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#s2 ost
fuckyeahgoodomens · 3 months
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The Good Omens Season 2 Soundtrack! 😍❤🎵
The Soundtrack CD has wonderful cover and pics and look at the brilliant booklet! :D When you open it it looks like a box with a fly! :D
Options :):
(best to use the local store of course :), the Silva Screen page is thewebpage of the recording company)
CD:
Silva Screen 15.99 €
Amazon.co.uk £10.99
Amazon.com $30.79
Vinyl:
Silva Screen 39.99 €
Amazon.com $53.99
Digital:
Silva Screen 10.99 €
More digital listening options :) (some free)
Episode description and Track Listing :):
CHAPTER 1: THE ARRIVAL - Retired angel Aziraphale and retired demon Crowley's lives are upended when a visitor arrives on the doorstep of Aziraphale's bookshop, bringing chaos. Local shopkeepers Maggie and Nina get locked in to Nina's coffee shop when Crowley loses his temper. Heaven and Hell are suspicious, and Crowley and Aziraphale have a disagreement.
1. Before the Beginning 2. Good Omens 2 Opening Title 3. Into Soho 4. Something Terrible 5. To The Bookshop 6. Maggie and Nina 7. He’s Smoking 8. Tiny Miracle 9. Heavenly Alarm Bells
CHAPTER 2: THE CLUE featuring the minisode A COMPANION TO OWLS - Heaven and Hell are determined to find the missing angel. An overheard song provides Aziraphale with a Clue. Crowley and Aziraphale visit the pub to discuss ways that humans fall in love. While almost 5,000 years ago Crowley is sent to inflict punishments on the righteous Job, God's favourite person, as Aziraphale learns at first hand about temptation, and what Gabriel will and won't believe.
10. Avaunt! 11. The Song is the Clue 12. It’s What God Wants 13. A Mighty Wind 14. Whales 15. Gabriel Returns 16. His New Children 17. Am I Awful Now? 18. Fallen Angel
CHAPTER 3: I KNOW WHERE I'M GOING featuring the minisode THE RESURRECTIONISTS - Heaven sends the angel Muriel in disguise to spy on Aziraphale and Crowley. Aziraphale drives to Edinburgh in pursuit of his Clue, and learns a little about a lot. The couple's visit to Edinburgh in 1827 involves graverobbery, a statue and an unfortunate encounter with a vial of laudanum. In the present, Crowley is in charge of the bookshop, and is disappointed by human beings and the weather.
19. Police Arrive 20. Scotland 21. We’re Going to Hell 22. People Get a Choice 23. My Car is Not Yellow 24. Beelzebub in Hell 25. The Book 26. The Fly 27. Mr. Dalrymple 28. We Need to Cut 29. I’m Going to Save Her 30. Crowley Goes Large 31. Not Kind 32. Beelzebub Isn’t Happy
CHAPTER 4: THE HITCHHIKER featuring the minisode NAZI ZOMBIE FLESHEATERS - Aziraphale's good deed of picking up a hitchhiker on his way back to Soho proves to be a serious mistake. In 1941 Crowley and Aziraphale encounter some surprising adversaries, old and new, as the Nazi spies who almost entrapped Aziraphale return as zombies from the dead, intent on preventing him from attempting a bullet catch on the West End stage.
33. Hell-O 34. Nazi Zombies 35. March of the Nazi Zombies 36. Crowley Pep Talk 37. The Magic Shop 38. Catch The Bullet 39. Zombies in the Dressing Room
CHAPTER 5: THE BALL - Aziraphale tries to bring Maggie and Nina together by organising a meeting of the Whickber Street Shopkeepers and Street Traders Association. In Hell, Shax is determined to launch a full scale attack on the bookshop, with a legion of demons at her command. Nina's heart is broken, as is a bookshop window. Gabriel has a close encounter with Mrs Sandwich and a small plate of cakes.
40. I’ll Let You Have It 41. We’re Storming a Book Shop 42. Monsieur Azirophale 43. The Candelabra 44. Here Comes Hell 45. Gabriel Gives Himself Up 46. Shax 47. The Circle
CHAPTER 6: EVERY DAY - Crowley becomes a Heavenly bee and learns the truth about the Armageddon sequel. Aziraphale defends his bookshop from Shax's army and reveals his halo, Maggie and Nina become warriors, and Jim the assistant bookseller gets some hot chocolate. Crowley and Aziraphale get to the bottom of the mystery of the Matchbox. The Metatron brings an oat milk latte, along with a final offer.
48. Bin Through the Window 49. Gabriel Leaving Heaven 50. The Halo 51. Gabriel Revealed 52. Gabriel’s Love Story 53. Leaving The Bookshop 54. Gabriel and Beelzebub 55. Crowley and Muriel 56. I Forgive You 57. Don’t Bother 58. The Biggest Decision 59. The End?
The vinyl should look like this :) (damn, it gorgeous toooo! :D):
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mlentertainment · 5 months
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blah blah roman empire etc etc
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nalyra-dreaming · 3 months
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Ohhhhh holy shit
X. They‘re really doing the surgery aren’t they 👀
Also: Hey @cbrownjc look at that 😅😏
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sskk-manifesto · 4 days
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Posting the dialogue in its entirety because it's one of the most emotional scenes in the entire anime
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shadowandbone · 1 year
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Shadow and Bone, Season 2 Original Series Soundtrack Tracklist
1. On the Run (3:42) 2. Market Chase (2:49) 3. Tolya and Tamar (2:14) 4. Wylan (2:28) 5. Come Sail Away (2:03) 6. Brother (1:47) 7. Arriving at the Island (1:09) 8. Crows Ambushed (2:27) 9. Return of the Useless Grunt (1:25) 10. I’m Here for the Killers (2:16) 11. Matthias Fights (4:22) 12. The Night We Met (2:01) 13. Become the Blade (7:55) 14. Jesper’s Past (1:10) 15. Hope is Dangerous (2:24) 16. Shu Han (5:18) 17. The Disciple (7:00) 18. I Can’t Lose You (4:35) 19. Deserve Her (3:59) 20. Chased (5:13) 21. Battle at the Moat (5:47) 22. Stronger Than an Emerald (1:50) 23. We Can Do This (5:55) 24. Final Goodbye (3:19) 25. Let Me Be Your Monster (3:51) 26. Loss ad Sacrifice (3:19) 27. Hope for the Future (2:48) 28. How Will You Have Me (4:30) 29. Rise and Fall (6:15)
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fullscoreshenanigans · 19 hours
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why they draw them like that tho
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sukunasbabygirl · 6 months
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First Love.
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kaiowut99 · 7 months
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oh my god it's good to get to see these in-context finally
Vector's quality long-game plan, you kinda see it as a bit too good to be true that this new "transfer student" cozying up to Yuma is natural but you roll with it, then notice those quick nuanced looks the past 10-15 episodes as a little detail gets mentioned about the Barians and you start to see him look a little fishy, then "Vector" kidnaps him and has Yuma think he's dead to get him to lose his shit by also making this big reveal
And he set Yuma up with Limited Barian Force to use his fitting Vain - Sneer of Betrayal Trap on his "V" Monsters--his Hope Ray "V"
Seeing Yuma distraught at what he thought he knew crumbling, the trust he put into "Rei" all that time (and sticking up for him against Gilag ofc) working against him and even causing a slight rift between him and Astral... also, the BGM playing as this all goes down... He's being an absolute troll about it all, right down to using his Shingetsu voice to really rub salt into the wound, and yeah, it's good stuff
I did have some inkling at the twist eventually coming being in the fandom as long as I have and Vector being such a meme (but being so because he's seen as a great villain), but did my best to avoid/scroll past spoilers going into watching ZeXal for the first time the past while, and even then it was done pretty well to still make the twist land nicely.
[also, checked the dub on a whim, and it's nice the dialogue is mostly intact, but oof dub!Yuma really could not do distraught... though it was interesting that Liscio Jr. sounds like he played R[ei/ay]? Apparently Vector too, but they put a voice filter on him so even if he's supposed to be mockingly using Ray's voice it doesn't hit the same as JP!Vector mockingly going "I lured you here and you thought it was all for the beeest to involve people that didn't need to be"
Also, Durbe I think at some point in Vector's reveal originally says he's pulling "a clever move," his tone implying he's a bit annoyed at the lengths Vector's going here and that there's some history there, but that line's removed in the dub
also how dare they cut the close-up shot that got the entire episode's art budget spent on it]
bonus: me on five hours of sleep:
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skitskatdacat63 · 1 year
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Succession S4E6 - Roman absolutely serving on the back of the golf cart
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thislittlekumquat · 7 days
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while everyone else is worried about fags vs drudges and sebaciel vs dadbastian, I'm over here sliiiiightly disappointed that we didn't get more sexy freeform jazz notes before and after each ad break
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fuckyeahgoodomens · 9 months
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The Season 2 Ineffable Soundtrack is coming! 🥳❤
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ifigenia-in-aulide · 8 months
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DAVID ARNOLD YOU ARE KILLING ME
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wayward-delver · 2 years
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Kevin Penkin delivers another home-run with a magnificent introduction to Made in Abyss season 2! 
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swan-orpheus · 1 year
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Is anyone else out there reeling from all of the news and then stopping abruptly in their tracks thinking, “Okay, okay, sure but where the f**** is Cody??Is he alright??”
o.o
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ephemeralgalaxies · 1 year
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Shadow and Bone s2 spoilers
also some Six of Crows spoilers, so if you've watched s2 but still don't wanna know anything more yet about the crows than what the show has already given us, beware cause this will involve (probable) future spoilers
(once again, Wylan edition (and a lil jesper. but mostly wylan). but this time it's about the soundtrack that plays during a certain scene in episode 4 iykyk) (most of my meta posts will probably be about him. he's a cool character. and he's me but that's beside the point) (me as in ND with tics, sass, and way to much random fact info than is for his own good but sometimes actually proves very useful but not in the way you'd expect. usually in a quite disturbing and confuzzling way)
last warning for spoilers under the cut bc I am absolutely picking apart as many frames as I can
OK OK YES THIS IS ABOUT THE KISS SCENE BUT SPECIFICALLY THE MUSIC THAT PLAYS BEFORE/DURING. Bear with me here, this is gonna be quite the trainwreck as I am running on adrenaline from sleep deprivation and also like two oreos.
To start off, the song for this scene is The Night We Met composed by Joseph Trapanese (spotify link).
Alright, first, the way this song just blends so nicely from the scene with Pekka Rollins in the cemetery to this one just *chef's kiss* (ofc we get quite the gap in soundtrack between the end of that scene and once this song starts playing, but they still arch together pretty well) In fact, I almost thought they were the same, or at least same motif (it tries to be a major key song with lots of accidentals/minor-falls/glissandos to make it more angsty dramatic). Which, shouldn't mean that much from a distance... but oh boi does it make my mind stir.
That song (labeled by Netflix CC as "dramatic music" lmao) surfaces when Pekka Rollins and his crew are scouring the Black Veil Cemetery in search of his son, Alby Rollins. Ofc, he finds him safe and well just as the police(?) take Rollins under arrest for the murders he's just admitted to (holy shit, Kaz works fast). Like, with the beginning of The Night We Met, these are the same songs in different fonts. Which,,, may not be on purpose but is absolutely brilliant anyways bc of how much Alby and his father mirror Wylan and his father (if that mirror had shattered into a web design and had been left to collect dust and mold for decades).
(summary context just in case we do have some ppl reading this that don't know about Wylan's family and want to: his father is Jan Van Eck, a very wealthy merchant from Ketterdam. Like, Pekka Rollins "rules" the Barrel, but Van Eck (and capitalist co) run the country. But he's a shit person and an even more shit father, disowning Wylan on the basis of him not being able to read and therefore "useless as an heir" so,,, Wylan ran away ofc)
So right before this very emotional scene for Wylan, we get Pekka Rollins, absolute dumpster fire trash of a man, be a good father. aND EVEN HAVING THE MUSIC DO A HARSH FADE FROM WHEN ROLLINS NON LONGER CAN SEE HIS SON TO WYLAN ASKING JESPER WHAT IT'S LIKE TO BE FREE?
im screaming so much it was perfect
So with that in context, we lead into the scene in Wylan's workshop. It's quiet now, hopeful even. You're already forgetting about abandoned sons and desperate fathers. The world is "full of possibilities." There's no music anymore, just the fizzling and clanging (Wylan, wtf do u have clanging in your workshop???). And the silence stays as Jesper talks about what he'd like to do now that he can roam the Barrel free again. How he'd like to do that... with Wylan.
But Wylan's acting weird. He should be in his element here; laid out, an open book. But he's hiding. No literally, he ducks under the table. And even after he's explained that he's feeling strange bc he was so sure Jesper wouldn't want anything more with him, there's silence. It's only when Jesper starts to back away, when he seems hurt by the idea that Wylan doesn't think Jesper would like him, that the music picks up. And I love this so much because throughout this entire scene, Wylan is interacting with the music. As if he can hear it. Jesper floats along it, fitting everything so perfect within pauses, but Wylan actually feels it. Like each little violin arco pull or harp chord is another thought in his head.
So here: the music starts. Just gentle harp for now (I think that's a harp. Or something of the variety. I'm gonna be so embarrased if it's just like an acoustic guitar or smth). And Jesper backs up, hurt, and Wylan realizes oh shit wait this actually means something to him, I've just hurt him, I have to fix this. I need to clarify. Let him know it's not like I wanted to leave, but "better to cut my losses." (and my god I love Jack Wolfe's little "I... huuuuuh" that he gives like I love it so much it's so awkward and accurate like Wylan has so much he wants to say but can't figure out how to actually get it out right).
And we keep with this pattern, just gentle (almost melancholic) harp chords of one two three four pause... one two three four pause... BUT IT'S A SORT OF ARPEGIO. BC once Jesper says "my reputation isn't entirely unfounded," the camera pans back to Wylan for the next set of notes that reach a little higher, a little different, little more noticeable. And with this frame, we get a nod and a small smile (not reaching his eyes, ofc, Wylan seems to smile as a signal a lot more than in genuine) -- this feels like confirmation to him. He's correct, his assumptions from that night are valid. Someone like Jesper wouldn't want anything more (from someone like him).
Then we stay on Jesper again, how he likes "the gamble of Barrel life" (sobbing for Wylan thinking that Jesper won't like him anymore when he finds out that Wylan isn't "Barrel life" (not really, he thinks. Not like the rest of them). We even get the more overt and dramatic lil "yeah there you go, ofc, I get that" hand motion with another nod and smile before he avoids Jesper's gaze (and the camera) again by walking off to the end of the table. He's put more distance despite being more accessible now; they're not looking across from each other anymore. Jesper has to move to keep engaging.
And he doesn't at first. He lets his eyes follow Wylan, but then drops them again shortly as he thinks on it all. He's losing Wylan here, he knows it. He needs to change this pattern up before Wylan disappears into that quite chord progression entirely. "I may very well have left you first..." Wylan looks up again, smiles and nods, still tinkering away. He's trying to engage the conversation but only as little as possible. He wants this over with, he's got his confirmation. It's all up to Jesper now.
AND OH BOI DOES JESPER TAKE THAT CHANCE.
He starts walking towards him. "But that..."
Wylan stills, looks back at him, shakes his head and looks back down. Like for a moment it was maybe maybe maybe then pushing that hope back down bc that can't be what this is.
"...was before I got to know you." THE "what wtf hold on" ON WYLAN'S FACE IM SCREAMING. THE HARP IS STILL ALONE, HE'S STILL NOT TRUSTING IT. HE'S LISTENING BUT WON'T DARE ENGAGE YET. HE NEEDS MORE.
"I can't make you any promises." VIOLIN!!!!
"Or predict what might happen between us" VIOLINNNN!!!
"But I can tell you that..." quieter violin as Jesper hesitates
Wylan realizing oh shit oh shit oh shit right along with that muddled lower violin arco note mixed with the harp chord. It's not clean like the others. The harp is catching up to the violin.
"I'd like to find out." Another weird chord (forgive me im tired and can't tell if it's an accidental or just a deviation entirely into another key but it sounds like a different key for a sec) with the harp and a beat of silence. Then the violin follows it...
AND WYLAN SMIRKS. LIKE I SWEAR TO GOD THIS WHOLE POST STARTED BC WHEN I FIRST WATCHED THIS SCENE ALL I COULD THINK OF WAS HOW IT LOOKED LIKE WYLAN REACTS TO THAT VIOLIN NOTE AFTER JESPER SAYS HE WANTS TO TRY SOMETHING MORE WITH HIM. He hides his face from Jesper, and it hits him with the arco note. The guy he likes actually likes him back. This incredible, cool, gunslinger that has his back and doesn't care or judge him for his quirks also actually likes him. more than friendship, more than sex, there's another shared thing here. Wylan can be more. But the harp here slows down, a ritardando only it actually feels the effects of bc the violin has already done its job. Jesper is worried now, he's said what he said and all he can do is hand control over to Wylan.
and then ofc my favorite "hey bro pls respond" like after that arco note that seems to be just for Wylan, like it's his own lil secret realization music, Jesper sits in silence (literally, there's only ambient background, no more actual notes) and when Wylan realizes he hasn't actually responded, that Jesper also needs confirmation, dear god he's gonna give it to him.
But the music doesn't start up again once Wylan begins to walk (run. Like he's sprinting into this kiss) to Jesper, it starts again when Jesper realizes what Wylan's doing. That he's responding. And he's responding very positively.
Now the violin is confident, steady, forceful. There's no more of that careful sliding on the bow, this is borderline staccato. And it's joining the harp. THEY'RE PLAYING TOGETHER NOW!!! THEY'VE CAUGHT UP!!!!!!! Like they've literally caught up, the two characters and instruments melting together in a new melody of the same key but with energy and passion and giddy joy. IT'S LIKE FIREWORKS, LIKE A GUNSHOT.
Then the roaring ocean, violin switching from a long-short combo to straight 16th notes fast and ready and dear god I love it. There's still that whisper of the more hesitant violin in the background, but the faster one is taking control of the piece now. It knows what it wants, has a clear direction. And saints, if that doesn't perfectly mirror Wylan in this scene. This music piece is a beautiful conversation not just between the two characters (and respective separate instruments) but also with that haunting past Wylan carries with his confidence. He knows his worth, knows he's useful. He just can't think that others would recognize this as well. A violin is not a gentle instrument (I'm sorry, but there's a reason I chose the cello). It's higher pitches are harsher, sharper. It can be beautiful, yes, but it can never have that subtlety of a cello or viola (at least lower strings of a viola). The violin is the 1st chair, the main melody carrier, the gem of the orchestra. Sure you need the others, but everyone knows the violin. Wylan knows his worth to a sharp, unsubtle point. But he hangs back like a 2nd violin position -- letting someone else take the reigns until he finally has the space (the safety) of exploding (hehe) into sound. He trusts Jesper now. Wylan's gonna play with the force of his bombs now.
At least until Jesper learns about his history. Which, I think might be another reason why we still have that 2nd violin position sound even at the end. He's encouraged, but he knows there's something he's still gotta hide. And it won't be pretty when it all spills out.
TLDR: the music nerd obsesses over the fictional music nerd way more than anyone asked for (which is at all. no one asked for this. why do I keep doing music-based metas. because I love them and can't sleep until I do them that's why). Wylan is a violin apparently but he can't decide whether he's playing along with the cellos/violas or if he's taking the reigns and filling that conductor's right-hand man spot (is it the right side? hold on. wait shit no it's the conductor's left side. whatever. that 1st chair violin thing that's really special but idc bc Im a cellist and my director switches our section arrangements all the time to play with sound). Also apparently Jesper is a harp which does kinda make sense considering it's a pizzicato sound and Jesper is very ticky ticky like most of the soundtrack songs he's in the scenes of have some kind of ticking. so,,,,,,,
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gorgynei · 1 year
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thank you sam riegel for uploading all of scanlan's songs onto spotify even if theyre only like 15-20 seconds long because it means i get to scatter him through my vm playlist like seasoning
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