lets you push his shirt off of his shoulders and he’s a little self conscious. He’s not toned. He’s strong but he’s not abs and no body fat. He likes his food and he doesn’t tend to have a lot of time to exercise. He flusters slightly when you run your fingers down his chest.
“Sexy,” you coo softly, wanting to touch and kiss every inch of him. You knew that you were attracted to Tim, but your cunt is dripping at the sight of his chest and he hasn’t even removed his pants yet. “So fucking sexy.”
“You are.” He hums with a smirk and he reaches for your bra, unclasping it to pull it down your arms before he flings it across the room. “Baby. Fuck. You’re so sexy.” He murmurs and reaches up to cup your tits, squeezing them. “Great tits.”
You laugh, amused at the awe-filled look on his face as he palms your tits. As if he can't believe that he is touching them. "You've got a great cock." You hum, reaching down and cupping him. "Feels good. I want to see how it feels in my mouth instead of my pussy."
Tim groans at your filthy words. "Shit baby. You - you are fucking incredible." He compliments you as he gropes your tits. "Wanna - wanna make you cum. How do you wanna cum?" He asks, curious and eager.
You whine, eyes closing at the feeling of his hands on your body and the promise in his words. Anything you want is yours it seems. “I want you to eat me out.” You admit breathlessly. If his head game is good, this man is the complete package.
"Fuck. Take your pants off." He demands, his cock aching in his pants and he decides to push them down after unbuckling his belt. His boxers soon follow after he kicks off his shoes while you strip down to nothing. "Shit. So fucking gorgeous. Lay down." He demands again, the edge in his voice is raspy but commanding.
You shiver, laying down and wondering why it’s so sexy that he is taking control. You watch him, greedy as your eyes roam over his nude body. “Come here.” You beg, wanting him to touch you.
He shifts to kneel on the bed, his hands trailing along your thighs until he's pushing your legs open so he can take in the sight of your cunt. "Fuck, I-" He can't say another word as he surges forward to bury his face in your cum slick folds.
Crying out, your hands tangle in his hair. Closing your eyes, you enjoy how eagerly his tongue flicks over your clit. It’s magical, breath stealing as he devours you. Making you so glad that you had invited him home.
He groans into your flesh, loving how you taste, and he hisses when you tug on his hair in a way that makes his cock twitch against your sheets. His fingers dig into your thighs as he keeps you spread open so he can devour you.
Tim isn’t proper when he is eating you out. He’s messy, ravenous. The sexy little grunts and sighs as he takes you apart with every flick of his tongue has you moaning his name, rolling your hips down to meet his eager tongue.
"Fuck. You taste-" He groans as he pulls back for a second before he surges forward to bury his face in your folds again. He loves the tangy taste of your arousal and the salt of his cum. He doesn't give a shit about tasting his own essence on your flesh and he laps at your clit.
“Tim, oh fuck, baby.” You moan, rolling your hips again and whimpering his name once more when he tightens his grip on you.
He shifts, letting go of your flesh so he can push two thick digits inside of you. Calloused from holding a pen all the damn time and he curls them before he resumes sucking on your clit like a candy.
“Shit.” You hiss, shuddering and your breath catching at the curl of his fingers deep inside of you. Pressing perfectly against that magical place that makes you squeal out his name when he presses again.
He groans your name, “that’s it baby. That’s it.” He mumbles into your cunt when your walls flutter around his fingers, pressing against that spot over and over again. “Cum for me.” He demands before he resumes sucking your clit.
It doesn’t take you long. Only a few more minutes before he is pulling you apart. Your nerves fraying and your entire body bursting with pleasure when you start to come apart. Crying out his name and flooding his mouth with your cum.
Tim eagerly laps up every drop. He pumps his fingers into you, loving how you moan and writhe under his mouth. He caresses your thigh as he works you through it until he feels you relax, practically melt into your mattress.
You whimper, letting go of his hair and trying to drag him up to you for a kiss. Desperate to give him the same kind of pleasure that he had just given you.
His lips meet yours and he slowly withdraws his fingers, enjoying the way you slide your tongue against his and his wet digits grip your thigh. “Wanna be inside of you again.” He murmurs between kisses he presses to your jaw, needing to hear you say you want him again.
“You don’t want me to suck your cock?” You ask breathlessly. You’ve imagined it so many times but if he would rather fuck you, you are all for it. “I will always want you inside me.”
Tim bites his lip as you lay under him. “I kinda want you to suck my cock. Then I want to fuck you.” He decides and you giggle, pushing on his chest. He obediently shifts to lay down, his hard cock resting on his stomach and you move onto your knees.
“Fuck.” You whimper, wrapping your fingers around his cock and giving him a slow squeeze. “Imagined myself on my knees for you so many times.” You admit. “Even wondered if I could fit under your desk.” That makes you giggle again, imagine having his cock down your throat while he types up a report. “Now I get to taste you.” Lowering your head, you wrap your lips around the tip of his cock, tongue pressing against the bead of pre-cum.
“Oh fuck.” Tim hisses when you take him into your mouth, your lips wrapping around the head of his cock. “Baby. You look so pretty like this.” He murmurs, unable to close his eyes, wanting to see every second of this and burn it into his memory.
You preen under his praise, taking him deeper and wanting to give him the best blowjob he’s ever had in his entire fucking life. Holding onto his hip while you take him down to the back of your throat and swallowing around him.
“Jesus.” Tim hisses as you swallow around him, your jaw almost unhinged as you take him deeper and your eyes are watering. “Fuck, sweetheart. Look so good.” He murmurs, reaching down to caress your cheek, enjoying the feel of his cock pressing against your cheek.
You hum, letting it vibrate through him with a grin. Enjoying the feeling of his hand on your cheek while you concentrate on not choking. You want to take him deeper, to wrap your lips around the base and you slide your fingers out from around the base to hold onto his hips.
“Oh oh oh shittt.” He hisses before he pants, his cock twitching down your throat as your nose brushes the coarse hair at the base of his cock. “Baby. Baby. Shit. You gotta - I can’t - it’s too much.” He admits and grabs the back of your neck, trying to pull you off of his length.
You lift off of him with a gasp of air. “You don’t want to-“ you bite your lip but Tim shakes his head. “Want to be inside you.” He reminds you, rolling your body under his again and your legs fall open to brace on either side of his hips.
He’s slower this time. Hovering over you, he reaches down to grip his cock and he positions himself at your entrance. He pushes into you, his eyes flicking up to meet yours as he braces his hand on the side of your head.
This time, he slides into you an inch at a time. Slow enough that you swear you feel his heartbeat fluttering against your pussy walls. Letting you moan softly and wrap your legs around his back, heels pressed into his tiny ass as you enjoy being split open by him again.
He exhales shakily once he’s fully inside of you. Groaning your name as he leans down to press a soft kiss to your lips. “Fucking perfect.” He murmurs, cock twitching when you clench around him. “Gonna take our time. Want you to cum again for me.”
As frantic as the time in the station was, this is equally as slow. More like love making than anything else as Tim slowly pushes and drags his cock in and out of your walls. It's a good thing, since you are a little sore from earlier, but you wouldn't have him stop for anything in the world as you two kiss.
His lips press against yours over and over again, his weight shifting onto his forearms so he can press his body against yours. Your heels dig into his ass, pushing him impossibly deeper with every thrust into you and he swears he could stay like this forever.
You moan his name, holding him tight as you move with him. Wanting to be as close as you can get without crawling up inside his skin. “Fuck.” You whimper, his pelvis rubbing against your clit as he grinds down into you. It’s intense and totally consuming in the best possible way as he builds you back up.
"So fucking beautiful. So fucking smart. Too good for me. Too fucking good for me." He murmurs as he kisses along your neck while he rocks into you, his hand reaching back to lift your thigh higher so he can grind even deeper into you.
“Why?” You gasp out, unable to comprehend why he would think you’re too good for him. “Handsome, smart, sexy, capable.” You groan, clenching around him. “You’re a fucking catch.”
Tim chuckles against your neck. “I fucking - I got more baggage than a Goddamn airport, baby girl. I gotta - I have an ex wife and a son. It’s not - most women don’t wanna get involved in the drama.” He explains breathlessly as he rocks into you.
“No drama.” You moan, tightening your legs around him. “Mileage.” You tease playfully. Despite having an ex-wife, you know that he’s a good man, not a perfect one - but a good man. His son, well, he would be part of the deal and you couldn’t imagine thinking otherwise.
“Mileage.” He repeats with a chuckle. “Like an old corvette.” He jokes and slides his hands under you, getting even closer to you. His hips rock against yours a little faster, wanting to feel you cum around him.
“Classics are still fucking sexy.” You whimper when he hits deep inside you, striking the perfect angle. “There, fuck, right there Tim.” You beg, digging your nails into his shoulders.
He frowns, concentrating on that spot to make you cum. He pushes into you a little faster, not changing the angle of his hips and he watches your brow furrow and your mouth fall open. “Shit baby. Look so good.” He murmurs, “You gonna cum for me?”
“Yes!” You gasp, feeling the tension nearly snap the next time his hips rocket forward. Almost cumming right then. You just need one more thrust. Your body lurches when he pulls back, lifting up to meet him, and you squeal his name when he thrusts back into you, making stars erupt behind your eyes.
“Shit.” Tim hisses when you clamp down on his cock. “That’s it baby. Shit. So tight.” He pants, loving how wet you feel around him as your nails dig into his back. He works you through it, slow and deep despite the vice grip on his cock, and he kisses slowly along your neck.
“So good.” You whimper, panting for breath as you come down from your high. “Want you to cum.” You murmur softly. “Fill me up again.”
Tim clenches his jaw, his pace picking up a little more as you tell him to cum. He pants, rocking into you harder and faster, practically folding your body in half as he seeks his own high until he chokes, his body coming to a halt as his cock twitches. His hot cum paints your walls and he hisses your name as he rides his orgasm.
He’s fucking gorgeous when he cums. His eyes are closed, jaw slack with pleasure as he pumps you full of cum. Groaning and twitching deep inside of you, making you moan again. “Fuck baby.” You coo, caressing his neck and cheek. “Amazing.”
He exhales heavily as he relaxes. His lips meet yours as he leans down to kiss you. The kiss is slow, his tongue caressing yours, and he enjoys being inside of you.
You let the kiss linger, not in any rush to pull away and you don’t drop your legs from around him until your breathing has calmed down.
Tim nudges his nose against yours, shifting onto his side with you while he's still inside of you, not wanting to pull out just yet. "So I should definitely take you on an actual date." He says, his dark eyes on you.
“Maybe.” You smile as you answer him, leaning up for another kiss. “Maybe a romantic crime scene. We can flirt over evidence markers.”
Tim chuckles, “we do that anyway. But I mean, an actual dinner. Wanna take you out. Wine and dine you. What do the kids say nowadays?” He teases, nudging his nose against yours. “Well, they say Netflix and Chill.” Tim snorts, “pretty sure we already did that. Snuff Tape and Fuck.” He jokes before his face gets serious, “dinner. Wanna treat you right.”
“That sounds good to me, detective.” You murmur with a smile. While you don’t know why the film came to be in your possession or who had made it, you’re sure that you’ll figure it out. After all, Tim Rockford is a legend on the police force, solving cases and in this case, putting this one to bed.
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Imagine Shanks turning into a cat
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Benn: supposedly the ruins are guarded by some sort of shapeshifting enchanter.
Shanks: I heard that and asked the locals at the bars and the marketplace, and they said there hasn't been a sighting of the creature in a few hundred years. But they all told me that no one has gone up there in a long time because they avoid it.
You: then is it really a good idea to go there?
Shanks: meh, [waggles his hand side to side] We'll probably be fine.
You: ... count me out, I don't want to risk it.
Benn: you'll lose your cut of any treasure we find.
You: that's fine, I'll look after the ship with Hongo while y'all go into the creepy ruins. [watches them leave]
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The next morning
You: [wakes up from someone pounding on your door]
Hongo: [yells on the other side of the door] Wake the fuck up! We have an emergency, we need all hands on deck.
You: [follows him up on deck to see the group that went to explore the ruins looking winded, tired, and dirtier than usual.] What on Earth is going on? What happened?
Benn: The villagers were right, we shouldn't have gone there to attempt to claim the treasure.
You: sounds about right
Benn: Although they were wrong about one thing, the sorcerer wasn't a shape-shifter himself. He changes other people's shapes.
You: oh gods, who got changed?
Benn: [pulls a large Somali cat out of his pack and holds him at arm's length.] Guess
You: ... is that... the boss?
Benn: [does that lipless awkward white-people smile and nods his head]
You: [takes the cat into your arms] Is he lucid?
Shanks: [thoroughly enjoying the scratches he's getting, and purring up a storm]
Benn: No idea, he's been like this for only two hours, most of which I spent running. But Yassop and Lucky Roux are in the village looking for anyone to help us, so we'll have more information soon.
Shanks: [meows loudly, and clings to your shoulder when you try to put him down]
Hongo: as a cat, he's a real mama's boy.
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An hour later when Yassop and Lucky Roux return
Yassop: So we found the village historian lady, who had some information for us. She said that he is a cat for all intents and purposes. He can understand us, though, which should make it easier. She showed a scroll from three hundred years ago, detailing how a bandit robbed the ruins of its treasures. For which the sorcerer changed him into some animal, forget which one, but that's not the important part. The important part is that to undo the spell, we must take the treasure back to the ruins and put it back where we found it.
Shanks: [decides this is a great time to ask for food, and makes a chewing noise with this mouth to let you know.]
You: [rolls your eyes and puts him down] Not to interrupt, but Lucky, is there any canned chicken in the kitchen?
Lucky Roux: yeah
You: Alright, follow me, captain. [goes into the kitchen and starts prepping his food]
Shanks: [meowing at you and standing up with his front paws on the cabinet door]
You: [meowing back condescendingly] You know what? I hope that old lady was right, and you still understand me, just so you know I'm mocking you.
Shanks: [bites your foot]
You: OW, fuck you [puts the plate of food on the floor and goes back out on deck] soon as that little shit is done eating, take him and the treasure straight back before he has another chance to bite me.
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flowerandblood · 10 months
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The Impossible Choice (24)
[ Aemond • Targaryen x Baratheon! • female ]
[ warnings: sex content, smut, angst, violence, domination ]
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[description: Aemond comes to Storm’s End to choose his future consort. However, Lord Borros Baratheon presents him with only four of his five daughters. Being attached to his youngest child, he does not want to marry her. The prince, however, thwarts his and her plans with his decision. This is slow burn, with a lot of dark angst and sexual tension. (Anon Request)]
* English is not my first language. Please, do not repost. Enjoy! *
Previous and next chapters: Masterlist
______
As he left King's Landing his heart was breaking − he left his wife a letter with words of repentance and a request that she pray for him while he was away.
He could not forgive himself for what he had said to her and for abandoning her, leaving her with his brother. He told his mother to guard her and not let Aegon touch her, but he knew that his brother was now insane.
They arrived in Harrenhal after two days; plunged into his own gloom and desperation, he burned everything he saw in his path, not caring whether he was burning warriors and knights or ordinary folk.
All that was left of it was ashes.
He wanted to deal with the uprising as quickly as possible.
He condemned those who remained to death − children, mothers, husbands, old men, one by one. He watched as they walked in columns to the scaffold, weeping and wailing.
He felt nothing.
He was a fire and burned everything in its path.
At the very end, however, a woman remained.
She stood before him in her servant's attire − her raven black hair and piercing green eyes making her look downright dangerous, demonic. She did not lower her gaze, standing before him.
There was something about her that intrigued him.
There was a darkness in her similar to his own.
One of the captains dared to approach him and whispered in his ear:
"This is the Witch of Harrenhal, my Prince. Alys Rivers. Rumour has it that she murdered her own mother and is the bastard child of the Lord Strong. She can supposedly see the future and can heal." The man said and he raised an eyebrow.
He looked around, seeing his men lying on cloths with no hands, no eyes, with cuts and wounds, moaning in agony.
He couldn't kill a medic.
"Take her inside and guard her like a prisoner. She is to treat our warriors day and night." He said dispassionately, turning away, heading towards the fortress.
Several troops of the Princess's henchmen hid in the nearby woods, attacking them every night − despite him burning this area again and again, they still managed to protect themselves, coming out at night like rats.
The battles was prolonging, and he was already losing patience.
He spent most of the time alone in his chamber − his wife had not sent any letter to him and he feared that this was a bad omen. He guessed that she still did not want to speak to him, that she had not forgiven him.
He squeezed his eye shut at that thought, grabbing at his eye patch, feeling a burning, powerful pain pass through him − without his maester at his side, his sapphire was rubbing his skin, creating small bleeding wounds in his eye socket.
He shuddered when he heard a knock on the door of his chamber and looked towards it from the map that he had just been looking at.
"Come in." He said dryly.
He furrowed his brow as the woman, the bastard child of the Lord Strong, at least ten years older than him, walked inside.
She held a vessel of ointment in her hand.
She bowed before him meekly, her scent reaching his nostrils, a mixture of herbs and something else that he could not identify.
He knew she was a wet nurse, her breasts were full with milk, hidden just beneath her thin green shirt, her curves feminine, pleasing to the eye.
He pressed his lips together, feeling lust at the thought.
The lack of closeness to his wife for so long made it impossible for him to turn his attention away from such details.
"I have brought an ointment to apply to your eye, Your Grace. One of the guards conveyed me you were in pain." She said softly, her tone low, mysterious, filled with promise, something dangerous burning in her green eyes.
He thought she was made of fire, just like him.
He wasn't sure if he should agree, but the discomfort and pain he felt were unbearable.
He slipped his eye patch off his head, looking at her expectantly, curious about her reaction − the woman approached him slowly, placing the vessel on the table. She leaned over him, his gaze again involuntarily escaping to her breasts.
He saw that she smiled with the corner of her mouth and he realised that she was teasing him; the thought aroused and frustrated him at the same time.
Alys Rivers did not even flinch at the sight of his empty eye socket − she gently removed his sapphire eye and placed it on the cloth that she had earlier spread out on the table. She put the ointment on her finger and began to spread it gently on the sore skin of his eyesocket.
He realised that he had longed for that touch.
Her touch would be different, he thought.
Her hands would be smaller, her fingers longer; her lips would not curve in a lustful, confident smile, her eyes would be filled with attention and care.
She would have smelled of flowery, fresh oils.
She would be focused on her assignment, her warm breath would envelope his face − he would grasp her soft, plump breast in his hand, peeking through from under her thin nightgown, and she would giggle sweetly, asking him to let her do her task properly.
He would draw her onto his lap with impatient gesture, let her feel how much he craved her, and she would blush surely, speaking affectionately about how impatient her husband was.
He felt like crying at the thought.
Everything about his daily life was marked by her presence.
And now she was not by his side.
He shuddered when the woman's touch snapped him out of his reverie and he felt her hand on his palm − he took his hand from hers, looking away, filled with lust and desire, but no longer because of her.
If he didn't have a wife, he would have told her to stay, to be comforted, to experience at least a moment of solace.
But now, if he did, one important detail would frustrate him.
She wasn't her.
"You may leave." He said dryly, no longer bestowing his stare on her.
"I could give you an heir, Your Grace." She said, and he felt a shiver run down the back of his neck.
He looked at her, shocked by her words − she stood over him, a calm, sensual smile on her face.
She would give him an offspring.
A bastard child.
One like Jace, Luke and Joffrey.
One just like her.
Insolent whore.
"You may leave." He hissed, looking at her impatiently.
Alys took his words with surprising calmness.
"Your Grace." She said softly, bowing to him and turning away, heading towards the door in an unhurried motion, closing it behind her.
He sighed heavily, running his hand over his face, realising that he was on the verge of doing something that he would deeply regret.
Being separated from his wife for so long was affecting him worse and worse, the weight of his sins crushing him more and more.
He needed consolation.
He placed the precious stone in his eye socket again, but no longer put on his eye patch; he took the parchment and quill and wrote a message, which he rolled up. He called out to his servant, tying up the letter and gave it to him, telling him to send it immediately to King's Landing directly to his wife.
He wrote just one sentence inside.
Join me in Harrenhal.
He had been waiting impatiently ever since, elated at his own decision − he wasn't sure if Aegon would agree to her leaving, or if he would want to keep her in the Red Keep.
He felt uneasy at the very thought that his brother might have wanted to claim her for himself.
What frightened him the most, however, was the thought that his wife would not want to see him at all.
That she still hadn't forgiven him for his cruel words.
That he would never get her back.
When he didn't receive any message from her after a few days he became afraid − he avoided Alys like a fire, yet she appeared where he was like a shadow.
He felt as if she was a reflection of him, his animal brutality, all his primal desires.
He felt that just as in the presence of his wife he was regaining consciousness and peace of mind, with this woman he was getting closer and closer to madness, his heart as black as her hair.
He knew that she desired him and there was something about her that attracted him too − a need to self-destruct, to destroy himself and everything in his path.
He prayed every night to the Seven Gods for his wife to arrive, to save him, to light up the darkness of his mind.
The only thing that kept him from thinking he was mad was his faithfulness.
He was faithful to his family.
He was faithful to his wife.
He fucked himself with hand almost every night, seeking fulfilment, imagining that it was her soft fingers and lips touching him, that she had returned to him, that she forgave him.
That she loved him.
Completely immersed in his thoughts, he could no longer even focus on what Cole was saying to him at the daily councils − he fought strenuously against the desire to fly to King's Landing.
One night he was awakened from a restless sleep by a knock on the door − a servant walked into his chamber saying that a woman claiming to be his wife was waiting downstairs in the main hall.
He had never dressed so quickly before, not even allowing himself to be helped by a servant − he left his chamber, running down the cold stone stairs, full of desire and hope, praying that it was true.
He saw in the dim light of the torch a small figure dressed in a travelling attire − a simple grey cloak, white shirt, a black corset and breeches. He froze, stopping in place − she heard his footsteps as she turned immediately, her face pale and terrified.
Her eyes wide in fear, her braided hair wet with rain, her cheeks flushed with emotion, her sweet lips parted at the sight of him.
It was her.
She looked just as she had when he first saw her in Storm's End.
Pulsating with life, delicate, soft, warm.
His.
She had arrived.
She had forgiven him.
His wife.
He looked at her face, not knowing how she would react to seeing him, but she smiled so wonderfully, that he felt his face contort in pain and relief.
She ran towards him and he threw himself at her, grasping her in his arms, pressing his yearning lips, throbbing with desire to hers with a low moan of despair and relief.
He pushed her aggressively towards the wall, making her take a couple steps back, clamping his hand on her soft hair. They panted into each other's mouths, kissing greedily, sucking and brushing each other's puffy lips with a sticky click, his fingers nimbly untying her corset, spreading it apart. He took a firm hold of her soft breast covered by her thin shirt and they both made a sound of delight.
He paid no attention to the fact that all around them were guards and servants who didn't know where to look.
Let them watch, he thought.
Let Alys Rivers look at what she was trying to win with.
Let them know what happens when fire and water come together.
"− get out − all of you −" He commanded in a low voice hoarse with desire, kissing and sucking her long neck, her hands clenched in his hair, as her fingers traveled down his back, holding him close.
He needed to feel her, right now, right here.
The guards and servants obediently left the hall, followed by a silence broken only by their panting and moans. Their fingers quickly began to untie their breeches, impatiently trying to deal with the material that stood in their way.
"− forgive me − I didn't mean a word − I swear −" He exhaled, caressing her with his swollen, moist lips, her hot cheeks, her long neck, unable to decide what he wanted to feel more, what he longed for more, her scent filling his lungs like the freshest night air.
"− forgive me, my sweetest − it's all well now −" He said in a voice trembling with despair and desire, lifting her up in his arms, pressing her against the cold stone wall.
She sobbed loudly as the pink, swollen head of his cock forced it's way between her fleshy, slick folds, her legs entwined around his waist, her hands clenched in his hair. She pulled off his eye patch, kissing his forehead and he groaned low, his hips with sure thrust sinked deep into her yearning, hot walls, so wet and tight for him, sticky with her moisture, welcoming him home.
"− I know − I'm here −" He panted into her ear, resting his forehead against the wall, her hands sliding down to his buttocks, clenching her fingers on his skin, seeking her own fulfilment, her whining echoing around the room as he slammed into her again and again, spreading her wide on his fat, throbbing cock.
"− don't leave me − ah − please, don't send me back −" She mumbled, her head tilted back, her breasts wonderfully bare before him − his lips grasped her nipple and began to suck on it greedily, drawing a wonderfully sweet moan of pleasure from her chest, their bodies bumping against each other with a lewd, wet slaps.
"− never −" He exhaled loudly, speeding up his pace, rooting into her so brutally and quickly that he felt like they were both almost screaming, hot and sweaty, so close to their peak.
"− I'm going to fuck you all night − tonight − tomorrow − fuck − the day after tomorrow − do you understand? −" He hissed in her ear, pounding into her with all strength he had in his hips, his fingers clenched painfully tight on her buttocks, her fleshy, slick insides clenching against him, making him groan with pleasure.
"− yes − please − please − please, fill me −" She sobbed helplessly and he hugged his face to her cheek, feeling he was about to cry out with happiness, praying it wasn't a dream, moaning helplessly along with her, his hips slamming into her with deep, sure, desperate thrusts.
"− g-gods − yes − please − ah! −" She mewled, tilting her head back, startled by the wonderful, powerful fulfillment that ran through her body like a storm, her loins trembling in convulsions, the sound of his name rushing out of her mouth like a whimper again and again.
"− that's it − your husband is close −" He whispered tenderly into her ear and clenched his eye with a low, helpless groan when he felt his hot spend finally spill inside her again, relaxing him so wonderfully, giving him pleasure from which he felt like he was about to faint.
He fell to his knees with her, and she squealed loudly, locked in his embrace, panting with him − they sat like that on the floor, shocked at how intense the closeness was.
They both swallowed loudly, breathing heavily, his face snuggled into her neck, inhaling her scent, filling his lungs wonderfully.
He thought that he could fall asleep with her like this on this uncomfortably cold stone floor if she wanted him to.
Her presence was enough for him.
He decided, however, that he would take pity on her.
He had plans for her.
"− we will finish in my chamber −"
_____
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filmmakerdreamst · 6 months
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P.J.Hogan's 'Peter Pan' is still an underrated masterpiece 20 years later
Peter Pan is a live-action fantasy adventure film directed by P. J. Hogan that reimagines the classic story of Peter and Wendy. The screenplay was written by P. J. Hogan and Michael Goldenberg and was released in cinemas in December 2003. The screenplay is based on the 1904 play Peter Pan, or The Boy Who Wouldn’t Grow Upand the classic novel Peter Pan by J.M.Barrie, which was originally published under the title Peter and Wendy.
The film tells the story of a young Edwardian girl, Wendy Darling (Rachel Hurd-Wood) and her two younger brothers John and Michael. On the night she is told she must grow up, a wild, fairy-like boy called Peter Pan (Jeremy Sumpter) flies into her room with his high-maintenance fairy Tinkerbell. When he learns that she tells stories, he whisks Wendy and her two brothers away to a magical Island called Neverland — where you supposedly don’t “grow up” — so that she can mother his henchmen, the Lost Boys. There she fights pirates led by the evil Captain Hook (Jason Isaacs), meets mermaids, dances with fairies, falls in love and grows up.
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I have strong family connections tied to Peter and Wendy and J.M.Barrie. My great, great uncle Nico was one of the sons of Sylvia Llewelyn Davies'. He and his other brothers "the Lost Boys" were adopted by J.M.Barrie; which ultimately inspired him to write Peter Pan. Nico’s daughter Laura — my cousin — who I met for the first time a few years ago, told me that she was flown to Australia for the filming of P.J. Hogan’s Peter Pan because she was J.M.Barrie’s goddaughter. She told me that she was thrilled with the cast, especially Jason Isaacs, who played Captain Hook and Mr Darling. She also mentioned that Jeremy Sumpter, who played Peter Pan, was a lovely boy. However, she said she was very surprised and sad that the film wasn’t a big success as she really liked what they did with the story. I have loved the fairytale of Peter Pan from a young age, and learning that I am literally part of the family that inspired the story was very exciting and I’ve only begun to internalise it more as I’ve grown older.
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When I was in my mid-twenties, I was diagnosed with a high level of Autism. One of my main symptoms was labelled “ageless”, which in simple terms means that one half of me is still a child that I can’t mentally leave behind. I can’t do many things that most adults can do, such as pay bills, drive a car, look after my own well being etc. I flap my hands when I get excited. I bounce. I sometimes speak in a baby voice. I overcommit to things I enjoy. I admit that it was hard to come to terms with the diagnosis when I first received it. But over time, I’ve come to believe that the two can coexist in a healthy way. I believe that I am an adult who is able to develop and grow while still carrying the child within me, and that this is not seen as a bad thing. I think Peter and Wendy can be seen as a reflection of that.
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I was first introduced to P.J. Hogan’s Peter Pan a few years after it was released (I was maybe nine or ten years old), and I absolutely loved it. It wasn’t only one of my favourite film adaptations, but one of my favourite movies of all time. What surprised me most about the film at that age was how dark and gruesome it was, and full of this underlying sexual tension that I hadn’t expected at all from Peter Pan. Even today, this film still has a special place in my heart. It is made with so much passion and love for the original text that I can automatically put myself back into the story. After watching the film again as an adult, I almost immediately opened my copy of Peter and Wendy and started reading. I would even go so far as to say that I prefer the film to the book. However, part of me wishes that the age rating had been set much higher, as the dark and gruesome moments were some of the strongest parts of the film adaptation. This is possibly why some critics and viewers had difficulty categorising the film at the time.
However, I often consider P.J.Hogan’s Peter Pan to be the same equivalent as Joe Wright’s Pride and Prejudice. (which came out a few years later in 2005, starring Keira Knightley and Matthew Macfadyen). The film moves at the same dreamlike pace. It is light, dark, colourful and deeply romantic.
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I also often prefer P.J.Hogan’s Peter Pan to the 1953 Disney Animation of the same name, even though it’s the version I grew up with and liked. I find it much less straightforward and innocent. Also, the 2003 film is much closer to the original source material, which I loved reading as a teenager, and to J.M.Barrie’s original vision. The film manages to reflect the same intellectual subtext and depth of the novel while retaining the whimsy and magic.
Magical Realism
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Peter Pan was a perfect blend of fantasy and realism. A lot of media these days focus too much on “realism” and make their sets and CGI look bland and washed out. It’s a common myth these days that no one likes whimsy anymore; it’s somehow seen as too childish. As a result, much of the magic of fantasy is lost. But in this Peter Pan, a lot of colour was used in the set design and cinematography. Everything was so brightly and colourfully lit. Most fantasy films these days, including the new live-action adaptation of Peter Pan and Wendy on Disney+, are all so gloomy and dark. You almost have to light up the screen to make out the actors’ facial expressions or what’s happening in the scene. But this film understands that a viewer who watches fantasy wants to be swept away, but also wants a certain amount of believability. Although the film contained a good amount of darkness, it did not shy away from being cartoonish either (which I think was partly inspired by the Disney animation), i.e. characters blushing or bouncing on the clouds.
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The design of Neverland was breathtaking. I think the CGI, although criticised by some, made the island and creatures look more dreamy and fairytale-like. It was a good combination of CGI for the landscapes and real backdrops for the jungle, so there was enough magic and believability to transport the viewer into the story. A bright colour palette was used for the landscapes, while down-to-earth colours such as browns and greens were used on the ground, such as in “The Lost Boys Hide” under the tree, to give a sense of realism. The costume department also reflected this, from the majestic reds and blacks of the pirates, to the earthly colours of blue and red for the Native Americans, to the natural greens and browns of the Lost boys. I noticed that the colours in Neverland were used as a contrast to the Edwardian London back home, which is realistic but dull compared to the island.
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One aspect I liked was that the lighting on Neverland always changed depending on the mood of the scene- unlike the naturalistic lighting on Earth. It was almost as if the island was a living being. For example, when there was a fight on the ship, the lighting was red. When Peter took Wendy to the mermaids, who were scary and frightening, the lighting was dark and blue. This created a surrealistic atmosphere, almost like a fever dream or a kind of nightmare.
Sometimes the environment changed depending on Peter Pan’s mood in the respective scene. I particularly liked how Peter Pan influenced the weather on Neverland. Just his mere presence when he flew to the island changed the entire atmosphere in an instant. His feelings also determined whether it was summer or winter. In other words, its suggested in the film that the longer he has been there, the more the island has become a part of him, so that he can no longer leave it. It’s almost as if the island has transformed him into a magical being.
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The exuberant musical score by James Newton Howard: I’ll never forget that. I think that was one of the first movies I saw where I actively noticed the music because it was so brilliant. Even today, the “Flying” soundtrack still gives me goosebumps. It perfectly encapsulates the whimsy, joy and imagination of Peter and Wendy. I loved that there were always different variations. One of my favourite pieces from the movie is ‘Fairy Dance’, which starts off cheerfully and moves up and down depending on the characters’ conflict/what they’re saying in the scene.
Cast
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The cast of this film adaptation was magnificent. The look of all the actors not only matched the book description, but also the mood, especially with the Darling family. One of the standouts was Olivia Williams as Mrs Darling. She captured the gentleness of the character perfectly. I also loved the new addition of Aunt Millicent, played by Lynn Redgrave. She fitted into the story so well that I was surprised not to find her in the novel. She had the perfect amount of ridiculousness and hilarity that suited J.M.Barrie’s style.
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One particular member of the cast we can probably all agree on that was perfect, was Jason Isaacs, who played both Wendy’s father Mr Darling and Captain Hook. He was certainly a star in this film for sure. I just can not think of anyone who could play him better, especially in a live-action film adaptation. He was particularly good in the role of Captain Hook. When I first saw the film as a child, I did not know that Captain Hook and Mr Darling were played by the same person until my dad pointed it out to me because he was so good. I loved how they portrayed Wendy’s dad as shy and reserved, as opposed to Captain Hook who was flamboyant and sinister. Mirror versions of each other in different realities — that’s a common theme throughout the film. As Captain Hook, Jason Isaacs perfectly captured the essence of viciousness, deviousness and brutality that was necessary for the character. But also the deep loneliness and frustration behind it all. I have seen a quote that was supposedly cut from the film (and never should have been) that provides so much context for his hatred of Peter Pan:
“Imagine a lion in a cage and into that cage flies a butterfly. If the lion was free, it would pay no heed to such creature. But the lion is not free…and so the butterfly drives him slowly insane.” — Captain Hook
They did a really good job of showing how Peter Pan and Captain Hook are mirror images of each other. Peter Pan is a child who secretly wants to be an adult, while Captain Hook is an adult who secretly wants to be a child. Both fight each other for different reasons, but the goal is the same. For example, there is a great scene towards the end where Captain Hook uses his wits to defeat Peter in a fight. Here it becomes clear that there is deep symbolism for the inevitability of adulthood and the loss of childhood. Jason Isaacs really showed off his acting talent here. I liked that he wasn’t portrayed as a “dumb villain”, which he easily could have been.
There were also some great performances among the adults. Most notable was Richard Briers as the ‘pirate’’ Smee. But the child actors, especially the lost boys, really held the movie together. Their solid performances made it so believable that the island was ruled by children. I loved Theodore Chester as Slightly. He was very charming and funny in that role.
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Another member of the cast I thought was brilliant was Carsen Grey, an indigenous actress of Haida descent, who played Princess Tiger Lily. I liked that they let her speak her ancestral language, Mohican, in this film. Although this film came out in the early 2000s, it is the only version of Peter and Wendy in which Native Americans are neither erased nor white-washed even though the representation is far from great. Considering how they’re treated in the novel, it’s perhaps for the best overall that they limited some of their scenes. However, I liked how firey she was in this adaptation and not the damsel in distress she was portrayed as in the Disney animation. I think it was a wise decision to cut the infatuation she had with Peter Pan, as it was really just one line in the book that would have added unnecessary drama, and all in all, it would have fallen short if all the female characters were jealous of each other.
They also downplayed Tinkerbell’s jealousy in this regard, portraying it more as her trying to protect Peter Pan’s youth from romantic advances, as hinted at in the novel, and also being sad that Wendy is attracting all of Peter Pan’s attention. Ludivine Sagnier has, in my opinion, succeeded well in making Tinkerbell equally repulsive and endearing, as befits the character.
Wendy Darling
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Rachel Hurd-Wood was the perfect cast for the role of Wendy Darling.I was actually surprised to learn that this was her first film role ever, because she was a natural. She effortlessly possessed the same caring nature and charm that makes Wendy so endearing. She is exactly how I imagine the character when I read the story. When people talk about Peter and Wendy, they always mention Tinkerbell, Pan or Hook, but personally I am always drawn to Wendy. She is the real heroine of the story. After all, she was the main reason for Peter to bring her and her brothers to Neverland.
What always amazes me about Wendy’s role in the story is the fact that Wendy literally doesn’t spend much time being a “child” in the time she spends in Neverland. When she’s not escaping death at the hands of mermaids or pirates, she acts as a mother to the ‘lost boys’ and her brothers. She asks herself what she really wants from life. In comparison, she was allowed to behave more like a child at home in Edwardian London. Neverland is not a place where you never grow up. It’s the place where she chooses to grow up. Many people have described Neverland as a manifestation of Wendy’s subconscious as a result of trauma, and I’ve never found that to be more true in this adaptation.
One of the reasons why I think P.J. Hogan’s Peter Pan is the best adaptation of the novel is the fact that the film revolves around Wendy’s coming of age. I loved that they expanded on her love of storytelling and also gave her a tomboyish streak. Instead of just being on the sidelines, she’s able to get involved and fight pirates while retaining many of her feminine traits such as her maternal instincts and romantic feelings for Peter. She makes mistakes and sometimes gets dragged into things she knows she shouldn’t do. But in the end, she triumphs.
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In many film adaptations of Peter and Wendy that I have seen, Wendy is either only present in passing or not at all. Characters like Peter Pan, Captain Hook and Tinkerbell always take centre stage, which I think is a strange decision as they are part of Wendy’s story and not the other way around. Peter Pan is meant to metaphorically represent the childhood she does not want to give up (which is why the character is always played by a woman in the original play, as he is a mirror image of Wendy). And Captain Hook (J.M.Barrie also wanted him to be played by the same actor as Mr Darling) represents the dark side of her father, or rather what she imagines adulthood to be. This is particularly emphasised in this film adaptation because he is an important factor in her being told to grow up. The father, the concept of adulthood, and Peter Pan, her childhood, are at constant war with each other.
“You’re not supposed to be like Peter, who kept every good and bad aspect of being a child and can’t tell right from wrong. You’re not supposed to be Hook, either. He let go of everything childish and loving about him and became bitter and evil..You’re supposed to fall in the middle, to hold onto the things about childhood that make it beautiful — the wonder, the imagination, the innocence — while still growing up and learning morality and responsibility. You’re not supposed to be Hook. You’re not supposed to be Peter Pan. You’re supposed to be Wendy Darling.” — @maybe-this-time
The 2023 film Peter Pan and Wendy took a different approach, by making Wendy a kind of powerhouse who always saved the day and outshone Peter Pan overall. In my opinion, the 2003 film adaptation emphasised very well that Wendy really is the yin and yang. She's allowed to be romantic, be rescued by others and at the same time determine her own destiny and stand up for herself. Because that’s what her journey in the adaptation is all about. She is pressured by all the adults in her life to grow up. She allows herself to be seduced with the prospect of an eternal childhood by Peter Pan. Then she realises that it is not self-fulfilling. She is tempted by Captain Hook with the concept of adulthood. And finally, she finds a balance between these two extremes on her own terms. By the end of the film, Wendy has made her peace with growing up while still remaining a child at heart. That requires a certain mental strength that we should all strive for.
Peter Pan and Wendy Darling
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In most adaptations of Peter and Wendy, such as Hook and Syfy’s Neverland, the focus is on the title character Peter. In the more recent film adaptation Peter Pan and Wendy, the focus is on Wendy. This film adaptation of Peter and Wendy, on the other hand, sticks more closely to the original source material, as the story focuses on Peter and Wendy’s relationship. This is perhaps the reason why I always hesitate when I watch other adaptations, because these two characters are supposed to go together. It’s definitely a relationship that can be portrayed in all sorts of ways because they are symbolically the same person.
Although there is no romance between Peter and Wendy in either the original novel or the play, Wendy quickly develops romantic feelings for Peter which, as a prepubescent child, he does not consciously reciprocate as he has no concept of love other than that of a mother’s. Although Peter cares deeply for her, he ultimately only longs for her to be the maternal figure that is missing in his life. One could go into the symbolism that Peter and Wendy are one and the same, and that this is an expression of Wendy learning to love herself. But in a literal sense, J.M.Barrie had unintentionally created this very strong potential between the two characters. And I personally feel if your'e going to make an adaptation of Peter and Wendy that potential needs to be explored in some way, even if it’s not necessarily romantic.
Hogan recognised this potential and developed the romantic elements, e.g. ‘the “thimble” from the novel, into a very real and tangible plot. In other adaptations, Peter and Wendy’s relationship is rather one-sided. But in P.J. Hogan’s film adaptation, however, it is not at all. Over the course of the film, Peter and Wendy fall deeply in love with each other.
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Rachel Hurd-Wood and Jeremy Sumpter had a remarkable on-screen chemistry for young actors, which helped give the adaptation its own identity. Whenever they interacted on screen as Peter and Wendy, it was — like the glittering pixie dust of Tinkerbell — simply magical. The off-screen chemistry between the two definitely helped make the romance so believable as well. When I was younger, I didn’t like romantic subplots in family films. I personally found that they clogged up the main plot because the “romance” tended to be very one-dimensional- but Peter and Wendy in the 2003 film version were simply enchanting.
In the original novel, J.M.Barrie alludes to the possibility of a romance between the two. In the film adaptation, they go all out. Their love story was written so beautifully and profoundly, while staying true to the original text and J.M.Barrie’s themes. This made the conflict hinted at in the novel of “staying in Neverland with Peter or growing up on Earth with Wendy” even more poignant and relevant, because in reality there was only ever one option. They couldn’t find a way to have both. That made the ending even more “heartbreaking” for me as a child, because even though they had the chance to be happy together, she couldn’t give up on growing up to stay. And he couldn’t give up being a child to leave, even though it was a natural progression for him.
Peter Pan
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Jeremy Sumpter delivered a fantastic performance as Peter Pan. Not only did he perfectly match the illustrations, but he also managed to perfectly capture the essence of the charismatic, mischievous little boy from the novel. What’s more, of all the versions I have seen so far, he is by far the most accurate, right down to the clothes made of skeleton leaves, the dirty fingernails, the feral mannerisms, the traumatised soul behind the charm and the downright creepy insinuations. By today’s standards, you could almost take Peter Pan for a grown man who consciously decides not to behave like this.
However, when I watch the film again as an adult, I can now understand why he has reservations about growing up in Edwardian England and would rather remain a “child” in Neverland forever. As Peter says in the film, “Would they send me to school? And then to an office?” I feel like most of us today have so many choices as we get older, but back then it was much more limited. The choices were very restricted in that “heterosexist” environment. You could only be a certain thing, and it was much harder to hold on to the pleasures of life. I can now also understand the initial reactions of Michael and John to Peter: He must have seemed scandalous to people at the time. His bright colours, his inappropriate clothing and his behaviour are repulsive to the boys, but Wendy is immediately fascinated and attracted.  I think it was a deliberate choice that he is the only character with an American accent to set him apart from the rest of the cast; to emphasise the wildness of the character and his non-conformity to the people of Edwardian London.
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Another small aspect I liked was the suggestion that the Lost Boys, although they lived with Peter and obeyed his commands, lived in constant fear of him and did not worship him as in other adaptations. (A fear that is justified as Peter tries to kill them more than once in the film). What the 2003 film adaptation captured perfectly about Peter's character was: how terrible of a person he really is. Peter Pan is a hero when he goes on adventures and fights pirates. You could argue — via the quote “Leave Hook to me” (which Peter says to her in the film) — that Peter is Wendy’s split self who can fight her father (Captain Hook) for her, just like antibodies do with germs when we can’t handle them ourselves.
However, when it comes to understanding emotions, caring about others, even his henchmen, the Lost Boys, and doing anything that inconveniences him, Peter Pan is possibly as bad as Captain Hook. This makes Wendy’s decision to leave him all the more powerful. Although she was initially seduced by his adventurous life, she soon realises that his “life” of joy and adventure is not fulfilling at all. Because in reality, there is no real joy. There is no real adventure. In reality, his life is empty because it is not earned. In addition, she realises that she is gradually losing her memory of the outside world, including her parents - a sign that she is “slowly awakening from the dream”. This leads Wendy to realise that she wants more than what he can give her in Neverland (e.g. romantic love) and decides to leave. Being alive means feeling, accepting and growing. However, as long as Peter remains a boy, he can never truly be alive. Peter Pan conveyed this important message, whereas earlier film adaptations, including the Disney animation, did not.
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One of the reasons why good adaptations of Peter and Wendy are so hard to come by, especially in this day and age, is not only because they adapt a performative story that exists in layers of subtext. They also work with a protagonist who doesn’t change. Who doesn’t develop in any way, neither negatively nor positively. Not even just physically, but also mentally. (Even Eli from Let the Right One In, the child vampire, changes in the course of the story). At the end of day, Peter Pan is ultimately there to serve someone else’s story. It works in a fairy tale format. But it doesn’t usually translate very well to the screen because it often leads to one-dimensional storytelling. Even if it seems so natural, it doesn’t come naturally.
However, this adaptation allows Peter Pan to grow. The writers expanded on the small aspect from the book, which is the moment when Wendy enters Peter’s life; he begins to feel emotions. Not just love. But anger. Fear. Sadness. Pain. Disgust. And above all: self-awareness. Almost like a version of puberty in condensed time, as if the change suddenly caught up with his body. When Wendy brings this up, Peter immediately rejects it out of fear. I think most of us can all relate to this when we were in the midst of growing into a young adult. We experience feelings that are scary and new, that we can’t yet fully understand or even want to. For Peter Pan, falling in love is exactly what he is afraid of: growing up and no longer being a child. This adds to an interesting conflict that arises between the two when she asks him to leave with her.
“The thing about Peter Pan is, he’s a coward. Had the chance of a lifetime and he bottled it. Just fucked off back to Neverland. All alone, forever he was, by his own hand. Poor old Wendy, she had to grow old without him.” — Skins, 6x07 “Alo”
In the original novel, the reason Wendy can’t take Peter Pan with her (apart from the fact that he refuses to grow up) is the same reason Lyra in His Dark Materials can’t take Pan — the animal manifestation of her soul — on the boat to the land of the dead. She has to split in order to grow up and leave a part of herself behind. She can’t keep both in order to move on. But that does not mean I always agree with the ending either. In which Peter remains a child and takes Wendy’s future descendants to Neverland and back to look after him. It leaves an icky aftertaste, but at least it fits in with the story J.M. Barrie wanted to tell.
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Even though the adaptation conveys the same message, that Peter Pan is the manifestation of Wendy’s youth, even to the end. In this version of Peter Pan, that is no longer the case. By the end of the film, the way he holds himself is different. The way he looks wistfully through the open window and solemnly says, “To live would be an awfully big adventure,” : a sign of self-awareness, while Wendy happily reunites with her family. So much so that Tinkerbell has to pull him by the hair to stop him from joining them and reconsidering his decision. Peter is now old enough to know that he loves Wendy. Maybe he’s also mature enough to know what he’s missing, but he knows he can’t have her the way he wants, so he does the most selfless thing he’s ever done in the whole film by letting her go.
There is no such conflict at the end of the 1953 Disney animated film. Peter Pan is described by Wendy as “wonderful”. In reality, everyone else gets their happy ending, except him, because he deliberately chooses not to. Peter Pan very much turns himself into a tragic figure because he is afraid of the most natural thing in the world. He is afraid of life. And I feel like this version of the story knew that and expressed it strongly, which makes me conflicted now as an adult. I’ve seen endings like this before, where two people fall in love but do not end up together because they grow apart or they are both interested in different things, and it’s very important to reach those points in different ways. It very much reflects real life and is also reminiscent of first love. How that love never really fades. It reminds you of simple times, even when you’ve grown up and moved on. That a part of you is still at that age when you look back on it. These endings happen because people grow — which Peter Pan does not.
“Peter in the books lives in oblivious tragedy. He may suspect that he’s not fully happy, but he tends to forget about it… yet this Peter doesn’t… Wendy leaving him and growing up to be a wife of another man is his unhappy thought…It’s the loss of innocence since Peter could not forget this…It’s the process of growing up…all but confirms that Peter’s character arc in the film is one of accepting the fact he too must grow up to be happy.” —  @rex-shadao
And I think that’s the real reason why his character is both the strongest and the weakest part of the adaptation. The writers didn’t make it clear enough that Peter Pan forgets in their version of the character. In the novel, Peter Pan forgets everything automatically, which is why he can exist in this limbo of childhood and not go mad. However, as mentioned earlier, this version of Peter Pan is old enough to remember and, more importantly, to feel. Even though he is the closest to J.M. Barrie’s original vision, unlike his counterpart in the book, he is capable of evolving. That’s why the ending sometimes feels strange to me as an adult.
It was hard to say why I had a strange feeling at first, but I realised that a lot of my mixed feelings stemmed from having seen the film adaptation fresh after reading the novel. Since Peter Pan fully reciprocates Wendy’s love in this version, he ends up being a different character than in the book, which is why I now disagree with them keeping the original ending instead of having him grow up with Wendy. It would symbolise that childhood can co-exist with adulthood, that you don’t have to leave a part of yourself behind. That you can be your true and complete self if you find the balance between the two extremes.
The original ending still works however, in all its bittersweetness. I know what it means and understand what it stands for. Wendy basically says goodbye to her childhood and promises never to forget it. There’s a reason it made such an impression on me when I was younger. It could just be because I’m trying to pick up all the pieces of my broken heart from the floor. But personally, as an adult, I just find it weaker compared to the novel. Sometimes I like to imagine an ending to this version of the story where Peter Pan comes back, having quickly realised that he has outgrown Neverland, but doesn’t meet Wendy again until they are both much older, at a time when Wendy is coming to terms with womanhood and the idea of marriage. Or she even meets his real earth counterpart (if we were to delve into the psychology of Neverland being Wendy’s dream). And their relationship is subjected to the natural test of time and growth.
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Peter Pan is an almost perfect adaptation. It matches the humour, the tone and the vision of J.M.Barrie. But I can certainly understand why the film didn’t do so well at the box office. In the month it was released, there was an unfair amount of competition, namely the film Lord of the Rings — The Return of the King. And as an adult, I can now understand why it’s not the film people think of or remember when it comes to Peter Pan adaptations. And it’s not just because it doesn’t fit the elfish, jolly trickster persona that Disney has created.
The film adaptation suffers more from what it doesn’t do — such as maintaining a stable tone and consistent editing — than from what it does. It’s one of those films that would have benefited from being much longer. That way, the inconsistent tone and some of the rushed parts of the adaptation would be much more balanced. It feels like it was missing an extra twenty minutes. For example, the film is narrated by an older version of Wendy, but without the deleted ending where it becomes properly clear that it’s her telling the story to tie everything together, the ending feels a little abrupt. Say what you will about Tim Burton’s adaptation of the Series of Unfortunate Events, but the audience could see where the film’s narration was coming from the whole time. I think if they knew the alternate ending wasn’t going to work (that scene is a classic example of something working well in the novel but not in the film), they should have removed the narrator altogether with the deleted ending and adjusted the film accordingly. They should have extended some scenes so that parts of the film weren’t rushed, such as the introduction, and the story would have been left more up to interpretation as there was no voiceover throughout.
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Despite its weaknesses, P.J.Hogan’s Peter Pan is still an underrated masterpiece 20 years later. It is an irresistible film that captivates and warms the heart. The film adaptation has certainly stood the test of time, staying true to the original while adding its own flavour to the story. It is full of magic, wonder and heart. It was clearly made by people who loved the origins of the story and explored where they came from, while also digging deep into the text to reshape the character arcs in a fresh and meaningful way. They succeed in capturing J.M.Barrie’s original message, which is that growing up is a natural progression of life, but that doesn’t mean leaving childhood behind entirely. That it is important to maintain a healthy balance between the two: Taking responsibility while appreciating the joys of life. From the vibrant colour palette to the goosebump-inducing music to the solid performances and gorgeous chemistry between Jeremy Sumpter and Rachel Hurd-Wood, my love for this adaptation will never end, no matter how old I am.
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avelera · 2 months
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I am never going to be over what the movies did with Steve and Tony's dynamic, because- listen, listen. The reason Civil War was (supposed to, it was kind of a hot mess) hit so hard in the comics was that these two were *best friends* and had been for decades of comic time. In the movies, they never are friends, so Civil War is just two colleagues who never really got on, and not the devastating tearing apart of a long-established friendship group.
Dude I literally burst out into like... outraged, furious laughter in the theater when Tony said, "I thought I was your friend?" because, umm, footage not fucking found?
I completely get and respect the comic readers here for whom Steve & Tony and Steve/Tony were, in fact, the best of friends! But the MCU never ever actually showed it.
To cram that line, which felt lifted from the comics, into the MCU was genuinely laughable. How could Tony possibly think he compares to what we've seen of Steve and Bucky's relationship, since childhood even if you don't ship them, as the only person Steve has left from his entire life pre-WWII? How could Tony possibly think he compares except through the lens of a galaxy sized ego and being totally self-involved to the exclusion of all else? How could any work colleague, since that's what they are at best when not outright antagonists to each other in the MCU, think they'd compare to a childhood friend in danger, that Tony is actively putting in danger? Who Tony is blaming for the death of his father despite the fact they've got piles of evidence that Bucky was a mind-controlled prisoner of war being actively tortured at the time?
It's literally staggering, it beggars belief that this line was uttered. And wildly enough, it's not even my least favorite line in Civil War. (That one goes to Vision's stupid fucking comment about how strength invites challenge, basically victim-blaming the superheroes for having villains, which only possibly makes any sense if you ignore Thor, the greater galaxy, all of the infinity stones, and basically every other part of the MCU timeline before Steve Rogers got the serum, Christ that line makes me mad.
Oh, and the line about Tony just handwaving signing the accords because their lawyers can fix it later as the most boneheaded line of insane privilege I've ever heard. Kids, never fucking sign something just because you can supposedly fix it later, christ it's the dumbest thing I've ever heard.)
ANYWAY, I have major beef with Civil War's logic. It never should have happened where it did in the MCU. Cap 3 should have been dedicated to its original plot before they found out RDJ was staying on in the MCU and they had the pieces to make Civil War (the original was the hunt for Bucky and an examination of Captain America's legacy through the lens of Bucky killing off the pretenders the US government set up to be him over the years, and I still weep that we never got it) But I do honestly, deeply, have sympathy for comic fans and why they're mad about the Steve and Tony friendship never actually appearing on screen in any meaningful way.
Civil War shouldn't have happened then. Civil War is a plot you run now, when you've got the rights to the X-Men and too many damn characters running amok. Civil War would be perfect now for pairing down some of the ballooning MCU nonsense. The cast was literally not big enough circa Cap 3 to make Civil War. And I'm eternally bitter that they pivoted away from the smaller-scale Cap-centric movie we should have had and instead made another Avengers movie in its name.
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1000sunnygo · 6 months
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One Piece Academy chapter 40: Cora san (Quick translation)
[source] [translation index]
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Lucci: Donquixote Doflamingo's younger brother, Donquixote Rosinante. Codename: Corazon.
He used to be an executive staff of the Donquixote Family. However, for the last two years, he's 'missing.'
[New world Middle school, Student council]
Lucci: Tell me what you know about this man,
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...Trafalgar Law.
Law: I hear you, but what's with the stupid costumes?
Luffy: Y'all sure got style!
Kalifa: To dispel the "scary, unapproachable, unfriendly" allegations against the school council, this.. is the "student council image improvement campaign" proposed by our advisor.
Law: .......... Oh.
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Sanji: So, Doflamingo has a brother?
Kaku: Yeah. While investigating him, we came to learn the existence of Corazon, and,
The fact that a former member of the Donquixote Family was you, Trafalgar Law.
Usopp/Chopper: EEEEH????!
Luffy: So you're friends with Mingo?
Law: I get the full picture. I was indeed a part of this Family in the past, and Corazon, no...
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...Cora-san is my benefactor, and I got my Life and my Heart from him.
Bepo: Captain, you're okay with speaking about that?
Law: Baseless suspicions are bothersome, that's all.
Kaku: Mind sharing the rest of the story?
Law: Yeah. When I was seven..
I developed an incurable disease that stumped even the doctors.
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Without warning, my body caught a sickness that was supposedly eradicated long time ago.
My father, even though he was a famous doctor in the city - couldn't determine its cause.
Vivi: And then, the three remaining years you had according to your father...
Chopper:...was spent on moving to large hospitals that refused to treat you? Was there so little literary background of the disease?
Robin: Prejudices from lack of knowledge in unknown cities, the government's isolationist, unjust instructions.. it must've been terrible.
Law: I cursed the world for it. I didn't want to bother my parents anymore and fled from home, wandered by myself,
then I arrived in front of him. The man who wants to destroy everything, the man I wanted to be like..
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I was at the doorsteps of Doflamingo.
Zoro: Just like that, you could've become one of the thugs like him, but that didn't happen...
Nami:.. because you met a certain other person?
{Flashback: Law, look! It's the op-op fruit!
It's a fruit that can save your life! So, eat it! Hurry up, swallow down!}
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Brook: So, with the medical knowledge from your parents and the fruit's ability, you treated yourself...
Franky: From Doflamingo's point of view, it happened to be a fruit he wanted for some reason.
Sanji: and he felt out witted by his younger brother...
Usopp: So, a raging Doflamingo appeared before Corazon -
Nami: And at the end, you saw a mysterious light from behind the lockers. What was that?
Blueno: An explosion?
Lucci: That sounds reasonable...
Jabra: A last resort move from Corazon, huh? Well, Doflamingo couldn't just give up.
Coby: After regaining consciousness, Law-san, you held the words of Corazon in your heart, to "meet him at the next town" and kept walking...but the man never appeared....
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Law: A person that's gone, is gone. Any other question?
Lucci: None.
Usopp: Who knew Traffy had a past like that...
Luffy: AAAAAH!
Usopp: MAN, THAT SPOOKED ME!
Coby: Luffy san! What happened.. OH RIGHT!
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Luffy: I FORGOT TO TOLD TRAFFY THE THING!
Nami: Ah, you're right! We got side tracked by the student council...
Luffy: Where's he?
Zoro: He left.
Lufffy: Then let's go to Traffy's place.
Usopp: Do you even know where he lives?
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This nerd
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Corazon: WELCOME BACK, LAAW!!!
Law: I'm back... Cora san, take off your coat while cleaning -
Luffy: THERE HE IS!!
TAFFY!! WE'RE THROWING A RICEBALL PARTY!
Nami: Luffy! You should ring the doorbell first!!
Luffy: n?
< end, part 2 comes out on December 15th!>
Update: Part 2 translation
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gegengestalt · 1 month
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131 useless or often forgotten facts in The Brothers Karamazov!
This 27 of April is the second anniversary of the day I finished this book for the first time. To do something special, I reread it over the last 20 days and as I did it, I compiled little things that are easy to forget in these 1000 pages filled with food for thought. Let's go!
1. Mitya fought in a duel, though it's most likely that nobody died in it.
2. Ivan's journalist pseudonym is "Eyewitness".
3. Alyosha, in his own words, came back to Skotoprigonyevsk to visit his mother's grave.
4. Fyodor Pavlovich owns several taverns in the district.
5. Grigory was the one who gave Sofia Ivanovna a proper gravestone.
6. Alyosha is one deduction away from becoming a communist.
7. The Brothers Karamazov begins in late August.
8. Kalganov is supposedly Alyosha's friend. This is never mentioned ever again.
9. Kalganov gave one coin to some beggars and told them to divide it among themselves.
10. There is a rumour that the previous elder beat people with sticks. This is false.
11. Alyosha is the only person in the monastery who knows that Rakitin is an atheist, and keeps his secret.
12. Four years ago, Pyotr Miusov divulged a fake story about a saint making out with his own decapitated head. Fyodor never forgot.
13. Madame Khokhlakov is only 33 years old. She has been a widow for 5 years, meaning Lise lost her father at age 9.
14. Zosima's serenity in front of the woman who confesses to a murder may foreshadow his later recollection of having a murder confessed to before.
15. Zosima likes to make jokes.
16. Lise and Alyosha last saw each other two years before.
17. Reminder that Grushenka met Mitya because Fyodor wanted her help to throw Mitya into a debtors' prison.
18. Kuzma Samsonov is the mayor of Skotoprigonyevsk.
19. Ivan rambled to Dmitri and Katerina about how he thinks Rakitin will be a failed journalist turned landlord.
20. Fyodor Pavlovich's house is filled with rats.
21. The Miusov family had their own private theatre.
22. Lizaveta Smerdyashchaya was a bit over 142cm/4'7 tall.
23. In 1842 there was a runaway convict called Karp commiting crimes in Skotoprigonyevsk.
24. Marya Kondratievna's mother is missing a leg.
25. Mitya ghosted a girl in real life.
26. Katerina's mother died when she was young.
27. Mitya had a fever for two weeks once because of a spider bite.
28.Mitya thought Grushenka was "nothing striking" the first time he saw her.
29. Mitya was squatting in his neighbour's rented room.
30. Fyodor Pavlovich has a portrait of the former provincial governor in his house.
31. Fyodor Pavlovich goes to sleep at 3- 4AM, like Dostoyevsky himself.
32. Sofia Ivanovna was being courted by a rich man called Beliavsky while she was married.
33. Who was the woman coming from the alley that Mitya mistook for Grushenka? I still wonder.
34. A cheap glass jar was destroyed during Mitya's frenzied break- in.
35. Katerina sends two detailed reports a week to her surrogate mother figure who lives in Moscow.
36. Katerina has an aquarium.
37. Alyosha sleeps using his monk habit as a blanket.
38. Father Ferapont survives eating nothing more than 1,6kg of bread a week.
39. Ivan had told his father about his feelings for Katerina, for some reason.
40. When Alyosha kissed his father, he had the impression that Alyosha was thinking that it was their last conversation.
41. Madame Khokhlakova owns three houses as property.
42. Madame Khokhlakova and Katerina Ivanovna are supposedly great friends.
43. Ivan reads Schiller when nobody is looking.
44. One of Snegiryov's daughters, Varvara, is invested in feminism.
45. Captain Snegiryov's childhood friend is a lawyer.
46. Mitya spilled cognac over the table of the summerhouse.
47. Smerdyakov sings in falsetto.
48. Marya Kondratievna is the only one who ever calls Smerdyakov 'Pavel Fyodorovich'.
49. Ivan uses Smerdyakov as a messenger.
50. Dmitri and Katerina had been engaged for around six months.
51. Ivan's right shoulder looks lower than the left one when he walks.
52. Smerdyakov often moves the tip of his right foot from side to side when he stands (adorable).
53. Dmitri's favourite death threats are "pounding in a mortar" and "breaking legs".
54. Grigory suffers from paralysis three times a year.
55. The real name of 'Lyagavy' is Gorstkin.
56. Zosima's real name is "Zinovy".
57. There was actually another old German doctor before Herzenstube and he was named Eisenschmidt.
58. Zosima has known Brother Anfim for forty years.
59. The Bible is thrown once.
60. Madame Khokhlakova asked Rakitin to go to the funeral as her eye.
61. Alyosha was hiding behind the grave of starets Iov, who lived 105 years.
62. Zosima was harshly criticized for telling a monk hallucinating to take his meds if praying doesn't work.
63. Both Grushenka and Rakitin are children of deacons.
64. Samsonov is the only person that Grushenka seems to be completely and clearly sincere with.
65. Likewise, Samsonov only trusts her when it comes to counting money.
66. Samsonov has the entire first floor of his house for himself.
67. Mitya tells many of his secrets to his landlords, who are fond of him.
68. Alongside eggs and bread, Mitya grabbed and ate a piece of sausage that he "found".
69. Mitya and Perkhotin first met at the Metropolis tavern.
70. Mitya's dueling pistols are his "most prized possessions".
71. Madame Khokhlakova apparently borrows money from Miusov.
72. The brass pestle was 17 centimetres long.
73. Mitya spent exactly 300 rubles in food and alcohol in Mokroye, and it would have been 400 if Perkhotin didn't help.
74. Mitya gave a glass of champagne to a kid.
75. The owner of Plotnikov's shop is called Varvara Alexeievna.
76. Two thousand villagers live in Mokroye.
77. Trifon Borissovich makes his younger daughters clean up the messes of every guest of the inn.
78. Pan Wroblewski is 190cm / 6'2 tall.
79. Madame Khokhlakova gets a migraine whenever she has to talk to Mitya.
80. The ispravnik's elder granddaughter is called Olga, and the night of the murder was her birthday.
81. The prosecutor's wife seems very interested in sending for Mitya often, for reasons he doesn't know.
82. Mitya does not know that the epidermis is the outer layer of the skin.
83. Nikolay Parfenovich is the only person in the world who trusts Ippolit Kirillovich.
84. Mitya often dreams that a person that he fears is chasing him and searching for him.
85. Nikolay Parfenovich wears a smoky topaz ring on his middle finger.
86. Pan Wroblewski is a dentist without a license.
87. Kalganov had visited Grushenka once before, but she seemed to dislike him for some reason.
88. Kolya's father died when he was a little baby.
89. There was a plot going on in the background about the doctor's maid having a child out of wedlock.
90. Rakitin often talks with Kolya. Seems like the only person who takes his ideas seriously is a literal child.
91. Smerdyakov and Ilyusha met and talked to each other.
92. Alyosha rarely gets colds.
93. Katerina befriended Snegiryov's sick wife.
94. Kolya was taken to a judge for teaching a guy how to efficiently crack the neck of a goose.
95. Kolya is against women's rights.
96. Mitya and Grushenka spent five weeks secluded and away from each other after the arrest.
97. Grushenka went to see Grigory to try to convince him that the door wasn't open.
98. Rakitin made up in an article that Madame Khokhlakova offered Mitya 3k rubles to run away with her.
99. Madame Khokhlakova doesn't remember Rakitin's patronymic, and calls him "Ivanovich" instead of "Osipovich".
100. Madame Khokhlakova didn't know of the judicial system reform until two days before the trial.
101. Lise sent chocolates to Mitya in jail, even though there's no reference to them ever interacting before.
102. Alyosha has had the same dream about the devils that Lise has.
103. Alyosha is friends with the jail inspector, who often discusses the gospels with him.
104. Mitya spent two entire nights awake since he discovered ethics.
105. Ivan cleans his own room.
106. Smerdyakov shared a hospital room with an agonizing dropsy patient.
107. Mitya's letter had the bill on the other side.
108. Smerdyakov uses garters with his stockings.
109. There is an apple tree in Fyodor's garden.
110. One of Ivan's "most stupid" thoughts is being the fat wife of a merchant.
111. Ivan had a friend named Korovkin when he was 17, the one he told the story of the quadrillion kilometres to.
112. Ivan has another poem named Geological Cataclysm.
113. Alyosha was the first person the distraught Marya Kondratievna ran to.
114. Ivan is mistaken for "the eldest son" twice in the trial.
115. Grigory did not remember he was in 1866.
116. Rakitin knows "every detail" of the biography of Fyodor Pavlovich and all the Karamazovs.
117. Grushenka's surname, Svetlova, means "light".
118. Mitya once dropped 100 rubles while he was drunk.
119. Ivan saw not just the Devil, but people who had died while he walked in the street.
120. Ippolit Kirillovich died nine months after the trial, the first and last day he received applauses.
121. Marfa is dismissed as a suspect simply because they can't imagine her killing.
122. There is a partition wall in Mitya's lodgings.
123. Mitya mostly stopped staring at the floor during the prosecutor's speech whenever Grushenka was mentioned.
124. Fetyukovich bends forward in an unnerving manner when he speaks.
125. An 18 year old street vendor committed axe murder earlier that year.
126. The verdict was given past 1AM, making the trial last almost 16 hours.
127. Katerina kept the sick Ivan in her house knowing it could possibly be harmful to her reputation.
128. Rakitin tried to sneak in to see Mitya in the hospital twice.
129. Lise sent the flowers that adorn Ilyusha's coffin, and Katerina paid for the grave.
130. Snegiryov cries seeing his late son's little boots the same way one of the women at the monastery in the beginning of the book did.
131. At the end, Alyosha mentions "leaving the city for a long time" soon. Where to? We don't know.
If you read this far down, I hope you enjoyed it as much as I enjoyed writing all of these down.
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follows-the-bees · 7 months
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Let's talk about "doggy heaven" and "he was either gonna watch the world burn or die trying."
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This is the moment that Izzy realizes that he doesn't know Ed the best. That Ed and Stede talked about everything, that Ed trusted Stede beyond Izzy's imagination. He always felt like he knew Ed the best. He fell in love with Blackbeard, with the persona of Blackbeard, with being first mate to Blackbeard. He was above the crew and always by Ed's side no matter what. Even when he calls Ed crazy and when he turns toxic. He fed Blackbeard.
But Izzy realized that Ed as the Kraken was too much. That his love for Ed was not returned the way he wanted, that the man he loved was no longer there. And the crew come to him, comfort him. And Izzy switches sides, he is now on the side of the crew. (And possibly first mate to Stede in the future.)
This moment when Izzy and Stede talk for the first time one-on-one is when the illusion drops again. And Con conveys it so well. The realization, the heartbreak, the bafflement.
Izzy tried to explain to Stede how far gone Ed was, but Stede replies with wisdom. "He was either gonna watch the world burn or die trying." And Izzy stops trying to explain, switches tones and tactics. He realizes that Stede (to a certain extent) does understand.
Then when Izzy finally tells him the partial truth of what happened, he doesn't get yelled at; instead Stede responds with "you sent him to doggy heaven."
To Stede, this is an innocent statement. It's him using what he thinks is a pirate term, but to Izzy. To Izzy, it's the fucking world crashing. And Con's performance is beautiful.
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Because this can mean two things. One, Izzy realizing and semi dealing with what happened. That they supposedly put Ed down. But he knows he can't do that, says it aloud. Two, that Stede understands what and why it happened.
But it also is the moment Izzy realizes that Stede actually knows Ed. That Ed talked to Stede, trusted him, even more than he trusted Izzy. Stede knows the term, so he knows the plan to kill him.
There is the underlying story of the truth of the kraken, that Izzy doesn't know, but the audience does and makes that connection.
Izzy has to reassess everything that he's thought, that happened not only over the past months but years, decades.
And then in the jail cell, he still provokes Stede. Probably from his own guilt and this realization of how well Stede knew Ed & how he (Izzy) ultimately didn't know as much. Wasn't allowed to those recesses of Ed's mind and feelings.
But instead of anger, or Stede talking a lot, he gets silence, and a look of heartbreak. Izzy can't hold back tears.
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Then Stede comes back, with a plan to save the crew. Unlike Ed, Stede is holding it together, he is putting the crew first. A thing that Izzy just learned to do in many ways. And Stede's plan works, the crew escapes, and that includes Izzy.
He sees the real Stede now, not the threat to his way of life, to the person he loves, but the Stede that Ed and the crew have defended, saved, trust. Stede changed all of them into better people. People that talked to Izzy, hugged him, comforted him, didn't kill him but kept him hidden and alive.
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And Izzy tries to thank Stede (at the worst time of course) but season one Izzy would have never done that.
Izzy is part of the crew now with Stede as the captain.
He had to learn so much in such a short conversation.
Izzy couldn't save Ed, not alone, Izzy's love was based on a facade, and that fed toxicity.
But Stede will save Ed. Can save Ed. Because Stede was privy to the real Ed coming out from the Blackbeard facade. To sides of him Izzy could never see.
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bluegalaxygirl · 17 days
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Amnesia (KidKiller X Reader) P1
Plot: After an explosion reader wakes up in a hospital with no memory of the past few years, her parents want to take her home so she can recover and get back to a normal life while the Kid pirates want her back on the ship where she belongs.
Warning: Bad language, Violence, Death and Blood.
Reader is Female, Poly Relationship, established relationship, Kid X Reader X Killer, Reader is a member of the Kid pirates and is in charge of the money, Budgeting and negotiating the best price.
< Previous part ..... Next Part >
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Gunfire, cannon fire, yelling and screams fills the air as the Kid pirates take on the many marine ships in search of the treasure they were carrying. There's never a real plan when your with the Kid pirates since Captain Kid usually charges in head first destroying anything and everything in his way but Killer made sure to give the crew an idea of what to expect and how to go about things. The crew split up into groups taking on different ships in search of the treasure while others stayed on the Victoria firing cannonballs at the marine ships that were coming as backup. If they found the treasure then they would load it onto a smaller ship to send it back to the Victoria Punk before sinking the ship or calling out to their Captain, so he could continue his destruction. Several ships had already sunk thanks to Kid going a little crazy on the violence, it seemed random but the pirate Captain has been doing this long enough to know just by looks which ships won't carry any kind of treasure. It didn't matter if his crew were on those ships since they knew well enough to stay out of their captains away and get off any ship he was going to attack. Killer went straight for the biggest ship knowing thats where their leader is, The marine was only ranked a captain, he honestly expected a higher rank with how many ships there were and how much treasure and weapons their supposedly carrying, but he couldn't complain. While the few crew members he was with searched the ship and took out the low ranked marines Killer fought against their leader slashing and kicking at the man who could hardly keep up with the first mates movements and speed.
Heat used a rope to swing from one marine ship to another, he rolled before pulling out his sword and slashing a marine that ran at him before standing up right. He has no chose but to switch groups since the ship you were on had explosives, his fire would make things worse, but he had confidence that you can handle it and get the ship away from the fight so it doesn't hurt the crew. Heat scans the deck seeing marine body's scattered all over, but he couldn't see any of his crew until a girl with short blonde hair runs out of one of the rooms carrying two large bags of what sounded like gold coins. "Heat, what are you doing here?" Hip yells seeing her crew mate and running up to him before coming to a stop "That ship has explosives on them, be careful in case the others do too" Heat reply's earning a frustrated sigh from the woman "Great that's just what we need, The Boss is still going mental, Killer is fighting a Captain a few ships over and now some of the ships might have explosives" She groans as other members of the crew start running over holding wooden crates and bags of gold. "Get the treasure back to the Victoria and tell the others to be on the look out, I'll inform Killer and Kid" Heat order the group who all nod before running off to the boat that will take them back to their ship. With Killer a few ships away and Kid further than that he knew he would have to swing his way over using the ropes while also fighting any marines that got in his way.
The marine Captain pants while holding his stomach after being slashed by Killers blade, other marines came in to help only to be quickly taken out by the first mate. Using the last of his strength the marine yells while running at the masked man bringing his sword down to slash at the masked man but Killer easily doges it while spinning his blades and cutting the marine captain in half. Two thunks hit the decks floor but after that it was silent, no more yelling, screaming or gunfire from the ship he's currently on until someone lands on the deck. Killer turns ready to fight only to see Heat, his friend letting go of the rope before stepping closer, anxiety wells up inside the masked man since head is supposed to be with you "Some ships have explosives but Hips group found some of the treasure" Heat explains as quickly as he can while looking out at the other ships seeing his Captain bringing a big mental hand down on one braking it in half and making it sink. Killer sighs before turning to look over at Kid "HAY KID" The first mate yells managing to get the captain's attention who jumps over to the ship their on, landing hard on the deck his boots cracking the wood bellow until he releases some of the metal on his arm making him much lighter "You found the treasure yet?" Kid asks walking over to the two, Heat nods but looks back to the ship you were on, his eyes widening when noticing it was heading towards the Victoria Punk "What the fuck is she doing?" He didn't mean to yell it out loud, but he didn't think you would bring the ship closer, unless it wasn't you doing it.
Killer and Kid jump at the sudden yell of their friend since its highly unlike him to yell, turning their attention to the ship he's looking at Killer places a hand on Heats shoulder turning his crew mate to face him "What is going on?" The masked man's voice was calm but there was a bit of worry in his voice "That ship has explosives on it, Y/n was supposed to steer it out to sea not towards the Victoria" Heat panics but soon hears Kid let out a laugh "Don't worry, look its turning away, our feisty girl's got this" The captain smiles watching as the marine ship heads further and further out to sea before starting to turn going to head to the marine ships that are coming as backup, the three relax knowing you now have the ship under your control "Alight lets get ba-" Kid goes to order when a cannon goes off soon followed by an explosion, his eyes widen as the ship you were on burst into flames and rips apart, a wave of hot hair rushes across the sea causing the water to ripples and bounces forcing the marine ships to crash into each other. The sound of creaking, cracking and yelling rings through the air as the marines and the Kid pirates all try to get to safety, marine ships thats crash into each other start to break apart making masts fall either hitting another ship or crashing into the water. The three covers their faces with their arms as the hot air reaches them almost forcing them back a bit while the marine ship their on sways a little, once the burning wave of heat passes the three look up from their arms seeing the burning mast of the ship you were on cracks apart and fall into the water as the ship starts to sink.
Kid curses out loud his heart pounding in his chest at the thought of losing you and the members of his crew that were on that ship, His legs move before he can tell them too starting to run off jumping from ship to ship, the explosion made all the ships move loser together so it was easy for the captain to jump from one to the next. Killer felt his heart stop for a second, but he hoped you had gotten off the ship before it went up in flames, The masked man was quick to follow his captain "Heat, get the rest of the crew back to the Victoria" Killer yells back stopping Heat from following. The first mate knew that with the marine ships still crashing into each other and falling apart that the rest of the crew is in danger. The two only stop when they make it to the last none sinking marine ship, but they were still not close enough. The burning ship is too far out to sea, the only things they could make out were pieces of wood floating and black shadow's under the water although they were too far away to know if it was a part of the ship or a person. "Kid, we should get the crew back to the Victoria, take out the other marine ships, and then we can look for Y/n and the others" The first mate finally speaks snapping the captain out of his spiraling thoughts of how they might find you, he didn't like the idea of backing off but on the other hand Killer was good at planning and it would be easier to find you and the other crew members without all the fighting and other marine ships around. "Shit, fine." Kid growls at Killer who nods letting his finger loop over one of his captains.
It didn't take too long for everyone to gather what they could and make it back to the Victoria, Kid sank a few ships on the way back and once all the crew other than your group was accounted for the Victoria unloaded Cannon fire ripping apart the marine ships along with some of the back up ones. Seeing they were out matched by the pirate crew the other marine ships fled out to sea, with the air around the sea now silent and night falling, Kid orders his crew to head over to the slightly burning marine ship and look for the rest of the crew. In groups the crew put small boats in the water and headed out as the Victoria sat in the water close by, their lantern's helped in the fading light while Killer and Kid stood in the dinosaurs skull looking out at the almost fully submerged ship. The wait was long making the already worried and tense atmosphere worse, when ever a lantern lingered too long hope and relief ran through the two but when it moved on with no call outs that feeling quickly vanished. Killer slowly moves his hand closer to Kids linking a finger with one of his captains who quickly grabs his hand holding it tight "We'll fine them all" Kid whispers mainly to himself but Killer nods stepping a little closer while squeezing his captains hand "They'll be fine" The first mate whispers back knowing Kid is worried about the crew but mainly you, the two don't like to show favorites but your their partner, their lover, it breaks their heart thinking of you hurt or gods forbid dead in the water.
Heat stands by the railing near the ladder waiting for the crew to find someone, anyone, guilt runs through him since he should have been on that ship with them. Wire tried to comfort his friend, but he knows until they found you and the others that guilt wouldn't be going away. A few boats soon head back bring them some hope but as they get closer its clear mainly by House's face that something was very wrong. House is your best friend on the ship and the doctor so for her normally cheerful face to be lifeless made them think the worst. Heat and Wire help them up onto the ship as Kid and Killer make their way over stopping as House looks down at the deck with a sigh "I'm sorry captain we didn't find anyone" Her hands clench into fists at her side as Hip walks over placing her hand on the doctors shoulder in comfort. "A few of us managed to check some of the inside but there are only dead marines" Hip continues for House who starting to shake a little trying not to cry in front of everyone. Killer grits his teeth feeling a crushing weight press against his chest, he didn't want his mind to wonder but it did, were you further inside the now sunken ship where they couldn't get too? Or where you at the bottom of the ocean? Kid looks down at the two girls unsure of how to react to the news, he was beyond angry but not at them, his crew did a good job, but he's also upset and frustrated the feeling of wanting to scream and break something consumed him. After a while of silence and Kid's glare out at sea getting more and more angry Wire ushers the crew who are still on the deck away from the situation.
Heat refuses to go though instead he walks up to his two longest and oldest friends "I-I'm sorry… I should have been on that ship with them. She told me to leave but i should have forced them all to come with me… I'm so sorry" Heat pants a little while gripping his arm tight, he's never felt this way before, guilt is something a pirate shouldn't feel but at the moment thats all he could feel. Kid sighs knowing his friend isn't at fault for this, no one thought that the marines would fire at their own ship knowing their men were still on it "I don't blame you" Kid suddenly states before turning and storming off, his boots heavy and loud on the deck as he tries to control his anger and hurt. Killer lets out a breath trying to clam himself down, he places a hand on Heats shoulder giving him a simple nod that tells him that its not his fault before running after his captain. Kid kicks open any door in his way as he heads to the bedroom, his mind fixed on one thing as Killer catches up to him trying to calm the red head down, hoping he wouldn't put holes in anymore walls or doors. "Kid, i know your angry, i am too but i'm sure she's out there" Killer tries to calm Kid but the captain ignores him while kicking open the door to their bedroom, luckily the hinges didn't break this time so Killer closes the door behind them knowing it will give them both the privacy they need at the moment. Heading straight for a chest of draws Kid looks over the small wooden box sitting on top of it, but he couldn't bring himself to open it.
The box contains three Vivre cards, Yours, Kid's and Killers, but he was scared that when he opened it there would only be two along with a pile of ash where yours should be. Killer sighs taking off his mask and placing it on the bed before walking over and placing a hand on his lovers shoulder "She's alive, i know it, we'll find her" The first mate moves his hand down to hold Kid's hand. The captain turns his head now seeing the face of the man he loves, it helps calm him a bit, but he still can't bring himself to open the box. Killer knows the man too well some times, so he squeezes Kids hand while the other moved to the box, unlatching it he can't help but hold his breath before opening the box. Relief flowed through the two as their eyes landed on your card, it was slightly burned at the edges but it was there which means your alive. They knew your hurt but the corners have stopped burning away which means you or someone has managed to patch you up as much as possible. The two let out a breath as Kid goes to picks up your card only for it to move slightly to the side, raising an eyebrow the captain looks to the window that the card was moving towards, it was just open sea. Killer picks up the card lightly feeling it with his fingers as it twitches in his hand trying to move in the direction you are "Either she's drifting out to sea or the marines have her" Killer sighs either way it was bad but at least now they have a way of finding you "If the marines have her then they most likely have the others too" Kid sighs while pinching the bridge of his nose while letting go of Killer and heading to the door, he places his hand on the handle but doesn't open it instead waiting for his partner to put his mask back on and join him "We'll set sail and follow the Vivre card" Kid states as Killer nods walking over to the door while fixing his mask into place.
----- You, Bubblegum, Boogie, Gig and Emma -----
Boogie breaks the surface of the water taking in a deep breath for air as he lifts you up out of the water, Gig reaches out helping to drag your uncontuse and bleeding body into the large slab of wood that was once part of the marine ship. Unfortunately for the group it was currently floating out to sea, the Victoria punk hardly visible from how far out they all are, the rippling waves forcing them further and further out to sea. "Shit, what do we do?" Emma asks as she leans over your body unsure of where to put her hands, Your head was bleeding badly but the gash on your shoulder was also oozing blood. "Stop sitting around and put pressure on something" Boogie yells as he gets onto the board of wood before crawling over and placing his large hands on your shoulder. Emma nods and places her hands on the top of your head trying to feel where the blood is coming from with slightly shaking hands. Gig nods at the orders starting to look over your burned legs, he may not be a doctor, but he knows better than to touch the burns in case they get infected, so he looks over your torso seeing blood and pieces of glass and wood sticking into your skin. "We need to get her to House" Gig gulps unsure how to help since the only doctor is on the Victoria Punk which is getting further and further away. Before anyone can answer or do anything a cannon ball lands next to them in the water the three shielding themselves while also trying not to fall off the slab of wood as the water ripples on one side almost toppling over.
A small marine ship glides through the water behind them soon coming to a halt as the cannons are aimed at them along with guns that several marines are holding "Your under arrest, put your hands up, and we won't kill you" A marine in a white coat steps closer yelling at the group bellow him, Gig growls while gripping his fists but the three are way out numbered and hurt with hardly any weapons so Boogie clears his throat while keeping pressure on your shoulder "Fine, we surrender" Emma and Gig turn to look at him in shock but the man sighs and looks down knowing they have no chose, Their Captain was too far away, you were injured and the three were just floating out to sea, they had no where to go. It was their best option, at least they would all get medical treatment and a place to rest, Their crew will come after them so there was no need to worry, Kid will set them all free soon. The Marines cuffed everyone before dragging you all onto the ship, forcing everyone who's awake onto their knees. The white coated marine looks the group over before sighing and turning his back "Take them to the cells" He waves his hand while walking away, Emma's eyes widen at his words "Hay wait aren't we going to get medical treatment… Our friends hurt" She calls out while struggling against the marine who's holding her cuffed hands behind her back, the white coated marine stops in his tracks and laughs throwing his head back while holding his stomach "Why would i help a bunch of pirates?" He asks before walking again some of the other marines laughing along with him.
Boogie growls kicking at one of the marines trying to force them to let him got, but they punch him in the face as the others are dragged off bellow deck to where the cells are. The four are thrown into a dark cell only lite by a single candle hung up high on the metal wall, the cell door closes and locks before the marines give them a smile and walk away. "Bastards get back here" Gig yells after them struggling to get to his feet with his injured leg and hands behind his back. "Guys?" A familiar voice calls out in happiness, Bubblegum steps out from the darkness his hands cuffed in front of him unlike the others, he was hurt a bit but has a reveled smile on his face. "Bubblegum, your ok" The three yell as the tall blue haired man runs over to them only for his smile to drop at seeing your body still bleeding on the floor "Oh shit" He states as the others sigh letting him over to you and kneel down to inspect your wounds. "Their refusing to treat any of our wounds.. what do we do?" Gig asks as he sits with his back to you his hands trying to hold pressure on your shoulder, but he couldn't tell if they were in the right place or not. Bubblegum adjusted his hands for him helping Gig put pressure on the right place before looking around the room trying to think of what they can use to help you out. "The blanket and candle, we can use the blanket to stuff the wound and then the wax over the top to hopefully seal it… Boogie hoist me up" The blue haired man walks over to the metal wall with his crew mate who kneels down letting the blue haired man sit on his shoulders.
It was a struggle to get the candle Bubblegum trying to balance as the ship slight sways but with their combined heights it wasn't long until Bubblegum grabbed the candle and pulled it out of its holder. The flame would be a better idea to use on your wound but the wick was short and it was their only sauce of light, if your blood got on the wick it would put the flame out, and they would be screwed. Emma runs over and grabs the blanket in the corner, it was thin and short, it would be batter as a pillow cover than a blanket but it'll have to do. Rushing over to you, Bubblegum gets to work, stuffing the blanket into your shoulder wound that Gig lets go of once he's told too. It hurt seeing you not move in any way, normally people would flinch or groan in pain but you were silent and unmoving while the blanket is stuffed into your shoulder, just like they though the blanket didn't do much to stop the bleeding which is why the candle came in handy. The others watch as Bubblegum lets the melted wax land on your shoulder wound coating the blanket and stopping the blood from seeping through, it will hopefully cause enough pressure to build stopping the bleeding all together but it'll take a bit of time. "What about her head?" Gig asks as he watches your shoulder stop leaking blood but your head was still bleeding, Bubblegum puts what's left of the candle down and starts looking through your blood soaked hair seeing a thick cut going from your forehead to the middle of your head, what ever hit you split the skin and may have busted your skull.
He thinks for a second before pulling his shirt off and ripping it to wrap around your head hoping it will stop the bleeding, he didn't want to put wax on the wound if there was a chance it might touch your brain. "I-i don't know, this will have to do for now" He sighs but Boogie leans over bumping the mans shoulder with a small smile "You did great for not being a doctor" The two let out a small laugh trying to cheer themselves up in this awful situation. "I'll take a look at the rest of you now, ok?" Bubblegum asks looking over his bruised and cut up friends who nod at him letting him do what he needs to, Boogie and Gig end up having to take their shirts off ripping them apart to help stop some bleeding, once done the four take a breather and relax for a bit, there was worry in the air but all of them had faith that their crew would come for them. "Where do you think their taking us?" Emma asks as she looks out the bars of the cell and into the dark hallway trying to make out what's around them, Gig shrugs as Boogie sighs "I don't know but i don't think it matters" The three raise an eyebrow at their crew mate wondering what thats supposed to mean, Boogie lets out a small laugh while leaning his head back against the wall "The captain as Y/N Vivre card, so they'll find us" The others relax knowing he's right, their captain will find them and get them out of here.
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piratesfromspace · 5 months
Text
Night Blue (Price x Reader)
Pairing: Fem!Reader x Price
Rated: Mature
Word count: 3k
Summary: "Between two containers, he sees the target, bloodied and tied up to the floor." or when Price comes to your rescue.
Note: I'm not the author of this fic, it is actually a Christmas gift from my boyfriend (yes I have the best boyfriend ever)! He writes for a living and has yet to dip his toes in fanfic territories, but I think he did fantastic and was very good at writing with the female gaze in mind. His take on Price has me drooling. He used the codename Rain, but note this is not part of the Rain Universe. Please let him know in the comment what you think of his first CoD fanfic!
Content: military!fem!reader, Reader has blue eyes but no body description other than that, mention of food & alcohol, rescue mission, implied torture, competency kink, typical level of violence
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Muffled voices. Metallic clinking. Crowded interior. This could be your next mission. Or the last one. But it isn’t. It’s only a date. Well, Only. If only “only” could be only. It isn’t. It’s been years. You know him. This isn’t a first. But somehow, your heart is racing. It’s a fancy restaurant, after all. In the middle of good old London. He always had great taste, if not old-fashioned. But he’s late. He’s always late. You never understood that. How could someone that precise on the field be this messy in civvy street? Where the heck is he?
Did he try to take the tube? Again? He can’t do that. Not anymore. Not after what happened the last time 141 was deployed in London. He should be in a cab right now, on his way, with a big, innocent grin on his face. At least, you hope he is. You don’t want to drink this expensive bottle alone. Spend the night by yourself. Fall asleep in a cold bed. 
“Don’t let me down, Bravo 6.”
You said it aloud with a sigh. Someone answers.
“Oh, you know I won’t, darling.”
He’s here. Where did he come from? Doesn’t matter. His noise discipline is on point. That’s something he brings from the field. Ever so stealthy, he takes the chair before you and says “hi” in his thick accent. Thick as his moustache. What’s the name again? Mutton chops or something. He’s so damn proud of it. It’s cute. You noticed he trimmed it for the occasion and probably added some kind of oil to it. You smell it from here. An odd but somewhat comforting smell. Like a cosy fireplace or a warmish glass of Scotch. You wonder if your sheets will smell like that in the morning. He’s trying to say something, but you're already lost in the thought. Split seconds where you don’t listen, only think about those infamous mutton chops climbing your legs. Focus, damn it. What is he wearing? A suit? That’s strange. Well, you always thought anything besides a loaded chest rig looked weird on him. Wait, no. That’s not true. He wears jumpers and cardigans quite nicely. You always pictured him as an old British gentleman. A sailor embarking on a frail boat. Or a hunter walking to a black forest. Something like that. Old-fashioned indeed. It’s an acquired taste. 
So you talk. Like a lot. Spend time in each other’s eyes. Those grey-blue marbles, in which you see more than what is said. The joy of the moment, of being here, yes. But also the sadness, the pain. What is supposedly left behind, somewhere on a desolated field, and yet always comes back to scratch those eyes. It’s okay. You have the same. That’s why it’s working. But you remember. You remember how bright, much brighter, these eyes were the first time you saw them.
TEN YEARS AGO
Black and white. Night and snow. Somewhere in Northern Europe, the winter wind sweeps the clouds across the sky and dusts the flakes off the trees. But two bushes remain still. Until they don’t. All ghillied up, two operators crawl in powder snow. They talk as loud as the wind allows them to. 
“Follow me and keep low, lieutenant. Target’s right ahead.” 
“Solid copy.”
Captain MacMillan leads the way in near-total silence. His second in command, Lieutenant John Price, tries to keep up. He misses the warmth of the base. Of a pub. Of anything warmer than this icy desert at this point. But he needs to stay focused. They’re deep into enemy territory, trying to retrieve an ally he only knows by reputation. A track record he admires. So he wonders. What happened? A trap? A mistake? Perhaps it’s a warning in disguise. It goes to show that no one is ever too good to get caught. To get killed. 
Listen to the captain. Do what the captain says, his head repeats. Enough to forget his instincts or the will to think for himself. Violence and timing. Once you’re on the field, only these two matter. They don’t require you to think. Only to act, and act at the right moment. Old man MacMillan told him so. And despite his age, Alpha Six is teaching him a lesson. The captain moves like a damn ghost. The cold doesn’t seem to bother him. It’s almost like the snow melts around him so he can look like a real bush. The deadliest bush in the country, probably.
“It’s a goddamn convention around here, John.”
Price looks down. The warehouse and its surroundings are barely lit, but using thermal goggles, he can already count twelve guns guarding the target, plus three engineers working on an Infantry Fighting Vehicle. Guards, not soldiers. The new plague of the free world: PMCs. Former soldiers, swapping insignias for fatter paychecks. Russian, probably. He hears them talking through the wind. Or maybe French. They hire all across Europe, after all. The captain’s accent brings him back to Scotland.
“We could wait for them to break off, but that’d be playing with the target’s life, and we’d probably freeze our asses to death… There’s only one way to do this, innit?”
“Right. Care for a suggestion, captain?”
“I’m all hears, lieutenant.”
“That IFV. Maybe it is operational. Maybe it isn’t. I don’t want to find out. We take it down first. C4 should do the trick. They hear the boom. We split. You dance, I get inside. Once the target’s identity is confirmed, I take the long trek home through the forest, and meet you at LZ.” 
“You forget your rank, lieutenant. Why should I be the one dancing, John?”
“With all due respect captain, you forget your back. I’m sure the target’s a big boy. Unless you’re ready for the fireman carry of your life, you let me do it. If you hurt yourself, who will put those Christmas lights on the tree? Your wife will never forgive me…”
“Alright John, lead the way.” 
They don’t need their ghillies anymore. The bushes become men. They check their weapons. Price is about to take point when MacMillan nudges him. His fatherly smile almost lights the dark.
“The next time you bring my wife into this kid, you’re going down.”
“Roger that, captain.”
One of the engineers went for a cigarette. Lord bless the smokers. They all leave their post, eventually. Even when they don’t, that smoke will shake their focus. Move fingers away from triggers, grenades, alarms. Enjoy that last cigarette, lad. This smoke’s about to kill you faster than lung cancer. MacMillan jumps from the white shadows, arms instantly locked on his prey. His combat knife bites. Screams die in the engineer’s throat. Blood bubbles explode. The wind covers almost everything. The fluff of the snow takes care of the rest. 
Words come to them, though, and both captain and lieutenant freeze instantly. Their weapons are up, ready to strike. But they don’t want to fight. Not here, not now. More words. Price is trying to make sense of them, but he skipped too many classes for that. Damn you and your bad boy attitude, he thinks, until he hears a laugh. The words are repeated, but not as a question. That delivery transcends all languages. It’s a joke. Tension goes down, but MacMillan is already one step ahead. 
Pripyat. Urzikstan. Many more. Price has fought next to the captain since he joined the SAS. It’s a weird thing, but by now, he probably knows him better than friends. Better than family. And it shows. They don’t have to speak, but that’s always been a requirement on the field. What’s more impressive is they don’t have to sign full sentences either. They’ve experienced enough settings and parameters to understand how the situation will eventually play out. So they commit to the action, together, before the scenario can even start. Like two polished pieces of the same high-precision clock, they act as one to define time itself. 
“Together”, he signs.
For the two engineers, it’s time to die. Focused on the scratched hull of their IFV, these poor bastards never see it coming. A .45 ACP bullet penetrates their skulls at subsonic speed and settles down in their brains, avoiding any ricochet on the armoured surface of the vehicle. They climb on top of the tank. Price removes the bodies to find a hatch while MacMillan gets a block of C4 ready. Except for the wind, the place is silent. Which means no one knows they’re here. Good. But it could also mean the target is dead by now. The same thought has crossed the captain’s mind. He suddenly acts faster, despite the gloves and the numbed fingers they’re supposed to protect. Price follows and places the C4 inside the IFV, next to what he remembers to be a fuel tank.
About ninety-two seconds later, John learns his memories are correct. From the safety of distance, MacMillan has blown the IFV straight to hell in one glorious explosion. But it only takes about twenty more seconds for the PMC to react, learns Price on his watch. And that’s bad news. They’re still sharp. Drilled. Ready to respond. And they do. John counts half of them spreading out of the warehouse through truck gates and access doors. Their plan is sound. They’re looking out, trying to nullify the effect of surprise with a solid assessment of who or what is outside.
And it’s only one man, but he gives them a round for their money. MacMillan uses every trick in the book and every weapon he carries to make them think there’s a whole squad hunting for them behind the snow, between those big black trees. And they fall for it. At least one of the mercenaries does, and chooses to provide firing support from the door he was supposed to shut behind his comrades. 
John sees the opportunity immediately. Timing. In just a few rounds, the mercenary will have to reload. Or maybe he will suddenly realise the door is still open and stop firing. An empty mag hits the floor, and Price jumps out of cover. Violence. He grabs the mercenary’s weapon with one hand while the other secures the kill. The bastard’s heavy, and the thump of his fall makes a lot of noise. Silenced handgun raised, Price waits for a moment, scanning the entry corridor for potential targets. But no one comes. More words, inside. More shots, outside. Chaos is settling in, everywhere.
Another opportunity, then. Price presses on, checking his corners with the precision of a machine. A door opens to his right. Two mercs, rushing out of a room to help their comrades overwhelmed by MacMillan’s tactics. John is almost as surprised as they are, but not quite. Timing. They’re too fast, and likely to fire from the hip. Violence. He empties his mag on the two targets. One mercenary drops suddenly, like a puppet cut from its strings. The other falls, but slowly. His vest caught the heat. If he’s good, there’s a chance he might go for a sidearm, or a knife. No time to reload then. Price runs and then falls on his knees to finish his target with a clean cut from his combat blade. The bastard knows death is coming, but he’s not ready to embrace it just yet. His arms move in a life-or-death reflex, and Price is stopped a few centimetres away from a kill. There’s no timing anymore. Only violence, a test of raw strength. John tries to stab the merc down the neck. The poor guy can’t do anything but buy some time, and wait a few seconds for someone to go check the corridor. But no one comes for him. Only death, in the form of a straight silver blade slowly piercing his throat.
Rolling to the side, Price suddenly remembers to breathe. Staying on his back, he reloads his weapon without thinking, his two eyes locked on the door the mercs have opened seconds prior. He counts. One when he entered. Two in the corridor. With half of them still outside fighting MacMillan, that’s two mercenaries unaccounted for. Usually, it is the wounded, the insecure or the frightened you leave behind. But when it comes to target protection, it’s the other way around. Your last wall of defence is also the toughest. The big guns stay with the target until the end. If Price wasn’t so actively trying not to think, maybe he would have remembered that. 
He enters the room. More like a hangar. It’s dark. Only the moon and distant muzzle flashes provide some light through large, rectangular windows. Timing? Put the night vision set on, find the bastards, and apply a bit of violence. Wait. Price holds on to his set. Did someone cut the power? It could be MacMillan toying with them. But more likely, the mercs have figured their opponents are properly equipped. And now, they’re just waiting for Price to put his night vision on. They want him to rely on the tool, for there’s no faster way to blind a man than putting the power back at the right moment. So Price throws the night vision set away, into the room. Five thousand quid of government-issued tech crash on the industrial floor. One second. Two seconds. The light goes back and the night vision set dies a second time, broken apart by crossfire. 
The shots from the right probably came from that little accounting office Price sees through a piece of shattered glass. He resists the urge to throw a grenade, that could threaten the target’s life. His back on the wall, he’s getting closer to the office. More words. They come from the left. These mercs can’t shut up to save their lives. What is it this time? There’s a trace of panic in the sentences. They’re probably asking for reinforcements, but there’s a hell lot of static on the other end of the line. MacMillan has done his part, and there’s no military base around anyway. In typical Laswell fashion, Kate had saved the only piece of good news for the end of her briefing, Price remembers. So good luck with that, lad. But keep talking. The echo allows John to move closer and closer to his next kill. Until the warehouse is silent again. Until something inside the office decides to move. 
It’s a lock. Inside the door, it jiggles enough for Price to notice someone’s about to leave the office. He waits for the final click to bash the gate. It arrives a split-second later, and John kicks the door like his dad used to kick rugby balls on Sunday mornings. Wood breaks. Bones follow. Price puts another bullet in another skull. It happens so fast the merc can’t even fight or scream. But his finger was already on the trigger, so his assault rifle yelled for him. The burst catches price off-guard. Bullets pound his plate and the walls alike. He falls. 
When the kick finally fades, the world is backwards. Literally. Between two containers, he sees the target, bloodied and tied up to the floor. Or is it the ceiling? He’s not sure anymore. His ears are buzzing. His chest is compressed by the impact. There’s no gun in his hands. He wants to rise but he can’t. Someone comes. Someone that’s not MacMillan. Price rolls from back to belly. The world looks finally looks right again. Well, right as it can be when you’re crawling unarmed in the face of the Grim Reaper.
His weapon raised, the last merc stops next to the target and fires. Not rounds, but words. More words. Insults, probably. Weirdly, they’re not aimed at Price. They’re for whoever is still under the same black hood they always put on prisoners. She answers, proudly, in their language. 
Wait, she?
Gunshots. They come from outside, from the forest. Surprised, the last merc tries to sneak a look between the crates. Price gathers the little strength he has left to look for a weapon. But he’s still dizzy. A hippo with a full belly would be faster. He looks up, facing death with both eyes open. Only death doesn’t come for him. The target is free. She climbs on the mercenary like a damn spider, using her legs to maintain the bastard’s weapon against his chest while she strangles him with the little piece of plastic tying her two hands. John finally finds his sidearm. He wants to help her. He wants to shoot. But SAS lieutenant John Price is not so sure of his aim anymore. So he looks, and eventually, the mercenary crumbles.
Price now moves a bit faster and a bit closer. The target’s still fighting. But her prey is long dead. There’s no breathing left in him. His neck is broken. So broken that little piece of plastic is slowly severing head from body. And yet she fights, furiously. Moving slowly, talking even slower, he tries to calm her down. She releases her grip on the dead mercenary. Describing his every move out loud, John carefully guides his blade between her two hands and next to her neck. Underneath the bruises and the cuts, she’s a woman alright. Their eyes locked. Back to the mission.
“Lieutenant John Price, British SAS. I need your codename, fast.”
“Why are you here? I had it under control!” 
Her voice is confident. Not a single taint of doubt in it. Price chuckles.
“I’m not sure I see it that way, darling. Now, give me your codename so I can get you out of here.”
“You’re welcome, by the way.”
Again. Confident. She’s looking at the half-decapitated mercenary with disdain, not disgust. She killed before. In more ways than one. More brutal ways. 
“I had it under control.”
Her time to chuckle. She pauses. Takes one good look at him. That sort of threatening gaze birds of prey will give you if you happen to drive through their land. She measures. Judges. And weirdly enough, the whole thing ends with a sight smile.
“Codename’s Rain. Nice to meet you, lieutenant. Now, can a lady get a proper extraction, or what?”
“Sure thing, ma’am. Follow me.” 
They grab some gear and step out of the warehouse. Outside, the night is silent again. The moon shines on the black of the trees. The white of the snow. The red of the dead bodies. 
And the blue of their eyes. 
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eightmakesonebraincell · 11 months
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[fic rec mlist] ao3 | member x reader | member x member
main mlist | prev (smau)
only general themes and tags are listed - please read through the author's specific tags and warnings
both sfw and nsfw fics are included. minors please dni with nsfw fics and respect the age restrictions put into place by the writers (suggestive, smut, and trigger warnings are highlighted in red)
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last updated: 25 may 2024
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