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#seasonal trauma of being so used to people leaving during this time of year i guess
anonymous-eggy · 6 months
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i hate winter.
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roxineedstosleep · 4 months
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Could you do a snippet for yandere platonic Batfam where reader accidentally gets hurt and is able to hide it for a few days until someone (May be Dick?) finds it and asks / gets upset about it? Love your writing!!! ♥️♥️♥️♥️
Hi there!!!
First of all: Thank you sweetie!
It's been a while since I've written, mostly because of the university, I'm about to graduate and I'm crazy because I'm approaching my final exams (I even have to defend my research work to be able to get my bachelor's degree)!
But, I got to thinking a bit about what you have written above… and even more so because I myself am a little bit crashed after my last film shoot for my final year of my degree. And can I just say that being in a bad way and having to hide it is terrible.
So… here goes!
(I'm sorry if I sound a bit comical in this writing, but I think the best way to get over something is to laugh at yourself a bit so you don't think about the pain too much; I hope you enjoy it anyway.)
Disclaimer: I don't know if you've noticed, but English is not my native/mother tongue. Occasionally, when I think too much, I write them in my language and then translate it in a trusted translator. So, if there's a grammatical problem or a strange term, it's the translator's fault.
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Let's face it… having a large family is terribly exhausting.
It's never quiet enough, everyone is in everyone else's business, you can't leave your favorite mermelade in the fridge for less than a day. Someone is always occupying the bathroom or using your favorite shampoo or watching something on TV at too much volume and someone is probably occupying your bed at nap time.
Did I mention about meddling too much in other people's business? Yes? Well… triple it.
Having multiple siblings was new.
Having multiple siblings, a father and a butler/grandfather isn't exactly bread and butter either.
It wouldn't be so bad to belong to a large and numerous one if it was your blood family and you had lived with them all your life. I mean, sometimes blood is too thick and you have no choice but to learn to love them or just be nice to each other.
Like I said, it wouldn't be so bad if they were really your family.
But the Waynes were not your family. Not distant relatives or anything like that.
You were just living your life, as quietly as possible… and poof!
New room, new butler/grandfather, pets beyond belief, 4 new male siblings and a father with serious emotional constipation issues. And, to add more salt to your wound…. all have serious abandonment issues and death-related trauma.
After several escape attempts, sleep strikes, hunger strikes and any other kind of protest that an anarchist could be proud of… you realized that it was simply impossible to get out of this without risking the path of death.
Which, to top it all off, was also unreliable because apparently your older brother Jason had revived as well as another of your siblings. So no, dying was also not a viable option to which one could resort in the worst case scenario.
What to do?
Well, not much. Trying not to die of suffocation of affection or finding a way to have privacy while going to the bathroom just seemed to be the best survival tools you could resort to.
What does that entail?
It implies that Tim was going to give you hours and hours of lectures on his latest discovery of a case, even if you don't understand half the things he's told you or mentioned at all.
Richard and Damian trying to teach you new tricks almost every second, taking you to the Zoo or not leaving you alone to go to the bathroom.
That Jason, oh holy cow he is the only one more relaxed, takes you with him on his motorcycle to eat ice cream and to the public library. Without being able to scape, because it seems that you have a kind of GPS inserted in the bone marrow.
(Sometimes you don't know if it's true or not, but sometimes you also felt pain between your bones, almost during the cold seasons, and you didn't want to burst your poor little head thinking of different viable possibilities knowing them. No scars, no remembering anythins about any surgery).
Have a grandfather who will not hesitate to make you cookies, your favorite foods whenever you want … without leaving you aside at any time.
Plus a terribly quiet father, who if he can will carry you for as long as you spend time together, won't let you near the secret basement and enjoys being in the same room with you.
Do you see any privacy in this?
No, because even at the bathroom door would be the pets trying to get in and see you for themselves while you want to do your business.
The worst of that? Titus always judge you when you close the curtains.
As I mentioned and it was clear: Having a large family implies little privacy… Having a large, obsessive family means NO privacy.
So, knowing that you have over 50 nanochips tracking in all your clothes, two security monitors embedded - God knows how - in your body (monitors that only tell you if you are in designated safe place), 20 high definition surveillance cameras in every room and a Great Dane chasing you like a chick …. How the heck do you fall down the stairs and hit your pelvic bone without anyone noticing?
No kidding, how?
And if you had to blame someone for your fall… you'd totally blame Damian for it.
It's not that the kid pushed you down the stairs, but over time he had tamed himself into various things and relaxed into looking his age. You know!!! He started acting like a normal teenager!
What do Damian's kids do at his age? Well, they leave things lying around and have messing around them when they can, of course they do!
You just wanted some yogurt with orange marmalade. Maybe some oatmeal cookies. Alfred had left it for you in the fridge when he noticed you'd been watching video tutorials on homemade marmalade for hours. Who were you to deny such a gesture of generosity?
I mean, Alfred was the one who allowed you to hide in the attic for hours on end so you could have some time to yourself.
And how did it end? You, slipping down the main stairs of the old Wayne mansion, down a nicely polished wooden staircase, rolling all the way down (which is no small flight of stairs, it should be noted) to the bottom of the first floor.
Now, lying on the ground is not so bad in itself. What is bad is not being able to feel your legs and still not being able to understand how you manage to tidy up your neural wiring so that your legs can still move on their own and go to the kitchen to rescue all the delicacies Alfred left you in time.
And it's a good thing you managed to do it… because within seconds Bart had rushed in to ransack the fridge and the fruit basket.
But that's not the point.
The important thing is that this time you managed, I insist a little on the feat of action, to climb up to your room and not notice how you couldn't really feel your legs.
You ate, you lay down… and to your bad or good luck, you couldn't get up …. and without anyone noticing there was an emergency and everyone went out to sort it out.
Weak limbs, limited movement and you don't want to mention the embarrassing actions you did in order to go to the toilet.
It's not like you hid it either, I mean, there was no one who could even notice because they weren't entirely available to watch you. Nor is it that you would have run away, otherwise they would have been at your side in less than a second.
The detail, as they insist, is that you had probably bruised your back badly and your body was now taxing you extra for your food craving.
I insist, you did not hide anything.
But still, when you're found completely itchy on the floor, ridiculously trying to run away in the direction of the bathroom… that's when everyone really goes crazy.
First, having to carry you and not dying of embarrassment when you notice that Bruce definitely doesn't give a damn about having to carry you to the bathroom and do almost everything for you.
Or having Dick and Jason carry you and fit you into some kind of weird medical scanner they have in the cave.
Or that Tim keeps track of your periods, types of meds you take and, for fuck's sake, knows how the fuck to inject something into your spine.
Or that Damian had the gall to look a little embarrassed when he heard that a pair of boxers lying outside the laundry basket was to blame for all this.
NO matter.
At the end of the day they heal you, pamper you, leave you alone when you need to take a nap and figure out a way to fix it without looking like complete maniacs who built some kind of internal plumbing that sucks up the dirty laundry and throws it straight into the washing machine.
Like the time they didn't look like maniacs by sanding all the edges of the tables and nightstands.
Or the time they bought a whole brand of sanitary towels when they realised that not all women use tampons.
Don't worry, they're looking out for you… even if they look like deranged Arkhan freaks in the process.
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rnelodyy · 1 year
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The Owl House And Restorative Justice
At the end of Season 1 of The Owl House, it is revealed that Lilith, the main overarching antagonist of that season, was the one to curse her sister Eda, one of the protagonists, to win a tournament when they were teenagers. This information causes Eda to fly into a screaming rage and attack Lilith, and understandably so.
Eda’s curse is essentially a chronic illness, one that, in Eda’s own words, has ruined her life, being the reason she’s considered a social outcast and why, before meeting King and Luz, she hadn’t gotten close to anyone in years. In season 2, it’s revealed that the curse is why she pushed away her partner Raine to the point that they broke it off with her, and that during a particularly bad flareup, she accidentally maimed her own father, leaving him half blind and with permanent nerve damage to his hands, making him unable to continue working as a Palisman carver. The curse has ruled Eda’s life for decades now, so to Eda, this is the ultimate betrayal.
In the first episode of Season 2, Lilith has defected from the Emperor’s Coven, split the curse between Eda and herself to mitigate the symptoms for her sister, and has moved in with Eda at the Owl House. While Lilith herself still feels guilty and feels she has to make it up to Eda, everyone else, Eda included, has seemingly either forgiven her or chosen to look past it. Eda even makes fun of her for feeling bad about cursing her, and Lilith’s guilt is seemingly absent for the rest of the series. 
The response to this was… Less than stellar, shall we say. A lot of people were angry, saying Lilith got away with her crimes without even a slap on the wrist, and that Eda’s forgiveness of her was far too sudden.
This isn’t the first time we’ve seen this kind of critique. Amity spent years bullying Willow after her parents forced her to break off their friendship, and when she began trying to mend that relationship, the response from fans was that Willow should have been a lot more angry at Amity, and that they went back to being besties far too soon. I’ve even seen this criticism leveled at Hunter for the things he did while working for Belos, at Vee for impersonating Luz for months to trick her mother, and at Luz for hiding the fact that she helped Philip find the Collector from her friends. And it does seem strange for the show to keep tripping on this same point again and again.
Except, it’s not really. Because I think that, when viewing this show from a different angle, those supposed flaws are actually symptoms of something very important to understand – The Owl House operates on a system of crime and punishment that is very different from our world’s.
More specifically, our world mostly utilizes retributive justice. The world of The Owl House utilizes restorative justice.
So first, what do those terms mean? Broadly, they’re two different forms of handling interpersonal disputes, or dealing with crime. 
Retributive justice is the one our current justice system uses, where the focus is primarily on punishing the perpetrator. Retributive justice can mean detention, suspension, expulsion, jail time, monetary fines, some kinds of community service, exile, or in more severe cases, corporal punishment or the death penalty. It’s the lens most people view the world through, where if someone hurts you, hurting them back is the correct response.
Restorative justice is a very different approach, where you instead focus on helping the victim recover from what happened, and rehabilitating the perpetrator to prevent this from happening again. Restorative justice can look like verbal or written apologies, monetary compensation for costs and trauma, therapy for both victim and perpetrator, education for the perpetrator, mediation between victim and perpetrator, a restraining order, etc. 
When viewed through a retributive lens, The Owl House lets its characters get away with a lot of shit. Lilith cursing Eda, Hunter rounding up Palismen knowing they’ll be killed, Amity tormenting Willow for years, it’s all stuff that, in a retributive environment, they should be punished for, and they’re just not. Eda is only genuinely angry at Lilith for two scenes, Amity and Willow fix their relationship very quickly once Amity starts making amends, and Hunter isn’t punished at all. 
However, I believe the story of The Owl House is best viewed not through a retributive lens, but through a restorative lens.
Let’s look at the Lilith-example again. Lilith’s offense was cursing Eda, which she did because she wanted to win a spot in the Emperor’s Coven. Knowing Eda was better than her, she cast a curse on her, thinking it would only last for a day. But when the time came, Eda forfeited the match, soon after which she transformed into the Owl Beast and was pelted with rocks until she ran. The curse turned out to be very permanent, and Lilith spent the next 20 years trying to fix her mistake by working for Belos to try to capture Eda, since he promised to heal her curse. 
However, when she finally succeeded, Belos went back on his promise. Instead of healing Eda, he ordered her to be publicly executed. When Lilith protested, Belos essentially told her to shut up, that it was the Titan’s will, and left her there. 
So, having realized her method of fixing her mistake has gone real bad, Lilith sneaks down to the Conformatorium to free Eda herself, but arrives too late and finds Luz instead. After a brief fight they end up teaming up, and Lilith leads Luz to the elevator, but they are captured by Belos and Lilith is thrown into the cage with Eda. There, she restores Eda’s partially petrified body, and after fleeing with her, Luz and King, uses a spell to split Eda’s curse evenly between their two bodies.
From a restorative justice point of view, Lilith has done pretty much everything she reasonably could do to fix things. She’s denounced the Emperor’s Coven, returned Owlbert to Luz, helped Luz find the elevator to the execution platform, saved Eda from petrification, apologized to Eda, and while there’s no way for her to cure Eda’s curse entirely, she took on half of the curse at great expense to her own health, in order to ease Eda’s symptoms. 
Eda isn’t angry anymore because in her eyes, Lilith has already fixed things with her. Punishing her more at this point is pointless. What more could Lilith do, really? What other lessons could she learn? The only thing that punishment would bring at this point would be more suffering. 
Let’s look at another example: Amity and Willow.
Amity’s offense was breaking off her friendship with Willow because she was a late-bloomer, bullying her for years, and allowing her friends to do so too. Willow is left with horrible self-esteem issues because of this, and combined with her failing grades, turned her into a horribly shy and withdrawn wallflower (no pun intended). After she’s moved to the plant track she starts actually getting better, but Amity and Boscha especially continue to torment her. While Amity’s bullying of Willow does peter out over time, Willow is clearly still extremely resentful of her. In an attempt to make Willow forget their friendship, Amity accidentally sets most of Willow’s memories on fire, leaving her confused, amnesiac, and unable to grasp basic concepts like that chairs are for sitting in.
Luz pushed Amity into fixing Willow’s brain by going into her mind together and piecing her memories back together. There, the Inner Willow revealed what happened to Luz and the audience.
At this point, Amity shows her that her parents were actually the ones who forced her to end the friendship because they didn’t think Willow was a suitably powerful or influential friend, threatening to make sure Willow would never get accepted into Hexside if Amity didn’t force her to leave. Amity then apologizes to Willow for going along with it, and for the bullying, and vows to make sure her friends never mess with Willow again. 
Willow accepts her apology, but also makes it clear that, while it’s a start, she’s not yet ready to accept Amity in her life again. Restorative justice has not been fully attained, because to Willow, Amity hasn’t fixed everything – Boscha and her squad are still bullying her, and still consider Amity one of them. This changes two episodes later, when Amity tells Boscha to grow the fuck up when she starts bullying Willow again, and joins her and Luz’s Grudgby team despite her personal issues to get Boscha to back off. Willow doesn’t make a grand gesture of forgiveness in this episode, but it is after this point where the two become comfortable around eachother again. 
Did Willow forgive Amity too quickly for years of trauma? Maybe. If she had chosen to continue keeping Amity at a distance I certainly wouldn’t have blamed her. But in the end, Amity fixed the mess she caused as best she could, and has proven herself to want to be a better person, to want to be Willow’s friend again. She worked hard to prove herself to be a person worth trusting, and Willow decided to give that trust a chance again.
And while they did become friends again, that friendship was clearly still affected by what happened, which led to bumps that the two of them had to work through. Like in Labyrinth Runners, where Amity’s overprotectiveness over Willow makes Willow feel like Amity thinks she’s incompetent, and still only sees her as the helpless person she used to be. 
Willow continuing to be mad at Amity and punishing her for what she did wouldn’t be an unreasonable reaction, but it wouldn’t have fixed anything. It would certainly have an impact on Amity, seeing her former best friend rejecting her attempts to make up for what she did, but the hurt on both sides would have continued festering, because deep down, Willow missed Amity too. 
In Hunter’s case, there’s the question of whether he can even be held responsible for his actions. The Palisman-kidnapping in specific was explicitly done under duress – if he failed he would face verbal and physical abuse, and be threatened with his nightmare scenario: getting thrown out of the Emperor’s Coven. 
And that’s not an empty threat either. Hunter has no magic, and Belos has drilled it into him that witches without magic have no future. Without the Emperor’s Coven, his only future prospects would be starving to death on the streets or wasting away in prison. Either way, Hunter would be alone, without family or friends, without a job or job prospects, without anyone to turn to for help. Any child would be terrified of that. Hunter wasn’t always acting on direct orders – in fact he defied direct orders to stay in his room in Eclipse Lake to go look for Titan’s Blood, and then again in Hollow Mind to arrest the rebels. But he made those choices based on the idea that Belos wouldn’t want him if he was a failure, and that he needed a chance to prove that he could still be useful.
And contrary to popular belief, Hunter does know right from wrong. He has a very strong moral compass, he’s just been forced to ignore it in favor of doing whatever the Emperor wants. To shut up that little voice telling him he’s doing the wrong thing, he uses what’s called a thought-terminating cliche, a statement that feels so fundamentally true that the argument need not continue. In Hunter’s case, that statement is “It’s for the greater good.” Sure, kidnapping his new friends and abducting Palismen to feed to the Emperor and threatening someone who’s been nothing but kind to him to take the portal key from her girlfriend and justifying terrorism makes his stomach feel like he swallowed a cactus and saying it out loud makes him sound like a horrible person – but it’s for the greater good. He’s doing it to serve Belos, and Belos knows what’s best. 
So by the time Hunter is out of active danger and able to rest and recover from what happened to him… what would further punishment accomplish? He already knows that he did fucked up shit while working for the EC, and he’s proven time and time again that while he’s not fighting for Belos’s approval, he’s actually a genuinely kind-hearted kid. Punishing him now would likely cause him to react very poorly, because he’s been at the wrong end of that stick so often that he’s developed severe PTSD because of it.
And if you think restorative justice is still in order – Hunter is currently hyperfixated on making sure Belos can never hurt anyone again, and for the long term, he has expressed that he wants to become a Palisman carver when he grows up. While it won’t bring back the Palismen that were killed, it will help the current Palisman population recover and reintroduce Palismen to witches who may have had to give up theirs. 
When viewed through this lens, the writing of The Owl House starts to make more sense. As a show, it is extremely forgiving towards its characters – they’re still held accountable for their actions, but as long as they’re willing to grow and learn and fix the damage they caused, they are very quickly forgiven. 
However, I do understand why these writing choices can be… controversial, so to say. Because it doesn’t feel very satisfying, does it? When someone hurts you on purpose, your first impulse would be to try to hurt them back, that’s just how people work. 
That’s the hardest thing to come to terms with when you become an advocate for prison abolition for example – you’re not just arguing for freeing a guy who got 5 years because a cop found weed in his pockets, you’re arguing for the release, and most importantly, the humanity of some of the most vile, disgusting people this planet has ever produced. Even now, when someone commits a truly awful crime and gets sent to prison for life, my first thought is “Good, I hope they rot in there.” But that’s not justice. That’s just revenge. And revenge is not something we as a society should want to build our justice system on.
It’s not satisfying to see Lilith go from using Luz as a human shield in her fight against Eda to sleeping on the couch in Eda’s house within 2 episodes. It’s not satisfying to see Willow let Amity back into her life when Amity has hurt her so badly before, or to see Hunter become romantically involved with Willow after he literally abducted her the first time they met. But that satisfaction isn’t really the point. Revenge is satisfying in the moment, but an eye for an eye makes the whole world blind, and if someone shows a genuine willingness to change, it’s often better to give them a chance to.
However, my final point is about what happens when this approach fails. Because not everyone is willing to change. Some people, when faced with the consequences of their actions, decide to dig their heels in and refuse to admit fault, or blame the victim(s), or use those same thought-terminating cliches that Hunter used to justify their actions, “I was just following orders” being a big one.
And thus, we come to Belos.
If Belos showed a willingness to change, a genuine one, not an attempt at manipulation, should he be given the chance to? That vengeful part of me is VERY empathetically saying no. But logically, reasonably, he should be given that chance, if only because he’s a human being and no human being deserves to be mistreated. That doesn’t mean his victims are obligated to forgive him or be around him again, in fact I think that, for the sake of Hunter’s mental health, Belos should stay as far away from him as humanly possible. But he should be given the chance to start over, to truly better himself and do something good with the rest of his life.
But Belos isn’t willing to change. 
Belos is a product of a bad environment and grew up with a cult-like mentality and hatred for witches that he had to adopt for his own safety. It’s hard to break out of that mentality, but not impossible. Case in point: Caleb. The tragedy of Belos’s character to me is that he had so many chances to change, so many people to help him make that leap, but all of the people who offered him that help ended up dead by his hands because he couldn’t handle the idea that he may have been wrong.
At this point, Belos is stuck. Changing would mean not only giving up on his life’s work, but acknowledging to himself that everything he’s done, mutilating his body, killing his brother, slaughtering thousands and installing himself as God-Emperor of a population he despises more than anything in order to facilitate a genocide, was completely pointless.
He can’t admit that to himself. Especially the thing about Caleb’s death. He’s sunk-cost-fallacied himself so far into a corner that all he can really do when faced with opposing viewpoints is dig his heels in even deeper and lash out in a rage at anyone who challenges him. Even now, when his body is literally falling apart at the seams, he’s still trying to commit witch-genocide, because it’s all he has. 
Restorative justice doesn’t work in this case, because the perpetrator needs to be receptive to it. Logically you would assume the show would default to retributive justice, and characters like Willow and Camila do take a very vengeful glee in imagining themselves beating the snot out of Belos. But right now, the primary motivation of the Hexsquad and Hunter in particular when it comes to Belos is to end the threat he poses. As long as Belos is alive and free, he will continue to hurt and kill people, and if he can’t be talked down, he needs to be either contained or killed to prevent him from causing more harm.
The Owl House provides, in my opinion, a very nuanced take on restorative justice. It shows how it works in action, how different situations impact what it looks like, and what happens when it’s simply not an option. It’s not the most satisfying story to tell your audience, because when someone hurts our babies we want them to suffer, no matter how sorry they say they are. But in this case, I think that sacrificing that bit of audience comfort is worth it to tell the story like this.
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buckybarnesss · 6 months
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Someone recently called Derek a "whiny edgelord" and I was like, wow, so you've seen two gifsets and not the actual show then.
Literally everybody else complains more than Derek. I think Derek complains one single time and it's when he points out that Allison and Lydia screwed him over and never apologised.
Dude is literally dying during season 4, and is like "well, i'm 23, it's clearly my time to go" and just naps.
derek has peak millennial energy but what's so funny to me is that one of derek's major character features is that he refuses to discuss his traumas with anyone. ever. at all. he would rather die. it's a huge plot point that no one knows that kate argent was the one who killed the hales. except derek.
like, laura goes back to beacon hills and begins looking into the fire. she does the footwork that peter later uses for his killing spree. they don't know it was kate. derek does.
the fire was never a mystery to derek but he didn't tell anyone because of the guilt he felt for the role kate forced him to play in what happened. he never told a soul what kate did to him.
only stiles and peter figure it out once they have enough of the puzzle. neither of them advertise the information.
derek doesn't even speak to kate all that much when she taunts him in the tell and later when she captures him.
the closest we ever get is in code breaker when he says to scott in the strongest case of projection beacon hills has ever seen:
"you want me to risk my life for your girlfriend? for your stupid little teenage crush that means absolutely nothing? you're not in love, scott! you're sixteen years old! you're a child!"
derek hale never talks about paige. other people talk about paige. not him. he never, ever says her name to anyone. jennifer and peter are the ones who co-opt the tragedy for their own purposes.
he doesn't talk very much about what's happening to him in season 4 and when this man is on his deathbed he tells stiles -- someone who means a lot to him and clearly is hesitating to leave him -- to go save scott.
derek hale don't talk about shit. sure he does get vocally angry about things and annoyed like you mention. he does with scott and stiles all the time and with lydia and allison in chaos rising:
this one [lydia], who used me to resurrect my psychotic uncle--thank you--and this one [allison], who shot about thirty arrows into me and my pack?
it's why his pants are so tight. they're holding in all his trauma. i mean what's he gonna do? talk about it? hell fucking no.
it's why stiles being derek's secret keeper is such a fascinating choice this show made. stiles learns all of derek's darkest secrets such as his involvement with kate and what happened to paige without derek having to explicitly tell him.
but derek knows stiles knows.
derek letting that lie and stiles not only never telling anyone else but never really confronting derek over these things is an act of trust.
anyway none of these characters were really whiny. not even jackson. they're just traumatized and that makes people uncomfortable.
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journen · 19 days
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do you have a list of good CoD fanfics, or favorite writers in general?? <3
Presented in no particular order, here are some of my personal faves / fics I really enjoyed, and my own summaries for them. Hopefully you enjoy, thanks for the ask, anon!!!
I didn't tag all the authors because I'm not sure if they all have tumblrs, but also I'm shy tagging people ahjdfhkaheje. If any authors here are mentioned tho and you have a tumblr, feel free to lmk and I can update this post to include your tag!!:)
Anything rated mature I colour coded the name in red, and anything explicit green. Not all the mature fics feature smut, but yeah! I didn't want to link anything tooooo explicit here, but if anyone wants any, I can definitely rb this post to add a few more 😅
Also, just beware the tags on any of these fics because some feature kind of heavy subject matter. 👍
COF FIC REC LIST:
A Very MacTavish Christmas - @m3rrywe4ther
Prob my fav fic in the fandom lololol. HUGE RECCOMMEND. It's about Johnny who gets roped into spending the holiday Christmas season with his , for the most part, very not so nice family, and Simon accompanies him. So much stuff happens in this fic and it's such a great character exploration of Simon and Johnny independently, but also as a couple, and just so much stuff happens in it lol again, HUGE RECOMMEND!!!
We'll make Death Proud to Take us - Literal_Satan
Fic where, it starts off really sweet where Simon goes to Scotland with Johnny to spend Christmas with him and his family, but things take a drastic turn when Soap's brother, a police officer/detective, gets a little too curious about mysterious Simon, and the story spirals from there. All the guys end up on this crazy goose chase tracking down some of the people who were involved in Roba's brainwashing operations. The fic gets v dark at times and deals with some very heavy trauma so beware, but it's SO. GOOD.
Dream a Little Dream - Angelicasdean
Again, one of my total fav fics in the fandom!! AU where Simon leaves the army to raise his nephew Joseph, who's the sole survivor of the Riley family massacre, and Johnny is one of the daycare teachers at the daycare where Simon takes Jo 🥺🥺👍👍
Pretend to love me like I do - FetteEule
Really cute fic of Simon who accompanied Johnny to Scotland for his sister's wedding, under the ruse they are dating. They are v much pining but not there yet. Features lots of really cute domestic moments and Simon being really sweet to Johnny's kid nephew 😭🧡
Something important - Anonymous
One of the fics that has me totally brainrotted rn. It's about Simon's who's been de-aged to 6 years old, and Price, Gaz and Soap all taking care of him and trying to figure out how he got turned, and how to turn him back! They all get tested on their abilities to care for a child, and unwillingly learn a lot of details about Simon's childhood they never knew. This summary doesn't do it justice tho, so I'd just recommend checking it out! Beware tho again, there is some dark childhood trauma stuff but there are warnings at the start of each chapter that contains references to it.
Seasons - StinglessWasp
In this fic every chapter is set during a different season and tells a unique sort of story/mission/interaction Soap and Ghost have. Definitely some v good angst&hurt/comfort stuffs too. Starts off pre-relationship, and explores their characters a lot! It's just really good HUGE reccommend lol.
What the Eyes Don't see - WhiplashRogue
One of my FAVESSSS! So the premise is like, Soap can actually see ghosts ever since he was a child (which most other people can't see and also don't believe in), and Ghost has 2 spirits attached to him that follow him around(Joseph, and Roach). The fic starts off pre relationship, and it mostly about Soap trying to learn more about these two spirits and discovering more about Ghost's past.
All that's said in the Low Light - Headlocket
Probably one of the most emotional I've ever read LMFAO. It's about Johnny, who receives a back & knee injury bad enough he gets discharged from the army, and is back in Scotland living with his parents as he recovers. He and Ghost lost contact a bit since the accident, and it's sort of a story of them reconnecting. This description doesn't do it justice, just read it, but it will emotionally destroy you lol
Time Loops Suck (series) - Enter_fand0m_reference00
The first installment of the fic takes the idea that Soap is stuck in a time loop during the alone mission! And all the optional dialogues and interactions in thE alone mission are separate attempts of his trying to survive the loops and rendez vous with Ghost. It's just sooo good!! And then there's a follow up fic where it deals with the mental aftermath of the loops and Ghost comforting soap through it, then there's 2 other installments of Simon who instead goes through a time loop! They are such great character explorations in how both Soap and Ghost experience the loops, and I whooleee heartedly reccommend.
Yellow Card - SkerryB
Soccer au fic!! It's so good! Simon is the captain of a soccer team Soap is drafted to as their new goalie. Simon has had a history with Soap before though, that he was the only goalie Simon could never score on! So that's how it starts, and it's just so good from there!! Simon's family are also alive in the fic and his nephew is adorable.
You swept me off my feet - @ghoulishhone
Ghost is down bad for strong Soap, the fic xD This was a fic Ghoulishone and I were paired together to work on for the Ghostsoap server reverse bang! They wrote the fic and I made some accompanying art. Just a cute fic of Soap having to pick up Ghost after he gets injured and some other shenanigans that ensues:)
Dear Mr Ghost - @shortcuts-make-long-delays
SUCH A CUTE FIC!! The majority of the fic is these letter/pen pal exchanges between Ghost, and Soap's young niece Chloe...it's just. So. Good. And was written by a friend of mine too! BIG RECCOMMEND.
Give me Hope and Let me Down - MechanicalBones
Some of the best Ghost whump I read lolll. Ghost is captured by some people with ties to Roba and tortured. Meanwhile Soap is on his way to rescue him, and eventually he does, and there's a lot of hurt and comfort. It's also a getting together fic. 🥺
Unspoken Love - Hammy101
( Super amazing oneshot. I feel I can't do this fic justice with any summary. Just read it. 🥺 It has decent Ghost whump AND domestic off duty cute ghost soap angsty stuff it's just one of my faves ever!!!!)
Except You, You can Stay - Iravaid
Really realistic, believable portrayal and expansion upon a lot of the key events that happen in the Ghost comics. From his childhood, to the mental aftermath of Roba, his family dying...it's heavy but really really good. And has a happier hopeful ending that's Ghost/Soap 🥺
Hat Trick of the Heart and the sequel Family, Gotta Love em - Librarian_FanFicFan
Absolutely am obsessed with these fics!!! It's an AU about Ghost who is recently discharged from the military due to injury, and on a flight back to London where he is seated next to Soap, a famous footballer/soccer player. Ghost doesn't know who he is tho, but they hit it off and exchange numbers. The second installment features Simon's family!!! And Tommy being dramatic and shocked over the fact his brother got the number of this famous sports player... SUPER CUTE IF YOU LIKE RILEY FAMILY STUFF.
As for my fav CoD authors I wholeheartedly recommend anything by:
RedClegane, m3rrywe4ther, Hammy101, TheEdwardianOne, Iravaid, and so many authors but I can't list them all ahaha...but hopefully this is a good start!
Hopefully this helps anon! Sorry it took me a while.
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nereidprinc3ss · 1 month
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i know we’re all excited for part 4 coming and ofc I don’t want you to get overwhelmed but i was wondering if we could have Spencer’s POV?
in one of the scenarios, he stated that he was in falling in love for reader and it has been noticeable that he has gotten laid with more/other women in the past.
i would like to know more about how was spencer as a lover back in that time like how he felt after s*x and stuff, like a flashback or something and how his relationship with reader has changed him, his own perspective. BUT ofc, you don’t have to if you don’t want to. it’s all good if you choose to ignore this; ily. thanks for always feeding us. we love being your children💗💗
hi love i actually do have headcanons for dybmn!spence’s romantic/sexual history and idk if they’re ever going to fit into that series but i’d be happy to share them here!!
18+ under the cut/season 8 spoilers barely
so basically in my head he loses his virginity to elle greenaway (DUH) and they actually have a little bit of a relationship but the dynamic isn’t quite right because she’s going through all her own shit and at that time of spencer’s life it’s more simple for him. like she’s his first everything and he’s super in love with her but she is older and more experienced and really cares for him but knows for a lot of reasons that this wide eyed rose tinted view he has of her and their idealized relationship is never going to work out. #ILOVEELLEGREENAWAY but anyway they are never exclusive and in the dybmn universe i think he doesn’t necessarily SLEEP w lilah archer but they hook up in that pool beyond just making out mwaha but he’s just a little guy like he’s not CHEATING on elle because they’re not exclusive but she realizes she’s way too into him and that actually ends up figuring into why she leaves the BAU like yes it’s everything with her trauma too but that’s part of it because she knows she can’t sustain that relationship and being much older than him she’s the responsible party so yeah. i also think that time he visits her hotel room was maybe the last time they hooked up
after that i think he kind of develops a pattern of sleeping with women who are older/more experienced than him because he’s just used to being around older people anyway and he feels he can relate to them better and im imagining this is like seasons 2-4 spencer so it’s him and a bunch of hot 30-40 year old women (and probably men) and he’s just like a slut honestly like he’s really easy because he desperately craves affection and validation and i’d say he continues slutting himself out in that way for many seasons, but slowly with people who are more his age, probably until like around season 8 when he meets maeve and then all that shit happens and he kinda is just not into sex or romance for a long while. and i think after that he occasionally will hook up w someone but his main slut era was like seasons 2-6. (it slowed down when his migraines started but did not stop because he’s unstoppable) (he also may have had an actual relationship during this season 7 period in my mind. idk why i just sense there was someone before maeve. no i will not be providing reasoning season 7 spencer just looks like he has a girlfriend)
anyway. the number of bodies that man has is unknown. it may be a number so high we can’t conceive of it. he’s a capital doubleyew Whore unfortunately. but he’s rlly reigned it in by the time he meets reader which can be whenever you want but i picture it as being anywhere from season 9-14. and i think by the time he meets her he really is like basically celibate. like he hasn’t been with anyone by choice for a long while by the time he meets her. he is a retired slut if you will.
saliently i don’t think he ever does anything with jj. that is a purely imaginative thing for him and he lowkey has a madonna whore complex about her. i don’t think he was ever really in love with her he just loved the idea of the pretty blonde girl loving him back. but that is a whole other thing. and he’s way over it when he meets reader.
n e way those r just my silly thoughts. like i said i don’t think i’m ever gonna fit this into the actual narrative but yeah that’s what ive been imagining!!
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putnamcapital · 2 months
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this is how it is
So I’m definitely not being able to turn on my analytic brain about YR season 3. I really feel for the folks on here who are disappointed or angry about how the show it ended. It must really suck to feel invested and then to feel crestfallen. I have been interested and excited to read people’s analyses and reactions. But I just thought I’d share why, I think, it’s not the ‘mode’ I’m in, in case this resonates with anyone.
I realized even before season 3 was released that it wasn’t ‘just a fictional universe’ – it was a universe I was wholly committed to, because I saw myself in it. I see myself in the characters and their strengths and weakness but also in the story’s inflection points and its overall narrative journey. I had a tremendous amount riding on ‘what happens to these people I love’ because it had become a container for holding ‘what happens to me who I love, after all, despite everything’. To give you a sense of the level of blurring between fact and fiction, I realized I had my eyes closed during the “was it like your dream” scene in the palace because it felt so real and hence private and so I definitely shouldn’t be watching – whereas as them kissing in front of everyone at school, “in public” I was absolutely fine with. And my brain fully melted when they ended up sitting in the same position I had put them in during the actual walls-breaking-down-at-last conversation in my aged-up ten-years from now pre-season 3 story.
Anyway, this is background to explain that people’s meta about “I didn’t like how it turned out” or “it wasn’t realistic” or “it was corny” just ---feels--- to me like the same level of incoherence as ‘fish riding a bicycle’. Because of course I might not like how life turns out, or I might wish it was otherwise, or I might wish I had said something different, or he had not said that all (looking at you, ‘tent scene’) but that is just absolutely not how life is. In fact life can be the pure crystallization of something you do not want, something so horrifying you cannot even imagine it in order to imagine not wanting it. I found episode 5 unbearably difficult, I was triggered in basically every way possible. It was really only then that I was willing to acknowledge there was a moving hand behind all this – a god torturing the mortals. That it was Lisa doing this to ‘them’ and also to ‘us’. It felt like, if I had seen Lisa on the street, I would have screamed at her, and it was would have been as effective as shaking my fists at the sky, the same skies which rain death on the people of Gaza.
I am still not sure whether I feel okay about the decision to drop people off the cliff of episode 5, and then leave them there for a week. But it was masterful, if what you’re interested in is the felt experience of trauma – the way that time seems to stop and then dry to a sludge – while the world goes on but it seems impossible that it *is* going on given how much has been broken.
Anyway sorry if this is a bit much for your lunch break / coffee break but I know I’m not the only one on here who has spent more than a year living in and through the hopes and fears of a handful of Swedish teenagers. So I wanted to share how and why I came to experience season 3 simply as “This is how it is. This is what happened.”
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lordystrange · 1 year
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”I don’t think they’re gonna break up Mileven. Mike and El have such a strong connection. Also Will’s arc doesn’t need romance in it, he just needs to get rid of his trauma.”
I just saw this comment on tiktok under a byler edit, and I NEED TO make an analysis. It’s gonna be good. So read it!
”I don’t think they’re gonna break up Mileven.-”Let’s start with the first sentence because it’s the easiest. I’m just gonna say, that it’s a good thing that this person doesn’t need to do the thinking for the Duffers.
”-Mike and El have such a strong connection.-” Now this is interesting. Where have we seen their strong connection? In season 1 I did see a connection between them, but that was pretty much it. They don’t have a lot of conversations, especially deep ones. When Mike in s3 tried to explain to El about love making people crazy, he couldn’t even say the word and El clearly had no idea what he was trying to say. ≠ strong connection. In s4 we had the ily scene, where Mike tried to connect with her using his experience being bullied, but El bluntly dismisses his experience. El the shares her feelings about their relationship and Mike calls her ridiculous. ≠ strong connection. And I vaguely remember in vol 2 how El was determined she needed to get to Hawkins right that second, and Mike didn’t understand her worry at all. ≠ strong connection. (Bonus: during the series we get many deep convos, heart2hearts, and shared looks of understanding or judging with Will and Mike. = strong connection.)
”-Will’s arc doesn’t need romance in it, he just needs to get rid of his trauma.”
A couple of things to pay attention here. Firstly the latter part, because you can’t just get rid of your trauma. You have to learn how to live with it. And yes, El has trauma too.
Now let’s see about the other thing. Throughout the series, we see Will going through traumatic experiences, but at all times, having the support of his family and friends. Apart from Lonnie, he has the best family in ST. Joyce is an amazing brother and Jonathan the best brother. What Will doesn’t have tho is a romantic relationship. And he’s the only one. It would be even homophobic to just leave him without one.
El on the other hand was raised in the lab, got kissed by a boy 5 days since she broke free, was hiding in a cabin for a year, and almost immediately after she had to jump into a romantic relationship with Mike. We see in the show, that El grows personally most when she’s not with Mike. (S3 with Max, S4 getting her powers and memories back) What she has lacked tho is a real family, because she even lost Hopper in s3.
Now which story do you think is better?
1. A story about a boy with a family wanting a boyfriend but not getting one and a girl with a boyfriend wanting a family but not getting one
2. A story about a boy with a family wanting a boyfriend and getting one and a girl with a boyfriend wanting a family and getting one
Let me clarify: If Will doesn’t get the love of his life, he’s arc hasn’t led anywhere. If El doesn’t get to become independent and finally start a life with a family that loves her, her arc also hasn’t led anywhere.
So, independent El and Byler Endgame it is!
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beachy--head · 8 months
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A silly drabble based on Jackson saying April has road rage in season 13 (and yeah, I know the canon in s13-14 doesn't make any sense, but this was really fun to imagine)
___
Ask anyone who's ever met his wife to describe her, and they'll probably use a synonym of "nice". Kind. Cheerful. Sweet ("Unbearably so", Cristina would say). She's known for being the peppy resident, the upbeat attending, whose compassion is not always reciprocated but still knows no bounds.
But these people obviously have never been in a car with April Kepner as the driver.
One minute she's talking about her plans for Sofia's birthday party the next weekend ("I offered to bake the cake, because both Arizona and Callie are on-call and Ari doesn't even like to bake in the first place, so it was the least I could do, I mean-"), and the next she's swearing like a sailor who stepped on a Lego.
"Did you see that?? He cut me off and is slowing down? Hurry up! We could be going to the hospital to go save lives or something!"
They're not, they're actually headed home after a long, exhausting shift at Grey Sloan's, but April doesn't really care.
"Do you need an instruction manual to tell the difference between the gas pedal and the brake?"
"April."
She makes a move to blast the horn and then reconsiders, opting to flip the offender off. Her hand stays safely below the dash though, so the driver doesn't see, but Jackson does. Who are you and what have you done with my wife?
"My grandmother would go faster than you and she's been dead for years!"
"April!" 
He hadn't really noticed before, because he or Alex or Meredith had done most of the driving on the occasions they carpooled to work. And sure, Alex had told him about what happened at the trauma certification, with April hijacking an ambulance and apparently yelling at Major Owen Hunt, but he had thought his friend had exaggerated when recounting the situation, because, well, he was Alex. Her jumping on another guy at the board and trash-talking him (or at least trying to) could have given him a clue, but he'd been too busy being in awe of her feisty side, and, well, they'd soon found themselves very preoccupied with each other, so he hadn't given it another thought (except than "damn, that was hot").
Two weeks of marriage though, and he's discovering a new April Kepner, driving menace.
"I would have had the time to go to the hospital, do a total colon resection, round on my patients and come back and you'd still be waiting at this stop sign, you-"
What follows is a litany of words Jackson is pretty sure would be highly frowned upon by Karen Kepner and that April certainly didn't learn at Sunday school.
He's not ashamed to admit that it turns him on a bit. He always loves to see April, proper, angelic April Kepner, get out of her shell and let it loose. Probably because it reminds him of one of the best nights of his life in San Francisco, and because the only times April swears otherwise is during sex. Really, really good sex. Like the sex they could be having right now if the driver in front of them actually went faster than 20 miles per hour under the speed limit, and is he starting to see the point his angry wife is making?
"Okay fast and furious, why don't I–"
He has to wait until April is finished with her diatribe (her long diatribe, because his wife seems very creative with her use of swear words), and it's only turning him on more and more. Once the offender makes a turn and finally leaves her sight, she turns towards him with a sweet smile on her face, as if nothing happened.
"Anyway, I'll have to pick up Sofia's gift before the party, and– why are you looking at me like that?"
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jack frost hcs: the original draft
Some/most of these are repeats of my very first, original Jack Frost headcanons post (with more elaboration), because back then I didn't know where to find my drafts, but I just found them so here's the sorta-kinda-not-really-lost original Jack Frost headcanon list! It's redundant but there's new stuff in there too and also I don't care lol
Jack was an instrumentalist of some kind in his past life. His hands and fingers are long but sturdy, they'd be perfect for at LEAST violin or piano.
Furthermore, passionately played classical is one of the few things that can switch Jack from chaos mode into concentration mode.
His mischief was mainly to get people to see him, and while he still plays pranks for fun, he no longer has the desperate compulsion to do it now that he's a Guardian and has friends and believers. Now he does it to make everyone happy and entertained.
Jack understands and responds well to all of the love languages, once he gets used to being loved in the first place. His own main love language is quality time, with some clear response to words of affirmation (or maybe North is just good at words of affirmation), but he takes great joy in figuring out other people's love languages and assaulting them with affection.
Sandy's main love language is physical touch, since the others can sometimes get lost in translation for him; he also adores quality time. North's main love language is of course gifts. Tooth's would be mainly words of affirmation (notice the Guardians' verbal support and comfort was very effective for Tooth's stressful moments during the teeth crisis). Bunny's is mainly acts of service. [Note: I switched some of these around in the other Jack Frost headcanon post, I hadn't even realized. Ah well, good points in favor of both ig]
The Guardians absolutely get closer after the Pitch incident (as everyone assumes they do)- they're not quite found family in the movie, but when they're not actively fighting anymore they begin making more effort to bond, since their separation from the world and each other got them in trouble in the first place. Each Guardian starts becoming the natural leader of various types of group interaction, and they all begin to treat each other more casually.
At some point after the movie Jack, now having an identity that feels complete, begins to build a real home for himself- something that felt uncomfortable before he knew the full extent of who he was. This is how he discovers that when a new spirit is properly established, like Jack now is, other spirits pay tribute to them and congratulate them by leaving little gifts. He gets everything from nice new clothes various spirits made, to little bits of art or sculptures, even a holster for his staff. Other spirits may still find him or his season annoying, but that doesn't change the fact that respect for Jack is growing.
Jack begins to get invites to massive spirit gatherings as respect for him shifts, and of course, he now gets to attend North's Christmas parties and Bunny's Easter parties as a guest of honor.
Jack discovers, through all this new interaction, that a lot of the spirits have become more reclusive due to long centuries of almost entirely solitary duties; many didn't reach out during his 300 years alone simply because they didn't know how or didn't feel it was their place or just didn't know he existed, and there are actually a lot of very decent spirits out there who are perfectly welcoming that he just never found.
Basically, Jack learning things and reaching out to people that help him work through all the trauma of the 300 years
I've never liked characterizations that make him out to be super bitter about other spirits leaving him all alone. He's so eager for connection, and while yeah, there'd probably be lingering uncertainty about other spirits, I don't believe he'd actively lash out at him. Even when he's freaked out by the Guardians abducting him, he's more irritable and mocking than actually angry and loud.
Just- Jack developing a network of friends beyond the Guardians from the population of spirits that never heard of him and are actually eager to know him.
Anyway
Jack likes strong flavors. Spice, sweetness, savory, doesn't matter. Not to say he dislikes mild flavors, but he can handle the powerful stuff too.
Jack is actually a Ravenclaw who comes off as a Gryffindor because of ADHD (sorry Slytherin Jack fans, but he was completely happy the way he was, and if the Guardians hadn't literally dragged him along, he would have never had the ambition to join them). His fighting style depends entirely upon flexibility and agility, and it seems it's been that way a long time, given that Jack didn't know after 300 years how much sheer power he could unleash. That's a strong indicator that he's always chosen to fight in ways that demanded strategy over force. He's curious, has a solid sense of humor, and gets bored easily, all possible indicators of intelligence.
I don't think Jack actually dislikes Manny. He remembers MiM's light chasing the darkness away when he appeared from the pond with appreciation and admiration. I think he was just lonely and frustrated.
Jack has steady hands and good coordination and, in turn, handles most things very gently. (Including whoever you ship him with ehehe)
Jack likes theater fine but doesn't much care for opera, in particular.
Jack has a great sense of rhythm but dances like a dork on purpose.
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leianaberrie · 5 months
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I saw your recent post about your rewatch of S6.
Things that really needed to be address and explored.
Kai being Bonnie’s first kill. I would’ve love to see a scene where this is addressed. Damon should’ve pointed this out to Bonnie. I mean I know from an out-of-universe perspective this was done so that it can later be a surprise reveal that Kai can resurrect. But still the choice that it was Bonnie who was gonna kill him was deliberate. They could’ve found another way for him to die. I would’ve liked to see an emotional intense argument during Bonnie and Kai’s confrontation where Kai brings this up.
Another thing. “He left me all alone.” Ok again this was the writers just pulling b.s out their ass for plot convenience but from an in-universe perspective I think this line says a lot about how Bonnie is willing to sacrifice so much for her friends and not admit to herself they don’t do the same in return.
Like I would’ve loved to see a scene where she realizes she was only left behind in the 1994 prison world cause she thwarted every attempt at leaving with Kai all for her friends sake. I remember Chris Wood even replied to a tweet and said Kai would’ve gladly left with Bonnie.
So it be really nice if Bonnie had a scene where she is getting flashbacks of her time as the anchor and all the pain and sacrifice she has done for her friends and admit to herself that Kai is just being used a scapegoat to prevent herself from facing the truth about her toxicity of her friendships.
In my own little fics (that I write in my head lol) Bonnie leaves Mystic Falls, in fact leaves Virginia entirely and distances herself from the gang and reunites with Lucy. Abby actually becomes a present caring mother. And Jo reaches out to Bonnie and becomes close with her as well.
And Beremy have a proper goodbye and he tells her that he saw her in the garage getting ready to kill herself and that Kai (despite nearly dying himself) was the one who made that possible.
lol, you just meta'd about 80% of the plot - and motivation - the s6-time-era flashbacks of Long Shadows! Everything you mentioned here - Bonnie realizing that her friends keep letting her down, and she gives them more than they give back, that Damon basically used her to free his mother, finding out that Kai saved her life (although in this fic it was from Kai himself, but Jeremy collaborated this later), and Bonnie leaving Mystic Falls and telling them to never call her again... I really, really wanted s6 to be Bonnie's Watershed moment of realizing just how much her life was messed up because of misplaced values. Loyalty is all well and good, but it has to be reciprocal. Bonnie consistently sacrificing herself for people who treat her as an afterthought needed to be addressed. Bonnie dealing with a lot of her trauma over the seasons - from her grandma dying to her mother being turned to her father being brutally murdered - all because of her involvement with her friends's crisis. Bonnie herself dying. Literally dying. Then becoming the Anchor which was a special form of torture. The Prison World was just the last straw because she'd been breaking for years.
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florelia12 · 1 year
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What If Scenario - Helia didn’t have feelings for Flora…at first.
An AU where its more of a friends to lovers for Helia and love at first sight for Flora. One-sided pining until it’s almost too late.
So, it starts with Flora and Helia and their iconic meeting. Flora falls for him but Helia’s just like “hm, nice girl.” He makes a habit out of drawing people/strangers and gives it to them. But, Flora starts to develop a crush on him because of the drawing and also because he’s hot.
They organically become friends, with Flora (retaining her wonderful season 1 personality) making an effort to get to know him. This happens because he is assigned to the squad and is having a hard time adjusting. At one point, Flora confesses to him she feels left out too because Aisha and her used to be close until Musa and Aisha became closer. She’s not jealous because she knows Aisha cares about her but it does make her feel a little bit like no one in their group really gets her.
Helia has trauma (ofc he does) and is hesitant to make friends. Why? Because his old squad were assholes to him and when a mission went wrong, a lot of people got hurt and they blamed it all on him thinking they’d get away with it since he is Saladin’s grandson. Did that happen? Ofc not. Helia being Helia didn’t argue and simply accepted his fate. Saladin kind of forced him to take a break from RF, go for therapy and try and get his shit together. Hence, the gap year at a local art school on Magix proceeded by him showing up again on Saladin’s doorstep and refusing to leave since he almost died at the end of season 1.
Helia tries to convince Saladin that he is ready to be back. Saladin has his doubts. He puts him with Sky’s team and Helia thinks its a test because who are these lovable dysfunctional idiots but really it’s because Saladin knows he’ll fit right in. Now he just has to convince Saladin (truly, himself) that he is meant to be a Specialist and so they go on missions and yada yada. Back to where I trailed off…
He’s truly not interested in relationships right now because he has way too much on his plate but he does grow fond of Flora and appreciates the efforts she puts in to make him part of the group. Even helps her out with her own insecurities and helping her gain her Charmix. They become close and the closer they get the more Flora is reluctant to ever confess.
The girls hound her about it, the boys assume Helia has any idea that Flora has a crush on him but nothing happens because angst is what keeps us alive. ALSO. Helia, Flora and Aisha friendship with Aisha being stuck in the middle of these oblivious idiots after Helia and Aisha bond over being the newbies —- something she was forced into after Flora pushing her but then ends up genuinely enjoy Helia’s friendship proceeded by Helia helping Flora get closer to Aisha again after they drifted for a while there.
So now Helia reaches a point around in season 3 right before Eraklyon’s Anniversary Party (i think we all know where this is going 🐉 ) and he realises when Sky invites him that he really is a part of the squad and that they are really his friends. Its like his moment of realising that hey he’s on the other side and reached the end of the tunnel. Like. He’s happy. He’s healthy. So, he agrees to go to the ball/party idk
Now. We love a little jealous moment during the pining stage. So, Stella sets Flora up with a date for the party — maybe Brandon’s cousin or Sky’s friend (she knows what she’s doing). Then, casually assigns Aisha as Helia’s date which he is fine about until he sees Flora in the ballgown ( cue that scene when Brandon’s jaw drops after seeing Stella at her Princess Ball ). Now he’s not too happy about Flora having a date to the ball. Does he talk to her about it? No. He sulks in one corner in true Helia style because hopping planets isn’t an option right now and his therapist told him no.
Aisha decides to give him a wake up call. Helia’s like pft no, Flora doesn’t like me like that she’s nice to everyone. Aisha tries not to hit him. At some point, Helia had told Flora he wasn’t looking for a relationship and wasn’t ready and she was like good for you I support you 100% bestie even though she was dying on the inside (haha wonder where that was inspired from, definitely not projecting what). So, Flora never made any move on him.
He asks if Flora still has a crush on him. Aisha refuses to tell him. He gets frustrated and then gets even more frustrated seeing Flora dancing with the other guy because what if she’s moved on which he would have appreciated before he had the epiphany at the worst time possible. Decides to impulsively cut in and Flora’s like huh but then stupid Sky (i love him) decides its the perfect time to announce his love for Blo- nope, Diaspro.
They all get distracted trying to run from certain death at the hand of their friend turned cruel prince (cardan my beloved but thats not relevant). Flora then gets attacked by Sky’s dragon.
Angst.
Helia finally realises that shit he loves her. She’s his best friend and he can’t lose her <\3 Tries not to breakdown and fails miserably. Therapist tells him its good he is feeling his feelings because they are annoying like that (the good ones are life-savers)
Flora doesn’t die and Helia was a little overdramatic because Magic makes healing faster and less painful. But, now he needs to deal with his feelings for his best friend which is what he calls her when she wakes up and shes like aw, same <3.
Flora senses the shift in him but remains oblivious to his awkward flirting and thinks he is being extra sweet since she was hurt. Aisha is trying not to pull out her hair.
Flora gets her Enchantix, Helia is still miserably in love but then starts to avoid her because he is so confused and he does not want to ruin his friendship with her. Flora is sad but she’s too busy saving the world so they stay quietly missing each other
Then Tecna gets sucked into the Omega portal. Helia is there for her again, no longer avoiding her and he helps her through it. She tells him she was afraid that another friend grew tired of her or bored and drifted away. She feels like she tries to be there for people and a shoulder to cry on but after a point its all she is. Sometimes she thinks that’s all she knows. She thought this time it’d be different.
Helia almost confesses but knows this isn’t the right time because she is grieving. But he assures her that she is not forgettable or replacable. Tries to make her believe it but she doesn’t seem so convinced. Internally beats himself up but his therapist assures him that healing is not linear (i need to text back mine)
They save Tecna, hurrah and now Nabu is in the picture. Hello, Aisha 😏
They go to the Red Tower looking for Water Stars. Riven and Helia stay behind, Flora sends the cute little video message and Riven sees Nabu and gets ready to throw hands
When Helia tries to stop him, Riven calls him out and says hey at least im fighting for the girl i like. Helia’s like da fuck? Does everyone know but me? Riven calls him stupid and then leaves him to his overthinking in his towel. (Yall know what scene im talking about)
Anyways, they get the Water Stars and they come back but Flora’s quiet again. Helia tries to get her to open up and she tells him her test in the crystal labyrinth was about her worst fear of being forgotten. That if she wanted the water stars, she would have to choose to be forgotten by everyone, that they forget they ever knew her. Of course she chose that path because the universe was more impt than that.
Even though the council of elders eventually restored the sacrifices, for a while no one remembered she existed and that’s terrifying.
Helia tells her he can’t imagine a world without her in it. Cue intense eye contact and then they kiss.
Finally. Cue Aisha’s florelia senses tingling like that Charles scene in b99 with peraltiago (please understand this reference)
Flora is the first to pull away thinking she kissed him even though it was very much a simultaneous effort from both parties. She panics and apologises. Helia is hurt that she looks like she regrets every decision she has ever made in her life but understands. She runs away. (Girl, same)
The last one of the gang turns 18 so they decide to go to the club for the first time. Since Aisha had Nabu now, Stella declares that Helia will be Flora’s date. Are they happy about it since they’ve been avoiding each other? Nope. Do they say no? Also no.
They sit awkwardly in the club once the pairs start pairing off. Not talking until Flora can’t stand the silence and apologises again. Says she doesn’t want to lose him as a friend. Helia agrees even though he wants to be more. They are okay for a bit before Valtor that diva sky-telecasts his challenge to duel the headmasters.
More angst and so this is why this will never be written out into a fic as my patience is a thin as my hair.
Helia is worried about Saladin but Saladin assures him Helia is ready to be on his own if anything should happen to him during the duel. He isn’t afraid to leave Helia behind because he knows he has his people now.
Then he tells him to tell Flora how he feels.
How does Saladin know? He gives some weird wise sarcastic answer like “I’m all-knowing” but really it’s because Faragonda told him. She’s the one that’s actually “all-knowing” aka invades the privacy of her fav students and ships them.
Final battle with Valtor happens. Flora returns safely and they do share the hug at the end of the episode. Helia decided to tell her how he feels but at a better time and they agree to sit down and talk about it once its all over.
Is it over yet? Haha no. Valtor is still alive, kidnaps the specialists and leaves Helia behind. On the way to save his friends, he walks off to the back of the ship and admits to Flora he feels like he failed to protect him. She comforts him and he tells her that he was so scared he wont make it out alive. That Valtor was going to kill him. She starts tearing up.
He tells her that all he could think about as he possibly faced his last moments was not telling her how he felt. She tells him she has feelings for him too. But, ofc the moment doesn’t last and they are pulled back into the cockpit.
Now. It’s over for reals. Stella throws another Princess Ball because I would too if i got turned into a monster halfway at my first one.
After all the intense moments and will they won’t they moments and pining and anticipation… they finally have a good, soft Florelia moment and they get together. The end.
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the-dungeonmaster · 2 years
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‼️Warning: if you’re planning to watch the show, keep in mind that this rant contains spoilers. Read if you dare LOL (this also includes s4 spoilers too)‼️
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This scene fucking hurt. A LOT. Because, oh my god, imagine that you’ve been stuck in an alternate dimension for a week only to come back and be possessed by a shadow creature that forced you to lose all your senses and kill which then led your mother, brother and his girlfriend to take you to a secluded area in the woods where they all try to kill the shadow creature possessing you by making your body inhabitable.
Then a year after that, your friends begin ignoring you all for their girlfriends who do not in the very least, seem interested in what or how they are doing. So, in a desperate attempt to spend at least a minute with your friends, you get them to hang out with you by playing a childhood game you guys used to play, and run to for comfort.
But then they begin acting like assholes by treating you like shit during your game so you run away to your only safe space that you and your brother made during a time of hurt and pain. But that place only reminds you of all the memories that you oh-so longed to experience yet again, so you destroy that safe haven that brought warmth and joy only to find out that the shadow creature that possessed you is out again, and is starting yet another killing spree.
Imagine. Fucking imagine that. Imagine being in so much hurt for so long, experiencing so much trauma, having your childhood ripped away from you because of all the said events that have happened.
And also, can we note that after recovering from The Upside Down, he immediately goes and asks about his brothers well-being, like, this boy… he is so goddamn sweet. Oh, god. He is so selfless and doesn’t stop to think about himself. It’s unbelievable.
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Let’s not forget about the van scene in season four where Will pushes aside his own feelings for his childhood best-friend since kindergarten, to strengthen the relationship Mike has with Eleven’s. He lies about the painting to give Mike the confidence and reassurance that El still needs him to be by her side.
I can’t with Will Byers, honestly. He is too selfless for anyone on this planet.
The reasons people have are so stupid and honestly annoying, because those reasons aren’t even canon and/or made up just to hate on Will and excuse Milkvan. Literally no one without a heart could ever hate Will Byers. Like, dude. I got into a tiny argument with someone the other day and their only thing against Byler/Will was that he was being “clingy” towards Mike and was “angry” because he wasn’t gay.
Literally how unaccepting can you be to make up something about a certain character just to assure/convince yourself that you were right.
Will Byers is a kind, selfless, and caring individual who no one deserves. This is just amazing portrayal of how it was like to be gay in the 80s. People were so, SO unaccepting and just close-minded. It places people in a situation where they can’t even be happy with themselves. I mean, Finn’s an amazing actor, alright, but c’mon Will’s van monologue tops Mike’s shitty “love confession” towards El. (Bro didn’t even sound genuine. Internalized homophobia alert!!!)
And people have the AUDACITY to hate Will Byers. Fuck all of them. If you watched the show correctly, you’d agree. If you don’t, then leave 💋 sorry that this got too long and controversial, but people have legit no other reason to hate this boy.
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rebeccalouisaferguson · 11 months
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SPOILER ALERT: This story contains spoilers for “Outside,” the season finale of “Silo” now streaming on Apple TV+.
During a break on set, Ferguson talked about the finale, and why she wants people to know Juliette never resigns to her bleak circumstances by the end of the season.
“We always hold onto hope, and I don’t want people to feel that she lets go of it,” Ferguson says. “That is what Juliette represents. It is that last breath, it is that last bloody push as a rebel against everything.”
Looking ahead to Season 2, Ferguson shared with Variety the finale scene that ranks among her favorites, how it was to film on the show’s enormous practically built sets — and teases what little she can about what’s to come on the show.
You’ve worked on some very large-scale films, two of which come out this year –– “Mission: Impossible – Dead Reckoning, Part 1” and “Dune Part 2.” But “Silo” has its own massive scale with huge practical sets. What has been like to work on that scale in episodic TV?
I didn’t know what to expect. I did a TV show a long time ago called “The White Queen,” and the sets were great. They were huge. But back then, TV was very different from what it is today. It’s going to sound like I’m blowing smoke up Apple’s ass for a moment, because I am. When I walked on set, I realized how much they put into this show. It’s love, but it’s also care. They could green screen and blue screen this, but they’re not. They built it. They are letting us create these entire worlds. It is phenomenal, and for us actors, it is everything. I hate working with green screen and blue screen, and I’ve been fortunate enough not to with “Dune” and “Mission: Impossible.” To walk into a world of TV shows that I thought weren’t going to be the scale that we have managed to create here, it blows my mind every day.
Whether it was an act of mercy or a power move before sending her out to clean, Bernard brings Juliette into the all-seeing surveillance room to show her a video that proves George (Ferdinand Kingsley) jumped to his death in order to protect the Flamekeepers and the drive. Her crusade has been to avenge him — so what does that moment mean to her?
That is one of my favorite scenes, because she has lived in this place her whole life, but walking into that cleaning room she just now realizes there is something so horrendous and controlling behind all these closed doors. It’s a police state times 10. For me acting-wise, it was such an unraveling to be able to see these screens and what they controlled. It is so abusive. Everything about it is emotionally abusive and it hits her at that moment. And then to see your loved one on the monitor. I think it is on such a grand scale. The relationship with her mom being studied, her entire childhood, the trauma she has been through and then this. I wonder sometimes…
[hesitates] No, I can’t. It’s too much of a spoiler!
Speaking of all she’s been through, Bernard asks Juliette if she regrets becoming sheriff, and she quickly says she doesn’t. Do you believe her, given all that has happened and where she ended up?
I do, and I think it was worth it. In the beginning, Juliette is a fish out of water, completely. Her most comfortable surroundings are working with her hands in a noisy environment. She’s had so much trauma in her life with people dying and leaving her; her father not coming to find her; and it is all so fucking lonely, right? But then she is put in this situation where she gradually realizes this self-centered human being that she kind of is because of trauma, and can start to become caring and nurturing.
She realizes it is not just about her. It affects the entire race, and her tribe and her people. But I think what’s so lovely about this journey is that we are not there yet –– where she cares about everyone. She just grabs the job that is offered, and she gives everything for it. But she doesn’t really know why yet. There are so many mixed feelings in her. It’s like a bowl of potpourri. Is it her? Is that why she’s doing this? Is it George? Is it for her mom? She’s like a young kid with a lot of emotions she hasn’t been able to unravel and it’s so unpredictable.
And those emotions are certainly scrambled even more as all her people, including her father (Iain Glen), come to say goodbye before she is sent outside to clean. Do you think she ever resigns to her bleak circumstances?
We always hold onto hope, and I don’t want people to feel that she lets go of it. That is what Juliette represents. It is that last breath, it is that last bloody push as a rebel against everything.
When she is finally outside, she makes it further than anyone we have seen, thanks to Walker’s tape. And she comes face to face with the realization it is a desolate world after all. But we see there are what look like other silos surrounding her own. What was your reaction to this revelation?
Well, I read Hugh Howey’s books, and this is all part of a journey — and it is a great ending to this part of it. The philosophy of it all is beyond mind-blowingly shocking, isn’t it? What is further and what is beyond? All of these emotions and to be able to play with them is exciting. There’s really an interior explosion in this world and it’s about what Juliette does next with that information.
Luckily, she has a satchel of extra tape so she can go explore what we saw in those final moments.
Maybe! We’ll see if it really was the good tape.
With Juliette literally walking into the unknown, what can you say about what’s to come?
What’s so amazing is that we’ve already been greenlit for Season 2, and right now we are diving into dissecting the world of where we end Season 1. So that is a question I am literally working to unravel right now, and I am really excited about it. It is brilliantly written. The show gets darker. It doesn’t take a turn from what we know. But it becomes darker and grittier.
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cutekittenlady · 1 year
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Other points for the frail emmet au;
I'm not a doctor and dont have much medical knowledge so my ideas on the root cause of Emmet's weakened health really should not be treated with any kind of seriousness? Mostly its just a function of the plot tho I do have idea of the cause.
When Emmet arrived in Hisui (somehow. tbh havent really thought the how) he landed in the wilds much like Ingo did. However Ingo was lucky enough to land in the icelands during the warmer months/season and so the pearl clans members were more active in the wilds. Emmet doesnt have nearly as much luck and winds up crash landing during the darker/colder months.
This means that the pearl clan are being more conservative with how far they wander from their settlement so they dont' wind up finding Emmet. This leaves Emmet alone in the wilds struggling to survive for months. Only being found when he's already on the brink of death.
The mental and physical trauma from barely surviving is what ultimately causes Emmet's health to crash and leaves him so weakened. It's not irreversible and it is possible for Emmet to fully recover, but with the level of medical care available in hisui it would take years and is less likely to be successful when compared to the modern hospital.
In terms of actual symptoms Emmets weakened health means he has a weaker immune system so regular illnesses hit him harder as do things like the spores from parasect, etc. He also has less stamina meaning he gets tired more easily lessening how long he can exert himself before needing a break.
I can see Emmet using a cane or walking stick as a mobility aid as he slowly begins to regain his strength.
Aside from points concerning Emmets health heres some other random ideas;
Like Ingo, most of Emmets clothes are destroyed from his time in the wilds. Unlike Ingo though, Emmet hasn't had as much room to repair them. Since he was alone in the wilds for longer than Ingo, the only pieces of clothing that are fully intact are his hat and coat.
This means that Emmet winds up wearing much different clothes from Ingo. He doesnt have a pearl clan tunic since he's not a member, and since he spends most of his time in Jubilife, he'd likely wear warmer clothes. So probably, like, a kimono and sandals? Something like that.
While Emmet appreciates the people of Jubilife and enjoys the company of his pokemon companions, he is also desperately lonely as while Ingo does visit him in Jubilife, he also splits his time between the pearl clan settlement and caring for Lady Sneasler. Beyond that, Ingo shows no signs of fully remembering Emmet.
Althoooooo, being with Emmet DOES bring back a ton of OTHER memories for Ingo. While this is distressing at first, Ingo is still relieved and actually quite thrilled to finally be remembering tihngs about himself.
Sadly, things about Emmet are not included in most of the things Ingo is remembering. Emmet doesnt want to push Ingo to remember him, and so leaves it, but the fact that Ingo only knows his name and their relation and not private things about Emmet (like his favorite foods, small things they did together as children, his fears, etc) makes Emmet still feel as though he hasn't quite gotten Ingo back yet.
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beholdthemem · 1 year
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Y'know, I feel like even if the 1986 school year had been completely uneventful and gone off without a hitch, Chrissy still would've dumped Jason.
Not because of Eddie. Not because she discovered 'Oh, maybe I'm into girls'. Honestly, not even because of Jason himself.
I think Jason was never aware of it, but he and Chrissy's relationship had had a time limit placed on it for a while- because Chrissy's number one goal was to get the fuck out of Hawkins, and a romantic relationship was not conducive to that at all.
Part of playing a character that won't be around long while still giving them depth is to build who they are as a person off screen- who they are, what they're like, what they want. Even if half that shit never makes it to air, YOU knowing that about your character helps you portray a human being rather than a cardboard cutout. There's a personality to draw from. There's unspoken experiences that created that personality. During a brief period of time last summer when people weren't being anal worms for no goddamn reason, Chrissy's actress did a Q&A, giving us a chance to learn some of those things. Including:
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(Weirdly cropped, I know, but I didn't know if the question asker would want their url included or not, and didn't wanna be rude. At any rate-)
Maybe season 5 will roll around and it'll turn out I'm wrong, but based on what we know of Laura, I really have trouble believing she would've just let Chrissy go. Chrissy's Vecna visions showed her being trapped inside that house. A recurring theme was her inability to get away.
Jason didn't know there was anything wrong in Chrissy's home life. If she was planning to leave as soon as she graduated, anyone she wanted to stay in contact with afterwards would have to be well aware why she was going, and why it needed to be a secret- loose lips sink ships. Anybody who didn't realize there was a reason not to talk about Chrissy's post-grad plans in front of Laura ran the risk of destroying of destroying her exit before she even had a chance to use it. If Jason didn't know about Laura, I don't think he knew about anything.
I do believe Chrissy cared about him. Not in a marriage/children/white-picket-fence-future kind of way, the way he seemed to think about her- but it sounded like there was some affection there. She wasn't willing to risk her safety, sanity and future to stay with him (because he seemed to have pretty positive associations with both Hawkins and the people living there, and I don't think he would've been willing to cut them off. Staying with Jason meant that no matter how many miles she ran, there would ALWAYS be an avenue for Chrissy's parents to get to her again) but she didn't want to put him through his girlfriend disappearing on him with no explanation. So... break up. If it was done early enough in the school year, it would theoretically give him enough time to heal and move on. He'd be able to pursue his life, and she'd be able to pursue hers.
Now, whether or not that ended up being how he reacted to the break up in PRACTICE is a different story. Jason is obsessive. If Chrissy dumped him, there would have to be a reason, and no matter what she told him to the contrary, I cannot see him accepting the idea that there wasn't someone else. He needs a bad guy. When something goes wrong, he needs someone to oppose. Prior to Spring Break, Chrissy might not have been in a position to see that side of him (The fact that Vecna tormented her exclusively through her parents make me think that whatever issues she and Jason may or may not have had, he never actively contributed to her trauma) but if she'd lived long enough to end their relationship, I suspect he would have made himself into a big fucking problem.
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