Putting him in the microwave
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Chilchuck is a squeaky toy and baby I’m a rabid dog
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br'aad vengolor is such a guy. hes transmasc. hes a malewife. hes a girlboy. hes transfem. he transcends gender. hes so real. hes such a cartoon. hes a musician. he cannot play any instrument besides the kazoo. hes everything i want in life. hes everything i want to be in life.
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the winter king is sooo tumblr sexyman yes but can we talk about the candy queen being the best representation of your average tumblr user with Blorbo Disease — her fucking song???? “AND SO IM GONNA PUT YOU INTO A BLENDER WITH MEE, SET THE OVEN TO THREE HUNDRED AND FIFTY DEGREEES” nooo one understands love/obsession except for her and all of us
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see the thing about Astarion to me is I don't actually think he has a clue who he actually is beneath all of the everything he's got going on. he's got impulses, he's got drive, a will to live, he's got desires and amusements and cravings, but an actual selfhood?? no. there's a blue error screen where the person of him should be, the person -- whoever that was, I'm personally of the mind he likely wasn't good then either, but we'll see where the story takes us -- before Cazador. the man in front of us today is this mishmash of interior delight at freedom and sunlight but also capable of true unapologetic cruelty and willingness to be ugly in a multitude of ways. so he follows the impulse. he follows what intrigues and amuses, and nothing will take that freedom from him again. and he reflects back onto others the violence that was done unto him. a lack of power kept him down? now he wants to accumulate power, so it can never be turned on him again. but he also misses the sun while he's underground. he's mean and desperate and ruthless and it's interesting because he's unapologetic about it, he's unflinching about it. he's vindictive and mean and desperately floundering around throwing stuff at a wall to see what sticks in terms of personhood because who is he now. 200 years of horrific servitude and now he's just out and about and he's in the mud.
and he can be horrible. and yet when you take the routes of prying open the faaairly shallow veneer he has of smug and snark and snappiness, he'll give you pieces of the raw and the desperate -- "I want to know what the world sees when it looks at me. what you see." is a line you only get if you're earnest with him. any other path in the dialogue will have him continue the shallow persona you've come to know. and in all of that I think nothing is "this is real, this is an act," set in stone because I just don't think he even knows, I don't think he has a CLUE what's his and what's the protective measures and what's the real delight and what's the cruel mockery of his surroundings and what he's willing to give vs what he needs to hide vs what he lets slip out on accident. the inconsistencies in his own ideas and what he says and what he does. I think most everything about him is in a weird place of deeply uncertain. is it a lie? is it a glimmer of truth? for me, I like to interpret him in this weird menagerie of half-truths and shallow lies and omissions, because we've only known him a short while and maybe also he doesn't even know the answer yet. who is he? fuck if HE knows. anyways. smash.
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i hate agent cherri cola (lie detector starts going crazy)
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God I love the Emperor. I love how he yearns for an equal, sees potential in Tav, and seeks to elevate them to his level so he can have someone he can connect with that was made in his own image. So different from Belynne but no less someone he wants to have.
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Yusei is just....so kidnap-able.
Hear me out.
Man either has bad tinnitus or just out-right hearing loss from years of working on engines with zero ear protection. We know this for two reasons:
1. When he's working on his bike and revs the engine, Saiga, Yanagi, and Himuro all flinch and cover their ears and Yusei...doesn't so much as bat an eye.
and 2. When he's leaving to steal his bike back, Saiga hears when Ushio revs his engine from inside a building on the second story and Yusei? Normally when one hears an engine on an otherwise deserted street, one naturally turns to see the source of the noise. Yusei does not. The street is freaking empty, and somehow he doesn't notice the only vehicle that is clearly going slow enough to not pass him by. (And it's not like Ushio is just too far away to hear. He's not. He's shown to be not that far behind. And he's on a freaking loud motorcycle. Most people would notice that.)
Look, we all know Yusei would win in a fight, but not if he doesn't notice his assailant sneaking up behind him because he can't hear them before he gets whacked in the head.
In conclusion, it is very little wonder that he ends up getting kidnapped in canon.
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