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#revival book is my obsession
horror-aesthete · 1 year
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Currently reading Stephen King’s Revival, and I just… aaaaaaaaaaaaaaaaa
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rainyvandragon · 4 months
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Oh those precious memories~
See I could tell myself that it's okay that I'm writing this because I am a catholic woman but let's be real those things just aren't true any more. So instead I am going to claim this as an emotional craving because of that time of the month. Definitely nothing along the lines of 10 year revival of my fanfiction writing phase. And it's totally, in no way related to any issues I might have. Totally sane, I tell you.
! 18+ Minors do not interact, I am NOT a fckn daycare!
Yandere! Hazbin Hotel x GN! Reader
Content warning: obsessive behaviour, stalking, slight NSFW (more in some parts then others), just a bunch of red flags and things that I do not condone irl
Charlie:
Honestly Charlie might be the most sane of the bunch in this regard
She isn't to interested in stealing anything from you, that is just not something she would be comfortable with – in general but especially with her Darling
However she doesn't mind keeping things that you let her borrow
It doesn't even matter what
You gave her a hair tie because one of hers broke? She'll cherish it forever
It was raining on a day she had to go out and you suggested she could use your umbrella? Pretty much hers now
Of course the greatest thing for her would be you lending her some of your clothes
She would most likely spend the next nights cuddling up to it in bed
Oh the frustration when the fabric no longer smells like you but rather her!
Yeah sure, she can give you your things back. She just forgot them in her room, oops! Don't worry she'll get them later
Unless she forgets again...
Vaggie:
She would never take anything you truly need or value
In all seriousness, Vaggie could never stand the idea of inconveniencing her Darling
However unlike Charlie she is just not close enough with you (yet) to count on you giving things to her
So instead she uses the position she has in the Hotel
There was a movie night with everybody invited?
Well somehow ever since the clean up the blanket you were cuddled up in is gone. Oh well, Vaggie will just get a new one, they weren't that expensive to begin with anyway (and if she is fast enough with it nobody is even going to notice anything)
Sadly those lucky occasions that allow her to grab some reminders of your shared time don't come around to often
And Vaggie respects you and herself to much to steal from you or go through your garbage bin
Thankfully she has the patience to wait for those windows of opportunity
And hey, since everything went relatively smoothly this week why not suggest another movie night to Charlie? Everyone involved seemed to enjoy it anyway – so there really is no harm done, right?
Angel:
Anybody who immediately thought of Angel stealing his Darling's underwear needs to take a cold shower!
Now don't get me wrong – he has thought about it
He does have a relatively high drive and desire for intimacy and sex
So sure the idea of taking something rather personal from you did cross his mind
But deep down Anthony just is a little sweetheart and he just couldn't take something like your underwear or other intimate items from you without any sort of consent
As for other, less private things
It doesn't matter if Angel and you have the same of different sizes – he WILL steal your clothes and wear them
If you wear make-up or nail polish he will definitely “borrow” things – especially lipstick
Now if his Darling is somebody who likes to keep a lot of pillows or plushies in bed he is definitely not shy about taking things from that pile either. Although, depending on how well Darling keeps track of those things, he might only borrow them for a night or two – maybe rotating between some, making sure to leave them under the bed upon returning so it looks like it just fell off the mattress
Alastor:
Now Alastor is already rather torn apart when he first noticed his desire for your belongings
He never once though about stealing from you...until you forgot something in the lobby – a book, notebook, pen, whatever it was – it was just lying there on the table next to the couches
Ever the gentleman he obviously wanted to return it to you but something inside of him fought against the very idea of it. This might be the closet he gets to having you (at least for now), his Darling
As his obsession towards you continues to grow some of his past life's interests stir awake inside of him
One day whilst helping out you cut yourself on some damaged bit of furniture. Alastor is immediately there to offer you a handkerchief to stop the bleeding – a handkerchief that quickly becomes one of his most prised possessions
If his Darling has a period he might steal some...used goods
However in comparison to some of the others, he is a lot less hungry for souvenirs
Although that is really just because, unlike them, he can use his shadows to be around you whenever and as close as he pleases
Husk:
Husk would never just go into his Darling's room to steal things from them – even if the idea sounds lovely
No instead he just checks for things you leave behind
Now his job at the hotel really helps him with that
You almost exclusively talk at the bar (“Redemption Based Group Exercises” being the only real exception)
At this point he has a rather large collection of napkins that you used or doodled on
Sometimes they disgust him but then he looks at them, the little doodles (even just to test a pen) you left on some of them, all those marks of you (bonus points for lipstick stained napkins) and he just can't
The guilty feelings are even worse with a tissue you once cried it. It's just to close of a reminder of you to throw away!
Anything small that you forget at or close to the bar gets saved by him – pens, small pieces of paper, hair ties, buttons from your clothes, whatever really. If it's small and unimportant enough for you to not really miss it he is going to keep it
Nifty:
Nifty is easily the worst of them all
She is small, fast, obsession driven and the hotel's maid on top of that
What matters most to her is how close to your body her little mementos are (it's pretty much the same way in wish the catholic church determines the value of a saint's relic)
Nifty will most definitely collect hair out of your brush
Or rummage through your garbage bins
Now if somebody is going to steal used period products!
She just really doesn't value her Darling's privacy in the slightest so she has no issues going through every little crevice of your room to look for some “hidden treasures”
Although her favourite thing to do is sleep in your used bedsheets
She is going to wash them – don't worry! Simply just not without first sleeping in them herself for a bit
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Welp this is the first time in a long while that I've actually written fanfiction so I got those emotions to sort through I guess.
English is not my first language however given how arrogant I can be regarding my skills this should be well enough written. Prove reading was done by Open Office's spell checking system and my high ass.
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neil-gaiman · 5 months
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Hello Mr Neil Gaiman, I write to say you have ruined me; again. Four times in my life I have been utterly and hopelessly rotted and ruined and consumed by your work. First was when I was 4 and first watched Coraline, I didn't even know who you were and couldn't conceive it either way back then; but I remember watching the movie so much until the disc scratched, and making my mum buy me a coraline doll and lalaloopsy dolls that reminded me of it. Then when I was 12, when season one of good omens came out, and I immediately found out it was a book (WHAT?? IT'S A BOOK?? I NEED TO READ IT PLEASE PLEASE PLEASE-)(I read it), and it was all I could find myself speaking about for months. This year when season 2 came out, I was absolutely heartbroken, and this altered my brain in a way I had never even dreamed possible; everything clicked that the common denominator in making me go insane was *you*, so I followed you on tumblr and everywhere I could and I made it my life's mission to read more of your books. First, as soon as I could, I read The Neil Gaiman Reader in two days and it was SO GOOD (and returned it to the library as soon as I finished), and I knew instantly I had to get The Ocean At The End Of The Lane. Only trouble is, where I live has basically no books, of anyone's, ever, so I searched probably five different bookshops until I found it and I immediately got it. I wasn't allowed to read it till Christmas though. Then Christmas day came, the day I had hyped up in my head for so long, simply because I got to read this book, so in one sitting on Christmas, I read the ocean at the end of the lane. I think I have found a new obsession to occupy my brain. How do you write all of these things? How do you inspire these feelings? I feel like you have a kind of magic to you. I have spent basically the whole day since googling everything I can about this novel (and hoping, wishing and praying that the play will return and come to Western Australia some day), but now I have the VERY URGENT request of answering my questions please please please pretty please. 1) What are some things you wish people knew about The Ocean At The End Of The Lane that they don't know already? 2)What are questions that you want people to ask about it, but haven't yet? 3) Where did you get all of the magic and emotion and EVERYTHING encapsulated those pages? - Yours sincerely, an extremely obsessed high school senior.
Dear E.O.H.S.S.
I'm really happy it had that effect on you. Now we both have to hope that the National Theatre adaptation of The Ocean at the End of the Lane gets revived and makes it to Australia, because most of your questions are sort of answered in the play.
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bc-jpeg · 1 year
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so uh- I didn't see if this theory already exists in the fandom, or no one really touched on it, but after a long time in both fandoms, one funny pattern is noticeable. I’m so obsessed with watchers lore so much, which is why I started to go beyond only one universe, and this gave the result. so the theory is that dreamxd is a watcher. after digging into the dsmp lore, I found several points that may indicate this. dxd’s nature may differ from the canonical nature of the watchers that we see in evo smp and in the life-seasons in martyn’s lore, but we also already have a watcher!grian, whose watcher's nature also differs in its own way from that very canon, he has his own lore, so this will also work here.
now this will be only my personal version of watcher!dxd lore, there may still be holes in it, but this is only as a possible base:
presumably dreamxd is an ex-manhunt!dream, who could not get out of the world and stuck in the spectator mode of the game, becoming a watcher. in the initial attempts to escape from such a fate and get out (I don't think dream would just accept such a fate), he was crippled either by other watchers or by himself, having lost his "eye". this explains the basic visual interpretation of the dxd, where the place where the eyes should have been is now a familiar cross pattern.
isolating himself from other watchers, dxd created a time loop from the existing world, from which he initially could not get out, closing access to the end dimension for players, preventing both the players themselves from escaping, and the possibility of capturing these players to other watchers for their own time loops. the world with the manhunt seed was restarted, defaulting almost everything to zero, which eventually became the dsmp server. all interactions between players and server events began to give dxd so much energy and power that eventually the essence of the watcher completely absorbed him, dxd himself began to provoke events, interact directly with players, and all for the sake of energy, emotions, deaths that made him only stronger. dsmp became an excellent loop-feeder for him only, in which he completely lost his original humanity, becoming a monster, creating only chaos.
one of the risky but effective dxd’s moves of was giving the revival book and the book of death to players inside the time loop, which in a peculiar way gave them access to part of dxd’s powers. he realized how unpredictable players can be in their decisions and actions, which gave a ton of events possibilities. he wouldn't have to provoke events himself, when players can do everything for him, giving the same amount of energy.
so in the final of the dsmp, after that nuclear explosion, dxd simply restarted the entire time loop, as it was shown. the players don't remember anything that happened, they don't remember each other, the whole world was defaulted to zero, where they started all over again.
it’s also interesting that the concepts of limbo and dreams/illusions exist both in the dsmp lore and in watchers lore in life-seasons. limbo is the space where players end up with the loss of all their canonical lives, and there is no return from there, only at the whim of mystical powers (dsmp — the revival book, as part of the dxd’s powers, life-seasons — the watchers, more specifically watcher!grian).
both concepts somehow intersect with each other:
> in the dsmp, they intersected in the c!george’s lore, he had partial access to limbo through his own dreams, where dxd himself was also often present. someone also had the opportunity to watch server events from limbo.
> in life-seasons, according to cc!martyn, limbo is the space where all players get to after the final death and are there between seasons in a state of sleep, in which they see their own smps/universes.
again, this is just a possible version of how exactly this theory/head-cannon can work, there are a lot of things that I could not explain yet, because there is too much information from different dsmp povs. some things I remember, some not at all, but I left a hint of their possible intersection visually in the diagram. the theory of the smps-multiverse is here simply by default, all the other main points are indicated in this diagram. all of this will be easily editable at any future time, my job is just to throw in the base for this theory :D
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Boeing, Spirit and Jetblue, a monopoly horror-story
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Catch me in Miami! I'll be at Books and Books in Coral Gables TONIGHT (Jan 22) at 8PM. Berliners: Otherland has added a second date (Jan 28) for my book-talk after the first one sold out - book now!
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Last week, William Young, an 82 year old federal judge appointed by Ronald Reagan, blocked the merger of Spirit Airlines and Jetblue. It was a seismic event:
https://storage.courtlistener.com/recap/gov.uscourts.mad.254267/gov.uscourts.mad.254267.461.0_6.pdf
Seismic because the judge's opinion is full of rhetoric associated with the surging antitrust revival, sneeringly dismissed by corporate apologists as "hipster antitrust." Young called America's airlines and "oligopoly," a situation he blamed on out-of-control mergers. As Matt Stoller writes, this is the first airline merger to be blocked by the DOJ and DOT since deregulation in 1978:
https://www.thebignewsletter.com/p/antitrust-enforcers-block-the-jetblue
The judge wasn't shy about why he was reviving a pre-Jimmy Carter theory of antitrust: "[the merger] does violence to the core principle of antitrust law, 'to protect] markets –- and its market participants — from anticompetitive harm."
The legal arguments the judge advances are fascinating and worthy of study:
https://twitter.com/johnmarknewman/status/1747343447227519122
But what really caught my eye was David Dayen's American Prospect article about the judge's commentary on the state of the aviation industry:
https://prospect.org/infrastructure/transportation/01-19-2024-how-boeing-ruined-the-jetblue-spirit-merger/
Why, after all, have Spirit and Jetblue been so ardent in pursuing mergers? Jetblue has had two failed merger attempts with Virgin, and this is the third time they've failed in an attempt to merge with Spirit. Spirit, meanwhile, just lost a bid to merge with Frontier. Why are these two airlines so obsessed with combining with each other or any other airline that will have them?
As Dayen explains, it's because US aviation has been consumed by monopoly, hollowed out to the point of near collapse, thanks to neoliberal policies at every part of the aviation supply-chain. For one thing, there's just not enough pilots, nor enough air-traffic controllers (recall that Reagan's first major act in office was to destroy the air traffic controller's union).
But even more importantly, there are no more planes. Boeing's waitlist for airplane delivery stretches to 2029. And Boeing is about to deliver a lot fewer planes, thanks to its disastrous corner-cutting, which grounded a vast global fleet of 737 Max aircraft (again):
https://prospect.org/infrastructure/transportation/2024-01-09-boeing-737-max-financial-mindset/
The 737 disaster(s) epitomize the problems of inbred, merger-obsessed capitalism. As Luke Goldstein wrote, the rampant defects in Boeing's products can be traced to the decision to approve Boeing's 1997 merger with McDonnell-Douglas, a company helmed by Jack Welch proteges, notorious for cost-cutting at the expense of reliability:
https://prospect.org/infrastructure/transportation/2024-01-09-boeing-737-max-financial-mindset/
Boeing veterans describe the merger as the victory of the bean-counters, which led to a company that chases short-term profits over safety and even the viability of its business:
https://www.airliners.net/forum/viewtopic.php?t=213075
After all, the merger turned Boeing into the single largest exporter in America, a company far too big to fail, teeing up tens of billions from Uncle Sucker, who also account for 40% of Boeing's income:
https://www.thebignewsletter.com/p/its-time-to-nationalize-and-then
The US government is full of ex-Boeing execs, just as Boeing's executive row is full of ex-US federal aviation regulators. Bill Clinton's administration oversaw the creation of Boeing's monopoly in the 1990s, but it was the GOP that rescued Boeing the first time the 737 Maxes started dropping out of the sky.
Boeing's biggest competitor is the state-owned Airbus, a joint venture whose major partners are the governments of France, Spain and Germany – governments that are at least theoretically capable of thinking about the public good, not short-term profits. Boeing's largest equity stakes are held by the Vanguard Group, Vanguard Group subfiler, Newport Trust Company, and State Street Corporation:
https://prospect.org/blogs-and-newsletters/tap/2024-01-18-airbus-advantage/
As Matt Stoller says, America has an airline that the public bails out, protects, and subsidizes but has no say over. Boeing has all the costs of public ownership and none of the advantages. It's the epitome of privatized gains and socialized losses.
This is Reagan's other legacy, besides the disastrous shortage of air-traffic controllers. The religious belief in deregulation – especially deregulation of antitrust enforcement – leads to a deregulated market. It leads to a market that is regulated by monopolists who secretly deliberate, behind closed board-room doors, and are accountable only to their shareholders. These private regulators are unlike government regulators, who are at least nominally bound by obligations to transparency and public accountability. But they share on thing in common with those public regulators: when they fuck up, the public has to pay for their mistakes.
It's a good thing Boeing's executives are too big to fail, because they fail constantly. Boeing execs who are warned by subcontractors of dangerous defects in their planes order those subcontractors to lie, or lose their contracts:
https://www.levernews.com/boeing-supplier-ignored-warnings-of-excessive-amount-of-defects-former-employees-allege/
As a result of Boeing's mismanagement, America's only aircraft supplier steadily has lost ground to Airbus, which today enjoys a 2:1 advantage over Boeing. But it's not just Boeing that's the weak link aviation. US aviation is a chain entirely composed of weak links.
Take jet engines: Pratt & Whitney are Spirit's major engine supplier, but these engines suck as much as Boeing's fuselages. Much of Spirit's fleet is chronically grounded because the engines don't run. The reason Spirit buys its engines from those loveable goofballs at Pratt & Whitney? The Big Four airlines have bought all the engines for sale from other suppliers, leaving smaller airlines to buy their engines from fat-fingered incompetents.
This is why – as Dayen notes – smaller US airlines are so horny for intermarriage. They can't grow by adding routes, because there are no pilots. Even if they could get pilots, there'd be no slots because there are no air traffic controllers. But even if they could get pilots and slots, there are no planes, because Boeing sucks and Airbus can't make planes fast enough to supply the airlines that don't trust Boeing. And even if they could get aircraft, there are no engines because the Big Four aviation cartel cornered the market on working jet engines.
Part of Jetblue and Spirit's pitch was that they hand off the routes that they'd cut after their merger to other small airlines, like Frontier and Allegiant. But Frontier and Allegiant can't service those routes: they don't have pilots, slots, planes or engines.
Spirit hasn't been profitable since 2019 and is sitting on $4b in debt. Jetblue was proposing to finance its acquisition with another $3.5b in debt. The resulting airline could only be profitable by sharply cutting routes and massively raising prices, cutting 6.1m seats/year. With a debt:capital ratio of 111%, the company would have no slack and would need a bailout any time anything went wrong. Not coincidentally, the Big Four airlines also have debt:capital ratios of about 100-120%, and they do get bailouts ever time anything goes wrong.
As William McGee reminds us, it's been 14 years since anyone's started a new US airline:
https://twitter.com/WilliamJMcGee/status/1747363491445375072
US aviation is deeply cursed. But Boeing's self-disassembling aircraft show us why we can't fix it by allowing mergers: private monopolies, shorn of the discipline of competition and regulation, are extraction machines that turn viable businesses into debt-wracked zombies.
This is a subject that's beautifully illustrated in Dayen's 2020 book Monopolized, in the chapter on health care:
https://pluralistic.net/2021/01/29/fractal-bullshit/#dayenu
The US health care system has been in trouble for a long time, but the current nightmare starts with the deregulation of pharma. Pharma companies interbred with one another in a string of incestuous marriages that produced these dysfunctional behemoths that were far better at shifting research costs to governments and squeezing customers than they were at making drugs. The pharma giants gouged hospitals for their products, and in response, hospitals underwent their own cousin-fucking merger orgy, producing regional monopolies that were powerful enough to resist pharma's price-hikes. But in growing large enough to resist pharma profiteering, the hospitals also became powerful enough to screw over insurers. Insurers then drained their own gene pool by combining with one another until most of us have three or fewer insurers we can sign up with – companies that are both big enough to refuse hospital price-hikes, and to hike premiums on us.
Thus monopoly begets monopoly: with health sewn up by monopolies in medical tech, drugs, pharmacy benefit managers, insurance, and hospitals, the only easy targets for goosing profits are people:
https://pluralistic.net/2022/01/05/hillrom/#baxter-international
This is how you get a US medical system that costs more than any other rich nation's system to operate, delivers worse outcomes than those other systems, and treats medical workers worse than any other wealthy country.
Now, rich people can still buy their way out of this mess, but you have to be very rich indeed to buy your way out of the commercial aviation system. There's a lot of 1%ers who fly commercial, and they're feeling the squeeze – and there's no way they're leasing their own jets.
Stein's Law holds that "anything that can't go on forever will eventually stop." America's aviation mergers – in airlines, aircraft and engines – have hollowed out the system. The powerful, brittle companies that control aviation have so much power over their workforce that they've turned air traffic controller and pilot into jobs that no one wants – and they used their bailout money to buy out the most senior staff's contracts, sending them to early retirement.
Now, I'm with the people who say that most of US aviation should be replaced with high-speed rail, but that's not why our technocrats and finance barons have gutted aviation. They did it to make a quick buck. A lot of quick bucks. Now the system is literally falling to pieces in midair. Now the system is literally on fire:
https://www.nytimes.com/2024/01/19/us/miami-boeing-plane-engine-fire.html
Which is how you get a Reagan appointed federal judge issuing an opinion that has me punching the air and shouting, "Yes, comrade! To the barricades!" Anything that can't go on forever will eventually stop. When the system is falling to pieces around you, ideology disintegrates like a 737 Max.
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I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/01/21/anything-that-cant-go-on-forever/#will-eventually-stop
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Image: Vitaly Druchenok (modified) https://commons.wikimedia.org/wiki/File:ECAir_Boeing_737-306_at_Brazzaville_Airport_by_Vitaly_Druchenok.jpg
CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.en
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Joe Ravi (modified) https://commons.wikimedia.org/wiki/File:Panorama_of_United_States_Supreme_Court_Building_at_Dusk.jpg
CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/deed.en
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hello-vampire-kitty · 7 months
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Servamp chapter 136 spoilers
I only read the chapter once so I haven't understood some parts because I haven't looked up the meaning of some words, that's what I'll do when I get to properly translate the chapter, but in the meantime, I'm just going over a few pages so you can get an idea of what's going on.
Oh my God, this chapter reveled so much!
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I haven't talked about this, because I still have a few chapters to work on, but the previous one ended with Lily saying that everything was done in order to make the revived Count become the 9th Servamp with Mikuni as his Eve.
If that's the plan, could it mean that Mikuni will break his contract with Jeje or will it be possible to also keep him too?
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Lily reveals to Misono that initially he wanted to put Kuro in Mikuni's path, but that would have been a great risk if Tsubaki went after Kuro, so instead he chose Mahiru.
"As someone from a family of magicians that could be easily monitored and who didn't posses the combat skills of a magician...And most of all, he was the son of a certain man"
Lily tells Misono about Touma being Mahiru's father, who was a hindrance because Touma was close to the realization of the Count's reincarnation. Lily thought that if Tsubaki would target Mahiru, Touma would be dealt with if he tried protecting Mahiru.
Lily didn't think that Touma would try shooting his son, but he was wrong.
"Love is the most difficult to read."
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Lily tells Misono about his mother and what we knew about her was a lie. To start off her name was Tatsunami Hokaze which is so weird and perhaps it was a mistake because it happened before that some character's name were misspelled, like it happened with Pisca (it was even brought up by Tanaka on Twitter) and I recall one time where Tsurugi's name was written Rurugi xD
So, I looked up Hokaze (歩風) and it seems to be a boy's name and I have found the readings Ayuka or Honoka for girl names, so maybe one of those is actually her name?
Well, if it won't be mentioned by Tanaka if it was a misspelling, for now she will be called Hokaze.
Moving on, I noticed that in the first panel on the left, if you look closely at the book she's holding, it most likely "Jane Eyre" written on the cover, so we have a literary work that's associated with her.
Alright, so she was one of the orphans Lily brought to the Alicein house, like Dodo and Mitsuki.
Lily described her as ambitious woman and he encouraged her to get into Mikado's good graces. If she became his mistress, she could control him from the shadows.
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The letters from his mother that Misono read were censored by Mikuni and crafted a beautiful story. In Japanese it specifically says検閲 which means censorship, so that seems to imply that he didn't fabricate the letters entirely, some things that were written in them might have been left unchanged.
Poor Misono :((
Man, the drama of this family...
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So, we get to see Lily's past and I'm assuming (because it doesn't say) that he was selling his body? That's the impression I get from that image with the old guy who's giving him money...
Alright, moving on to Kuro's fight against Tsubaki!
It's awesome how Kuro made the candlestick into a sword! It looks cool!
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Tsubaki says that demon Kuro was apparently sensei's "something", that he called things such as friend or brother and the demon was sort of like a familiar.
Kuro wants to hear from Tsubaki why is he obsessed with the Count, but Tsubaki isn't reluctant to tell him.
Kuro uses "Elpsis" to try looking into his memories and it's so cool that he can use Mahiru's ability, like he even changed the sword into a staff like Mahiru's!
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Tsubaki had a little sister :(
So, apparently the reason he wanted to revive sensei isn't because he cared about him. He wants the ritual to be fulfilled because he awaits what comes after. Tsubaki made a promise with sensei, the latter telling him that he would make his little sister happy.
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What could that mean? If she's dead, could it mean that he will bring her to life? It doesn't mention what happened to her...
Oh boy, so, I feel sorry for Misono because of how much he was deceived and we also find out that Tsubaki wasn't actually looking forward to be reunited with sensei because they had a deep bond or something, he even admits in this chapter that he's probably just a means to sensei's objective to be united with Kuro, because sensei was only interested in him.
So yeah, that's about it. I want to end the post by saying that I thank you for the patience with the scanlations, I still have three more chapters to finish until I start working on this one.
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xstarlightsupremex · 9 months
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It always crossed my mind how differently SJM dealt with death and resurrection when it came to Feyre, Amren and Rhysand.
Both Amren and Feyre lose something when they die. Rhysand however, and very predictably, stays the same.
Feyre loses her humanity, Amren loses her god-like gifts. And Rhysand loses...nothing.
I think it was a strength to have characters who "died" also have a part of themselves stripped away in exchange for a second chance at life. It made sense. Death is meant to be final and uncompromising, so to cheat Death should come at a cost.
And we see how it affects Feyre and Amren. Feyre has to adjust to her new life and the trauma she has been through. It wasn't easy and it took time before she could accept the new version of her life, and the circumstances that led to it.
SJM does not go into depth about Amren's change, but there is still an adjustment period and an understanding from everyone that Amren will never again be what she once was (whatever that was since SJM never went into detail).
But Rhysand doesn't have to pay any price for dying like the other two. Despite having been resurrected, he is still the same old "most powerful high lord" as before. Beyond being so unsurprising on SJM's part, it's also boring?
I don't expect huge consequences, but we see nothing at all. No personality change (regrettably), no loss of power (also regrettably), no emotional scars/post-revival trauma, no memory loss etc.
I believe a resurrection shouldn't be so cheaply given. And its unfair how the female characters in the story have to face consequences whereas Rhysand bounces back more annoying than ever no problem.
It doesn't drastically change or hinder the story in any way, but these small details would have given the story more depth and made Rhysand a more compelling and believable character. It's so on brand that her obsessive need for Rhysand to always come out on top, unchanged and "perfect" is the one consistent thread in her books.
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stellocchia · 6 months
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I've talked about this already in a reblog [LINK] but I do find it fascinating how every time, without a fail, when cTommy would start getting close to someone they would immediately register as a threat to cDream.
cWilbur is the most obvious one. He was cTommy's big brother, his protector, the person he arguably loved and relied on the most. And cDream was very very obviously jealous of said fact. And he'd been jealous from the beginning. And he tried to weasel his way into the big brother role from all the way back in og L'Manburg.
I will never get over the fact that he only ever tried to change cTommy's mind on even being in L'Manburg [LINK because this is fucking funny]. And then later in Pogtopia that he left a special gift basket which included his treasured crossbow as well as the book Tyrant and a bunch of other stuff to cTommy when he only gave Techno (Pogtopia's most skilled fighter) one single either gold or god apple. The fact that, despite saying he would help from the shadows only, he still very much fought the pet wars by cTommy's side. Or that, after confession he was actually on cSchlatt's side and being against cTommy going to retrieve his stuff from his old house in public, he still allowed him in private. And then spent the whole pre-war hanging with cTommy.
He was always trying to get in cTommy's good graces. To sorta take him from under cWilbur's nose. And it didn't work because cTommy has always been about as loyal as you can get, so he went with the best possible alternative and encouraged cWilbur's self-destructive behaviors until he did the job for him. And then he just never brought him back until he was certain that he was no longer a threat to his big brother role [LINK to Tommy literally saying that cWilbur was worse than cDream].
But cWilbur was so SO far from being the only threat to cDream's fragile attachment. And, in fact, I would argue he wasn't even the biggest threat in cDream's mind.
After all, cDream never put that much effort into getting rid of cWilbur. Partially because cWilbur was already spiraling and distancing himself from cTommy, but I also think that he just didn't respect him all that much as a rival. Though that's mostly speculation.
No, the biggest threat was always cTubbo. The best buddy, best friends forever. There is a reason why during exile, while the role he was trying to cover was more akin to cWilbur's role in cTommy's life, his wording wasn't. He never used the term "brothers" always "best friends".
There is a reason why he went through the trouble of utterly destroying cClingy relationship far more than he ever did for cCrime, by framing cTommy, by demanding harsher punishments at the trial, by taunting cTommy and escalating the situation over and over again. And then still by discouraging cTubbo from visiting and by lying to cTommy about cTubbo just discarding his 'my Tommy' compass. And then, when none of that worked, he went for the ultimate betrayal, because he knew it would hurt cTommy immensely if cTubbo gave up the disc he'd been given as an ultimate act of trust, and he knew that he could break cTubbo's trust in cTommy even more. And when EVEN THAT didn't work he straight-up went for murdering cTubbo because my man was fed up (at least if we assume that the staged finale didn't completely go according to plan, but if I go on a rant about how UTTERLY MORONIC the staged finale was here I'll never stop).
cTubbo was always cDream's biggest enemy, and it really goes to show how single-minded he was as a villain that cTubbo being his nemesis wasn't even about cTubbo.
Next level obsession there.
Of course, the two of them weren't the only threats, just the biggest. Bud cDream didn't stop at them. He tried to kill Ghostbur during exile just because his constant presence was too much of a comfort to cTommy and later on actually killed him to revive the version of cWilbur cTommy seemingly hated. He took two of MD's lives because he not only was willing to move in with cTommy, but also wasn't afraid to call cDream out on his bullshit which, if you rewatch that stream, seemed to really bother cDream. Also the fact that cTommy, as soon as he was offered an alternative to follow MD's orders and rules instead of cDream's took it with pretty much no hesitation probably didn't help cDream's dislike of MD. He also never revived cRanboo, and it is very possible that it's because he knew that he and cTommy were friends.
Murders aside, he also sabotaged cTommy's and cRanboo's communication more than once when he realized they were getting close. Which shows that he ether considered cRanboo only a minor threat or simply still useful, because had anyone else visited that much they would be dead.
He also immediately threatened to hurt cPhil when cTommy started relying on him post-prison break. And let's not forget that time cLazar was literally only going to visit with a present and cDream considered it such a big threat that he made cLazar take part in abusing cTommy so thoroughly that cTommy was sure not to want anything to do with him in the future. (also, kind of an interesting coincidence that cLazar was one of the unlucky two selected to be slaughtered for the sake of science...).
Every time cTommy has gotten especially close to anyone, cDream was always there, ready to intervene, ready to deal with the threat as swiftly as possible. Because ANYONE would have been a better choice for cTommy and he knew it. And he acted accordingly.
Curiously, the only one he never took action against was cTechno, though I do wonder if that was just because of how obviously doomed cBedrock bros were from the very start. cDream does know the extent of cTommy's loyalty very VERY well after all...
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silverlinedeyes · 4 months
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A Court of Dancing Shadows
As Recorded by Gwyneth Berdara
A potential summary and description of the Azriel Gwyn Nesta book idea* that is floating around, the plot of which I can’t stop thinking about and trying to imagine:
Follow Az and Gwyn in dual POV as Az and Nesta go on a journey to revive dusk and establish Valkyrie HQ with Gwyn as their sidekick.
Gwyn is there as an official scribe, making sure this gets recorded for Prythian history (I mean what else is her role?), but also I guess as Az’s girlfriend? (I am refraining from continuing down this path of thought before I say something bad.)
Gwyn’s POVs focus on Nesta, what she does, how she uses the Starborn power or whatever to revive dusk (I know I know Nesta’s power is death, how are she and Az, whose power is shadows, going to bring the land back to life? It’s not my job to answer these questions. This is their story. But I digress.), and also how obsessed Gwyn is with Az and his shadows.
Gwyn almost gets eaten by a Wyrm. Nesta saves her with a Trove weapon Gwyn can’t wield.
And while they travel the land, at night, Gwyn sings around the campfire and Az’s shadows dance. Az sometimes joins in the singing. Nesta watches. And then Gwyn and Az sneak away from Nesta once she’s asleep to f*ck. Hopefully she doesn’t hear.
One brother, one sister, and a bestie (and the shadows who love her).
Cassian is…nowhere to be found on this journey lol. Nesta could leave him behind (and he let her apparently).
And we get more Valkyrie training scenes and get to see them ride the Pegasi after they free Dusk and establish Valkyrie HQ.
Oh, and Gwyn somehow heals Az (even though I thought Az needed therapy first?) and makes him love Illyrians again.
The end!
I can’t 🤣🤣🤣
*this is a shitpost and a joke but also…..someone please help me understand what the actual plot and romance and storyline of this book would be because I’m at a loss.
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moonsorchid · 4 months
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Why Love Between Fairy and Devil is more than a drama for me
I think one of the reasons I am so obsessed with LBFAD is that it is incredibly healing for me. I have some mental health issues, mainly traumas from a past relationship and from my professional life, which have made me numb. For years I can barely feel joy or sadness or any other emotion, apart from fear and anger, cursed to be perpetually in a fight or flight mode.
Seeing DFQC being devoid of emotions is so relatable. Well not in the villainous sense it is depicted in the show, but if my feelings were a tree, it would be cold and in decay.
Just like Xiao Lanhua revived his emotional root, this show has revived my feelings as well. I fell in love, I laughed, I cried, I empathized with their pain and sacrifice.
Also, I love fantasy and escapism, I love watching movies, tv shows and reading books. I am a fan of LOTR, Star Wars, Harry Potter, MCU, but the past few years I could barely watch or read anything. I lost focus and nothing could help me escape reality or use my imagination and creativity. This is the only show which has managed to have such a healing effect on me and I can't move on. I don't know if it is due to the production, the story, the characters, the worldbuilding, the acting, (Dylan's amazing performance *cough cough* ). I am guessing it's a combination of all the above.
If someone told me a year ago that I would be addicted to a cdrama, and I would be watching multiple cdramas after that, I wouldn't believe it. I didn't even know they existed. And now a year later, a show about a fairy and a supposed devil (if only devils were such puppies like him), has rekindled parts of me I thought were gone forever. And the best thing is that I can finally watch and read (maybe even write) stories again. I thought I had lost my ability to escape in them for good.
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Thoughts on The Outsiders Album
Okay, as I said yesterday, I have a LOT of thoughts on the album and I decided to revive this page so I stop bothering everyone IRL with my thoughts about it 😂 I figure there must be a good amount of people on tumblr who are down to listen to my rants about the album, so here goes.
I'll put it under a cut so there aren't any spoilers for anyone who hasn't listened yet, and I know there's one or two things which I've heard about the prouction via other posts and such. But I will stress that I haven't actually seen it, I've only listened to the album and obsessed over it 😂
It's also below the cut because it's fucking LOOOOONG
Please reply to this or send in your own thoughts - I have so much I want to talk about to do with this album and I'm like... shaking with the need to talk about it with people who actually want to listen 😂
(sad times living in the UK 🥲)
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I'm gonna go through the album sequentially, like track by track, because that feels like the thing to do, even though I will say right off that I definitely have more thoughts about some tracks than others. And I will also give my favourite line from each song. But for a just, like, general overview to begin with - I love the album so much?
I will fully admit that I was kinda preparing myself for it to be bad - it's a book that I love and I wasn't the biggest fan of the movie adaptation for a few key reasons, but I was so pleasantly surprised by the musical soundtrack.
I'm in love with the style of music, I love the entire cast (all of them have such different singing voices and styles and I think that they merge together so beautifully), and it has most of the things that I love in a musical - for me, it's got the right balance of the talking sections included with the singing, as well, which I know some people aren't huge fans of, but I might be biased because Soda is and always has been my favourite character and most of the talking is by him 😂 (I love Jason Schmidt, but we'll talk about that later), and as well as that the style of music and singing like gives me a good picture of what the actual choreography might look like, which I'm obsessed with, since I probably won't get to see it unless it somehow gets to the West End (🤞🏻)
Tulsa '67
Okay so this song is just like ✨exposition ✨ but it's done in a fun way, and I've decided it's worth it just for the finale reprise
I was also like stupidly emotional the first time I heard it and it opened with the opening line of the book
I was wary because of the immediate characterisation of Sodapop as being the brother "with a broken heart" (side note - does this mean Sandy broke his heart before the show rather than after it? I've goes QUESTIONS) - I'll go into it again when we get into Grease Got a Hold for obvious reasons, but I was worried that Soda was gonna be reduced into just being a womaniser again, which is something that bothered me about the movie adaptation
Favourite line: "all the girls are pretty there, and all the guys are mean"
Grease Got a Hold
right so it has no right to be as much of a bop as it is, it's been stuck in my head for the past week since it came out and I can't even be mad about it 😂
It's essentially just a typical "gang" song to introduce and characterise all the different members
Dally always saying "Little brother" got me so emotional like immediately
And I know I just said that I was upset with Soda's characterisation as a womaniser, but considering later songs, I will say I do find it really funny that he basically just goes "yeah I'm a greaser bc I love women 😊"
I LOVE TWO-BIT MATTHEWS - I would die for Daryl Tofa, just something soooooo good about the line he gives after Soda's verse
I have to admit, I was a little worried that they were gonna be pushing some anti-Darry propaganda, but I had no cause to worry, as he's an actual angel. Also it's so funny how fucking Done he is the moment he starts speaking
Something really funny about Steve not getting a verse, but something really sad about Johnny not getting one, but I don't have fully fleshed out thoughts yet so I'm gonna leave that there
But also there's just something about all of them trying to act tough, but all of them just have the voices of angels
Favourite line: "I'm a latch-key kid but they keep changing the locks" and also "you wanna be a fighter? then know just what you're fighting for"
Runs in the Family
I'm upset because this song has been such an ear-worm for me, but it's actually just so sad? There are a couple of these, but this is one of the main ones for me
It immediately makes Darry just such a sympathetic character - it's well documented that Ponyboy doesn't feel like he's enough of a greaser, but I don't think we talk enough about Darry is a reluctant greaser
Side note: but I'm really glad that they included Darry having dropped out of school to look after Soda and Pony, because that was kinda glossed over in the movie, which I felt did Darry a disservice
I just want to hug Brent Comer and tell Darry that he's doing a good job and everything will be okay 🥲
Favourite line: "I don't know what them boys would ever do without me - and what would I do on my own?"
Great Expectations
honestly this song deserves a post all of it's own, and maybe one day I'll do a full analysis of it
but in the meantime, it's fucking GORGEOUS, like Brody Grant has NO RIGHT to sound like this I'm so mad
THE FUCKING HARMONIES I WANNA SCREAM THEY'RE SO GOOD
One of the things I've loved about the soundtrack in general is how Pony in particular draws parallels and comparrisons between Johnny and the other greasers - here it's between Darry and Johnny, and I love it because Pony references in the book that he feels like he and Johnny are the outsiders in the greasers, he feels like neither of them really belong there, and they convey that so well in the musical with these constant comparisons in the songs and music
The continual return back to this idea of a self-fulfilling prophechy - trying to prove that they're not all the same just because they're greasers (like with the different verses in Grease Got a Hold), and this striving for individuality despite the overarching label they've been given
Favourite line: "It's hard to write this story, when this story's writing me"
Friday at the Drive-in
they all just sound so young - that's my main take-away from this song
I love songs in musicals like this where you're forced to be reminded how young the characters are and you have to humanise them a bit more - a bit like with "Drink with Me" in Les Mis
Also anytime that a soundtrack includes the dance-break it makes me so happy 🥲
Favourite Line: "Got no more stress, nothing to worry me - no more teacher's pet or trigonometry"
I Could Talk to You All Night
I need to say that I love this song, but the opening from Cherry is so fucking savage - like fucking hell there's no need to do that to Pony 😂
Again obsessed with Pony not feeling like enough of a Greaser
I'm a sucker for two people who feel lost in their own worlds finding each other and bonding because they can be themselves in a way that they can never be around their other friends
It's just such a pretty duet, and I want more of Brody Grant and Emma Pittman singing - we could have a million songs of the two of them and it wouldn't be enough
Favourite line: "I'd rather read then fight a rumble, but Greasers have to go along"
Runs in the Family (Reprise)
Dude it's such a serious song, and I'm obsessed that despite that there's just Soda being a little shit in the background
"I'll fold your laundry - I'LL FOLD ALL OF IT"
I love that even in this song it's like you can tell he's just so worried about Pony but it's coming out so angry and frustrated
So full of grief for the life he almost had
He's just so angry at Pony for still being able to dream, and it's like he feels like he needs to prepare Pony for real life, because he feels like he can't dream or wish for things anymore
And then just the screeching violin at the end of the song followed by DEAD FUCKING SILENCE, and then it switches to the next song where Pony starts singing acapella it's just herugighadlsiughukdhjsak, y'know?
Favourite line: "Whats the use in dreaming, about a life I'll never know? That ship sailed long ago"
Far Away from Tulsa
okay so I've already said that I'm obsessed with it beginning with Brody Grant acapella, and I know that the songs probably don't flow straight from one to the other in the actual production, but for the sake of the cast recording the effect is incredible
But also, there was absolutely no need to make this song so gay 😂 - Ponyboy, the bisexual icon we all need
It's very reminiscent of Santa Fe, with just kids dreaming for a life that they could have outside of their big city. Especially with the line "this place is real, it's not just in my head", which is VERY similar to "just be real is all I'm asking, not some painting in my head", but I'm okay with it because Brody Grant is incredible
But that line, as well as the one "'Ponyboy you're just a dreamer', that's what both my brothers say" are also really great links back to the previous song with the references of him being a dreamer, and that being what sets him apart from the other Greasers
I also just wanna say that I think it's criminal that there weren't more Pony/Johnny duets. Sky Lakota-Lynch and Brody Grant own my soul
Also catch me being emotional over Johnny's dream being wanting a family - he doesn't realise that he's already got one in the gang 🥺 (I could write an essay about this and Dally's continued use of 'little brother')
OKAY ALSO OBSESSED WITH THE CIRCLE BACK TO GREAT EXPECTATIONS, AND WE NEED TO TALK ABOUT HOW THE LYRICS CHANGE FROM
"Torn between what is and what could be. It's hard to write this story when this story's writing me"
TO
"It's all becoming clear, there's no way we're gonna find that here"
GOTTA ESCAPE TULSA TO ESCAPE THEIR FATE, SOMETHING AGAIN ABOUT SELF-FULFILLING PROPHECIES, I JUST CAN'T
Favourite line: "I'm tired of blindly watching as we're inching towards the ground"
Run Run Brother
There's so much to say about this song, but I literally can't formulate the words, so it's probably gonna be one that I come back to and properly analyse later. so in the meantime, here are my key take-aways
right from the beginning, it gives just an "oh-shit" feeling, just so much urgency and desperation
All three of them have such different singing voices and styles and the combination of the three just makes me so happy and I don't even know how to like express what I'm feeling
Back to the thing about Dally always calling Johnny (and Pony, but we're emotional about Johnny here) "brother"
the music is just so fitting - I feel like I need to be up and moving every time I hear it, like if I ran ever this would be on the playlist 😂
And I'm going insane over the echoes of what has been previously been said - the "grease isn't given it's something you earn", and "let's leave this behind, let's just get up and go" like you're FORCED to face that they are being given what they want but in a really terrible way
Favourite line: "I hate to make you go, but there ain't no other way"
Justice for Tulsa
okay so I know that this is a really important song and everything, but I will admit this is the one I tend to skip most
I will say I think this song would hit harder if they kept with the themes of police brutality that there are in the novel and movie with regards to Dally's death (going off what I've heard about the script changes from people who have seen it, I can't verify myself)
The song feels very claustrophobic, with everyone just trying to blame everyone else, which I think is really well done. Especially with the multiple voices coming in with "you know just what you did"
And it does show the bias of the world trying to blame the Greasers just by reputation alone, which is thematically nice
and also just the kinda mob mentality of the whole thing, especially at the end, with a declaration of war
Favourite line: "or we could send them back a message, take an eye for an eye"
Death's at My Door
I think I've seen somewhere that this is the opening song for the second act and I just - fucking hell, what an opener 😂 they really just wanna destroy all of us, huh?
EDIT: I've been corrected, and it's Justice for Tulsa that starts act 2 - my bad guys, I don't know where I saw otherwise. JfT starting act 2 makes soo much more sense 😂
I wanted to like reach through my headphones somehow and hug Brody Grant, like holy shit
The first time I heard it all I could think about was how much he's going to blame himself when Johnny (and Dally) do die - especially with Johnny having comforted Pony about it
And I'm just emotional about the exploration of Pony thinking of himself as a burden on everyone he loves, especially going back to what Darry says to him in Runs in the Family reprise, just confirming everything that Pony already worries about himself
Favourite line: "I don't believe in the death that you're bringing - the reason I'm living is you"
Throwing in the Towel
I just love brothers okay? This song made me want to like message all my siblings and tell them I love them
I loved that we see Pony's inner thoughts and fears about being a burden on his brothers, immediately followed by seeing Darry's own thoughts and feelings - the two of them being so similar in how they blame themselves for everything
All three of the Curtis brothers being terrified of losing anyone else
AND THIS IS THE SODA CHARACTER REDEPTION I NEEDED - he becomes more than just the womaniser, you can see him having like actual thought and feelings, and the amount of emotion in Jason Schmidt's voice as he's trying to reassure Darry, like this song and Soda's letter gets across everything that makes Soda my favourite character
And there's something to be said about how they're finally like communicating their emotions 😂
Favourite line: "I know your head is full of doubt, but brother that's what love is all about"
Soda's Letter
Musical letters my beloved ❤️
I love songs like these - they're always just so vulnerable
It links to Tulsa '67 Reprise with the reference to how Soda kinda keeps the family all together. This song you can like see the strain that it has on him, trying to keep the brothers who he loves so much together, by trying to tell Pony that Darry does love him even though he shows it in a very different way
also anyone who has seen it and made it this far in the post can you tell me whether they keep in the bit about Pony reading this really heartfelt letter only to go "Soda's so dumb he can't fucking spell" because it's all I could think about when I listened to it for the first time
Favourite line: "Your brother needs you just as much as you need him, and brother we ain't doing to good alone"
Hoods Turned Heroes
The triumphant return of my beloved Two-Bit, and he's doing some king shit
I love him, okay?
This is another song where I know it's really important, but I actually don't have much to say about it, other than I do really enjoy it
Favourite line: "It's time to celebrate Greasers, take pride in the Greaser name"
Hopeless War
I love that it's just Cherry begging Pony not to change, and hoping that he's still an outsider of the Greasers like she is for the Socs, a hope that the two of them are still kindred spirits even after everything that happened
She knows that the rumble is gonna be where Pony loses that last bit of dreamer in him because he's holding just so much anger at the world - I dunno, there's something there I'm sure 😂
it's such a smooth transition into "Trouble" and I wanna SCREAM it's so good
Favourite line: "even if you win, it doesn't change a thing"
Trouble
It feels like a war chant or something
The music is just so agitated
It's like Run Run Brother where I feel the need to be up and moving
Favourite line: "Do it for Johnny, even the scores, time to rally the crew"
Little Brother
I get chills every time I listen to it
Something about Joshua Boone's voice guys, I don't even know like how someone goes about beginning to talk about it, but whoever takes over as Dally has got some big shoes to fill
It's a lament to Johnny, and I feel like I listen to it and I feel the same anger and indignation that Dally feels
It's a song where I listen to it and I know, even without having seen the production, how I'd stage it and that always makes me excited
The longer the song goes on, the more uneasy you feel listening to it
It links him and Darry together again, with how he blames himself for everything that happened to his little brother, he feels like he should have been able to protect Johnny, the way that Darry always tries to protect Ponyboy
The final tempo increase and the discordant violin at the end, and it feels like even just listening to it you're watching him fall into a grief-led madness, and his certainty that there's only one way that his story can end
Favourite line: "They can't take anymore from me - if I ain't got you, then I ain't got nothing else"
Stay Gold
It feels somehow criminal to put these songs next to each other, but I mean obviously they have to be - that's how they want you to feel, but it doesn't mean that I'm not mad about it
I've listened to it like a million times and it still brings me to tears every now and then
There's something about having the hopelessness of "Little Brother", with Dally bring so apologetic at having failed Johny, followed by Johnny asking Pony to tell him that there's still good in the world
Just how much everyone in this story needs each other and they don't realise that the others need them too, yknow?
Johnny being Dally's "gold" - a lot to say about that but yknow, this is already long as fuck
The simplicity of the music itself (same as with Soda's letter - makes them thematically the same blah blah blah with them both being letters and all that), but it makes the song much more vulnerable than some of the others - nothing for Sky Lakota-Lynch to hide behind
Also that line: "I have looked into a thankful father's eyes, telling me I've saved his daughters life", and how that links to what Johnny says in the book about the little girl's life being worth more than his - I dunno, it just got me emotional, okay?
Favourite line: "I hold on to the good 'cause I've made my peace with all the bad" and also "It's easy to forget when you're trying just to make it through"
Tulsa '67 Reprise
WE MADE IT BOYS (seriously though, for real, if you made it this far, thanks for reading through my descent into madness 😂 and please send your own thoughts and such, bc I'm desperate to hear other people's thoughts)
I said it at the beginning, but I think the reprise of this song makes the exposition at the beginning worth it
At the beginning we hear Ponyboy as a dreamer, and at the end he still has that, but rather than idolising and making everything spectacular, he sees beauty in the mundane - he sees it in his brothers, his friends, all of that
The call backs to the original song as well, which allow us to go back to the theme of looking at individuality - the Greasers wanting to be seen as more than just characatures, and by the end they are like fully-fleshed out people rather than just the basic stock figures we initially get them introduced as in Grease Got a Hold
The clearest examples are, of course, Darry and Soda
Darry goes from being "could have been a football star, people say he had a ticket out" to instead being "the toughest guy I've ever known"
Soda goes from "suffers from a broken heart" to "this family's life and soul"
and then it goes from "got no parents, we fend for ourselves" to "can you imagine how proud mum and dad would be"
just something so beautiful about that, I dunno
There's more I could say about the themes of brotherhood and individuality ("grease as their disguise", for example), but I'll spare it for now
Favourite line: "Just too damn good for growing old, and in his memory I stay gold"
(finally - if you've stuck around to the end, I've also recently set up an instagram account, just for me, so please also check that out if you wanna hear more about my thoughts about random musicals and stuff!)
Freddie 🐸 (Instagram)
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vshthestmpede · 9 months
Note
Hiiiiii! You write so well! Can I ask for Vash and a s/o who likes to read a lot and likes to read to him?
our nightly routine - vash x reader
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wc; 368 warnings; none, enjoy this needed sweetness note; aaa enjoy this lil blurb!! my tristamp obsession has been revived masterlist | posted on ao3 | divider by @saradika !!
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from the moment vash had met you, the first thing he picked up on is that you never went anywhere without something to read. whenever there was a moment or two of peace - albeit rare - you could be found with your nose buried in whatever was interesting you at the time.
as a means to get closer to you, vash would often try and ask you about what you were reading even if it pertained to something he knew nothing about or cared for. he would sidle up to you and sit by your side, trying to read alongside you as to not disturb your flow.
at first, you would go slower to allow him to read with you. after a little while, however, he caught on and immediately began to feel bad because he thought he was throwing you off.
"would you rather i read it to you?" you had asked, maybe a bit too hastily, when vash was about to get up and leave. "i wouldn't mind, you know."
and thus, a new routine was born.
you both agreed to spend the last half hour or so before sleep to meet up and to read a chapter (or more) of whatever book you had on you. it quickly became both yours and vash's favorite time of the day, something the both of you had to look forward to in the harder times.
if anyone were to look in on this sacred time, it would look as if you two had been doing this for years. vash would curl up next to you while you read to him, a blanket draped over your bodies. more often than not, vash would watch your face as you read - he was completely smitten by the way your eyes would light up as you made the story come to life for him through voices and grand gestures when the text called for it.
of course, the night wouldn't be complete without you getting cut off by vash's soft snores. despite that, as soon as you would put the book away, vash would stir and whine until you hushed him and promised you would finish the chapter the next night.
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spirk-trek · 24 days
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idk if you would be into this BUT! i read your ask about tumblr archeology and i simply have to contribute this fic.
called observations, accessible here https://anon-j-anon.livejournal.com/30674.html, it’s essentially a book (i think like 200k words lol) written in 2009 that puts the AOS characters in the TOS deep space mission. a lot of the episodes are rewritten with their new counterparts— city on the edge of forever, arena, operation: annihilate!, what are little girls made of, so many more. it’s narrated by spock (his “observations” serving under jim) and definitely is a spirk fic, but i cannot emphasize enough how well it is written. contains math, philosophy, art discussions, and just has AMAZING characterizations into all of the cast (not just jim and spock but added depth into characters like chekov and chapel).
in my book it’s one of those “fandom foundational texts” but since it’s posted to livejournal, not ao3, i fear it’s kinda died off! but it is SUCH a good work i’m considering my duty as a star trek fan to spread it around. figured i would share it with you since you seemed interested in fandom revival!
hello friend! i've been working through this since you sent it and WOW. i can't believe the author saw star trek '09, went home, cracked their knuckles, and chose to write an ENTIRE K/S NOVEL. every day i'm blessed to have chosen star trek as my lifelong hyperfixation because i am treated SO WELL by other creators. thanks to them and thanks to you for sharing ♥
anyway. thoughts!
this fic is in such a unique format (first officer logs, spock's first person POV). i'll be honest that it takes some getting used to but i recommend giving it a shot! it really works with the story being told. like, really works.
for the sake of warning my fellow TOS and jim obsessed freaks, this is 110% AOS kirk. what i mean is that, personally, i don't tend to enjoy the hard, angry version of jim that's always watching his back and on edge... so if you're like me, this fic might make you wince a little at first. there's swearing and defensiveness right off the bat that i do not associate with the beloved version of james t kirk who lives inside my soul.... BUT.
but but but! i have still enjoyed what i've read so far! i think that really speaks to how thorough and simply enjoyable the writing is. jim is not out of character for AOS- in fact, he's incredibly in character and well written.
i can't express how much it means to me that you dropped this into my inbox! i never ever would have found it otherwise and although it might take me a while, i'm looking forward to finishing it in it's entirety :)
here is the direct link if anyone would like to check it out!!!
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bleue-flora · 1 month
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Would you agree that between c!dream and c!punz, c!punz seems to be the more crueler. I was talking to another blog about it, and we spoke about the final lore streams where c!punz didnt care about c!clingys problems, most notably c!tommy almost taking his own life in exile (but then again he is desensitized to death cuz revival book lol) But, c!punz was the one to stick to the revival book plan near the end while c!dream opened up and showed vulnerability. I have seen a lot of fics characterize c!punz as being the one to be more softer and less inclined to hurt others for a goal, but after seeing the final streams I can't help but feel like its the other way around. I'm really curious on your take about it, and its fine if you disagree. Also really love your blog, you seem like such a kind person :)
Hmm ok well here are my thoughts on the matter at the moment, however as I rewatch more lore I might change my opinion.
Well in regards to c!Punz not caring about clingy duo’s problems, you’re assuming he hasn’t heard it before. We don’t know if thats new information, it’s possible c!Dream told him about the tower. In fact, since he was often still apart of the smp and conversations going on it’s very likely he’s heard a lot of what they said already. He’s a spy after all, it’s his job to know things.
Secondly, it’d be very hard to be empathetic to someone about themselves almost killing themself over a year ago when they just broke into the prison and murdered his friend. The revive book and such has clearly corrupted both of their empathies seen in their experiments. So, c!Punz already has a lack of empathy or at least is desensitized, the last person I’d expect him to sympathize with would be his enemy, especially when clingy duo weren’t really hearing what he had to say. I mean it’s insulting to be ignored after lying and hiding for so long and finally be able to share your opinion, but also the fact that clingy duo (and others) really thought he was cold enough to betray his friend for a measly amount of money to the point they question when it turns out to be fake. I mean that’s pretty offensive.
On that note though, it is also important to point out that those conversations in the finale are in his ‘evil role persona’ just like c!Dream he’s playing a part - one of the greedy mercenary just in this case for power. So if he seems cruel that’s intentional. Though I will say, he does give c!Tubbo and c!Tommy plenty of steak when they ask, which does say something, with this being c!Dream’s response:
“Wow, being humane. You could have waited.” And “don’t give him more, don’t give him more” [5:50]
And most importantly, I think that because we don’t get to see c!Punz break down like c!Dream the assumption is that even though it turns out c!Dream just didn’t want to be alone, c!Punz is still power hungry. But I think that’s a little unfair to c!Punz because it’s not like we saw him vulnerably be opened up like that, so is it fair to say he still has the stated goals. I talk about this a little more here [post]. What he does say in that conversation isn’t about power but about friendship. When Tommy is dissecting c!Dream c!Punz remarks on it:
“What can you just read minds now? are you just a mind reader—you knew it like—What?” [clip]
And this could probably be taken different ways, but given how he goes quiet whenever c!Dream wants to talk and seems to defend him in their conversation I see it more as like a - don’t put words into his mouth sort of thing. And because c!Tommy and people kinda do that it makes sense for c!Punz to be on guard for it. And there’s the comment about him being c!Dream’s friend. [clip]
In the less performative moments in the ending finale, c!Punz isn’t cutting in with something about power but about friendship and having c!Dream’s back. So I’m of the opinion more so that c!Punz was c!Dream’s friend, c!Dream became afraid and obsessed with death, and c!Punz stayed by his side, getting corrupted along with him. If it was about the Plan and power for c!Punz, I think he would’ve said different things like arguing with c!Dream about his goal and stuff. And there’s not really a lot of evidence to say c!Punz would’ve stayed by the plan had things not ended (though we shall never know for certain). But I think while it’s a common assumption to make, I think it’s a little unfair to say c!Punz was all just for the plan because we don’t hear him get fully vulnerable.
So given that, no I don’t think c!Punz is particularly crueler. But I do think he would do things c!Dream wouldn’t. While c!Dream is run by rational thoughts, c!Punz seems to be more emotional so (as expressed in my fics) I could totally see him going for violent revenge on behalf of his friendship with c!Dream. Perhaps then that makes him crueler? But I guess it would depend on your perspective of cruel, I suppose I was seeing cruel in this context as heartless, which I don’t think c!Punz is. In other words, he is wholesome to c!Dream, but everyone who wronged him better watch out. (I mean think about the scene of c!Punz leading c!Tommy and c!Tubbo down the stairs enraged by them killing c!Dream and him suggesting c!Purpled and c!Dream tie c!Quackity to a chair and torture him.)
Hope that provides some insight into the matter. :) and aww thank you that’s so sweet. <3 <3 <3
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wolfhotels · 2 months
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It's so cool how so many people are claiming the DSMP characters as their own and making rewrites right now. Like, I always wondered when DSMP was popular how many people actually liked the characters and how many were just fans of anything the CCs made, but this shows that a lot of people really do just love the characters. Sorry, I don't know if that makes sense.
Also, as someone who's working on my own rewrite, do you have any advice for renaming the characters? Or are you not renaming them? I do want to rename them to separate them from the CCs, but nothing I pick feels right. Anyway, your art is very cool and inspiring.
as someone who always valued the lore/stories way more than cc content i think its really cool to see. half the plotlines i was most excited about were never even portrayed on streams. just completely fan made. same with the character designs, and really just the characters overall. during my time in the fandom i always percieved the characters a lot differently than they were explicitly portrayed- i think a lot of fans did this too hence why many were unsatisfied by the canon endings. (and really any canon event that didnt align with my personal perception/vision i just ignored lmfao) the characters i enjoyed were made by artists on twitter you know... not twitch streamers. i consumed dsmp like it was an animated series or comic. completely fictional characters and stories.
as for names.. oh my god its so hard. ive been trying to rename too but i get super attached to names and think they carry a lot of weight to a character. its hard to come up with a name that doesn't feel like a cheap knockoff. so i think it will just take more time for me. I suggest looking into what you think the themes are to you for that character and going off of that. the only one im really set on right now is "Faust" for the character derived from c!drm.
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It really matches my ideas surrounding him and the revival book, and how he thinks of himself as a godly being. A lot of his themes related to losing yourself to power and obsession over revival knowledge seem very fitting to the legend. :]
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also thinking of Sonny for Tommy (but not 100% sold yet) and something like quinn or quincey for quackity... I can't lose the big Q nickname x)
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Obsessed with this house. It even matches my hair. Someone has a pending sale on it, though, after only 7 days on the market. It’s an 1860 Gothic Revival in Somerville, Massachusetts. Has 3bd. 1.5ba. $1.475M. 
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Lovely porch with columns.
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Central entrance hall, as soon as you walk in - in-your-face color. Love it so much.
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Look a the enclosed porch. Notice how neatly painted it is- must be professional, b/c look at the glossy paint on the ceiling.
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Beautiful sitting room with built-in book shelves and an original fireplace. 
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The dining room also has a wonderful fireplace. Look at the detailed design on the floor. 
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Large chef’s kitchen. Look like you really do some baking in here, too. 
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I’m sure that this den could be a 4th bd. or guest room, if needed.
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The spacious main bd. 
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If you noticed the 3 stairs at the far end of the room, they lead to this dressing room. 
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This room is lovely serene pale blue. 
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And, this one is bright lime. I just love the glossy paint. 
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Outside, there’s a pretty yard and gardens.
https://www.remax.com/ma/somerville/home-details/42-spring-st-somerville-ma-02143/6382553028605688431/M00000306/73106959
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