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#silly little enablers they are
0vergrowngraveyard · 29 days
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you ever just take the unbreakable bond’s dynamic and get a little silly with it?
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jaypsnax · 2 months
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*drops my best piece of Bestie Trio art* *fucks off again*
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total-drama-brainrot · 3 months
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Total Drama AU/Headcanon: Where everything is the same, except Noah is just as crazy/insane as Izzy and Eva, but he's much better at hiding it (with a sarcastic calm personality) ... Only Izzy, Eva and Owen know his true unhinged colors (and that's why they get along with him so well) .../// Duncan briefly saw it during the Total Drama Island Special Finale, when Duncan grabbed Noah's leg, but Noah escaped, and we didn't see HOW Noah escaped... In this AU, Noah bit Duncan's hand then gave Duncan a silent psychotic grin, which shocked Duncan and gave Noah time to escape (Noah basically pretending the bite and grin never happened) ... In TDWT, imagine if Alejandro ever found out that the sanest one on his Team is only PRETENDING to be sane! 😅
I've seen that one Scary!Noah AU floating about in the main tag lately, and I love the concept. There's so much that could be done with having someone like Noah (scarily smart, mostly motivated by either spite or The Bit, nerfed by his own laziness/apathy/hubris) have the added bonus of Going Apeshit sometimes. Either as a treat to himself, or as the natural consequence of his hidden nature.
It's like that "Izzy Isn't Crazy" theory, but in reverse. "Noah Is Crazy, He's Just Good At Masking".
In this AU, he and Izzy would get on like a house on fire.
Like recognises like, after all; Izzy would clock him as just as unhinged as herself at their first meeting, and probably confront him about his 'game plan' at the first chance she could (maybe that's why she was so quick to swap with Katie? A bid to get herself on the same team as Noah?). Noah would try to deny it at first, because he's supposed to be the 'lazy genius'- slipping from his allotted persona this soon into the competition would jeopardise his strategy!- but Izzy would reassure him that she can practically smell the crazy on him.
He'd live up to his title as 'The Schemer', by means of plotting pranks and other such events with Izzy. She'd use her status as the overt crazy girl to pull them off, and Noah would either help behind the scenes to abate his hunger for chaos, or live vicariously through Izzy's blatant mania whilst revelling in the fact that their plan(s) play out perfectly every time. Imagine how much better Izzy's bear suit prank would've been with a man on the inside- and now imagine how much better it would've been if Noah pretended to get eaten/mauled by bear!Izzy (using smuggled ketchup packets and A Lot Of Screaming to convince the Gophers of his demise)! (He'd play off the incident by blaming the whole thing on Izzy- saying she was the one who used the ketchup, and his screaming was just him being Rightfully Terrified of being eaten. Gotta keep up the charade!)
No one would suspect him either! Who would ever assume that slothful, apathetic Noah who complains about the trials and tribulations of 'hard work', 'effort' and 'physical activity' could be a friend and an accomplice to the unstoppable force of nature that is Izzy? He's always too busy shoving his nose into his book to ever consider befriending the crazy girl, there's no way Noah would even tolerate her! (/s)
I think he'd eventually reveal his true colours to Team E-scope plus Owen once their friendship is cemented off-screen. Noah isn't the trusting type (I'd clarify, but I'd end up writing a whole unrelated essay- maybe another time) and he's habitually secretive- his non-answers in the WT Character Interview and his Sierra-given title of "The Man of Mystery" attest to this- so he'd need to know that his friends are really his friends before letting himself be vulnerable/transparent with them, since any 'friendships' made on Total Drama always run the risk of being a ploy/fake. It is a social game, after all.
As for the Duncan Incident. Having Noah bite people is going to turn into a running gag for me at this point, because it's so fucking hilarious to imagine him in a scenario where he's forced/pressured into violence and immediately starts chomping down on someone. This weasel boy wasn't built for punches and kicks but On God can he use those pearly whites to cause some damage. (The human jaw has a surprisingly strong bite force. Noah absolutely knows this.)
I'd also like to suggest that Noah rips himself out of his cargo shorts after biting Duncan, leaving the punk with a bleeding handful of nerd shorts and an open wound for his troubles. He'd already let go of Noah by that point too; it's hard to maintain your grip on anything when you've got a manic bookworm tearing away at the tendons in your hands. So he's just sat there, terrified and concerned, nursing the throbbing, sluggishly bleeding bitemark on his hand and wondering how Noah managed to contort his usually stoic facial features into a grin so wild and feral.
And Noah races back to Izzy and Eva, face and teeth splattered in Duncan's blood, sans cargo shorts. Neither of them question it; Izzy has an idea of what he's done, since Noah's smugness levels have risen at least three tiers and he's smiling almost contentedly to himself, and Eva has learned how to Mind Her Own Business when it comes to Izzy and Noah's eccentricities (though she often shoots inquisitive looks towards Noah's red-painted face).
Then in World Tour? Alejandro is suffering. Noah's the only person on his team who isn't lacking braincells and/or completely unhinged (or so he thinks), and as such he's the latino's only lifeline to sanity on the forsaken jet. So when Duncan returns in London and seems scared of the harmless bookworm? That's concerning.
Assuming that Noah's a wee bit more savvy in this AU thanks to his subterfuge experience in Island, he probably wouldn't be as outwardly apparent in his distrust of Alejandro during the challenge- either that, or he'd be enjoying torturing Tyler too much to think about how much of an eel Alejandro is. So Alejandro wouldn't have any reason to want to eliminate him, if anything he'd be motivated to keep him around, if only to act as a buffer between himself and the idiocy of Team Chris.
Duncan's re-introduction and allocation to the team would be Alejandro's first inkling into the fact that Noah is more than he seems. When the delinquent is ushered to stand next to Alejandro and Noah, his pupils contract into pinpricks or terror, and his attention flickers between the aloof cynic to his side and an oval-shaped scar on his hand. The cynic shoots Duncan a friendly smile (Alejandro ignores how the smile doesn't quite reach Noah's eyes) and the punk turns sheet white.
Alejandro doesn't know what to make of it.
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aroaceleovaldez · 2 months
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i keep thinking about Drew Tanaka/Will Solace/Paolo Montes as a poly ship. three pretty best friends except theyre dating
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smalltimidbean · 3 months
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I would bet
A Bruno clone
With
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Koala dna!
World's Eepiest Fella.............. (s)
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snallavanta · 16 days
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i was going to get the hear ver of the best album but why does it cost FIFTY dollars 😭😭😭😭😭
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feldsparite · 4 months
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marimayscarlett · 2 months
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I think Hugo and Richard need to work together.
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Hi my dear 🤍 and thank you for throwing yet another opportunity in my direction to talk about my main and my side-obession in one post 👀
Please hold the line, I need to process my immense love for men venturing out into fruity/feminine fashion, I'll be right with you 😀
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Ok, now that's better 👌🏼
I think so too! And maybe they would get along well. You will laugh, but my delusional mind immediately draws some similarities between them (eventhough they have pretty different characters) - most likely just because they're both artists and I have a thing for them, but still.
Both Richard and Hugo were determined to become an artist from an early age on - Richard telling others as a child that he'll become a rockstar when he grows up, Hugo stepped foot out of school and went straight into acting school without looking back. While both being immensely successful in their respective careers - Richard having world wide success with Rammstein and is filling stadiums year after year now, Hugo quite literally hopping from one modern classic to the next (Lord of the Rings, Matrix, The Hobbit, V for Vendetta, Priscilla and more), both make indications that they kind of prefere the quieter/more simpler surroundings. Richard emphasizing several times how he would like to do a more toned down stage performance to give the music more space (I have an ask about it here), Hugo prefering smaller sets more than the immense big ones like LotR and Matrix and finds a lot of joy in theater acting (more raw and direct than movies). Both really live for their familys - in the linked interview Hugo mentiones he would gladly give his career up for his family and rather stays in Australia than to move closer to Hollywood (which he isn't a big fan of anyway), Richard moving back to Berlin to ensure a proper surrounding for the upbringing of his child as well as gathers his loved ones around him a lot.
And especially, both are extremely passionate about their work and can get quite intense about it, and while watching and reading interviews, you can immediately recognize their drive and passion. Which ultimatively is one of the things I absolutely love in people the most, and draws me to them most of the time 😊
And they are kind of a tiny bit connected! 'Du hast' was included on the soundtrack of the first Matrix movie (only on CD, not in the movie itself) in which Hugo played the infamous role of Agent Smith.
In a parallel universe, like in a 'Richard ventures out as a producer and cinema-lover into the world of movies'-AU (producing a movie, writing music for it, etc.), maybe they really could work together �� And Hugo once mentioned that he really likes Berlin due to the vast amount of different theaters the city has to offer 😊
Oh, and some more compelling arguments in my eyes regarding silly similarities (mentioning them just because i can):
Both have no problem dressing up in women's clothing and seemingly find a LOT of joy in it (like you already shown so beautifully in your ask 🙏🏼):
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Both also have absolutely no problem going all in when it comes to kissing their male counterparts:
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And both have an ass that won't quit, this is beside the point but still:
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(gif sources: x, x)
All in all, thank you for coming to my delusional TED Talk about the several connections between my two favourites I made up in my unhinged little mind 🤝🏼
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archnemossis · 23 hours
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more swocket
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tequila-starlight · 1 month
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Perfect Catch
All Tags Below Cut!
Fandom: Pokémon
Character(s): Alain, Steven, Mairin
Ship(s): Alain/Steven
Platonic Ship(s): Alain & Mairin, Steven & Mairin
Content Warning(s): -
Rating: General Audiences
TSME Week Day 1: Anniversary / Pokémon Catching
Alain and Steven spend their first anniversary watching Mairin try to catch a pokémon. Alain wants to help, but Steven has other ideas.
Never did Alain expect to spend his anniversary with Steven in Granite Cave, watching Mairin struggle with a task as simple as catching a pokémon on her own.
So there Alain was, wincing as the ever suffering Bébé got knocked out by a resisted—but still particularly vicious—Vital Throw.
READ HERE ON AO3
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Tags
•Fluff
•Established Relationship
•Platonic Relationships
•Anniversary
•Catching Pokemon
•Not Beta Read
•People need to talk more about how Brawly and Steven are canonically good friends
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hirazuki · 10 months
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for that ship&kiss thing. celebrimbor/maeglin with number 8?? thank you!
…in secrecy | Celebrimbor & Maeglin
•────────────────────⋅☾ ☽⋅────────────────────•
Aman, a cottage near the border with Avathar. Fourth Age.
"You shouldn't be here," comes the response from behind the wooden door -- finely made, though he does not recognize the craftsmanship -- that has cracked open to reveal pale skin, dark hair, and enough traces of his father's favorite cousin to waken a dull ache in his chest.
Celebrimbor cocks his head to one side, in a way that always prompts others to tell him how much he resembles his grandfather; a source of pride, and irritation. "Is your return among the living meant to be a secret? Did the terms of your release from the Halls not permit for visitors? Or, is this a conclusion you have come to for yourself?"
Silence is his reply, and in it Celebrimbor can hear the snapping of fallen twigs -- the sound of wild things in retreat, scrambling deeper into the forest.
Too much, then. He takes a breath, dampens the inadvertent intensity his spirit has ever burned with, and tries again, softer. "You are not the only one who laid low a city."
"It is not the same."
Distance and disdain, coated in a kind of poisonous pride that seeks to deflect, to set apart and deny others approach lest they notice the stain of shame clinging to reborn flesh and detect the softness lying exposed at hough and wrist and throat.
Oh, this, Celebrimbor knows well; intimately, in fact. This, he can work, with all the ease of coaxing naked gold under heat.
"It seems as though someone has yet to hear the full story," he remarks with a mirthless chuckle, allowing his voice to color with the bitterness and self-derision he is always careful to keep hidden in these unblemished lands; well, almost always. "Truthfully, today marks the beginning of a week-long feast in Tirion and I find I am still ill-suited for crowds. Half of those I could think to impose upon are attending; everyone else has a forge."
Dark eyes blow wide at that last statement, akin to the inquisitive perking of coarse-haired ears or the cautious steps skulking out of the underbrush towards a proffered morsel in his uncle's hand or the curious flicking of a tongue in the presence of an unexpected thought, late at night in the smithy; an indication of interest flaring, however reluctantly -- as Celebrimbor expected. He has had long practice, after all, with courting the attention of the supposedly disinterested, and compared to his successes, the Elf before him hardly places for difficulty.
He makes to speak, and pauses. "Which name do you prefer?" he asks, instead.
"I don't," Maeglin says and turns to go inside, the hair he keeps short brushing the top of his shoulders.
The words are cutting, and the door is left open.
Celebrimbor has never met him before, this cousin of his who is half-Sindar, reared in twilight and young in death, born of the union of blinding light and deeply private darkness, but he knows his story -- no; rather, he knows what they say of the traitor of Gondolin.
He knows what they say of himself, as well.
And he may know nothing of Nan Elmoth, save its hazy reputation, nor what signs might mark Maeglin as his father's son, but, after trading a handful of words, he knows this: Maeglin -- Lómion -- is doubtlessly of the house of Finwë.
Sharp; unyielding; obsidian polished to unbearable reflection that yet remembers the fires in the earth --
Celebrimbor likes him. His manner is familiar in a way that is comforting and painful all at once, and he pointedly decides to blame it on the family resemblance; there is only so much room for specters in his heart, and he is not inclined to give ground to shadows, no matter how they may try to claw at his mind.
Fëanor's only grandson smiles, genuinely -- although there are none there to appreciate the rarity of such a moment -- and follows him indoors.
The place is quiet, dim, and sparse; entirely bare, except for the meagerest of essentials: a lamp, a table, a single chair. There are no tools of any trade or decorative items or personal effects, and the degree of dispossession is such that it can hardly be attributed to a preference of aesthetics.
The rest of the house, presumably, is the same.
It says much and, paired with Maeglin's fingers that have been ceaselessly fidgeting ever since he answered the door -- anxious creatures, ever seeking for something to distract, something to soothe -- it amounts to nothing less than an endless, silent scream.
In a display that is incredibly Fëanorian in its brashness and its intimacy, and, plainly, horrifyingly foreign to his host, Celebrimbor reaches out and takes one of Maeglin's hands in his own, turning it so as to place it against his cheek, and presses his lips into its palm.
Maeglin freezes, going still like the hares in the early morning mists of Eregion -- standing upright amidst the holly trees and rays of first light, statues poised to flee.
"If your hands long to make, cousin," Celebrimbor says, exquisitely aware of his own hypocrisy, "you should let them."
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total-drama-brainrot · 2 months
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Total Drama Psycho Noah AU, when Noah became Chris' Assistant, both Chris and Chef eventually learn how INSANE Noah truly is and how great Noah is at hiding it... As a lowkey psycho himself, Chris thinks that it's awesome... Noah would sometimes give Chris deadly ideas for the show! 😈
See, Chris himself literally states that he's fond of Scary Girl/Lauren in the reboot because she's so unhinged. Given that he's a bit (read: a lot) of a sadistic sociopath (/pos), it's pretty much a given that he'd have a weird sort of appreciation for characters who can keep up with his more dangerous tendencies; just look at how many cameos Izzy makes in seasons she's not even supposed to be a part of! And how many times Izzy manages to re-enter the competitions she's already been voted out from!
He's definitely got a bias towards the more psychotically-inclined characters.
So of course he'd think that psycho!Noah is awesome.
He'd be fully aware of just how insane Noah is, and how eerily good he is at masking such, just by proxy of being the show's host.
Remember, Noah spends the majority of his confessional time straight up mocking and taunting the audience with what he could potentially do, given his skillsets and lack of integrity, and his and Izzy's scheming is hidden from the contestants but the two of them are diligent enough to ensure that the cameras can pick up on their crazed ramblings and plots- it's good content, after all. So pretty much everyone on the production team knows that Noah's missing a few screws, and is very much so an 'accident' waiting to happen.
Not that he'd ever intentionally hurt anyone. It's still Noah, after all, and he's far more inclined towards psychological warfare than anything physical. Noah's got more self-control than his confessionals would let on, but he finds a twisted sense of amusement in threatening the viewers with his 'instability' and portraying himself as a wolf in sheep's clothing. In the same vein, he's not entirely morally bereft, or particularly violent (certain incidents non-withstanding), but his commitment/indulgence in the whole 'unhinged psychopath' display often overrides his better judgement. It's just so fun to let loose and go wild, sometimes.
(He's far more susceptible to violence when it's 'justifiable'. Duncan's a bully and a thug, and he's the one to physically accost Noah first, so he gets bitten. The Ripper is supposedly a murderer, trying to manhandle and kidnap Noah, so he gets his hand privileges revoked by means of two broken forearms. The whole 'painting the knife red' talk was a bluff on Noah's part, he was playing it up for the camera knowing that Owen would intervene- something to keep the audience on their toes, and something to add validity to his confessional threats.)
Maybe that's the reason they (Chris and Chef) take him on as a personal assistant in the first place? Given that p!Noah spends the majority of him time during Island secretly plotting and scheming with Izzy to cause as much chaos as possible, or intentionally being as unnerving towards the audience in his confessionals for his own amusement, whilst ensuring that the other competitors were none-the-wiser to his true nature (save for Duncan, eventually, in the TDDDDI special), he's the perfect candidate for someone who can keep up with Chris' wilder ideas whilst also maintaining a level of professionalism needed for showbusiness.
Because he can mask his less palatable tendencies, and he can do so proficiently and consistently enough to keep the people he's essentially trapped with fooled for ~8 weeks. That's an impressive, telling display of just how cunning and capable p!Noah is.
Though I imagine a lot of his assistantship would be Chris full-on enabling the real Noah, by tasking him with challenge preparation and encouraging him to make the challenges more deadly ambitious. It's like enrichment for the both of them; Chris gets to watch chaos unfold under his guidance, and Noah gets to actively cause chaos without having to consider the social/tactical drawbacks.
It also has the added bonus of giving both Noah and Chris an outlet for their manic energy that's relatively harmless, as opposed to letting Noah stew under his mask of indifference until he really does snap and inadvertently or intentionally hurt someone.
Note my use of the word 'ambitious' there, because that's pretty much the main defining difference between canon Noah and p!Noah (despite the obvious). p!Noah has goals and ambitions, something regular Noah lacks entirely, and these goals are to wreak as much havoc as he can undetected.
Luckily, that motivation coincide with Chris' goal of hosting an exciting show. He wants to broadcast drama, tension, and thrills to the viewing world- what's more thrilling than the perpetual threat of a crazy person finally snapping and ditching the façade? Letting said crazy person run wild with ideas that impact the whole show!
Not too wild, though.
Meanwhile, I imagine that Chef is the one to play peacekeeper between this dynamic duo and the rest of the production team, since he pretty much acts as a pseudo-caretaker/minder for Chris in canon anyway. The 'Voice of Reason', if you will, and someone hardy enough to actually confront the two should they take things too far.
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anincompletelist · 6 months
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Hey. I was lurking around your blog like a fruit fly eying the rwrb content and I saw a tag of hitman Alex? Do tell me more, please. Are you writing an assassin au? ARE YOU? I'm cool about it. Totally fine. Asking for a friend.
HITMAN ALEX AU MY BELOVED :D
okay I don't even know where to START with this one I have so many ideas kjdhkjhs (and 10k of random scenes written that I'm going to have to figure out how to piece together somehow BUT) it was just gonna be an au roughly inspired by pics of tzp on this night and this night but then it spiraled out of control jkhskdhkj (in a good way? I think?)
but it's heavily inspired by chess moves and I know practically nothing about chess but the research I've done is EXTENSIVE so I hope it pays off!
I can't spoil much of it because I'm (trying) to make it very mysterious and suspenseful if I can pull it off BUT this is also from hitman and here! have another snippet because I can't control myself ! :D
this one is fairly tame but I also have some.... slightly more *nsfw* snippets should anyone be inclined to yell at me to share them...
anyway!
--
Henry isn’t sure which part of this conversation he’s most shocked at. The brazen physical touch, his ignorance of Henry’s title, the suggestive nicknames, or the fact that he’d so easily acknowledged something that Henry and the rest of them had been trained to firmly deny to the consequence of death. He blinks at the mysterious stranger, equally as curious as he is terrified at what might come out of his mouth next. 
“I- I should really continue speaking with the guests,” Henry forces out. 
“Duty calls,” Ander agrees, dragging his elbows up and off the table once more as he finishes the last of his champagne. A single drop lands at the corner of his lips, threatening to fall just before he catches it with his tongue. Henry rips his gaze away, finally snapping into motion. 
He clears his throat and runs a hand over the front of his pristine suit. Then, for some unfathomable reason, he offers his hand out for a second time, feeling painfully vulnerable as he waits for Ander to accept it. 
“It was a pleasure meeting you. Ander, was it?” 
A tilted smile pulls at his lips, and he slides his long fingers into Henry’s palm and squeezes. 
“You can call me Alex,” he says only loud enough for them both to hear, shaking firmly. “When we’re alone, at least.” 
Suddenly feeling parched, Henry licks his lips to wet them, dragging his eyes from Alex’s shoes up to his chest, then his mouth, then his fervid gaze. Something twists in his gut, but he’s unsure of if it’s trying to tell him to stay put or to get away as quickly as possible. 
“Are we going to be alone together, Alex?” 
Lips twitching once more, Alex’s gaze falls pointedly down to his lips and then back up, his fingers slipping from Henry’s grasp. “I guess you’ll find out, Your Highness.”
--
THANK YOU SO MUCH FOR ASKING I ADORE TALKING ABOUT MY WIPS <3 I hope you're doing amazing and having a wonderful thursday! :D
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naivesilver · 7 months
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hmmm I'll give you a lot of options with this one and say anything of your choosing off the 'questions starters' for lies of p? 😊
Listen. There are SO many characters I love in LoP - the boi himself, Romeo etc. But do you know who I will ALWAYS go to bat for? That's right, it's Eugénie 💞💞💞 this is inspired by my absolutely batshit first run of the game AND its "Free from the Puppet String" ending, thanks
Question Starters
"Do you feel alright?"
Eugénie doesn't expect the boy to come look for her because, frankly, she doesn't expect to be the person he needs, right now.
Not that there are many people left, honestly. Sophia is gone. Geppetto is gone. Antonia is wasting away to nothingness, and Polendina is an ever vigilant shadow by her side, as helpful and devoted as he always was. If there weren't a thousand and one things Eugénie can and must do to keep herself busy, she wagers she'd be going insane at the moment, what with the world falling to pieces as she speaks.
Still, fixing things is her job and her vocation. Perhaps taking a hammer and some boards to the walls of Hotel Krat might be a slight misuse of it, but weapons and machinery - that she can still do blindfolded, so when the boy comes and wordlessly holds out his legion arm for her to inspect, she accepts it without question, clearing some space on her cluttered worktable and turning on the nearest lamp. She might not be Mr. Venigni, but that doesn't mean she's useless, thank you very much.
He remains silent as Eugénie pokes and prods at him, but that doesn't faze her - he's a quiet one, this guy, always has been. She's plenty used to having to fill the silence herself, and heavens, does she need to, presently, with the doom and gloom still hovering over their heads. "It's not doing too bad- you took good care of it, you know? I just need to replace a couple springs in here."
No answer, which is just typical. What's not typical, however, is the way he seems to freeze at the words - Eugénie lifts her head from her work, pushing her glasses up to squint at him, and finds him staring vacuously ahead, all tense and curled up on himself, the other arm tucked in the folds of his coat. "Do you- are you feeling alright?"
It wouldn't be unheard of for him, to be hiding some sort of injury or- or mechanical damage, she guesses. He seems the type to avoid drawing too much attention to himself, especially at a time like this, with their generous host dying a painful death and after what Geppetto tried to make him do. Eugénie is quite ready to bully him into getting a check up, personally, but before she can conjure up a good scolding he pulls his hand out, dropping something on the table between them.
It's not blood, or grease, or, God forbid, a metal plate from his chest. Instead it's a pair of leather gloves, wonkily stitched but brand new, clearly never worn before. Eugénie chokes out a gasp, despite her best intention - she recognizes those gloves, because of course she does. She made them, after all. She made them for Alidoro, long before he...before they...
"Where did you get these?" She asks, breathlessly. "Why do you have them?"
Once again, she gets no reply. What she gets, instead, is the legion arm pulled out of her weak grasp, almost guiltily and still half-opened, and a weak, low voice whispering: "I'm sorry."
"I don't understand. Why- what happened?"
"I lied to you. Alidoro never...he said they were rubbish, but I knew it would make you upset, so I didn't tell you. I'm sorry. I shouldn't have done that."
"Oh. I see." Eugénie glances down at the gloves again, feeling a small shiver run through her like a drop of icy water. She is a solid, practical woman, she's always thought, but these things look as dark as a bad omen, right now - the betrayal is a sharp stab in her chest, but then again she should have gotten used to it by now, shouldn't she?
"I guess I should have seen it coming," she hears herself say, distantly, forcedly light, as though it came from someone else's mouth. "He was never as nice as I'd remembered him, once he got here."
"That's because he wasn't the real Alidoro." He hasn't raised his voice even a smidge, damn him. Eugénie has to strain to hear him, and yet she feels as if paralyzed, hypnotized by what he has to say. "The real Alidoro is dead. That man killed him for- for gold. He'd been lying to everyone about his identity, for months."
"How- how do you know that? When did he tell you?"
"After the Alchemists' attack, I- I wasn't looking for him, but he was in the path, and he was cowering, and- and then I killed him."
Where earlier he was as still as a slab of stone, now he's shaking like a leaf, a full-body tremble that goes from his hair to the tip of his shoes. His face is crumpling into something that might be fury, or shame, or even just realization of all that's fallen on their shoulders; if he was capable of crying, Eugénie thinks he would be, by this point.
"He called you a stupid girl," he continues, and he's never sounded as hoarse as he does now, nor as emotional, far from any other puppet she's met before.
"He lied to you and- and he said you were the reason why he told the Alchemists about the hotel, and I know he was just a coward, but he- He did all that for money, and he couldn't even be nice to you. And he used me. I- I shouldn't have done that, but I'd seen the hotel and I was so angry-"
He won't meet her gaze, but Eugénie simply stares at him as he trails off all the same, hands folded in her lap. There is a cynical, logical part of her that tells her that she should be angry, horrified, even, at all these lies and tall tales, at a friend of hers killing a man out of pure frustration, like a rabid dog. This is what she would have done, no doubt, before Hotel Krat was destroyed.
But Hotel Krat is in shatters around her, and all she can think of is this boy, this angry, fragile thing that isn't fully human and yet isn't a real puppet anymore, who's had to watch his father die after being forced to make many a terrible choice and still wanted to come clean about what he did in the name of caring for her, as though that was the worst mistake of his life. As though it had been the last straw who managed to break his back, even after Simon Manus did his worst to get the same result.
She could be giving him any of her usual witticisms, right now. Instead, she gets up, slowly and without a word, and steps around the table to get closer to the boy, wrapping her arms around him.
He startles in her grasp, stunned, but Eugénie doesn't let go. He smells of gasoline and decay, and this is hardly her preferred method of comfort, but all of it only makes her hold him tighter, and for a split second she almost forgets who's actually holding who upright, in truth.
"Thank you for telling me the truth," she whispers, low enough that it doesn't echo, even in the hotel's cavernous, suddenly too empty arched galleries.
"And- thank you for trying to spare me, earlier. I know you only wanted to make me happy. It's not your fault that any of this happened. You were just trying to do the right thing."
There is a lull of silence, one that seems to stretch for decades. Then, haltingly, the boy lifts his arms and clings to her, the motion feeling nearly desperate, like a child begging for company after a long, dark nightmare even if the chandeliers above them are still burning sun-bright. He doesn't stop shaking, but it seems more focused, almost, true relief instead of simple rage.
And all throughout that Eugénie holds him, waiting for the moment to pass, watching those small, blasted, handmade gloves just lay there, innocently, mockingly, amongst her beloved tools.
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holocene-sims · 1 year
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next // previous
july 7, 2021 1:15 p.m. grant's house
[colm] wait, how do you have this recipe then?
[grant] i literally don't know. i found the note with it when i moved to los angeles before and, uh, it just said "xoxo, your boyfriend" at the bottom. like i know vaguely where it came from but my memory stops there.
[grant] now stop deflecting!
[colm] you first.
[colm] but alright, alright. you know the basic shit about my life, right? single mom, dad out of the picture, three siblings all with different baby daddies, and no other family because they disowned my mother for getting pregnant with me as a teen. the white trash experience. but wait, it gets worse.
[colm] my mom’s oldest brother was kind of still there, but not in any real fashion. more like: “sure, ellen, i suppose your son can sit at the back table at my pub and watch hurley on the television until his sisters are done with their after school activities and can walk them home.”
[colm] bastard. hey, ellen, i know you’re nearly homeless and your nine year old son is reading on the internet at the library how to make macaroni and cheese for dinner for all of you while you're busy waiting tables, but i won’t come over to babysit or nothing.
[colm] still, he let me over in the afternoons and was nice enough to teach me how to pour beers and such when i was the right age to do it, so here i am.
[colm] it’s really the only skill i have. despite my degree in philosophy, i was always a terrible student. i have the worst dyslexia known to man and my other jobs in the past were doing security at an airport and moving furniture. real impressive. so, this is miles better in pay and for my sanity.
[colm] besides, if we’re getting real emotionally squishy here, i was so lonely all the time growing up. nothing’s better for your social life than your mom always out working, no other family around, and having to turn down your friends’ invitations to hang out most of the time because you have to look after your siblings.
[colm] going to my uncle’s place was the least lonely place i ever was because all the old men who came as regulars felt bad for me and would talk to me. mostly about sports, but i like sports, so that was fine. i suppose you could say this place i own makes me feel a little less lonely as well.
[grant] i'm sorry things were so–
[colm] ahh, cut that shit out, it’s fine! i'd rather the man with a mammy who beat him not apologize to me about my childhood. i'm over it. fucking sucks but whatever. at least my guardian wasn’t my biological father. that piece of shit’s in prison for life for murder.
[grant] mur–
[colm] he got in with organized crime because he was broke and out of work. oh, and he was way older than my mom. surprise, surprise. classic stab city in the 90s. he actually tried to murder my mother once after she broke up with him, too. that day's hard to forget.
[grant] man, that sounds pretty bad. like egregiously bad. major childhood trauma bad.
[colm] old ellen’s alive.
[grant] uhhhhh, well, some person out there isn’t.
[colm] people.
[grant] oh.
[grant] oh my god.
[grant] anyway, uh, i was just going to say that i'm sorry you suffered. you deserved to have your needs met and you deserved stability and safety. i know nothing can be done about the past but that’s not a fair way for a child to grow up, even if your mother has reasons and explanations for it. and you don’t have to minimize it on grounds of other people’s experiences. bad is just that: bad. it’s not the sad childhood olympics here.
[colm] i really don’t care. i left all of that behind when i came here to live with shannon. you all are very nice to me. you’re my replacement family. you all mean a lot to me.
[colm] maybe replacement sounds bad...but, ah, well...
[colm] i can't believe i'm telling anyone other than shannon any of this bullshit. i feel absolutely disgusting.
[colm] sometimes when i was younger i'd look at other families and wish i had that. i used to wonder what it was like to have a family, and i suppose i finally understand. and it's nice.
[grant] i'm glad that you know we love you. you are a part of us. you are family. hell, i love you dearly. you're a great friend and a great person and you make shannon happy, which is important.
[grant] do you ever talk to your family? like your biological family?
[colm] yes and no. i invited them to the wedding and clearly you know they came. you were there. the only one i talk to often is molly but it’s because they’re the youngest and, well, the most like me, so i try to steer them away from making the same mistakes as me. that is, please don’t become a delinquent and please tell someone you think something’s wrong with your brain when you think there is.
[colm] my mother just pisses me off. i know she loves me and always has but she tries so much harder to show it now that i'm an adult and i can’t stand it. it’s overbearing. it's like, where was all this affection twenty years ago, ellen? and my other siblings...one’s fine, the other i don’t get along with.
[colm] don’t go apologizing about that either.
[grant] i won’t. but i get it. family relationships are complicated. siblings are difficult sometimes.
[colm] do you have–
[grant] i have two sisters. and yes, i don’t talk about them, like, ever. now continue what you were saying!
[colm] don’t get me wrong, i love all of them. i'd die for them. i might not want to talk to them much but i'm not disloyal or nothing. but because i love them, i reserve the right to admit when they’re obnoxious or what they’ve done wrong. it’s a disservice to all of us to lie and say i'm so happy with them and that we get along swimmingly.
[grant] so...you’re admitting things weren’t great.
[colm] i'm alive and not all the way fucked up. that’s good enough.
[colm] but thank you. i know you mean it. you’re like shannon and you say it because you care, not because you pity me, which is what a lot of others do. i do appreciate it.
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happi-tree · 1 year
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we love silly gays in THIS household!!! gimme the sweet sweet oakworthy and swiftli thoughts 👉👈
Aye aye, Nyx!!! o7
Oakworthy up first! Absolutely tragic that they don't have a bingo </3
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Now for the Swiftli stans out there... also no wins hell is REAL
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