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#tackling all these different AUs and different ships
ruporas · 4 months
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Would love to hear more about that angel wolfwood picture if you have thoughts!!
ANGEL WOLFWOOD… yes, i have Some thoughts but it's nothing crazy… POST TRIMAX SPOILERS BELOW
it's actually a standard revival / wolfwood returns as a plant au, caused accidentally by the large burst of power vash used to protect the orphanage. he showed signs of life but not waking after his 'revival', so when vash got back to the ship, the best option to keep him stable + safe was to put him in a cold sleep capsule. eventually he'd wake up + sees vash again + gets the worst vague explanation ever + bonks vash upside on the head.
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although the circumstances is strange, vash is happy that wolfwood was able to recover(?) and is Alive. a human-plant hybrid situation is new and worries vash on how it may affect wolfwood long term, but otherwise, he's glad to have him back.
i'd like to imagine wolfwood would be disturbed by his revival, knowing it's vash's life that kept him alive + having came back as something different + tackling the "what now" of his future and learning how to live normally again. he'd be frustrated and upset for the most part, but once he eats, sunbathe a little, walk on the outskirts of the ship with vash, and think over the things he's no longer obligated to, he'd instantly crumble and cry from relief.
and now they get to live the rest of their lives out together!! that's my au Anyway.
some other tid bits; i'm sure there's more complicated / fun ways to make a human-plant hybrid, but for my simple brain, wolfwood just has feathers + no verbal communication, communicates like how plants do + improved regen like how vash used to. every time the feathers are sprouting too far from his body/used actively, he's dying, so part of living is him figuring out how to control them better.
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TO ME, post trimax vash is basically a normal ass human who can maybe sprout a feather or 2 if he wants to die. as a result, he can't necessarily 'show' wolfwood, but he does his best to explain how it used to be for him. wolfwood was always observational, so there are some things he remembers vash doing that aids him in his predicament now. below is case a) of vash trying to resonate with wolfwood, forgetting that uses power.
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ummm i think that's about all i have to say. honestly, i'm not usually one for a revival au, but i read dunmeshi recently and was like ohhhh.. ohh……. and it gripped me, a life full of trouble but not at the cost of the world ending nor family… they could be happy… but only in this au ofc
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mathanlin · 10 months
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Alien AU where alien!Tommy works with a team of humans. 
They’re… strange. He can’t tell what their mannerisms mean. If he’s annoying them, angering them, making them hate him. 
So, desperate for their approval, he does some research. 
“How to Make Humans Happy.” 
The results are… inconclusive. There’s far too many wildly different options, all sorted under… “love languages?” (Something Tommy’s translator strangely doesn’t have.)  
So he tests a few on SBI. 
“Physical touch,” specifically, “hugs.” Something about putting their arms — of which Tommy has four — around each other. 
So surely he’ll be good at it.
And there’s no one better to give it to than the crew’s fighter, Techno.
It’s *easy.*
The moment Techno appears, Tommy practically tackles him, throwing his arms around the human and *squeezing.* 
And it’s… nice, too. Warm. Solid. Comforting.
Until Techno pries him off with a grimace.
“Not my thing, kid.”
Tommy doesn’t dwell on it. 
(Doesn’t spend a sleepless night on panicked research. Doesn’t fill a notebook with frantic scribbles and ruined hypotheses. Doesn’t pace, terrified he’s ruined something.)
No. He just moves to his next target. His next test.
“Phil: ‘Quality Time.’”
This one’s a bit clearer. Something about giving the human ‘undivided attention.’ Talking with them. Being close.
(Tommy ignores how that sounds nice to *him,* too. This is about Phil. Not himself.)
And just like Techno, it falls apart in seconds.
“Sorry, mate. I’m busy.”
Phil brushes right past Tommy, captain’s coat flicking behind him.
Tommy stumbles after him, translator failing under how much he stutters. "I just— wanted to talk? Time? Just a little—”
“Maybe later,” Phil says. And to his credit, he sounds apologetic. 
But later never comes. 
He’s *captain.* Of course he’s busy. Tommy forgives him instantly. 
But he doesn’t forgive himself. His quarters are practically drenched in papers now, pieces of research, frantic notes. Failed attempts to show love (to see if they love them).
He has one last shot.
Wilbur.
Maybe he’d like ‘physical touch.’ Or, ‘quality time.’
But those failed. And Tommy can’t do, ‘gift giving,’ with nothing to give. Or ‘words of affirmation,’ with his translator so unreliable.
But he can try ‘acts of service.’ He can work more.
That’s why he’s here, after all.
In the next few days, he disappears.
He cleans, takes inventory of supplies, organizes plans, always trying to catch Wilbur’s eye. (Never *telling* him. Surely this love is supposed to be selfless. Quiet.)
But what catches Wilbur’s attention is how Tommy ruins everything. 
It was meant to be kind.
It was just one leak in the ship’s engine room. Tommy knows basic mechanics — he knows how to fix it. Just a few patches, a few readjustments—
And then every alarm light goes off, every emergency alert wailing. 
“What the fuck were you doing?”
It’s only after the leak’s patched that Wilbur whirls on him, face bright, jaw tight, eyes narrowed.
(Rage, Tommy can understand. It’s just love he’s confused by.)
“I was… I was trying to help? I was doing my job?”
Wilbur scoffs, snatching his mechanic’s kit and stalking out the door.
And right before he disappears, Tommy hears him mutter, “Then it’s a good thing your contract’s ending.”
And it is.
Tommy has a few more days with them. A few more days to try to show them love, to piece together the frantic notes around his room.
But he doesn’t. Just curls into a quiet ball. Small. Unnoticeable.
Because if they’re giving him up, then that’s what they must want.
.
.
.
“You were supposed to pack up.”
It’s Techno that stands outside Tommy’s quarters, peering into the room. 
Pack up — to leave, with the contract ending. And Tommy hasn’t even gotten up.
Or hidden the notes & failed research scattered around the room. 
“I’m sorry.”
He clambers to his feet, swaying dizzily. Surely Techno won’t notice them. He hadn’t noticed Tommy’s failed attempts either, and if Tommy’s leaving, he surely doesn’t care now—
“What’s this?”
Techno’s brow furrows, eyes fallen on a sheet pinned to the wall. (Test 1: ‘Physical Touch’)
Tommy stumbles in front of him, blocking his view. “Sorry, I’ll clean that up—”
He almost slips on the papers across the floor. The frantic notes he’d written each time he failed.
His handwriting’s shit. But he can still see Techno reading them, brow furrowing deeper and deeper.
*Test 3: ‘Acts of Service.*
*Wilbur should like this one? I’m helping?*
*I don’t know what I’m doing wrong.*
*I don’t know how to love them right.*
Stupid. All of them. And Techno must think the same, with how he slowly looks up.
“Tommy—”
Tommy bolts. If they want him to leave, he’ll make it easy — and so he runs.
Or… tries to.
Because Techno catches him. Pulls him close, arms gently closing around him.
A hug. 
“What were you trying to do?”
Techno’s voice is soft, murmuring over him. He’s… not letting go. Not shoving Tommy away. So Tommy almost manages to say, *I just wanted to love you—*
“Tommy?”
And oh, this hug is nice. 
Because Tommy can hide his face in Techno’s chest as Wilbur and Phil slip into the room.
No one even has to say anything. There’s just silence, as the two slowly take in Tommy’s mess of research.
“I tried.”
Tommy’s voice breaks on both words. But the translator must catch them, because all three humans turn towards him, Techno’s hug gently tightening.
Even before Tommy whispers, “I didn’t know if I was loving you right.”
“You were.”
It’s Techno. He slowly lowers himself to the ground, still cradling Tommy so painfully soft.
 “You’re trying.” Techno’s voice catches as he looks at the scattered papers. “So, so hard. That means everything.”
And right there, Tommy starts to sob.
He’s done his research. He knows what SBI’s doing, as they comfort him.
Techno, holding him, rubbing his back. Phil, sitting at his side & never leaving, quietly talking like Tommy’s worth his attention. Wilbur, only leaving to bring blankets & fresh, warm drinks.
It’s love.
(Afterwards, there’s… a bit of change around the ship.
There’s clearer communication, for one, giving a bit of extra time for translation errors. 
And sometimes, words aren’t even necessary. Just gentle contact. Gifts. Time spent quietly in each other’s company, warm and safe. 
A different language entirely.)
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snek-panini · 7 months
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Happy Halloween! Have a book:
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This is Siren's Song by @kedreeva (Hi! I asked to bind your fic months ago, sorry it took so long XD). It's an incredible Good Omens siren AU, which needs no introduction from me but it gets one anyway. It's one of the most in-character fics I've ever read, tackles a lot of the most resonant themes of the original (love in the context of aromanticism and asexuality, human labels in the context of non-human perspective), and has incredible world-building. Later parts of the fic always make me cry but they're good tears. You'll see. When I first learned that fanbinding was a thing and started looking into how to do it, this was one of the first fics I thought of. It just took me a while to learn the skills I needed before I could do it.
More pics and process talk under the cut!
So the cover up there is black faux leather and momi paper that I bought...about two years ago? And just kept on hand till I was ready to do this project. This is the first time I've worked with it and it was fairly nice, though harder to get a nice crease into than lokta or chiyogami. It felt very fragile when I was handling it but I didn't have any issues with tearing or glue bleed-through like I thought I might. It did bleed some color when I got it damp with the glue, and it took way longer to dry than normal, but once that was done it's been fine. Which is nice because I have a lot left over, so it'll probably be making many future appearances in my binds.
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Look! It's rounded! I got a backing setup recently and this is my first time using it. It was Very Hard and I am not very good at it yet. But I think it looks pretty good for a first attempt, and there was really no other way to mitigate the spine swell on this one. I used a thick paper so I've got a thick book. I also tried something new with the case, though it isn't visible. Usually I make the text block and the case separately and then attach them as the last step, but for this one I actually built the case around the text. Like, boards attached to mull/tapes (sandwiched between thinner boards, with grooves cut for them so there are no bulges), then covered with momi, then leather corners and spine, then paste down the endpaper. It's got an oxford hollow, too! The tapes and mull actually wrap around the outside of the boards instead of the inside like I've done before. Endpapers are my favorite feather chiyogami. Combined with the marbled momi they make for a very opulent look, and I had just barely enough to do this. Like, down to the millimeter. I had to trim the edges and then glue the endpapers after to be sure they were right. I'm glad they were, because I didn't have a backup plan. Handmade endbands, colors picked to match the cover. Also, last note, I got the corner bits right for the first time. Measured properly, with no weird pointy bits that come out at funny angles. Very proud.
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Title page and bookmark/interior shot. Did you know that some basic fonts in MS Word look different when you use a huge font size? Because I didn't until I made this title page. That's Parchment for the title, and it only gets those swirly bits around the capital letters if you take it to 26pt or higher (I used 72 here). Now I wonder if any of the other fonts have easter eggs in them like that. The ribbon is very fancy, to go along with the rich endpaper/cover combo. I think it's pretty appropriate for a mythological golden age of piracy story, as are the text ornaments:
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Chapter header image, chapter end image, and section break image. It was a very image-heavy typeset. I was originally planning to only have a header and a section break, but I couldn't decide whether I liked the ships or the book/shell/feather better, and they both suited the story so well that I just went with both. Again, opulent, but I think it fits. All the images came from rawpixel, all I did was resize them.
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There was a small error in the trimming process. Comes of having to calculate so closely the exact amount you can trim off, that you have to trim off so your slightly-too-small endpapers fit. I think something got misaligned when I poked the sewing holes because only the first signature is like this. The rest of the book has a more appropriately-sized margin between the page number and the edge. I got very lucky here, and I know it, and I'm never cutting it this close (lol) again. Next time we just order another sheet of chiyogami.
And that's it! I have one author's copy and one new bind in progress right now (that's taking a while because I'm learning more new stuff for it), and then I have two Christmas gift books to do, so it might be a bit before I have another book to share.
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january-summers · 5 months
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Just thinking about some AUs.
Like: Wash having served on a similar ship to the MoI pre-Freelancer. Similar, but ever so slightly different in lay out so he keeps trying to auto-pilot navigate and getting lost, and Alpha's watching on the camera feeds and at some point just hits "this is too pathetic, i gotta step in" like any back seat gamer watching a let's play, except he actually can... if he can figure out how to get away with it.
So he comms Wash, either through a direct link in his helmet or through a regularly intervaled wall radio. "Uh yeah, I'm... uh... you can just call me... Church? I work in the... uh... yeah don't worry about it but I can see you on the camera feeds, again, and man i gotta tell you for a bad ass space marine this is pretty sad. Tragic really, anyway, turn around, 200 meters and take a left-"
And it keeps happening, and sometimes they just hang out, Wash hiding in a storage closet eating contraband foods (the good chocolate) while Alpha drops some funny stories from the command deck.
And Wash casually mentions him in talk with the other Freelancers, but they never get to talk to Church, and Wash can't introduce him properly, so everyone refers to Church as Wash's imaginary friend.
(... and then no one can figure out why all the AI are low-key obsessed with Wash, like they need him to like them even though he's not their human operator.)
or like (possibly the same AU): There is no Epsilon, Alpha has a moment of clarity about what's happening to him, what's being done to him, and fakes a fragment in order to port himself out and get put wholesale (what remains of him) into Wash's head. It's still pretty traumatic for both of them.
And then they skedaddle, go into hiding somewhere no one would ever think to look for them. Disguised as a sim trooper in a box canyon in the middle of nowhere.
... also thinking about Price deliberately pushing Wash's buttons and trying to provoke his PTSD so he has an excuse to put him on meds, except the meds are (on purpose) meds that Wash knows messes with his head and leads to psychotic episodes and he wouldn't take them, damn the orders, if he knew what they were.
but he doesn't, and he gets into a fight in one of the communal kitchens without his armour on and the first thing the other Freelancers know about it is when they get called for back up to the kitchen to help subdue a man that just killed three other Freelancers (bottom of the pack no-name annoying assholes no one liked or would miss anyway).
'cept the other Freelancers don't clock that it's Wash, because he's out of his armour and Wash is almost never seen without his helmet, unlike the others, so they aren't used to his face, and when they think of wash they think of bright yellow and steady charcoal greys, not "holy fuck that's a lot of blood did he fucking roll in it!?!?" reds.
But by the time they get there, psychotic episode is over, and Wash is in a semi fugue state, kinda clock's Carolina's blue and that he might have done something really bad, so he just drops the knife away from himself and half collapses to his knees like a puppet with cut strings, manages to lock his fingers behind his head before they try to tackle him to the ground.
Wash gets away with a slap on the wrist, and like a months probation. (Director was in on the 'experiment' to begin with, and now they're already down three Freelancers, no need to make it four. ... also Director won a bet about whether Wash could take on/out more than two opponents at a time.)
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brynnmclean · 4 days
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saw a post questioning shipping Senua and Thórgestr and started to reblog it with a tag novel-- felt weird about doing that since this is lengthy and potentially derailing, so making my own post instead. Spitballing under the cut:
First off, any time someone is like, "the real reason people ship this is because they find the dude attractive," this is SO funny to me as someone who doesn't find men attractive IRL and has fiercely loved Senua since I played the first game, like-- actually I find the dynamic between those two characters to be compelling and interesting precisely because of all the baggage between them re: their backgrounds, the rough (put mildly!) beginning of their relationship, all the things they don't talk about, and them finding a common enemy/common ground to work with. The explicit parallels between them stated in-game scratched an itch in my brain. The minute they pointed out the dark rot on his arm, it was like, "oh! hello there! NOW I'm interested in whatever your whole deal is" for me. Also, idk man, I too would follow Senua around after she knocked me into the dirt and then showed me a way to fight the giants that I very much wanted to fight instead of appease.
The idea that Thórgestr was part of the Orkney Raid that killed and mutilated Dillion is VERY interesting food for thought, even if I don't personally have that headcanon (surely there are more viking raiding groups than just the Bjorg). I think the Furies or the Shadow said something similar about Fargrimr (his kin murdered yours, you shouldn't save him, etc.) so I completely get that line of thought, but I think the game left it ambiguous enough that it's up for interpretation. Would I read fic with that premise? Yeah, I'd check that out. Could Senua forgive Thorgestr if his people were involved? Sounds fun to explore.
If (ha, when?) I write fic, I'd have to think more about it especially wrt timelines, like when did the Bjorg start specifically raiding for slaves for giant food sacrifices vs. killing people for resources and wealth? How far off are we from the old gods "dying" and the volcano erupting? Was it indeed a different group of raiders who made a deal with Zynbel, attacked Senua's home, and made the sacrifice at that time to Hela?
At the very least, I think there's a time jump between the end of Hellblade I and the beginning of Hellblade II since Senua wasn't alone on that slave ship and at least one of the (brief) survivors knew her by name. I wouldn't mind exploring that gap of time, too.
In any case I do agree that it would take a VERY long time for Senua to consciously catch feelings for anyone let alone Thorgestr with all their collective baggage. The idea of them having a relationship beyond friendship in the far off future of an AU where he survives is the only one that can make sense in my brain, personally. It would take time! Time they didn't get in the game! But I think there are a lot of different roads that could take, and some of them might be healthier than others. Shipping them certainly isn't forgetting or excusing what happened to Dillion-- or even mutually exclusive from still shipping Senua and Dillion. Or, frankly, also shipping Senua and Astridr, because I can see that ship too.
One of the nice things about all the details Ninja Theory didn't expand upon and that they left that ending so open is that the sky's the limit. I'm VERY interested in seeing fandom tackle this game as we get farther from the initial release.
#kate plays hellblade#senua x thorgestr#a friend did laugh at me recently and say there's always a weird guy i latch onto and i laughed back and said i'm a boy in my brain#i think i've felt that way forever and it's still true. i DO gravitate toward male characters#especially ones who are a bit starry-eyed over their female counterparts#anyway that's not what this post is about#it's more of me throwing thoughts out into the ether because i don't have the energy or time to write fic yet#but i am Thinking About It#what happens after the story left off? what if we changed ONE THING and gave them more time#i stopped using accent marks midway through this sorry i'm typing on a computer. my phone would catch them but alas.#i can't remember my video games tag#senua#thorgestr#hellblade#senua's saga#i'm really just excited to talk fannish things about this one#the first game was so neat and tied up that i felt no fannish inclinations beyond loving the game#but there's SO MUCH ROOM HERE with this second one#delightful#i'll read all the AUs even the sad ones#when it comes to thorgestr and senua i think thorgestr fell first and pretty hard but he doesn't talk about it until senua starts opening u#i really think those two are made for a glacially slow burn#maybe not if she becomes the tyrant seer. loved and feared.#could be quick and very unhealthy. ALSO compelling to me!#senua's saga spoilers#to be safe#these tags are about as long as the post. i'd better quit while i'm ahead.#hertan writing tag
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alectoperdita · 7 months
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20 questions writer meme.
Thanks to @heyholmesletsgo for tagging me <3
1. How many works do you have on AO3?
178 (one is a podfic)
2. What's your total AO3 word count?
1,761,591 words
3. What fandoms do you write for?
I'm mainly in YGO only now, but in the past, have written for Lucifer, Sherlock, Gundam Build Fighters, Sailor Moon, and a few other random fandoms
4. What are your top 5 fics by kudos?
The sum of our choices (Lucifer post-S3 canon-divergent AU)
Side Deck (YGO post-canon kaijou)
obvious things observed by nobody (also part of the same post-S3 Lucifer AU)
Confirmation Bias (Sherlock, post-Reichenbach Johnlock)
The tomorrows we'll never have (YGO Battle City canon-divergent AU with hints of kaijou and Priest Set/Jounouchi)
5. Do you respond to comments? Why or why not?
Yeah, I usually try to. I've definitely fallen behind in the last few months, though. I'm sorry. I try to tackle it when I have energy, but it's a rare commodity and I use it to write usually.
6. What is a fic you wrote with the angstiest ending?
These are more open endings than specifically sad/tragic endings, but they could end up there because they're open. It's a toss-up between Chilled to my bone and the recent ficlet where Jounouchi was kidnapped by Hirutani.
7. What's the fic you wrote with the happiest ending?
Most of them are fairly happy because I tend toward happy endings. But I can't really think of which is the happiest?
8. Do you get hate on fics?
No.
9. Do you write smut? If so, what kind?
Somehow in the last two years, I morphed into being a majority smut writer. I'm still in the experimental phase, trying to write different kinds of kinks/tropes, but I feel more practiced at it compared to when I started. Overall, my preference is to try and use smut as a way to advance character/relationship development.
10. Do you write crossovers? What's the craziest one you've written?
Yes. It's maybe not crazy per se, but some of them may feel discordant(?) in their source materials. Like I find it amusing to write crossovers between animes and Western live-action properties.
We do ourselves no favors is a Lucifer/YGO crossover casefic.
Going forth by day is an unfinished Sherlock/YGO crossover casefic.
Said the spider to the fly is a Sherlock/xxxHOLIC crossover ficlet.
11. Have you ever had a fic stolen?
Not as far as I know.
12. Have you ever had a fic translated?
Not yet.
13. Have you ever co-written a fic before?
Sorta? The Horny Cinderella Incident was an idea workshopped between wahwahwashbear and myself. I wrote the prose for the
14. What's your all-time favorite ship?
Kaiba and Jounouchi forever 😍
15. What's a wip you want to finish, but doubt you ever will?
I try not to give up on WIPs, as it may take a few years but I eventually get back to them. But if I'm honest with myself, I'm probably never going to finish he lit a fire with icicles 😔.
16. What are your writing strengths?
Hmm... perhaps the smaller gestures characters might make that hint at their feelings?
17. What are your writing weaknesses?
Dialogue, especially in a way that distinguishes between characters via appropriate voice/cadence is something I generally struggle with. I also tend to be verbose even in dialogue, which means they require a lot of editing.
18. Thoughts on writing dialogue in another language for a fic?
Unless the point is for the reader to also not understand the dialogue, I prefer to not do that.
19. First fandom you wrote for?
Sailor Moon
20. Favorite fic you've written?
It changes every once in a while but right now it might be Lure. 😈
Tagging @leechysmile, @arien-elensar, @worldendercharles, @chazz-is-a-zelda-fan, @bdeblueyes, @unfriendlyamazon, @kaijous, and any other writers that want to do this one. <3
(Give me permission to tag you on games here.)
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moonlitkilljoy · 1 year
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Lo and behold! i’ve finally finished making it, the promised list of Pacific Rim fic recs for anon :-) everyone thank @ihavenomoralsss for proofreading this for me!
There’s a good chance most people who've read any amount of newmann fanfiction will have read the first two on this list, as they’re found on the first and fifth pages of the newmann ship tag on ao3 when its sorted by most kudos descending– however i’ve included them anyway because they’re there for a very good reason (which is that they’re FANTASTIC). also, i've grouped all of the "pov outsider" fics together at the end of this post, as they pretty much make up one third of the list– which feels like it warrants it's own section. feel free to dm me or send me an ask to let me know of your thoughts about any of these (or just pacific rim in general!!)! without further ado, may i present to thou, 10 fantastic newmann fics
It’s All in the Hands of a Lazy Projector by patster223
“Hermann is cursed as a child so that he may never remember anyone he meets. Theoretically, this should make falling in love impossible, but then he meets (and meets and meets and meets) Newton Geiszler.”
~10k words, 1 chapter, rated T; exactly what the summary says, it’s an au in which hermann is cursed to forget everyone he meets, it centers around newt and hermanns interactions and how they manage to grow close despite this
if i had to choose a single favorite pacific rim fanfic it’d probably have to be this one. it’s gorgeously written and tackles some themes that hit very close to home for me, personally. i’ve struggled with memory loss for a very long time now, and this fic manages to encapsulate that experience through the lens of magical-realism in a way i’ve never seen captured in any context. i left a comment to that effect (under a pseudonym because i rarely log into ao3 on my phone) and the author’s response is something that still makes me emotional pretty much every time i look at it, “I wanted to imagine a world where memory still mattered, even if it wasn’t remembered. And now, years later, I think that it does. You and I and Hermann hold memory in our bodies and our minds, even if what’s being held isn’t an exact picture or description, but rather an emotion or a question. Memory still has to matter to those with memory loss, even if we end up experiencing it differently.” so, this is not only a recommendation for quality, but also from a very personal place— it’s a fic that addresses the concept of memory loss through a lens of comfort and hope, which it is so rarely seen through, and does it phenomenally. if anyone looking at this post were to read one fic and only one fic from this list i’d want it to be this one. it also characterizes newt and hermann very well and i love their dynamic in it, it’s PHENOMENAL
Letters From Berlin by spenshi
“Newton keeps in touch with his family when he's shipped off to the Shatterdome. Jacob and Illia send care packages to the K-Science Lab.”
~12k words, 1 chapter, rated T; once more, exactly what the summary says– newt sends letters to his family and they send him packages. eventually hermann starts sending them letters (+ emails) as well :]
i read this one most recently out of all the others so it’s the freshest in my memory :-) it’s extremely homely and heartwarming!! additionally, it includes some really fun and sweet interactions between newt’s family and hermann. OH! and, of course, some very fun characterization of newt’s family
Plausible Possibility by cissues / @cacaesthesia
“Newt and Hermann experience some odd post-drift effects.”
~1k words, 1 chapter, rated G; a little exploration of ghost-drift
short and sweet! absolutely fucking adorable too. plus, this contains some headcanons/a discussion of sexuality that i was delighted to find very relatable (as an aromantic person)
Red Patent by highseize
“It's been months since the ocean closed up. Nothing will take this from her now.”
~2k words, 1 chapter, rated G; a snapshot of what mako’s life looks like after the events of the movie ^^
a rare non-hermann-and-newt-centered fic on this list!! this one actually centers around mako :D it’s adorable and i love mako with my entire heart, especially this depiction of her
fool by kaijusalad
“Newton is going to die thinking no-one left on this Earth loves him. (Fool.) He can't have that.”
~6k words, 1 chapter, rated T; hermann believes that seeking out hannibal chau and drifting with a kaiju brain once more will kill newt, and acts accordingly
i LOVE the way this fic is formatted and written– the word choice and unique use of italics and parentheses is incredible and works so well. it describes every action and scene so gorgeously and it just. man. here’s a small except devoid of context that i think showcases this perfectly: “His words are hollow, anyway. They hang in the air, lies filled with helium, a new year's resolution, an 'I'll quit smoking'. (God is real in belief; maybe if he believes in them hard enough they'll come true, and isn't that something for a man who works in numbers to think?)”
One day from lonely by Raehimura
“Hermann is standing outside Newton Geiszler’s private quarters, bony ankles poking out from under too-short standard-issue sweatpants, his hair a wreck and his red-ringed eye still sore, with a lifetime of stolen memories in his head. What if Newt isn’t there? What if he’s sleeping? Or, worse, what if he is waiting on the other side of the door with his own stolen memories fresh on his mind? Above all he remembers, sudden and frighteningly clear: This is not what they do.”
~2.5k words, 1 chapter, rated G; another very interesting exploration of newt and hermann post-drift
i disagree a little bit with some of the characterization in this fic (particular, newt thinking hermann hates him. i think newt very well knows that hermann’s very fond of him) but it’s a great read nonetheless! the best word to describe it would probably be “cozy”
This is a Totally Normal Thing for Friends to Do by SolarMorrigan / @solarmorrigan
“Hermann and Newt don't talk about it (until they do)”
~21k words, 4 chapters, rated T; a fake dating au in which hermann’s dad nags him about not having found a partner yet and hermann panics, telling him that he actually does have a partner just to get him to asking about it, but it backfires when lars expresses interest in meeting him. newt offers to play the part of partner, hijinks and relationship progression ensue. this fic also has an explicit sequel, if that’s your kind of thing
THIS FIC IS SO FUCKING GOOD. there were multiple times where i reacted out loud to things that happened in the fic– most notably a series of “holy fucking shit”s while eating lunch with some friends. it’s adorable and includes some transmasc newt content :3 this fic also includes hermann snapping and standing up to his shithead dad and its GREAT. one of my absolute favorite pacrim fics ever, i can’t recommend it enough
POV OUTSIDER FICS:
HR Complaints by IDoNotBitMyThumbAtYou / @idonotbitemythumbatyou
“Manny Flores has been with the PPDC for nearly a decade by the time he’s transferred to Hong Kong. He just wants to do his job. And he’s good at it. But when he receives the 15th complaint from one Dr. Hermann Gottlieb in only three days, he finds his patience running thin. He wonders which of the two scientists would be more of a nightmare to cohabitate a working space with: Dr. Gottlieb - sender of endless petty complaints, or Dr. Geiszler, their hapless subject. (...)”
~3k words, 1 chapter, unrated (probably G or T); hermann and newt’s relationship through the eyes of someone reading the (non-serious) complaints that hermann sends to hr
i spent three uninterrupted hours looking for this fic to link it here and it was ABSOLUTELY worth it. this fic is so fun, and it uses my favorite trope of all time!! i’m an absolute sucker for “pov outsider” type fics <3 the characterization is phenomenal, i love the oc from whose pov we view the story, and some of the lines made me actually audibly laugh. definitely another one of my absolute favorites. i think i sent a screenshot of the first sentence from the following lines to virtually everyone i know: “After another few weeks of complaints (“Dr. Geiszler asked me if I have any tattoos.” “Dr. Geiszler made an offensive tweet alluding to my personal style. I have attached a link.” “Dr. Geiszler has named his invention ‘the milking machine.’”) And continued insistence that no disciplinary action be taken, Manny was starting to suspect that the latter was closer to the truth: these were the missives of someone deeply, inconveniently in love. Christ, Manny was half in love with the guy himself at this point.” this fic rocks, do yourself a solid and please read it
On The Outside by combeferrer
“Petra Gottlieb, Hermann's mother, watches the first PPDC press conference after the world is saved and notices her son, particularly his relationship with his fellow scientist.”
~1k words, 1 chapter, rated G; for the third and final time, exactly what the description says! newt and hermanns relationship through the eyes of hermann’s mother, who watches a press conference with her son– who she hasn’t really interacted with lately– in it
ANOTHER GREAT FIC!! I love this characterization of newt and hermann’s relationship, and i find the premise and extremely enticing in and of itself so i won’t be saying anything more here <3
Disconnect, Connect Again by cypress_tree / @cypress-tree
“Raising Newt Geiszler has never been easy. Seeing him fall in love can be harder. The development of Newt and Hermann's relationship, from Jacob Geiszler's point-of-view.”
~13.5k words, 4 chapters, rated T; newt and hermann’s relationship through the eyes of newt’s father, over the course of 12 years
LOVE LOVE LOVE this author’s take on newt’s family. it works so well and is very enjoyable to read about. i wish i could articulate how much and why exactly i love this fic in a better manner, but i can’t quite find the right word’s ^^; i’m just going to leave it at “i love it dearly and i adore it’s depiction/interpretation of newt and hermann’s history (and present + future!)”
thank you for reading!! have a lovely day/night ^^ <3
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ae-neon · 1 year
Text
Something about Nesta that makes me wanna cry
From a conversation with a beloved mutual.
We talked about how difficult it can be to tackle the trauma authors almost nonchalantly throw into characters' lives
Specifically I was talking about my take on Nesta as an abused widower in my modern au
And I said:
Yes, you hit the nail on the head so perfectly. It's easy to just throw these traumatising things into a character when it's just to garner sympathy or give them a reason to act a certain way but once it's actually explored you begin to understand that it's really too much sometimes.
A lot of this comes from the reread research. I was shocked that Nesta was so defensive of her relationship with Tomas that it really took a turn on how I saw her assault trauma. He wasn't just some boy. He was the boy she asked to help her go get her sister 💔 and I think it accounts for the fundamental shift we see when we first meet her to when Feyre comes back and she herself is a little wide eyed at finally understanding Nesta. Maybe it wasn't all there all along but built on that moment where the world changed for her
To be clear I'm referencing acotar when
Nesta says "at least I don't have to resort to rutting in the hay like an animal" in defense after Feyre forbids Nesta from marrying Tomas Mandray
Feyre then tells Nesta they don't have enough for a dowry and Nesta declares "We're in love"
She wasn't just assaulted by the man she thought she was gonna marry. She loved him. She trusted him.
And I think that's why, even as early as acotar, the Nesta we see is so different. Her own story and character development as a result was already happening
(This 100% makes Nessian a worse ship btw, for Cassian constantly sexualising Nesta eg great tits even when she's starving and clearly dying??)
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greypetrel · 5 months
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HI ARJA I’m so curious about your moby dick AU lol you always have the best AUs
HI ROWAN I'm glad you asked! :D It's gonna be a big ass rant, so it's under the cut. I'm very excited about this AU, it tackles some things I love and have first-hand experience of, so yeah, I'll be chatty about it ahahahah.
I've posted a chapter at random on AO3 and you can find some snippets in the whale au tag!
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So, it's "Zoologist Aisling who thinks whales are the best thing after sliced bread saves Cullen, who happens to have survived a shipwreck caused by a whale". Shenanigans happen.
It was an idea of @shivunin (thank you again) and I'm currently trying to give it a little outline not to go totally at random. I am thinking about characters background, it's a non-magical AU and so stuff needs to be adapted. The title of the WIP is old, I realised after that... You know, it's a Moby Dick INSPIRED thing. The first idea was having Aisling as Melville and Cullen as Ishmael teaming up to write Moby Dick. Cullen has the sailing parts, Aisling filling in with conspiracy theories about whalers and spite over naturalists. And both of them inserting a gay relationship because I'm still a big part of the Bi!Cullen agenda, and that book is terribly gay.
I did realise later on that there's a limit to the horrors I'm willing to put characters through and write, and cannibalism is really NOT one. I also moved it to another period and to the 1900s because I already did research for another original project and I'm more familiar with it.
The title of the file will change when I'll have a better one for this AU.
For now I do have a background for Aisling, what she's in Nantucket to do, and I'm so happy to say @melisusthewee jumped on the bandwagon aboard with Quinn and Horatio, but I'm letting her introduce you to them in this. I'll just say that Aisling refers to Quinn as "Mr Arch-Nemesis".
She's in Nantucket for a research over sperm whales behaviour, restore her family's name (dad was a scholar too, but alas, he was caught being a member of the Fenian society and giving money to the Irish revolutionaries... She's the Royal Society's favourite person, yes) and hopefully put a brake on whale hunting (the 1900s saw the peak of killed whales, you can bet miss "I'd adopt a dragon if Bull didn't constantly prevent me to try and befriend one" won't be ok with it). Dorian and Josephine -whom I couldn't fathom being there with her, seriously I can't picture Dorian on a ship if not in first class, unless he was beaten unconscious before boarding and dragged on. Josie finances ships, sure... but being on board of one and working? A whole different thing. So, they're Aisling friends, but they stayed in London to get her fundings.
Cullen needs to find reason to get to the sea again, he was a harpooner and worked on ships all his life... After being the sole survivor, he needs to find his centre back and get on with it. The crazy whale fangirl may or may not help him on this.
And there was only one bed, of course. (have I already said that Moby Dick is VERY gay?) (I had a blast reading it, thank you so much @salsedinepicta for making me curious about it! <3 Also if you want to throw your characters in this GO ON.)
I thiiiink I may change names and design and also do something fully original. I'm particularly enthusiastic about it because it allows me to tackle stuff I experienced in my life (I did some sailing! Very little and purely recreational, but still) and to re-use some research I already did for another original project which I love dearly, but it's definitely more than I can chew on my own. If I don't chicken out because the place is linked to some trauma, I maaaaay add a part in the seaside town I spent a lot of time growing up.
But again, let's see how it goes, researching on Italy isn't the easiest thing ever if you're not aiming at Rome or the Renaissance, and we're talking about a pretty regional side of Italy. I have good hopes because the people are very very very much into their own history and claiming it back, so I may find some good infos without spitting too much blood.
it's a work in progress, but there's gonna be more about this!
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khruschevshoe · 6 months
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OFMD (fic) analysis: The Power of Names, Agency, and Creating Yourself
So, this is going to be Part 1 out of who knows how many analyzing different aspects of @aletterinthenameofsanity 's magnum opus OFMD fic series "made a promise when I left for the coast (made a life out of chasing a ghost)." Now, the series is divided into three sections, "Season 2," "Season 3," and "Extras" (which includes missing scenes, AUs, and post-canon "special episodes"). This first essay will be addressing the symbolic/thematic meaning of characters choosing their own names in this series throughout all parts (some of these metas will only tackle one section/season/ or even fic).
It is clear in this series that names take on a particular meaning, due to the multiple times it is emphasized, such as in part 15 of the series (the "pilot" of "Season 3"), when Captain Olu says, "Everyone's entitled to choose their own name on my ship." Names, when taken on a ship, allow someone to both shed their precious life and claim one for their own. I'm going to go through the various ways this is presented in series and how letting characters choose their names on the Revenge allows them to gain agency within their lives and world.
1): Name as Gender: Jim and Pete
Early on in the series, Jim and Pete's friendship is established from Jim's POV, where we discover that before the Blackbeard-Kraken-era, Jim and Pete bonded when Pete revealed that Pete is also trans, which in the series is often referred to as "the power of creation" (there's an essay analyzing the religious implications in the works, I swear). This is a point of connection and pride between them, and is the foundation to a great and enduring friendship and place of trust that often gets both of them through low points.
This friendship is further emphasized in part 13, Pete's internal monologue echoes previous assertions by Jim's internal monologue that "they have things in common that go beneath everything, a connection that threads itself across the sea, through razors and potential top scars and names left buried on land."
2) Name as Family: The Jimenezes and the Spriggs
A) The Jimenez Matelots
During their wedding reception in part 9 of the series, Olu and Archie both make it clear that they are going to take Jim's last name due to the importance of becoming Jim's family. Olu will trade in his last name, and Archie will take on a last name for the first time, as a sign of loyalty, loved, and comfort, because for Olu and Archie, "What price is a last name when it comes to making Jim feel comfortable and loved?"
B) The Spriggs Siblings
The choice of the last name "Spriggs" by Mel and Lucius has almost the opposite backstory of the Jimenez matelots- rather than keeping a last name to honor a family, the Spriggs siblings keep their last name to spite their abusive father. When Mel is asked by Roach in part 18 of the series as to why she keeps her last name when, as a pirate, she could have easily dropped it entirely when starting a new life, she tells him that she kept it because it connected it to her brother. Her internal monologue explains that "She stayed Mel Spriggs, damn the consequences, not because the last name gave her protection, but because it connected her to the one person who, at any point in her life, had protected her." It has nothing to do with "the lily-livered douche" that was her father; it as to do with her connection to Lucius. And as the series progresses, even after Lucius gets married to Izzy and Pete, we see that he keeps his last name while Pete picks up the last name "Hands-Spriggs." As much as his matelots mean to him, shown by the rings they share (objects as symbolism will be another analysis), his relationship with his sister is just as important to him.
3) Name as Intimacy: Frenchie and Zheng Yi Sao | Ching Shih
So, this one is not as startling or connected to character agency as the others, but I really like what this relationship does with language. Zheng Yi Sao literally translates as "wife of Zheng Yi" and is used almost as both name and title, the name of the Pirate Queen and Emperor of China, while Ching Shih is her Cantonese name, within the language she grew up speaking. Historically, Zheng Yi Sao had to learn Mandarin to fit in with upper crust society, and it makes sense that the name she rules the seas with (even in OFMD) is within that more "elevated" language.
But here's the kicker: Frenchie doesn't call her Zheng. He calls her Ching Shih, honoring where she came from, acknowledging that he gets a far more intimate side of her than the rest of the world do. In part 40, in the moment of their engagement (which comes after years of a really fun half friends-with-benefits, half-long-distance-relationship that they have going on), Frenchie accepts Zheng's proposal with the line "I’d love to be yours, Ching Shih, as long as you- not your title, or your power, or whatever, just you - would be mine.”
4) Name as Agency: Mel and Roach
When Mel first joins the crew of the Revenge, Olu calls her "Miss Spriggs" and she asks to be called Mel instead. It is made clear that to her, her first name is a gesture of identity and agency as she begins a new life, a fact that is emphasized in part 39, which covers Mel's life leading up to the moment she murders her parents and leaves home. This part refers to Mel exclusively by the name "Melanie" until the moment she leaves Anguilla and takes her agency back into her own hands, paralleling the death of "Blackbeard" and the freedom of the crew with the line "Melanie Spriggs dies along with her parents; Blackbeard dies along with Izzy’s love for Edward Teach."
In part 18 of the series, we see Roach explain that his choice of name was a similar act of agency, a moment when he chose the name thar embodied his own survival instinct with the lines ""Being a pirate is about creating a life for yourself. A name, a family, a home. I picked Roach because I refuse to let anyone kill me.” He gives her a toothy grin that she can’t help but return. “I’m an invincible little fucker.”"
5) Name as Family (Part 2): Femi Boodhari and the Jimenez Matelots
Finally, we return to the theme of names being used for chosen family. When the Jimenez matelots visit Femi, Olu’s mother, in part 41 of the series, at first Jim is worried that Femi will be disappointed that her son traded away his name for theirs, Femi gives Jim and Archie a way to honor and carry both the Jimenez and Boodhari names and legacies: as a blacksmith, she makes Jim a knife and Archie a new axehead with the Boodhari name in the side so that way the family, their culture, and her own legacy of escaping slavery and starting her own business and family can be honored. Though it's not as straightforward an example of "choosing a name" as the others, I think it is a nice endcap in this series for the theme.
(Also, as a note: these metas/analysises take a lot longer to write than it took me to make moodboards. So they'll probably come out a little less frequently, even if they are just as much fun to do!)
@blue-b-bro @possumsmushroom @yuenity @bricksbloggyplace @cosmicquill @a-pessimistic-swiftie @polikate
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mitochondriencocktail · 5 months
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not sure if they are from the same universe but 4, 11, 24 and 30 in your puppy play fics
Anon, your mind...... genius. I didn't even consider this as a possibility. I hadn't initially written the puppy play fics as a specific universe, but now.... my mind is racing with the possibilities. Let's do this.
4. What’s their favorite sleeping/cuddling positions?
So, to preface, I picture the puppy play thing as an important component of their relationship but not the vast majority of it. It's framed as an outlet for Bojan who, for the purposes of this fic, is in dire need of someone taking the reins sometimes, relieving him of responsibility and decision. It's also a thrill for him to do so. Being so public, there's a lot of perceptions and images he needs to keep up.
BUT to answer your question, most nights Bojan likes to just wrap himself around Jere, the latter of which loves it because it's like a gravity blanket but also his boyfriend. After they have a particularly intense session though, Jere likes to hold Bojan from behind, like he's putting the pieces of him back together and keeping him safe always.
11. What’s a song that describes their relationship? Or, what’s the song that they’ve deemed “their” song?
Despite the fact that this AU essentially consists of just smut, I actually picture them as stupidly in love with one another. (Though, I mean, that's nothing new for me...) That type of dynamic requires a lot of communication, understanding and trust though, so I'd go with:
and then for the bedroom...
24. What are their favorite places to kiss on their partner(s)? What are their favorite types of kisses?
Jere LOVES to go to town on Bojan's thighs... for obvious reasons. I'd say also, lots of kisses right over his heart in this AU, pulse points, feeling the thrum of energy underneath his skin.
Bojan, perhaps like a puppy, kisses Jere enthusiastically anywhere and everywhere. When they're not having a session, he comes up behind Jere and just unleashes a frenzy of kisses along his neck and back and cheeks.
I think they both just love all kinds of kisses from one another <3
30. Free space! Say something about this ship that you want to say!
INCH RESTING. I haven't had one of these yet, I think. This is such an interesting AU to get this one for... In a way, even though I've combined them for these questions, I do think actually that the puppy play fics live in sliiightly different universes. One is adjacent to the regular ol' ESC-verse, while the other is, perhaps, an AU where they happened to find one another.
Maybe started as friends, grew closer, Jere thinking Bojan has the hots for someone else entirely until suddenly one night Bojan's kissing him outside his apartment after a night out and asking if he wants to come inside.
They hook up a few times before Bojan very nervously confides in Jere what type of things he's into, and Jere has to think on it for a bit. Do some research, ask Bojan questions, but then he gets it. It clicks and becomes part of their bedroom dynamic.
The timeline of the fics, I'd hazard, has them about 3-4 years in at that point.
Oh man I rambled a lot. Thank you for asking about them! This was an interesting one to tackle! <3
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compacflt · 11 months
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hey! seeing your post about iceman and hamilton reminded me of the 1812 au that you had posted about previously - do you mind sharing any of your thoughts on that, specifically Ice & Mav's reactions to the politics of war back then, before the US military and Navy were such huge institutions (in today's standards)? EDTS Ice & Mav are decidedly anti-war (more Ice than Mav I think), but would that same sentiment be true for them back then & how would Ice feel about war hawks like Calhoun & Clay? there's obviously a pretty big role that war plays in forming national identity, especially in early US history, and with external forces like impressment & embargoes & all of the international relations nightmares that came w/ early state building, I'm really interested in how that may have an impact on how Ice and Mav view military service and duty. I would love to read this fic if you're still planning on writing it (really I love to read everything that you write tbh) - also hope you are doing well!! 😊😊
hiya!! i hope you are also doing well!! I am not sure if im ever going to post the 1812 au to be honest—i would really love to but i think it would be so long it would have to be my first priority for a few months, and I’m not sure when I’d have time to do that. but i have it all planned out at least, so maybe we can compare notes.
So here are my notes.
IF i were to complete my 1812 AU… It would not be about Ice at all. Which is how I’d be able to stomach writing about Ice’s death. AND the characters would be very very different from the characters i wrote about in EDTS (i.e. confessed their love for each other way back in the 1770s). And what I want to tackle in this AU is exactly what your ask is about—duty to your fledgling country! Im interested in a version of TGM maverick who had to be away from the love of his life, on his deathbed, to serve the national interests of his country. *questionable* national interests, in TGM’s case, or *forgettable* national interests in the War of 1812’s case. The War of 1812 is sort of America’s forgotten war—its causes were nebulous & hard to rally around/understand today, and there were no real heroes until the end, unless if you count Andrew Jackson as a hero (i really try not to). So this would be a direct attack on the heroism we are presented with in TGM: what is mavericks mission really accomplishing in the grand scheme of things? Using the 1812 war, itself forgotten and largely irrelevant, as a meta backdrop for that question of heroism.
So—this version of Ice & Mav are: actual factual war heroes. Revolutionary war heroes who were genuinely educated & truly believed in the American experiment of representation & freedom from tyranny. Fighting the British 36 years apart. (Something i really really like & will take advantage of… the 36 years between 1776 and 1812 exactly equaling the 36 years between 1986 and 2022… it was meant to be.) They’ve spent their whole lives together in the romantic sense, in a world where they couldn’t live openly together but at a time when sexuality was also understood completely differently. But they have to be apart when Ice is dying because Maverick has been handed a mission, a duty, by the USG that he has to take care of. (Part of the reason I’m stalling on this project is because I don’t really know what that mission would be… something something naval warfare, something something Captain of the “USS Dagger…” but im a better romance writer than an action writer… idk how to come up with those plots at all. And I’m not super well-versed in EARLY naval warfare [I prefer wwii navy stuff] so idk how ships like sailed clippers & schooners etc actually work. That’s a completely different wheelhouse for me & is integral to a story like this, and fundamentally im kind of a lazy person who doesn’t put a lot of effort into research if I don’t have to)
the AU would be written in two parts—the warm summer of youth vs cold winter of old age. Confronting my own fear as an author of getting old & dying, tbh. What does it mean to be a hero and die of old age? Shouldn’t you want to die WHILE being a hero? Part one: 1776-1782 is… ice & maverick falling in love and dealing with goose’s death together and cementing their hero status in American naval history (like they do in the original top gun). Then part 2; 1812/1813… ice is retired from being the first USN commodore/secretary, but he’s dying and maverick has to choose between being with his de facto husband in his last days VERSUS being out at sea, serving his country, but for a war that he (a bit metaphysically, to serve my metaphorical aims) knows will be forgotten. He can be a hero or he can be there for the love of his life but he can’t do both. Duty & sacrifice. Ice persuades him it’s time to let go, maverick goes out to sea, and then ice dies while he’s at sea. & the 1812 war was kind of forgotten, and their love will never be known by history because they were two men, so what was that sacrifice really for? Shouldn’t he have been home with ice?
Which leads me to: I am also slightly interested in an interpretation of the TGM mission as a possible su*cide attempt on mav’s part, post-ice’s death. Trying to die a hero. So, there’s that. That would be in it as well.
Some issues: that’s pretty simple & i submitted a 4k short story with this exact premise (1776 war hero has to choose between one last shot at heroism in 1812 vs staying with his male lover at the end of his life) to one of my writing workshops last semester and they loved it. But, by god, does it get 10x more complicated once you add Bradley to the mix. It’s ALWAYS made it more complicated & it’s why I’ve had so much pain trying to edit EDTS over the last 8 months (as you know). Because LETS PLEASE BE REAL TGM did NOT give me much to go on there. Like the emotional turn that is I think SUPPOSED to happen in the scene where ice and mav talk in TGM—I don’t understand it & I think that scene was only written for fanservice because it serves no purpose in the story and I’m not sure what emotion we’re supposed to take away from it. Maverick says “please send me ice, don’t ask me to send someone else to die,” (is he asking ice’s permission??) and ice DOESNT actually answer that request, doesn’t even acknowledge it; he says, in a COMPLETE AND UTTER NON SEQUITUR, “It’s time to let go.” Maverick says, “yeah I know,” so what does that actually mean? Who is he letting go??? Bradley??? Goose??? ice himself??? Is ice giving mav permission to go or not???? It’s so vague it means absolutely nothing, and i have no idea what ice’s emotional/story purpose in TGM is except to bail mav out of sticky situations and nostalgia purposes, and don’t even get me STARTED on how out-of-character it was for MAVERICK (guy who hates having his papers pulled from the Academy) to pull Bradley’s papers from the Academy in TGM, both of which are why ive struggled so much trying to fit Ice into the mav/Bradley narrative of betrayal & loss etc. And in a two-shot piece where all those years in between are kind of skipped over… idk. I feel like I would sort of have to sacrifice the Bradley storyline for the overarching icemav duty-sacrifice-heroism theme. With WWGATTAI, i was KIND of able to do both, but only after MULTIPLE rounds of very very intense editing & like 50k words of rewrites and even then it’s kind of awkward so… idk. For a quick two-shot like this I’d have to pick. I don’t have the energy to write another 50-100k reinterpreting that story all over again lol
So to answer your question it would be way less about the actual weird politics of the 1812 war and more about providing a place for me to get into mav’s emotions dealing with ice’s death and the historical implications of a mission like that, kind of glossed over in the movie … though this ice & mav are veterans of the XYZ affair / battles with the Tripoli pirates, so that probably affects how they see things… but mostly, duty is still duty & orders are still orders, but sometimes following orders means sacrificing what little time left you have with your family… following the TGM timeline where ice only has about 2 weeks left to live from Mach 9.
So, pros of the 1812 au: lots of the purple prose poetic writing i shamefully really like. Icemav open and honest with each other from the very start ❤️. Dealing with the themes and emotional consequences of ice’s death finally. Focusing only on mav instead of only on ice. Penny & sarah in a lesbian relationship. Some discussion of the cyclical nature of queer history (i.e. we’ve always been here making history and we always will be). Mav finding reasons to live after ice is gone.
Cons of the 1812 au and why I’m hesitant to really get invested in writing it: don’t know much about pre-diesel naval warfare so can’t come up with the technical action elements of the plot & too lazy to do that much research. I have a sailing license, so I know like… knots and rigging and mainsail vs jib/genoa/spinnaker and sloop vs schooner etc, but i do NOT know anything about THAT kind of sailing. Warship sailing, tactics, “dogfighting” equivalents, etc. Also: would probably have to sacrifice the whole “getting Bradley kicked out of the academy-equivalent” storyline, just to make the story less complicated. Not sure how much of the original ice and maverick the story would retain as a result. Also: i know wayyy more about the early national period (1776-1800) than anything after about 1808, but even then the last time i was really into this period of history was my freshman year of high school, so i can’t necessarily claim to know what im talking about when it comes to the intricacies of the early American state (as i think is pretty obvious here). Also too lazy to do that much research.
But, here are some notes/snippets etc if you would like. they’re solidly 6 months old now & unedited & largely unresearched, just throwing words on the wall in writing phase one, but whatever
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sophsicle · 1 year
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hello
I don't mean this to be rude - I was just wondering what made you change your characterisation of barty and evan from your previous work in choices to kill your darlings?
I mean in choices, I think barty expecially was very antagonistic- what with him being an almost r*pist and an enthusiastic death eater, pretty happy with murdering
i was just wondering what made you change their characters to be more sympathetic? I don't understand it personally, but I know rosekiller as a ship has gotten extremely popular and its just flummoxed me
im just not sure what redeeming qualities they could have, especially with barty in canon being an absolute lunatic
although is that because this isn't a canon universe?
sorry if this comes across as rude or anything im just genuinely confused as to where all the hype and romanticisation around those 2 characters came from
your writing really is lovely though, i look forward to all other povs, and am especially excited for any future marylily!
Y’know I was literally talking about Barty earlier today
But why did I decide to change their characters? Cause it's a hockey/college AU so their canon characters would make no sense here?
Like I suppose I could make them alt-right-Nazis-incels or some variation thereof, but like, I very much did not want to do that, for so so many reasons, but partially because dealing with those very heavy themes was exhausting in Choices, and dealing with people’s reactions to those difficult themes was also exhausting and, idk, did not lead to healthy productive conversations. And kyd was supposed to be ... not that? Like with Choices, I very much had things that I wanted to try to tackle and dissect and deconstruct and complicate and critique and ALL of that. And like I said, it ended up being really very not a good time for me. But kyd was never supposed to be that.
So yeah I wanted to tone them down, and then Evan in Choices had elements of the dumb jock in him and I thought it would be fun to write that in a different context without the horrible parts of his character and so it kinda snowballed from there.
Look, I agree that in canon they have no redeeming qualities, this is just not remotely close to canon so I don’t see how it applies?
I mean I’ve taken elements right? Barty’s overbearing and controlling father, the idea that he’s leading a double life, his mother’s death etc.
As far as I know we don’t really have any information about Evan other than that he was a death eater so, take that away, and I feel like he’s basically a blank slate,
But there would be no point, to me at least, in writing another fic only to tell the exact same story with each character you know?
Obviously there’s crossover, but like, Snape and Regulus are also very different from how they were in Choices. Writing everyone the same would just be boring to me.
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indynerdgirl · 1 year
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Topgun AU Ideas
As I was scrolling through the Topgun tag on AO3 the other night, I realized that I was starting to see the same tropes and AUs over & over again. And while not a bad thing at all, personally, I'm just starting to get a little bored of reading the same story over & over.
So I started thinking about what kind of AUs I would love to see in the Topgun fandom and then I started making a list and it kind of spiraled out of control. Oops. 😆
I now present to you all my somewhat organized list of AU ideas! And feel free to use them for any fandom, I was just thinking about Topgun as I came up with them all. It's also by no means an exhaustive list so I probably missed some obvious ones.
Military AU ideas: Pentagon/Joint Chiefs/White House Advisor (think The West Wing but for the military - this is the one I've been dying to see someone tackle!) Navy JAG NCIS Blue Angels Air Force Instead of Navy Astronauts/NASA Test Pilots Naval Academy Instructors Adversary/Aggressor Squadron Office of Naval Intelligence Sailors Instead of Pilots Submariners Instead of Pilots Naval Flight School Instructors (Aviation Preflight Indoctrination, Primary Flight Training, Intermediate Flight Training, and/ or Advanced Flight Training)
Character AU ideas: Natasha is Maverick's daughter/niece  Bob is Maverick's son/nephew  Natasha is Ice's daughter/niece Bob is Ice's son/nephew Maverick is Amelia's father Penny Is Also a Pilot Penny’s Father Is An Air Force General Obligatory Goose/Carole/Ice Lives AUs Maverick’s Dad/Mom Lives Any of the younger pilots is the kid of one of the other 86 boys
And a whole lot more under the cut!
American Historical AU ideas: Colonial/Revolutionary War Post-Revolutionary War Lewis & Clark War of 1812 Mexican-American War/The Alamo Wild West (good guys or bad guys) Organ Trail The Gold Rush (California or Alaska) Pony Express Civil War/Reconstruction Transcontinental Railway Cattle Drives Industrial Revolution/The Gilded Age WWI Bootleggers/Rum Runners/1920s Jazz Age Great Depression/Dust Bowl WWII Korean War Vietnam War 1950s/Greasers Moon Race/1960s NASA 1980s/The Cold War
Other Historical AU Ideas: Ancient Greece/Rome Middle Ages Renaissance Tudor Elizabethan Georgian Regency Napoleonic Victorian Edwardian
Fandom AUs: The West Wing Firefly The Avengers Agents of Shield Star Wars Star Trek Harry Potter Percy Jackson Ocean's 11 Mission Impossible Bourne Tom Clancy/Jack Ryan Jack Reacher John Wick Friends New Girl Supernatural How I Met Your Mother Chuck Downton Abbey CSI Jurassic Park Indiana Jones The Office Parks and Rec Pacific Rim
Other Profession AU ideas: Coffee Shop Book Shop Bakery/Candy Maker Winery/Distillery Restaurant/Chef Bartender/Bar Mechanic/Car Repair Shop Doctor/Medical/Hospital Firefighter/Police Officer/Detective Wildfire Firefighter Florist Tattooist Gardener/Gardening Horse Racing Motorsports (NASCAR/F1/Motocross, ect) Professional Sports (baseball, football, hockey, soccer, basketball) Rodeo/Bull Riding Olympians Air Racing (it’s a real thing!) Actors (movie or stage)/Celebrity Ballet Dancers Teachers College Professors Lawyers/Judges National Park Ranger Cruise Ship Pet Groomer/Veterinarian Farmer/Rancher Banker/Financial Bodyguards Zoo Museum/Living Museum Musician/Band Mall (everyone works at different stores at the same mall) Marketing Archeologist Spies Reporters/Journalist News Anchors Lifeguards Assassins Criminals/Thieves/Heist Bounty Hunter
Misc AU Ideas: Royalty/Lost Royalty Time Travel Fae/Fairy Mermaids/Selkies Witch/Wizard Werewolves/Vampires Fantasy/Magic (including modern/urban settings) High Fantasy Dragons Soulmates (color blindness, first words, timestamps, matching marks, can share emotions, Red String of Fate, can share dreams, can see/talk to each other in dreams, can write on each other's skin, telepathic, Soulmate Goose of Enforcement) Omegaverse/ABO (not everyone’s cup of tea, just putting it out there!) Roommates Pirates High School College Mob/Mafia Fairytale Arranged Marriage Accidental Marriage Fake Dating/Engagement/Marriage Superhero/Villain Apocalypse/Post-Apocalypse Forbidden Love Boarding School Space/Sci-Fi Road Trip Summer Camp Immortal/Reincarnation Hallmark Movie Amnesia Pen Pals Resurrection Animal Shapeshifter May this list inspire all of you amazing fanfic writers out there! 💜
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aiyexayen · 2 months
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helloo!!!!!!!! itse me from ao3 (oh that rhymes!) im a chatterbox as well, i love long comment/reblog chains and generally talking about stuff im passionate for a normal amount, and after reading your reply i had a question that i thought, why not drop into your inbox and ask you (if you want) to share a bit of your process behind writing The Only Place You Wanna Be!!!! my initial question is actually that im wondering whether at any point you were uncomfortable, like, exhaustingly uncomfortable when tackling gx/wkx/zzs as a rarepair. because when i write and im trying to break some mental barriers of my own i oftentimes need to take very long breaks frequently to rest. uve written rare ships before but mentioned in your reply that it stretched u to write this fic, despite becoming passionate along the way. what about the fic challenged you, what is it that was difficult to explore? and what had u be very enthusiastic about? also, when i was reading the fic i kept wondering how u were gonna handle gx/cwn, in what manner u where going to address it (if at all), and i really liked what u settled on, but did u have different ideas for it? do u have ideas for how it might look like when cwn returns home alone? (if u would like to share) im wondering if gx is now firmly in the wenzhou camp or if she might be going to experience her romance with cwn later too? i think that could work really well, because he is her peer and has different views and thoughts about the world and society at large than wenzhou, which i think is still smth gx would/could be drawn to. like, wenzhou are very jaded, they have to relearn how to love and trust etc, and gx in a way has to as well. in canon her cute romance with cwn is a way for her to experience mundane young adulthood. do u think thats smth that could still happen, that would still attract her, and that would fit into the new dynamic of the AU uve written?
hello hello!! i also love talking about things a normal amount so you've come to the right place and i'm so glad you asked. [chin in hands] i would be completely delighted to talk about the only place you wanna be, because it's truly one of my favourite stories i've written thus far.
first--was i exhaustingly uncomfortable at any point writing this fic? i honestly wasn't! it wasn't an 'easy' ship to write, i.e. one i'm very comfortable in the dynamics of and don't have to think overly hard about. but i was not particularly uncomfortable, either (i do know what you mean, though--i've had ships before that have made me uncomfortable and i've had to really sit down and rest between wrestling through my thoughts on it)
hands down the biggest thing i struggled with was the question "what the heck does zhou zishu find so compelling about gu xiang?" not because she's not absolutely charming, but because zhou zishu is not easily charmed.
the wen kexing facet was easy--the way he and gu xiang grew up together and saved each other from the horrors of gui gu puts them in such a state of enmeshment, their bond so full of complex emotional tangles and twists that all i really have to do is tweak the strands and bam! ship.
but zhou zishu and gu xiang? i had to really sit with that facet, turn it over in my mind like a rotisserie chicken, because anytime i've put them in proximity before it's just been this volatile-yet-fond bickering that doesn't really go further, or get them closer. zhou zishu is prickly, and aloof, and only diverted from his self-destructive bent by one wen kexing. and in this au, he already quite contentedly has said wen kexing. what does he need some charming girl for? what has he ever needed a charming girl for?
i thought gu xiang could easily find a whole host of things in zhou zishu to like and admire, many of them not dissimilar to what wen kexing sees in him. but how the heck would they come together? how would it go beyond gu xiang's crush on this super impressive, stupidly beautiful guy?
i took a hard look at my other most favourite ships with zhou zishu (han ying, xie'er, jing beiyuan, ye baiyi, liu qianqiao) and sorted through what things i thought he might care about in a person, outside of "is too stubborn to let him push them away" at least. i realised i really had to face my gu xiang and interrogate her more serious side, ultimately, as much for the sake of figuring out the ship vibe i wanted as for writing her as a compelling pov character. because for a character like gu xiang, a good portion of her seriousness happens outside of her conscious awareness of it. it's all background noise against which the bright flares of her imperiousness shines very distractingly.
but really, she learned from the best; her silliness and her brashness and the whip of her tongue are just another version of wen kexing's smooth flirtations and gently waving fan. she's clumsy and charming while he's elegant and disarming, but aside from him being a thousand times more intentional about it, they're not altogether that different of masks. after all, gu xiang was taught to kill first and ask questions later, no matter who may or may not be innocent. she grew up with the firmly-seated knowledge that she was not human. and even when she was a literal baby, she smiled when she was hurt because to do anything less was to risk being abandoned.
and, most damningly, gu xiang cares. she cares deeply, and thoroughly, and she gets attached even when she shouldn't, even when she knows better. she takes to humanity so beautifully.
and i realised that if i put someone like that into zhou zishu's life, into zhou zishu's once-abandoned home, and let her breathe life into the place, i could make my problem *his* problem and that suited me much better.
it's really two sides of the same coin, what i wrestled with the most to get into shape and what i was enthusiastic about. like with most rare ship challenges, i find it compelling simply to do said wrestling. i enjoy sitting down and hammering out the details of character dynamics--what they find compelling about one another, what draws their eye, how they fall in together, what makes them stay. or not, as the case may be sometimes.
i was excited to dig into the challenge of this ship and this fic, because i knew once i started getting the pieces hewn into shape it would be very satisfying. i was excited to tackle a siji arc au that was a new flavour, and write something really properly from gu xiang's pov that explored her arc of stepping onto the path to the human world through a new angle and from the inside.
i was particularly excited to dig my fingers into her relationship with wen kexing--not even really from the ship perspective (i mean, you've read this story, it's almost not about the shippiness of the ship at all until the very end) but just them.
i have a lot of ideas for someday-fics where gu xiang is more present in the plot and i get to explore her and wen kexing's relationship, in any capacity, more intensely. i have so so so many feelings about the two of them, no matter which hats you want to put on their dynamic. and this fic was really my first larger-scale opportunity to do some of that examining and reveling.
they were just two kids in a world of ghosts, clinging to one another until they could get out. a teenaged boy half-raising a little girl, full of rage and spite and the confidence and inexperience of youth and the wholesale abandonment of humanity, teaching her how to eschew it from an even younger age than himself, teaching her how to be a killer to keep her safe--and then playing games with her behind closed doors, making snowmen for her when she cried, letting himself be silly and warm in spite of everything. they're a master and the maidservant that attends his whims. they're a gui gu guzhu and his right hand that stands ready at attention to keep every secret and enact his plans on the jianghu.
they're so many things--each other's first priority, most trusted person, with the kind of knowing that only comes from years and years. the loyalty. the love. the way wen kexing's plan always made room for getting gu xiang out into the world to live a human life as its ultimate goal, the way he couldn't help but continue to lean on her assistance and keep her close and project his own fears even as he kept trying to push her away into that human life he wanted for her. the way he needs her, the way he tries to push her away anyway and rescue her from the fire that he plans to let consume him. the way he's so proud of her and so terrified of how similar she is to him at the same time. the way she's grown up into a better woman than he could have hoped, not in spite of him but because of him, and the strength she shows in being able to embrace even the parts of them both that built them into who they are, in a way wen kexing has never been able to.
it drives me absolutely banana pancakes sometimes until all i can do is wail and point at them emphatically.
anyway, a fic in which i got to explore gu xiang choosing to stay at her zhuren's side over choosing to follow his orders--letting her desires override her duty, letting one kind of loyalty and one aspect of their dynamic rule over another--in which wen kexing has to gradually come to terms with his plans for her being utterly and completely foiled, come to terms with the fact that she isn't rejecting the human path but instead is absolutely going to keep walking it while dragging him down along it with her, that all his hopes and dreams for her are coming true except with him in the picture. ugh. i'm legitimately going to cry just talking about it lmfao. which is another very good reason this fic happened from gu xiang's pov.
i'm going to put a header here because this has gotten unconscionably long and you also asked about cao weining. so. here we go.
regarding cao weining
i would like to start off by saying he is my precious bean and i love him. but as much as i like cao weining and gu xiang together in canon, they are not otp material for me. i find it quite easy to break them up, largely because they are young and their bond at first is pretty devoid of genuine understanding or deep connection.
cao weining's persistence, a soft mirror to wen kexing's, and his graceful handling of a traumatised ghost, a soft mirror to zhou zishu's, both pay off in the long run. but it's not too hard for me to conceive a world where they didn't.
in this particular au, i think cao weining will always have done much to teach gu xiang about being human, and about what she wants in that regard. and cao weining will always probably be a little bit in love with her, because he strikes me as the kind of person who's a little bit in love with all his friends, and still holds a little bit of a candle for every person he's ever fallen for before since his very first crush.
but one of the things i like most about writing, particularly au's, is the nature of choice, and how the choices we make define us. it's not just that you can become someone different, it's that you are always, constantly becoming someone different. and at every stage of yourself, you look back and the road you took may seem perfectly logical, may seem like of course that's who you were going to become, because you only see the road you've taken to get there. but if you took a different path, if you made a different choice, and then each choice based off that choice, and looked back, wouldn't you feel the same way about that road? that's the way i like to write my au's.
so in this case, gu xiang didn't make that first crucial choice to be with cao weining instead of wen kexing. she didn't dutifully listen to orders, and let him say goodbye. she didn't let that distance from her zhuren, that closeness with cao weining, define her, and she didn't make subsequent choices based off that one, leading her down the road of canon. she didn't keep choosing cao weining--didn't choose to not only be with him but to be like him, to go back for shen shen to save gao xiaolian, to openly confess her desire to be human with him and be the kind of human that she thinks could stand at his side as his partner. still feeling that love, that loyalty, for wen kexing, but allowing love and loyalty to cao weining to grow up alongside it as the months go by.
instead, she chose wen kexing. she chose to follow him and stay close to him, even going against his wishes, against his orders. she chose to get involved in his new life with zhou zishu and zhang chengling, in all their daily intricacies instead. to make zhou zishu living or not into her problem, too. to make their home her home, and then defend it.
i'm being so long-winded about this, my apologies, i just love tracing all these little paths out, because i do so much of this thinking when i'm writing and it never gets said anywhere XD this isn't even really what you asked. but i guess, the conclusion of it is, to this end, no, i didn't really think of any other way their relationship could go at this point than to split here.
cao weining's loyalty to his sect being compromised in favour of staying with gu xiang *at* siji shanzhuang is an interesting concept, but it feels considerably less flexible of a choice than gu xiang's, and ultimately, this fic wasn't about him, so i was content to let him choose his sect first here. he does so reluctantly, but since he has that loyalty to his sect, he can only understand gu xiang's loyalty in turn, and part with that understanding, a little bittersweet but with his optimistic hope to reunite someday in better conditions when all this is over.
and i do fully think that they will reunite. but in that time, they'll have each done an awful lot of growing and changing. you really hit the nail on the head there, that gu xiang's romance with cao weining is a way for her to experience a mundane young adulthood, and take that path to growth together with him.
in a lot of ways, i think she's essentially forfeited the possibility of doing that in this au. it strikes me a bit like an imperial court drama--she had the choice to run away with her young lad, to be a new bride with a new groom, young lovers regarded as such by the narrative and the people around them, given space to indulge in this youth and build their own concept of a household together and grow up into the world at their own pace. and her other choice was to be inducted into a noble lord's household as his second wife, to enter into a space that already has define edges and considerable growth under its belt, and to grow up a bit faster into the responsibilities of her station, with the trade-off of, perhaps, a bit more security.
and sometimes--most of the time--the story is indeed about the young woman running away into freedom and romance. and this story is the alternate path.
by the time gu xiang meets cao weining again, she will practically be the lady of siji shanzhuang--something more than a housekeeper and less than a wife. i don't think she'll have had to grow up too fast for comfort, i mean, have you seen zhou zishu's sheer capacity for mischief? but i do think she'll have transitioned out of the phase of endless possibility that leaving gui gu afforded her, and into a place where she feels more secure in what she wants and who she's becoming. she has a place to belong, and responsibilities to live up to that go beyond the whims of a volatile zhuren.
and in turn, by the time cao weining meets gu xiang, he will have had to face the entirety of the revelation of her ghost-ness without her there as a counterpoint. without even the comfort of having gotten to know her so much better to lean back on to explain his disquiet and doubts. (i actually have a little oneshot i kind of want to write about him running into shen shen in that town, without gu xiang to pull him away)
he'll have faced the rest of the battles to come side by side with his sect, and have needed to find someone else, perhaps even there among his shixiongdi, to lean on. the du xie attack, the perceived betrayal of his shifu. it's a lot. maybe he'll have found some renewed place in his sect through that hardship, without gu xiang there presenting a clear way out. or perhaps he'll choose to leave, but wander alone. he has a lot of choices to make, still, and anything could happen.
but either way, by the time the two of them meet up again, they'll be very different people than they could once have been to one another, even if they're still very much themselves in all the ways that count. if they have any kind of romance, it will necessarily be more grown up.
he is, though, still more gu xiang's peer than either wen kexing or zhou zishu, and i don't think that cao weining has nothing to attract her. i think she definitely has the need for peers that can see eye to eye with her.
wen kexing and zhou zishu ride the generational line between all the horrors of the previous generation's grudges and the potential of the coming generation's healing past them. but for all gu xiang was raised in gui gu and suffered for it, she was also sheltered in a lot of ways by wen kexing. and she has a particular brand of optimism that someone like cao weining (and like gao xiaolian for that matter) can match. and while chengling can match it, too, i have distinctly other plans for him in this au.
i think it would actually be really sweet if gu xiang and cao weining and gao xiaolian end up quite close, once everything is said and done. and if this occasionally involves little trips to see one another in which she spends nearly as much time in bed with one or the other of them as she does at whatever restaurant cao weining has raved about in his letters lately or playing hide-and-seek with gao xiaolian's children, well, who's to say?
as long as she comes back home to wenzhou, how can they mind? they probably get off on rewriting the poetry of marks on her skin to fit the shape of their own lips, the dorks. not like she's any better either, the way she'd learn to taunt them and goad them about it right in front of all the disciples' salads all evening. pff.
anyway. i've been going on for ages and i'm not even going to go back and proofread this because i'm lazy. i hope some of this was entertaining at least, and feel free to reply more! though, as you see, asking questions is dangerous and you never know how long, and redundant, and irrelevant the answers might be XD
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finniestoncrane · 2 years
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💚 my requests are always open 🩷
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you can find my writing:
in my tag
on my masterlist
my AO3
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important things first:
🔞🔞🔞 minors DNI 🔞🔞🔞 you can request anonymously 💚 i don't write in order of when things are received, i do it based on inspiration. if i can't think of anything for something after a few months i'll delete it without explanation, sorry i have a prompt tag and if you use it let me know which prompt list you've asked for or let me know more than just the numbers! let me know gender specifics of "reader" if there is one (pronouns, genitals etc.) if you don't specify it'll be gender neutral or female please don't include images or gifs in your requests, they visually overwhelm me and make it difficult to tackle the prompt i mostly identify as cis/white/afab so keep this in mind if you request nb/trans/t4t/different races/male reader presenting etc. i will choke you if you don't reblog and like the thing you requested, be nice and supportive!
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requests i accept:
i write for batman rogues, fallout and a few other characters! for dc rogues headcanons: i will do multiple characters per post for headcanons but only for all general rogues, a specific dork squad (in my do writes!) or all iterations that i write for of a specific character e.g. ✅ can you write first dates with arkham!dork squad? ✅ what would all the riddlers do on a first date? ✅ how would the rogues handle a first date? (if you ask for all iterations of a specific character i'll either write for them all or pick several of them depending on the ask. if you want one specifically to be included just let me know)
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characters i write for:
🦇 DC/BATMAN 🦇
Riddler (⭐arkham, dano, ⭐zero year, telltale, TWOJAR, gotham, BTAA, young justice, BU, BTAS, general)
Penguin (⭐farrell, BTAA, telltale, OBD, gotham, general)
Scarecrow (⭐arkham, ⭐BTAA, golden age, general)
Two Face (⭐arkham, BTAA, general)
Victor Zsasz (gotham, general)
Mad Hatter (arkham, gotham - NO INCEST, general)
Captain Boomerang (⭐ss:ktjl, general)
Poison Ivy (arkham, general)
Polkadot Man (suicide squad)
Harley Quinn (telltale, arkham, ss:ktjl, ⭐general)
Bane (arkham, telltale, OBD, ⭐general)
Harvester (bu)
Amanda Waller (ss:ktjl)
Mr. Freeze (arkham, gotham, general)
John Doe/Joker (telltale)
Butch Gilzean/Solomon Grundy (gotham)
King Shark (ss:ktjl, general)
Deadshot (ss:ktjl, general)
Killer Croc (arkham!origins, general)
Firefly (arkham, general)
Harvey Bullock (gotham)
Alfred Pennyworth (gotham, general)
Black Mask (arkham, general)
☢️ Fallout Franchise ☢️
Cooper Howard (fallout prime)
Maximus (fallout prime)
Thaddeus (fallout prime)
John Hancock (fallout 4)
Sturges (fallout 4)
Edward Deegan (fallout 4)
Paladin Danse (fallout 4)
Nick Valentine (fallout 4)
Kent Connolly (fallout 4)
💚 Other Characters 💚
Cecil Stedman (invincible)
Walter Skinner (x-files)
Arthur Morgan (red dead redemption 2)
Egon Spengler (ghostbusters)
Nick (left 4 dead 2)
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i will write:
x reader, x fem/male/gn character, ships, headcanons
absolutely yucky disgusting smut of most kinds
most kinks including knife play, blood play, bondage, sub/dom, pain play, mommy/daddy, etc.
darker themes like cnc, dubcon, noncon, somnophilia, hypnotism, manipulation, gaslighting, guilting
angst, fluff, romance, friendships, hurt/comfort
jealousy, yandere, obsessive themes etc.
ships plus ships x reader also!
non-ship pairings of characters in my "will write" criteria
death, gore, extreme violence
blood, cum, spit and some piss
imagines, scenarios, full fics, short fics, headcanons
i won’t write:
underage characters (at all, in any scenario, including platonic)
vomit, shit or breast milk
real people
bestiality
pregnancy/pregnancy sex/having children/step-children
age play (daddy and mommy kink fine, dd/lg not for me!)
incest (even step-relations)
characters x monster/monster!reader (may do in commissions)
OCs or overly detailed reader specifications (may do in commissions)
AUs or crossovers (may do this in commissions)
extreme anal i.e. fisting/enemas/stretching (may do in commissions)
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also i am anti-cancel culture! i'm not about to out you/report you/fuck with your privacy if you send me anything that i'm not sure about or uninterested in writing
and finally, no pressure at all but if you want to thank me i would greatly appreciate reblogs, comments, and maybe even a tip
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