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#sorry i always post so late
angelnet23 · 1 month
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falin from dungeon meshi doodle
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seethingvortex · 9 months
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they cant even get 5 hours of sleep
this is very rough but the movie reminded me of why i love the family dynamics of the band lol
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Stobin Appreciation Week 2023 by @dailystobin!!!
Day 4 : songs/lyrics/poems 🤍
spongebob // The Beatrice Letters, Lemony Snicket // A little life, Hanya Yanagihara // Ribs, Lorde // Normal People, Sally Rooney // Frog and Toad, Arnold Lobel // Stuck with me, The Neighborhood // Just Kids, Patti Smith // (pic) Troy and Abed (quo.) Winnie the Pooh by @/catbandits // Ryan O’Connell // Written on the body, Jeanette Winterson // Trista Mateer // Smoke Signals, Phoebe Bridgers // Grief Lessons: Four Plays by Euripides, Anne Carson
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nonadraws · 6 months
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I didn't ask for this responsibility
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svtskneecaps · 5 months
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lukewarm take of the evening: y'all care too much about being ""outdated"". fellas this smp moves inhumanly fast. it is ok to CHILL holy shit CHILL. y'all are like "(posts BANGER ART) super late guys sorry" friend i am hitting you with a blanket i am snapping you with my metaphorical towel WHAT DO YOU MEAN SORRY. "(posts BANGER FIC) rip this is outdated now" WHO CARES???? I LOVE YOU, OK. ohhhh woe is us as the fandom at large for having MORE HAPPY PILLS ARC CONTENT oh no how outdated!! how could you be writing speculative fiction about how forever felt during happy pills :( slash SARCASM!! WHAT DO YOU MEAN!!!! THERE ARE SO MANY BANGER ARCS, WHAT, YOU THINK WE'RE COMPLAINING????? FOR GETTING MORE OF THE CONTENT WE LOVED????? oh no we're past the period where everyone thought green gay ninjas were like Dead Dead, my work is now outdated and noncanon :( WDYM. GIMME. A BANGER IS A BANGER IDC IF IT TAKES THREE MONTHS. you think rome was built in a day?? fuck you, baltimore, GIMME. my ass has been cooking a goddamn backflipo family fic since july when it was ALREADY outdated do you think i fear god??? "oh no, you're making an edit of slime's (attempted) egg murdering spree?? how could you, that was months ago it's irrelevant" SAID NO ONE EVER.
save your wrists kidlings ok carpal tunnel is no joke. CHILL!!!!! CHILL!!!!!!!! TAKE YOUR TIME SHEEEEEESH OK LOVE YOU <3
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elizakai · 4 months
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Take an old scribble I didn’t feel like doing anything with
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phoenixkaptain · 5 months
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Okay. I’ll write an actual analysis.
A Lonely Place of Dying does a few things, storytelling-wise, that are actually incredibly impressive. Like, I figured it out and I was so excited.
First, we don’t see Tim. Not in part 1. All we see is glimpses. His hands as he puts away his camera. His feet as he runs away from Starfire’s apartment. We only see small parts of him, leaving him shrouded in mystery, which leads into part 2, where he’s represented by a shadowy figure on the cover.
The Titans, but especially Starfire, are all worried about the small child looking for Nightwing. This kid knows Nightwing’s name, knows where he lives, nd has a very conspicuous camera. I’d be worried too! So of course, from the Titans perspective, he’s an intimidating opponent that they don’t understand. (Especially since I’m like ninety percent sure Tim isn’t actually the one they’re looking for. Like, I think it was just a happy coincidence that the most suspicious child on the face of the planet happened to show up at the same time as the actual problem.)
We don’t see Tim’s face until just under halfway through part 2. And the first thing they show us are his eyes. He’s searching for Dick, even among all the pandemonium, and it’s only upon him finding Dick that we see his whole face.
Tim’s eyes are important. They’re an important part of his character in this storyline. Because Tim sees things. He sees through Bruce, he sees through Dick, he sees through Alfred even. He’s always looking.
And this is compounded when he explains how he knows what he knows in part 3.
We see child Tim Drake at the circus. Tim says this to Dick “…I kept staring at you…” and this “I remember waiting for you to go on. And then, when you did, I just sat there and watched.”
On the next page, he says, about Dick’s parents’ deaths, “I turned away… I couldn’t watch. Then I heard you crying and I turned back and I saw you holding onto them, and I began crying, too.”
Page 11 has his monologue about seeing Batman for the first time, and how he thought Batman would hurt Dick, but what’s important isn’t the dialogue, it’s the panels. They focus on the realization of Batman being safe, entirely through Tim’s eyes. He’s panicked and scared, then slowly relaxes. We see it all, because Tim sees it all.
And it’s THIS. Tim started the story by finding Batman, but he starts his story by beginning to look for Dick. Us seeing Tim seeing Dick is a direct parallel to us seeing Tim seeing Batman with Dick. Tim’s story starts by him staring at Dick, unable to look away. And when we see him for the first time, he’s looking at him again, still unable to look away.
Throughout the story, Tim is constantly looking at Dick. Yes, this is mostly because he’s talking to Dick, but even at the end of part 2, when Dick is being congratulated by Haly’s Circus members and isn’t paying attention to Tim at all, Tim is still watching him.
Why is there so much emphasis on his eyes? I’m so glad you asked- IT’S VISUAL STORYTELLING BABEYYYY.
Tim’s most important role in A Lonely Place of Dying is as a third party. He cares about Bruce and Dick, and he knows them a lot better than they might think, but he’s still a third party to them. They don’t know him. He’s someone who’s been looking in on their lives for ten years.
He’s. A. Voyeur.
The emphasis being placed on his eyes cements this. Dick, Alfred, and Bruce are all put off by him at first. He knows too much, he doesn’t offer much information on himself until he’s forced to, it’s almost uncomfortable how much of a stalker this thirteen-year-old manages to be. He’s a voyeur, watching their lives, unnoticed by any of them, and that’s a bit unnerving! I don’t blame Dick for being unsettled by him, he’s weird!
And, his eyes as a child watching Dick to his eyes as a preteen finding Dick. They’re connected. A perfectly linear story, just told backwards. It’s really very satisfying.
Now, point two. The question we all have. Is Tim a stalker?
Short answer: yes.
Long answer: yes, but I’ll explain.
Tim begins the story by taking pictures of Batman fighting Ravager. The narration mentions someone calling in a tip to Gordon about Ravager’s location, which is what led Batman to this point, and I’m on the fence over whether or not Tim was the one who called in. On one hand, it would make a lot of sense. Ravager is part of a bigger ploy by Two-Face, and we find out in part 2 that Tim knows Two-Face is behind the trouble. It would also explain how Tim found a spot to set up his camera for a good portion of the fight. And, it isn’t like Tim wouldn’t know Gordon’s phone number. On the other hand, it’s never explicitly stated who called Gordon, so assume what you will.
Part 1 actually shows us a glimpse of Tim’s collection of photographs. It’s huge. Most of them are obviously newspaper clippings, but a few are just pictures (I assume on photo paper because the edges are cleaner than the newspaper photos). Tim says, in part 3 “You know, since I was able to read, I clipped every article on Batman and Robin.” We admittedly don’t know when Tim learned to read, but he’s thirteen and says he gets mostly A’s, so I’m assuming he probably learned in preschool or kindergarten, around the age of 3-5. That’s a lot of newpaper clippings. We only see his more recent and his most stalkery ones, so who knows how many more he has?
There are only a few points in the story where we see that Tim is genuinely emotional about anything. For the most part, he is calm. He smiles a lot. He doesn’t use a lot of exclamation marks. The only times he does use exclamation marks are when he’s monologuing (internally or externally) about how great Dick is or when he’s trying to make a point. The only time we see him get visibly distressed is when Dick ignores him about Batman needing a Robin.
I don’t know how to stress upon you that Tim only cries that one time. Tim almost dies three times in this comic. He went to his second circus and another person died. His idols both berate him and talk down to him (although Dick stops right after they meet with Bruce. I’m going to be honest, I think Dick wants Bruce to take Tim on as Robin because if Dick had to deal with Tim for a whole day, so does Bruce). He has to recount watching Dick’s parents die and the nightmares he got from it.
He went through so much. But, the only time he’s upset is when Dick won’t listen to him about what’s best for Batman.
Anyway, Tim flat out just says a lot of really stalker-y shit, so I’ll just list some more:
We already know about him clipping newspapers since he could read
When he’s asking Kory where Nightwing is, he lets slip to her that he was watching Titans Tower with this line “I know he wasn’t at your meeting today.”
There’s also a few lines from breaking and entering Dick’s apartment “Grayson kept his old apartment. If he left the Titans, he might be here.” “He’s a detective… he must keep notes. Even something scribbled on a shopping list.” “No! The Haly Circus is closing? It can’t be! It can’t! But at least I now know where he is!” (Why is the shopping list thing stalkery Kacie, I’m so glad you asked. Tim knows Dick well enough that he knows Dick writes things down. Bruce certainly doesn’t, and Bruce is also a detective, so it’s a logical leap unless Tim knows Dick is inclined to write things down.)
There’s one part that isn’t stalkery so much as really funny to me. While Tim is looking for Dick at the circus, he realizes that Dick is “a master of disguise” and that “I’ve been looking for Dick Grayson, but he could be anyone.” only to almost immediately after say “No, not the roustabouts. They’re too tall.” First, that means he can’t “be anyone.” Second, he knows Dick’s height just. So well.
Tim realizes who Dick is and I think I’ll just tell you what he said to explain how he figured it out “Th-that jump- - -that’s him! It’s got to be Dick!” What was so special about Dick’s jump? I don’t think there was anything special, I think Tim is just weird.
Dick asks Tim who he is no less than three separate times. Tim refuses to tell him, all three times. At the beginning of part 3, while Dick is introducing Tim to Alfred, Dick says “Alfred, this may be a bit awkward, but I’d like you to meet- - - -what did you say your name was again?” Implying that Tim did tell Dick, but only briefly.
Back in part 2, Tim says this to Dick “Look, I know you’re Nightwing. You used to be Robin. Then Jason Todd became Robin, and when he died, Bruce Wayne went to pieces.” Tim says this before telling Dick his name by the way.
Tim, upon being introduced to Alfred (a cont. of the earlier Dick line) “Tim. Mr. Pennyworth- - gosh I was really hoping we’d meet. I know you’re Batman’s confidant, and I’ve dreamed about the stories you could tell.”
Alfred’s response to this is “I am- - what did you say?” Which is very funny.
Some more stalker lines that come from Tim looking around the manor: “I’ve seen pictures of this place,” “There’s the renoir Mr. Wayne bought last year. I read about that in Art World Today.”, “He’s got an erte? Oh, I love his stuff.”, “Please, can I see the rest of the house?”
There’s this, which a part of was mentioned earlier “I don’t remember the clowns or the animals, or anything else. I just remember waiting for you to go on. And then, when you did, I just sat there and watched.”
Tim says, before explaining anything, “Okay, you won’t take me seriously until I tell you everything. Dick, I don’t want this to hurt you. And I’m really afraid it might.” He then says, “I’m sorry, Dick. I really am. I told you I didn’t want to hurt you by telling you all this.” Tim is right, Dick is hurt. Tim is a stalker, but he’s a conscientious stalker.
There’s this “That image of you doing your somersault- - - -it stayed with me for years. I couldn’t get it out of my mind.” “I knew that somersault. I knew it like I knew my own name.”
This is just the beginning of a sentence, but it still is very stalkery “When you moved to New York to become Nightwing…”
Or how about “…Batman and Robin have meant everything to me. I’ve followed them both… I know them so well. I knew when Dick left to become Nightwing. I knew when Jason came and became Robin… and I knew when Jason died.”
Tim mentions offhandedly that he managed at some point to slip a tracking device on Two-Face. An impressive feat, considering Two-Face was trying to hit him with a crowbar and Tim only came into contact with him twice, either to punch him in the face or push him away from attacking Alfred. I doubt he slipped it on him while punching him, but his ability to stay calm under pressure even while acting panicky, managing to smoothly slide a tracking device onto Two-Face that Two-Face never realizes is there, is very impressive. Or, it’s practiced-
Bruce says “I don’t want a partner. It’s as simple as that.”
Tim responds “After all you’ve been through, I understand.”
So you may be wondering, with all of this overwhelming evidence and the fact that he knows where both Kory and Dick live and the fact that he already knew Alfred Pennyworth was Batman’s confidant and all of the weird, supervillain-esque shit he says, why does anyone like him?
And I’ll tell you why. It’s because he’s so fucking awkward.
Tim says things like “oh thank goodness” or “gosh” or “it’s still been wonderful.” Tim stutters talking to Batman. Tim fanboys over Dick and Bruce constantly. He isn’t even upset to have gotten a mystery wrong, he’s just happy he got to see Dick solve a case.
But also, Tim is right. Batman is acting recklessly, and it’s directly as a result of Jason dying. Tim says he needs Robin, not Nightwing, but I think what he means is more the role that they fill. Robin is little and Bruce can tuck him under his wing and keep him safe. Nightwing is an adult who argues with him and is a good leader in his own right, leading to more arguments. Robin is someone Batman has to take notice of, has to account for when making plans. Nightwing can keep up, and he isn’t as worried about Nightwing because he trusts Nightwing’s ability to stay alive. They fill very different roles, and that’s what Tim means, even if he has trouble saying it.
And he’s completely right. Batman without Robin runs recklessly into a building without scoping it out, tries to save two boys tied with active grenades by himself, walks into a room full of mobsters with guns without having any protection himself. Tim implies that he’s worried Bruce might die, and he’s right to be worried.
But even with Nightwing there, Batman only worries when things go wrong. He doesn’t see Dick as his scrappy little sidekick anymore, he sees him as an adult. And it’s only when Dick’s in trouble that Bruce reverts to treating him like a child.
Robin makes Batman stop and think before they go in. Robin makes Batman patient. Because Bruce cares about Dick and Jason, and he comes to care about Tim too.
Tim wins him over by being clever, but later comics show that they have to build trust in each other. Tim trusts Bruce completely, right off the bat, and that’s overwhelming for Bruce. But Bruce stops being overwhelmed and starts feeling fond.
Because despite everything I said, Tim is a good person. He’s so worried about Bruce that he’s willing to search everywhere to find Dick to try and help him. He’s so worried about Bruce that he spends his vacation week slumming around on his bicycle trying to save Bruce’s life. He dives down a coal chute without a second thought, and he pushes with all his might to unbury Batman and Nightwing. He cares about them, and it’s painfully obvious that he does.
Tim doesn’t want to be Robin. Like, okay, he would love to be Robin, but that’s not why he’s here. He doesn’t want to tell Dick his first name, and it’s only after seeing that Dick isn’t taking him seriously that he spills the beans. He didn’t want to tell Dick, because that would hurt Dick. He says “B-Batman, it’s hard for me to say this to you” because he’s about to tell Bruce off for being reckless and he doesn’t want to. Tim wants to know that Bruce and Dick are safe, and that’s the only thing he wants.
Yes, Tim is definitely a stalker. He literally said himself that he followed them, and even if it was only through newspapers, it still counts as following. Now, maybe he doesn’t fit this dictionary definition of a stalker: “a person who harasses or persecutes someone with unwanted and obsessive attention,” but I think he does fit this dictionary definition: “a person who hunts prey stealthily.” Tim is stealthy and quick.
I read an article that said his weakness was unexpected situations, but I would argue that that’s bullshit. Tim is great in unexpected situations. Did he expect Two-Face to start trying to beat him with a crowbar? No, but he managed to avoid being hit and plant a tracker on him. Did he expect Two-Face to crush the Batmobile he’s sitting in with a wrecking ball? No, but he managed to jump out and hide and tried to warn Batman and Nightwing to watch out. Did he expect Bruce to agree to let him train to be Robin? No, but he’s going to do the best he can now that he has the chance.
From the very beginning, we can see that Tim is someone with an answer to just about everything. He knows things, he notices things, and he’s good at reacting. Later comics don’t dispute this, that I know of. Tim is the Robin with multiple contingencies for his contingencies, but he’s also the Robin who is most likely to say “oh shit I did not see that coming.” He’s a surprised sometimes, yes, but that doesn’t mean he’s unprepared.
All in all, Tim Drake is a fascinating character study of a rich kid who talks like an elderly woman providing therapy for a man who is at least two, if not three, decades his senior. Tim doesn’t quite understand at any point that monitoring isn’t the same thing as showing affection, which is why he and Bruce get along swimmingly and why Tim is often slated to be the Robin most alike to Batman.
Congratulations, Tim.
Also, I really truly believe that Tim had his first crush on Dick, which is why he couldn’t stop staring at him. And I didn’t mention he said this, because it wasn’t important to the points I was making, but it’s important to this one. Tim says “…I kept staring at you, and your circus costume.” The circus costume being similar to Robin’s is never brought up, only the fact fact that Tim couldn’t stop staring at it. I’m telling you, his first crush was here, it’s so obvious, just look at my corkboar-
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squuote · 8 months
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rereading 17776 rn and noticing that Nine’s hesitance to accept their new reality is something I didn’t fully take in before. Like a majority of their concerns are all focused on the idea of purpose, which actually makes a lot of sense for them to solely be hooked on that specific concern. Nine was built with the intent of space exploration and to help humans achieve that goal. Being thrown into a reality where that purpose has essentially died and doesn’t really exist anymore would be very alarming for someone whose whole reason of existence is that specific thing. Nine’s arc of acceptance in existence so to speak. sorry I’m probably last to get to this but man it just hit me like a ton of bricks
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aether-weather · 8 months
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SAGESUNE MIKU >:DDD
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foursaints · 1 month
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hi <3
first of all, i wanted to tell you i'm always stalking your blog (in a non creepy way) because i love everything about it. mostly i love how you use your big brain™️ to share some insanely detailed headcanons about some silly dead gay wizards (i mean that in the nicest way possible. i'm a little bit in love with you actually . anyway i'm digressing)
second of all, i wanted to know if you could share some of your thoughts about bartylily🤲🏻 because i'm fairly sure you're the main reason i'm hooked on them
much love <333
ANYTHING for bartylily... lately i've been attached to the idea of a college au where they're Rival Campus Radio Station Hosts.
barty is a spectacularly unmotivated senior who dropped out of a prestigious engineering degree to study practical SFX for horror movies instead. everyone has vague, peripheral knowledge of him after an incident where he was found passed out naked in the campus fountain. his apartment with the slytherins isn't technically a frat house but there's a structure in the kitchen affectionately referred to as the "Leaning Tower of Miller Lite" & barty has a nearly imperceptible crescent-shaped chip in his front tooth from a keg-standing mishap. he wears a lot of chains and has several john carpenter themed tattoos and he REEKS like cigarettes. so many pairs of mystery panties turn up in his laundry hamper that his housemates have started calling it the Lost And Found.
he has a deeply beloved & charmingly unpolished radio show in the primetime spot which mostly consists of him having his friends on, spotlighting terrible underground bands, and making drily ironical, beautifully mean jabs.
lily is an overzealous sophomore who's triple-majoring in three equally unmarketable degrees (it's, like, polisci & international affairs & communications) who's blessed with the gift of taking every single thing that happens on campus WAY too serious. she runs their Model UN like it's the navy. she's the RA who is always marching around her floor in a spaghetti-strap tanktop & bunny slippers with a scrunchie on her wrist, shaking her fist at people. there was a period following her breakup with james where she was literally reading Machiavelli for inspiration. she's right on the precipice of the cool-girl academic meltdown that will lead to Serious Character Growth, but she isn't quite there yet.
her well-made and well-researched radio show is relegated to the midnight timeslot, and even though all her friends listen to it she probably got into a spat with them for saying something along the lines of "obviously i dont care if its just YOU listening to it, remus!!!". she hate-listens to barty's show which she considers (lily voice) An Affront To Collegiate Journalism
they trade barbs at every function and absolutely nobody but the two of them takes their insane imaginary Radio Beef even remotely serious whatsoever. but it's dead serious TO THEM!!! lily is probably camping out in actual bushes with actual binoculars to sabotage his show, and the worst part is that it's actually working. she ISN'T obsessed with him (shut up!!!!!), and barty is mostly just aggravated on principle that the Uptight Lowerclassman Ruining His Life has such nice legs.
and they absolutely bone like crazy about it
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punsmaster69 · 1 month
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12/APR/20XX
i think that was my goal.
remember? the one i was mentionin' about twenty nine pages ago? i'd said something like...
"and when i achieve it?"
"...guess i'll finally close this book for good."
so, i'll count that to be my goal.
therapist agrees, so you can't get on me about that.
sharing inner thoughts was never something i'm great at. so much so that you might've forgotten that's what this was for.
can you believe that? s'posed to be a thought journal. daily mental-state evaluation.
ended up talking about my friends instead.
wasn't for me, i suppose.
...after some amount of pages, huh? geez.
[This calls attention to the fact that the book is much thicker than it was when it started. Seems instead of switching to another one, his journal just... gained pages.]
point is.
seems to me like a good place to stop things at.
i'll give you a final update, and we'll call it. alright?
——
breaking the news went as smoothly as if we'd entered the room and broke a vase on the floor instead. (undyne about did just that.)
the second calamity was when mettaton and my bro show up kinda late
holding hands.
turns out my bro is much more decisive than i am.
apparently it was mettaton first, then paps who decided after a few serious dates.
congrats to 'em.
been deflecting questions best i can all day from the announcements, so i was thankful my bro showing up like that took enough of the heat off me n' tori.
i...
can't stop smiling.
well- alright, that's a given.
but i mean this doofy grin i haven't kept up this long in ages.
i'm not even trying for this one.
all this talk about relationships, i think undyne's gotten excited. talking about marriage and all that. alphys has gone beet red.
grillby and the bar gave me a hell of a lot of pats on the back. i'd be bruised if i weren't bones.
if it wasn't that which would've bruised me, it definitely would have been the punch flowey gave me. the comment that earned me it?
"so..."
"this makes me your dad, right?"
he didn't take it well.
despite the petal-haver's apparent hatred... i think he's secretly glad that toriel's happy.
my bro sure took the news well.
granted, since he already thought me and her were dating, he just was happy for the public announcement.
"WAIT."
"DOES THIS MAKE ME AN UNCLE?!?"
"Are we gonna get another sibling??"
"WAIT, are we gonna get a SKELE-sibling?!?"
"whoa, slow down-"
"Frisk, NO??"
"Do not encourage this BONEHEAD to-"
"I think that is quite enough."
tori puts her foot down on that conversation.
living situations shouldn't change much for now, but maybe we'll figure out something else in the future. (staying with my bro. don't panic.)
concerns about my health have slowed down, as i've gotten more used to daily magic usage. noticed way less bad days recently, right? papyrus still insists on teaching me to use attacks better, so i've got that to look forward to. there might still be ups n' downs health-wise, but i'm confident in getting through 'em now.
paps is noticeably still somewhat anxious about it, fidgeting whenever everything is brought up. which is fair, but. still.
i'll get him a therapist like i've been seeing. an in-person one'll work better for him, i think.
not sure what else'll change, really. everything feels mostly the same.
other than (gasp) public handholding. (scandalous.) every time we're beside one another, tori's finding some form of physical contact.
that's different.
...in a good way.
right now, it looks like the aftermath of a wild party. friends knocked out in random spots; dangling half-off the couch or sprawled across the floor. i think frisk and i are the only ones still awake, since they wanted to put blankets on everyone.
"(Psst. Is one blanket enough?)"
they raise a large blanket in gesture with a questioning look.
i speak extra softly so i don't disturb toriel laying at my side, with her head on my shoulder and an arm across my torso; hand met with mine.
"(yep.)"
"(Kk.)"
frisk lays a blanket over me and tori. they stare contemplatively before speaking.
"....."
"Goodnight, Dad."
"...'night, kid."
welp.
guess that's it, huh?
....
i'm happy.
caring is nice.
———★
𝐓𝐇𝐄 𝐄𝐍𝐃
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seyaryminamoto · 2 months
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Fic-to-Art #38: Ozai carries Azula to the physicians' wing
This has been done for A WHILE now, but I didn't post it because the past days have been chaotic and not just on a personal level. For one thing, I really wasn't eager to drop this when people were losing their shit massively over the liveaction and its recontextualization of Azula and Ozai's dynamics, I didn't look forward to releasing this just to be told that whatever I've done in my story is somehow wrong, sooooooooo... that held me back, for a few days.
Then? The AI-Tumblr deal started to be talked about and I may or may not have freaked out about that too. Sooo... this is the first glazed and nightshaded piece of my creation, as consequence. The original, clean and proper version is available in my Patreon. Is this me being a dick to Tumblr-only people? Unfortunately, it very much isn't, I'm not trying to say that if you want the best iterations of my art, you should pay me for it... this is squarely, entirely, at staff/the CEO's feet. Obviously, there's the insecure side of me that goes "what makes you think they'd steal YOUR art when there are so many better artists out there!" but ultimately? AI is about taking everything en masse. It isn't a matter of developing a criteria about who makes the better art... it's just taking EVERYTHING and trying to repurpose it in whatever twisted way it needs to. Therefore? I think my choice is more of a matter of caution than anything else. Once AI bullshit dies out (and I really hope it does), we may just return to the same level of quality across all my accounts. For now, it is what it is.
ANYWAY! Point is this artwork is very much what my Patrons happened to vote for this month, a very shocking scene where Ozai reacted in the least foreseen way to Azula being attacked. Azula's confusion/terror comes from a place of not knowing what to do and being powerless to stop her father even if she doesn't feel comfortable with his help... but for once, Ozai isn't making a dreadful choice that will only devastate his daughter. He's actually worried about her health... and feeling genuine guilt over what landed her in the situation where she was in danger in the first place. Yes. I like me my complex Ozai who finally learned actions have consequences. He bores me to death otherwise :') if anyone STILL doesn't know that this whole situation is Gladiator-specific, then I shall clarify fully: this is artwork based on my fic. It's about a story that has been developing these characters for ALMOST ELEVEN YEARS now. It has nothing to do with whatever's going on in canon or in the liveaction, the scene in question was written almost two years ago and the artwork proposed and voted for several days before the liveaction aired. Ergo: there is no connection between this and that. Nor am I saying through this piece that Ozai is a good father. He is not. He can still be an interesting character to work with on a narrative level anyway :')
Alright. With that out of the way, hope you guys like this piece! The big one I haven't posted is ALSO finished, also glazed and nightshaded, but I think I might just end up posting it on the 26th if I don't have time to do anything big for our eleventh anniversary... yep, I'm so busy I don't even have a huge project in mind this time. Also? I have a lot to write and I'm finally happily writing it, and I would like to continue doing that...
Anyway! If you would like to be part of the creative process behind this piece, as well as see it in its proper, OG, less color-bleeding clunky version? A $1 Patreon pledge gives you the chance to join in suggesting prompts, voting for them and reading Gladiator snippets 6 days before a new chapter is released!
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capricores · 9 months
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pisces/virgo placements... it's about time you took care of yourself, too, ok?
you burn yourselves out allowing yourself to be pulled by so many people in all different directions. you exhaust all your resources and empty your cup - no, your entire well - to help those around you, even people you don't know. it's such a beautiful thing, and i know you genuinely love helping others, supporting people, seeing them thrive. it's such a beautiful trait! but you constantly end up neglecting yourself, right? you don't realize that you have permission to set aside time to care for you, to cater to your needs for once. you often feel like no one puts a drop in your cup, the favor is never returned - it's exhausting; you might think if you just keep giving your all it will come back; i understand. you will find the people that give the same energy back to you one day, but regardless of whether you've found those people yet, you need to learn to step aside and fill your own cup!
setting boundaries and saying no is the most important thing you will learn to do in this lifetime. it will not be easy for you, sometimes it will feel painful. but you cannot help the world if you're constantly drained and tired! you deserve to take care of yourself in the same way you do for others. be gentle to your kind soul, nourish yourself; do the things you love to do. learn to worry about others less, as hard as it is, and focus on yourself more.
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fag4dykestobin · 9 months
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i kind of sat down and thought about steve and robin cooking together, and then i entered a fugue state and came out of it with a little over 1.7k words written about them being domestic besties (domesties?). so um. enjoy :)
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Robin has destroyed one of her mom’s pans again, so she’s been banished to Steve’s house.
Well, okay, let’s back up.
Robin, waking up and feeling especially productive, had taken it upon herself to make some scrambled eggs. Nice and simple, right? So she had grabbed the first spatula and pan she could find, and… scrambled those eggs! She even remembered the salt and pepper! Unfortunately, as Robin had remembered after she oh-so-lovingly scraped off the nonstick coating, metal utensils and nonstick pans didn’t really get along. Oops. Panicking, she had scraped her mess into the trash and called Steve to pick her up. So, really, she had banished herself, preemptively.
“How the hell did you even do this much damage?” Steve asks, holding up the pan. The look of befuddlement on his face is picture perfect; you could teach children how to identify emotions with that face. Robin would pinch his cheek if she wasn’t so embarrassed.
“I don’t know! I just tried to make some eggs!”
“Rob, there’s like, a solid cube of—”
“A cube is a 3D object, dingus.”
“This is a 3D object!”
“Not in that way! It’s not a cube! You mean a square!”
Steve throws up his hands, one of them brandishing the pan and waving it around. “Fine! There’s a solid square…” Steve gives Robin a look. She nods her head at him in acquiescence. “... Of coating rubbed off of this thing. Why were you punishing your eggs like that?”
Robin leans back on the counter she’s been sitting on, legs swinging. Her heel hits the cabinet once, and Steve’s eye twitches, but he says nothing. Because he loves her. But she tries to avoid doing it again, for his sake. “I had to get that yolk distributed! I was working fast, Evie, the burner was on and I wanted it evenly mixed—!”
“So why didn’t you mix it in a bowl before that?!” Steve looks so stressed. It's kind of funny, given how unimportant the subject matter is. Robin suppresses a grin.
“I forgot! I was groggy!”
Steve groans, setting the ruined pan down and rubbing a hand over his face. “... When we move in together,” he says, pointing an accusatory finger at Robin, “I am keeping my metal utensils in a locked safe.”
The warm, fuzzy feeling that always appears when Robin is reminded of their future together, their permanence in each other’s lives, it fizzes and pops in her chest like a sparkler. It’s still such a comforting feeling, even after all these months.
It doesn’t stop her from antagonizing him a little. “Like I don’t know what combination you’ll set it to,” she scoffs.  “I could just break in. To spite you.”
Steve sits with that for a moment. “You’re breaking my heart, Robbie, you know that? You break my heart.” Not a real comeback. She’s won their battle of the bits, this time around.
“Well, anyway,” Steve continues, “I am really hoping you didn’t eat those eggs after seasoning them with metal filings.”
“It wasn’t— I don’t think the coating is metal. I don’t know what it is, actually, but I don’t think it falls under metal filings.”
Steve hmms. “Well, it’s not, like, plastic, right? Or silicone? That would just melt.”
“Yeah, you’re right. Well, it can’t be metal, because it loses a fight with metal spatulas.”
Steve thinks for a second. “Is… God, I mean, I guess there are other, other uh… what’s the word? For, like, not from plants?” Robin scrunches her brow in thought. “Synthetic? Inorganic?”
Steve snaps his fingers. “Yeah, both of those work. There’s probably things that aren’t plastic or metal that can be used to cook with, but it feels weird. That there’s another category out there.”
Robin nods in agreement, and they sit in companionable silence for a moment, contemplating on the nature of cookware.
“Anyway, no, I still haven’t eaten.”
Steve curses, gets up from leaning on his kitchen island, and steps over to the cabinets where he keeps his pots and pans. “Yes, God, okay, let me feed you. Still want eggs?”
“You know it!” Robin says, and Steve gets to cooking, bustling around the kitchen with practiced motions. It’s nice to watch him cook. He gets very focused, in a way that doesn’t usually come naturally to him. Steve doesn’t usually like talking while he’s cooking, but he hums bits of songs, bobs his head to the beat.
In no time at all he has a plate of scrambled eggs and toast in front of Robin, and she hops off the counter to sit at a stool at the kitchen island. She grabs the plate from Steve and smacks a wet kiss on his cheek, making him roll his eyes with a smile and subtly wipe her spit off.
Steve takes a seat across from her, and she notices that he doesn’t have anything. Did he already eat? “Did you already eat?” Robin asks.
Steve blinks. “Oh. No, I forgot.” He has a tendency to do that; when he cooks for someone, he can get so caught up in it that he forgets to make some for himself, and is left to scramble afterwards. “I’ll make myself some eggs after you’re done.”
An idea comes to mind. An attempt at redemption, maybe. “Let me?” Robin asks.
“And let you ruin my pans? No thanks.”
A flash of genuine hurt passes through Robin, and she lets it show on her face in the form of a pout. The comment isn’t unfounded, but… “No, please! I know what I did wrong, I’ll do better this time. I’m not sleepy anymore, either.” She just wants to take care of Steve like he takes care of her. She wants to feed him eggs, goddamnit! When was the last time anyone fed him eggs? Actually, if she thinks about that one, she’ll get sad, so she stops thinking about it.
Steve can obviously see her earnestness, and he softens. And rolls his eyes. But that’s just him being Steve, so Robin loves it. “Whatever you want, Birdie. Just don’t burn them. Oh, and use garlic powder.”
So Robin practically inhales the rest of her eggs and toast (very tasty, as always) and gets to work. Steve sits at his stool at the island, trying and failing not to watch Robin like a hawk as she bumbles around his kitchen (“That’s not enough garlic powder, Rob, put some more in there, it won’t bite!”  and “Use the small pan on the top shelf— no, the other small pan. No, the other—”), but she does eventually get a plate of eggs and toast in front of him. Not as good looking as the one Steve presented her, but it smelled good, and didn’t have weird inorganic pan flecks in them. Steve gives her a sloppy kiss on her cheek this time, over-exaggerating and putting way too much saliva in it, seriously, was he a dog or something? Robin BLECH’d and rubbed at her cheek, but he looked happy at his plate of food, so. Overall success, even if sacrifices had to be made.
Robin leaned on the island on her elbows, face a foot away from Steve’s as he picked up a forkful of egg. He side-eyed her.
“Do you… want some…?”
Robin waved a hand at him. “No, dingus. Eat it! Do you like it?”
“Okay, okay!” Steve rolled his eyes and ate his forkful. Robin stared at him as he chewed, looking out for emotions such as delight and wonder, but also disgust and revulsion.
She found nothing. Steve looked normal. He ate another forkful, eyeing her.
“So?” Robin prods.
“They’re eggs?” Steve says, mouth still half full.
“Swallow!” Steve rolls his eyes and does as she asks. “Nothing else? They’re just eggs?”
Steve nods, shrugging a little. Robin feels a little let-down. The first time Steve had made her eggs, it was life-changing. He put heavy cream in them. Robin doesn’t think her parents had ever bought heavy cream in their lives.
Robin guesses that it makes sense, though. This is just how he makes eggs, duh. Still, it makes her feel kind of bad, that she couldn’t give Steve the same feeling he gave her.
Steve seems to sense her inner turmoil. “They’re— it’s good, though! You did a good job. I do like it.” He seems kind of… embarrassed, but grateful. “You didn’t have to make them for me. Thanks.”
Robin bumps his shoulder with her own, and then retreats to her seat, allowing him a bit more personal space. But not too much! She kicks at his shins, and he kicks back, a smile on his face.
Cleanup is easy as Steve washes the dishes and Robin dries. It’s the small, domestic things, like this, that make her so excited to eventually live together. It’s so easy and companionable, full of chatter about band practice and Dustin’s latest science experiment. She can’t wait to graduate.
After the dishes, though, they’re both at the kitchen island again, silently staring at the pan Robin had ruined at her house earlier.
“... It seems like a waste to throw away,” Robin complains.
“I know, right? But it’s, like, useless now.”
Robin hums. “I mean, no, it’s still like… metal. I feel like we should be melting it down.”
Steve stares at her. “In what world would it be more useful melted down?”
Robin squawks, indignant at her idea being challenged. “You know what I mean!”
“No I don’t! Do you just want a, a… what’s the word? A bar of metal.”
“Ingot.”
“Do you just want an ingot hanging out on our mantelpiece?!”
“Well, I didn’t before, but now I do!”
They look at each other for only a moment before dissolving into simultaneous giggles, shared joy crackling and leaping between them.
Steve settles down first. Still grinning, he turns to put the pan at the very top of a relatively bare cupboard. “Fine, we’ll just… keep this to be melted down later.”
Robin can’t do anything to stop the twin grin on her face, not that she would ever want to. “I love you, Evie.” The words come easy, and the delight and surprise on Steve’s face is as wonderful as always. He pulls her into a hug.
“I love you too, Rob.”
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accirax · 1 year
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Nene’s Role in Wonderlands x Showtime
The release of The Miniature Garden’s Coral seems to have confirmed some things I’ve recently speculated might transpire in future Wonderlands x Showtime events-- namely regarding Nene and how she may actually be the most important member of the troupe-- so, let’s talk about them! I’ll be using zui’s lyrics video for my translations, so hopefully they’re accurate.
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With the past couple of WxS events in mind, it’s easy to see that this 3DMV is also about endings. While the MV begins in a sunny blue afternoon light...
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...the characters and set eventually bask in a beautiful sunset orange, signaling the end of the day. The lyrics even mention being “between the end of the blue sky and the beginning of the night sky,” further emphasizing that we’re in the middle of the story. When the sky is blue, the troupe expresses uncertainty: Rui mentions that he feels lost, and Tsukasa, scared. But eventually, Nene admits that, in this beginning period, she was “spoiled by the sound of the waves,” AKA that the commotion surrounding WxS’s formation led to a troupe that became a source of comfort for all of them.
Once the sun sets, there are a lot of “even ifs.” Nene sings about how she’ll continue to sing this song, even if things are starting to look unsteady and she’s not sure if she should proceed. However, by the end of the song, she resolves to "still sing this song” while keeping up a smile.
I think that the fact that Nene says she will sing this song is incredibly important, because, as established, this song is about endings. Meanwhile, back in Mr. Showtime, Tsukasa firmly didn’t want WxS to end, and was holding out until closing time. Rui’s What Sort of Ending Are You Wishing For? and Emu’s Starry Sky Orchestra seemingly both acknowledge an ending as well, but it’s not at all easy. Rui seems to fall into a resigned depression at the thought, keeping a whimsical facade up when the very thought of separating kills him inside. The thought haunts him, MV riddled with hourglasses that he can’t get out of his head. Emu can only tolerate taking the first step towards a breakup with tooth-rottingly sugarcoated promises of eternal togetherness and literally holding hands as they go (I love her btw this is not Emu slander). She never even says the word “end,” only “tomorrow.”
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Rui, Emu, and Tsukasa are basically Denialx3. Rui tries to deny his emotions regarding disbanding, Emu tries to deny that the ending is coming at all, and Tsukasa tries to deny that there’s nothing he can do to keep them from inevitably drifting apart. And that’s where Nene comes in again.
Rui’s dream is to perform technically complex shows that will resonate with an audience. He can do that from Phoenix Wonderland. Emu’s dream is to keep the Wonder Stage up and operating forever. She has to do that from Phoenix Wonderland. Tsukasa’s dream is to become the number one world star and make everyone smile. While this would likely take him away from the park, in another story, I could see it being possible that, in the end, Tsukasa decides that making the people in his local community happy is more important than trying to change the entire world. Thus, he could also follow his dream from Phoenix Wonderland, even if it’s not ideal.
But then there’s Nene. Her dream is, and always has been, to perform in Broadway musicals. Broadway is a live performance in New York City. There is no possible way for Nene to get what she wants while staying in Phoenix Wonderland. And that is possibly why Wonderlands x Showtime’s ending is the easiest for her to process.
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Now, I’m not trying to say that Nene doesn’t love her friends. She adores them. Her three previous commissions have proven that. It’s the amount of love she has for them that will propel her to make what is actually the best choice for their dreams. Nene is the little mermaid, both when swimming freely the oceans with a beautiful, unstoppable song, and when enduring pain herself to stand with and for the ones she loves. Her friends, in this situation... are coral.
Remember that coral, “blurred” and uncertain in the water and “stained orange by the setting sun”? The miniature garden is Phoenix Wonderland; the coral is Emu, Rui, and Tsukasa; and that coral is stained orange by its desperation to keep rereading the final chapter instead of closing the book for now and putting it away to revisit in the future. Coral, while a beautiful living organism, is also completely static.
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Static like stone statues which, at least by my interpretation, is what the rest of WxS turns into at the end of the 3DMV. The three of them (and Kaito) are paralyzed with the fear of the suffering an ending would bring. Only Nene is alive and human to be the one to show the group the benefits it can bring as well.
There are a lot of aspects of this song and Nene’s entire personality that lead me to believe that she will be the one to bring about change in WxS. First, she most often “has the braincell,” so to speak. I don’t think it’s a coincidence that she performs this song with Kaito, the most mature of the WxS vocaloids, either. During April Fool’s 2023, she was put into the Solid Heart class. One might think that troupe leader Tsukasa should be the Solid Heart, and that shy Nene should be the Cautious Heart, but they (accurately) sorted it the other way.
Nene is a very strong-willed person. In other stories, it might be seen as a negative that Nene is always the most hesitant one to get into shenanigans, or that she would even dare to be the one to suggest a WxS split in the first place. What an ungrateful wet blanket Nene is, willing to throw away her friends for the sake of her own selfish dream. But in this story, staying at Phoenix Wonderland isn’t really what will make Rui or Tsukasa happy, and even Emu may have to graduate to focusing on the entire company instead of just one stage someday.
Nene’s friends brought her out of the darkness and into the light of day, and she is so grateful for that. She knows how amazing they are, which is how she knows that they can make more friends and continue to do even more amazing things in the future if they can bear to leave their high school part-time jobs behind and enter the real world, just like her.
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So, Nene’s role is to be Wonderlands x Showtime’s guiding light. She’ll tell Rui what sort of ending she’s wishing for, and then console him when he can’t repress his tears. She’ll be the one to hold Emu’s hand while they take that next step into tomorrow. Her three best friends helped her to grow from the loner who operated a robot from the theme park bushes, and she’ll help them step out of that theme park and be who they truly want to be.
There is one other thing I wanted to mention, though...
Tsukasa.
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As I mentioned previously, while all three of Rui, Emu, and Tsukasa are in denial, Tsukasa is the most actively in opposition to an ending. He’s also the troupe leader, and the sole creator of the Wonderland Sekai. If someone is going to actively try to stop Nene from suggesting separation, it’s definitely going to at least start with him. But as Nene has already stated in The Miniature Garden’s Coral, despite any opposition that makes her question whether or not she should proceed, she already plans to continue singing her beliefs about a bittersweet yet timely goodbye.
And, their conflict is something that’s basically been foreshadowed from the beginning too, right? Nene has always roasted Tsukasa, giving a counterpoint to his blindingly bright worldview. In upcoming chapters, however, I believe that may start to transform from simple fun banter into a genuine conflict with clear sides drawn...
And THAT’S why ColoPale gave them Childish War.
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Nenekasa nation get ready, ‘cause I don’t think this is the last Nene and Tsukasa fight we’re going to see.
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theshushdragonsleeps · 11 months
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So I'm pretty bad at expressing myself through writing cuz I'm pretty shit at it, but I can't get out of my head the scene of Jaiden comforting and confronting Roier during Festa Junina. It's the fact that Jaiden, through her own grief and self isolation, grabs a hold of a drowning Roier. Looking at him and truly seeing him and accepting him at his lowest point. Loudly declaring that he deserves kindness and love and she is his partner and that she is here for him. 
And I believe she will not waver about her conviction and affection for him. And while she may need time and she may be hurt beyond comprehension, she will never actually leave him until the day she is no longer wanted. (Even then she will leave with kindness and understanding.) 
In fact, until the day when one or both are ready to come apart and become their own person again, I believe that together they will be holding each other up. Unwilling to let the other fall despite their own pain.
And just, I love their partnership so much. I know other people in this fandom have been upset that Jaiden or Roier haven't been there for each other enough since Bobby's death, but I need people to understand that both are the type to self isolate when upset. Like Roier might still be a part of the bigger group and acting dramatic around others while Jaiden is acting fine with her usual silliness and then completely disappearing, but both doing the same thing. Both are trying to make a “joke” about how much of a mess they have become after Bobby died without ever having to open up and talk to anybody about it. Both are giving a show as if to say “I wont let you see how much I’m actually hurting because if you actually saw me grieve without my mask of silliness, I will become a burden and you will leave me” 
And by god if I don't feel this to my very core which might be why I’m so obsessed over this. Cuz despite their own fear of being perceived and the feeling of becoming a burden or being looked down upon and used, they are still reaching out and offering others nothing but love.
Like if I remember correctly there was a time when someone (I can't remember who, sorry) asked Roier what he wanted and he said that he wanted someone to fully accepting him and give him a place to feel like he was being cared about, and to be the one on the receiving end of love rather than always being the one to reach out. And here is Jaiden with the sun rising behind her with arms wide open bathed in the new dawning warmth, only offering love and asking for nothing in return. 
Bobby may have been their sunset, but together through the love they have for each other they are creating their own sunrise. 
 And just, ahhhh, sorry I know all of this was overly long winded and badly written and I'm deeply embarrassed by the fact that I can't write better than this but I wanted to try out being a part of a voice in the void of a fandom for once and get a little bit of my love for these two out there.
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