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#s2
2sw · 2 days
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Sam + catching the keys 🔑
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GOOD OMENS | 2x05: "The Ball"
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dailyeloise · 2 days
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CLAUDIA JESSIE AS ELOISE BRIDGERTON BRIDGERTON CHARACTER INTRODUCTIONS
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lucilla-sims · 15 hours
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Thank you everyone who letting me know that this top named SP50 Butterfly was already converted ❤ but when I read the messages from you, I already had the top ready 🙈 I look on beautiful version by @diwasims and I see that my version is little bit different. I attached everything to the body so my straps doesn't clip 😊 I hope you don't mind me posting my version as well ❤ happy simming ❤
🦋 for teen and adult woman
🦋 with all morphs
🦋 categorized as casual top
🦋 all original Maxis colors
🦋 all files are compressed
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You can choose between standalone AF and TF version or TF Repod version for which you need AF packages 🙂.
Standalone AF version simfileshare / mediafire
Standalone TF version simfileshare / mediafire
Repod TF version simfileshare / mediafire
Credits: EAxis
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bridgertonladies · 2 days
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ourflagmeansbts · 2 days
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Source (Season 2 - February 5th 2024)
filmstillsacademy: It’s almost time UK! More images coming out for the TV series Our Flag Means Death. Between shooting on a volume stage (very large high definition LED video walls) the stunning locations in New Zealand, and the fantastic sets designed by Ra Vincent, taking pictures on this show was a delight. Each show usually has its own unique challenges when capturing stills, and while I could’ve done with a bit more light some days, I’m struggling to think of any for this one. Two weeks until the free Film Stills Launchpad for 2024 kicks off!
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Ruby and Effie, best friends and the only zombies on the town's high school cheer team.
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akutagawa-daily · 17 hours
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Akutagawa daily 942/★
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🌴Sul Sul Coachella🌴
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randomfoggytiger · 19 hours
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Dana Scully: a Fear of Death Rooted in Eternal Judgment
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I think Scully's fear of death is rooted in a fear of judgment.
According to her faith, one either gets into Heaven or Hell (with a pit stop here or there to atone for their sins.) One would think that would be a comfort to the morally unbreakable Dana Scully.
But it isn't.
During her atheistic arc (Season 1 through early Season 2), Scully was determined to do her job and do it well. The paranoia of death didn't cling to her as it does in later seasons.... until Beyond the Sea. Her father's ghost visiting her right after his death and being channeled later through Luthor Lee Boggs, twice-- it takes its toll, unwinding the foundational principles of her life: that Death is final; and that there are no ghosts or psychics or even angels or demons, just sick men and women who abuse others through their superstitions. Scully chooses ignorance, reverting away from this new territory because "I'm afraid... I'm afraid to believe." The rest of Season 1, she didn't want to die, panicked in the face of it; but wasn't as paranoid as, again, later seasons.
Then One Breath happens: Scully experienced something she "couldn't find the words" to explain, even when facing death alongside Mulder in Dod Kalm. It's Scully who is fearless as their end approaches, reassuring Mulder he has nothing to fear based on that experience. Thus, One Breath began her agnostic arc-- where she believed, deep down, but was afraid to fully accept that belief (i.e., her shaken projections on Pfaster in Irresistible and her activated voodoo curse in Fresh Bones.) Death is a place of peace, hence why she denies it to Pfaster (we later learn in Orison.)
When we reach Season 3's Revelations, Scully's agnosticism turns to religious terror. "God is speaking, and no one is listening", she confesses to the priest-- what she means is, that God has been speaking to and judging me, and I've been failing. Thus, her paranoia of Death: not because of its finality (Season 1) or promise of peace (Season 2), but because it could find her at fault and deny her a blessed eternal life.
In Season 4, Scully doesn't want to "run back to God" in Gethsemane; but faces her fears once Death is inescapable in Redux II.
In Season 5, she battles with her religious fragility, struggling for peace after her daughter is stolen before her Christian burial (Emily) and after her spirit returns during a case with angels and demons. Scully may be more vulnerable to religious manipulation, but she is also more secure in her beliefs of a peaceful afterlife.
By Season 6, Scully continues to look upon Death as God's judgment: eternal reward or eternal torment. But then Tithonus happens: Fellig shakes Scully's convictions that eternity is a good thing, showing her the soul of an eternally tormented man... making her wonder if she is guaranteed a happy ending, after all.
This brings up to Season 7's Orison, where Scully stands in judgment of Pfaster and the "Reverend" Orison. When she murders Pfaster in cold blood, her doubts and criticisms rise up against her, brandishing her with the same immoral code-- thus, making her fear eternal condemnation from God: the end meted out to both convicts, or an immortal torment ala Alfred Fellig. This was an extremely crucial moment for her development as a character... and would have been given no resolution if not for Gillian's all things.
all things is the resolution to Scully's paranoia: "God talks back", she comes to terms with herself, and makes a final decision out of principle and not panic, out of assuredness and not anguish. Scully is secure; and she finds the stability to embrace her beliefs, religion, and faith as it should be: a source of rest, a refuge from fear.
Thanks for reading~
Enjoy!
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samdeancrimespree · 3 days
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it’s time to overanalyze the impala destruction scene <3 with actual screencaps this time. my analysis of the shot will be Above the screencap. hopefully that makes sense
so sam tries once again to talk to dean about dad. dean yells at him again for suddenly wanting to do what dad would’ve wanted and sam opens up to him about feeling guilty. then sam says he’s dealing with dads death, but dean isn’t. dean doesn’t say anything, just looks at him like This.
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we don’t know yet, what john said to dean before he died. but it’s hanging over dean. i think sam’s reaction to dad’s death makes dean want to keep johns words a secret even more. if he tells sam that’s what dad wanted, sam might go along with it.
every time someone brings up john, dean hears his words again, and he feels even worse. he can’t deal with dads death because that means acknowledging what he said, and it’s just too much. he already lost dad, he can’t lose sam too.
sam says “i’ll leave you alone.” and walks away. we only hear a few steps, but that might just be for clarity. who knows. or he just. took a few steps then stopped.
either way, dean turns around and calmly picks up a crowbar. he smashes the window of a random car. takes a few breaths.
as he turns around, he looks up from the ground. looks at something in front of him. it seems for a second like he’s going to stop.
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then he looks down at the impala. he glances back up, just for a second. right where sam was standing before. it looks like he’s making sure sam is watching him. you want me to deal with it? fine.
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“next time someone asks me if i’m okay, i’m gonna start throwing punches.”
so he goes crazy on the impala. we all know that part.
he destroys the car right after he fixes it. specifically the trunk of the car, where they keep their hunting arsenal. maybe that was just the closest part, or maybe he’s had enough of his family dying because of hunting. he didn’t want to find the demon if it meant sam would die, but now sam might die anyway. no matter what he does, the car/his family will be destroyed. he can’t fix it, and it’s futile to even try. all his work, all the time and love he put into sam might have been worthless.
when he finally stops, he looks wrecked. this is the most emotion he’s allowed himself since dad died.
this is the last shot of the episode. him staring for a good 10 seconds, still on that same eyeline. he seems like he’s looking at something.
he lets himself look sad for a second, but he doesn’t turn away like he normally would. he wants sam to see. this was all for him. it’s like… there. i’m upset. was that enough? can you stop asking now?
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then his expression hardens, shutting down and covering his emotions again. it’s like he’s warning sam. dean can’t be sad, only angry. only destructive. this time, it’s the car. next time, it might be sam. the two things he’s supposed to look after, both ruined. and dad isn’t here to fix it. dean has to figure it out on his own.
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it looks like he’s asking sam to just leave it alone. don’t ask me about this. i can’t talk about it. and for now, sam believes it’s just about dad dying.
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and then the episode ends. i genuinely cannot tell if im supposed to think sam is there or not. but like its the same eyeline!!! and the shot is pushed in and to the right!! sam could be standing in the same spot for all we know !! also what else would he be having a silent convo with in bobby’s junkyard? the dog? his own reflection? the only thing that makes sense to me is that sam is there. that he’s doing this For sam. maybe this is something everyone noticed but me until rn but. im going insane
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2sw · 13 hours
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Supernatural S2E02 Everybody Loves a Clown
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dailybridgerton · 11 days
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Season 1 // Season 2 // Season 3
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theylikeholdinghands · 7 months
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The caption omfg
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heartstoppercentral · 9 months
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# the unholy trinity of badassery
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bridgertonladies · 1 day
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