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#probably sometime in november and december but possibly not until the new year
ramblingsofafanatic · 7 months
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Kalluzeb Cottagetober 2023! Day 31 - Campfire
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buoyantsaturn · 5 months
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C.J. buoyantsaturn's 2023 year in review
JANUARY
But I can't help getting caught up in it all [12,446 words] summary: Nico, Leo, and Will are living their happily ever after - until an old friend moves back into town.
FEBUARY
Then you hold life like a face between your palms ... and you say, yes, I will take you / I will love you, again. [4,718 words] summary: “You’re still going to marry me someday, right?” Nico’s head snapped up, drizzling paint across the floor as he lifted the roller from the pan too early - which was exactly why they’d chosen to finish up painting first. Nico snorted, a gorgeous sound that sent Will’s heart fluttering. “Of course I am. What kind of question is that?”
MARCH
crocheted mushroom [1,618 words] summary: It had started off with something Will had mentioned in passing - a specific plant that only grew in the Underworld with its own magical healing myth. The next time Nico had gone to run an errand for his father, he returned with the flower, pressed and fragile, blandly announcing to Will that - according to Persephone - the myth was bullshit, even if the flower was pretty.
APRIL
How many kinds of love might there be in the world, and how many formations might they make [5,908 words] summary: Nico turned toward his husband with a smile, crossing his arms over his chest. He took a second to admire the work that Will and Annabeth had done - she’d designed a coop that was a perfect scale replica of the Apollo cabin back at camp, complete with nesting boxes where the bunk beds were placed. Nico called back, “Where do you think we’re going to find magic chickens in the middle of Texas?” Or, five friends who come to visit Nico and Will, and one who doesn't.
MAY
Work and play, they're never okay to mix the way we do [77,579 words] summary: “We don’t have an appointment,” Reyna stated without greeting, lifting her eyes from her computer screen to look at them both, though her hands stayed where they were on her home row keys. “We shouldn’t be long,” Jason replied as he took a seat in one of the chairs opposite her desk. When Nico didn’t move to follow, Jason glanced back at him and nodded to the other open seat. He didn’t speak again until after Nico had sat down. “We want Will Solace to open for Lost Heroes when we go out on our next tour.”
JUNE
Put the Car in Drive (don't stop running 'til you're long gone) [17,487 words] summary: Because, no matter what, Will would always come home to Nico. 
JULY
lemon drops [3,753 words] summary: "Um. Did you ever do the whole…law school…thing, like you said you wanted to? Because I think I might need a lawyer.” 
AUGUST
Doctor Doctor, Give Me the News (I've Got a Bad Case of Loving You) [29,023 words] summary: As he started out from behind the reception area for the first time in four hours, Leo called out to him, “Hey, by the way, Apollo’s doing that thing again where he talks about adding more staff members. Just be prepared, ‘cause you know he’s going to ask your opinion. Since you’re his favorite, and all.”
SEPTEMBER
(all i really want is to be your) Boyfriend [2,941 words] summary: “Nico, you’re never going to believe this!” Hazel exclaimed. “CPR got back together!” Nico turned his face toward the ceiling, wondering what he could have possibly done to deserve this.
OCTOBER
yet i need to talk to you [4,116 words] summary: “Being away from you just makes me think about how I never want to be without you, and--” Nico snorted. “Are you asking me to marry you? Haven’t we done this already?” 
NOVEMBER
Remember nights we spent on hard wood floors [67,859 words] summary: A sudden, tense silence passed between them. “Is it really this easy to start a band?” Lou asked. “Probably not,” Nico replied, “but we should meet up sometime to see what we can do.”
DECEMBER
bear skin rug [1,077 words] summary: Nico spun back around, a bright smile on his face as he said to Will, “See? How cool is--” Black spots danced in his eyes, and before he could say another word, Nico passed out.
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lawlznet · 8 months
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State of the Channel Address:
I've missed this entire week so far in part because I've had so much accumulated crap to do from months of avoidance behavior, and I can't bring myself to get on late just to do a half assed show for a couple hours before disconnecting with all the grace of a fart.
I know that the opposite end of "waiting until you can do everything perfectly" is potentially, never streaming again, but honestly? Is it really that much better having a VOD archive full of embarassment?
Look, I haven't even found the time to edit out potential dox from an old vod, which is why there have been no new updates on youtube aside from the occasional short in over a month. Don't even get me started on the mental emotional landscape.
Turning to social media and filling your profile with retweets and retoots and getting involved in drama that's almost certainly beyond you is a coping mechanism. Hell it's probably how some former vtubers degrade into vtweeters over time, getting stuck in this hell of forever shoving things under the bed.
So what's to be done with this?
Well I'd jokingly say "time to touch grass" here but I never stopped my diet and exercise regimen. Cosplaying May was a proof of concept that it was possible to get fit from sheer desire to become a Femboy alone, and that journey hasn't ended.
I've also swallowed my pride and hooked up for some new vtuber collabs, soon(tm). Also I have no idea why I didn't stream the previous ones. These WILL be streamed.
And though I've teased it before, I intend to continue the spoopy ARG stuff sometime in November, perhaps with social media blitzing the week of my anniversary (October 31st to November 5th). I don't know what form it will take and frankly there remains the possibility that all of my current active socmed accounts (the ones you're reading this from) somehow die before that can happen, from Elongated Muskrat making yet another dumbass move, Fediverse eating itself into an ouroboros, or Tumblr conducting another Purge, but given how the last one was *also* a caffeinated dream splurge of using up free time at work and fueling my in-character tweets with out of character madness?
I'm sure it will be A-okay!
Even if that all fails somehow, the crowning event of all of that socmed hoopla is meant to be a Dungeons and Dragons 5th Edition live play that i'm hoping to run in December, the first I will have run in years. I have three months to prepare the campaign and in the weeks leading up to it i'm hoping to slowwwwwwlly send out invites to people who might be interested in joining. It is sure to be a mess, insofar as trying to run online several session long TTRPG's while balancing meatworld and vtuber world responsibilities, but sometimes you have to kick bad expectations to the curb and just try and do shit anyway. All I have to spend is time and while everything from employment to online presence is uncertain, at the end of the day...
...so what?
Yeah I could trash all these plans and simplify things and be as mundane as possible trying to force things to "work" as they did for the past two years. Because there might not be a December because any number of things could happen before then.
But so fucking what? Tomorrow I could die, the next week a tragedy or three happens and then all of this will be the last thing on my mind. I could also try to limp along and get back to "normal" because its safe and I totally loved looking back at a whole bunch of mediocre and embarassing archives where a clearly disinterested and half asleep femboy tells themself that they're entertaining.
Stop it. This isn't my primary job (thank god) and nobody is forcing me to keep up this song and dance to a made up metronome and an imaginary conductor, so why do I feel the need to force half baked, half assed content online only to excortiate myself afterward? Does that make any fucking sense? No? Why would it?
Why do something you don't love? Why do something that only makes you hate yourself if you're not even being PAID for it?
You look at what you've "accomplished" in the meanwhile, frittering away time everywhere but your passions while lamenting not finding time for your passions and you don't even recognize yourself in the mirror anymore.
Go big or go home.
...So yeah i'll also be working on an in-character youtube project with another vtuber friend! The details of which need to be-
-hashed out but it'll be an excitingly different experience all around! It's been forever since i've done any recorded acting, voice over or otherwise, and i'm not entirely sure what to expect. You can bet that there will be #lulzlore involved and yes, it'll be canon. That's going to be sometime in November once again, schedule and a messy timeline notwithstanding.
On the short term it'd be nice if I could stream regularly again. As in, you can reliably tune in at 2100 CST and expect to at least see my loading screen running instead of randomly getting a twitch email notif at like 2236 which lasts for like an hour because Lulz literally (note: not lirerally) dies on stream.
You know what would also be nice? How about not having to pack up and switch fucking social media platforms every few months? Gee fucking willickers wouldn't that just be BEAUTIFUL.
As beautiful as you reading this. <3
Anyway if you've read this far you're a trooper and Thank You For Playing. See you next time when one of these rants is less stream of consciousness and doesn't disseminate the point in between sporadic bouts of insanity.
See ya!
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wrestlingisfake · 1 year
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Hard to Kill preview
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Jordynne Grace vs. Mickie James - On September 1, James announced her "last rodeo," where she vowed to retire if she lost even one match before winning the Impact Wrestling women's world title. In effect, Mickie has been putting her career on the line for over four months, and she's gone undefeated that entire time. Now she finally gets her championship match, so this is title versus career. If she wins, it'll be James's fifth Impact title reign, and her eleventh world title overall.
The stakes in this one make it worth the price of the whole show, so I'm glad they positioned it in the main event spot. Grace is 26 and ought to be at the top of the division, but it might benefit her to lose to a top veteran and chase her for a while. James is 43 and has a lot left in the tank, but nothing left to prove. Something has to give, but I don't know what it will be.
Josh Alexander vs. Bully Ray - Ray returned to Impact Wrestling on October 2 to win the annual Call Your Shot match, earning him the right to challenge any champion at any time. On November 18, Bully issued the challenge to Alexander for the Impact men's world title at this show. Ray then immediately turned heel, viciously attacking the champion and his wife.
This is billed as a "full metal mayhem" match, per the demands of Alexander after Ray attacked him again on December 22. Sometimes "full metal mayhem" is a souped-up ladder match (anything goes until a participant retrieves a prize suspended above the ring), and sometimes not (anything goes until a participant scores a pinfall). But the main idea is that tables, ladders, chairs, chains, and possibly other stuff will be placed at ringside to use as weapons. The stipulation plays to Ray's strengths as a pioneer of hardcore wrestling, and works against Alexander's emphasis on mat-based offense.
To put it mildly, I'm disappointed that Impact brought in Bully, let alone for a world title program. I got bored with his how-low-can-he-stoop heel work back in Ring of Honor. Pro wrestling has younger, better stars innovating on that formula while Ray, 51, is just recycling the same old shit. I'd be more interested in seeing Alexander wrestle Jeff Jarrett, and brother that's saying a lot. I sure hope Josh retains and Bully quickly disappears, but I don't have a lot of faith in Impact right now.
Jonathan Gresham vs. Eddie Edwards - This match was originally scheduled for April 23 last year, back when Gresham was the ROH men's world champion and Edwards was the leader of the anti-ROH faction Honor No More. The match was scrapped when Gresham was sidelined (possibly due to a concussion). Since then Gresham has fallen out with Tony Khan's version of ROH and finally ended up signing with Impact. In the meantime, Honor No More has disbanded, but Edwards is still a dick, so these two are back on a collision course. I think Gresham needs to win, but I can't rule out Edwards pulling shenanigans.
Chris Sabin & Alex Shelley vs. Matt Cardona & Brian Myers vs. Heath Miller & Rhino vs. Ace Austin & Chris Bey - The Motor City Machine Guns (Sabin and Shelley) are defending the Impact men's tag team title in a four-way, so the first man to score a fall on any opponent will win the match and the title for his team. Sabin and Shelley are also the STRONG tag team champions in New Japan, but that title isn't at stake.
As usual with four-way matches, I don't expect this to settle any feuds, and whoever wins will probably still be feuding with at least two of these teams right up until the next PPV in April. I guess Sabin and Shelley retain, since double champions seem to be a hot trend these days.
Trey Miguel vs. Black Taurus - This is for Miguel's Impact X division title. I am so relieved this is not a three-way or a four-way match. Keep up the good work, Impact.
I'm out of the loop but I heard Miguel turned heel and tagged the title belt with his graffiti. I'm not sure how Miguel really works as a hell, but I'll give it a try. Taurus has been with Impact for years and he's always just sort of...there. I expect some good big man/little man spots, but nothing to write home about. Miguel should retain.
Deonna Purrazzo vs. Killer Kelly vs. Masha Slamovich vs. Taylor Wilde - This a four-way to determine the next #1 contender for the women's title, so whoever scores the first fall will win the match and be slated to challenge the winner of Grace vs. James.
Assuming James wins the title, any of these four make sense as her first challenger. If Grace retains though, I think it's too soon to run back Grace-Purrazzo or Grace-Slamovich. Kelly would be my pick as a fresh face in the title picture.
The x-factor in this match is Wilde, a veteran from the 2000s who was retired for ten years, returned in 2021, and then took a year of personal leave. Now she's back with some kind of witchy/tarot reader gimmick, which I haven't seen much of yet. If they're serious about this new direction, she should get to shine a lot in this match; otherwise I don't have a lot of faith it'll work out.
Joe Hendry vs. Moose - Hendry is putting the Impact digital media title up for grabs. Last time I looked this title barely existed outside of PPV pre-shows and such, so I'm surprised Hendry made it on the main card and Moose has sunk this low. I guess if Moose won this belt he could elevate it. On the other hand, if Hendry retains I have to wonder if Moose is on his way to greener pastures...
Rich Swann vs. Steve Maclin - This is a falls count anywhere match, so the participants cannot be disqualified or counted out of the ring, and the deciding fall does not have to be scored inside the ring.
Ever since Maclin debuted with Impact his gimmick has been that he's a big mean guy who beat everybody up because he's pissed. For some reason this never translates into enough wins to put him in the title picture, so he just gets into feuds like this one where a babyface tries to shut him down. Maybe this time Maclin can just win the feud and start chasing Josh Alexander. On the other hand, if Bully Ray actually wins the title, Swann's the guy you'd want to push as the next challenger. So I could see this going either way, depending on the men's world title bout.
KUSHIDA vs. Mike Bailey vs. Yuya Uemura vs. Alan Angels vs. Bhupinder Gujjar vs. Mike Jackson - This is a six-way match scheduled for the pre-show. As usual, the first wrestler to score a fall wins.
Kushida is a top junior heavyweight in New Japan. Bailey is a key guy in Impact's X division. Uemura was a Young Lion in NJPW but he's on excursion here, so hopefully that goes better than it did for Okada. Angels was in AEW's goofy fun cult but now he's Cody Deaner's mean serious cult. Gujjar is stuck in the spot where a wrestling promotion puts a token Indian guy on TV and just expects everyone in India to turn into wrestling fans. "Action" Mike Jackson is 73 years old and regularly works in matches like this for GCW.
This isn't officially to determine a #1 contender for the X title, but you'd have to think the winner of this match would move to the front of the line. Since I don't expect Trey Miguel to drop the belt for a while, I'd have Uemura or Gujjar win to give them a little mini-push before putting over the champion.
Taya Valkyrie & Rosemary & Jessicka vs. Tasha Steelz & Savannah Evans & Gisele Shaw - Another pre-show match. The Death Dollz (Valkyrie, Rosemary, and Jessicka) collectively hold the Impact women's tag team title, but since this isn't a two-on-two match the title is not at stake. I assume the heel team is gunning for a title shot, but I'm not sure which of them will end up being the challengers. I guess Steelz's team should win to keep the story going.
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Love Delivered To Your Doorstep
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Evan Buckley x Reader
Warnings: fem!reader, mentions of cheating, break ups and killing/serial killers. (<in a joking context) 
Category: fluff for the most part. 
Word Count: 3.9k
Author’s Note: Doesn’t follow canon, it has a little of buck begins in there but it doesn't follow a strict timeline. It also is written like Buck moves to LA and has his apartment from the moment he moves there while trying to figure out what he wants to do. 
-----
Texting and calling was never your choice method of communication. 
Letters had always been more of your thing. 
Truthfully, they hadn't been your thing until your boyfriend moved halfway across the country for university. The two of you met in high school, freshman year and became inseparable since. Growing together and promising to always love each other no matter what -you always knew that couldn't be true but it never stopped you from telling him. 
When he told you that he was going to be applying to UCLA during your senior year of high school, it came as a bit of a shock to you. The plan was always going to college together, get engaged when you were done school and then married with a house by 30. 
You held out the hope of that being possible until the day he showed you his acceptance letter. 
You were incredibly proud of him but it was real now, he was leaving. 
You watched him pack up his entire life and uproot himself from New York and moved across the country. You sent the first letter to him at what was supposed to be his apartment. 
September 30th.
‘Hi baby! 
Just writing to see how you're settling in. How’s UCLA ? Have you gotten a chance to go around and get to see the place ? I know you’re there for school but you've got to live a little too. Hope your neighbours are sweet, your mom told me it’s a pretty nice place and it’s got a good view, sounds like your type of place. Hopefully I can come visit you soon. 
I started my classes last week. My chem professor is a pain in my ass already, he expects us to read an entire textbook in a week - well not exactly an entire textbook but you get the point. My biology professor is a sweetheart, she showed us pictures of her kids and talked about them for an hour, I didn't realize being a mother was so interesting but she was cool. Also showed us a video of an appendectomy that one of her colleagues performed last week. How are your classes and professors ? 
Did I mention I bumped into Sam at the grocery store ? Yeah, he’s back and he’s not fine to tell you the truth. He seemed like he was ready to snap but that might just be my judgment. He said to tell you hello if I spoke to you so- hello :) 
I’m going to sign off here, I know this one is short but I don’t have much to update you on. Life’s been pretty dull without you. Hope you’re having fun out there, soaking up the sun for me.
Write me back soon, I love you. 
Yours always, y/n’
You mailed the letter the next day, a few weeks had passed before you received a letter back. Except this letter had a different sender name but the same address.
October 22nd. 
‘Hi y/n,
This isn't your boyfriend. (I'm assuming that’s who you're writing too based on the context of the letter) I’m Evan, I live in the apartment you thought belonged to your boyfriend or maybe you got the address wrong, I’m not sure.  I know you were waiting for an update on all these exciting things that are happening at UCLA. I do not go to UCLA nor can I update you in anything exciting that’s happening there, sorry.
Anyways, the reason I'm writing you back is because I figured you’d want to know that this isn't the correct address and the person you were looking for isn't here before you send another letter and get no response. I was debating if I should have even written you back, but here I am, writing you back. 
Your professor for chem seems like an ass to be honest (hope that’s not rude) and your biology professor sounds great, is she hot by the way ? because bonus points for that. Anyways, are you studying medicine ? I'm guessing yes because of the classes you're taking. I'm thinking of signing up to become a first responder but I haven’t decided yet on what yet or if I'm actually going to do it. Anyways, good luck on your classes and the shitty chem professor. 
Hope you find your boyfriend (again, assuming) 
Peace out, 
Evan.’
To say you were shocked would be an understatement. How could the letter you sent to your boyfriend’s apartment belong to someone else ? Why was there someone else living in his apartment ? You dug through your apartment, searching for the paper he left you with the address, you finally found it buried in a drawer.
The address on the paper was identical to the one that Evan sent to you and to the one you sent prior to that. Either your boyfriend was lying or you were losing your mind. 
November 4th. 
‘Dear Evan, 
I'm sorry that I sent the first letter to you and as you guessed, I was looking for my boyfriend who seems to be a bit MIA right now. His mother says that’s the right address and the place that she helped him move into. So I'm not really sure what’s happening there. Anyways, sorry for unloading all of that on you. 
To answer your question, yes, I am studying medicine and no, she isn't hot. My bio professor is a 65 year old woman who loves her college aged kids very much. If that’s your definition of hot, then yes - she's got milf status
Have you decided yet if you’re going to sign up to be a first responder ? That’d be pretty cool. Imagine all the girls swoon over you and how many girls you’d pick up just for being a paramedic or a firefighter. 
Wait, are you into girls ? Or guys ? You know, whoever you're into, just imagine how many of them you’d pick up. 
Also, you’re not a murderer or anything right ? because I rather not answer questions when the police come asking about why I've been sending letters to a serial killer. 
Anyways, signing off for now. 
Yours always, y/n. 
ps. if you do end up bumping into or meeting a guy that looks like my boyfriend, (tall, brown hair, brown eyes. he’s got a pierced ear and a little butterfly tattoo by his collarbone- though not sure why or how you'd see his collarbone) let me know or tell him that his girlfriend is looking for him.
Double ps, what size shirt do you wear ?’
Buck laughed at your absurd question. A person he didn’t even know was asking what size shirt he wore. The letter was set on the coffee table with the rest of the mail, getting buried under all of the stuff he had on there. It was almost the end of December when he realized that he hadn't written you back yet. 
December 21st. 
‘Hey y/n, 
Sorry I've taken so long to get back to you. Things have been hectic over here. I’ve been doing some ‘soul-searching’ - I guess you could call it that and honestly, I don’t think if this whole first responders thing is for me. 
I tried out bartending or well, the technical term is mixologist and I’m liking it so far, I think i’m going to stick with it for now. 
How have you been ? How’s school ? Surely, you’re on break for the holidays right about now or at least when you get this letter. I hope that you're spending the break doing something fun. 
I’m not going to make this very long, I’m sure you’ve been busy with whatever you’re doing right now. 
Also, I’ve been meaning to ask. Have you located the mysteriously disappearing boyfriend yet ? I haven't seen anyone that fit your description. 
well, that’s not true- I did and just to be sure I asked to see his collarbone, he looked at me like I was a mad man so I guess it wasn't him ? 
Anyways, I hope you have a good holiday and you're probably gonna get this sometime between holidays, so merry belated (?) Christmas and happy New Years y/n. 
Peace out, 
Evan. 
ps. medium or large, depending on what it is. Hopefully that answers your question weirdo.’
January 13th. 
The morning of the 13th, he went down to check his mail. A box was there with his name on it, the return address was one he had only seen on an envelope. The box returned upstairs with him, setting it on the counter before opening it. 
Upon opening it, there was a letter and some colourful tissue paper with what seemed like a sweater under it. He opened the letter first.
‘Dear Evan, 
Happy New Years! How was your holiday going ? Did you do anything fun ? 
I’ve been good and school is good too, I'm almost done my first year, isn't that crazy ? Just a few more months to go. 
How’s your job as mr. mixologist going ? I'm sure you’ve met some wild people and heard some interesting stories. 
As for the boyfriend situation, that's over. I’m not surprised to tell you the truth but it still kinda sucks. Anyways, so what happened was that his older brother had come home from college last year and brought a friend with him. She went to the same school as his brother but transferred to UCLA- anyways long story short, they hooked up while he and I were still together and he moved in with her after his mom helped him move into the apartment I thought he had. 
But! I’m single and chilling now so it’s all good. (bonus, she cheated on him and left him so yeah) 
I got you a little something for Christmas and as a “sorry for unloading all my boyfriend drama on you” present. I was in the gift shop and it made me think of you. Do you celebrate Christmas? I forgot to check oops. If you don't, count it as a just a “sorry for unloading all my boyfriend drama on you” present? 
I got a large because I wasn't sure if it would fit. I hope you like it. That’s all for now.
Yours always, y/n.’
He unwrapped the tissue paper to see a blue sweater with the letters NYU on it. He smiled, he assumed that’s where you went. It was sweet that you took the time to get him something, even if it was a by the way thing. Not a lot of people would send something to a person they had been talking to via letters and halfway across the country. 
February 12th. 
2 days before Valentine's Day, your least favourite holiday of the year. You weren't looking forward to watching all your friends going on with their boyfriends and girlfriends. The mail had arrived while you were out, you picked it up and headed in. There were two envelopes with your name on it,  a plain white one and a red one. The red envelope was more squared than rectangular, you assumed it was a card- both had the same sender name. 
‘Hey y/n!
Thank you for the sweater, it was nice of you to think of me and get me something. I didn’t know we were doing gifts or I would have sent you something as well and yes, I do celebrate Christmas. 
My job as ‘mr. mixologist’ was going well until I quit. It just didn’t feel like the right fit for me you know ? I'm going to see what else is out there for me. 
Sorry to hear about your boyfriend, he seems like a douche. Who would cheat on you ? You seem great I mean at least you are on paper (did you get my joke, it’s hard to tell) 
Also, remember how I was thinking I might actually give that first responder thing a try? Imagine me as a firefighter, that’s pretty cool right ? 
So I kinda did a thing and signed up and then I got in. I started two weeks ago and it was kicking my ass at first but I've gotten a hang of it and things are going pretty well. There's three other Evans in my class so everyone calls me Buck-I kind of like it. 
The other envelope, hopefully you opened this one first, is a little something for you for valentines. Hope you like it. 
Peace out, 
Buck’ 
The red envelope was on your lap, you pulled the edges carefully not wanting to rip it. Inside was a plain white card with bright red letters that made you laugh. The cover read ‘I’m not sick of you yet!” Opening the card, a $20 fell onto your lap. There was a little message inside that went along with the cash. 
‘Since we aren't together and can’t spend valentines together, there’s some cash to get yourself a box of chocolates and a teddy bear. Happy Valentines Day y/n
Love, Buck.’ 
You smile, this was the first time that Buck had signed with ‘love, buck’ it had always been ‘peace out, buck.’ You tucked the card into the drawer, one you didn’t use very often so you knew it’d be safe there. 
*4 years later*
A few weeks had passed since Buck had last heard from y/n. His last letter to her was at the end of June, telling her all about the day he had spent at Hen and Karen’s. He always described every little detail so vividly that it made her feel like she was there with him- but it was now July, end of actually and moving into August. 
4 years had blown like nothing.
It felt like just yesterday he got the first letter in the mail. 4 years and they still had no idea what each other looked like but they knew every intricate and intimate detail about each other, their lives and the people in it. 
Y/n and Buck had grown rather close over the last few months- more than they already were. Y/n just went through a pretty shitty break up and Buck wasn't exactly big on relationships as of right now. 
He had just gotten home from work, his keys set on the counter when he realized that he forgot to check his mail. Stepping back out, there was a woman in the hallway and boxes scattered across her, leading into the apartment down the hall. 
She must be his new neighbour.
He wanted to go over and introduce himself but she was busy telling the movers where to set her couch so he decided that he would check the mail and then introduce himself when he returned so he did just that. 
Except, she was still busy. 
She leaned against the wall, watching the movers move what looked like a coffee table. She glanced up to see Buck walking by, she smiled and he returned the smile. 
Buck reaches his apartment, the mail in hand and steps in. He sorts through the pile, bills, ads, coupons and no letter from y/n. 
---
Your new apartment was a mess. You decided it was time for a change. You applied to a few hospitals after your break up and the one in LA hired you. So you dropped everything and moved- no family, no ties. 
A fresh start. 
It was a nice neighbourhood and the building was quiet. The neighbours you met were pleasant and welcoming. When you were having the furniture moved in, there was a blonde man who smiled at you and you assumed he lived in the unit down the hall because that’s where he stepped into. 
It was almost 11pm when you finally sat down. You had been on your feet all day and just wanted to eat something. The box with the dishes was beside the couch, you pulled the tape off and opened it. There was an envelope sitting on top of the stack of plates. 
Buck’s last letter to you. 
You must have tossed it into the boxes while packing and you forgot to write him back. Tumbling through the boxes, you find a sheet of paper and a pen from your bag. Sitting on the floor, the paper resting on an unopened box, you begin writing. 
‘Dear Buck, 
I’m sorry I've taken so long to get back to you. I quit my job, and uprooted my entire life. The break up sucked major ass as you know, so I decided it was time for a change. 
Guess where I decided to go ? 
Did you guess yet? 
No, not Canada, why would you guess Canada ? 
LA! 
Yeah, isn't that crazy that I ended up here of all places? Maybe we could get together one day (if you haven’t turned into a crazy serial killer that is.) 
Anyways, that’s why I've taken so long to write. I was packing when I got your letter and I tossed it in a box and just found it again. Anyways, I hope you’ve been good, how have things been at the station ? 
I promise I'll write again with more details soon, I just have to get settled in first. 
Yours always, y/n.’ 
Folding the paper, you slipped into an envelope. The address being scribbled into the back of the envelope. You were about to seal it when the building number caught your eye. 
It was the same number as the place you moved into. The same address, the building number, the same floor. 
The unit number was the only difference. 
There was no way you moved into the building that Buck lived in. 
You knew the address felt familiar when you saw the listing but you didn’t think anything of it nor did it occur to you that you knew the address. 
Stepping out of your apartment, looking at the number on the room and back down at the envelope in your hand. Buck’s apartment was down the hall. 
Part of you just wanted to mail it and keep things as it was but another part of you wanted to meet him, to see what he was really like in person. So there you were walking down the hallway at a quarter past 11 in the dead of the night to meet a man you had been sending letters to for the last 4 years. 
The end of the hallway, you stared at the black wooden door in front of you. Your brain weighing the options right now: he’s a sweetheart and welcoming and makes you feel comfortable or he’s a weird guy who’s been lying to you this whole time and you told him everything about you and now he’s going to kill you. 
Before you could register what you were doing, you knocked on the door. 
Glancing down at yourself, you were wearing a pair of old shorts and a t-shirt from high school that you found in a drawer while packing. Not an ideal outfit, maybe he’s sleeping and you can go home and change- the door opened, a man wearing sweatpants and a t-shirt stood there. He looked like he had just woken up. 
“Sorry, did I wake you?” 
“It's alright,” he yawned, his hand covering his mouth as he blinked away a few tears. “What can I do for you ?” he leaned against the door. 
“Um, this is an odd question-” you shifted, glancing down at the envelope in your hand. “Are you Buck ?” 
“I am, who are you ?” 
“Y/n.” 
You had never seen a man wake up that fast, he seemed surprised, confused and concerned all in one. “How- uh, are you- What ?” he mumbled. 
“I found your letter in the box after I moved, I moved into the apartment down the hall” you point to your left, Buck sticks his head out of the doorway and looks at the door you were pointing to. You were the woman in the hallway that he saw earlier, he knew you looked familiar. 
“I just wrote your letter and I noticed that the addresses were the same, just a different unit number so I decided to come check. Sorry if I bothered you, we can talk another day- it’s late and you probably have work” “Would you like to come in?” he opens the door a bit more, looking to you for an answer. 
“Um, okay sure.” stepping in, you can’t help but glance around. The apartment was similar to yours, the layout was a bit different though. “Can I get you something to drink ? Coffee, water ? A beer ?” he rounded the kitchen counter, you took a seat on one of the chairs by the counter. 
“Water’s fine, thanks” 
He reached for a bottle from the fridge, sliding it over to you. You gave him a smile, he leaned against the counter and was now looking- studying you. 
“I know we’ve talked to each other for 4 years but this is kinda strange” you chuckled awkwardly, Buck can't help but smile. 
“Yeah, it is, isn't it? but can I ask why you moved to LA?” 
“Well all of that was in the letter” you slide the envelope across the counter and he picks it up, opening it. Giving him a few moments to read, you watch his expression like you were hoping for some insight as to how he was feeling or what he was thinking. He let out a laugh, “how’d you know I'd guess Canada ?” you smiled at him, a small wave of relief washing over you for some reason. “Lucky guess I suppose” 
“Do you-” “What are-” the sentences cutting each other off, the two of you awkwardly smiling at each other. “You first” looking at him, he hums. 
“Do you have work tomorrow or are you busy ?” His eyes meet yours, you found yourself leaning forwards towards the counter- towards him. He made you feel comfortable, you’d go as far as to say safe, in a way you’ve never felt before. 
“No, I don't start until the 21st. Why ?” 
“I was thinking - if you're not busy and if you want to, of course. Maybe I could take you out for breakfast and I could show you around ? Or lunch or dinner ? Whatever works for you actually” he rambles, fiddling with his fingers to avoid eye contact. 
A small laugh slips past your lips causing him to look up, his brows furrowed as he studies your face, looking for an answer. 
“Breakfast sounds good, what time should I be ready for ?” 
“Uh, is 10 okay ?” he asks, you nod. “I’ll be ready for 10 then.” 
“Okay, I'll pick you up” he smiles. 
“Buck, we live in the same building.” 
“Oh right,” he chuckles, “well I'll be by yours at 10 then” the two of you smiling at each other. 
“Okay.” 
----
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lwt28brave · 3 years
Text
LT2 masterpost
If it was up to me, we would get an autumn or winter EP. Since it’s not up to me at all, here, enjoy this post with everything we know so far of LT2, which is to say, not much at all. Everything here is hypothetical. I’ll be updating every time I see something relevant. A little disclaimer that while this is a masterpost (kinda), it could be read as discourse (duh, it’s also a theory), AND it’s also by me, and you shouldn’t expect me to be serious at this point.
Due to me restraining myself, there’s no reference to any of the times he’s mentioned his guitar skills and him improving but I hope you know I cried every single time.
I’m also linking my old pinned here. It was written before AFHF and around the free merch thing that didn’t lead to much, but I still think I made some good points.
Possible tracks:
Copy of a Copy of a Copy
Change
Faith in the future??
369??
Possible names:
369
Faith in the future
When is the album coming out?
Your guess is as good as mine
Friday 28th of January 2022. Almost two years after Walls. It’s a Friday. It’s a 28th. What else can I say?
Here you can find @want-to-be-loved timelines for every month.
Here you can find @berlinini’s timeline of what Louis has been up to this year (2021).
The rest is under the cut. And here you can find a PDF version where Tumblr can't tell me how many pictures I can add.
2020
He said back on May 2th 2020 he wasn’t writing anything new yet.
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(x)(x)(x)
Interestingly enough, he’s said many times after that that the album’s not ready cause he has no new experiences to drawn from. I won’t call him out because he does it himself.
May 4th. He liked a tweet from DMA’s Johnny Took saying they had to go write together again. Louis has been credited as an influence for them and (kind of) participated in their previous record, so I’m assuming he meant for their music and not his, but you never know.
Nothing(literally nothing??? how did we survive) until 11th of July. We all know what happened that day. We all celebrated it. Nonetheless, that’s not what I’m talking about here.
(x) So, by the beginning of July 2020 he was working on concepts and ideas for the new album. That was fifteen months ago. I know perfection takes time but…
Brief summary of important things that happened from then until the next mention of new music:
Louis left Syco!!!! 10 days later he rescheduled the tour for the first time. He followed Matt Vines on Twitter, probably so we could publicly shame him into doing something. Also, the 10thanniversary. He followed more people I wish he hadn’t.
Then more nothing until September. Not even a single tweet. The first merch drop was on the 28th of August but he just RT’ed the tweet. He first mentioned Free my Meal on the 25th of September. Then on October 1st Walls hit #1 on a lot of countries and Louis was incredibly happy and excited about it ^^
And then, that same day, October 1st, 2020, he dropped this bomb:
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(x)
He also said it was too soon to be sharing new lyrics with us (x)
And, obviously, this tweet which is actually what made me start this whole post. I would hope you know mate.
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(x)
He also told us he was cooking "banger after banger" and that he was incorporating more social themes into his music (x)(x) (I believe any social issue is a political issue but that’s not the point rn).
COPY OF A COPY OF A COPY?!?!
These next paragraphs are brought to you by my mind not remembering things and me not having any links. I’m assuming COACOAC came from those writing sessions that supposedly happened in October. Or in LA but I have no idea if he actually was in LA at any point other than a Daily Mail article putting him there on December which would have been too late, but I do remember that someone said he was in the studio in LA last autumn???? A rumor. Maybe. IDK. Did I mention already all of this is very hypothetical?? Well, this is it. I can’t even remember if this was October or November or what. So, take this with a grain of salt.
I’m also… taking the liberty to assume, if you must, that Copy wasn’t meant to be a Walls reject because it sounds more mature and darker and it has a vastly different tone that Walls songs. I know he’s said that song probably isn’t getting into the album, but I want to have faith (in the future) that I’m getting a studio version. (But also, Louis, if you’re reading this, first of all GET OUT OF MY BLOG second of all, please don’t ever feel pressured again to add a song to the album because we have already heard it before. It’s your art and it should always be under your own terms).
So yeah, I believe that Copy is either one of those four songs (then imagine the other three??!!) or was written around the 1st of October date.
---End of the Intermission---
Then not much important (other than sharing more about Marcus Rashford fight against food poverty and the 2nd merch drop) until he announced the livestream on the 24th of November. (x)
It wasn’t until a few days before the livestream date we even thought again about new music (jk, I know we’re always thinking about new Louis’ music). So, December 9th/10th, 2020. Nine months ago. We got our first taste of new music!
He made sure we knew Copy of a Copy of a Copy isn't a cover! (x) (x)
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(x)
Ok, so that’s it for 2020. (I feel like I’m missing something from September 17th because tweet was deleted but maybe he was still talking about cucumbers. We might never know. Unless I understand how Tumblr tags work). Expected, cause Walls was released in 2020. We needed to let it sit for a while.
2021
Another Summary: Louis third tweet of the year was telling the UK government off. So was the fifth. What a good beginning. On the 26th of January, he said he prefers pancakes over waffles. I hope he meant pancakes other than his own. More importantly, he tweeted the infamous “you lot read into things too much”. Don’t get me started, Tomlinson. Don’t. Then the 31st came around and Walls was one. He tweeted this. How wise. And Project Defenceless happened!!
15th of February!! Who cares about Valentine Day when the next day we got this? ♥
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(x)
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(x)
So…AN EP?? AN EP?? PLEASE RELEASE AN EP.
“I’m sure I will have something out this year but unlikely that will be the album”. Unlikely but not impossible. Also. A single would be good. This is the second time he mentions releasing something in 2021 and he sounds surer about it than the first time around.
He also said that he isn’t sure we will get a studio version of Copy. And that the best bridges from Walls to LT2 are Walls, OTB, KMM and Copy. Can’t wait!
Then we jump to March 6th when he announced he was going to create his own management company. “Sometimes action is needed first to encourage the motivation and belief”. As we can tell he was already manifesting some stuff which will lead us to the numerology stuff/Tesla… kidding. Or not. We might never know.
On the 22nd of March he answered some questions:
He told us music was still his main focus ♥ mwha. (x) I included this tweet to guilt-trip him into giving us music in case he’s reading this even after I told him to leave. ILY.
(x) I’d love to get a visual EP this autumn. Just saying. It sounds like a lovely concept.
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(x)
…next (I will get into it, I promise. I’m just mad).
On the 25th he left for Mexico until April 10th. You could assume it was just for the documentary where we got ten seconds of footage or admit the obvious: LT2 its a Mexican baby!!
On the 26th (so, not so far apart from that first 369) we got the first Faith in the Future mention: (x)
Back then we were innocent people who had no idea what was coming upon us. We still have no idea because what the fuck does he mean with these. Please explain. I have one braincell and I don’t use it enough for this. I’m linking some theories.
On the 30th of March he confirmed he was already working on the documentary. So AFHF was already on the works. Will it take this long for us to get the Veeps numbers? We also got this tweet: "Got a decent chorus idea down" (x).
Same person that got the “something out this year” exclusive. If you know something share with the class. Also. Is this Change? I feel like this could be Change but I also assume he wrote Change after hanging out with his friends or being in Doncaster. But who knows.
(x) And the second mention to 369.
(x) 15th of April. The second "Faith in the future".
On the 19th of April he announced that he had something BIG for us later on the year which turned out to be the Away From Home Festival ♥♥ (x) I love him so much.
Then on the 28th he announced the 369 merch drop (which it’s probably the Walls drop? Except that the TOU and KMM ones were “drop 1 and drop 2” and this was drop 369 which, again, makes no sense) but we still don’t know what 369 means.
Into May’ 21 we go.
He rescheduled tour again. And dropped another bomb (x).
He announced he has signed with BMG as an independent artist by RTing this tweet on May 10th. The article also says that he’s already working on writing and recording LT2. The timing… we don’t know. What this deal involves… we don’t know either. Bear with me here because I have a lot to say about this.
I think the deal is only a distribution one, but that BMG are interested in Louis and what he (us) could bring to the table. They were either present at the festival or watching it, but officially they had no involvement at all with it (everything is credited either to Louis own company, 78 Productions, or Charlie Lightening’s company). That’s the case for both giveaways too; the vinyl one and the tickets for the festival.
I think it would be an unbelievably bad move not to test the waters with BMG now or soon-ish. At least a single, to see how it performs. Due to the circumstances, it’s obvious there’re certain limitations on place but I want to see how they push it, whether the radio play exist this time around and if the song is playlisted and promoted and all that… I would also love to know, since it says he signed with BMG UK, but it also states it’s a global deal, how things are going to go on the US and other countries.
Yes, yes. I know those are all questions and no answers. But I know the same as you, sadly. If any of you know more than you’re letting on… again, share with the class.
Where was I? Yes, on the 25th of May Louis had a great day writing (x). Since the first time he had mentioned he was officially writing to this date there’s almost eight months. And I believe he was writing before October’ 20.
He followed Robert Harvey that day and, on the 28th of May (why is it always the 28th???) he was spotted at the studio for the first time.
June was an interesting month for the fandom ♥. Lots of LHL content which I will love and cherish for the rest of times. On June 4th, June 9th, and June 10th he was spotted at the studio, but I believe he was there more days.
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(x)
This was posted on June 6th and captioned Studio. Charlie also shared it with “Mega tunes being put down, can’t wait for this @louist91 #louistomlinson #LT2” as the caption. This gives me 2019 (Elton-Joint) vibes. I like it. Feels like we’re getting closer to something.
He added the Milano date on the 9th too which I’m mentioning because I’m going alone. Anyone wanna go with me please? I’m nice and I never eat anything before a concert so you can have my food. On other news. It didn’t come home.
During July he was at the studio at least three days too. Probably more. Feels like more with all the fan pictures we got. Or was that June? Anyway, July 1st and 9th we got some videos from Robert Harvey and wearesuperhi, which is who Louis has been working with the most, that we know of. I don’t know for sure they’re from that day. And on July 5th we got an article and lots of pictures of Louis looking really good outside the studio.
On the 12th of July the first fans started getting the free, 369 bucket hat and print. We still don’t know what the purpose was other than to thanks fans. Maybe that was it. I want answers and I still think it relates to a future project (see theories above), but it could also just be a bridge with the Walls breaking.
He didn’t tweet about anything interesting for a while, mostly because he lost his phone (he either throwed it in the air or smashed it who knows). Then on the 29th of July he announced the festival!
I’m glossing over it because there’s already been a lot of talk about it (rightfully) and while it was a wonderful thing, it doesn’t have much to do with LT2.
Let’s talk Change!
On August 3rd he tweeted this about the setlist.
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(x)
And this (x) on the 28th! I can’t stand him.
We didn’t get it, obviously. Because who was going to get that. But we read too much into things. Alright.
On the 16thof August Dave Gibson shared this post tagged #LT2 with the eyes emojis 👀👀👀. I believe this has to do both with Change but also with whatever else came out of that Mexico trip.
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(x) Last relevant tweet related to LT2 is this one.
So, on the 30th of August we got Change and we cried, and we know that Change is going in the new album. He said it. With those exact words. He also said he was “getting a feeling for it”. This has to meant he already has a general idea of the vibe of the new album and what’s going in it!!!!!! (Right? RIGHT?).
Anyway, let’s go back a few weeks because some other things happened on August. He was at the studio a few more times. Or it was suggested that he was there. On the 17th and the 18th. (Why was it so time-pressing to be at the studio instead of rehearsing for the festival? There was no studio at all on the documentary. Which makes sense, but again, then why?).
On the day of the festival we got another mention of Faith in The Future that made me feel part of a cult ngl. The words were flashing on the screen for less than a second. Okay.
And then he tweeted those words again after watching the livestream/documentary on the 4th of September (x). This is what makes me suspect it's either the name of the album or of the single.
On the same day, we got some interesting quotes about LT2 on the documentary.
“Soon I’ll have to think about me second album, which in my head I’ll get the tour out of the way and then I’ll address that. So, I hadn’t really given it much thought, to be honest”.
“When every day is the same is hard to feel creative and it’s hard to have any kind of proper inspiration”.
“As season started to come back, I started writing again and it was great and some of these songs turned out alright”.
And I think this is it. I might be overlooking some important details but that’s what we know and what we don’t know.
So. Conclusions. That’s what you missed on Glee. I do believe the album is, if not mostly done, partially there. And yes, this post is pointless and never-ending but it’s all in here if you need to tell Louis “Hey, you said this, mate”.
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luminescencefics · 3 years
Text
fade in, fade out - part six
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story page // chapter moodboard // read on wattpad // banner credit
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A/N: Since this chapter is quite long, mobile viewing is probably not the best option because Tumblr can sometimes be finicky! I would recommend viewing in a browser. Happy reading, loves! x
***
The Climax
January 2013 
Marcus and Nora break up during the spring of her second year.
He wanted things to move much faster than they were, and Nora was far too comfortable with their normal—the normal in which Marcus lived a floor above her and they could wrap around each other in his tiny twin bed without worrying about things outside of their protective bubble. Because this normal was easy, it was simple, it was safe—and doing anything different, switching up their normal, would make it the complete opposite.
So when he tells her that he found a small studio apartment in the West Village one April afternoon underneath a budding black tupelo tree in Central Park, and he would love more than anything for Nora to move in, she immediately declines. She wasn’t ready for that step—wasn’t ready to not live with Ebony and switch up her normal and pop their bubble.
Breaking up wasn’t in Nora’s plan, but she knew that it was bound to happen. It was an amicable split, something that didn’t shake her world or leave her feeling lost at sea without an anchor in the unforgiving rough waters. And two months later, when she’s spending her final summer at home with her mother, Nora wonders if there’s something wrong with her heart when it still feels intact and the still-beating flesh isn’t ripping apart at the seams.
But life moves on, and so does Nora.
When she arrives back on campus at the start of her third year, Nora finds that she has room in her schedule for extracurriculars due to her influx of AP credits from Townbridge. On a whim, she decides to fill in the gaps with Film Study classes, and Nora finds that her heart is thumping in a way that it never has before—in a way that makes her feel that she’s finally found purpose, finally found her passion, finally found something close to unadulterated happiness.
Her favorite film professor is an older woman named Suzanne Davies who insists she be called Sue, or more radically, Suzy. She’s built of thin bones and worn skin, mahogany eyes that have seen almost everything that Nora wishes she could, with grey curly hair that twists at the nape of her neck and covers a brain that Nora wishes she could pry apart and indulge in every memory like a film projector reel on a thin hanging sheet.
She teaches Film Theory & Criticism, and when Nora listens to her thick British accent work through Apparatus theory and Structuralist theory, she can’t help but think of London—a city that feels an entire world away, and how badly she wishes she could visit, if only for a short amount of time.
One dreary November afternoon when Nora is the last one to leave the lecture hall, Suzy stops her and asks her what she wants to do with her life. Nora is instantly brought back to a time in December three years ago, in a different state with a boy she thinks about every now and then, who asked her this very same question as the snow was falling outside and they were laying down on concrete steps, eyes facing the cracked ceiling above. She was honest then, not even hesitating when spilling the words freely from her lips, because for some odd reason, she trusted him entirely in that small moment in time.
She feels the same now, and suddenly, she’s telling her professor about the pressure she feels of choosing a stable career, of how she needs her mother to be proud of her, of how she studies Communications but craves Film, of how she’s never been happier than when she’s watching old movies and dreaming up plots of her own. She tells Suzy how she’s never left the country, of how she wishes to see places that aren’t coastal Newport or rural Connecticut or bustling New York City.
When Nora sits in her usual seat in the middle row for her next class a week later, she finds an application for Columbia’s exchange program with University College London on her desk. She skims through the pages, finding that Suzy has filled in most of the basic information, leaving the personal questions for Nora to finish. And when she looks up at her professor just as she’s beginning the lecture, Suzy feels her gaze warm her wrinkled cheek and shoots her wink, going right back to discussing human nature as a fundamental theme in A Clockwork Orange.
Nora sends in her application right after class, and receives her acceptance letter the week before Christmas break. She feels as if she’s floating through thin air, and the only thing keeping her from floating into the stratosphere is the glossy folder from UCL with the words Congratulations! and welcome and 4 January 2013 printed on thick paper. Her mother might possibly be more thrilled than Nora, and when she’s back in Newport folding thick sweaters and knitted scarves and thrifted trench coats into her suitcases on New Year’s Eve, Nora can’t help but think that if moments could be bottled, she would pick this one to cherish forever.
Time seems to pass much faster for Harry. His first year meshes into his second year without hesitation, his afternoon’s at his internship with his father fall into nights spent with his mates almost thoughtlessly—and it’s only once he’s been doing the same thing for almost an entire year when he feels himself growing tired of it all. He’s sick of this routine. Sick of drinking himself into a place where he doesn’t have any feelings, doesn’t think of all of his past mistakes, doesn’t do anything else except simply exist for a few hours. And when he falls into his bed the next morning feeling his brain throb against his skill in agony, he comes to the conclusion that he’s completely and utterly exhausted from this meaningless lifestyle.
When his third and final year comes along, he decides to stop answering his mates when they call. He doesn’t show up to their penthouse parties anymore, he doesn’t frequent the same claustrophobic clubs he knows they’ll be at. Harry keeps to himself, and when he sees a flyer after his Business Ethics lecture about intramural football tryouts, he brings his old kit to the pitch the next afternoon. He’s a bit rusty, but Harry finds that most of the lads are, and that thought alone makes him start to feel something other than emptiness.
He makes the team and meets a boy named Niall. He’s from Ireland and drinks like a fish, but he’s kind and easygoing and doesn’t care that Harry’s surname is Styles—and it’s a refreshing change from the incessant partying and shallow people he wasted away with his first two years. Niall is warm and comfortable, and reminds Harry of slipping on that warm jumper he’s had for years in the back of his closet whenever the weather gets cold, and it’s nice having a real friend for once in his life.
As October changes into November, Harry feels a change within himself, too. It’s subtle, the smallest of shifts that allows his icy heart to thaw ever so slowly, and he finds that he welcomes it with open arms.
He meets Niall’s girlfriend just as the long stretch of autumn begins. Her name is Piper and she’s practically made for Niall, in the way that the top of her head reaches just under Niall’s chin so that he can rest it there whenever they’re talking to other people, in the way that his hand practically swallows her much smaller one whenever they’re walking from pub to pub, in the way that she instinctively makes him a cup of tea whenever she brews her own, knowing exactly how he takes it. It makes Harry a little bit jealous, because for the first time in years, he finds that he yearns to wrap a body part around another warm person just to inform them that he hasn’t forgotten their presence, yearns to swallow palms with his own, yearns to have another person think of him while doing the most mundane of tasks.
Yearns to have somebody want him in a way he hasn’t ever been wanted before.
Piper is in her third year at UCL, and she met Niall at a house party during their first year hosted by a mutual friend. They fell in love quickly and seamlessly, and after three weeks Niall told her that she was the one for him, and it all sort of made sense.
She welcomes Harry into their eclectic group, filled with a few lads from footie and a few girls from Piper’s dorm, and they’re the fastest friends Harry’s ever made. They spend their fall semester at a small pub in Camden on Wednesdays that plays live music and is filled with seemingly normal people like Harry’s new mates, and busy house parties hosted by UCL students on the weekends, with the occasional club sprinkled in between.
As autumn trickles into winter, Harry finds that he’s quite sad to watch Niall leave for Ireland for the holiday break. He’s not sure how time passed so quickly, and as December fades into January, Harry’s counting down the days until his loud brown-haired mate is back in London, showing up on his doorstep to drag him to the pub around the corner for a pint.
When Nora exits Heathrow during one of the coldest days of the year, she finds that not even the weather can dull her perpetual shine. She barely slept the entire flight, her excitement of being on a plane for the first time and receiving her first official passport stamp keeping her wide awake throughout the entire seven hour journey.
During the car ride from Heathrow to her residence hall in Central London, Nora’s face is glued to the window pane, her eyes taking in every sight that flashes by. Her mouth is close enough to the glass that her humid breaths are causing the window to fog over, but she can’t even think about how rude that probably is. All she can think about is the fact that she’s in another country, in a brand new city, experiencing all of this for the very first time.
When the black car finally pulls up to a brick building, Nora clutches her two suitcases in each hand, her leather backpack strapped tightly against the wool material of her trench coat, and makes her way to the sixth floor.
Nora’s room is small but homely, a single twin bed against one wall with a wooden wardrobe on the other. A white desk sits underneath the decently-sized window straight against the back wall, and when she looks around and takes everything in, she feels herself breathe properly for the first time since stepping on English soil.
Her floor is quiet, but before Nora can begin to explore, she decides to be smart and starts unpacking, knowing that the longer she puts it off, the less inclined she’ll be to put her clothes away properly. 
After about an hour, she decides to venture down the hallway into the common room where a small kitchen and lounge area reside. Nora notices a few coats thrown over the back of the couch haphazardly, and before she can build up the courage to turn down the other adjacent hallway and meet her new floormates, she decides to brew a cup of coffee to push past the jet lag attempting to invade her insides.
When she turns the kettle on and rummages through the cupboards to try and find some instant coffee, Nora discovers nothing but various tea flavors. Disgruntled, Nora plucks a package of Earl Grey and places it inside a mug she grabbed from the shelf, moving the plaid tea towel a little bit further down the countertop as she waits for the hot water to boil.
Nora leans her right hip on the counter while she waits, drumming her fingertips against the laminate material as she tries to remember if she even likes the taste of tea to begin with. She drank chamomile tea once after studying for finals so that she could sleep, and whenever she was sick with a cold, her mother would make her a cup with a dollop of honey to soothe her scratchy throat. She wonders if she’s allowed to put milk inside so the color isn’t a deep murky brown, or if sugar would help with the bitter taste.
Suddenly, Nora detects something that smells distinctly of burning. She springs upright, wondering what on earth she could have possibly done. Water can’t burn, right?
But before her fuzzy brain can start functioning properly, she looks down to her right and notices that the edges of the plaid tea towel have charred, and when she blinks, Nora realizes that the red light on the hot plate has been turned on.
“Shit!” Nora squeals, flicking the switch off that she must have accidentally turned on when she lazily rested her hip against the edge of the counter moments ago.
Just as she makes a reach for the burning tea towel, she hears a high-pitched accented voice behind her shriek, and suddenly, freckled arms are appearing in her periphery, snatching up the ruined tea towel as she yells, “Oi! No tea towels on the hot plate!”
With a flick of her wrist, the girl throws the tea towel into the sink, turning the cold water on while Nora’s cheeks burn bright. “I’m sorry! I didn’t even realize—Christ,” she splutters, tearing her eyes away from the wet fabric inside the steel basin and focusing them on the smaller girl in front of her.
“Ah, you’re the new American exchange student.” The girl says it in a way that makes Nora wonder if it’s a good or bad thing, as if her identifier explains why she nearly burned their residence hall down a mere three hours after being allowed in the country.
Before Nora can apologize or worse, make an even bigger fool of herself, the pretty girl in front of her chuckles in a way that makes Nora breathe in a deep sigh of relief. And before she can even realize what she’s doing, Nora starts to laugh along with her—loud enough until her cheeks feel bruised from smiling so brightly and her ribs hurt from the lack of air pumping through her lungs. The kettle starts to whistle, forcing them to break their eye contact.
Just as Nora reaches over to turn it off, the girl’s freckled arm beats her to the punch, knocking her hip against Nora’s with a bright smile, “Let’s keep you away from any more potential fire hazards, yeah?”
The lightness in her tone makes Nora believe that she’s being genuine, and when the girl begins to pour the hot water into the mug and shoots a kind smile over her shoulder, Nora takes a step back and feels a bit more at ease.
“I’m Nora, by the way,” Nora announces, watching the pretty girl with auburn hair dunk the tea bag exactly seven times into the water.
“I’m Piper. How do you take your tea?” she asks, looking over her shoulder again. Nora gets a bit distracted by the smattering of freckles covering the bridge of her nose and falling onto the apples of her cheeks. Her eyes are the brightest shade of green Nora’s ever seen, and when the girl tilts her head to the side in question, Nora shakes her head, realizing that she has no idea how to properly drink tea.
“Uh, I’m not sure,” she admits sheepishly. Piper gives her a soft smile, before reaching into the refrigerator and grabbing a small carton of milk.
“You’ll take it like me, then. Reckon I’ll convert you into a proper tea drinker by the time your exchange is over, Rah,” Piper calls out, pouring a dash of milk and plopping one sugar cube inside the cup, stirring it another seven times. Nora wonders if that changes the taste or if it’s just a little quirk her new floormate does.
Nora’s eyebrows furrow at the unfamiliar name that falls from Piper’s pink lips. “Rah?”
Piper hands over the mug with twinkling eyes. “Gotta give you a nickname if we’re meant to be proper mates, right?”
It’s a question that seems to not need an answer, because Piper is the type of girl that says things with an air of unbridled assurance. Piper could tell you that the glowing star in the sky wasn’t the sun, instead, it was a dripping egg yolk that warmed everything underneath, and you would believe it. So when she calls Nora by her nickname, she doesn’t even bat an eye, because if being called Rah means she has a new friend in this unfamiliar place, then Nora will accept it without hesitation.
“Let’s get you all settled in then, yeah? I’ll have my boyfriend bring us some dinner. I think you’ll like him,” Piper says, grabbing Nora’s hand and dragging her into her bedroom at the other end of the hall.
A few hours later, when a brown-haired boy with matching blue eyes and a thick Irish accent shows up with two bags of Thai takeaway in one hand and a twelve-pack of Fosters beer in the other, Nora finds that Piper was right—she likes him quite a bit. They seem to get on like a house on fire, and when he cracks open a beer for her and tells her that he thinks she has a funny accent, Nora laughs and throws his comment right back in his face. The three of them end up eating too much food and drinking too much beer, but Nora doesn’t mind the bellyache when she falls into bed later that night, thinking all of it was worth it, because she made two new friends on her first night.
The next evening, Piper swings open Nora’s door without knocking, and begins rummaging through her wardrobe and pulling out her nicest pair of blue jeans, a cute sweater she got on the clearance rack at some New York City boutique, and one of her thrifted trench coats. She tells Nora to get ready because they’re going out tonight, and before she can decline, she hears Niall yell over from the common room, “Get yer arse dressed, Rah! It’s pub night!”
Barely thirty minutes later, Nora finds herself sandwiched between Niall and Piper in the cold January air, heels stomping against the pavement as they zigzag their way through the crowded streets of Camden Town.
Niall’s phone begins to ring, and before Nora’s head can snap in his direction, the sleek black device is already pressed against his ear as he begins speaking loudly into the night air. “Curly! How’re ya, mate? What? Yes, of course we’re goin’ to the pub. It’s Wednesday! Late? What d’ya mean, late? Oh. Yeah, sure, take yer time, Pipes and I have our hands full breakin’ in Rah over here. What’s that? Rah? Pipes and I adopted her. Yer gonna love her. Right, see ya later!”
He looks over at Nora as he slides his phone into his back pocket. The question is at the tip of her tongue, but when she takes in the mischievous twinkle in his eyes and finds that Piper’s are matching, she just shakes her head softly before muttering, “Do I even want to know?”
Niall flings his arm around her shoulder and Piper’s much smaller one wraps around Nora’s waist. “Best not to know anything,” Piper whispers into her ear, giggling as they make their way around the corner to the brick-faced pub at the end of the street.
When they finally pull Nora inside, it takes her a few moments to get adjusted to the unfamiliar setting. She’s only been twenty-one for two months now, and even though she knows the legal drinking age here is eighteen, she’s still only been inside a handful of bars in her short existence.
Bars in New York City are nothing like the place Nora currently finds herself in. She’s used to proper lighting, sleek bar tops, upholstered seating, and fancy liquor bottles lining the mirrored walls. Instead, she finds herself surrounded by chipped wood, sticky paneled flooring, and string lights fastened to original crown molding. The bar itself has more beer taps than she’s ever seen another place have before, and instead of ornate tequila bottles on thick glass panes, Nora finds numerous bottles of dark liquor haphazardly placed on oak shelving. It’s all wooden stools and high-top tables and stained rims on old surfaces, and when she notices an elevated platform along the farthest wall with musical instruments placed a bit too close together to make up for the lack of room the space provides, Nora finds that she likes this place a little bit more than the ones back home.
Instead of asking Nora what she’d like to drink, Niall just bends down and speaks into her ear, “You trust me, right?” And when she nods and finds that she surprisingly does trust this friendly stranger after only twenty-four hours, he grins and smacks a kiss to the crown of her head, prancing over to the bar with a giddy smile on his face.
Piper just shakes her head with a chuckle, grabbing Nora by the hand and dragging her over to a high-top closer to the empty stage. “Come meet the gang, Rah,” she says, squeezing her palm a little tighter when she notices the nervous look washing over Nora’s features.
With her palm in Piper’s, Nora is happily introduced to a group of five people clutching pint glasses with two plates of chips in the middle of the table. She recognizes two of the girls from her residence hall, and smiles when they compliment her boots and coat. The rest are names Nora tries her hardest to file into her memory, and when she slips into a stool with Piper sliding into the one on her right, she finds herself feeling much more comfortable.
Niall appears with a black tray covered in spilled beer and shorter glasses filled with a deep brown liquid Nora can only assume to be whiskey inside. She gulps, attempting to alleviate her dry throat, mentally preparing herself because she did tell him moments ago that she trusted him. And when she slides the liquor down her throat and feels it burn her insides, she chases the warmth with cold beer and hears Niall’s loud cheer across from her.
“Way to go, Rah! Yer a natural!” Nora feels Piper squeeze her shoulder affectionately, and before Niall can slide another shot glass in her direction, Nora watches his eyes lift over the top of her head to something behind her. His blue eyes suddenly widen and his teeth rip through his skin, grinning widely as he calls out, “Curly! Just in time, mate!”
Nora hears a deep chuckle behind her, and for some strange reason, it sounds all too familiar. 
She’s instantly brought back to a time three years ago in the dead of winter, the rolling green Connecticut hills covered in thick white blankets of snow, in which a boy and a girl spent ten days together without any interruptions. She heard that chuckle enough times in those ten days to permanently have it imprinted in her memory, and suddenly, Nora feels her stomach clench uncomfortably, because how, after all of this time, can Nora still remember that sound?
But then she hears it. His voice—much deeper now, but still gravelly and throaty, forming words slowly with his accent tilting at the end of specific phrases. It’s much thicker now, no doubt from his time spent in his home country, and all at once, Nora feels her face pucker with discomfort. She wonders if anybody else can notice the inner-turmoil wreaking havoc underneath her skin, but then he speaks again, and it’s close enough to cause her to momentarily forget how to breathe.
“What do we have here, then?” Nora can’t bring herself to move. She feels as if her bum is glued to the wooden seat, the soles of her boots are transfixed to the legs of the stool, and her upper body has lost all proper motor function. Nora is almost certain that she’s panicking, but then she’s brought back into focus when Niall’s cheerful voice echoes off the walls of the crowded pub surrounding her.
“This is our Rah! Came all the way from America on exchange, so don’t go and scare her off,” Niall calls out, his grin faltering a little when he notices the alarmed look covering Nora’s face.
“Came all this way and the first person she meets is you? Well, let me formally apologize for that disappointment—” Nora gulps one last time and swivels around in the old stool, finally revealing herself, causing his words to fall flat.
When their eyes finally meet, Nora’s relieved she isn’t holding the pint glass in her hand, because if she were, she’s certain that it would fall to the floor below her, breaking with a resounding crack when she finally faces Harry Styles for the first time in three years.
It feels like everything is happening in slow motion. Sea green eyes widen in shock, and Nora watches as his neck pushes his face outward, as if his body was forcing him to take in every inch of her face to re-familiarize himself with it. He’s a bit taller now, still wearing an expensive dark-colored trench coat, still choosing an inappropriately thin t-shirt underneath. He seems to have grown up in every sense of the word—with the way his chest is a bit fuller and his arms are a bit thicker and his stomach is a bit tighter. His jawline seems to be more pronounced, the bone practically slicing through his skin with the way the lines effortlessly sculpt his face that is still annoyingly perfect. She notices that his hair is pushed back into a low bun, the curls escaping the thin hair tie just kissing the nape of his neck. She can’t help but wonder what the tendrils would look like if she pulled the knotted elastic from his hair, allowing them to fall freely down his back.
“Nora Priestley?” Harry barely calls out. He feels as if he’s hallucinating.
Because the last time he saw Nora Priestley in the flesh, she was all blonde hair and skinny limbs and knobby knees. There’s no denying that this is still her, considering her blue eyes are practically tattooed underneath his eyelids whenever he tries to fall asleep at night, and nobody else can steal that shade. She’s practically a fully-blossomed woman sitting in front of him—all slender legs and tiny waist, long torso that has rigidified over time, undulating hips that truly show a level of maturity that didn’t exist three years ago back in Connecticut. Her face is still angular, her nose is still buttoned, her lips are still pouty, her cheekbones are still high on her face and tinted pink. But when he looks at her hair, he notices that the blonde is gone. In its place is a deep shade of brown, nearly black, flowing over her shoulders and down her back languidly. Her fringe is still there, all messy strands framing a face that she’s finally grown into, and Harry finds a calming sense of familiarity in that.
She’s beautiful—she’s always been this effortlessly cool type of beautiful, and Harry can’t actually believe that she’s sitting in front of him. Can’t actually believe that her lips are moving on her face, forming his two-syllable name. Can’t actually believe that he’s been staring at her hearing white noise flood through his ear canals, blocking whatever else is falling from her mouth.
“Your hair. It’s different,” are the words Harry chooses to say once he realizes her mouth is closed, mentally berating himself for being so wrapped up in this New Nora that he seemingly forgot how to hold a normal conversation.
She seems to be on the same page, with the way she slowly tears her eyes from his own, staring blankly at the wall over his shoulder when an odd sense of déjà vu clouds her vision, before nodding absently.
“Yeah,” she finally voices, bringing her forlorn gaze back to his. “I could say the same for you.”
He smiles a bit, wondering how to maneuver through these unfamiliar waters with her. But before he can even properly locate his mooring, Niall interrupts, causing Nora to swivel back in his direction so that her back is once again facing Harry.
“I’m confused—have you two met?” Niall asks, observing the two with wide eyes, a crinkle in his forehead as he tries to dissect the interaction unfolding across the table.
“Uh, yeah. We went to boarding school together,” Nora explains, filling in the gaps. She sees the pint glass in her periphery and grabs it tightly, bringing it to her lips and gulping three heavy swallows of the bitter liquid to slow down her erratic heartbeat.
“Wait—here? I thought you said you’ve never been on a plane before, Nora!” Piper calls out from Nora’s right side, her auburn hair flicking back and forth when she notices the tension radiating off of their bodies.
“No, in America,” Harry answers for Nora when he realizes her mouth is preoccupied with downing her entire pint in one go. Her cheeks are flushed and her eyes are darting in every direction that isn’t the blue of Niall’s eyes or the bright green of Piper’s, and Harry can conclude that Nora is uncomfortable.
“Well, that’s a plot twist I didn’t see comin’,” Niall says through a chuckle, moving his eyes away from Nora’s as he takes a long swig of his drink, shaking his head at the uncanniness of it all.
The whole group seems to be a bit shocked by this revelation, and before Nora can suffocate under the unnatural silence surrounding the table, Piper asks the rest of the group a question about the new band performing tonight, and just like that, all is forgotten.
Nora can feel the body behind her disappear, and when she sees black wool material flutter past her eyesight, she breathes in a sigh of relief when she notices the only chair available is the one diagonal from her, almost conveniently out of her line of vision.
She looks up when she sees a fresh pint glass being pushed in her direction, and when her eyes lock with Niall’s and she realizes that he’s given her the second beer he originally saved for himself, she smiles appreciatively before bringing the cool glass to her lips, swallowing deeply with her eyes shut tight.
If Nora’s meant to endure this entire evening, she’s going to need all of the liquid courage she can muster. Because the universe must be playing some sort of sick-twisted game with her, giving her the opportunity to travel to a new city while simultaneously thrusting the boy who almost broke her heart right in the epicenter of it all. She wonders if this is her karma for ending things with Marcus, for not agreeing to move in with him and take the next steps in their relationship.
Nora sighs, wanting so badly to laugh at her situation, but knows deep down that she can’t. Because London is supposed to be a big city—filled with nine million people and her chances of potentially running into Harry were meant to be astronomically low. The numbers should have been on her side—considering Oxford University is sixty miles away from UCL, and Oxfordshire is an hour and a half away from Central London, and out of the three hundred pubs in all of Camden, the probability of running into him at this very one in this exact moment in time is far too outstanding to even be considered a possibility.
But it is, and it’s happening all around her, and suddenly—Nora needs to leave.
She can’t be sat so close to him after all this time and act like everything’s okay. Because it’s not okay and she’s not okay and this whole fucking scenario will never be okay, and in order to be okay, Nora needs to locate the closest escape route and disappear.
Her head is swivelling and she’s not listening to any of the conversations happening around her, and as if the gods were pitying her, sensing her panic attack all the way from the heavens above, they send her a sign in the form of Niall grabbing Harry and bringing him over to the bar with the guys for another round.  
Once they’ve left, Nora abandons her half-emptied glass and grabs her coat, flinging it on her body without even buttoning it properly. Piper looks over, realizing that Nora’s face is flushed and her eyes are a bit widened, and before she can get too far, she asks, “Rah, you alright?”
Shit, Nora thinks, I forgot about Piper.
“Uh, yeah. Just need a smoke,” Nora lies, teeth forming a barely-there smile to try and prove to her new friend that she’ll be okay and doesn’t need to be followed.
Piper warily falls for it, and when Nora watches her freckled face turn back towards the girls at the table, Nora sighs in relief and hurries over to the front door, flying out into the cold January air as she tries to navigate her shaking feet back towards the Underground.
She doesn’t make it very far, barely rounds the corner of the street before she hears her name being roughly called from raspberry lips she’s too terrified to face. But his legs are longer than hers and his strides are more purposeful, because just as Nora’s identified the Underground entranceway, Harry’s large palm wraps around her tensed bicep and suddenly, she’s spinning on the heels of her boots, officially caught trying to run away in the middle of a busy sidewalk surrounded by throngs of people.
Nora immediately flinches, shaking his hand off her body before she becomes familiar with the warmth that encapsulates the fabric adorning her skin. Harry gets the hint and dejectedly brings his hand back down to his side, shuffling in his brown suede shoes as he tries to form the correct words to say to her.
“You don’t have to leave,” he starts, trying his hardest to identify the wary look in her eyes. Because he’s never seen her look like this—so completely and utterly defeated, and Harry almost wishes she would lash out instead of continue to look at him the way she is doing right now.
“I do,” Nora says, moving her eyes down to the cracked pavement. She can’t bring herself to look at his face anymore.
“Piper said you were having a smoke. I didn’t think you did that.” Harry’s words cause her head to lift abruptly, and she’s not sure if it’s because his voice sounds so broken and dejected, or if it’s because he’s insinuating that he still knows things about her.
“You don’t know me anymore, Harry,” Nora spits out, leveling her blues with his greens in a standoff that she doesn’t feel ready for.
Harry frowns, rubbing his palm against the back of his neck, choosing to back down. “I know.”
It’s sad. The whole situation is terribly sad, because suddenly, Pandora’s box has been ripped open—the lid practically flung across the pavement as feelings that have been buried underneath the surface for so long are unforgivingly being unearthed right in front of their eyes.
Nora turns away, knowing there’s really nothing left to be said between the two of them. Not until she’s properly processed it all. Not until she’s dealt with her emotions the right way instead of screaming in his face and never looking back.
“Nora,” Harry tries, his voice pleading with hers. He waits until she turns around before saying, “My birthday is in a few weeks. The first. Niall’s throwing me a party and all that, and uh—” he takes a massive gulp, his entire body riddled with nerves, “I’d really like for you to come.”
“I’ll think about it,” Nora says after a moment’s pause, offering him a shaky smile in hopes that it’ll be enough for him to allow her to enter the Underground without another interruption.
“And Nora?” her eyes find his one last time before he says, “It��s really great to see you.”
The next Wednesday pub night, Nora decides to stay home. It’s not that she doesn’t want to hang out with everyone, because she does—she just knows that Harry will definitely be in attendance, and she still isn’t really sure how to feel about everything. The last thing Nora wants to do is make things awkward with this new group of friends she just met, so staying in was the easiest option.
On the Wednesday after that, Harry decides to skip out. He doesn’t want Nora to feel like she has to avoid her new friends because their relationship (or lack thereof) is stuck in limbo. Traveling to a new country, especially for the first time, is never fun to do alone—and Harry would hate himself if he made her feel that isolating herself is the best option. So he stays home, and tries not to text Niall and ask him if Nora decided to show up (even though he stalks his mates’ social media and finds that she did, in fact, go).
Niall and Piper try not to ask the invasive questions that are dancing on the tip of their tongues, because it’s so blatantly obvious that Nora and Harry were never “just” mates from school. Nora never explicitly tells her new friends about what happened, but Piper can figure it out, because she’s a girl, and girl’s know what Nora’s eyes mean when they twinkle and break at the mention of Harry’s name. Harry, on the other hand, drunkenly spilled anecdotes to Niall in the past about a girl who deserved so much better than what he could offer her, and with one look at the bruised skin underneath Harry’s vacant eyes in the days that follow their reunion, Niall understands then that the girl in question is none other than his special Rah.
The first of February comes along with a dip in temperature, and before Nora can mull over Harry’s birthday party invitation any longer, she decides to throw caution to the wind and go. She shops for a pretty dress with Piper, and when she finds a discounted Topshop number that pairs excellently with the only pair of heels she stuffed into her suitcase, she purchases it without a second thought.
The girls get ready together and Nora lets Piper curl her hair, and when the rest of their friends make cocktails in their tiny shared kitchenette, Nora feels her worries wash away with each sip of fruity liquor that slides down her throat.
When they arrive at the club Niall organizes all their mates to meet at, Nora barely has time to try and locate the birthday boy. Because suddenly, she’s meeting a handful of new people and being dragged to the dancefloor against her will, and after her second (or third?) Sex on the Beach, she’s in that perfect state of drunkenness in which she feels light and airy and nothing but happiness radiates off her sticky skin.
Harry, oppositely, is in that state of drunkenness in which his words are slurring together and his eyes are glossy. He feels airy, practically lightheaded at this point, and his teeth stretch the skin around his mouth wide as he laughs along to whatever his friends are saying.
He’s barely had time to make the rounds, because people kept approaching him left and right with birthday praises and a shot glass filled with pungent liquor for him to shoot back. Niall finally rejoins him at the U-shaped leather booth in their corner of the club, and when Harry asks him something that sounds like Piper, Niall points in the direction of his girlfriend twirling around the dancefloor with a group of her friends.
When he refocuses his blurry vision on the group, Harry instantly notices brown hair floating through the air. The curls seem to have fallen a bit as the night dragged on, and when the girl turns around to mouth the lyrics of the upbeat song to Piper, Harry grins when he recognizes the pouty lips that are painted a refreshing shade of sherbert. Her cheeks are tinged and Harry wonders if it’s from exertion or alcohol, and when she spins back around to shake her hips to the beat of the overplayed pop song, he can’t tear his eyes away. It’s only once her hands scoop the hair at the back of her neck, pushing it upwards to let the prickling skin underneath breathe for a bit, when Harry notices the new etchings of ink on her body.
Three equally-sized birds are tattooed on the back of her right shoulder, swirling on her ivory skin whenever her arms move above her head as she dances. Harry can’t seem to look away—suddenly wondering if there’s anything else about her that has changed in three years. He finds that he wants to know everything about her within the time period when they weren’t in each other’s lives, and it’s that startling realization that causes him to ignore the advances of the yellow-haired girl sitting across the table from him.
“Y’alright, Curly?” Niall asks after Harry waves the girl away, and he nods distractedly, bringing his whiskey and ginger to his mouth to gulp back heavily. Niall shakes his head and tells him that he’s going to go dance with Piper, and Harry just watches idly as his friend saunters away.
For some reason, Harry doesn’t get up. Instead, he pulls more sips from the liquor at his table, watching in curiosity as Nora mingles with his mates and dances with Niall and Piper. He thinks it’s fascinating, thinks that in a parallel universe he and Nora would be doing this every night, and instead of random girls vying for his attention, Nora would undoubtedly have all of it.
With that thought running through his head, he sloppily gets up from his seat, drunkenly hobbling over to his group of friends on the dancefloor near the bar. When he approaches them, he flings an unsteady arm around Niall’s neck for extra support, grinning widely when everyone calls him the birthday boy and pinches his cheeks in drunken adoration.
“Mm, think ‘ve had enough, mate,” Harry slurs in Niall’s direction, resting a good portion of his weight on his shorter friend who has to tighten his grip around Harry’s waist.
“I’ll call a car, have ‘em bring you home. Need me t’come with?” Niall asks, and when Harry looks at each of his mates in their small circle, he shakes his head cheekily and smiles in Nora’s direction.
“No, I want Nora to.” It’s innocent in the way that he just wants to spend time with her, because he hasn’t even had the chance to speak to her tonight, and all he can think about is how much time has passed between them and that he misses her in a way he didn’t think was possible.
Nora watches Harry whine in Niall’s ear, and even though the music is too loud for her to make out everything he’s saying, she somehow manages to hear the words want and Nora and please. Niall looks over in her direction, and when he asks her if she’ll take him home, she considers accepting for some odd reason. Because he’s drunk and needy, and she’s never seen a needy Harry Styles before, and as if the time frame has blurred right in front of her, Nora finds herself in the backseat of a fancy town car driving off into a quieter part of the city.
They sit on opposite ends of the car with the middle seat unused between them, and after a few minutes of silence, Harry decides to break it by saying, “‘M really happy you came tonight.”
Nora’s not nearly as drunk as he is, and she finds it quite adorable the way his deep voice cracks over the slurred syllables, and his lips are bright red from his teeth gnawing into them, and his cheeks are almost a deeper shade from the alcohol surging through his veins.
“It’s your birthday. It would have been mean of me not to,” Nora says softly, watching as Harry tears his eyes away from the blurred streets and onto her face.
He grins. “I don’t think y’know how t’be mean, Nora. Not sure there’s a mean bone in your body.”
Nora just smiles back gently, unsure of how exactly to respond. Thankfully, the car pulls to a stop on a quiet street just in front of a white stucco townhouse. There’s a small iron-clad gate on the sidewalk that comes about waist-high, and when Harry unlocks it and begins his wobbly trek to the navy blue front door, Nora can’t help but look around his neighborhood in slight awe.
The jostling of keys breaks her out of her reverie, and when she finds Harry struggling to place the correct key into the lock, she calmly pushes him out of the way and flicks her wrist to unlock the door, pushing it open and allowing him to step in first.
She barely gets a chance to take in the interior of his home before he’s grabbing the keys from her hand and dropping them loudly in the bowl on the hallway table, unsteadily stepping out of his shoes and leaving them haphazardly on the floor, reaching for her hand and dragging her up the stairs to the loft bedroom above.
Before Nora can even comprehend what Harry’s doing, he’s suddenly flinging his clothes across different surfaces of his room—starting with his trench coat over his desk chair, his belt on the shoe rack in his closet, his wallet on the bureau nearest to the door. It’s only once he starts fumbling out of his jeans when Nora turns around with a squeak, feeling a bit awkward watching him drunkenly scramble out of his clothes.
“What’re you doin’?” He slurs, the sound of his feet struggling to get out of the tight material ceasing abruptly.
“Giving you privacy,” Nora explains, finding herself counting the knobs on his dresser instead of hyperfocusing on the fact that Harry is undressing behind her.
She can hear him chuckle a bit, and then the sound of a body flopping onto a mattress takes over. Harry grunts in frustration, and it’s only once he’s called Nora’s name when she peeks over her shoulder timidly, finding Harry lying flat on his bed with his shirt still on, his feet firmly planted on the hardwood floor as his jeans seem to be stuck around his knees.
“Can you help me?” He doesn’t seem to be making a pass at her, because his voice is whiny and his neck is strained, and he really seems to be struggling taking off his tight skinny jeans.
Nora laughs a bit before walking over, grabbing his jeans by his knees and forcing him to straighten his legs as she pulls. Harry watches, leaning up on his elbows as he wiggles the material off of his skin, gleaming proudly when they’re off and discarded into his hamper.
With her back to him, Harry reaches for a pair of joggers and shuffles them on, swapping his wrinkled dress shirt for an old band tee that he wore the night before. When she hears him trying to untuck his duvet from underneath the throw pillows on his bed, Nora turns around and places her palm on his back in the place just between his shoulder blades, causing him to freeze.
“Go brush your teeth. I’ll do this before you fall on your face,” Nora says through a giggle, and Harry does as he’s told, watching her through the reflection of his mirror with wide eyes as she delicately places the throw pillows on the bench under his window and pulls back the duvet and sheets pristinely.
After he spits out the mint toothpaste and waddles back into his room, Nora pats the spot on his bed that she’s left untucked for him, smiling softly as she says, “C’mon birthday boy.”
Harry grins sleepily, pushing himself on the mattress and burrowing into his pillows, chuckling when Nora pulls up the sheet and duvet until it’s tucked underneath his chin. She checks his nightstand to make sure that his phone is plugged in, and after confirming that everything seems to be put into place, she tries to wish Harry goodnight before he interrupts and asks, “Will you stay?”
Nora attempts to shake her head, telling him that it isn’t a good idea, causing Harry to try an alternative approach. The whiny, annoying kind, that usually works magnificently on the likes of Niall and Piper.
“Please, Nora! ‘S my birthday. ‘S all I want, and you didn’t get me a gift!”
Nora pauses, reading Harry’s face and finding the ghost of a smile hidden underneath his lips. She admires his tactic and decides to play along, stubbornly adding, “I didn’t know what you’d like! Not quite sure I can compete with all of the nice things your friends already got you.”
Harry scoffs indignantly. “I would’ve loved it anyway. ‘Cos it’s from you.”
“Harry—”
“—Please stay,” Harry interrupts, causing Nora to frown as she’s torn. “We can watch a film! Like we used to! I know y’love films, Nora. I even ‘ave a bunch in a drawer over ‘ere, look—”
“Whoa, whoa, whoa,” Nora rushes out, placing her hands gently over the duvet covering Harry’s chest, forcing him to lie back down on his bed. “No need to get up. It just took me ages to get you tucked in!”
“You’re right, ‘m sorry. ‘S over there.” Harry aimlessly points in the direction of his television stand at the far end of the wall. Nora nods, turning on her heel and beginning to walk in that direction, bending at her knees as she opens the drawer in question.
As she scans over the movie titles, she’s surprisingly impressed at his collection. They span across multiple genres, although Nora does note that he owns a decent amount of romantic comedies for a twenty-two year old boy. She almost chooses Ferris Bueller’s Day Off to reminisce, but those memories are jaded now, and she hasn’t seen the film since she sat thigh to thigh with Harry in his twin bed all those years ago, so instead, she plucks 10 Things I Hate About You and places it into the DVD player.
When the title screen loads, she checks on Harry over her shoulder and finds that he’s grinning from his position tucked snugly in his bed.
“Did y’know this was based on Taming of the Shrew?” he asks suddenly.
Nora pauses her act of getting up from the floor, shocked at the fact that Harry is willingly giving her film trivia that she used to provide. And when she stands up after a beat, looking down at him from the end of his bed, she smirks and asks teasingly, “Have you been studying film trivia?”
Harry just shrugs, a shy smile covering his face as his cheeks bloom pink.
She turns around then and hits play, and once the opening credits begin to roll on the screen, she rounds his king-sized bed and lays beside him on the other end, making sure to lay on top of the covers in her dress to keep a safe distance between them. Harry tries his hardest not to pout at the absence.
“Does this mean you’re staying?” Harry whispers just as the opening scene flashes onto the screen.
With her eyes trained on the screen, Nora just nods quietly, trying her hardest not to look over in his direction. And around halfway through the film, just after Patrick belts “Can’t Take My Eyes Off Of You” to Kat on the staircase, Harry looks over to find Nora sound asleep on the other side of the mattress. Without waking her up, he grabs the blanket at the end of his bed and throws it over her body, watching as she welcomes the warmth as she snuggles into it.
It’s far too early when Harry wakes up. The sun has barely started to stretch its sunbeams outside of his window, and when he blinks through the dimness of his room, he finds that the first thing he sees is Nora Priestley. They’re both lying on their sides facing each other, a little bit closer than when they first dozed off. Harry can feel their bent knees brushing against the other’s underneath their respective blanket layers, and when Harry focuses on the hand that isn’t buried under his pillow, he realizes that his fingertips are ever so lightly grazing Nora’s much smaller ones. He smiles to himself, and just before falling back asleep, he hooks his pinky finger around Nora’s.
When he wakes up a few hours later, Nora is gone. He looks around his room to see if she’s in the ensuite or banging about downstairs, and finds himself frowning when all he’s met with is silence. Just as his eyes sweep over his nightstand, he finds a note near a glass of water with two paracetamol tablets on top. He scoops up the medication in one hand, and brings the note up to his eyes with the other.
Happy birthday, Harry. Here’s the best I could do on short notice. -Nora
He glances over to his alarm clock and realizes that it’s not even noon yet, and without really thinking, he reaches for his mobile and rings Niall to ask him for directions to Niall and Piper’s residence hall.
“Curly? What’re you doin’ up before noon?” Niall’s loud voice asks through the receiver.
Before Harry can bring himself to respond, he hears a giggle that sounds almost identical to Nora’s in the background, and suddenly he’s asking, “What’re you up to?”
“Hangover brunch, mate. Sunday tradition,” Niall responds easily, the sound of the late morning air ruffling through the speaker.
“Since when?” Harry asks, straining his ear to see if he can try to hear Nora again.
Niall laughs loudly, breaking his focus. “Since always! Yer dead to the world until the afternoon, so Rah always third-wheels with Piper and I—oof! I’m just messin’ around, Rah! You know we love yer company!”
Suddenly, Harry’s springing out of bed, running into the bathroom to brush his teeth and splash cold water onto his face to wake him up. He asks Niall the name of the restaurant, and just as the words leave his mouth, Harry hangs up and throws on the first clean pair of jeans and jumper he can find, shoving a beanie over his mangled hair and flying out the door.
He arrives just as tea gets brought to the table, and when he finds that the only open chair at their table of four is the one across from Nora, he grins and slides right in, watching the way her cheeks blush as her eyes burn holes through the plastic menu.
“Any particular reason why yer up and at ‘em this mornin’, Curly?” Niall asks, a knowing look on his face as his eyes dart between Harry’s and Nora’s accusingly.
“Just felt like waking up, I suppose,” Harry says in Niall’s direction, ordering a cup of tea from the waitress as she passes by. When he realizes that Piper and Niall are indulged in their own conversation, Harry leans forward over the table and asks Nora lowly, “So, what’s good here?”
Nora’s eyebrows dart up in surprise, asking, “You’ve never been here before?”
Harry shakes his head, smiling when he coaxes a pretty giggle out of Nora’s mouth. He finds that she looks cute in the morning, all sleepy eyed and puffed out cheeks. He almost wishes he caught her before she snuck out of his flat. He would have loved to see what she looked like buried in his pillows.
“I usually get a full English and give Niall my tomatoes,” Nora explains, sipping her tea generously.
“Why’s that?” Harry asks.
Nora scrunches her nose. “Not a fan of them.”
Before Harry can say anything else to her, the waitress pops over to take their order, and when their plates arrive and the first thing Nora notices Harry does is eat a bite of his grilled tomato, she pierces her fork through the two on her plate and drops them on his own instead of giving them to Niall.
If anybody at the table notices, they choose not to say anything.
After that Sunday morning, Harry finds that he can’t stay away from Nora. He remembers lurking through her Facebook page a year ago and finding that she has a thing for coffee shops, and after asking Piper for her class schedule, he waits for her outside her lecture hall one dreary Tuesday afternoon and brings her to his favorite café a few miles away from her residence hall.
It’s called the Muddy Cup and Nora’s surprised that it’s a place Harry frequents, considering it’s the complete opposite of his personality. It’s all bright colors and mismatched furniture, uniquely shaped mugs with bluesy, light jazz music playing in the background. It smells of coffee grinds and a hint of vanilla, and after their third trip there, Nora finds that this version of Harry is just like the one she remembers enjoying during their ten days together back in Townbridge—except, it’s heightened here in London. He tells her things without hesitating, he seems to have recognized how wrong his actions were, he seems to have a plan for his life. It’s a lot all at once, but Nora takes it all in stride, constantly reminding herself not to hold grudges and to try to remember that people are continuously changing and evolving, and that if Harry is trying his hardest to let her see this side of her, then she should at least give him the opportunity to allow him to do so.
But she’s not naive. She knows that she can’t just hand him her heart without precautions all because he’s trying to show her how much he’s changed. Because underneath all of her strong walls, all of the barriers she’s constructed to ensure that she doesn’t feel pain again, she knows that if anybody has the power to weave through all of her booby traps and decoys and rattle the infrastructure, it’s him.
Harry knows this, too. Knows that even though this New Nora in front of him changed her hair and grew up a little bit, she is still guarded, and he really can’t blame her for being overly cautious of him. He’s trying though—really trying, because if there’s anybody in this world that can bring out the best version of himself, it’s her.
After a few more coffee dates and a walk around his campus, Harry finally comes up with a plan. He’s not sure why he hadn’t thought of it sooner, because he’s almost positive it’s going to be the best first date Nora Priestley has ever been on. And he wants that for her—so badly, because she deserves it.
Harry schemes with Niall and Piper to make sure that Nora is free on a rare sunny late February afternoon. He shows up outside of her residence hall in his black Range Rover, watching the way she smiles bashfully at him when she notices him leaning against the passenger door of his car, posture nothing but attractive confidence with the way his jean-clad left leg is bent resting on the steel door, the way his emerald green jumper stretches across his chest due to his arms being crossed over the thin material, the way his long hair is free flowing down his shoulders as the wind ruffles the tendrils in the cool air. He weaves his sunglasses atop his head when he sees her exit her building, giving her a one-armed hug as he simultaneously opens the car door with his other hand, allowing Nora to fall into the warm leather interior.
“Where are we going?” Nora asks after they’ve merged onto the motorway. Harry looks over at her then, one hand resting on the steering wheel while the other pushes and pulls at the skin covering his lower lip nervously. He offers her a shy smile, before muttering, “A surprise,” causing Nora to blush immediately.
Once the colorful pastel townhouses flood into view, Nora isn’t sure how she didn’t realize it sooner. The streets are winding and her nose is practically glued to the window as she takes in the flashes of raspberry, lilac, peach, coral, and mint lining Notting Hill. She can’t wipe the aching grin covering her face, and when she whips her head around to look over at Harry and finds that he’s already looking at her, it’s almost instinctual when she slips her hand into his and squeezes it in gratitude.
When Harry has to park the car, he almost whines at the fact that the moment he removes his key from the ignition, Nora’s hand will leave his own.
They spend the afternoon weaving through the crowded streets. Harry leads her through Portobello Road Market and watches as Nora’s eyes flick through racks of clothing and tables filled with various antiques and collectables. She notices Harry eyeing a gold ring from a jewelry stand towards the end of the market, and when he offers to buy them a cup of coffee from a small café across the street, Nora sneakily purchases it for him as a way of saying thank you (and maybe for another reason entirely, too.)
As Nora sips through her warm styrofoam cup of hazelnut coffee, she notices a string of bookshops across the street. She laughs to herself, her memory immediately reverting to three years ago in her tiny twin bed at Townbridge when she and Harry were cuddled up underneath her mom’s handmade blanket watching Julia Roberts and Hugh Grant meet for the very first time. She wonders if Harry is thinking about the same thing, too, but she doesn’t dare ask him. Instead, she links her hand with his and drags him to the first shop she sees, pushing the door open with her hip and letting the smell of old books and worn leather fill her senses.
Harry isn’t sure if Nora is doing it intentionally, but as they scan through the spines of books resting on dusty shelves, her hand never leaves his own. It warms his insides up in a way he’s never experienced, and he feels as if he’s floating through air, and the only thing that’s keeping him grounded is her small hand squeezing his ever so lightly.
Once they’ve rounded the end of the store, Nora looks over and asks him, “Do you have any suggestions?”
Harry’s heart thumps a resounding string of three beats, and he can’t help but wonder if she felt the same whenever he asked her to pick out her favorite films for him three years ago back in her tiny dorm room. From the smile coating the lower half of her face, Harry can assume that she most likely does, and without slipping his hand from her own, he drags her to the classics section and peruses through the titles.
Nora watches as he somehow maneuvers three paperbacks into one hand while keeping her own nestled tightly in his, and when he brings her to the front of the store and easily grabs his wallet from his back pocket, she tries to wriggle her hand from his grasp to stop him from paying for her. Harry doesn’t allow this though, and instead, shushes her by squeezing her hand tighter, looking down at her with his chin resting on his shoulder as he shakes his head with a coy smile covering his face. Nora isn’t sure how to respond—mainly because she’s mesmerized by the turquoise twinkle in his eyes, or the way his large hand wrapped around her own makes her feel overwhelmingly safe, or the way she can’t seem to look anywhere else but at the profile of his structured face. The realization strikes her straight into her heart, an electrical current causing the beating flesh to vibrate almost erratically, making her skin prickle with warmth and her stomach twist and turn with giddiness, and she finds that she never wanted her hand to leave his in the first place.
Before they even realize it, the afternoon is over. Harry intentionally slows his gait so that he can do everything in his power to extend the time he has with Nora’s hand nestled in his own and the left side of her body sidled up to his. But unfortunately, not even Harry has the ability to slow down time, and sadly, they’ve approached the car in despondent silence.
He turns her around just as they’ve reached the passenger side door, Nora’s back resting on the cool steel as she lifts her head up. Harry’s eyes are focused on their tangled hands, toying with her fingertips as he tries to figure out what she’s thinking.
“I got you something,” Nora says after a beat, waiting until Harry’s eyes are on hers before she slips the hand that isn’t knotted with his inside her jacket pocket. He watches as she removes the gold ring from the paper envelope and drops it into his palm gently.
“Nora—” Harry starts, pausing as he stares at the thick gold band with dancing bears engraved in the middle. The sun makes the metal twinkle in the light, and when he shifts his eyes into Nora’s blue pools, he isn’t sure which is brighter.
“Put it on me?” he asks. Harry knows that he’s fully capable of putting it on himself, but that would require removing his other hand from her own. Also, he selfishly wants to feel Nora’s smaller digits tickling his skin, and when she obliges with a gentle smile and grabs the ring from his opened palm, Harry tries to conceal the shudder shaking his body when she obeys his request.
“You didn’t have to get me anything,” Harry whispers into the small space between them when Nora’s fingers push the gold ring past his knuckle.
She just shrugs, looking up at him timidly. “I wanted to.”
While Harry’s eyes are focused on the newest addition to his growing jewelry collection, Nora decides to be brave and reaches up onto her tiptoes with the intention of planting a kiss on his cheek as a way of saying thank you without having to properly vocalize it. But, Harry notices everything she does, and when he watches her body shift towards him in his periphery, he lifts his head up at the last moment in question, causing Nora’s plump lips to land on the corner of his mouth.
The contact only lasts a measly two seconds, but it’s enough to cause them both to freeze. Nora’s eyes widen, and before she can let her body fall into his own, she springs back and places a generous two foot gap between them.
Harry’s not even sure what to think. He’s almost positive that he’s frozen to the pavement, his thick boots stuck in sludgy cement as he tries to bring them to move forward so that Nora doesn't feel so far away. But he can’t move—the neurons in his brain aren’t connecting to the muscles in his legs, and he has no fucking idea why.
Nora stares at him, trying her hardest to force her mouth to form the words “sorry.” But when she really stops to think about it, she finds that she isn’t sorry at all. The smallest feeling of his mouth on hers was enough to cause her body to zap with excitement, and when she looks up at him underneath the curtain of her eyelashes and find that his pupils are dilated to the fullest degree, she decides to forego her apology and leans in, pressing her lips to his with reckless abandon.
Instinctively, Harry’s arms wrap around her waist to support her body as their lips re-familiarize themselves with one another. The sigh he breathes into her mouth is nothing but relief—because ever since he left her dorm room three years ago back at Townbridge, all Harry’s been thinking about is feeling her lips on his again. And now that it’s finally happening, he feels as if he can’t breathe.
Nora’s hands clutch the lapels of his woolen jacket over his chest to bring him closer to her, because even though his body is flushed with hers, it still isn’t enough. Harry brings his right hand up to cup her jaw ever so delicately, his thumb pulling her chin down so that her jaw falls slack, allowing him to slip his tongue inside to meet her own. The moan that springs from the back of her throat almost causes Harry’s mouth to still, but when her fingertips wrap around the ends of his hair dusting his shoulder, tangling until she pulls at the roots on top of his head, he can’t help but reciprocate the sound.
When Harry’s neck starts to ache from leaning down to meet her lips, he trickles his palms from her temples to the back of her head, threading his fingers through her thick dark hair until they clasp together just above her neck, allowing him to tilt her head backward and kiss her properly. Nora hums inside his mouth, wrapping her arms around the middle of his back so that she can pull him closer to her in order to feel his heartbeat against her chest through all of their warm layers, his heart thrumming against her skin as if the fleshy organ was screaming at her own “I missed you! I missed you! I missed you!”
Eventually, they break apart, sucking in deep inhales of cool February air to try and quell the lightheadedness caused from their second first kiss. Harry rests his forehead on her own, his eyes shut tight as he tries to permanently ink that memory into the pink pillows of his brain. His warm hands are cupping her jaw in order to keep her as close to him as possible, and Nora can’t help but squeeze the fleshy parts of his arms, keeping their fronts pressed together so that the warmth that emanates from his skin continues to stay wrapped around her.
“Go to dinner with me,” Harry whispers against her skin once his eyes blink open, the fuzziness dissipating when he notices the pinkness of her swollen lips and the tinge of red coating the apples of her cheeks. He missed this. He missed her.
“When?” Nora asks, her voice hoarse from the lack of oxygen ripped from her airway.
“Right now, tonight, tomorrow. Don’t want to let you go just yet.” Nora leans in, her nose resting on his warm cheek as she giggles against the smooth skin. Harry brings his hand to rub soothing circles against her back, wondering if they could stay in this position forever.
Harry can feel her smile against his cheek, and when she moves her head to press two subsequent kisses against his ripe lips, he knows that he’s fucked. Because it’s Nora fucking Priestley—it’s probably always been Nora Priestley—and she’s here wrapped up in him nodding against his skin at his outrageous request, and Harry’s never felt this complete in his entire life. It’s like flying and falling, searing warmth and bitter coldness, being too close but still not close enough—a paradoxical rush of adoration shooting to his heart with a loud cacophonous pang that sends his brain into overdrive.
They have dinner together that night, and the night after that, and if not for Harry’s evening lecture, they probably would have gone for a third consecutive date. He takes her to tiny hole-in-the-wall restaurants that serve the best food Nora’s ever tasted, and although a small part of her was expecting him to go all out and take her to outlandish posh eateries, Nora finds that Harry knows her much better than she originally thought, and he’s constantly full of surprises.
On the next Wednesday pub night, Harry and Nora show up together. Nobody says anything, but Nora can practically feel the scorching looks Niall and Piper are shooting at her from across the table warming her cheek. And after her third beer, just as the band starts to play their first song, Niall saunters over to her side and wraps a heavy arm around her shoulder, whispering excitedly into her ear, “Knew you were special, Rah.”
Harry's insides are buzzing, whirring to life with each sip of bitter beer that falls down his esophagus. The liquor seems to make Nora a bit looser, and once she’s developed a thin layer of drunkenness that causes her cheeks to flush and her guard to falter, Harry practically explodes when she brings her body to rest against his, her back leaning on his front as she allows his warmth to envelope her as they listen to the band playing on the far side of the room. He wraps his arm around her shoulder so that his right hand is splayed out against her collarbone, holding her close in a protective stance as she lets her head fall back on his shoulder comfortably.
After three songs, Nora finds that she’s had enough. Harry’s hand feels too hot pressed against her chest, his hair feels too silky tickling her exposed neck, his chin feels too heavy sitting atop the crown of her head. She wants more, finds that she suddenly needs more, and when she twirls around abruptly and finds that his green eyes are practically black, eagerly searching for her own, she doesn’t hesitate before whispering in his ear, “Can we get out of here?”
Harry’s pretty sure his pants have never felt tighter around his waist. He doesn’t even care about the unfinished pint in his hand, doesn’t even care to make the rounds and properly say goodbye to his mates, doesn’t even care when he hands Niall too much money to pay for their drinks that are absently left on the sticky high top table, doesn’t even care about the looks he receives when he slips his hand in Nora’s and drags her through the front door and into the Underground so that they can reach his flat before her confident streak runs out.
When they’re both standing in his loft bedroom, hands tangled in each other’s hair and lips pressed to warm skin and clothes strewn against hardwood flooring, Nora finds it easier to forget about all of her past hurt. Because his hands feel that good, and his mouth tastes that good, and his warm body looks that good. But when she backs away to pull off her sweater so that she’s left standing in front of him in just her bra and underwear, she suddenly hesitates to move forward.
The memory hits her like a bullet to the chest. It’s of her, standing in her Townbridge dorm room wearing a sports bra and sleep shorts, her arms wrapped around herself protectively as she tries to stifle the rib-racking cries shaking through her body as she watched Harry disappear right in front of her face, leaving her alone to try and wrap her head around what he had done to her and what it all meant. Because he was her first real sexual experience, something that Nora didn’t necessarily place on a high pedestal, but still ultimately was a big deal for her. It took a lot of trust to allow Harry to take that from her after ten days of unassuming happiness, and just as quickly as he showed her a different side of herself, he simultaneously ripped it away when he left her alone and confused barely eight hours later in the early morning light.
It’s as if the memory is being broadcasted in Harry’s bedroom, Nora’s blue eyes the screen and her bruised heart the projector, because suddenly, her lips are trembling and her hands are shaking and her eyes are staring blankly at the wall over his left shoulder—and he knows right then and there that her walls are now ten times thicker, constructed with stronger material that will no longer allow him to seep through the cracks. Not without an explanation. Not without an apology.
“Nora—” Harry starts, taking a tentative step forward. The small motion of his feet approaching hers is enough to break Nora out of her daze, her head shaking violently as she takes three more steps back, reaching for her sweater and throwing it over her head without a second thought.
“Please, I—” Harry is panicking. He doesn’t want her to disappear, but he also doesn’t want to make her feel uncomfortable. It wasn’t supposed to happen this way. He wanted to talk to her without the cloudy sexual energy suffocating them, without her dreamy silhouette obstructing his vision, without her sudden desire to escape more prominent than her desire to stay and listen to him.
“I need a minute, we shouldn’t do this, not when—”
“—Just please listen to me. I can’t let you leave, not like this. Not when you’re finally here after all this time. And I’m not saying this because you’re standing half-naked in my bedroom, it’s just—fuck. I should have said this three years ago. I should have said it when I sent you a friend request on Facebook. I should have said it that first Wednesday pub night. I just got distracted and—”
“—Harry—”
“—I’m sorry, okay? I’m truly so fucking sorry.” Harry seems to have taken the breath trapped in Nora’s throat, because suddenly she’s staring at him wide-eyed and frozen in place, whereas Harry’s chest is erratically shifting up, down as he struggles to contain his uneven breathing pattern.
“I fucked up. I was a dumb, stupid kid who hurt you—and you didn’t deserve it. Not one second of it. I thought about what I did all the time in the aftermath, it fucking ate me alive, Nora. And I’m not saying that for you to pity me, because you shouldn’t. You shouldn’t even be here giving me a second chance, because I don’t deserve it. I never deserved your kindness to begin with. You’re too good for me and I just, fuck. I’ll make it up to you for the rest of my life if I have to. I just want to be good enough for you. And I’m so sorry—”
Nora shushes him with a collision of her body into his, her arms wrapping around him tightly as she buries her head into the crook of his neck. Harry’s response is inherent; strong arms encapsulating her smaller body, wide palms spread out evenly along her upper back for support, warm cheek nestled into the velvety waves resting at the top of her head.
“It’s okay, Harry. I forgive you. You’re enough, you deserve kindness too,” Nora mutters into the skin of his neck like a mantra of self-love and acceptance. Because even though Harry nearly broke her heart and made her resent him, she never wanted him to feel hurt, too. Not when it’s self-imposed. Not when it can be dealt with in a different way.
Nora thinks the phrase “an eye for an eye” is ineffectual. Just because you hurt somebody else, does not mean the same fate should be bestowed upon you. Humans are constantly changing and evolving, and pain and acceptance are a part of the long and winding battle in figuring out who you are as a person. If Harry is finally realizing that now, all Nora can do is hug him tighter and forgive him. Because that’s what any decent person would do.
Without unlocking their tangled bodies, Nora slowly steps forward, causing Harry to shuffle backward, until they’re both lying horizontally on his king-sized bed. She turns them over so that his back is flat on the mattress, her leg hooking over his hip as she rests her head against his beating chest, rubbing soothing patterns against the warm skin until he finally calms down.
They spend that night talking for hours. Harry wants to know everything she’s done in their three-year absence, and Nora doesn’t hesitate to give him the details of her new life in New York City. She tells him about Ebony, her roommate-turned-best-friend who supports her without question, who she misses practically every waking moment she’s not with her. She tells him about Marcus, the boy she had more firsts with, who she never found herself loving completely, but still appreciated him for helping her grow up and feel new things. She tells him about the tattoo shop in Brooklyn she went to after her twentieth birthday where a girl with pink hair and purple eyes etched three identical birds on the back of her shoulder.
He doesn’t tell her about the drinking and drugs and blank-faced girls he wasted his time with for the first two years during their time apart, because he’s aware that she already knows—considering his Facebook page holds a track record of every Nadine and Scarlet he toyed around with to fill in the empty hole Nora unknowingly carved into his heart. He doesn’t tell her that hearing about Nora’s ex-boyfriend causes the green monster who has been dormant inside of him for years to suddenly wake up, his blood laced with envy as he thinks of how somebody else got to see her in a vulnerable position he stupidly took for granted.
Harry realizes that this is a bit unfair, considering Nora lived her life without thinking about how it would affect him. And if Nora is jealous of the girls he slept with two years ago, she never shows it. Because she’s much more rational than he is—the calmness to his angst, the mooring to his shipwreck, the comfort to his unease.
They talk until the inky sky turns into an aegean blue, signifying that dawn has begun to break. Nora muffles her yawn into Harry’s neck and he wraps his arm tighter around her body, bringing her against his chest as he closes his eyes, reveling in the feeling of having her close again after so much time apart.
When Harry wakes up well into the afternoon, he can’t stop thinking about Nora’s body, considering she shed her sweater sometime in the middle of the morning when they were sleeping, leaving her in just her black bra and underwear as her warm skin suctioned to his own. He hasn’t felt this close to somebody in so long—probably ever, if he really stops to think about it—and before, when he was mindlessly fucking girls to cure the loneliness aching inside of his chest, he never cared about the act of intimacy surrounding sex. But now, with Nora’s body wrapped around his own and the swells of her breasts moving up and down with each languid sleepy breath she takes, the curve of her ass bending whenever she cuddles deeper into his chest, the stretch of her legs winding whenever she coils them around his sinewy hips—Harry feels like he’s in a fucking trance.
He never pushes it, but it’s practically all he can think about in the weeks that follow. He finds that when they’re together he always chooses a new part of her body to hyper-fixate on—whether it’s the angular cut of her jaw, the long arch of her neck, the thin layer of skin covered in gold necklaces on the top of her chest, the fleshy part of her hips that connect to her thighs—Harry feels completely and utterly famished.
Nora feels it, too. Feels that if she has to stand so close to him on Wednesday pub nights and feel the warmth of his body enveloping her own without him moving any closer, she’ll burst. Feels that if she has to observe the coiled strands of his long hair weave down his neck without her hands tangled at the root, she’ll explode. Feels that if his raspberry lips mouth her two-syllable name followed by his infamous smirk without her own swallowing the last vowel, she’ll shatter.
It finally happens as springtime infiltrates the streets of London, melting any remnants of snow and bringing forth longer stretches of sunlight on the horizon. Nora spent the week studying for a major exam in her Emerging Media Studies course, causing her to miss out on Sunday brunch and Wednesday pub night. Her absence hit Harry the hardest out of everybody, and when she walks out of her lecture hall Thursday night after she handed in her exam, she can’t help but catapult into Harry’s arms when she sees him waiting for her.
They drive to his flat and he cooks her a hearty pasta dish and when he suggests watching a movie tangled in his sheets afterward, Nora finds that she has no interest in absorbing the content on his television screen. She’s made Harry wait long enough, and it feels like the month after his birthday has been a continuous long stretch of unbearable foreplay that Nora can’t wait to act on.
Before Harry has even made it back to bed after setting up the film, Nora’s already pulled his borrowed sleep shirt over her head, leaving her in the matching navy blue lingerie set Piper encouraged her to purchase at Selfridges last week.
Nora’s never seen Harry move faster in his life at the first sight of her. She can barely make out his pupils darting from the exposed skin above the waistline of her underwear to the swells of her breasts uncovered by the lacy underwire bra before he’s jumping on the bed, her entire body shaking with the mattress as he plants searing kiss after searing kiss all over her flushed skin.
He dotes on her body, mumbling praises in between each suction of his lips as he works his way from the top of her forehead to the tips of her toes. “Christ, look at you Nora,” he whispers into the skin underneath her jawline, “All for me? How’d I get so lucky?” he mumbles into the tight skin between the valley of her breasts, pausing to dart his tongue underneath the lacy fabric covering her nipples, pulling a delicious moan from the back of her throat, “You’re fucking perfect,” he purrs into the thicker skin covering her upper thighs as he noses his way teasingly around the edges of her underwear, making her wiggle in want and need.
And when she finally allows him to slowly peel each piece from her body, leaving her bare in front of him as her dark hair fans against his charcoal-colored sheets, Harry’s almost positive he’s forgotten how to breathe. He’s never wanted somebody this badly before—needed somebody this badly before, and when Nora leans up on her elbows and urges him to come closer to her with a slow drag of her fingertip, he almost bursts at the sudden rush of his heart thrashing against the walls of his chest.
All because of her.
“I’m done for,” Harry whispers against her lips before slotting them together with fervor, gripping the skin at the back of her neck tightly to keep her close to him. Nora doesn’t mind, in fact, she absolutely loves his roughness—loves it so much that she can’t help but reciprocate when she wraps her legs around his waist and flips them both over so that their positions are switched and she can be the one to run her lips and teeth down the front of his body in domineering adoration.
Where everything with Marcus was simple and easy, Harry is the complete antithesis. He is everything new and exciting, complex and invigorating, compelling and beautiful. Nora didn’t think it was possible to feel this starved and fulfilled at the same time—but when Harry’s naked body is hovering over her own, his teeth sinking into the fleshy part of her shoulder blade, one hand gripping her ankle and the other holding her hip close to him, she finally feels fireworks burst underneath her eyelids when he enters her for the first time. Her skin feels as if it were bubbling, her heart pumping blood as if it were working in overdrive, and her brain fills with fluttering images of Harry’s chiseled jaw, his matted hair, his supple mouth, his hungry eyes.
It’s everything and more—Harry is everything and more, and when they’re spent and the white noise in Nora’s ears has finally subsided to a gentle hum, she can’t believe that she waited this long to experience this. She wonders if her first time was a dud, a faulty scenario in which her partner didn’t understand how to satisfy her properly. Or maybe, just maybe, it had nothing to do with Marcus at all. That the feeling of her heart exploding and stars bursting through her vision and fireworks cracking in the air above were solely caused by the boy lying beside her, his heart seemingly entangled with hers.
Nora wonders if it's fate or if she’s magnificently cursed for the rest of her life.
As March fades into April, Nora has never felt closer to another person before. It’s incredibly new—this feeling of freefalling off of a cliff into the rocky waters below with nothing but Harry’s strong hand holding hers to remind her that this is all new for him, too, and there’s nobody else he’d rather experience this with than with her.
Harry’s never been the best at giving himself completely over to another person, considering vulnerability is a difficult construct for his mind to wrap around. And when he lies awake at night while Nora sleeps soundly beside him, her arms wrapped around his waist and her head rising and falling with the scattered breaths escaping his lungs, he wonders what’s holding him back. Wonders why it’s so easy for her to talk about family and the future and everything that falls in between—because for the first time ever, Nora is the one that’s completely sure of something in their relationship. Harry, on the other hand, is hesitant. Apprehensive. Scared.
Because it’s so much easier to hide certain aspects of his life from her. Harry has enough skeletons in his closet to fill an entire graveyard, and they all tend to orbit around his shitty relationship with his parents and his innate desire to fall apart whenever he succumbs to the inordinate amount of pressure his father places over his head.
Nora doesn’t deserve to see that. Nobody does. So Harry does what he thinks is right and hides this part of his life from her, lying straight through his teeth whenever she questions where in the world his parents are, and instead of them being in Hong Kong or Indonesia or Dubai, they’re just a forty-five minute drive away. But that’s far too close for Harry to manage, so refocusing her brain on something else is the better option.
Because while Nora was falling hard, giving Harry the directions to make it through the labyrinth to claim her heart, she figured he was doing the same. Letting her in unconditionally and trusting her with this new feeling. But, unbeknownst to Nora, he was shielding her from the life he’s always dreaded being a part of. She was just in too deep to fully realize it.
The first lie starts at the end of April. Harry doesn’t even realize he’s lying in the first place when it falls from his lips that he has to skip out on Wednesday pub night to stay on campus and prepare for a group presentation the following Monday, but once it’s out he can’t force it back into the depths of his being. So while Nora texts him that she misses him and things aren’t the same without him there, Harry’s pushing the lie deeper and deeper inside of him until he’s swallowed the lump whole and it rests heavily at the bottom of his stomach.
Because while his mates are drinking in Camden, Harry’s only eight kilometers away in Knightsbridge wearing a navy blue suit sipping gingerly at a glass of bourbon and initiating small talk with his father’s stuffy work friends. It’s some charity event his father had mentioned in the past, and although Harry’s mind is preoccupied with thoughts of Nora, he suddenly becomes alert when his father introduces him to the only other person that is relatively close to his age.
Harry remembers her from one of the events he was forced to attend during his internship at his father’s office. He doesn’t recall much from meeting her nearly a year ago, considering he was a bit of a dickhead and was more focused on plotting ways to dip out early without being caught to meet up with his mates than trying to mingle with other guests, but now—now that she’s standing in front of him wearing a pretty mauve dress with expensive strappy heels, hair perfectly in place as her almond-shaped eyes gaze into his own, Harry doesn’t hesitate to shake her hand properly.
Her name is Jacqueline Van-Doren, and although she’s the type of beautiful that people can’t help but gawk at, Harry finds that he’s subconsciously comparing her to Nora. Her eyes have more of a greyish tint to them, and while Nora’s sparkle whenever any trace of light reflects off of her irises, Jacqueline’s are more lackluster in comparison. Her cheekbones are higher than Nora’s, but they lack the subtle shade of pink that always appears whenever Nora’s in a close enough radius to Harry. And while she’s much taller, much more confident, much more put together than Nora and all her mumbling and stuttering and clumsiness—Harry finds that he would indubitably pick Nora over a girl like Jacqueline any day.
The second lie happens in the middle of May just as the temperature is rising and the trees are green and blooming. Harry had plans to take Nora on a day trip to Bath so she could tick off another destination on her travel list, but unknowingly, he double-booked himself as his father reminded him he had a familial obligation to attend that same day in the form of an elaborate wedding at The Savoy.
He tells Nora that he has to attend a networking dinner in Oxfordshire, and somehow the lies get easier and easier to tell the more he spews them. Harry’s grateful that Nora doesn’t fact-check his excuse with Niall, but then again, she has no reason to suspect anything, right?
Harry spends the entire reception sitting in the back of the room in his charcoal Louis Vuitton suit with a sick feeling settling inside of him. It grows stronger with each candied sip of whiskey that falls down his throat, and when his father approaches him with a familiar blonde-haired grey-eyed girl practically matching his ensemble, Harry tries his hardest not to laugh. Because his father obviously is not shy in trying to set the two of them up, and although Jacqueline is still undeniably gorgeous after four whiskey neats, it’s not what he wants. She’s not what he wants.
But the pressure of displeasing his father is too much to bear, so he kisses her cheek cordially and allows her to sit with him. They talk the rest of the night but Harry genuinely has no idea what the content was, and when his father tells the pair of them that they’re required to attend an intimate work dinner at the end of the week, Harry just nods and goes along with it.
As May reaches its end, Nora can barely think straight. Her time in London has been nothing but an absolute dream—a whirlwind of newfound friendships, acclimating to her second favorite city in the world, and falling in love with somebody she never thought she would find solid ground with. She’s never felt this way about anybody before—not with Connor, not with Marcus, not with anybody. Nora isn’t even sure if her heart can feel this way about someone ever again. Not after Harry.
She’s hyperaware that her time in London is coming to an end, and reluctantly, she doesn’t want to leave. Not when she’s decided that she’s in love with Harry. Not when he can give her a reason to stay.
Nora has never unexpectedly shown up at Harry’s place before, but after rewriting the conclusion to her final essay for the fourth time and it still not making any sense, she grabs her jacket and oyster card and makes her way to the Underground to head towards Hampstead Heath.
She doesn’t bother calling or texting to alert him that she’s on her way, because in her mad rush to leave her residence hall, Nora forgot to grab her phone that was charging on top of her duvet. Nora’s never been impulsive or brash before—but it’s Harry and she’s in love, and she needs to tell him.
The white townhouse and small iron-clad gate come into view before Nora’s even figured out the words to say to Harry when he opens his navy blue front door. She figures that when she sees his face she’ll finally figure out how to explain what her feelings are, but when his green eyes meet her blues in trepidation, Nora wonders if she made the wrong decision in showing up unannounced.
In the tense silence that follows, Nora pauses for a minute, taking in Harry’s crisp white button down shirt tucked into a sleek pair of slacks. He seems to have been in the process of finishing fastening them, considering Nora can still see the tops of his butterfly tattoo and the swallows underneath his collarbones almost perfectly.
“Nora? What’re you—did we have plans?” Harry’s cheeks are blushed and he’s fidgeting uncomfortably in his fancy brogues and for the first time in months, he looks like he doesn’t want to let her inside.
“No, I uh—” Nora’s confidence is crumbling, and she’s suddenly not sure if this was a good idea at all. Maybe being brash and impulsive is a thing protagonists only do in the movies. “I had to tell you something. But this obviously isn’t a good time, so…”
Before she can turn to leave with her tail tucked between her legs, something inside of Harry clicks into place. He quickly opens his door wider and lets her in, ignoring the warning bells ricocheting inside of his brain as his brain fights with his heart for control over the situation. His heart ultimately wins in the end, and once Nora takes her first few steps inside his home, Harry can feel his insides quiver with nerves.
Nora barely makes it past the foyer, standing just at the cusp of his living room when she notices the expensive blazer thrown over the back of his leather sofa, his crisp black wallet on the fireplace mantle, and the heavy cardstock with cursive script that seems to be an invitation of the utmost importance lying parallel on the surface.
Why didn’t he tell her he was going somewhere? Was he hiding things from her? Was he ashamed to bring her to his gaudy work events? Does she really look that unappealing on his arm? Why has this all of a sudden become too confusing for Nora when just minutes earlier, she was unquestionably sure that she was in love with him?
Harry’s playing with the links on his shiny wrist watch nervously, attaching it with fumbling hands around his inked skin when Nora finally decides to break the silence. “Where are you, uh, going?”
He looks up at her, a bewildered expression on his face, and suddenly, his mouth has gone bone dry. Nora grows more and more skittish with each quiet breath that passes between them, and she’s never felt more unsure about their relationship.
God, when did things get so awkward between them?
“My dad’s back in the country, and it’s just this stupid event he’s making me go to. I tried to get out if it, honest, but it didn’t work. So, uh, I didn’t think it was a big deal to mention it to you,” Harry says quietly, feeling his lungs begin to constrict in the most agonizing way.
This lie feels worse than all the others he’s told her, because for the first time, there’s a crack in his resolve. Harry knows then that he’s done something very wrong, and he immediately regrets it all when he notices the hurt expression clouding Nora’s vision.
Nora knows this, too, because his chest is moving up and down from the thundering beats of his heart inside of his chest, and his hands are shaking against the smooth material of his pants, and his eyes are blown out so wide that Nora can make out all of the different shades of green hidden inside. And when his tremulous pupils finally focus on her own, Nora can see that Harry looks completely panicked in front of her, and she isn’t quite sure what to think.
“Oh,” Nora lets out in a soft exhale. It sounds defeated and she’s not entirely sure why, because nothing has even happened between them yet.
But maybe that’s the point. Maybe that’s why she feels so low all of a sudden. Because it’s  been months of almost something’s—of days spent exploring different parts of the city and nights spent exploring different parts of each other. All without a label. All without a conversation. And now, standing in the front room of Harry’s home with shaking hands and trembling lips, Nora doesn’t understand how nothing can be said.
When her blue eyes fall to the floor, Harry springs into action. He’s in full recovery mode, approaching her slowly until the tips of his brogues bump the white of her trainers. His hands find purchase on her shoulders, gently kneading the skin until she finally looks up at him.
“I’ll only be there for an hour. We can do something afterwards, yeah? Just, uh, stay,” he pauses suddenly, eyes wide when he realizes what he’s saying before swallowing deeply, squeezing her soft skin a bit harder. “Stay here while I’m gone. Please.”
“You want me to stay here?” Nora echoes, blinking once, twice, a winsome dumbfounded expression gracing her features.
Harry nods, moving his right hand from her shoulder upwards until his warm palm is cupping the underside of her jaw tenderly, his thumb offering soothing strokes against the pink skin covering her cheekbone.
“Yeah, I do.”
Nora’s doubts are finally subsided, because how can he not feel anything towards her if he’s allowing her into his space for the first time without supervision? He obviously trusts her, and he obviously needs her—and that’s all the confirmation she needs to quiet her racing head and settle her thumping heart.
Her small hands settle on Harry’s waist and he instinctively brings her closer, cupping her jaw with his other hand so that he can angle her head back gently and press his lips against her own. It’s soft and sweet and soothing, and how can he not feel the same way when he kisses her like this?
Before they can get too carried away, his doorbell buzzes and Nora giggles when she feels him groan against her lips, shaking his head softly and backing away, looking down at her with a childlike pout on his lips.
Nora can’t help but trace the protruding flesh with her thumb, causing Harry to shiver. He’s dreading this event even more now, because all he wants to do is drag Nora upstairs and lock her in his room and turn their clock off for just one night.
But the doorbell buzzes again, and he sighs, knowing he can’t do that.
“That’s the car. I’ve got to go,” Harry whispers, giving Nora one last kiss before shrugging his blazer on and grabbing his wallet, keys, and invitation in one fell swoop.
Nora nods, a bit breathless at the sight of him. Harry opens the door, and before he can fully retreat, he peeks his head over his shoulder, long hair tucked behind his ear as he gives her one last small smile.
“One hour. Don’t miss me too much.”
As if she doesn’t miss him instantly when he leaves her.
True to his word, Harry comes back an hour later with a slice of red velvet cake he nicked from the dessert table before sneaking out undetected. He finds Nora burrowed in the thick sheets of his bed wearing the same Rush band tee he wore earlier in the day, her eyes lifting from the movie on the screen to the green of his eyes.
“Hey you,” she says softly, sitting up taller on his bed so that her back is flushed with his headboard and the tops of her thighs are poking out from underneath his duvet.
“Hi,” Harry responds, toeing off his shoes and walking over to her languidly, “Got you a present.” He drops the takeout container on her lap, grinning when she squeals and dredges her pointer finger through the thick frosting.
“Mmm,” Nora sighs, licking her finger dry as she smirks mischievously at Harry, watching as he undresses mindlessly. He isn’t sure if she’s doing it intentionally or if she’s always been a secret seductress, but when she repeats the action and swirls her tongue along her sticky digit, Harry snatches the box from her lap and slides his arms around her waist, switching their positions effortlessly so that she’s on top of him as he falls easily back onto the mattress.
“Someone’s feeling cheeky,” Harry says against her lips, his nose bumping hers repeatedly as she giggles against his skin.
“Can’t help it. I missed you,” Nora explains, adjusting her knees so that her weight is evenly distributed along his lower half, her backside resting against his front as her hands twist in between the curls along the crown of his head.
“Yeah?” Harry coaxes, his fingertips sneaking underneath his shirt as he plays with the lace material covering the bottom of her underwear.
“Always.” Nora seals her response with a fiery kiss, bringing her lips to his and pressing her entire body against his searing torso. She wonders if it’ll always feel like this—white hot electrical current shooting up her veins, warming her entire body up with just one simple press of his lips to hers.
Once Harry starts nipping at the skin of her lower lip, Nora responds by grinding into his lower half, the thin material of their underwear leaving little to the imagination as they garner enough friction to cause Nora’s knickers to dampen and Harry’s briefs to tighten.
They kiss until they’ve reached their very last breath, and when their lips depart, Harry uses this time to throw his shirt off of Nora’s body, leaving her sitting against his lap in just a nude pair of lacy underwear that makes his eyes roll to the back of his head.
With his head resting back against his neck, Nora decides to attach her lips to the column of Harry’s throat, causing his entire body to shudder as a carnal moan rips through his throat and settles between them. Her fingers draw a tantalizing path down his chest and abdomen until they’ve settled along his waist, red lines marking the path Nora’s fingernails greedily traced.
Her small palm cups his growing length trapped inside the strained cotton material, rubbing and squeezing as her teeth bite into the sharp cut of his jaw. Harry hands grip the skin of her waist in anticipation, and once Nora’s decided that he’s had enough teasing, she rolls the band of his briefs down, freeing his length in the stifling air of his bedroom.
“Christ,” Harry whispers, his eyes shut tight as he breathes through the feeling of Nora’s bare hands on his newly uncovered skin. She shushes him with gentle kisses, lapping her tongue against his own once he’s finally calmed down a bit more and begun reciprocating her tenacity.
Before he can take control, Nora makes the decision for him as she slides her underwear down her legs, flinging the thin material against his floor. Harry’s eyes snap open as he takes in the sight of her naked against his lap, the moonlight flooding into his bedroom outlining the curve of her body, the shape of her breasts, the valley of her stomach, the stretch of her legs.
No matter how many times Harry’s seen her like this, he never fails to stop and appreciate her. Because he’s taken it for granted too many times in the past, and every time he sees her exposing herself to him in the most vulnerable way there is, he can’t help but feel his heart grow in his chest, hammering against his ribs as he marvels in the fact that Nora Priestley chose him.
“What?” Nora asks shakily, shrinking into herself when she realizes Harry’s been staring at her for a beat longer than necessary.
“Nothing,” Harry admits, bringing a hand up to her face and tucking a stray piece of hair behind her ear. “You’re just beautiful.”
Nora responds with a smile, pressing her lips to his tightly. “I want you like this.”
“Are you sure?” Harry asks, his hands tightening against her waist as he watches her scoot up higher on his lap so that her core is lined up with his aching length.
Nora nods, her teeth sinking into the plushness of her lower lip as she wraps her arms around his neck. Before he can say another word, she begins teasing her entrance with the tip of his cock, watching the way his eyes widen almost cartoonishly and the vein in his neck starts to pulse.
“Nora, fuck, baby, wait. I need—fuck. Need a condom,” Harry stutters, holding her tightly in his grasp as she hovers over his tip.
“It’s only been me, yeah?” Nora asks, the muscles in her thighs straining as she holds herself in the position over his length.
“What? Why would you ask me that? Of course it’s only you,” Harry says quickly, a look of bewilderment gracing his features.
“Then let’s not use one. I want to feel you like this,” Nora whispers, her hands holding his face tightly so that he has no choice but to stare into the blues of her eyes.
Harry feels his stomach bottom out, constantly amazed at the girl in front of him. “Are you sure? Have you ever done this?” he asks, disquietude lacing his every word.
Nora shakes her head. “Have you?”
“No,” he answers, much to Nora’s surprise. “I haven’t.”
“Well, Harry Styles,” she whispers, rubbing her palms over Harry’s hands that are gripping her waist, signalling that she wants him to loosen his hold, “There’s a first time for everything.”
Harry’s teeth widen at her quip, remembering the way she uttered those same exact words to him three years ago when he was experiencing another first with her. Before he can say anything back, Nora gives him one last kiss before sinking down on his length, causing his brain to forget every single thought rushing through his head other than the fact that he’s inside of her with no barrier between them, and it’s probably the closest he’s ever (and will ever) feel with another person.
They both seem to be in the same headspace, with the way Nora freezes on top of him, her throat pinching when she realizes she can feel every ridge and curve of his length from this position, and it’s only once he asks her his standard question of, “Are you okay?” when Nora starts to lift herself on her knees, before sinking back over him once more.
“Oh my god,” Harry exclaims, wrapping one arm around her lower back and the other gripping harshly at the back of her neck, holding her as tightly and as closely as possible so that he can feel every shudder of her body and every thump of her heart against his own.
Nora angles his head back so that she can crash her lips to his, swallowing his moans as she swivels her hips against his own, feeling his tip bump against the spongy spot inside of her walls that causes her toes to curl. When he expertly hits it for a third continuous time, Nora’s neck falls back as she cries out into the stuffy air.
Harry noses at the clammy skin of her neck before pressing his lips to the spot near her jaw, licking and sucking until she’s whimpering above him. “Feel so fuckin’ good,” Harry whispers against her skin, sinking his teeth deeper into her flesh when he feels her clench around him.
“I’m close,” Nora says through an exasperated breath, weaving her fingers through his long hair until she’s wrapped the strands around her wrist in a makeshift ponytail, pulling just enough to cause Harry to groan against her.
“Fuck, baby. Me too. Do that again,” he instructs, feeling himself lose control when Nora obeys his request.
Nora’s never been on top for this long before, and while her thighs are burning and her lungs are losing air the closer and closer she gets to her release, she’s never had sex feel this good before. The knot inside of her stomach is tightening with every thrust Harry meets her with, and when his right hand sneaks down between them and rubs at her swollen mound, it only takes three rotations until the knot is uncoiled and Nora’s careening towards her end.
She stills on top of him, trembling with the aftershocks as she comes down from the most intense orgasm she’s had yet. Her body doesn’t even feel like her own, with the way she’s vibrating all over and her skin is dampened and her hair is knotted. It’s only once Harry’s pushed her backward, hovering over her as she’s horizontal on his sheets, when the fuzziness finally dissipates from her vision. She’s thankful that she can finally see clearly, because when her blue eyes meet his, she watches as he slips out of her, pumping his length until white ribbons coat the skin underneath her belly button.
They’re both staring at each other with heaving chests and dotted irises, coming down slowly as they realize what had just transpired between them. When Harry finally catches his breath, he whispers, “Shit, I’m sorry I probably should have asked—”
“Shh,” Nora coos, always the one to calm his racing heart and wild thoughts. “It’s okay. That was amazing. You’re amazing. C’mere, please.”
He smiles before crashing his lips to hers, kissing her soft and slow, a thousand words spilling through their lips without their voices ever speaking them. They break away softly so that Harry can grab his discarded shirt from the floor to clean Nora’s stomach, his arm reaching for the article of clothing without getting up so that he can keep her underneath him for as long as humanly possible.
As he dotes on her ever so delicately, Nora’s convinced that he feels the same way. She argues over how to tell him in her head as he wipes at her stomach and in between her thighs, before throwing the shirt into his hamper across the room. She debates the wordage as he wraps his arms around her gently, heaving them up the bed until they’re tangled together underneath his sheets. And just when she’s about to say it, he mumbles against the skin of her neck in his throaty voice, “I wish time could stop and we could stay like this forever. Just you and me.”
Nora freezes. Because suddenly, her heart pangs with the startling realization that she’s leaving London in four days. Moments like these with Harry are dwindling away one by one, and she really needs him to give her a reason to stay.
She needs to hear him say it.
And just as she’s built up the courage to whisper her declaration out into the air, Harry’s soft snores whistle against her neck. So she pushes it down, and waits for another day.
Nora wakes up in the middle of the morning with a nervous knot lodged inside her throat. She’s not even sure what spurred this on—considering she fell asleep tucked underneath Harry’s arm feeling safe and warm, her head lulling against his chest as his sleepy breaths ruffled the brown strands of hair falling against her cheek. But now, at six forty-three in the morning, Nora feels completely unsettled.
Her skin feels hot but she’s shivering for some strange reason, and when she’s reminded of the weight of Harry’s arm wrapped around her waist, she suddenly feels weak under the heaviness of it. She doesn’t feel comfortable, and all at once she feels the urge to get out from under the stifling duvet and get some fresh air.
She sneaks away from Harry’s body, tip-toeing towards his bedroom door with nothing but her cardigan on from the night before. Just as she’s closing the door, Nora makes sure to peek at him one last time, smiling to herself when she watches him flop onto his stomach and clutch the pillow she was just using tighter into his grasp. Nora wonders if he sleeps like this when she’s not with him.
She wonders if he’ll sleep like this when she leaves in three days.
Sighing, Nora makes her way to the sliding door connected to his kitchen, plopping herself down on the brick steps of the tiny porch overlooking his back garden. With her thighs pressed to her chest and her chin resting on the oversized knitted material of her buttoned cardigan over her knees, she despondently watches the blues and oranges and yellows of the early morning sun paint a picture of this piece of London she’s grown to love almost as much as the sleeping boy upstairs.
Nora’s not sure how long she sits out in the cool June air contemplating what the uneasy feeling was that forced her out of bed, but it’s long enough for her to notice the sun rising with the rest of Harry’s neighborhood. Her stomach begins to grumble then, and the thought of making coffee and toast urges her legs to carry her back inside the flat and into the small kitchen.
Just as she’s distractedly buttering her toast, Nora feels two strong arms lock around her waist from behind. She jumps at the feeling of it, even though there’s no other person it could possibly be besides Harry. Nora’s not sure if it’s just a residual effect from this morning, but still, she leans into him when her pulse decides to go back to normal, and she can feel Harry’s nose bumping against the side of her neck.
“You’re up early,” Harry mutters in that raspy morning voice of his that never fails to make Nora’s thighs clench together. There’s just something about him in the mornings.
“Couldn’t sleep,” Nora explains, her teeth ripping a small piece from the corner of her toast before bringing it over her left shoulder for Harry to try.
He hums in appreciation. “Don’t like when you’re not with me when I wake up,” he admits, tightening his arms around her as he swallows so that her backside is fully flushed with his.
“I know,” Nora whispers, the knot suddenly reappearing in her throat without warning. The half-eaten toast in her hand is no longer appetizing to her, and when she places it on a paper towel with trembling fingers, Nora comes to the conclusion that it’s now or never. She needs to tell him—because holding it hostage deep down inside of her is causing her to feel physically ill, and she’d rather face the consequences than always wonder what could be.
Harry notices her switch in demeanor almost instantly, and before Nora can even gather her bearings, he’s spinning her around, one opened palm cupping her jaw with his thumb rubbing her cheekbone delicately while the other tucks a stray piece of hair behind her ear as he observes her closely.
“Everything alright?” he asks, nervously watching the way her eyes seem to focus on everything but his own, her hands seem to shake erratically against her sides, her lips seem even darker due to the incessant nibbling she’s done to them throughout the morning, and Harry suddenly wonders if she’s finally caught up to all of his lies.
Nora takes one last breath before bringing her eyes to his own, “I think I’m in love with you.”
Now Harry’s the one that’s panicking.
As if his brain is no longer controlling his body, his hands suddenly disappear from Nora’s face. He takes a tentative step back, leaving a cold space where his warm body was just flushed against her own. Nora watches as his skin turns an uncomfortable shade of pale, and as if they had completely swapped roles, Harry’s now the one who can’t seem to hold her gaze.
“Wait—what?” Harry unnecessarily asks. He mainly utters it as a placeholder, considering he’s let an awkward wave of silence wash over them both with his inability to say anything of importance.
Nora breathes through her nose, concerned. “I said, I think I’m in lo—”
“Why?”
Nora wonders if he’s joking.
“What do you mean, why?” Harry can feel her slowly losing her patience, her arms wrapping around herself slowly, creating a layer of armor that she’s used in the past to protect herself from his callous words.
“I mean—are you sure?”
“Are you serious?”
Sure, Harry knows that he cares for Nora with everything in his being. And sure, a part of him understands that when his heart speeds up and his chest tightens and his cheeks bloom pink whenever he’s around her, it’s all due to his feelings for her.
But even though that all stands true—Harry can’t help but be wary. Because how are you supposed to know how to love somebody when you’ve never properly been loved yourself?
His best times with Nora are always a dream-like trance Harry finds himself reliving over and over again. They’re always short glimpses of time, weeks or months with an expiration date looming over their heads because Harry can only allot himself momentary feelings of bliss and vulnerability before he realizes that his heart has the capacity to break in half if he continues on any further.
While Harry’s heart and mind battle with one another, Nora decides that she’s had enough. There’s only so many minutes she can stand in front of him watching as he silently stares at the linoleum flooring of his kitchen instead of explaining his reasoning to her. It’s only once she feels the pressure of tears welling at her waterline when she ends up slinking around him, gathering the rest of her clothes and belongings in record speed so that she can leave his home before the first tear falls.
Harry’s frozen in place. He’s still staring at the spot Nora once filled, hearing the sounds of her slipping her shoes on by the door and twisting his door knob, but none of it is actually registering in his clogged mind. He’s not sure why—he’s completely and utterly recalibrating the entire inner-workings of his head, body, and heart.
It’s only once he’s heard the navy blue door slam shut when he snaps out of his catatonic state, realizing then and there that even though he hasn’t figured out how to explain his warped outlook on love to her, he still owes it to her to acknowledge her declaration.
But he’s too late—he’s always too late when it comes to Nora Priestley. Because while he’s approached the iron-clad gate wearing just his black briefs, Nora’s already rounded the corner of his street, leaving a flurry of dark brown hair and tears staining the pavement in her path.
Harry knows that his immediate reaction should have been to chase after her, but instead, he decides to grab the first bottle of liquor he could grasp from his bar cart, slinking down onto his couch and bringing it to his lips without an ounce of food in his stomach.
This is where Niall finds him hours later, a nearly-emptied bottle of whiskey at his feet while Harry stares at the black screen of his television with blank eyes, still wearing his briefs from this morning. He’s replayed the conversation so many times in his brain that he can recite Nora’s staggered breathing patterns by heart, and Harry knows that Niall is privy to this because instead of yelling at him, he sneaks off into his bedroom and throws a clean set of clothes at his bare body.
“Up you get, Curly. Time to dilute all that whiskey with some greasy food.”
In hindsight, Niall probably shouldn’t have brought Harry to the pub down the road from his flat. But he couldn’t carry his deadweight any further, and he figured the only place that would be okay with serving somebody who was already drunk was the ancient barman that knows the two by name at this point.
“Where’s that pretty girlfriend you’re attached to?” Said barman asks the moment Harry and Niall fall into the creaky barstools. Before Niall can try and alleviate the situation, Harry’s already ordered a pint of Carlsberg and a shot of Jameson, ignoring Niall’s pleas of trying to urge a burger and chips down his liquor-ladened throat.
He’s rang Nora at least six times now, currently going for a seventh after Niall returned his stolen mobile when Harry refused to put something in his whiskey-sloshed stomach. He obliged, only because he really wanted to get a hold of her and apologize for being an absolute twat. But she’s ignoring him, and he knows deep down that she has every right to, because she trusted him with her feelings and all he did was shut her down in the worst way possible.
Harry’s not sure how Niall agreed to it, but after they’ve closed out and Harry’s capable of standing on his own two feet, they’ve somehow ended up outside of Nora and Piper’s residence hall. Harry knows that Piper has to let Niall in, so in his drunken convoluted mind, he comes up with the plan to sneak past them both and head up the stairs to beg for Nora’s forgiveness.
What he didn’t account for was Piper’s protectiveness over her crying friend upstairs.
“Harry, I can’t let you do that,” Piper says, closing the door a bit so that only her face is poking out from the glass paneling.
“Piper, please. I’ve got—’ve gotta talk to her. ‘S important.” He tries entering the building again but somehow Piper’s much smaller body blocks the entrance, her arms holding the door frame in order to keep Harry out. Niall sighs from behind her, conflicted. It wasn’t supposed to happen this way.
“Harry, you’re pissed. I can’t—”
“No! Piper, please. I need t’go upstairs. I’ve rang ‘er and texted ‘er and I know—I know her, Piper. Fuck, it’s—” he pauses, breathing in deeply and trying his hardest to straighten out the jumbled thoughts causing his entire body to shake. “It’s Nora. Please.”
Before Piper can close the door on her friend one last time, she feels Niall’s hand on the middle of her back, and she calms almost instantly.
“Let ‘im try, Pipes.”
With a final sigh, she opens the door and Harry sprints up the stairs, nearly tripping over himself as he tries to get to Nora’s door in one piece. He knows he’s drunk, knows he’s probably a mess, knows that she has every right to send him away—but he needs to talk to her or he’ll fucking explode.
He knocks about eight times on the wooden door before Nora appears behind it, eyes puffy and skin pale. Her hair is a knotted mess and her fringe is frizzy and Harry feels his chest crack in half when he realizes that he’s made her cry again.
“Harry—”
“You lov—” he hiccups loudly, causing his words to cut off the moment his body shakes abruptly. He pauses, tries to remember what he was going to say, before starting again, only to fail to pronounce the godforsaken word appropriately. “You lo’ me?”
He knows his mouth can barely utter the word, and his voice comes out a bit more squeaky than he would like, but he can’t help it. That word has always felt foreign coming out of his mouth, and he’s never understood the magnitude of its meaning. Not dead sober, and especially not after drinking the entire pub’s collection of whiskey.
Nora doesn’t say anything, but she does look into his glassy eyes and realizes that it’s from alcohol and not sadness. His hair is somehow knottier than hers and his part is amok, and she knows it’s because he ran his fingers through the tendrils one too many times. His cheeks are flushed, and before she can respond, his mouth is already opening.
“‘Cos I panicked. And ‘m sorry, but it’s just—nobody’s said that t’me before and properly meant it. Like my parents. They don’t lo—. Yeah. They don't. And me, I don’t even think I feel that way about m’self, either. ‘S just—it scares me, and I don’t know how to lo—”
“—No,” Nora says softly, interrupting Harry’s drunken monologue with a sad shake of her head.
Harry blinks once, twice, his blurry eyes trying to focus on her frame as the tears begin to bubble along her waterline. “No?” He’s confused, feels as if his life is completely off-kilter with the short utterance of a simple, two-lettered word.
“I don’t love you like this.”
Harry wonders if Nora can hear his heart begin to rip inside of his chest. “Nora—”
“You can barely even say it! Even when you’re piss drunk, you can hardly say the word love, let alone stick around long enough to hear somebody say it to you!” Her voice echoes through the small hallway of the sixth floor, and Harry stares back at her, flinching with each raise of her voice. “I can’t do this, Harry. I’d rather have you not say it sober than try and spit it out when you’re drunk. I just—I deserve better.”
“Nora please, I—you don’t understand—”
“—No I think I do. Quite clearly, actually.” Before Harry can try to force himself through the door one last time, Nora’s already begun to close it on him. “I think it’s best you go.”
“Nora! Please!” Harry calls out against the heavy wood, but it’s no use. She’s already flicked the lock, already sunk down to the floor with her back resting on the other side of the door, already begun muffling her sobs with trembling hands. And every time Harry bangs on the door with clenched fists and Nora can feel the wood shake, she just clenches her teeth on her bottom lip harder, praying with everything in her that Harry can’t hear her cry.
Harry’s not sure how long he’s stood there pounding on Nora’s door, repeating the word please enough times that it’s somehow lost its meaning. It’s only once he feels Niall’s hand on his back, ushering him out of the hallway and down the stairs, sticking him into the back of a cab when Harry feels the weight of his mistake rest heavy on his shoulders.
The only reason Harry gets any semblance of sleep that night is because he forces himself to swallow back five generous sips of whiskey before collapsing onto his mattress.
When Harry wakes up the next morning, his head isn’t the thing that hurts the most. Somehow, it’s his heart—and even though he’s suffering from the worst hangover he’s had in a very long time, it pales in comparison to the ache resonating through the inside of his chest.
But he can’t feel sorry for himself anymore. Because the longer he sits wallowing in his own self-induced misery, the more Nora drifts away from him. Feeling sorry for himself isn’t going to fix this. He needs to own up to his mistakes, find Nora, and beg for her forgiveness—because even though he doesn’t deserve her, he can’t make her feel horrible anymore.
Just as he’s rummaging through his wardrobe trying to find the cleanest shirt he owns, he hears his mobile ring for the third time that morning. When he looks over at the screen he realizes that it’s his father again, and although they aren’t very close, seeing him try to reach him a handful of times is enough to be worrisome. And just as he’s about to slip his shoes on, his father rings again. Harry begrudgingly answers, wondering what the hell is going on.
“Good to see you know how to answer your mobile,” his father says instead of a normal greeting, his voice filled with sarcasm. Harry almost hangs up the phone on him, his head filled with much more important things than dealing with another ribbing before noon.
“What’s going on? Did someone die?” Harry asks, flying down the staircase in order to locate his trainers that he remembered throwing across the floor in his drunken stupor last night.
“Very funny,” his father retorts, the sound of an unamused chuckle floating through the receiver. “Surprised you haven’t seen it yet.”
“Seen what?” Harry asks, tying the final lace as he begins the search to locate his wallet and keys.
“Page Six. Lovely spread of you and Jacqueline leaving the work event from two evenings ago. That’ll definitely make for some good press surrounding our merger with the Van-Doren’s. Well done, son.”
Harry didn’t think it was possible to feel worse, but somehow, after hearing his father congratulate him for being photographed with the girl he’s been trying painfully hard to set him up with, Harry feels as if everything around him is falling apart.
He doesn’t even respond to his father. Instead, he hangs up the call, typing his name in the Google image search bar. Sure enough, a picture of him and Jacqueline standing close enough to each other for it to be a story is covering his screen. Harry’s never felt more enraged, because he suddenly realizes that if his father has seen it, then Nora definitely has as well.
This can’t be happening to him.
She leaves tomorrow. He can’t let her go like this, not when he wants her to stay. Not when the words are practically at the tip of his tongue, ready to be shouted out into the sky. He’s ready to tell her.
He needs to tell her.
But before he can walk down his front steps and through the iron-clad gate, Niall is standing there blocking his path, a sullen look covering his face.
“Mate, she’s gone.”
*** A/N: I’m sorry times infinity. I know it must seem like I’m torturing you, but I promise I’m not! Everything will make sense in time, even though it’s a bit painful to read. My inbox is open for all complaints/theories/ill-wishes.
Sadly, the time has come that I no longer have completed chapters already written. I've tried to keep up, but real life got in the way. I have like barely half of the next part written, so I’m not entirely positive if it will be posted next Friday. I want to give you guys the best I can offer, and if it feels rushed I know it’ll be quite disappointing! I’m aiming to have it up by Friday, but if it isn't, I will surely keep you posted. Thanks again for sticking with me and this story, please be kind to each other and I’ll see you (hopefully) in one week!
taglist: @ilovegolden @stylishmuser @solllaris @ficnarry@thatnightin2008 @harryswinterberries @morethanamelodyy @coffee-doodle-doo@stepping-into-the-light @piawhat @sylcolt @burberryharold @sapphicspacecult666​ @adoremp3​ @beautifulletdownfics @thefangirlingbarista​ @iwantedmacmaddybutitstaken @veryplatoniccircunstances @live-at-the-forum@heslilac @kakayam @caramello-styles @ifheartscouldwrite @rubytersteege @mybm1998 @harrykingofcamp @cherryyharryy @15christyxoxo @harrys-cherrry​ @cherryruins​ @awomanindeniall@sing-me-a-song-harry @sunnybusiness @hhh33-3l​ @ashwathx@ficsthatmakemeswoon​ @harryinsweatersandbandanas@ihearthemcallingforyou  @niallgolden​ @pastequeharry @tinyfelthat @70s-harry@booksncoffee @somebridgesburn​ @millennial-teenybopper @sunfloweratheart @cherrygoldenn @for-fucks-sake-h​ @pastequeharry @justhereforlurking @mellamolayla @cosmictali @zcjt @grace-ful-gold @sunflowervolsimp@15christyxoxo @rosegoldsweetpea​ @hawwie​ @ishallreaditagainsometime​ 
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all-that-jazz-93 · 3 years
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American Dragon Timeline
I’ve been trying for a while now to figure out the timeline of this show, because it makes no sense in the order that Disney Channel originally aired the episodes. It also makes no sense in the episode list on Jeff Goode’s website, which he claims to be the proper chronology of events.
I had to come up with a few convoluted headcanons to make this work, but I think I’ve finally pieced together a coherent timeline (note that for a lot of the filler episodes, it doesn’t actually matter that much when they take place, I was just trying to stick as close to Jeff Goode’s chronology as possible.)
September 2004
Old School Training
It’s implied in this episode that Jake got his dragon powers very recently. They don’t say how recently, but given how new the whole thing is to him, I’d say it’s probably only been about a week or two.
Here’s where we come up against our first issue with canon. In The Legend of Dragon Tooth, Jake says he got his dragon powers when he turned 13, and in Shapeshifter, he says he’s a Pisces, which means his birthday would be in late February, or March. There’s no way the timeline makes sense if that’s the case, so my headcanon is that Jake is just like…really bad at astrology, and he somehow confused Pisces with another star sign.
We also have the issue of how far behind he seems to be in school (he’s 14 in early season 2, but still in 7th grade). So, two more headcanons to explain that. Number one, Jake’s birthday is actually sometime in early September, so he missed the cutoff to go to kindergarten when he was 5, and had to wait until he was 6, placing him a year behind (some places don’t allow kids to start kindergarten if they turn 5 after September 1st. I knew a boy in my old youth group who was almost a year older than everyone else in our grade, because he had an October birthday). Number two, at some point in elementary school, Jake was held back a grade. So the first episode takes place shortly after Jake’s 13th birthday, at the beginning of his sixth grade year.
Since Trixie and Spud are supposed to be the same age as him, that would mean they must’ve both been held back at some point as well (that especially makes sense for Spud—anyone who’s purposely failed as many tests as he has would almost definitely have to repeat a grade).
This would also make Rose younger than them. She’s very bright, and she seems like a good student, so it’s unlikely she was ever held back. But we don’t want her to be too much younger than them, so I’ll headcanon that she also has a birthday in early September, making her a year younger than Jake. If that’s the case, she’d be 12 in season one, and 13/14 in season 2.
Adventures in Trollsitting/Fu Dog Takes a Walk
The dogcatcher says that it’s September.
 September/October 2004
Shapeshifter Dragon Breath The Legend of Dragon Tooth The Talented Mr. Long Professor Rotwood’s Thesis Act 4, Scene 15 The Long Weekend Body Guard Duty Dragon Summit
This episode has to take place after Shapeshifter, Dragon Breath, and Professor Rotwood’s Thesis, since the Dragon Council makes references back to Jake’s actions in all of those episodes. It also has to take place before The Halloween Bash, which places it sometime in September or October.
 October 2004
The Halloween Bash
Jeff Goode’s website lists this episode as taking place between Ski Trip and The Hunted, but there’s no way that’s possible, because Ski Trip takes place close to Valentine’s Day, and The Hunted takes place during the Equinox (they don’t specify which Equinox, but it would have to be the one in September; it’s the only way the timeline makes any sense, even with the generous liberties I’m taking with these headcanons). So The Halloween Bash has to take place before Ski Trip. No one in this episode makes any reference to knowing Rose’s identity, so it works out just fine.
 February 2005
The Ski Trip
Valentine’s Day was actually on a Monday in 2005, so presumably this episode takes place the weekend of February 11-13.
 March 2005
The Egg/The Heist
Easter was on March 27 in 2005. This is how I know The Hunted takes place during the Autumnal Equinox; Rose was still in the city during Easter weekend, a week after the Vernal Equinox.
Eye of the Beholder Ring Around the Dragon Jake Takes the Cake
 May 2005
Fu and Tell/Flight of the Unicorn
Flight of the Unicorn takes place on Memorial Day, which was May 30th that year
 May/June (or September) 2005
Keeping Shop
Hong Kong Nights
I know Jeff Goode’s website says this is the last episode of season one, but I absolutely cannot accept any episode besides The Hunted as the season finale, so I’m just gonna recognize that the council has made a decision, but elect to ignore it.
 September 2005
The Hunted
The Autumnal Equinox in 2005 was on September 22
 Late November/Early December 2005
Half Baked
Jake says it’s been three months since Rose left. It couldn’t be exactly three months, because that would place this episode in late December, and school would be out for the holidays. So presumably it’s late November or early December, and Jake is rounding up when he says three months.
The Academy
This one would pretty much have to take place very soon after Half Baked, like within a week or two.
 Late December 2005
Breakout
This episode establishes that 88 and 89 are in the city working as apprentices to the Huntsman, so it has to take place before the Christmas episode, which they also appear in.
Hairy Christmas
January/February 2006
(Most of these don’t actually have to take place in January or February, aside from Dreamscape and Fool’s Gold. The rest could be pretty much any time during Jake’s 7th grade year. I’m just trying to stick to Jeff Goode’s chronology, and keep at least some of the episodes in the order he listed.)
Hero of the Hourglass Bring It On Family Business Something Fishy This Way Comes The Doppelganger Gang Dreamscape Fool's Gold
 February 2006
The Love Cruise
They never explicitly say it’s Valentine’s Day, but the whole concept of the Love Cruise seems like something a school would do for Valentine’s Day. Also adds an extra layer of heartbreak, because it means Jake and Rose’s breakup happened on the one-year anniversary of Jake finding out Rose was Huntsgirl. Ouch. February has not been kind to Jake.
On the other hand, I’d prefer to headcanon that Jake and Rose got to spend the whole summer together before their breakup, going on dream dates every night and not having to set their alarms for school in the morning (can we just let them be happy for a little while? PLEASE?!?!?!?), so maybe the Love Cruise wasn’t on Valentine’s Day, and instead was just some random school event at the beginning of their 8th grade year.
 May 2006
Feeding Frenzy
They spend three days visiting Jake’s family, so it’s either Memorial Day weekend, spring break, or summertime. Most likely Memorial Day or spring break, since Jake says in this episode that he’s been the American Dragon for a year and a half.
 May/June 2006
A Befuddled Mind The Rotwood Files Haley Gone Wild Switcheroo
This one takes place after The Love Cruise, because Jake and Rose’s recent breakup is a minor plot point, so it only takes place at this point if we headcanon Love Cruise taking place in February.
Young At Heart
I know this is supposed to be a later episode, but going by this timeline, Jake would be 15 for most of his 8th grade year, and in this episode Jake, Trixie, and Spud talk about being 14, so it has to take place during 7th grade
 Summer between 7th and 8th grade
A Ghost Story
 Late September/Early October 2006
Homecoming
I never went to public school (I was unfortunately homeschooled), but it’s my understanding that middle schools don’t do Homecoming. So my headcanon is that it was actually just a junior high prom or something, but a few students on the planning committee approached Sun Park and begged her to let them model it after the Homecoming dances at their older siblings’ high schools. Sun was delighted by their enthusiasm, so of course she agreed.
 Any time during their 8th grade year
Supernatural Tuesday Siren Says Shaggy Frog Nobody's Fu Game On Bite Father, Bite Son Magic Enemy #1
 February 2007
Year of the Jake
Chinese New Year was on February 18th in 2007
 March 2007
Furious Jealousy
Trixie and Spud put together a Daylight Savings themed school event, so this episode takes place either in October of 06 or March of 07. We’ll go with March because it’s closer to the end of the series.
 June 2007
Being Human
Haley and Gramps both say in this episode that Jake is 14, but he would actually be 15 by this point (even if my whole timeline is wrong and he actually is a Pisces, he still would’ve had his 15th birthday already). Presumably the writers just weren’t paying close enough attention to their established timeline, but the in-universe explanation is…sometimes family members forget your age; my best friend keeps saying her youngest sister is 15, when in fact her sister is turning 17 this year. Sometimes you lose track.
 Summer after 8th grade
The Hong Kong Longs
Presumably this episode takes place around July or August, which means Jake and his friends would be almost 16 by this point (and Rose would be almost 15, assuming my headcanon about her being a year younger than them is accurate).
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uta-no-sin-sama · 2 years
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New Post Series Coming Soon: 5 Fun Facts and 5 Headcanons
I hope 2022 has treated you all well so far. I've had this idea for a post series for a couple months now, and wanted to wait until the new year started before I started the series.
This was inspired by a TikTok series by user alli_bugg that she does on her page where she mentions 5 fun facts about various anime characters on their canon birthdays. I figured, why not do that on my blog?
I'm also adding my own little twist to this series by also adding 5 small general headcanons I have for each character. I know most people here just write an imagine as a sort of "special" for character birthdays, but because my life offline is too hectic and energy-draining for that, I figured this would be easier to keep on top of while still celebrating with the rest of the fan base.
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More Info about this series
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What can some of these fun facts include?
I'm going to try my best to include things that can be found in material other than the anime (the games, manga, etc), but my main source I'll be using is the Fandom wiki page. Some things I might include are:
- star signs
- likes and dislikes
- Canon information (Warning: might contain spoilers, especially for later seasons)
- info about their VAs and their roles outside of Utapri (important note: because Utapri does not have an official English dub at the time of writing and is likely one of those anime that will probably never get an English dub, assume any and all information regarding VAs is for the Japanese versions of any other anime mentioned)
- original concept ideas/stuff deleted from final product we all know and love (this one will probably be lacking, ngl)
What can headcanons include?
I have already posted a few headcanons on here, but I'm going to try not to repeat any of the ones I've already posted. They'll be more focused on the characters themselves rather than in given scenarios. These can include, but are not limited to:
- fluff (what I write best lmao)
- angst (I'll try not to post too much of this, we're celebrating birthdays here, after all)
- possibly canon-inspired
- smut/semi-smut (some characters, definitely not all in this little series)
When can we expect these posts?
My time zone is about 12 hours behind Japan's time zone, so I plan on posting each of these between the hours of noon and midnight EST the day before the birthday of the character in question, so that would make it available sometime between the hours of midnight and noon in Japanese time.
When's (insert best boy/girl here)'s going to be posted?
Here's the order of when I'll post these. There are 23 total characters that will be in this series, 20 of which I regularly write for and 3 I don't usually write for. You can also find the links to their posts here in case you miss any!
January
- 7th: Nagi
- 23rd: Camus
February
- 14th: Ren
March
- 1st: Ai
- 3rd: Haruka
April
- 30th: Yamato
- 11th: Otoya
May
- 5th: Kira
- 15th: Ryuuya (Note: This one might be posted a little bit earlier, maybe by a day or two, because I actually have the same birthday as him lol)
June
- 9th: Natsuki and Syo (they will each have their own post, and I'll try to space it out so they're not posted at the same time)
July
- 7th: Tomochika
- 13th: Reiji
August
- 6th: Tokiya
September
- 1st: Eiichi
- 15th: Ringo
- 29th: Ranmaru
October
- 20th: Eiji
- 31st: Cecil
November
- 4th: Shion
- 22nd: Shining (I'm probably going to regret including him in this list lmfao)
December
- 12th: Van
- 29th: Masato
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I can't wait to start this new series for you all and I hope this will make up for a lack of any kind of imagines as I try to get back into the swing of things.
Up first, our favorite cosmically-cute idol!
- Lizzie Rose
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duggardata · 3 years
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Jessa is Expecting Again!
She Also Suffered A Miscarriage Last Year.
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On Thursday, February 18, 2021, Jessa (Duggar) + Ben Seewald shared (via E! Online) that they’re expecting a “rainbow baby”—thereby, announcing both an imminent arrival and a recent loss.  So far, they haven’t revealed much data, at all...  Read on for my attempt to analyze the few facts we do know!
When Did Jessa Miscarry?
According to the Seewalds, they suffered a miscarriage “last year”—i.e., 2020.  Obviously, that’s not very specific...
Already, I’ve received multiple Asks speculating that Jessa might’ve miscarried in September, because of that Instagram Post where Spurgeon, Henry, and Ivy were wearing “Brother / Sister Bee” shirts.  (At the time, many thought that the cutesy, matchy–match t–shirts would be used for a pregnancy announcement, especially after we discovered that the same company made a matching onsie saying “Baby Bee.”  But, an announcement never came...  Y’all’s theory is that the Seewalds planned to use the t–shirts for that announcement, but then lost the pregnancy.)  It’s possible that this is the case; however, there’s no concrete proof, at this point.  It’s just speculation.  And, even if we knew that the t–shirts were intended to be used for a pregnancy announcement, their appearance on Instagram in September doesn’t tell us much about the Date of Loss.  Was the photo from the day of the photo shoot, and Jessa posted it—not thinking we’d notice the matchy–match shirts?  Did she miscarry before, and decide to dress the children in the shirts one day afterwards, randomly?  Did she miscarry after, but before they publicly announced with photos featuring the shirts?  We don’t know, at this point.
It’s definitely an interesting theory, though!  Y’all have a good memory...  I had totally forgotten about the “Brother / Sister Bee” shirt episode.
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When is Jessa’s Due Date?
So far, the Seewalds haven’t actually said...  They told E! Online (and TLC) they “can hardly wait to hold this little one in our arms this summer.”  On Instagram, Jessa also mentioned that the baby is due in the “summertime.”  Finally, and a bit more specifically, Jessa stated in a TLC–exclusive clip that she’s “out of the first trimester.”  The 2nd Trimester begins in Week 13...  So, from what Jessa + Ben have shared, we can confidently say that the Due Date is in Summer 2021 and Jessa is at least 13 Weeks Along.
Other than what they’ve said, we have one other clue, so far—the ultrasound / sonogram featured in the Pregnancy Announcement.  And then, of course, we can always turn to the data for clues!
Let’s analyze all the clues, one at a time, starting with...
“Summer.”   Seewald #4 is apparently due in “summertime,” “this summer”—i.e., Summer of 2021.  As for when that is...  It depends who you ask!  Most of us, and meteorologists, would argue that “summer” encompasses all of June, July, and August, and that’s all.  But astronomically–speaking, “summer” runs from the Summer Solstice (~June 21) to Autumnal Equinox (~September 22)—both of which are defined by the relative position of the Earth and Sun.
Which definition does Jessa use?  I’d be tempted to just assume that, like the vast majority of people, she just means ‘June, July, or August.’  But, actually...  Prior evidence suggests otherwise.  When Jessa + Ben announced Pregnancy #3 (Ivy), Jessa said she was due “late this spring.”  Eventually, they shared the exact Due Date—June 5, 2019.  Astronomically, June 5th is ‘late spring,’ since it’s before the Summer Solstice; however, by the leading definition, June 5th is considered ‘early summer,’ since it is in June...  So, maybe Jessa does use an astronomical definition, rather than just ‘June, July, and August.’
A Possible Due Date Range for ‘summer’ would be June 1—August 31, 2021, for most people; however, for astronomists, and maybe for Jessa, it would be June 21—September 22, 2021.  Either way, this doesn’t narrow things down much.
“Out of The 1st Trimester.”   On February 18, 2021, TLC released a video clip to accompany Jessa + Ben’s Pregnancy Announcement.  In the video, about 5 Seconds in, Jessa says she’s relieved to be “out of the first trimester.”  The 1st Trimester runs through Week 12.  So, apparently, Jessa was at least 13 Weeks Along, when the video was filmed.
Since we don’t know when the video was filmed, all we say for sure is that she was at least 13 Weeks Along on February 18, 2021, when the video came out.  Doing the math, Jessa’s Latest Possible Due Date is August 26, 2021.  Sadly, this doesn’t rule out much the ‘summer’!
The Ultrasound.   Jessa + Ben posed with a photo of a 3D ultrasound for this Pregnancy Announcement.  This gives us a small hint!
Thanks to Google, Duggar Data discovered that there aren’t a lot of options in Northwest Arkansas, when it comes to getting a 3D ultrasound...  Actually, it’s just two options—Babyface & More Ultrasound Studio in Rogers, AR; or Hello Baby! Ultrasound Studio in Fayetteville, AR.  Jessa + Ben went to Babyface & More; the words “Babyface & More” appear on the top of the their ultrasound photo.  (It’s fuzzy, but it’s there!  Here’s a much clearer photo of a Babyface & More ultrasound, which isn’t Jessa’s, for reference.)  (Note—Reference Photo was publicly posted on Instagram, with Babyface & More tagged.  Identifying information has been removed, and the baby’s face has been obscured.)  Per Babyface & More’s website, they offer 3D ultrasound starting in Week 14.  So, we know that Jessa was at least 14 Weeks Along on the Ultrasound Date.
Okay...  But, when was that?  Well...  Sleuthing regarding the Reference Photo reveals that the Ultrasound Date is listed in the top right of Babyface & More’s ultrasounds.  (It’s not the Due Date, it’s the Ultrasound Date.)  Looking back at Jessa’s...  Unfortunately, the date in the top right is really, really blurry.  Duggar Data thinks the middle number might be ‘25.’  That’s all I can say with any sort of confidence.  I can’t make out the other two numbers, at all.  Rats!
But, let’s just go with what we’ve got...  Let’s assume that the middle number is ‘25.’  That could be January 25, December 25, November 25, etc.  But, it’s almost certainly January 25, 2021.  December 25 was Christmas; Babyface & More probably wasn’t open.  As for November 25...  That’s getting to be a bit too long ago.  If Jessa was 14 Weeks Along on November 25, 2020, she’d be due by Late May, and that’s not “summer.”  So...  Let’s go with January 25th!  Jessa would’ve been at least 14 Weeks Along on that date, which means that her Latest Possible Due Date would be July 26, 2021.  We’re getting closer!
The Data.  Ah yes, the data...  My specialty!  Here’s how far along Jessa was for public Pregnancy Announcements 1–3—
#1 / Spurgeon   86 Days Along  (Due November 1, 2015.)
#2 / Henry   117 Days Along  (Due February 2, 2017.)
#3 / Ivy   133 Days Along  (Due June 5, 2019.)
Taking the average, it’s 112 Days Along.  If that’s how far along Jessa was this time, her Due Date would be August 5, 2021.  But you also may have noticed, she announces later and later, each time.  It’s 24 Days later, on average.  So...  Let’s assume that with Pregnancy #4 she waited 24 Days Longer than she did with Ivy...  That’d mean she announced at 157 Days Along and is due on June 21, 2021.  The Seewalds will beat their record for Earliest or Latest Pregnancy Reveal if Jessa is due after September 1, 2021, or before July 15, 2021.
Looking at the Overall Duggar Family Data...  If this Pregnancy Announcement was exactly–typically timed, then Jessa’s Due Date is August 23, 2021.  They would set a new, family–wide record for Earliest or Latest Pregnancy Reveal if the Due Date is after September 26, 2021, or before May 17, 2021.
TL;DR.   We really don’t know...  Sometime this summer.  Definitely by August 26.  We need an Approximate Due Date, but we really don’t have enough data yet...  I’m going to hold off on picking one, and on the rest of the data analysis, until we get more information. 
I’ll keep y’all updated.  Come on, Jessa!  Give us some details!
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thefinalcinderella · 3 years
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Kaze ga Tsuyoku Fuiteiru Chapter 8 - Winter Comes Again (Part 5)
Hakone finally starts in the next chapter, which is like, 80 pages long
Full list of translations here
Translation Notes
1. Kamaboko is a type of fish cake and Odawara is well known for its high quality Kamaboko
2. Zouni is a type of soup that contains rice cakes and is usually eaten on New Year’s Day
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That night, Kiyose was planning to explain the Hakone Ekiden entries as well as hold a drinking party. After training and jogging, the residents gathered one after another in the twins’ room.
Kiyose had gone off somewhere after training. Nico-chan and Jouta were in charge of cooking; they were probably making something to serve as an accompaniment to the drinks. Thinking he should help, Kakeru was just about to leave the twins’ room and go down to the kitchen when his phone rang. It was his home phone number in Sendai.
His parents hadn’t contacted him once since he had moved to Tokyo. He had sent them a postcard with Chikusei-sou’s address, but that was it; just transferring the money for school fees and minimal living expenses into his bank account was enough for him. His parents had wanted him to go to university on a track recommendation because they had had high hopes for their son as a well-mannered track athlete.
When he pressed the button to answer the call, he heard the nostalgic voice of his mother say, “Kakeru?”
“Mm.”
“You were written up in a magazine, weren’t you? We told you so many times not to do anything that would make you stand out. Your father is very angry with you. Are you listening?”
“Mm, sorry.”
“Please put yourself in our shoes, living here. Okay?”
“Yes.”
“What are you doing for the New Year’s holiday? Are you coming back?”
“No, I’m going to be in Hakone, so I don’t think I have time to come home.”
“Ah, yes,” his mother’s voice took on a distinct note of relief. “Okay, then. Take care.”
Clutching his now-silent phone, Kakeru stood in the middle of the stairs for a while. In a daze, he belatedly noticed Yuki’s presence at the door.
“Oh, sorry,” Yuki said. “I didn’t intend to eavesdrop.”
Yuki was holding a bag from a record store in Shimokitazawa. No matter how busy he got, he never lacked music in his life. “No problem,” Kakeru answered, and walked down the stairs to stand in the hallway with him.
“Was that a call from home?”
“Yes. They got angry at me for standing out.”
“You’re the man of the hour, after all,” Yuki laughed. If it was Yuki, he might be able to tell him—Yuki was so far the only one not happy about being interviewed. He wanted someone to hear out his painful feelings, so Kakeru deliberately confided in him as though it was no big deal.
“I don’t get along well with my parents.”
Yuki was silent for a minute.
“I see. It’s the same for me,” he said. “In my case, I guess you can call it being overprotective. My mom remarried. The guy’s not a bad person, and I have a little sister who’s a lot younger than me, and she’s pretty cute, I guess, but… It bothers me when I’m told 'we’re your new family now' and get fussed over a lot. To be honest, I don’t want to get too close to them.”
“How old is your little sister?”
“Five.”
“Eh, so she’s more than fifteen years younger than you, Yuki-senpai?”
“Yeah. My mom’s doing her best,” Yuki pushed his glasses up as though to say, Good grief. “It’s a given that family members would bother you. You have to not expect too much from them and keep a reasonable distance.”
Yuki walked towards his room—it seemed that he had given his advice. “Okay,” Kakeru answered, and then went to peek in the kitchen, which had been noisy with the sound of running water and pots falling from a short time ago. Then, Yuki returned to the hallway.
“That’s right, Kakeru,” he said. He beckoned him to a corner of the hallway. “When I was coming back, I saw Haiji at Seijo Station.”
Is he doing some shopping? Although it was a station where express trains stopped, Kakeru and the others didn’t go to Seijou that often. If anything, they usually went to Soshigaya-Okura Station, which had a folksy and mixed atmosphere.
“He went into an orthopedics clinic in front of Seijo Station.”
Kakeru jerked in surprise. There was an old scar on Kiyose’s right shin; even after the qualifiers, he had looked like he was having a hard time. Kakeru had completely forgotten about it in the commotion of training and interviews.
“I don’t know much about the injuries of track athletes.” Yuki knitted his brows. “But maybe Kiyose’s isn’t completely healed.”
In any sport, the best athletes all had some sort of injury, and track and field was no exception. Hard training and risk had always gone hand in hand with each other—the more you trained, the sharper and more delicate your body became.
“If he’s seeing a doctor, they’ll stop him if he gets too reckless, so that actually makes me relieved, but…”
“Would Haiji listen to the doctor? Especially at this time.”
That’s true, Kakeru thought. The fact that he had gone to the doctor meant that he must be feeling some kind of discomfort, maybe even distinct pain. Even if he requested a prescription to suppress the pain, Kakeru had a feeling that Kiyose would not listen to the doctor’s advice.
“I understand. I’ll ask Haiji-san later,” Kakeru assured Yuki.
Kiyose returned to Chikusei-sou before they knew it. Kakeru carefully twitched his nose around Kiyose to see if he could smell a poultice, but he couldn’t find any evidence.
“You’re a strange guy.”
That was all Kiyose said to him.
“There’s been a lot going on lately,” Kiyose said, looking around at everyone gathered in the twins’ room. “Well, don’t worry about it. We’ll get our answers through our running.”
“Haiji-san, you’re so cool!”
“’What do you want with our Kurahara?’”
The twins, who had already been drinking, made fun of him. Ever since the incident with the Shinjitsu Weekly reporter, the twins seemed to have recovered their trust in Kiyose.
“The month of November is finally coming to an end. There’s no time left until the Hakone Ekiden,” Kiyose continued, ignoring the twins. “From now on, taking care of your physical condition will be the most important thing; be careful not to get injured at the last minute.”
At the word “injured,” Kakeru couldn’t help but exchange a glance with Yuki.
“Kakeru, explain the entries for Hakone,” Kiyose said, and Kakeru shook off his worries for now. The gazes of the residents, sitting in a circle, were focused on him.
“The first step is to submit the names of up to sixteen people per team to the organizer on December 10,” Kakeru began to explain. “At this stage, who will run which leg will not be revealed. Next, on December 29, it will be the leg entry, where the sixteen runners will be narrowed down to fourteen, and ten of those people will declare which leg they are running. The remaining four will be treated as alternates. Changes in leg entries are allowed on the day of the Hakone Ekiden. The final runners will be announced before the start times of the outward and return trips. However, once a runner is removed from a leg, they cannot be entered into another leg.”
“I don’t get it. What does that mean?” Jouji asked.
Kakeru thought about it a little, then simplified it. “Suppose Rokudou’s Fujioka was entered into the second leg on December 29. This means that Fujioka cannot be assigned the fifth leg in the final entry change on the day of Hakone. If Fujioka isn’t feeling well on the first day, they have no choice but to put one of the four alternates in the second leg, and even if Fujioka recovers on the second day, he wouldn’t be allowed to run.”
“I see.” Musa nodded. “Conversely, if Fujioka-san is one of the four alternates, can we assume that Rokudou will change its entry on the day of Hakone?”
“That’s exactly right,” Kiyose said. “If there’s a strong competitor in the alternate slot, then they are either not feeling well or they plan on changing the entry of an important leg on the morning of the race as a secret weapon. After seeing the entries for each leg on the 29th, each university will consider its strategy and, trying to read their opponent’s mind, unfold a new strategy.”
“We can’t lose focus even right before the start, can we?” King seemed to feel pressured. “But we only have ten people, so that’s got nothing to do with us. We don’t have strategies or anything.”
“It’s true that we will be showing all our cards on the 29th.”
Feeling uneasy, Kakeru looked at Kiyose; Kansei had no alternates, and once they made their entries, it wouldn’t be possible to switch legs. He wanted to know what Kiyose thought about that.
“We’re not the only ones with a small lineup,” Kiyose said calmly. “Changing your entry on the day of the race can be a good or bad thing. After all, sometimes it won’t go well when you’re suddenly asked to run. In fact, there are many schools that have a policy of not changing the leg entries unless there is a serious problem. Knowing that there’s strategy regarding the entries, it’s better to know early on which leg you’re running so that you can prepare.”
“Haiji, have you already decided which legs we’re going to run?” Yuki asked.
“Yeah,” Kiyose said and straightened his posture. “Of course, if you have any objections, we can discuss it, but I think this is the best we can do for now.”
Kiyose took out a memo from his track pants and laid it out in the center of the circle. Everyone leaned in to take a look and let out cries of surprise.
Hakone Outward Journey (Day 1)
First Leg Otemachi to Tsurumi   Prince
Second Leg   Tsurumi to Totsuka   Musa
Third Leg   Totsuka to Hiratsuka   Jouta
Fourth Leg   Hiratsuka to Odawara   Jouji
Fifth Leg   Odawara to Hakone   Shindou
Hakone Return Journey (Day 2)
Sixth Leg   Hakone to Odawara   Yuki
Seventh Leg   Odawara to Hiratsuka   Nico-chan
Eighth Leg   Hiratsuka to Totsuka   King
Ninth Leg   Totsuka to Tsurumi   Kakeru
Tenth Leg   Tsurumi to Otemachi   Kiyose
 “Me in the second leg? I cannot do it.” Musa was trembling all over. “The second leg is the section for the aces, yes? Why is it not Kakeru then?”
“It’s pretty bold to put Prince-san in the first leg…” Jouji reservedly tilted his head.
Even Prince muttered, “What are you doing throwing the race from the start?”
Kakeru immediately understood what Kiyose was trying to do when he saw the lineup he had planned. Haiji-san is going to try to win the race in the second half. He’s seriously aiming for us to get seeded. No, if the race goes the way Haiji-san thinks it will, it won’t be about seeding—with these placements, we can aim for a much better ranking…!
They were such a weak club that they were in danger of not surviving next year. They were just a bunch of amateurs that had finally managed to crawl up this far, but Kiyose didn’t know the meaning of giving up; he was always looking upward, holding up dreams and goals, and firmly leading the residents of Chikusei-sou. Aiming for the heights of running. Aiming to reach the top of the Hakone Ekiden—the ultimate intermediary between individual and team competitions.
Seeing from the entry form how serious Kiyose was, Kakeru clenched his fists. If he hadn't, he would have gotten so excited that he would have ended up looking like an animal.
“Prince is the only one for the first leg,” Kiyose said gently. “Maybe it’s because you don't have any interest in the 3D world, but you’ve never been scared at the meets or qualifiers; you’re the most suitable person for the first leg, which has the most attention focused on it. You’re also tough enough to have kept up with the training until now even with your very slow times. I’m sure you’ll be able to hold your own in the race.”
He casually said something rude again, Kakeru thought, but Kiyose wasn’t lying about his expectations. Prince must have felt that as well, and a light came into his eyes.
“But in these past few years, the first leg has often been fast paced.” Yuki asked a question based on the data he had collected: “This time too, won’t each school choose a runner for the first leg based on speed?”
“There’s also a chance that it’ll develop at a slow pace in reaction to that. That’s a gamble,” Kiyose readily admitted. “But even if Prince gets separated from the others, he can still make up for it in the first leg. That’s why I chose a solid group of runners for the second to fourth legs, and there’s no one but Shindou who could do the fifth leg’s mountain climb, right? Musa and the twins should be able to steadily make it there.”
“It is too much for me to run in the ace’s leg.” Musa didn’t seem convinced.
“What do you think?” Kiyose turned to Kakeru. “Musa seems to want you to run the second leg.”
“No. I think Musa-san is the perfect fit for it,” Kakeru said with conviction. “Musa-san has been training while pushing aside all sorts of pressures. Even though he never did long-distance before, he can now run ten kilometers in the low 29-minute range. And Musa-san has always encouraged me.”
His effort and personality were second to none. Musa was an ace among aces.
“You are giving me too much credit, Kakeru,” Musa said, embarrassed. But it was unanimously decided that he would run the second leg.
There were no objections to the twins running the third and fourth legs, and they were very enthusiastic about it.
“The third leg is a road that runs along the sea. The scenery’s really nice,” said Jouta.
“Can we buy some kamaboko (1) in Odawara?” said Jouji.
The fifth leg was good with Shindou, but the problem was the sixth leg, which was Yuki’s mountain descent.
“Why am I doing the sixth leg?” Yuki asked Kiyose, looking for an explanation.
“On the trial run the other day, your posture was very stable. Normally, when people run down a steep slope like that, they’d be bent forward,” Kiyose glanced at Yuki’s legs, which were in a cross-legged position. “Also…you have thick legs.”
“What?”
“No, it was a compliment. Anyways, if your legs and loins aren’t solid, the sixth leg is out of the question.”
“It’s like sturdiness is my only good point. You say that, but what would you do if I get hurt?”
“It’s fine, isn’t it? You already passed the bar. You won’t have any opportunities to do serious track and field after graduation.”
“Oi oi, that’s irresponsible and cruel…” Nico-chan said, but Yuki was surprisingly calm and said, “You have a point,” accepting Kiyose’s words. If it made sense, he would swallow any cool-headed opinion. It was a method of persuasion that perfectly grasped Yuki’s character, and Kakeru was once again in awe of Kiyose’s ability to manipulate people.
“About Nico-chan-senpai in the seventh leg and King in the eighth leg,” Kiyose continued, “I think that when you get to this part of the route, the runners will start to break up, and there will be times when you’re running by yourself. You won’t be able to see the runners from the other teams in front or behind you. Even in situations like those, both of you will be able to run at your own pace without panicking or becoming careless. The battle to get seeded will intensify, so this is an unassuming but important section.”
“Are we planning on getting seeded?” Jouji nervously asked.
“Of course,” Kiyose decisively stated. “Now, for the last two legs, I entered Kakeru into the ninth leg, which is also called the ace leg of the return trip. As for the anchor, the tenth leg, I’ll be the one responsible for it, as I was the one who said we’re going to the Hakone Ekiden and got you guys involved.”
Kiyose only gave a brief explanation for himself and Kakeru. However, Kakeru thoroughly sensed Kiyose’s feelings for the Hakone Ekiden, and he also knew what kind of running they would have to show in the ninth and tenth legs.
Kakeru looked at Kiyose. Kiyose was silent, then nodded at him.
“That’s all. Are there any questions or thoughts?”
No one raised their hand. Pulled along by Kiyose’s conviction, everyone was finally thinking about the Hakone Ekiden as something concrete, and their fighting spirit was rising.
“Okay. Until the announcement of the entries for the legs on the 29th, what I told you is of course confidential. I want each of you to do your own image training and study the leg you’ll be running.”
Kiyose picked up his cup full of alcohol and said, Let’s drink. “With this team, it’ll definitely turn out well. Twins.”
Jouta and Jouji looked up when they were called.
“I’ll show you the top. No, we’re going to experience it together. Look forward to it.”
Kiyose smiled like a fearless king.
After the drinking party had reached its climax, Kakeru quietly approached Kiyose.
“Haiji-san, your legs aren’t doing well, are they?”
“Why do you ask?” Kiyose gently countered and poured himself another drink. Kakeru was at a loss for words—there was no way Kiyose was going to complain, however doubts swirled in Kakeru’s chest.
Haiji-san told Yuki-senpai, “You won’t have any opportunities to do serious track and field after graduation.” Isn’t he really talking about himself? Isn’t he going into this Hakone Ekiden with the resolve that he’s not going to be able to run anymore?
He was scared just thinking about it. Not being able to run was the same as dying for Kakeru. He believed it was the same for Kiyose. And yet, he…
“There’s nothing like what you’re worried about.” Kiyose smiled and spoke, “Come on, you drink too.”
Kakeru couldn’t say anything and drank the alcohol Kiyose served him in one go, full of anxiety. Kiyose was wearing that padded kimono jacket with the frayed cuffs. Soon, Kakeru would have spent all four seasons with the residents of Chikusei-sou.
Kakeru recalled the night he met Kiyose for the first time—the night when everything started.
A strange feeling like nostalgia and longing sprouted in his chest.
---
The residents of Chikusei-sou continued to train wholeheartedly even into December and had a quiet New Year’s Eve together in their rundown apartment.
On New Year’s Eve, they went to a nearby shrine to ring the temple bell, and on New Year’s Day, they ate zouni made by Kiyose. (2)
The tension was building minute by minute, but even that felt good. It was because he wasn’t alone; in Chikusei-sou, Kakeru could feel the presence of the people he had been training and living with.
He wasn’t alone—until he started running.
He had comrades who were always, always, waiting for him to start running, to finish running and to come home.
The ekiden was that sort of sport.
---
At last, it was January 2.
The Hakone Ekiden began.
It was the end of the year-long battle the ten of them had been engaged in. At the same time, it was the beginning of the first and last fierce battle of the ten, which would be handed down as long as there was a Hakone Ekiden.
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mercuryonparklane · 3 years
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Since Taylor released “You All Over Me” last night and also posted the “Love Story” remix lyric video that includes a group picture with Emily in it, I am reposting this from my other blog (because at the time I posted it my other blog was too new to show up in the tags). I’m not necessarily saying that YAOM is about Emily...
Anyway, here is a post about “Breathe” and how it is the only Grammy nominated song of Taylor’s that she has performed just once:
Prior to Lover Taylor had 9 Grammy nominated songs (that appeared on her own records): “You Belong With Me”. “White Horse”, “Breathe”, “Mean”, “We Are Never Ever Getting Back Together”, “Begin Again”, “Shake It Off”, “Blank Space”, and “Bad Blood”.
According to Taylor herself, despite multiple requests from fans over the years, she has only sung “Breathe” live one time. She performed it for the first and, so far, only time on August 18, 2018 during her reputation Stadium Tour show in Miami.
I decided to compare this to how many times she has sung her other Grammy nominated songs (I chose not to include anything from Lover or folklore because she obviously hasn’t had the opportunity to perform those songs as she normally would):
(Disclaimer: the data related to the number of times Taylor has played each song comes from setlist.fm, so it may not be 100% accurate, but it is close enough to demonstrate the purpose of this post)
“Breathe”
Date of release (as a single): October 23, 2008
# of times Taylor has performed this song live in total: 1
“White Horse”:
Date of release (as a single): December 9, 2008
# of times Taylor has performed this song live in total: 137
“You Belong With Me”
Date of release (as a single): April 26, 2009
# of times Taylor has performed this song live in total: 381
“Mean”
Date of release (as a single): March 13, 2011
# of times Taylor has performed this song live in total: 196
“We Are Never Ever Getting Back Together”
Date of release (as a single): August 13, 2012
# of times Taylor has performed this song live in total: 272 (that # includes 1 time she performed the song as a mashup with “Bad Blood” and 53 times as a mashup with “This Is Why We Can’t Have Nice Things”)
“Begin Again”
Date of release (as a single): October 1, 2012
# of times Taylor has performed this song live in total: 75
“Shake It Off”
Date of release (as a single): August 18, 2014
# of times Taylor has performed this song live in total: 189
“Blank Space”
Date of release (as a single): November 10, 2014
# of times Taylor has performed this song live in total: 166
“Bad Blood”
Date of release (as a single): May 17, 2015
# of times Taylor has performed this song live in total: 141 (that # includes the 53 times she performed the song as a mashup with “Should’ve Said No”)
As you can see, there is a pretty glaring disparity between the number of times she performed the other 8 songs live compared to the 1 time she performed “Breathe” live.
The song was released as a promotional single in the lead up to the release of Fearless, but wasn’t really a main single. It never had a music video, which means that it was probably never meant to be pushed for the charts. Although, it did spend one week on the Billboard Hot 100 chart, peaking at #87 on the week ending November 29, 2008, following the release of Fearless.
The song was co-written with Colbie Caillat, who also features on the track. Colbie was fairly popular at the time, in particular her debut single “Bubbly” had been very successful the previous year. So, you might think Taylor’s team/label would have wanted to push this song a bit more, but for some reason they didn’t.
The song seemed to be received well by critics too. There were obviously plenty of people who thought the song was good enough to earn a Grammy nomination. Although, it did end up losing to Colbie’s other, more commercially successful collaboration (“Lucky” with Jason Mraz).
So, it has been established that the song was released as a promotional single, it was nominated for a Grammy, and it was a collaboration with a popular (at the time) artist. These three factors combined might make someone wonder why she didn’t perform this song live until almost 10 years after its release. Just to reiterate, Taylor performed “Begin Again”, the song she performed second least out of this list, 75 times compared to the 1 and only time she performed “Breathe” in 2018.
This brings me back to the point that all of these other songs have a music video and were pushed as singles, whereas “Breathe” was only a promotional single and never had a music video.
Perhaps it would be fairer compare “Breathe” with the other promotional single Taylor released in the lead up to Fearless (I am excluding “Change” because it does have a music video and was used during the 2008 Olympics):
“You’re Not Sorry”
Date of release (as a single): October 28, 2008
# of times Taylor has performed this song live in total: 124
Yes, that’s right. Taylor has performed “You’re Not Sorry”, a song that got about the same amount of promotion as “Breathe”, well over 100 times.
Fearless was Taylor’s sophomore album and it was her first tour as a headliner. She had two albums worth of songs, plus a handful of others, to choose from. “Breathe” did not make the setlist. The only other song from Fearless that was not a part of the main setlist for that tour was “The Best Day”, a song that she performed live 6 times between 2009 and 2018, including twice during the Fearless Tour.
So, “Breathe”, again, was:
co-written by and features an artist who was popular at the time
released as a promotional single
nominated for a Grammy
never performed live before August 18, 2018
Which begs the question, why did she wait so long to perform the song live?
It has pretty much been established that the song is about Taylor’s original fiddle player, Emily. Taylor has never named names on this one, but most Swifties, even non-Gaylors, think the song is about her. Colbie Caillat basically confirmed this longtime fan theory in an April 2020 interview, where she says that Taylor “was writing about something she was going through with a band member at the time, and she was pouring her heart out about it”.
Taylor did say in the “making of” video for “Breathe” that the song is about a friend:
“It was total therapy because I came in and I was like, ‘Look, you know, one of my best friends, you know, I’m gonna have to not see anymore and is not gonna be part of what I do and it’s, like, the hardest thing to go through.’ It’s, like, crazy listening to the song cause you’d think it would be about a relationship, but it’s really about, like, losing a friend and, like, having a fallout and just the loss…”
She also adds:
“It’s never specific as to why. That’s my favorite thing about it. It doesn’t talk about why or whose fault it was cause sometimes the hardest time and way to say goodbye is when it’s nobody’s fault. It just has to stop.”
But, again, I’m pretty sure that Taylor herself has never said that it was about Emily. The official story is that Emily left the band to attend law school, but there is a rumor that she was actually fired. More specifically, the rumor is that she was fired when the true nature of their relationship was discovered.
This is all old news to Gaylors, of course. I said in my first post for this blog that I would not go too far into this theory due to the fact that Emily was 21 when she was hired and Taylor was only 16 at that time. I do think it is possible that Taylor had strong feelings towards Emily and maybe those feelings were unrequited or maybe they were reciprocated. Either way, perhaps someone found out somehow and the fallout was Emily getting fired.
It is also not improbable that Emily decided that she didn’t really like being on the road or the business side of being a professional musician and wanted to pursue a different career. If that was the case, then I do wonder why Taylor felt the need to repeatedly sing “I’m sorry” at the end of “Breathe”.
The only thing that would make sense, other than a potential firing that Taylor somehow felt responsible for, is that they had a fight when Emily broke the news to Taylor that she was going to leave the band. Hence, Taylor feeling the need to apologize so profusely.
Even if that is the case (here is where I project a bit/draw from my own experience), it still seems, to me, like Taylor felt a deep connection to Emily that might have blurred the line between platonic and romantic feelings. Maybe Emily is the first woman that she had those feelings for (ignoring “Angelina” and “Me And Britney” for this point) and so when she left it hit her really hard. Thus, she couldn’t bear to sing about it, even by the time the Fearless Tour started almost a year and half later.
That is all speculation, of course. Still, I can’t help but wonder why she would let almost an entire decade go by before she decided to sing a literal Grammy nominated song on stage for the first time. Especially considering the fact that she has performed all of her other Grammy nominated songs well over 100 times, aside from “Begin Again” (which she has still performed 74 times more than “Breathe”).
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October 2016
Oct 1st - Taylor takes pictures with fans in Nashville. (x)
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Oct 4th - Demi Lovato criticises Taylor in their Glamour magazine cover interview. (x)
To be honest, and this will probably get me in trouble, I don’t see anybody in any sort of squad that has a normal body. It’s kind of this false image of what people should look like. And what they should be like, and it’s not real…. It’s not realistic. And I think that having a song and a video about tearing Katy Perry down, that’s not women’s empowerment.
Demi defends themself on Twitter after the interview is published, saying they're 'not apologizing for saying what everyone wants to say.' (x)
Taylor's partnership with AT&T is announced, including her Super Saturday Night pre-Super Bowl performance which will take place on Feb 4th 2017 in Houston. (x)
Joe is in London attending the IWC Schaffhausen Dinner in Honour of the BFI. (x)
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Oct 5th - Taylor FaceTimes with Cara and Dakota Johnson, who are both in LA, for Dakota's birthday. (x)
Oct 9th - Paul Sidoti (Taylor's guitarist) posts a photo of guitars in a rehearsal studio with the caption, 'Back in the saddle again.. #formula1' (x)
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Oct 11th - Cara is seen leaving Cornelia Street. (x)
Taylor, Cara, Dakota and Suki Waterhouse meet at the Waverly Inn in the West Village at around 11pm. (x)
Oct 12th - Taylor attends a private Kings of Leon concert at Le Poisson Rouge in New York, along with Lorde, Lily Aldridge, Lily Donaldson, Cara, Suki, Martha, Dakota, Zoë Kravitz and Naomi Campbell. (x) They then go to the Bowery Hotel for the afterparty. (x)
The group is then papped leaving the Bowery Hotel and arriving at the Lovers of Today bar. Joe arrives at Lovers of Today with Lily D, Martha, and Martha's boyfriend Jason McDonald, while Taylor, Dakota, Cara and Zoë arrive moments later. (x) Given that Joe has a connection to the lead singer Caleb Followill (via his Billy Lynn costar Garrett), and arrived at the bar with others who were definitely at the concert and afterparty, it seems almost certain that he was at those events too. No media picks up on his presence at the time.
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Oct 13th - Taylor goes out for dinner with Dakota and Cara in New York. (x) She then attends an Eliot Sumner concert at the Bowery Ballroom (not to be confused with the Bowery Hotel), along with Karlie, Suki, Lily D, Dakota, Cara, Zoë and Serena Williams. (x)
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Taylor is wearing a temporary golden tattoo on her neck.
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Oct 14th - Billy Lynn's Long Halftime Walk premieres at the New York Film Festival. (x) Joe walks the red carpet and does some promo. (x)
Eliotte, Kamilah and Melanie, three of Taylor's backup singers, are hanging out and probably rehearsing for the upcoming concert at F1. (x)
Oct 15th - Joe does some more promo with the rest of the Billy Lynn cast in New York. (x)
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Taylor is in LA for a few days between the 13th and 16th recording Delicate (her golden neck tattoo is visible). (x)
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Oct 16th - Lily D and Suki post videos of Olivia to their social media from Cornelia Street. (x) (x)
Oct 17th - Cara is seen leaving Cornelia Street. (x)
Oct 18th - Taylor is in rehearsals in Nashville for her upcoming F1 concert. Her golden neck tattoo is gone. (x) (x)
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Oct 20th - Little Big Town releases Better Man as the lead single from their eighth studio album. (x) (The song was written by Taylor but this fact is not publicised upon the song's initial release.)
Oct 21st - Taylor posts an Instagram story from her bed. She has a cold and Meredith is making a racket and keeping her awake ahead of her concert in Texas the next day. (x)
Oct 22nd - Taylor files a counter-suit against radio DJ David Mueller, who is suing her because he lost his job after groping her at a 2013 meet and greet. By counter-suing him for assault and battery, she hopes to 'serve as an example to other women who may resist publicly reliving similar outrageous and humiliating acts.' (x)
Taylor performs her only concert of 2016 at the US F1 Grand Prix in Austin, Texas (saving the US Grand Prix from going bust in the process). She plays TIWYCF on piano, her first time performing the song live. (x) She has a cold and has to pause the show to blow her nose. (x) (While promoting Billy Lynn in Taiwan a few weeks later, Joe also has a cold.)
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Oct 23rd - Taylor goes to Drake's 30th birthday party at Delilah restaurant in LA. Karlie, Zoë, Jari Haile, Kennedy Rayé, Halston Sage and the Haim sisters are there, as well as John Mayer and Katy Perry. (x) Taylor and Halston both have stick-on gold star tattoos on their chests. (x)
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Oct 24th - Taylor commemorates the tenth anniversary of her first album with an Instagram post. (x)
Given that Taylor does not leave LA until the 28th but is not papped anywhere, it is possible that she uses her time there to work on I Did Something Bad at Conway Studios with Max and Shellback. (x) The Making Of clips for the song show that it was recorded sometime after Taylor's haircut on the 24th Sep. (Don't Blame Me was not recorded until some point after December 13th, as she wears the J necklace in the Making Of clips and we know that was a 27th birthday present. (x)) However, it isn't possible to precisely date these clips.
Oct 25th - Katy Perry attends Kanye's concert in LA and posts a video on her Instagram story dancing along to the Famous lyric about Taylor. (x)
Oct 27th - There are rumours that Taylor and Drake are dating, following her appearance at his birthday party, but these are shut down, presumably by Tree. (x) (x)
Oct 28th - Calvin drops the music video for My Way. Some think it contains several references to Taylor. (x)
Karlie wishes Drake a belated happy birthday by posting an Instagram picture of herself and Taylor at his party. (x)
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In the evening Taylor's plane goes from LA to NYC, and then from NYC to London. However, she stays completely under the radar and is not spotted anywhere in London. (x) At the time some people theorise that this means she's seeing Tom again, but in hindsight she almost certainly went to see Joe.
Oct 31st - Taylor's plane returns to the US from London. (x)
Taylor has a small Halloween party at her Cornelia Street townhouse. Guests include Gigi, Martha, Lily D, Camila, Kennedy Rayé and Emmie Gundler. Taylor dresses up as Deadpool and wears Ryan Reynolds' actual costume from the movie. (x)
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Camila talks about the party a year later on Jimmy Fallon and mentions that at one point 'two attractive guys' arrived, prompting Camila to run to the bathroom and change out of her grandma costume. (x) (x) Apparently one of the guys was dressed as Spiderman. (x) If so that was probably Joe, since that's his favourite superhero. (x) Also probably a couples' costume, since Deadpool and Spiderman have a bromance going on in the comics. However, I couldn't find any original interviews where Camila mentions a Spiderman being at the party (I know she mentioned the party in some radio interviews which have since disappeared from the internet so maybe it was one of them).
Anyways, it's very likely that the guys attending what was otherwise a girl's night/Kennedy Rayé's birthday were Joe and a friend, especially since the next day Taylor's private jet made a seemingly random round trip to London and back. Presumably this trip was to drop Joe (and possibly his friend) back in London, in time for Joe to fly from the UK to Taiwan and China for Billy Lynn promo. (x) (x)
Intro // February // March // April // May // June // July // August // September // October // November
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snowwhitelass · 3 years
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New Outlander Game Coming – Talking with the Game Designers
By:  Erin Conrad, June 15, 2021
Gamers Corner, TV News
Outlander game, Sony, Starz Outlander, Variable Outcomes
Who wouldn’t want to dash around the Highlands with Jamie, trying to be his favorite, and rescuing him from trouble on the way? That definitely sounds like a fun time, even if all you can do is dream about it. Or IS that all you can do?
NO! Sometime this fall, a brand new board game will debut – Outlander The Series! Designed by the husband and wife team of Matthew and Ashley Killeen, the game will let you play with a bunch of your friends, meeting familiar faces along the way, and getting in and out of all kinds of scrapes. The game will be available for holiday shopping, so you can start to set up your Outlander game nights now. I had the opportunity to talk with Matthew and Ashley about the development of this new game, and learned some details.
From the game’s marketing information: “His fate is in your hands! Step through the stones of Craigh Na Dun and run through the Scottish Highlands with the handsome Jamie. The year is 1743, and the outlaw James Fraser is at your side as you navigate the thrills and dangers of the Highlands. Use your wit, reach the right locations, make the right friends, and gather the items you need, all while keeping Jamie out of the hands of the many who would do him wrong. The gallows await fair Jamie (or worse!) should you fail. Fulfill your destiny, and win his heart. Only then will victory be yours!”
Outlander is the Killeen’s first big franchise game. “From a business point of view, it’s something I always wanted to do,” Matthew said. “I enjoy games with an IP license attached, TV show or movie, and I have designed prototypes that might be good for Ghostbusters or Star Trek. I really wanted to get into that.” Ashley knew Matthew was interested in trying a licensed game, and said “I’ve been watching Outlander, you should make a game based on that.” Matthew hadn’t yet seen the show, so he said “you do it” – and she did.
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Ashley didn’t get into the show until season three. “The first version (of the game) was based on the book, because I thought that might be the avenue to go. But it ended up being more layers to secure the book rights than TV. We heard back from Starz/Sony quickly, and the show and book were similar enough that I didn’t have to change too much from initial design. I swapped out characters and items that didn’t translate from one to another. Jamie still has same event encounters, the same enemies. It’s nice to look at both sides, to really put in all those little hidden tidbits from show. I’m hoping that fans of the show will enjoy all those subtle things that I’ve put in. But the other thing we wanted to make sure was that it was not dependent upon being familiar with the show, because the last thing you want is a game with Outlander masked on top of it that doesn’t play as anything on its own. And having a lot of friends who knew nothing about Outlander, how could I get them to the table?”
Matthew said, “One of philosophies for the board game stuff was that I’ve seen games that were maybe like a movie spin on top. Is this fun or exciting because of the game, or just because of the movie or tv show tie in? And one reason, the biggest reason why I got excited was when I first played it, I had never seen the show. I knew nothing about it. I had never seen the characters, and yet, I still enjoyed it. It was a good game.” Ashley added, “He has since seen the show.” Matthew continued, “That’s another thing that’s always bothered me. I feel like if a certain publisher or game designer makes something but doesn’t know the back story, that’s lazy. As soon as I found out we were going to do this, I watched the show. I know all my lore now. I was obviously able to play the game again once I knew the show and the lore, and it made the game play better.” “You understood my decisions,” said Ashley. “Exactly,” said Matthew. “Whether you know the show or not, it’s a good game.”
Ashley discussed their process: “I started December 2019. This past December, we were finally able to go forward. We got the contract from Sony in November. It was a long process! We got approvals for the design of the game, and access to the virtual library. We could figure out images that would go with the components we had.” Once they had that, Matthew figured out the graphic design for the game.
Was Sony/Starz helpful? Enthusiastic? Ashley said, “They were enthusiastic. They didn’t really have a board game. They had Destiny Dice, but that wasn’t the same thing.” (For my review of Destiny Dice, a game that came out a couple of years ago, click here.) I’ve had reservations about this previous game, so I asked how they overcame the failings of that one to make this new game. My concern with a platform like this is that the show is so big and layered – a group of women will come together over a glass of wine or three, and are they going to be able to figure it out easily enough to have a good time in an evening? Ashley feels that the new game will let us do that. “The idea behind this was that we wanted to bring everybody to the table – people whose board games lives consisted of Scrabble for their whole lives, and those who have played campaigning, like Mage Knights, epically, every week. We want to bring both those sets to the table. It should be intuitive enough once you’ve figured out the first turn order. It’s the repetition of that, it’s just your personal strategy that changes on what you choose to do, but the game play isn’t going to change on you as you go.”
She added, “But there’s enough in there that if you are an experienced board game player, you’re not sitting there bored waiting for the next thing to happen. That was our goal, as many people at the same table as possible enjoying it at the level they’re at. You can have the game player who knows nothing about Outlander, and you can have the Outlander fan who doesn’t play board games, and they will have a good evening. We also tried to be strategic about the length, because you don’t want to have just a tease of a game, because then you can’t be really invested and immersed in that world, but we also know, especially being parents now, you don’t have time to spend four hours on a game. That’s not going to happen any more. What’s a good length? If you can watch an episode of Outlander, you can play a round. So we wanted to find something that made sense. A lot of these pieces, once you apply a little logic to it, they fell together really nicely.”
This is the first “franchise” game the Killeens have designed. The fascination with board games started in 2004, and in 2011, Matthew began to design games as hobby. “I enjoyed playing, but in between then I was going to school and forgot about it. As school was winding down, I really got into it. I created an educational game called Witchful Thinking. We’re both teachers, and when doing practicum, the teacher (that he was working with) had kids doing games for math. but they were really boring, and the kids didn’t like it at all. I remembered I had a game that worked for this! I started looking at my business from a professional point of view, filling in gaps in the market. I wanted to bring people to a table they hadn’t been to yet. Witchful Thinking is a card game – witches brewing potions, teaching math – subtraction, addition, pre-algebra, and more advanced math. It was a great educational tool.” The company has more ideas – they have an upcoming Kickstarter for a game called Tennessee James, an Indiana Jones parody (learn more here). Matthew says that the company expects to bring out many more titles – “Between the two of us, we have a backlog of designs.”
When do they expect to have this out? Matthew said definitely for the Christmas season. “I am working with manufacturers right now, trying to iron out some of those details, but we’re going to be moving into manufacturing right now. It depends on how long it takes to do the mass production plus shipping, but I would estimate this would maybe in stores (or online retailers) by October. That’s probably a good estimate.”
Did they do a lot of testing? “We needed especially non-Outlander fans to play this game. The Outlander fans, it didn’t take a lot of convincing to get them to play,” said Matthew. “Even before there were pictures on the cards, they knew the board, they knew the characters. So even if you had a blank piece of paper that just said Murtagh on it, they know what it means. I wasn’t worried about the Outlander fans, and the game play is pretty intuitive, once you go through the steps. So once you’ve done a round, you can keep going around, no problem. So we were just like, ok, you don’t know what these names mean and where these places are, but you’ve got a bit of the information, are you on board? And so far the reaction has been, yes, I feel like I’m playing a game, even if they don’t know who Jamie is or anything like that.”
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He continued, “The tall and short of it is that this that this has been play tested thoroughly. It’s not broken, and the most important part is that it’s fun.” Ashley added, “It’s a nice balance of cooperative, nobody wants Jamie to come to any harm, but you still want to be his favorite. So you can get a little catty, and that’s what makes the fun. You’ll be adding something a little stronger to your tea nights once you start playing that way.”
Matthew said, “One of my strategies for play testing is that I like to try different strategies each time and see what works and what doesn’t .Ashley laughed, “You played mean one time.” “Yeah, it’s my wife, I’ve got to play nice, right? But one time, I didn’t play nice, and I took a competitive edge, and it was awesome,” he said. So players, remember that!
“When I was working on Witchful Thinking, I was looking to put it into Walmart and Target. But they don’t want to talk to the independent company, they want to make sure they’re getting multiple products from the same distributors. So we want to make sure that the distributors that we get are also trying to get the game out there. I do have distribution in the US for Witchful Thinking, and they’re excited to take on this one.”
What was your favorite part of the game, as you play it, I asked? Ashley said, “I like the QuickSave. This is a component we have because Jamie is always going to move in a predictable pattern, and the three villains he’s trying to avoid – Black Jack Randall, the Redcoats and the Watch – those are all the Meeples that are going to be moving around. As you are collecting friends along the way, if you happen to be en route to an Encounter, you can use the special abilities from your friends. So maybe it’s Dougal who is going to be discarded, and that will be a Quicksave to put Jamie back in hiding, so the game’s not over, you haven’t captured him yet. I like that idea, the Quicksave. So you’re strategizing, not just for what’s going to give you a lot of Favor from Jamie to try to win his heart in the game, but where are these people going to help me if Jamie is in a pickle. Because he’s going to get himself in a lot of pickles.”
As he does on the show, I said! Ashley continued, “And as a designer, that’s a fun way for me to tie in the personality of the characters. There’s a reason why they have the values that they do. There was a little argument between us in the design phase, because I made Willie – Willie Mackenzie from the first season – he has this hidden kind of superpower that most of the time, he’s a bit weaker, but when the danger level’s up, he’s strong. Matt was criticizing that, ‘he’s a minor character, why is he so strong?’ But you haven’t been paying attention. Because when Jamie’s in Wentworth, it’s Willie who’s willing to go. So that’s his power, when things are toughest, he’s the one that can save the most. I was having fun finding those little nuggets, the lore, that fans love, and if you’re paying attention to how I’ve designed it, you’ll start seeing like why you get more Favor in some places, or more Wit, or why you have the saving abilities.”
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The women playing will like seeing that, I agreed. “I think that we’ve got it so that your favorite characters, from S1 at least, this is just in the Highlands, you’re going to see them, I think they’ll do you proud,” Ashley says. “We’re still excited about it, even though it’s been a year and a half doing it, so I think that says something about it, that we can still be passionate about it, little choices like that, I think the game has life.” Ashley told me that she has ideas for additional Outlander games to follow each season, so this may go on for quite a while!
As their cute kids came into the room, I asked if game design was full time, or is this an extra job? Ashley said, “I’m a full time teacher, so I’m squeezing this in between the report card writing and the classroom stuff. With a bunch of changes with Covid, it’s made more sense for Matthew to stay home, so we decided to go all in, make this run for itself.” Matthew said, “I can speak from the graphic design standpoint – I didn’t design the gameplay, Ashley did that, but I offered suggestions here and there, it was her decision on things, and she made some great decisions. And between that, I did the playtesting and the graphic design in January and early February, I’ve put in hundreds of hours, not just with the graphic design, but also the business stuff too, figuring out social media posts, getting things approved by Sony, talking with the distributors. So this has been not just like a full time job, but overtime, I’ve put in some serious hours for this.”
Since this is the company’s first big license, I asked if is this something they want to continue. “Absolutely,” Matthew said. “And I knew that when I turned this into a hobby back in 2011. I enjoy making board games. I enjoying making movies, watching movies, reading books, all that stuff. I needed some sort of creative outlet. And this was it. I enjoy tabletop games, so I found a business that I’m passionate about. But I found over the years, since I am a small business, I had to learn everything. I can do the game design, I can do the graphic design, the IP stuff, social media, the PR, distribution. I have all those experiences, so if I can continue this, I’ll be very happy.”
Price point for the game should be $48.99 CA (US equivalent is about $40). And it will be available in the US, and more – Matthew says, “The territories we have with Sony are Canada, USA, UK, Australia and France. We’re a small family run company, but at the same time, this is a big license. So we want to do the fans proud, we want to do this IP proud, so we want to give the biggest reach that we can.” Ashley said, “We’re limited because we’re not the distributors, so once we put it in those hands, it’s really up to those stores that want to put it on their shelves. So until we know where they’re placing it, I can’t tell you ‘oh, pick it up here.’ ” Matthew agreed. “I have experience with all of that, so when I made Witchful Thinking and released that, I had a hard time getting distribution. So I went store to store, city to city, and I made those contacts myself. For me as a business owner, I’m not just one of those owners who throws money out and does it. I have experience in all these aspects. So when this game comes out, let’s say that distribution doesn’t have as far of a reach as possible, I’ll make it happen. With Covid especially, the online market is important.”
“From a business standpoint, we’re a new company,” Matthew said. “It seems that we’re very new to this but that’s not really the case. This game has been been in development for a long time, and between the two of us we have 20+ games in prototypes. So we definitely know how to make games, and make games fun. And the fact that we’re both teachers, I think makes it even better. Because as teachers, we have to know how to sell to an audience.” ” And explain the games,” Ashley added.
PRE-ORDER THE GAME RIGHT HERE! Three if by Space has the game available for pre-orders in our Collectibles shop!! Click here to go to the pre-order page!
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taylizmasterpost · 4 years
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Reconciliation and Late-Stage Tayliz (September 2014 - Present)
Despite not seeing each other for a while, Taylor and Liz clearly still hold a soft spot in each other’s hearts.
During the Secret Sessions for 1989 in Nashville, fans took pictures in Taylor’s home, and you can clearly see she has photos from Charleston displayed:
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When it came time to mend the fences between Taylor and Liz, Claire Callaway was the one who ended up doing it:
2 October 2014 - Claire tweets a TBT to the Charleston trip. Liz responds to it:
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That seems to get the ball rolling, because when Taylor drops Out of the Woods as a single, this happens:
14 October 2014 - Taylor and Liz tweet about how much they miss each other:
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Then, when Taylor walks the runaway with Karlie at the VSFS, this happens:
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Taylor is with Karlie at the time, and obviously nothing romantic is happening on Liz’s end either, because...
20 December 2014 - Liz gets engaged to Bryan Brown and has dinner with friends:
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16 February 2015 - Liz tweets that Taylor is badass
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8 April 2016 - Liz makes this gay post on Facebook that I’d like to think is a response to Style, since the MV had come out a few months before:
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And Liz seems to have found a group of gay friends...
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Although, that could just be a typo.
15 July 2015 - Liz posts on Facebook that “Thanks to some really talented friends, I got to record something beautiful today. Can’t wait to share this one.” The picture she attaches definitely looks like Taylor:
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Liz also tweets this:
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We do NOT know where Taylor was that day. However, she performed in DC on the 1989 tour on the 14th and was papped in NYC on the 16th so it’s not impossible she was in Nashville working on something with Liz. Unfortunately, whatever they worked on has yet to surface (unless you subscribe to the theory that Liz is WB...)
3 August 2015 - Shawn Brooks releases a song called Matter of Time that was written sometime in 2014 by Liz.
Notable lyrics include:
She’s got me lovestruck, crazy Going out of my mind She’s got me lovestruck, crazy But sooner or later, she’s gonna be mine It’s just a matter of time
Don’t know what this means for Liz or TayLiz, since Liz has been with Bryan since early 2013 at the latest, but this is very gay and fun.
27 August 2015 - Thirst tweet:
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31 August 2015 - Liz calls Taylor sexy in response to the Wildest Dreams MV:
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15 October 2015 - Liz tweets about Better Than Revenge:
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28 October 2015 -  Liz quote tweets Taylor about OOTW acoustic:
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11 November 2015 - Liz responds to Caitlin’s tweet tagging Taylor about nostalgia:
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9 December 2015 - Liz congratulates Taylor on her Grammy noms:
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13 December 2015 - Taylor’s birthday. Liz wishes her HBD:
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29 January 2016 - Liz says her favorite song from 1989 is This Love:
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15 February 2016 - Liz and Taylor both attend UMG’s Grammys afterparty at the Ace Hotel Theater :
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26 February 2016 - Liz posts a TBT to Charleston:
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16 April 2016 - Liz and Taylor both attend Coachella:
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6 May 2016 - Liz tweets about This Love:
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10 May 2016 - Liz possibly writes STFU and Hold Me (likely about Bryan, since he’s out on tour with the woman he’s going to leave Liz for, signaling to me that their relationship is on the fritz):
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4 August 2016 - Liz posts a throwback to the Vogue photoshoot at the Bowery.
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3 September 2016 - Liz and Bryan’s last interaction on Twitter:
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(Bryan had been on tour with Jillian -- who he’d later marry -- and tweeting at her all summer, much more than he’d been tweeting with Liz). It’s important to note the way their relationship ended for when we start studying who Liz’s songs are about.
26 November 2016 - Liz tweets about Clean, possibly signaling her and Bryan have broken up by this point:
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13 December 2016 - Liz wishes Taylor happy birthday with a post about Charleston (captions vary based on site). This also signals to me that her and Bryan are over, since she’s reminiscing on Taylor picking her up off the ground after her breakup with Jason:
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11 July 2017 - Liz tells a fan that You Are In Love and All Too Well are her favorite songs from 1989 and Red (guess her favorite song is no longer This Love…):
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11 August 2017 - Liz releases STFU and Hold Me:
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This MV has a LOT of parallels to the IKYWT video. The lyrics talk about “staring with a bang” (”took off faster than a green light go”?), and reckless abandon (”this path is reckless”). MV parallels are as follows (thank you @mercuryonparklane​ for all the help finding this):
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(notice the key necklace?)
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So, either Liz is lowkey ripping off Taylor’s work or she’s trying to signal that she was the muse for IKYWT. However, considering Liz is deliberately trying to keep her image separate from Taylor, it doesn’t make any sense that she would try and rip her off. Of course, it could just be a big coincidence...
30 September 2017 - In an interview with The Young Folks, Liz says that STFU and Hold Me is about “getting to that point in a relationship where you’re sick of going around and around talking about the same issue with your partner and it’s time to wave the white flag,” Huett says. “We’ve all been there.”
Of the lyrics “I’m coming from a line of problems / I was born and I became a product” Liz says “I’m not exactly the most polished person. I’d rather be real than perfect and sometimes that means I say things that make people uncomfortable or act out in relationships and test limits, etc… I’m an honest mess but I believe I can and should be loved in light of that. :)”
I still think this song was written about the end of her relationship with Bryan, but it’s still interesting to see how Liz describes herself in relationships.
27 October 2017 - Liz releases H8U
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This is another song that I think was written about Bryan. The lyrics reference taking another woman to a Tom Petty concert (Liz LOVES Tom Petty) and generally moving on quickly with another woman, which seems apt for the Bryan/Jillian situation going on.
HOWEVER, the lyrics also reference “our first date two years ago,” which doesn’t make any sense, since Liz and Bryan didn’t break up until 2016 and were together since early 2013. So it could maybe be lyrically about Taylor.
I do think the MV makes a deliberate Taylor reference, though, with the interrupting the wedding scene. Taylor famously had Liz dress as the Bridezilla on the Speak Now album art:
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And, at the end of the H8U MV, Liz DOES kiss the blonde bride on the mouth after interrupting her wedding... which is... INTERESTING (especially since Liz is dressed in full RED the whole MV):
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I don’t think it’s a stretch to presume Liz could’ve reversed their roles here. IDK.
9 November 2017 - Liz makes her “H8U, love these” playlist on Spotify, which features All Too Well.
1 November 2017 - Liz obsesses over Reputation:
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15 November 2017 - Taylor posts an IG story with photos of her Liz and Caitlin in Australia in the background:
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13 December 2017 - Liz wishes Taylor happy birthday:
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20 December 2017 - In a now deleted tweet Liz obsesses over New Year’s Day
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6 April 2018 - Liz releases Don’t LV U Anymore. Here are some interesting lyrics:
I don't steal your chapstick anymore / Don't wake up to your kiss anymore / And I don't have a washer and dryer full of guitar picks anymore / 'Cause you don't come over to my place anymore / Don't flirt with my roommate anymore / And I don't run to your friends / To get them on my side when we fight anymore / And I never say it / I keep it inside / But maybe I'm wasted / Or maybe it's time to get this off my chest, babe / ... / I don't love you anymore / But I don't love you any less / I don't play you my songs anymore / To see if they're good anymore / You don't tell me your secrets / 'Cause you don't know if I keep them to myself anymore / I don't go to church anymore / Don't know what to believe anymore / And I don't remember the beat of your heart / The smell of your car anymore / ... / Two years and counting / Still got all this weight on my chest / Two years and counting / And I can't remember what I can't forget
Based on the “two years and counting” line, as well as the line about a washer and dryer of guitar picks, I’m inclined to believe this is another song about Bryan. 
However, it is a really similar sentiment to that Civil Wars song Liz posted back when her and Taylor first ended things, and the line about running to get friends on a side when fighting is very similar to the “you go talk to your friends, talk to my friends talk to me” in WANEGBT and the image in Battle/Let’s Go of all their friends standing around watching them fight. Could go either way.
9 April 2018 - Liz reposts a Facebook post announcing Dammit that implies it was written a while ago. But we already knew that.
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19 May 2018 - Reputation in Pasadena. Liz attends. Surprise Song: All Too Well. Camila Cabello is the opening act.  
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27 May 2018 - Liz gives an interview at Bottlerock festival where she says that Wrecking Ball by Miley Cyrus is a song she used to get over someone (likely Bryan). She also says Havana was the song she last had stuck in her head -- probably because Camila performed it at Taylor’s show the previous week.
14 March 2019 - Liz makes a happy birthday post for Antoni (who’s dating her friend Trace):
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27 April 2019 - Bryan and Jillian get married:
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3 May 2019 - Liz releases Nothing Personal:
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This feels like DIRECT BRYAN SHADE, since she released it right after his wedding. However, you definitely could also read it as being about being let go from The Agency.
Early May 2019 - Taylor shoots YNTCD. Her and Antoni bond over their love of The National (keep in mind Taylor would end up asking a member of the National to work on exile with her):
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17 June 2019 - Liz likes Taylor’s post announcing YNTCD is out:
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26 June 2019 - Liz posts on IG a video of unreleased song “One of These Days” with the caption “i’m emo” Lyrics:
One of these days I’ll rise above the blue / One of these days when I get sober too / I’ll be flying high you know / Gonna say I told you so / One of these days I’ll rise above the blue / The stars will align / My heart will come back to life / I won’t have to cry anymore / Someday soon, when I / When I get over you / One of these nights I’m gonna get some sleep / One of these nights you won’t be in my dreams / I will lay this love to rest / I will miss you in this bed / One of these nights I’m gonna get some sleep / The stars will align / My heart will come back to life / I won't have to cry anymore / Someday soon, someday / When I get over you
More evidence that Liz does, indeed, struggle with the things that Reddit post suggested.
14 August 2019 - Liz posts on IG a video of an unreleased song called “I Wanted It to Be You” with the caption “I really did” and a red rose emoji. Lyrics:
I’ll find someone else to take your place / In no time at all I’ll be okay / So you don’t have to say it babe / We don’t have to cry / ‘Cause I know you got shit to do / And baby so do I / I’ll find someone else to take your place, hey / I wanted it to be you I’m closing down the bar with / I wanted it to be you I’m fighting in the car with / Who I could push away / Come back and beg to stay / Ooh, I wanted it, I wanted it, I wanted it / I wanted it to be you
Likely for Bryan BUT maybe a red rose grew up out of frozen ground with no one around to tweet it (lol I’m joking the lakes is very likely not about Liz).
22 August 2019 - Taylor releases the Lover MV, featuring the “breakable heaven” board game:
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In the bottom left corner, you can spot a blue 0527. May 27th is Liz’s birthday. What does this mean? I don’t know. I absolutely do not know, but whatever it is is driving me INSANE.
28 August 2019 - Liz posts on Twitter a screenshot of her listening to Cornelia Street:
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16 October 2019 - Liz comments on a fan’s video of Taylor performing at the NPR Tiny Desk concert saying “she cute”:
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19 November 2019 - Liz says on IG that her favorite songs from Lover are The Archer and Cornelia Street:
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22 November 2019 - Liz releases That’s What You Get. This is the one late-stage Liz song that I FULLY BELIEVE is about TayLiz due to a few very specific lyric parallels:
“That’s what you get when you recklessly fall in love” >> “This path is reckless” from Treacherous
“That’s what you get for keeping your armor up” >> “You come around and the armor falls” from State of Grace >> “I would put my armor down if you said you’d rather love than fight” from Story of Us.
“And all your friends are lining up to hate me” >> “You go talk to your friends talk to my friends talk to me” from WANEGBT >> “First shot’s fired everybody’s gathered around” from Battle >> “I can't run to your friends anymore / To get them on my side when we fight anymore” from Don’t LV U Anymore.
It also, just from an outside perspective, doesn’t make any sense for Liz to write a breakup song about Bryan blaming herself when it seems very clear to me that they broke up because Bryan wanted to be with Jillian instead. That’s not her fault. So either this is about another breakup (I’d guess Taylor, based on the lyric parallels), or she’s just very very self-loathing and won’t let herself think it’s Bryan’s fault (which both H8U and Nothing Personal don’t suggest to me).
25 November 2016 - Liz posts a video on her IG story about Taylor at the VMAs.
6 December 2019 - Liz talks about That’s What You get with Earmilk and gives an interesting quote: 
Huett explains, “This song is about facing myself after a brutal season of running from it... I made a self-destructive choice that hurt someone I really value. The angle of the chorus is really sort of a letter to me after that first long look in the mirror. It SUCKED. However, in owning my shit (and sharing this song) my hope is that listeners might apply the sad lesson without having to learn the hard way, or, if they’ve ever found themselves in the regretful position I was once in, I hope this song can at least make them feel less alone."
This is SO DIFFERENT fro mhow her relationship with Bryan ended, but matches up so well with Liz getting help and owning her shit after spiraling in 2012.
24 July 2020 - Folklore drops. Two of the songs are written by the mysterious William Bowery. One of those songs is Betty -- a popular nickname for Elizabeth. Liz tweets at Taylor about the 1 because all of Taylor’s exes wanna think that song is about them.
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So, IN CONCLUSION: Liz got help and worked through her shit and they’re on good terms now. They were possibly working on something together in 2015, although that never saw the light of day as far as we know. Liz seems to maybe be referencing Taylor in her music and MVs, but there’s no way to know for sure. Better Than Revenge on the Speak Now Tour was an iconic moment of sapphic energy, and maybe, just maybe, when Taylor re-records her masters, Liz will sing backup for her again.
Thanks for reading!
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alpacaparkaseok · 3 years
Text
Where you should be
Chapter 4: Atychiphobia
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Genre: Hobi x oc
Warnings: this series contains stalking, blackmail, and similar stressful/fear inducing situations. Also unrequited love, which is perhaps the most terrifying of all.
Word Count: 2.2k
Atychiphobia - an irrational and persistent fear of failing
August 2019
I’ve received two more notes. One was taped onto my studio door before I arrived for the day, another was placed on my keyboard when I left for a couple of minutes to use the restroom.
Bang PD has reviewed the security footage over and over again. The first incident did show a man in a hood and mask, matching the description I offered.
However, the other two times showed different people. A slender woman taping the letter on my door and checking over her shoulder. And a young man, rushing inside my studio when I left and leaving supposedly leaving the note on my keyboard.
As a result of the multiple breaches in security, I now get to have my very own little friend to shadow me while at work.
By little friend, I mean bodyguard. Ha-joon is fairly new to the job, but he’s definitely excited for his new position. I can tell by how he can never stay completely still.
“What time are you taking your lunch today?” He asks me, pacing beside the door. I’ve just lowered the headphones from my head, making a grand show of stretching before swiveling around to face him.
“How about now? Are you hungry?”
Ha-joon’s eyes light up. “Yes. Where should we go?”
I shrug. It’s not very often that I go out for lunch, I’m more the type to just pack a lunch or call up some takeout. However since acquiring a bodyguard that resembles an oversized puppy, I’ve come to learn that he needs to be taken out or else he goes a little crazy.
“Wherever you want, I don’t have a preference.” Following Ha-joon out of the studio, I make sure to lock the door behind me. Ha-joon’s eyes are wide as he looks up and down the hallway, waiting for some stranger to jump out of the shadows.
The air is thick and muggy as we exit the building, the two of us chatting quietly as we head toward the bus stop. Neither of us owns a car, but it’s fine. The bus will take us straight to the downtown area of Seoul where all the good street vendors hang about.
“-so then I graduated just over a year ago. To be honest, I really didn’t expect to be given an assignment so quickly, but-”
“Ha-joon, we’re in public, remember?”
The tall man gives me a sheepish smile. “Right.” We try our best to act like normal friends out in public; there’s no need for people to be wondering why I’ve got a bodyguard.
I fan my face, trying to breathe in the muggy air. “You think it’s gonna rain today? I hope so, this weather is horrible.”
“Probably, but it’s worse after it rains sometimes, don’t you-” Ha-joon is interrupted for the second time when a car pulls up to a stop in front of us, parking illegally in the bus stop area. People all around immediately start whispering and glaring, although nobody has the nerve to approach the shiny car.
Ha-joon steps in front of me, blocking my view before I can remember where I’ve seen that car before. Peeking around his body, I watch as one of the tinted windows rolls down.
“As much as you enjoy taking the bus, I’m not going to let you melt out here.”
My breath catches in my throat as I see Jung Hoseok sitting behind the wheel, Do-yun beside him. Ha-joon exhales, looking visibly relieved that there’s no real threat.
“Hop in,” Doyun says, getting out of the passenger side and gesturing for me to take his place.
I try to give Doyun a look that will soften his heart into letting me sit in the back, but he looks away from me and greets Hajoon. Holding my breath, I duck into the passenger seat.
Hoseok sits tall and rigid despite his show of casualness earlier. I feel like I could throw a bolt of lightning with how charged up I feel, too afraid to move too quickly for fear of exploding. Hajoon is oblivious to my current predicament, although I do catch Doyun’s eye in the rear view mirror.
He’s smirking.
“Where to?” Hoseok asks, quickly driving away from the bus zone. I turn around to look at Hajoon.
“Oh,” my bodyguard speaks up. “We were just going for lunch, I hadn’t decided where, yet.”
“I see.” I think he glances over at me but my eyes are glued to the road, refusing to look anywhere else besides those yellow lines that dot the street. Reminding myself with every line that there are some very clear lines here that I must not cross.
“...don’t mind, right?”
Hoseok’s voice sounds like it’s underwater as I only catch the last few words. Turning to him with wide eyes, I can feel the stares of both Doyun and Hajoon upon me. “I’m sorry, what? I didn’t catch what you said.”
Keeping his attention on the road ahead, Hoseok repeats himself. “I was asking if it was alright if we joined in on your lunch today. Doyun and I have been wanting to try this new place not far from here.”
Ignoring Hajoon’s puppy-dog gaze, I shrug. “That’s fine.”
Sitting around the table, I sit directly across from Hoseok who keeps glancing at me every few seconds. Doyun and Hajoon are swapping stories, which means that Hajoon is practically drooling as Doyun talks about his time as a bodyguard for one of the most famous groups in the world.
It’s nice here. Probably too nice for a simple lunch before heading back to the agency, but I let it slide. Despite the knots in my stomach from Hoseok’s conflicted stare, it’s nice to be on good terms with him again.
He hasn’t reached out to me since I turned down his offer a couple of months again, but my mind has been elsewhere anyway. He’s been busy with work, I’ve been busy with stalkers.
Our food has just arrived when I see Hoseok staring at me, trying to get my attention amidst the neverending conversation between Doyun and Hajoon.
I furrow my brows. “What is it?”
“I think your phone was going off.”
Frowning, I take my phone out of my pocket. I had it on silent, how did he know-
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The three occupants at my table appear to be completely engulfed in the meal before them, their eyes wide as they begin to taste the food and offer up their thoughts. I notice Hoseok’s phone sits beside his plate, face down.
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“You’ve hardly touched your food,” Hajoon remarks, glancing over at me with a concerned expression. “Are you feeling alright?”
Setting my phone down and fighting the blush in my cheeks, I start to attack my food. “Sorry, got distracted.”
My blush only deepens when I hear Hoseok’s breathy laugh from across the table, and I stare down my noodles.
Lines, Ha-rin. Remember what side of the line you’re on.
Maybe I can’t resume what relationship we had before. This, however...this might work. Group lunches and harmless conversations might be just enough to help me move on.
As I see how Hoseok’s dark hair falls into his eyes and he brushes it back, looking up at me and smiling, I offer a small smile of my own.
September 2019
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In September I learned that I would still love Jung Hoseok even if he did leak the tracks I labored over to the entire world. I also learned that he was still interested in listening to my work.
October 2019
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In October I learned that friendships can be salvaged when it’s a true friend. I also learned that there’s more to a name than just letters. 
November 2019
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In November I learned that Jung Hoseok will always come through, even if he’s been rejected. 
That little fact made me even more distraught over the fact that I had to reject him in the first place.
December 2019
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In December I learned how to set my pride aside and reach out to him first. I also learned that I have very thin walls, because my neighbors were very upset when they heard me yelling at my TV. 
March 2020
I enter the Bighit building with a skip in my step, humming as I head toward my studio. I’ve just settled down in my chair and powered up my computer when Adora appears at my door.
“Hey!” I greet her, grinning wide but my smile slipping away when I see her concerned expression. “What’s wrong?”
She shakes her head. “Bang PD just called a meeting, he sent me to come grab you.”
My eyes widen as I follow her out into the hallway, Hajoon appearing and walking in front of us. “Are the boys…?”
She knows that I’m asking about BTS, who’ve just returned from their promotions in the states. It’s been a couple of months since I’ve seen them around. Today I was hoping to get to see them. I guess my wish is coming true.
“They’re fine. I think this has more to do with that virus?”
Frowning, I enter the conference room with her, my worries fading as I see Hobi sitting with the rest of his group in the far corner. He looks up at my arrival, giving me a small smile.
Sitting beside Adora, Bang Si Hyuk does a head count before getting down to it. “Thanks for coming up, everybody. I know this wasn’t in the schedule for today, but we really need to talk about some pressing matters here.”
The room is deathly quiet as Bang Si Hyuk begins to explain COVID-19, and possible repercussions. I watch as Yeonjun and Soobin whisper to each other, worried expressions painted on their faces. Namjoon sits up straight, his shoulders tight as he hangs onto every word being said.
When the words ‘tour’ and ‘postponed’ are brought up, the silence is broken by Yoongi. “How long do you think we’ll need to postpone it for? Just until the summer?”
Bang Si Hyuk’s face does little to hide his thoughts. “I...I really don’t know. I just think we have to hope for the best and prepare for the worst.”
After further discussing our options, we break to head back to work. Hobi heads straight out the door before anyone else, his polite smile hiding his distress.
Heading back to my studio, I debate whether or not I should go up to the top floor and check on him. There’s no doubt in my mind that that’s where he is right now, but I’m not sure if he’s really in the mood to talk. Should I bother him right now? There’s a lot on his mind, I’m sure. And we’ve all got a lot of work to do if we’re going to get ahead of this virus-
“Fancy some fresh air?”
I’m torn from my thoughts as I hear a deep voice from before me. I gasp as the same tall man from all those months ago outside of my apartment complex appears in the doorway of my studio, a smug grin on his face.
Turning around to call out for Hajoon, I hear him clicking his tongue.
“Now, we don’t want to make a scene, do we?”
I scowl at him. “Why wouldn’t I?”
He chuckles, the sound ugly coming from his mouth. “Cutting right to the point. Good, I like that.” Holding up his phone, he extends it to me. “Take a look for yourself, darling.”
When I don’t budge, he shakes his head as though annoyed with me before tossing his phone. I catch it, keeping one eye on him as I look at the screen.
It’s a photo.
“Feel free to scroll through, there’s more.”
I’m fairly certain that I’ve forgotten how to breathe as photo after photo of Hoseok and I appear. There’s one of the two of us eating in my studio, several of us in the parking lot and getting into his car...there’s even one of the two of us outside his apartment, Hoseok reaching out to steady me as I descend his stairs.
“And?” I muster up the courage to look back up at the man, trying to be as discreet as possible as I move my fingers in order to delete the photos. The man scoffs at me.
“You can delete them if you’d like.”
I pause, mouth dropping as his words hit. “...then-”
“All of these photos are backed up already in my own personal file. They’re ready to be sent off to Dispatch first thing in the morning, along with a write-up of Jung Ha-rin, the coveted producer from a failing company that Bang Si Hyuk bought out for one of his beloved idols.”
My blood begins to boil as I look back down at the last photo. It’s a more recent one, taken just a few months ago when we went out to lunch with Hajoon and Doyun.
I know what it looks like. Hoseok and I smiling at each other across the table, our bodyguards flanking us on either side. Dispatch will tear this apart.
“How about we take a walk together? I’m sure we could come to some sort of agreement, don’t you?” He grins at me, taking a step closer and resulting in me taking a step back. “It won’t take long. Fifteen, twenty minutes tops.”
Sparing the empty hallway one last glance, I take a deep breath. “What do you want from me?”
The man’s smile reminds me of an evil, over the top Disney villain. “Now that’s the golden question.”
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