#sokka and katara do this and no i will not change my mind

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

#atla #avatar the last airbender #avatar the last airbender tv #atla tv #spoilers #natla #i loved it i hated it i mostly sat through it #i would like a season 2 though #aang #katara #sokka #zuko #iroh #uncle iroh #azula #ozai

[night-daily]

Are friends supposed to kiss on the lips? | Zuko x fem! reader

summary: Sokka's plans are the best.

warnings: none.

Has been two days since Zuko joined the team avatar at the western air temple. The things between you two were tense and the rest of your friends were growing tired of it but Sokka, as the genius he is, came up with a plan.

“Are you sure this will work?” Katara asked his brother. “Well, what's the worst that can happen?”

His plan was simple, Aang will lock the two of you in a room of the temple which can be only opened by him, Katara will tell you that Toph is waiting for you there and Sokka will just drag Zuko, in his mind, you two will become friends or at least will stop barking to each other.

You were training alone in the forest, and controlling the water wasn't hard but you wanna do it perfectly, it has become an obsession. You were tired of being beaten by the fire nation. By Azula.

“If you keep training just your element without moving you'll never improve.” Only hearing his voice made your heart race. “Are you offering to be my target then?” You didn't turn to face him. “More like training with you” The water on your hands fell to the ground. “You don't have to act surprised, like I told you before, I've changed, I'm good now.” He walked closer stopping in front of you. You watched his face, he wasn't lying. “I won't go easy on you.” That was your only response. “I wouldn't expect less.” He smirked blowing fire to you taking you by surprise “Hey! I wasn't ready!” You exclaimed stepping aside to avoid the fire. “The enemy won't give you a warning, you know?” This made you lose your temper, seeing the fire coming out of him remember all the times you have suffered because of it and not only you but your friends and family too. Your fists clenched.

You started turning the water into ice, trying to hurt him it wasn't a training anymore, he sensed your change of mood “Stop!” He thought you would stop but you didn't and you throw him hard on the ground. He hissed in pain and finally, you realized what you have done “Zuko!” You rushed towards him worried. His eyes were closed and he was breathing slowly. You grabbed his face putting his head over your legs. “Please, wake up” You were almost tearing up, this was your fault. “I can’t believe you fall for something so stupid” He was smirking again and opened his eyes just to see you worried. “You're an idiot I thought I hurt you” You push his head out of your legs. He groaned at the sudden movement “Ouch”

You sit away from him on the grass, hugging yourself tighter. You looked so fragile, so broken. Zuko felt his heart ache to see you. “Why are you training so hard?” He was curious because as far as he know you've never liked fighting but what changed? He knows you're in the middle of the war but that never made you be like this, so full of anger.

You didn't dare to look at him. “I'm tired of running away from the fire nation” even your voice sounded broken. For a moment he was confused but then he knew what you meant. Zuko stood up from his place and knee in front of you “look at me” you hesitated and then your eyes were looking at his “When Azula tried to attack you that day, I was afraid, you've been kind to me since the first moment even when you knew it who I was, you made your way through my heart and my mind” your faces were inches apart “I'm always going to come between you and anything that could hurt you, even if it's my sister” and then he leaves you there, alone with your thoughts and your heart beating fast.

what just happened? Did he likes you as you like hi-

“Hey” Katara's voice made you jump on your place “Toph is waiting for you” Toph? Did you forget you were going to do something with Toph? “Let's get going!” Her good humor was contagious so you started walking with her by your side, chatting about your memories together. You were walking for ten minutes until you arrived at the temple, you stopped in front of a room, and you saw Zuko sitting there on a chair, you turned to ask what was going on before Katara push you in there and you heard the door closing behind you. You and Zuko hurried up to the door trying to open it “This door can only be opened by Aang” Sokka explained “And we're not letting you out until you are friends”

Then the room was silent. None of you said or did anything for a few seconds. “Me too” your voice echoed. Zuko looked up to you, confused. “I- I'll always protect you, Zuko” hearing his name coming out of your mouth was like a sweet melody and it was enough to made him blush. He suddenly grabbed you by your wrist and pulls you closer to him. His eyes were looking at your lips making you nervous “ Can I?” He whispered. Instead of responding, you crashed your lips on his, his hands were now on your waist with closed eyes, you two have been waiting too much for this, to be together. Finally, you separated your lips to breathe, but still, you two were closer “Are friends supposed to kiss on the lips?” you asked with an amusing smile. Zuko laughed placing a kiss on your forehead “I hope not”

#atla #atla zuko #atla fanfic #atla fic #prince zuko #zuko #zuko x reader #zuko x fem! reader #zuko x y/n #zuko x you #avatar: the last airbender

[comradekatara]

Genuinely asking—what changes would you make to the adult gaang designs? :)

this is such a fun question thank u for enabling me. i mean i draw them as adults sometimes so also check out my /oldergaang tag if u want visuals (altho i also change my designs a lot because my art is nothing if not inconsistent) but if i was just going with like standard character designs like if i could redesign that hideous “old friends” poster for example…

aang: get rid of that fucking. chinstrap. don’t give him white man features because what the hell is that. and let him wear his off the shoulder monk robes from book 3 because he was slaying with that fit. actually the way aang is drawn in imbalance is basically perfect i would retain that design into adulthood. thank u peter wartman for all that u do….

katara: i don’t mind the older katara design (from the little we see of it) but it’s also not nearly as cunty and slayful as i would like. katara is genuinely interested in fashion and loves experimenting with clothes and hair and makeup, i refuse to believe that as she ages and has more resources to tailor her style to her own personal tastes she wouldn’t get a little funky with it. like she kind of just looks boring and uninspired in her older design, and that’s unacceptable to me because she should be hot. adult katara should be the hottest woman you have ever seen in your life. and she should be buff, also. shredded, even.

toph: any signifiers of copness are obviously unacceptable to me. but even more that than, it’s very important to me that older toph is distinctly butch. i think she would cut her hair the second she realizes that there is no reconciliation to be found with her parents and that there is no reason to adhere to those confucian values. and she would wear a lot of sleeveless outfits (sort of like the shirt korra wears in “korra alone”) to show off her biceps and also space bracelet (spacelet) that is her prized possession forever. and she’s just kind of a hot hippie butch legend . period.

zuko: in the old friends poster he literally looks like a lizard so just like. no. wtf. and i like his long hair in theory but i don’t like that it’s styled after ozai and not ursa, i think his hair would be shwoopier and frame his face more. and his robes should be less spiky and militaristic and more designed for comfort because that’s what makes him feel most like his true authentic self and he deserves that. also weird for a guy who is trying to demilitarize the fire nation to wear an armor-adjacent type of outfit. so mainly he’d just look softer and more like his mom.

sokka: i hate buff goatee whitewashed sokka that is some kind of demon. lok did so little with him and yet said so much (all of it egregiously wrong, ofc). sokka would be fairly tall (although not as tall as aang) and have defined muscle but in a sinewy, lanky way. and despite always having enough to eat he’d still look somewhat malnourished just because he’s constantly overworked and exhausted and never takes care of himself. and his ponytail would be longer but he’d still shave the sides. and the older he gets the darker his clothes get until he basically just wears black all the time because at some point he realizes that it’s more advantageous to remain culturally ambiguous if he’s gonna be a cosmopolitan. and he wears glasses (which were a gift from kuei). and sometimes he uses a cane because he didn’t sufficiently take care of his broken leg after the war ended and now he’s paying the price for it. and his cane has a blade inside too, but he rarely ever even pulls out the blade because he can incapacitate someone with just a wooden stick anyway. so he looks like if a nerd was a shadow was about to collapse at any given moment was secretly ruling the entire world. and he’s not in any sort of front-facing position of power whatsoever but he’s actually pulling all the strings from behind the scenes, and it’s exhausting. his eyebags are visible from outer space.

suki: i don’t even think there is a “canon” adult suki character design besides her in her kyoshi warrior armor and makeup but to me casual suki just starts dressing more like sokka. like the loose baggy sleeveless shirts (except in a lighter shade of blue bc kyoshi island colors) and tight pants and boots. it’s a very dykey look already and they’re basically girlfriend twins so their styles would merge even more than it already has within the show itself. like sometimes people think that sokka and suki are siblings because they dress so similarly and give off such a similar vibe and they’re just like “but we’re literally different ethnicities??? and also we are currently making out????”

okay bonus round bc i can’t just neglect them

azula: she cuts her hair really short and as an adult leaves it to shoulder length for the most part because that’s more comfortable for her. like zuko, she also starts dressing for comfort, and for a period in her late teens stops wearing makeup altogether. she gets back into wearing makeup as an adult, but she stops caring about whether or not she leaves the house with lipstick on, and it becomes more about the process for her than the result. she’s comfy and cute and dykey.

mai: sokka is her lesbian style icon so after her first haircut that was inspired by toph’s haircut to piss off her parents, she gets an undercut and starts wearing her hair in a ponytail like sokka. as she gets older she also gets more confident in her body and doesn’t feel like she needs to wear baggy long-sleeved clothing at all times or she’ll die. and she isn’t rail thin as an adult either because she starts letting herself eat more than a single grain of rice at a time. also, she gets a sword.

ty lee: she becomes a kyoshi warrior so she starts incorporating more blues and greens into her wardrobe, but also more oranges and yellows after she embraces her air nomad heritage. and she just dresses very colorfully and has a vast rotation of different cute little outfits. and i think she’d also experiment with different hairstyles once she has the freedom to define herself outside of the aesthetics expected of her. she looks beautiful always

haru: he finally shaves that thang

#shadowoftheraven15 #asks #the gaang and #postwargaang #oldergaang

[spirantization]

I need to talk about NATLA Katara because this girl has been on my mind so much recently. In another post regarding Sokka's character arc, I mentioned briefly how the changes to his characterization impact Katara's character in turn. Her adaptation has been one of the most heavily criticized aspects of NATLA; even people who liked the show often bring this up as one of the weakest parts of the series.

I've been sick and rewatching the OG animation and NATLA to see the adaptation choices more clearly (and also think about what s2&3 might look like). I've said previously that changing Sokka's arc meant that Katara's arc had to change, and that wasn't satisfactorily done. Upon rewatch, I have to disagree with my previous statements and the popular opinion about Katara's characterization.

Katara's journey in season 1 is about her growing into her role as a warrior, when she has spent her life being thrust into a passive role -- not able save her mother, having to listen to Sokka (as both her big brother and protector of the village), and not able to fight against the Fire Nation. The first time we see her, she's unable to bend; we see her consistently develop her bending abilities and her strength throughout the season. She confronts her past inability to save her mother. She stands up to Sokka to do what's right. She fights against the Fire Nation and protects the Northern Water Tribe.

Sokka's arc, as I've said previously, is about him struggling with his identity. He was thrust into a leadership and warrior role at a young age, and he's tied up so much of himself into what this means. His arc is about accepting that he doesn't have to be a warrior and doesn't have to be a leader.

It's a yin & yang characterization. Katara's place as a warrior, leader, and protector grows as Sokka's ebbs. Their arcs make the most sense when considered together. They're meant to be in harmony with one another. I see the intention of the storytelling present in their respective characterizations, and how they develop in connection to each other.

Unfortunately, so many people appear to have watched the first episode and either reacted negatively to the changes or stopped watching altogether. I've seen adjectives like "passive" and "bland" thrown around in reference to Katara. And on reflection/rewatch, I think that was the point: to start her off as someone who is afraid & weak in her power, and to grow her over the season into someone who is brave & adept in her bending. By the end of the season, we see a very different Katara from the one in the first episode.

It's alright if these changes didn't resonate with you and you preferred OG Katara's characterization and arc in Book 1 of the animation. They made a choice in the adaptation that was clearly a stumble for the majority of fans. Perhaps, now that they've done the work to get her there in NATLA from a different beginning, her season 2 characterization will more closely match her OG counterpart.

#atla #natla #natla positivity #avatar the last airbender #natla meta #i am on a one-woman crusade to change hearts & minds about the netflix adaptation #it's not bad it's just different

[xkaidaxxxx]

Zuko x chubby reader

Mentions: body shaming, foul language, angst,aggression, lying, fluff?!

Simple! :) sorry for errors.

“You look very beautiful y/n.” Katara mentioned "Thanks. I decided it's time for a change." You replied. Katara's complement made you blush. Sokka was surprisingly good at cutting hair. He gave it layers and added braids that held your hair back. “ I agree with Katara” Mai spoke. You instantly felt horrible with the new hairstyle. Mai isn’t the one to express her feelings so that comment made you believe otherwise. Perhaps cutting your hair shouldn't have crossed your mind.

Aang noticed you playing with the charm bracelet you wore. It tells him a lot about how you feel. He noticed you'd touch a certain charm with the emotion you were feeling, such as anger, happiness, sadness, anxiety, etc.“Katara is right y/n. It suits you! Sokka did a great job.” He spoke. He had that nice big smile. “ New hair cut? Looks nice” Zuko said patting your back. You’ve been dating him for 4 months and you’re very thrilled about it. He’s very kind and romantic when alone with you.

The day went on by. Everyone was calm. You can hear the ocean tides and feel the wind blowing. “Tell her. I’m tired of hiding.” Mai said. Zuko rubbed his temples. “It’s not that simple Mai. I can’t dump her out of the blue.” He responded. You heard them. “You don’t even like her. Why did you agree on dating her?” Your tears slipped. You didn’t want to hear his answer. “Because…she’s saved me many times..and I felt bad. It looked like she was going to cry if I said no.That and how many guys do chubby girls date? Almost never. I’m giving her a little hope.” You cried silently. You felt sudden saddens and hate. Running towards the ocean Katara called out to you. “ Y/n we’re making lunch! Wanna come help?” You ignored her walking back and forth. The waves following your movement. You made a fist. Your anger was so out of control you created a storm. “ Hey! Y/n you created a problem here!” Sokka yelled as Aang used his air bending to keep the water from drenching them. “Sorry!” You took a few deep breathes calming away the storm and the crazy waves.

“What’s got you so upset?” Katara asked giving you a tight hug. “ I keep losing my arrows. Haha. I overreacted.” She knew you were lying. She’s your most trusted person. Katara understands your personality, sense of humor, and the way you just are. She whispered. “We can talk about it later.” You smiled and nodded. Lunch was yummy. Everyone’s stomach was content.

Another 3 months went by. All the same apparently Zuko still loves you and wants to spend was much time with you as possible. It was such bullshit. You heard him leave with Mai at midnight. You saw how they treated each other. The little things showed everything.

The ride on the ship was wild. Not because there was a storm or someone was throwing arrows,fire rocks or trying to drown you all. Simply because an argument started.

“ you have no right to be upset. I’ve known him longer. You don’t get it.” Mai said with a straight face. You couldn’t believe what she said. The fire nation is insane however a regular family took you in. You eventually met Zuko. “ Have no right to be upset!? Are you kidding me? Yeah, he was your childhood sweetheart or whatever but who followed behind him when he was exiled !? Me! Which one of us cared to help him emotionally? Me! I’ve given him all my love and support even if it meant I’d be killed on the spot for betraying the fire nation. You did nothing but hide underneath Azula’s shadow and power. Yeah, I have every right to be upset.” You replied tears falling down your cheeks. Everyone was witnessing this mess. You were smarter, stronger, and more reasonable than her. “Zuko out of all the mistakes you’ve made. Cheating on me is the worst one. I know I’m beautiful even if I’m skinny or not. Not many chubby girls get boyfriends you sure were right about that. You should’ve rejected me from the start because I don’t need your pity.” You spoke finally feeling relieved. You said everything you’ve been wanting to say. “You heard us that day? Why didn’t you confront us then?” Zuko asked looking Towards Mai and then at you. “I had hope that along the way you’d realize what you did was wrong and you’d fall in love with me. 3 months later it’s the same. Clearly, I was wrong. I’m done. I’m dumping your ass. I hope you feel guilty for body shaming and lying.” You replied holding onto Katara’s arm. You couldn’t help but do so. She’s your best friend since you’ve met her. “ One day there will be an amazing man who will fall in love with you. He’ll love everything about you.” Katara said. You smiled and hugged her. “ Awe!” Aang and Sokka said in unison.

Pt.2 is posted !!!

#prince zuko #zuko #fire lord zuko #zuko x reader #aang #aanglove #sokka #toph #fanfiction #the last airbender #princess azula #fanfic #elements #avatar the last airbender #aang the last airbender #airbending #firebending #earthbending #waterbending

[petricorah]

zukka ficlet - knee pain 1.6k

“Bleeding hog monkeys,” Sokka cursed through gritted teeth as the leather strap on his knee brace finally snapped off. It had been weakened in their last fight with Fire Nation stragglers. A few groups were less than excited about the new fire lord’s orders—aka, to stop the attempt at world domination—and had finally decided to fight back. The gaang had been traveling the past few months to subdue them. Sokka insisted he was going to help, even though his knee, still wounded from falling during their fight with the airships, wasn’t as agreeable than his mind. Putting aside his slight lack of speed and faulty reactions in battle, it was causing him insurmountable pain. He had engineered a knee brace to help, and it had reduced the stress on his joints and allowed him to fight closer to his previous abilities, but the brace was now nothing more than a tattered mess of singed leather and half melted buckles.

Sokka balled up the frayed array of straps and chuckled it into the river he was sitting next to—an action that sent pain clambering up his leg, and making him yelp with a certain high pitched sound that certainly wasn’t manly.

“Sokka?”

Sokka immediately flinched into upright position. “Z-Zuko,” he chirped, attempting to casually lean against the rock he was standing near as Zuko emerged from the woods. “Fire Lord Zuko. To what do I owe the pleasure?”

Zuko rolled his eyes and walked up. “I told you to stop calling me that." He came to a stop in front of him, and Sokka couldn't help but admire him. His hair was getting even longer now, and it suited him.

It had been quite some time since the coronation. Lots of time together, working to undo the damage his father had done. Both by his side in the fire nation as his ambassador, and now, traveling again. So much had changed, and while he certainly looked more regal now, with his long hair and patterned robes, he still made Sokka's heart race like he had at boiling rock all that time ago. Perhaps even more so, as they'd continued to get closer as they worked—

"Dinner’s almost gone, and you weren’t back yet.” A teasing smile played at Zuko's lips, despite his attempts to appear stoic and wise. “I thought you were stuck in a hole.”

“Hey!” Sokka said, with an accusing wave of his finger. “You weren’t there for that.”

“Toph told me,” Zuko said. “Several times.”

Sokka clicked his tongue in embarrassment, feeling his cheeks warm. Damn Toph. In an attempt to make up for her and Zuko’s lack of a life-changing bonding trip, she’d taken to telling any story that made Zuko laugh—and most of those tended to be at Sokka’s expense.

“But I see you’re above ground,” Zuko said, his golden eyes passing over Sokka, seeming to glow in the dim light. “And in one piece. So what’s wrong?”

“Nothing’s wrong,” Sokka said with a fake lofty air.  

“You’re missing dinner,” Zuko said. “And it’s pig hen, your favorite.”

He never could get anything past him.

Sokka sighed in defeat and blew air to move a strand of hair from his face. “My knee hurts. I was trying to fix the brace, and I couldn’t, so it’s going to hurt more until I can get materials to make a new one.”

“You told Katara it didn’t hurt.” The words came in Zuko’s standoffish deadpan. Sometimes it was hard to tell when Zuko was just stating a fact in his rough voice or when he was being belligerent.

“Yeah, well. She’s having fun with Aang tonight. They’re all gross and obnoxiously lovey-dovey.” His looked away, at anything other than Zuko’s intense expression. Maybe if he studied the ants on the ground enough it would teleport him out of this conversation. “I’m not going to ruin that by making her bend water over my knee for an hour and then be all worried after.” He shook his head, and then met Zuko’s eyes again with what he hoped was a convincing smile. “It’s fine.”

Zuko’s stare was unnervingly sharp. Deadly. It was similar to the look he used to give them when they were about to fight, or the look he gave conniving fire lord generals who were faithful to his father’s old ways. Like he was really fucking angry and the only thing stopping him from setting things ablaze was Iroh’s voice in his head telling him to breathe.

But in an instant, it was gone.

“I’ll do it,” Zuko said curtly.

Sokka snorted. “You’ll do what?”

“I’ll work on your knee.”

“Yeah, thanks, but I don’t need my skin melted. When I do, I’ll give you a call.”

“Pain relief,” Zuko corrected, glaring at him like it should have been obvious that Zuko wasn't suggesting amputation by agonizing flame. “I’ve been…working on it. Uncle said the elements can learn from each other, so I figured there must be a way. I know your knee has been hurting so…I’ve been practicing.” He nervously rubbed the back of his hair. “It will help. Make it feel better, if only for a bit.”

Sokka blinked, staring at him with wide eyes. Zuko did all that for him? For him?

But Zuko’s pointed gaze snapped back to him, making Sokka’s heart flinch.

“It isn’t a choice. Either you do it with me or you ask Katara.” He stalked forward, almost threateningly, making Sokka take a half step back. “It would have been in a better place by now if you had rested at first. You can’t keep hurting yourself and pretending like it doesn’t matter—”

“Okay,” Sokka said, putting his hands up with a gentle laugh. Only Zuko would show he cared by trying to intimidate Sokka into taking care of himself. “Okay, we’ll do it.” He snorted, trying to offset the real emotions he was feeling with a joke. “What am I gonna do, run away from you?”

Zuko’s eyes narrowed. “That’s not funny.”

Sokka blinked. Maybe it would have been funnier if he hadn’t landed on his bad knee after saving Zuko from an arrow, but that was neither here nor there.

So he gave in and sat down, awkwardly, not knowing exactly how to react at what was about to happen.

Zuko knelt in front of him, which was already an image that made Sokka’s head spin, and then he rolled up Sokka’s pant leg, making Sokka’s entire body tense in embarrassment. But he didn’t stop him. He was just relieved that Zuko was so concentrated on his knee that he wasn’t noticing how much Sokka was blushing.

Zuko did a small motion with his hand, and flames erupted from his palm. But he concentrated, his eyes narrowed, and the bright orange fire subsided into a snaking ring that began to spin, controlled and glowing. It almost…moved like water.

Zuko placed it above Sokka’s knee, enough so the warmth radiated across his skin but didn’t burn.

Sometimes Sokka couldn’t fathom it. That someone he used to hate, sometimes even fear, was now someone he trusted so completely he’d allow him to not only bend next to him, but use it to help him, now, when he was vulnerable.

The heat was intense. Not unpleasant, but intense. Almost like it was blocking out the pain as it radiated up his leg, settling in his chest.

He let out a sigh, slowly settling into the position as the tension seeped from his shoulders. He hadn’t felt this painless in…a long time.

“I…I never did say thank you,” Zuko murmured. Zuko’s lashes were long, eyes downcast as he worked the flames under his hands. “For earlier.”

“You better not be doing this because you feel guilty,” he said. “Because I’ve saved your life about a hundred times by now. With that logic, you’ll be doing me favors until we’re both old men.”

Zuko chuckled. It was a low, good sound. A sound that made Sokka feel like he won a prize every time he earned it. A sound that made Sokka want to drop everything else and just focus on making Zuko smile.

“Gladly,” Zuko said with a low smile. “I’d do pretty much anything for you, Sokka.”

Sokka stilled, everything else fading from his view as he met Zuko’s golden eyes.

“But I’m not doing this out of guilt,” he continued. The heat pressed on, and the pain was gone from his mind. “I’m doing this so you don’t stubbornly give yourself chronic pain. Because I care about your knee,” he said. The flames dimmed, but his hand still glowed, and he slowly placed his palm against his knee. Sokka could feel the heat, and his heart was squeezing in his chest—

“And I care about you.”

His hand was still there. It was a marvel that Sokka’s brain was still functioning enough to form the thought that Zuko’s hand was on his knee as he stared up at him, saying that he cared about him.

Now. He should tell him he loves him now, right now, before he lost his nerve, again—

“Zuko, I…”

“We should get back,” Zuko said with a breeziness that Aang would have been proud of, and Sokka felt a rush of cold air as Zuko’s hand left him. Zuko stood, brushing himself off.

Sokka’s stomach dropped with a mixture of alarm and disappointment as the moment went up in smoke before his eyes. “Thanks,” he managed to blurt out.

“No problem,” he said. “Just one of the hundred of favors I owe you, right?”

“Right,” Sokka said in a faint voice. He let out a nervous, bubbling laugh. “We’ll have to grow old together just so you have time to make it all even.”

“Wouldn’t want it any other way.” Zuko smiled warmly. Of course it was warm. Everything about Zuko was warm.

Spirits. This would be the death of him, wouldn’t it? Loving this man who was so dense he would never catch onto any of Sokka’s flirting, and being so helplessly and terrifyingly in love he’d rather take an arrow to the heart than risk ruining their friendship? Was this just his fate now?

He stood, and subsequently staggered, his legs wobbly from a reason completely different than the pain from earlier, but Zuko steadied him. His warm hands holding his arm, the other on the small of his back, and he was so close that Sokka could smell the scent of smoke that followed him.

“You good?” Zuko’s voice was tinged with concern, sparking in his ear. “Is it still in pain?”

“No,” Sokka said quickly. “Just getting…used to it. It feels better. It feels great. I-I can’t wait for you to do it again.” Please.

Zuko blinked, some unreadable shock in his eyes at the words that had just tumbled from Sokka’s mouth, but his smile twitched onto his face. “I’m glad it worked,” he said. “And I can carry you. If it helps.”

Sokka’s face lit up in a blush and he smacked Zuko’s chest. “I do not need you to carry me.” I certainly couldn’t handle you carrying me. “Just…this. This is enough.”

Zuko readjusted, allowing Sokka to hold onto his forearm, the two slowly making their way back to camp. The pain from his knee was distant as he talked to Zuko about the earlier battles, relishing in ever laugh that he got.

Yeah.

This would be enough.

#zukka fic #zukka fanfic #zukka #myfic #me: let me just write this exact same scenario but a little to the left #kdjsdfk #chronic pain cw

[aangarchy]

Netflix atla live action review ep 4-6

So, they completely ruined Bumi. Spoiler warning.

The more episodes pass by the more confused i get with the choices that were made. I wrote down commentary for the episodes and the thing that i wrote down the most was "why does this happen?". The writing is incredibly confusing and messy, feels too rushed in some spaces and too slow in others. There's just... so much going on and so little at the same time. They brought in elements that in the OG don't get introduced until later in s1, s2, the comics, or even the legend of Korra. The reason these things get introduced so early here is not clear at all, because they don't serve any purpose other than to be an obstacle to Aang, Sokka and Katara on their way to the North.

Mai and Ty Lee are.. there. They get introduced earlier but they don't serve any purpose at the moment other than stand around, watch Azula train, ask questions so that Azula can give us the answers the viewer needs. My guess is they only got introduced for the audience who watched the OG to go "oh we know them!". We get the secret tunnel story earlier too, but it has absolutely nothing to do with love. Somehow "love is brightest in the dark" now correlates to the badgermoles being able to sense a human's emotion. It's a waste of a storyline, doesn't teach us anything about love, gives us Omashu lore which is useless bc neither Sokka nor Katara actually use love to escape the tunnels. Also Oma and Shu are lesbians now, but you only know that bc they changed Shu's pronouns. Wow, so progressive! We have lesbians in the story now! Boy do i feel represented as a sapphic!

We get Koh early on as well, but his entire gig got changed. Now suddenly he doesn't steal faces but he "feeds", and hunts using the fog of lost souls (which is tlok lore mind you) as a tool to trap humans. We introduce the mother of faces (comic book lore!), or rather pendant of her that Koh owns. There's no reason for her to exist in this story though other than to be an easter egg to everyone who read the search (Not even the majority of the fandom!) and to offer a solution to this problem we've created, which is Koh capturing our friends in order to eat them and us not being able to convince him into letting them go. There's no feeling of dread in the Koh scenes at all because the whole problem of not showing emotion is just not a thing now. No suspense, no fear, just a weird cgi clown face worm. The worm doesn't even menacingly circle around Aang to invoke a feeling of being surrounded, it just sits there. I also just don't understand why Koh is here already bc now who is going to give us information about Tui and La?

This decision also creates a problem that Hei Bai's story just isn't about Hei Bai anymore. We get fed a few lines from a talking fox about how the forest spirit got hurt, but there's really no solution? Aang buries a pinecone in front of the statue and tells him not to give up hope but he didn't even really need to do that, because Hei Bai wasn't the one kidnapping villagers! It was Koh. Why did we appease Hei Bai if Koh was the real villain? Hei Bai/Koh's story leads us to Roku, but Roku is completely useless. All he does is undermine Kyoshi's advice to Aang, tell Aang about the mother of faces pendant so he can appease Koh, and then we leave. I knew in advance Roku wasn't going to warn Aang about the comet here bc Albert Kim already told us working with a deadline like that with child actors is just impossible. But with Roku suddenly not being Aang's main Avatar guide he just gets nothing to do. There's no suspense in this part of the story either, bc the time limit of the winter solstice isn't a thing here at all. Aang also ends up flying over Fire Nation borders without issue, and gets led right into the sanctuary without the puzzle of figuring out how to open the door, and without the problem of Zhao's soldiers waiting for him when he comes out. It creates this issue of there not being any excitement, at least for me. I genuinely am getting a bit bored with the show, which was never an issue with the OG for me. There's a reason all of this extra material didn't get introduced until later on. There's too many characters and they all get too little time to really do anything useful, they're not fleshed out, the stories aren't thought through and it ends up getting very confusing and boring. I'm genuinely curious for the perspective of people who have never watched the OG cartoon, bc i wonder if they're even able to follow along without prior knowledge of this universe.

Bumi is just... not Bumi. They completely changed his character to be this bitter old senile man that resents Aang for abandoning the world. This doesn't make any sense because in this version of the story Bumi shouldn't know that Aang is the Avatar at all, because Aang was told right before he disappeared! So why does Bumi immediately know that Aang is the Avatar, and why does Aang immediately recognize him? Also the original point of Bumi's tests is to get Aang to approach fights and puzzles from a different angle, so he can learn versatility as the Avatar. But here the tests are just happening because Bumi is mad at Aang for leaving and wants to get back at him for being gone so long. He says some lines about Aang having to learn to make hard choices and you can't rely on your friends, but Aang ends up proving him wrong in the end! What is even the point of Bumi's part in the story now, except for him just being another obstacle on the way to the North Pole?

There's a lot of instances where I feel like the bond between characters gets completely lost. We barely spend any time with the side characters like the mechanist, Teo, Jet and the freedom fighters, and the people in the spirit village. It makes some scenes feel very out of place. These storylines all happen at once, and they don't get their individual moments to shine. We have no room to feel betrayed by Jet or Sai, because we barely got to know them to begin with. Jet and Sai only spend time with One member of the gaang each, but when their betrayals come to light the rest of the group acts devastated, as if it was their dear friend. Sokka also gets really mad about the Jet thing, but he only met Jet once when he smuggled them into Omashu, and Jet didn't even tell Sokka his name. He said it afterwards when Katara met him again. It makes absolutely no sense why Sokka is yelling at Katara for trusting Jet only bc she finds him attractive, when Sokka wasn't even there during all of that!

The sense of family between the gaang that we get from the original also just doesn't happen here. Especially because these characters so far have spent more time apart than together. Aang constantly gets separated from Sokka and Katara, leaving no room for them to bond. We get Katara and Sokka bonding, but they shouldn't need those types of scenes because they're already siblings (which isn't very clear in the show either btw!). I ended up forgetting that Sokka and Katara were trapped by Koh, bc we spend so much time away from them (a whole episode, which is now an hour!).

I have little to no criticism for the Blue Spirit story. Want to guess why that is? Bc they left it pretty much untouched. We even get a little bit of an extra scene, with Zuko and Aang talking while Zuko recovers after getting hurt during the escape. I liked this choice, especially bc it highlights how conflicted Zuko is.

This is where we get Zuko's backstory. I have one question here: why did they make Ozai more sensible and less ruthless? Was that a Daniel Dae Kim decision? Bc it feels like a Daniel Dae Kim thing to do. They're very on the nose with the way Ozai is abusing Zuko and Azula, but then they turn around and make this man visit Zuko after he burned him and praise Zuko about finding the Avatar. I understand that they did this to show how Ozai uses Zuko's accomplishments in order to push Azula, but even if it were to do that: the original Ozai would NEVER. The problem here as well is that they don't let the viewers draw any conclusions themselves anymore. They're holding the viewer's hand through the whole thing, leaving no room for nuance or doubt.

I just finished episode 7 and 8 and I have Things To Say. None of which are good. Writing it down is challenging so it might take a day or two.

#atla #avatar the last airbender #avatar #netflix atla #atla netflix #natla #netflix #atla live action #atla live action spoilers

[the-badger-mole]

It is baffling to me how Kataang shippers interpret that couple. How can you be a fan of Katara in specific and see how little agency she got in that relationship yet still be satisfied with how that whole mess turned out. Katara never gets to express her feelings.

Let that sink in. Katara, who challenged a waterbending master with decades of experience on her, who started a prison riot and freed captive earthbenders, who went out of her way to help a village of Fire Nation citizens. Who made a flower hat for a really cute guy she was into. THAT girl didn't get to express her own feelings for Aang. After their last two disastrous encounters- one in which he violated her consent after she tried to let him down easy said she was confused. After he had opened a lava fissure in her face because she didn't want to talk about his feelings for her. She didn't even get to speak. Her final line between the Agni Kai and that final scene was about Sokka's drawing.

She doesn't get to talk to Aang about how his treatment of her upset her. She doesn't get to express what changed between EIP and the finale. She doesn't get to confront Aang on his habit of running away when things get tough. She doesn't even get to hear what Aang likes about her (I mean, we the audience know that he thinks she's pretty, but beyond that?). The way the finale sets up Kataang it makes it seem like Katara is only into Aang now because he's Th3 r3@L H3r0!!!! (lies, but that's another rant). It makes her look either like she feels obligated or she's incredibly shallow (which, we know she isn't). But somehow this feels like a satisfying culminating moment for Kataang shippers???

And let me be clear, I don't care. I don't care if you are reading this now and you like both Kataang and Aang. I don't care if you truly do think their story is the height of romance. I am not here to debate you on the story merits of Kataang vs Zutara or change your mind on anything. You can like or hate whatever you want in good health as far as I'm concerned. Just know that if you try to argue with me, this is my opinion; Aang is fetid trash. Kataang is somehow both the most boring and the most toxic relationship in the show (yeah, I'm including Maiko). All trying to argue with me will accomplish is to stir up more examples in my mind about why Kataang is a terrible ship and Aang is an awful character/friend/SO/father, so jump into my inbox if you want that. But wouldn't you rather go talk to your fellow shipper fans about it?

#atla #anti kataang #anti aang #anti mai #anti maiko #the year of content!!!! #anti-aang #anti-kataang

[biconickyoshi]

Okay y’all… I was very critical of eps 3 & 4 (especially 4) of NAtLA. Then all of a sudden eps 5 & 6 kinda slapped me in the face with how much better the show suddenly got.

Spoiler-free thoughts first:

Zuko, Iroh, and Aang have cemented themselves as the best parts about this adaptation - which is really funny considering I’m currently writing a longfic AU where Zuko and Iroh discover Aang in the iceberg right after Zuko is banished at age 13 and end up becoming the first members of the Gaang (albeit reluctantly at first lol). Episode 6: “Masks” (the Blue Spirit adaptation) was so good, I’d venture to say that it actually improved and fleshed out some things from the original series.

Episode 5: “Spirited Away”, while not as good as E6, was not as bad as I heard people say it was going to be. I think that the changes they did make didn’t bother me nearly as much as the changes they made in the last episode, and it was actually entertaining.

There were several scenes that made me cry in both of these episodes (moreso in episode 6, which I’ll get into further down in the spoiler section). These are the scenes that I feel like really tapped into the heart of the original show rather than feeling like a soulless remake.

Now for my in-depth thoughts (INCLUDES SPOILERS):

EP 5: “Spirited Away”

- Staring out, I was bummed because I had just rewatched the first two eps of the original animated series lol.

- It was an interesting choice to have all three members of the Gaang get stuck in the Spirit World, but I think it worked.

- Wan Shi Tong just showing up randomly was a bit unnecessary, but I suppose it will be kinda interesting to see him again in S2 since he’s already met the Gaang

- Hei Bai plays a much smaller role in these eps, but I strangely didn’t mind that either?

- Seeing Katara’s last memory with her mom was devastating, especially the fact that she had to witness her death and hide in the igloo with Kya’s charred body :(( she definitely has severe PTSD.

- Even Sokka’s memory made me tear up a bit

- Koh being the villain and a soul-eater or whatever was a bit of an odd choice, but I guess I can see why they did it. I do prefer him just being an asshole who steals ppl’s faces lol

- Appreciated the Fog of Lost Souls reference from the LoK lore

- Aang reuniting with Gyatso made me cry. I know some people didn’t like him being in the Spirit World, but I really liked it. Also, the fact that Gyatso was the first person to tell Aang that it wasn’t his fault the Air Nomads died, and that if he had been there he would have died too? THANK YOU! My poor boy has been berated enough for “abandoning” the world.

- We got some interesting lore about the afterlife for humans from Gyatso and Aang’s convo, which we’ve never gotten in AtLA media before. Idk if it’s just for Air Nomads, but Aang mentions that Gyatso stayed behind instead of “seeking enlightenment”. I know that the end goal in Buddhism is to reincarnate until you eventually achieve nirvana, so I wonder if that’s what they were alluding to (I’m not an expert on religions so pls correct me if I’m wrong)

- Oh yeah, I forgot June is here lmao. As a queer person I loved her (bc beautiful goth woman) but I didn’t like the weird choice to make her hit on Iroh - I guess to contrast the Iroh being creepy towards her thing in the OG series. I wish they would have just had them interact normally tbh, no weird “flirting”

EP 6: “Masks”

- Here we go y’all. The best episode in the show so far and probably the best the show is gonna get this season. I’m still pretty shocked at how good this one was.

- I think the decision to include flashbacks to Zuko’s Agni Kai was a good decision here. It felt like an appropriate episode for them and the flashbacks were very well done.

- In general, Dallas is doing a phenomenal job at portraying a Zuko who is angry and aggressive, yes, but also so very sweet and compassionate at his core. I love when little inklings of his true self shine through.

- Roku was… not what I expected. He was very much more of a lighthearted and jokey person… I didn’t hate it, it was just unexpected lol. I wonder if they did that to contrast him with Kyoshi. Which, speaking of, I’m glad Roku clarified that Aang doesn’t just need to be a merciless warrior (and that he didn’t berate Aang for “abandoning” the world like she did). But I still am annoyed about the mischaracterization of Kyoshi in general.

- RIP Shyu :/

- Thought it was kind of strange how June captures Aang at Roku’s temple lol. Like how did she get on and off the island??

- Zhao continues to feel like a completely different character to me lmao. I think this version is pretty funny, but it’s so weird to see Zhao being portrayed as so goofy and incompetent when he was such an intimidating force and the main villain of Book 1 in the OG series. Just a weird direction they went with his character.

- The Yuyan archers look cool as fuck. 10/10 no notes

- Still not sure how I feel about Azula already being this insecure and jealous of Zuko. I think it makes her feel a bit more realistically like a child, but the whole point of Azula’s character is that she is really good at maintaining this cool and calm persona on the surface, which she uses to scare and manipulate people. I can see her maybe getting to a point later on to where she hardens herself into that though. We’ll see.

- Baby Zuko asking Iroh how he looks and his little smile 😭😭😭😭 I had a physical “aww” reaction to that. THAT’S MY SON (me and Iroh shouting in unison)

- War Room scene was handled very well. No complaints. I like how Ozai tried to test Zuko with battle strategies.

- Blue Spirit break out scene was extremely close to the original, and it was really good. They adapted it almost shot for shot with all the important parts.

- Here’s probably my favorite part of the episode: Zuko and Aang’s talk inside the abandoned house after they escape from Pohuai!!!!!! Gahhhh I could gush about this scene all day. I love how they expanded it to be an actual friendly conversation between Aang and Zuko. Like we get to see Zuko’s true self coming through - the sweet, kind boy we know he is. Zuko and Aang just have such great chemistry as well, wayyy more than Aang has with either Sokka or Katara. Like I adored them bonding over painting and caligraphy!!! I think this is the best acting we’ve seen from Gordon so far, and Dallas did a phenomenal job switching back to that hurt, angry version of himself (of course a trauma response). And the fact that Aang said “sorry, I didn’t mean to hurt you” when he blocked Zuko’s firebending attack??? My sweet boy 😭

- The final flashback to the Agni Kai was really well done too. I’d already heard Zuko fights back, which I wasn’t sure I’d like, but I actually didn’t mind it. I really liked that they showed Zuko’s hesitation whenever he did actually have an opening, and that was what angered Ozai the most - Zuko showing compassion, “weakness”. Daniel Dae Kim is of course doing a phenomenal job (no surprises there), and I really liked that Iroh actually attempted to stop Ozai at one point. It also looked like young Azula had tears in her eyes, which I again actually liked because it humanizes her.

- I loved that Aang was still there when Zuko woke up on the boat 😭 he wanted to make sure he was okay!! I full on started crying when we got the “do you think we could have been friends too?” lines from him. Again, Gordon killed it. I love how you can tell that Aang knows Zuko has been hurt and that’s why he acts the way he does. He doesn’t blame him for any of it. 10/10

- the last flashback to Zuko in his bed recovering from the burn… god the tears just kept flowing. I really liked the choice to have Ozai almost give Zuko a chance to like… idk understand why he did what he did, and how compassion is “weak”?? And then Zuko’s response to give people a chance 😭😭😭 as if I couldn’t love him any more!!! And then of course Ozai gets pissed. But seeing baby Zuko just cry in his bed UGH I’m dehydrated at this point

- Of course I can’t finish this review without mentioning the 41st division. What an incredible way to expand upon the source material by making them Zuko’s crew!!! It shows just how much Zuko truly cares about others and it moved me so much (once again to tears).

I don’t have high hopes for the last two episodes, but honestly, if this is what the live action can be, it gives me a bit of hope (at least for future seasons). I really think that Dallas, Gordon, Paul, and Daniel were the stars of this ep and are a big part of what made it so good.

#atla #natla #netflix atla spoilers #natla spoilers #atla live action #avatar the last airbender netflix #avatar the last airbender #atla netflix #atla meta #natla meta #zuko #aang #iroh #ozai #zukaang

[yourhighness6]

NATLA Episode 2 Debrief (by yours truly)

Hi again! Here's episode 1 if anyone is interested. This is going to be another outrageously long post, just a tw

I absolutely loved the ominous start and then it's just:

They really captured the Zuko/Iroh dynamic the cartoon had in this scene. I hope they keep this sort of thing throughout the show. Also, side note, but for whatever reason Zuko seems a LOT more violent in this version. This child needs some serious therapy.

I guess this is their version of the map joke, huh? Low-key disappointed but not as mad as I thought I would be.

I'm not sure how I feel about the writers prolonging some of the conflicts that were resolved back in the SWT into this episode. I guess it makes sense that they would have to extend the drama, but I'm a little disappointed these thoughts didn't make it into the first episode. I'm glad they're included, but I think at this point team avatar had started to feel like family already in the cartoon, so it's kind of annoying and misses the mark a bit.

Yes I'm so glad they put GranGran's blessing back in! I was really mad when they took it out, but this honestly feels more meaningful than it did in the cartoon. It's a precious cultural artifact rather than just a couple of blankets. This is similar to what I was mad about with extending SWT conflicts, but I don't have nearly as much of a problem with it, as it seems like they're carrying a little piece of home with them rather than just extra drama.

The burial scene was very sweet and sad. It gave us a bit more insight into Air Nomad culture, and a sense of closure the cartoon didn't really give us. A+ for Gordon's acting as well (he is perfect for this part, even if he does still need some more acting experience)

Zuko has officially mastered the "my uncle dragged me here and I'm an agnsty teenager" face. A+ to Dallas for this entire scene. I am absolutely LOVING the Iroh and Zuko dynamic. Never change (jk I wish you a wonderful redemption arc)

Suki looks just as beautiful as she did in the trailer. Unfortunately can't say the same for the Kyoshi statue (I wish it had been made out of wood), but there is something to be said for the little shrines to the avatars instead of a few big ones. I actually kind of like that they changed that element, and I hope they explore it more in future episodes, because I assume some of the spiritualism surrounding them would have to be changed. Side note: but I've seen nothing of the spirit world so far and I'm getting a little nervous. I guess I wouldn't mind if they decided it was some long-lost avatar trick or is introduced in the NWT, but if they get rid of it altogether I'm gonna be pissed.

I'm glad they decided to make Kyoshi Island a matriarchal society instead of having a male leader. It just makes sense based on the lore and I like to see more strong adult women than in the cartoon. Also Suki got a mom! Maybe she'll get some development too!

This Aang speech was very in-your-face storytelling, but I feel like the whole show is gonna be like that so I'm just accepting it at this point. I think it stayed true to his character while getting the point across, and it also kind of helped his character compared to the cartoon. He's very emotionally open and has a charming nativity about him, but he's clearly trying to help. Loved it.

He's so awkward I love it. This whole interaction was really cool, because it expanded on their relationship in a cool way. They're both struggling between doing what their parents expect of them to help their respective villages, but are being faced with a pull to the outside world, Suki with her "big heart" and Sokka with his need to protect Katara. Thishonestly gives more depth to their relationship and I don't mind the writers dragging out first episode conflicts if this is how they're choosing to explore them.

Aww look at these cute little siblings. I like that the writers are giving them more time to progress from strangers to besties. Their interactions seem more natural, and Aang's grief more realistic. It's also great to once again see Katara growing more confident and powerful in her abilities. I love the smell of some good character development in the making.

Look at her face! She's like,"I'm so good at flirting. Mother would be proud." Meanwhile Sokka's scared of her. Anyway I'm living for their scenes and they're making me giggle. (Despite Sokka's sexism being toned down it still exists to a lesser level and I love to see her beating his ass while he tries to flex)

I love the new subplot! I love that flashback! I love this conflict! It gives more credence to his fears as a prodigy. Whatever writer came up with this deserves a hug.

AHH the ship is sailing! I love Sokka learning to be more open minded! I love Suki learning to be more open-hearted! I love when characters in romantic relationships learn from each other! This is giving Suki and Sokka development in ways the cartoon did not without trying to play Sokka's sexism off as a joke and also giving us more screentime and when I say I love it I mean I am doing a happy dance right now!

Okay, so just a quick word on shipping besides Sukka because as Zutara trash I am legally required to do this:

It seems like they are keeping the zutara hope parallel intact, with Katara and Zuko both finding hope in the avatar but in different ways. However, I don't think this really changes anything. So far, there's beven nothing to suggest they're going with ZK instead of KA, and I'm a little worried that they're trying to parallel Sukka and KA wwith the way they're setting up both girls as kind of a "teacher" to the boys in a way and giving both ships a huge amount of screentime in the same episode. Also, and I hate to say this, they might be attempting to fix KA by toning down Katara's anger and her "dark side". She didn't get angry to break the iceberg and they're eliminating her entire waterbending scroll plotline. They're trying to make them a better match for each other by watering her down and therefore increasing her connection with Aang and decreasing the chance of a future connection with Zuko over their anger and shared trauma. It's sad news that I didn't want to deliver, and I've seen spoilers that there is another ZK moment later down the line, but at this point, I think KA is a lot more plausible than ZK. *cries*

In slightly less depressing news, they're inserting the avatar state plotline a lot earlier. This makes sense with the condensed timeline, and I think I like the way they're going with it so far. I hope they keep the concept of avatar guide intact, though, and I'm worried that they're going to play into more of a connection to all of his past lives instead of just Roku. I kind of hate Roku but I do think that's a major concept I don't want them to get rid of, and his inaction during a time of adversity mirror's Aang's own challenges with confrontation. Their dynamic is a good one, and I wouldn't be opposed to changed but I really hope they don't entirely throw it out.

Scratch whatever the fuck I said before. I'm back on my shipping bullshit I can't believe we got a BONUS FIGHT! Also kudos to whoever decided Zhao should burn the village instead of Zuko. I was always so pissed at him whenever I rewatched this episode and now I can sleep easy knowing it was that military dipshit instead of him

I love Kyoshi to an unhealthy extent but I kind of wish Katara had been the one to go off on him. It would have seriously fixed things.

COUPLES THAT FIGHT TOGETHER ARE THE BEST COUPLES CHANGE MY MIND

Also, side note, but I love the hair these in fight scenes:

Most action movies hairspray the shit out of them but these actors are allowed to look a little disheveled while they kick ass. Huge thank you to whoever decided that more natural hair is superior cuz they are 100% correct

THE BONUS FIGHT SCENE IS NO LONGER COOL I REPEAT THE BONUS FIGHT SCENE IS NO LONGER COOL

I think this was the perfect conclusion to Sukka (for now)! Sokka learned something so much more valuable and impactful than in the cartoon, in my opinion. His masculinity is handled very well in my opinion, and even if I would have liked to see him wear the warrior outfit, there's something really great about the way he continues to embrace protectiveness, a masculine trait, while having rid himself of toxic masculinity, such as not being able to learn from others. He's leaving a more open minded and humble person and I love the way they portrayed it.

Okay the speech was a little on the nose but I liked it. One of the best things about ATLA was the way they executed Aang's childishness ending up beneficial for the world. I think the new conflict is expanding on that nicely while staying true to its roots. *pats writers on the head*

AHHHHHHHHHHHHHH IS THIS REAL I LOVE IT SO MUCH AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

IM TRYING SO HARD NOT TO THINK ABOUT THIS LINE AND HOW IT COULD BE ANOTHER PARALLEL TO K/A I HATE IT BUT I LOVE IT AT THE SAME TIME LETS JUST FOCUS ON SUKI SAYING SOKKA HELPED HER AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

Also the fan was so cute. That last scene on Appa really wrapped everything up nicely. I like the way they tied in the conflicts between the siblings while engineering growth for Sokka.

Daniel Kim delivered in his two seconds of screentime. Zhao was such a bitch but idk what else I expected. Can't wait to see more of these two bastards in future!

Anyway, to recap:, things I did like:

Aang's new conflicts

Sokka's mini arc

SUKKA

Expanding on Katara's PTSD

Zhao burning the town instead of Zuko

Zuko and Iroh's dynamic

Things I didn't like:

Katara's characterization

Lack of Aang's actual avatar guide

K/A hints and lack of zutara implications

Postponing the Zhao and Zuko agni Kai

Overall, I have to say I think that they're playing into the core themes very well while expanding on the characters. If it weren't for the whole Katara debacle this would be a 9/10 episode, but with the Katara debacle imma give it a 7/10. Still, I can at least understand why the writers made their crappy decisions, even if I don't agree with them. Hopefully certain things are fixed in future episodes, but as it stands I think I'll live (barely)

#natla debrief #emmie babbles #zutara #sukka #aang #sokka #suki #zuko #katara #avatar the last airbender #natla episode 2

[survivalove]

I hate to do this but someone reblogged one of my posts and I scrolled down their tl, hoping to mutual, and saw this mess:

Do people actually somehow watch the show and not see every single moment where Katara blushes or plays with her hair around Aang, gets shy at the thought of kissing Aang, is clearly attracted to him in Book 3, gets jealous of any girl that’s also attracted to him.

Or Aang comforting Katara several times: hugging her in the Serpent’s Pass and validating her feelings to the point she cried, comforting her when Jet died and getting the whole group to hug her, telling her how she inspires people and gives them hope, literally tells her she’s a hero??

Aang and Katara literally having several disagreements, Aang’s perception of Katara changing over the three seasons, him agreeing with every single idea she had to flat out rejecting her advice, then wrongly blowing up at her after zuko and the rest were flat out racist to him?? Aang telling her to confront the man that killed her mother after she rejected his advice??

Mind you Katara can barely tell Aang likes her back until season 3 and clearly shows feelings for him way before he starts initiating romantic acts with her after TWO seasons of her touching, kissing him on the cheek and hugging him unprompted 💀 not to mention “forces non-romantic feelings on her” when she is the one that said he was her family after a week of knowing him?? what does that even meannnnn

And I’m supposed to believe that these people actually watched the show, paying attention to… KATARA?

On top of that, to say (not pictured) the only person to ever comfort her was the guy that attacked her several times 💀 and he didn’t even do anything??? used Sokka’s trauma to come up with a plan he didn’t even agree with (nor did he ask him, like you can ask him to retell the most horrible moment of his life, but you can’t ask him if taking his sister to confront the man is a good idea? you can’t even ask him if he wants to go??? that is literally the most horrible writing i’ve ever seen but i digress). on top of that doing it for the most obvious ulterior motive of getting her to forgive him. standing there while she bloodbended and almost killed a man, not knowing she just swore off doing the former weeks ago because all he knows her to be is hostile until that moment. He doesn’t know Katara to be someone that expresses love and kindness until she forgives him but apparently this is how you comfort someone over every single moment of Aang comforting her that I listed above. okayyyyy

Just to contrast for contrast’s sake, Aang:

1. offers to take Katara to the North Pole with zero ulterior motive,

2. gets her mother’s necklace back with zero ulterior move,

3. helps her destroy a factory with zero ulterior motive…

4. helps her get Haru back, stands up for her to Pakku, calls her Sifu when she complains, comes back to save her home and gives himself up, comes back to save her in ba sing se and I’m sure a million things I’m missing, all with literally zero ulterior motives at all.

Meanwhile antagonist does one nice thing for female mc with shady undertones that might as well be overtones and now he’s allegedly better than her friend who helps her several times for no reason other than the fact that its something she wants.

Like am I supposed to believe that these people actually like Katara or are media literate at all? I feel like I’m going insane 😭

#pro kataang #anti zutara #antizutara #anti anti kataang #anti anti aang #anti zuko #anti zukka #katara #aang #atla fandom problems #i think i need to put a dni in my bio #because these freaks are winding up on here reblogging my posts #the jokes write themselves #stay away from me

[writermai05]

Arsonist's Lullabye

Chapter 1: A Burning Flame 

Summary: Y/n and Zuko ponder about a potential friendship. 

Pairing: zuko x fem! reader (Live Action or Animated) 

A/N: And so the slow burn starts! I’m pleasantly surprised by the positive feedback on the prologue, and I’m hoping to keep pumping out these chapters for y'all (and for myself LOL). As always, I would love any feedback / constructive criticism to help me improve on the story. Enjoy! 

Disclaimer: I do not own the rights to Avatar: The Last Airbender, I am merely a nerd who hyperfixates a lot. Lots of divergence from the canon story lol. 

Warnings!: Mentions of Ozai (yes he deserves his own warning), Zuko’s scar, Talks of self loathing, and insecurities (give Zuko and Azula therapy fr!). 

Y/n moved in two weeks before classes started at the University of Ba Sing Se. 

She was looking forward to the change of scenery. It was a tough decision to leave Agna Qel’a, but it had to be done. She desperately needed a chance to live apart from her family for once. When she had gotten a spam email asking her to apply for a transfer, she jumped at the opportunity. When she was accepted, she was encouraged to apply for Shui, A scholarship program. 

Shui was a program for students of water tribe descent, regardless of where they were from. It would pair her up with an incoming first year student to mentor and guide through college. It was a pretty intense application process, writing essays, getting interviewed by university representatives and moving in early. The first week was rather uneventful, meeting all the first years and doing an assortment of different icebreaker activities in an attempt to find the perfect mentor-mentee match. 

But all of it was leading up to this big moment. She was about to learn who her mentee was. The program coordinator for Shui had given all the mentors and mentees a piece of paper with their person’s name on it. The atmosphere in the room was full of energy as  all of the students waited impatiently to learn who they would be paired with. 

“Alright everyone! On the count of three…” 

They began to countdown altogether. “Three…Two…One!”

Chaos broke out in the room with lots of cheers and laughter. Y/n opened her piece of paper. 

Katara

She had talked to Katara a lot the past week. Y/n liked Katara. She was sweet, and particularly snarky to her older brother, Sokka, who was also a mentor this year. Y/n also vaguely remembered a mention of her being a water-bender, just like herself.  Katara locked eyes with Y/n from across the room, and they quickly started to walk towards each other. 

“I’m so glad I got you! You were like, the number one person I had on my list!” Katara squealed with excitement and Y/n laughed at the younger girl's antics, bringing her in for a hug. The two rocked side to side, before Y/n released Katara from her grasp.

“Let’s go get lunch. My treat, obviously.” 

Katara let out a sigh, “You are amazing. This is going to be a fantastic year.” 

As the pair walked off campus and into the city, Y/n passed the tea shop she had visited a mere two days ago. The cashier, Zuko, she remembered, looked about her age. She had thought about him a lot. Like being drawn to a treasure chest, eager to uncover the secrets hidden within its lock. Did they attend the same university? What major had he chosen to study? Where exactly was he from? Is he a bender? Of course there was another part of her brain, the nosy part, that wondered, 

How did he get the scar on his face? 

She came back to the present once she realized she had stopped in her tracks, causing Katara to stop alongside her.

“Y/n? Are you alright?” Katara asked attentively. 

Y/n shrugged off her concerns, waving a hand dismissively. “I’m fine. Do you know any good Southern Water Tribe restaurants nearby?”

“Um, of course I do! This one restaurant has the best stewed sea prunes in Ba Sing Se!..”

While Katara rambled on about food, in the back of Y/n’s mind Zuko permeated her thoughts. He was like a burning flame the way that thoughts of him danced around her mind, filling it with visions of an all encompassing fire. 

She wanted to know him. 

~

On the days where the shop was closed, Zuko didn’t do much. He had no hobbies, no life outside of the Jasmine Dragon. He was very much aware of this fact, as Iroh constantly lectured him on it. The words replayed in his mind frequently. ‘You need to hangout with people your age, Zuko.’ 

He was actually starting to agree with his uncle on something. 

When he had moved in with his uncle as a 14 year old, hanging out with people his age was out of the question. With his bandaged face and newly shaved head, he knew that his peers would have ulterior motives for interacting with him. In return, he had reverted into exactly the kind of son his father had always wanted. Stuck up, authoritative, even cruel. It’s why he was ostracized in highschool. He recalled how his first year of university had completely gone up in flames, but then again, that was all his fault. Everything was always his fault. He was fortunate that Iroh was a thousand times more forgiving than his father. Iroh hadn’t so much as batted an eye when Zuko told him that he would need to restart his freshman year of college. 

Zuko realized he would need to try harder than that this year. He held out hope that his sophomore year would be different. 

Maybe Y/n could help with that. She seemed friendly enough when they met at the shop?

Zuko shook the thoughts from his head. ‘You don’t even know her!’ his head screamed. If he were more rational, he’d berate himself for being so invested in a girl he knew virtually nothing about. But he can’t seem to bring himself to actually think logically right now. The desire for connection burns in the pit of his stomach, and he can feel himself growing frustrated at his inability to just be cool for once in his life. 

The boy pushed the negative feelings away, taking a couple of deep breaths like his therapist had taught him. Zuko was determined to be better. To be good. And he knew exactly where to start. With the people he tormented for years. 

He knew he had to make amends with Aang and the others. 

#arsonist's lullabye #writermai05 #atla #atla live action #atla netflix #avatar the last airbender #prince zuko #zuko x reader #prince zuko x reader #atla x reader #prince zuko imagine #modern au #college au #aang #katara #sokka #toph #zuko

[forevermore05]

Let's say you're one of the writer's way back when Atla was first starting. Bryke has stepped back and let the writers do their thing. What are some things you would keep or remove completely? What are things you would have done differently? What would you have liked to explore more of with the story and the characters?

OOOH good question

I would definitely be giving South Asia, Hinduism, and Buddhism their honour back but making Desi main characters not caricatures. I will pay my respects to those religions by using them properly and not discarding them when you don't truly understand their meaning. And better representation will all the cultures.

Likewise, I would make a 4th (or maybe more) book, so we can see the healing of the 4 nations and flesh out the Gaang and other characters properly. I feel like ending it on book 3 was too sudden, and I hate the comic, so I don't even recognize those, since it is so OOC.

I would make Zuatara canon through some slow burn. I would not pair Aang up with anyone, since he is too young but keep him having a crush on Katara for the Chakra arc (which stays true and respect to Hinduism) but to provide a lesson on heartbreak and moving on. Same with Toph, such a cute little baby.

I will REMOVE those nonconsenual kisses entirely. Basically out with Kataang.

I want to see more of the evil politics of the Fire Nation before Aang defeats Ozai and how Zuko deals with it. In contrast, to how Zuko handles politics being Fire Lord.

I WANT more Suki and her backstory. I also want to see her and Ty Lee fight side by side. It would be so cool.

I would actually have Zuko and Katara speak to Azula after the Agni Kai.

I would keep Sokka's sexism arc.

Not only that, but I would love to explore Yue even more and her take on the NWT

I also want to go in depth with Mai, I want to give her some depth.

Have Aang's character understand the Mahabharat scripture before making a choice. (Maybe kill Ozai)

I want to see a healing arc for Azula

I also want Uncle Iroh to face some repercussion of being an activity member of war. I love Uncle Iroh, and I want to write the consequences and him accepting humbly due to his development.

Book 4 and (leading to adulthood) head canons for the Gaang

Katara: Helps the SWT and NWT, then goes on to become ambassador for the SWT in the Fire Nation

Zuko: Fire lord

Aang: Helping all the Nations to heal

Toph: I think she would totally be the creator of the pro-bender, you cannot change my mind, I think she would also become a teacher

Suki: Girlbossing as a Kyoshi Warriors and being known as one of the best

Sokka: Become Chief of SWT and a skilled engineer

I want Katara and Zuko to find his mother together (so we can get good development)

I feel like I have more, but I will add more if I think of any.

#avatar the last airbender #katara #zutara #zuko #zuko x katara #anti kataang #hinduism #india #atla suki #ty lee #the gaang #princess yue #anti maiko #Mai #azula #princess azula #anti iroh #but I still love uncle iroh

[comradekatara]

What are the ATLA ppl's fav pseudoscience?

okay so this is a really funny question because obviously many of the atla characters do already strongly believe in things that we would classify as pseudoscience, but also because they live in an entirely different cosmology, some of what we label pseudoscience (see: ty lee's whole deal) is in fact plausible within the world they inhabit. and there are also degrees of plausibility. we see phrenology practiced (by professor zei in "the desert") but we as the audience are expected to be critical of the practice (at least... i hope!), or while katara buys into fortunetelling wholeheartedly, sokka's skepticism is also given credence. and then the concept of qi is like. integral to the fabric of the show. so i'm instead going to frame this as "their favorite pseudoscience within my modern au" because otherwise it would simply get far too confusing.

aang would probably be into cryptozoology. i don't really have much to say here, i think he'd just believe in nessie and sasquatch and mothman because why not. makes the world more magical, yknow?

katara obviously buys into astrology and palm reading and stuff of that ilk. but it's not just a fun little game for her, like she does genuinely believe it's 100% real. and she has gotten into some really terrible fights with sokka over this. (almost as bad, in fact, as their blowout fight over whether or not pluto ought to be reclassified as a planet, wherein katara was so deeply offended by sokka's claim that "the classification of pluto is not a social justice issue, except for perhaps in the sense that you sound like a conservative right now" that she dramatically declared that she was disowning him as her brother.)

sokka's role is basically to personify/embody the scientific method so him believing in pseudoscience is antithetical to his mo. that said, i guess you could say he believed in gendered bioessentialism, but even then he changes his mind the second he is presented with data that disconfirms his paradigm, so it's more honest to state that he wouldn't really "believe in" anything since that's not how he approaches the world in the first place.

toph tries acupuncture with aang in "nightmares and daydreams," and also is a walking polygraph, so let's just go with that.

suki's a dyke so she knows the basics of her birth chart just by nature of being in those circles, but she also knows better than to mention that around sokka, because she fears that he would dump her on the spot if she admitted to knowing that she's a "taurus moon."

zuko becomes convinced over the course of his life that iroh knows everything there is to know about everything, all because of that one time iroh said "maybe you shouldn't live with your father?" and zuko was like "YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT!!!' and ever since he has regretted that argument so much that he has fully bought into tcm, but also doesn't really understand it himself, so he kind of just blathers on about "hot versus cold foods" or whatever, but in a way that it's clear that he's just putting words together in a poor man's facsimile of his uncle.

mai likes to fuck with people by claiming that she genuinely believes in humor theory. she'll be like "my, doesn't someone possess an excess of black bile today?" and revel in alienating everyone around her. i mean, she doesn't actually believe in it, but by the parameters of your question, it is nonetheless her favorite pseudoscience.

despite what you might be expecting me to say, ty lee's favorite pseudoscience is actually psychology.

and azula's favorite pseudoscience is eugenics, obviously. she can't get enough of the stuff.

#bigpansy #asks #the gaang and #modern au #sort of #i think this post is gonna alienate everyone actually #so youre kind of sick and twisted for asking it of me in the first place #although maybe thats on me for answering it #lmao

[the-power-of-stuff]

The Live-Action Sukka Manifesto that I Just Couldn't Keep in My Head

So I've been marinating in my live-action Sukka thoughts for the past three days, and when someone sent me an anon asking if I had any thoughts about the changes, at first I went, "DO I EVER?!" and proceeded to dump my entire brain on the page.

But then I worried maybe the anon wouldn't want to see my entire brain and figured I'd make my own post with my Many, Many Thoughts, and reel it in a bit when I answer the ask. And then link here if they're interested in the dissertation.

I'll put all the excessive details and spoilery stuff under a cut, but I'll start by saying, I didn't hate it! And I was afraid that I would.

There were things that I was bummed or had mixed feelings about, but there was also a lot that I genuinely enjoyed. All the Sukka interactions were cute and still had some decent character development, and I had fun with the episode overall (I've watched it thrice mind you, and definitely have not given the rest of the series that kind of attention). And I didn't necessarily dislike the differences from the original; I think I've just taken more of a "that was an interesting interpretation" approach.

But I better start that cut now, because I'm about to go on and on about this. I'd love to know what others think, though!! Even if the opinions aren't the same as mine! Please feel free to comment, reblog, shoot me an ask. If nothing else, I'm excited that the LA has gotten people talking about ATLA again.

So, I want to start with Suki’s characterization, which overall I found to be delightful, even if it was a bit of a watered-down version of her animated self.

In the original show, Suki is confident, sassy, and doesn’t take shit from anybody. She’s proud to the point of almost being arrogant, and even a little mean. What we get in the LA is someone who’s still confident in terms of her status and her skills, and still proud of her heritage and her role in her community, but with significantly less sass. And while LA Suki still seems like someone who wouldn’t take anyone’s shit, we don’t actually see LA Suki deal with that much shit from anyone (because Sokka isn’t really giving her any). 

There is one moment in the show where her interaction with Sokka is a little contentious, which is when he tries to relate to her as a fellow guardian of his people. I think Suki’s question to Sokka about how is he protecting his village if he’s not there is meant to be a challenge to his swagger. However, the line is delivered with a softness that makes it seem as though Suki is, at least in part, genuinely curious. (This curiosity makes even more sense when we consider the fact that Suki’s eventually going to leave Kyoshi Island so she and her Warriors can take part in the war effort, and that she will have to contend with the question of “how do you do that without abandoning your people?” when coming to that decision. The LA lays a lot more of this groundwork than the animated show did: Suki outwardly expressing her desire to see the world, her mother’s secretive looks every time Suki gazes longingly at Sokka the possibilities…)

Compare these two moments, for example. These are both scenes where Suki expresses disbelief at Sokka's claims about his warrior-hood. But in the LA, Suki speaks rather quietly and mildly, in contrast to the brash sarcasm of her animated counterpart. LA Suki is also tilting her head down and away, looking at Sokka indirectly. OG Suki is leaning in close, getting in his face, smirking derisively with her hands on her hips.  

I think there’s something to be said about the LA in general smoothing away certain personality traits that could be seen as negatives but that are actually strengths that are so narratively well-developed they occasionally show up as flaws (for instance, Katara’s fury, or lack thereof). Animated Suki is prideful and stubborn; she berates Sokka until he gives her sad puppy-dog eyes and has zero hesitation about making an example of him in front of her whole class. It’s a little ruthless, but these traits are also 1) what gets through Sokka’s thick skull (he, too, is prideful and stubborn), and 2) what makes her such a dedicated ambassador of Kyoshi and such a strong leader of the island’s Warriors at such a young age. I feel like the LA writers were afraid of making any of the protagonists seem too abrasive—everyone in the LA has had their edges sanded down, including Zuko, including Aang—and in general this tends to lead to less realistic representations of humanity and conflict, less satisfying character development arcs, and fewer opportunities for reflection and learning. 

That being said! I went into watching the LA with negative expectations about what we would see in terms of character development, and thus was pleasantly surprised. 

The LA removed the need for Suki to be as ruthlessly stubborn as she is in the animated show because LA Sokka’s skull is not so thick (and I'll get into that a bit more later). So what we get instead is a sheltered Suki with a helicopter mom who is so hilariously awkward that she has no idea how to interact with other humans. And, to be honest, I enjoyed this version of her so much that I even thought to myself, “I wish I’d thought of that!”

Suki is a straight-up weirdo in the LA and I love that for her. The way she puts Sokka in a chokehold and then looks at him after she sets him free like, “That was good flirting, yes? Would you like to be my boyfriend now?” And then her disappointment when Sokka walks away as if she’s thinking, “Why didn’t that go well, I thought boys loved getting put in chokeholds?” She is so precious, I just want to put her in my pocket. And this characterization might even be more broadly relatable than a super-confident Suki brimming with sass. Who among us hasn’t made a complete fool of ourselves in front of a crush by coming on way too strong and having no idea how to flirt? I mean…real. 

And because Sokka is also mostly just making a fool of himself trying to impress a pretty and talented peer (instead of covering up his insecurities by wrapping himself in misogyny) this leaves room for the two of them to be attracted to each other right off the bat and for their interactions to be more overtly romantic throughout the entire episode. Which, avid shipper that I am, I have to admit I have been gobbling up for the past three days straight. This episode was an IV drip of romantic tropes hooked straight to every Sukka shipper’s veins. 

Shy glances from across the room? Check.

Walking in on the other person half-naked? Check. (Y’all, Suki looks Sokka up and down for a FULL TWENTY SECONDS yes I timed it from the moment she appears in the background, yes you should count it to see how long that really is. Talk about awkward.) 

Tripping so they end up falling into each other’s arms? Check.

Wide-eyed shock that turns into surprise thirst after being pinned to the ground? Check.

Shooting each other satisfied smirks as they kick ass side-by-side? Check.

Jumping in front of literal fire for each other? Check and check!

Like, I could live off this for the rest of the year. 

But look, there’s a lot that I love about the way Sokka and Suki’s relationship is portrayed in this episode besides those romantically indulgent tension-creating moments, and it has to do with Suki’s admiration and validation of Sokka. 

Suki really looked at this boy with his mouth stuffed half-full of steamed bun and went, “Must have.”

With the removal of overt sexism from this episode (for better or worse), the story focused much more heavily on Sokka’s development as a leader. He still has that sort of posturing display of self-confidence that comes from inexperience and trying too hard to prove oneself (“Ferociously…deadly tiger whales…”), and while at first Suki seems put off by this and his attempts to liken himself to her (“I’m not just a warrior, I’m a Kyoshi warrior”) it doesn’t take her long to decide (*cough*after seeing him shirtless*cough*) that she doesn’t actually mind this behavior (and in fact maybe she kind of likes it because maybe it means he likes her and maybe it means she can show him how much she likes him by slicing the tops off all those melons with her fan). She seems genuinely interested in his boomerang and impressed that he hunts, and then later, she immediately takes interest in training him in the Kyoshi Warrior style. 

After they spar, she casually refers back to the fact that he’s his village’s protector, and this time, she does it without the disbelief and defensiveness. Because he’s finally stopped posturing. He opened himself up and gave himself over to Suki’s expertise, and in that way he proved that he has the will and desire—the heart—of a warrior. And Suki tells him so while touching him gently and gazing at him longingly in the soft golden glow of the late-afternoon sun. And as a die-hard Sokka stan, I love seeing him loved and appreciated like this. Adamantly. Ardently. The Sokka cheerleader in my head is going wild. “YEESSSS!! Our boy deserves this!!” Because we know that, in the animated show, he goes through a lot more struggle and self-doubt before he receives this kind of external validation. And while we also know that this makes for an incredibly satisfying growth arc, I gotta admit that it’s a fun bit of indulgence to watch Suki talk Sokka up directly to his face and then want to kiss him really bad. Y’know. As a treat.

That said, I'm very attached to and appreciative of the way their relationship is framed in the animated series. I love that their respect and affection for each other grows even after the disaster that is their first few interactions. In the LA, they are drawn to each other immediately, and the only barrier seems to be a bit of awkward stepping-in-it-ness. In the original, they have legitimate conflict, and they both have to give a little—Sokka becomes more humble, Suki becomes more tender—before they get to that point of potential romantic interest. And I think it says a lot about Sokka’s character and his desire to learn and grow that he is willing to humble himself in front of someone who, as far as he’s seen, has very little regard for him (slash has a good deal of animosity towards him). Giving himself over to Suki’s expertise costs him more in the animated show. But once he does, he and Suki learn and grow together. He shows Suki who he really is, shows her how dedicated and determined (and fun and a quick learner) he is, to the point that, by the end of the episode, she can allow herself to be vulnerable with him. And she does validate him in the original Kyoshi Warriors episode, just less directly than the LA. Her kiss on his cheek and “...but I’m a girl, too” is about forgiveness and acceptance and acknowledgement and respect, as much as or even more than it is about affection. There’s a little bit of romance, too, but it’s just little baby seeds of it, and it feels very natural to let those seeds germinate over time until we see Suki again later in the series. 

Which brings me to the live-action kiss. 

I’ll be honest, I was a little on the fence about the kiss. I want Sokka and Suki to kiss as much as possible in every conceivable universe. So there’s a part of me that was banging on the table and whistling with obscene joy. But the other part of me thought it was too much too soon. However, my hesitance pre-supposes some things about the second season (not least of which that there will be one), namely that it will handle the reunion with Suki and crossing the Serpent’s Pass anything like how it was done in the original. (Of course, one thing we now know for certain can't happen in a hypothetical LA season 2 is Suki pranking Sokka at the ferry station because he doesn't recognize her without her makeup. Do I love the expression on LA Sokka's face the first time he sees Suki's? Yes. Am I sad that this completely ruins their whole "You don't remember me? Maybe you'll remember this!" game? Also yes. But truthfully, I don't know if LA Suki would've been up to the prank, anyway. Not sassy enough. ;))

The Serpent’s Pass is one of my favorite episodes of all time, and that moment on the bluffs when Sokka and Suki are talking around Sokka’s loss, with the moon shining down on them all the while, and they almost kiss with the moon hanging between them in the background, and then Sokka pulls away without any other explanation besides, “I can’t”? That scene is so absurdly powerful and beautiful and an amazing moment of character development for them both, and I feel like it loses a lot of impact if they’ve already made out once. The fact that they kiss for the first time after that moonlit moment, when Sokka realizes that Suki doesn’t need protecting the way he thought she did, and in fact she was there to protect him, and he can finally just let go of this burden that he’s been carrying with him since Suki first mentioned she was joining them (slash since his dad put him in charge of an entire village at 13), and then and only then can he open his heart to what he feels for Suki, and in fact opens it so wide that he just cannot help but jam his mouth onto hers before she’s even finished talking…? I mean. C’mon. That’s poetry. But, again…loses impact if they’ve already had a first kiss.

But who knows what, if anything, they’ll actually do with that storyline. So for now, I’ll just enjoy my live-action Sukka kiss because, honestly, dream come true.    

Or almost a dream come true. Because there's a huge camelephant in the room that I haven't addressed yet, isn't there? The lack of Sokka in the Kyoshi Warrior uniform...

And I don’t think we can talk about the omission of Sokka’s Kyoshi Warrior uniform without talking about the omission of Sokka’s sexism. Because if Sokka isn’t sexist, then why do you have to put him in the dress and makeup of traditionally female warriors to make a point about how women are strong and capable, too? So here’s what I’ll say about that (and I know there’s a lot that people have said already, so I’ll try not to belabor the point.) I don’t think leaving out Sokka’s sexism was necessarily a detriment to his character arc. I do think, however, that leaving out Sokka’s sexism was a detriment to the message the show was trying to convey about sexism. 

Now, in the Northern Water Tribe episodes, the LA still gives us a message about fighting against the kind of systemic, institutionalized sexism that you might not be surprised to encounter within a very old-fashioned society or from a very old-fashioned gray-haired man. But what about the off-the-cuff, everyday kind of sexism that you might experience from an otherwise good person who is close to you? A person who loves you and would do anything for you but who gets carried away teasing you about “girly” things because of intrinsically-held biases that they’re not even that conscious of having? 

I think it’s important and meaningful for male and female audiences alike, and everyone in between, to see these different forms of sexism and misogyny—to see them, to recognize those behaviors in others and in ourselves, to be able to name them, and to have examples of fighting against them. We see the former kind—institutionalized, systemic—in Pakku. And we did see the latter kind—familiar, personal—in Sokka. And now that’s lost.

Not only that, but there’s the form of sexism that says boys aren’t allowed to do feminine things lest they relinquish their maleness. And in the animated show, we got to see Sokka combating this form of sexism, too. Not only does Suki show him that girls can be fierce warriors as well as boys, but he learns that wearing makeup and a dress does not make him any less of a young man.  

So, yes, I think the lack of Sokka in Kyoshi Warrior garb was a missed opportunity. And not just because Sokka looked really good in uniform and we all should have had the chance to see that, including and especially Suki. 

Alright, this is more than long enough, so I'll leave off with a moment from the LA that gave me great pleasure.

I needed this moment, y'all. And I was so afraid it wouldn't happen. I needed Sokka being protective, I needed him using his newfound Kyoshi Warrior skills to fight, and I needed him jumping in front of fire for the girl who'd taught him. If we couldn't have Sokka in the Kyoshi Warrior uniform, at least we had this.

#natla #natla spoilers #sukka #live action atla #netflix atla #spoilers #sokka x suki #suki x sokka #gifs #my gifs #sukka gifs #meta #sukka meta #analysis

[burst-of-iridescent]

atla live action thoughts: season one review

first things first: anyone who says the Movie That Does Not Exist is better than the live action is straight-up lying. the shymalan film fails on the criteria of even being a decent movie, let alone an adaptation. the netflix series, for all its problems, is at least an enjoyable watch with great effects, music and (mostly) appropriate casting. there's absolutely nothing to compare here - the netflix version clears easily.

now that we've gotten that out of the way, let's delve into the series, starting with the positives.

the good:

visuals and cinematography. they really did a great job of making it feel like a fantasy universe you wanted to be in & i love how vibrant the saturation and colour grading was. it made the world feel so much more dynamic and alive instead of the same flat, boring dullness that so many movies and shows have these days. sometimes i didn't even mind that i was being fed obvious exposition because at least they were giving me something pretty to look at lmao

effects and action. the bending was surprisingly good for the most part, and they did a good job of making the elements feel unique through the stunt choreography and the actors' movements. i'm immensely thankful they didn't try to skimp on budget by merely cutting away from fight scenes or showing us as little as possible. almost all the action sequences were fast-paced and engaging, and i was never bored watching them

acting. the main four were all great, but gordon cormier and dallas liu have to be the standouts for me. gordon brings such an earnest, innocent sweetness to aang that you can't help but like him, and dallas plays all of zuko's facets perfectly: the angst, the explosive anger, the bratty snark, and especially the deep-rooted pain that characterizes so many of zuko's actions in book 1. the range he has, especially when flashing from younger to older zuko, was insane. special shoutout to maria zhang and sebastian amoruso as suki and jet respectively, because they killed it

music. leaves from the vine instrumental had me tearbending and i love how they kept the iconic avatar theme while making it a little darker for this iteration of the story. in general, the soundtrack felt very true to the animation while still being a fresh spin on it

zuko and iroh's relationship and expanding on zuko's crew. i think the fandom universally agrees that lu ten's funeral and zuko's crew being the 41st division were the best changes in the series, so i'm not going to talk about it further other than to say that these scenes show me what the show can be, and that's why i'm not giving up on it

the bad:

characterization. almost all the main characters are missing the little nuances that made them so great in the original, but the greatest casualty is katara. i hate that they took away so much of her rage, and gave many of her traits and struggles to sokka. i don't think this is a problem solely with the writing though, because certain lines do feel like things animated katara would say, but the directing and line delivery don't have the same punch that made her so fierce in the original. this is an easily fixed issue though, so i hope they take the criticism and let my girl be angry and fuck shit up next season

exposition. this was primarily a problem in depicting aang's personality and the relationship between the gaang, because a) why are you TELLING me that aang is mischievous and fun-loving instead of just showing me and b) the gaang do NOT feel like close friends, mostly because they spend so much time apart in every episode that they have little screentime to actually bond and develop intimacy.

lack of focus on the intricacies of bending. for a show whose tagline is "master your element" the characters spend very little time actually... mastering their element. zuko is never shown to struggle with firebending (which is going to have ramifications when it comes to developing his relationship with azula), and neither aang nor katara ever learn waterbending from a master throughout the the entire show. i'm pretty sure aang never willingly waterbends ONCE in the entire eight episodes, discounting the avatar state and koizilla. bending isn't just cool martial arts, it's closely linked to the philosophies and spirituality of each nation, and i wish that had been explored more.

pacing. they really needed to do a better job of conveying that time passed between episodes because an 8-episode season is just going to FEEL shorter than a 20-episode one. the original animation felt as though they'd truly been on a long journey before arriving at the north, but here it feels like the entire show happened in the span of a fortnight or so because each episode seemed to pick up right after the previous. they needed to have more downtime within episodes instead of just rushing from plot beat to plot beat because it made everything feel a lot more rushed. give the characters and story time to breathe.

final rating: 7/10.

overall, i would describe the live action as a better version of the percy jackson movies - not an accurate or perfect adaptation, but a decent story that's very fun to watch. but what really makes me root for this show to get a season 2 is that it has a lot of potential and more importantly, a lot of heart. it's evident that the people who worked on it do genuinely love and respect the original series, and it shows onscreen.

regardless of anything else, this show created opportunities for so many asian and indigenous actors, writers and creators to tell the kinds of stories and play the kinds of roles they don't usually get, and that's something worth supporting. if they take the criticism from this season and improve, i believe they really do have something special on their hands which - although it might not be the original we all know and love - could still be a story to be proud of.

#atla live action