#or are you going to remember the characters you invented and do them fucking justice

[squadrah]

have we really never talked about a pacific rim au?.. ok here's a cool question: who is drift compatible with whom and what are their jagers called???

FULL DISCLOSURE: I finally sat down to watch Pacific Rim because it eluded me until now and I wanted to do this request proper justice, but the DVD I borrowed from the library has problems playing on my computer, so I am only halfway through the film. However, I absolutely loved and became very emotionally invested in what I have seen so far, and by now I do understand the concepts involved here, so I'm going to give this a self-indulgent multiple crossover shot!

Multiple as in I am fondly reminiscing of One Must Fall 2097, which also had giant robots fighting. In the game, they were developed for space travel if I remember correctly, but fighting with them became a fad, so that is what the video game is about.

The ten (plus one) robots available in it are: Jaguar, Shadow, Thorn, Pyros, Electra, Katana, Shredder, Flail, Gargoyle, Chronos... and Nova. (The cover art above features a Nova in red and a Shredder in yellow.) As you can tell, these are prime Jaeger name material, as are Stand names in general, so I will try and make combinations of these with the addition of the Navy Alphabet because that seems to be a pattern in canon and I am committed to patterns.

Now, we have nine characters here, and I feel like we could slice this many ways, so I want to first give my main picks, and then invent some more combinations because I love to play around in these type of sandboxes, ehehe.

HERE WE GO, this is our First Round!

The absolute given here is Sorbet and Gelato; no question about it, they are drift compatible. Heck, they might have been pioneers in this regard and are now hailed as veterans who nonetheless have set a precedent for not playing by the book and pulling really wild stunts that Gelato always refers to with very colorful names out loud. I propose the Jaeger name Blazing Tango.

I also want to mention Prosciutto and Pesci as an option, even if my heart inclines me elsewhere, as a tribute to canon. This would be a case of matching a seasoned pilot with a rookie, and the former bringing out the best in the latter. Prosciutto yells the orders and Pesci has never looked more macho than when he's flexing in his suit next to his idol. I christen their Jaeger Delta Wave.

I feel like Risotto has little drift potential because of how distant he is on the regular, but I really want him to be in this first round, and I am torn between giving him either Formaggio or Ghiaccio as a partner. Formaggio has that childhood friend vibe that suggests a deep emotional connection and would translate into a more flexible and less predictable fighting style, so let's call that Jaeger Alfa Slash; meanwhile with Ghiaccio, things become more streamlined and fast-paced, a heavy mass on a deadly collision course, so that Jaeger shall be White Sierra.

Which leaves us Illuso and Melone as a final matchup for this round! They feel like the light or lightest infantry compared to the others, as in they might be employed more as a means of corralling the kaiju towards the more deadly jaegers, or hell, they could have been entertainment material back in the simpler times. Also, I would suggest that if they are fighting, the technology they use is highly experimental. I think I shall name their Jaeger Chrono Mirror.

BONUS ROUND:

I want Formaggio and Ghiaccio to have drift compatibility because it would be hilarious (they would bicker so much) and very based (they are both cat-adjacent). Why not let a catman and a catboy fuck shit up primal style, right? The Jaeger of course has to reflect this and be called Bravo Jaguar.

Another combination I personally like is Prosciutto and Ghiaccio, because their combined deadliness is absolutely ridiculous: they would basically break each other's limiters off and the rest would be history. Whatever their weapon is, and I am inclined towards something really potent (nuclear levels of potent), their Jaeger would have to be called Grateful Death.

I feel like Ghiaccio and Melone would yield a Jaeger that is closest to that classic White Album aesthetic, complete with the skate blades even for gliding and slicing. Probably the lightest and fastest build available among these nine characters, and I don't know why I want to name this Jaeger Golf Electra but there you go, there it is.

FINAL NOTE:

Due to Prosciutto's eldritch potential, of everyone here, I could see him successfully drift with a Kaiju and survive it without lasting injury or influence.

#jjba #la squadra #risotto nero #formaggio #prosciutto #pesci #ghiaccio #melone #illuso #sorbet #gelato #squadrah crossovers #squadrah original #mannnnnnn i want fanart of them and their jaegers...

[transsexualhamlet]

🍽️🐉👑 for the ask game wooo

hiiii :))))))

silm ask game

🍽️ You are having a dinner party and you can invite five (5) characters from the Silm. Who do you invite?

Ok well there's two choices here. Either I create a dinner party which can FUNCTION and won't result in SOMEONE'S DECAPITATED HEAD LANDING IN THE MASHED POTATOES orrrr I could be silly :3

so here's the two.

If I want a functional and enjoyable dinner party I invite Beleg (Turin is outside on a leash so lightning doesn't strike the fucking house), Finrod, Fingon, Luthien (Beren is outside making sure Turin doesn't get hit by lightning), and Tuor. I think it would be lovely and everyone would have a great time and they would all decide to go hang out outside in old man parade lawnchairs and start beatboxing.

If I want an INTERESTING dinner party I invite Feanor, Maedhros, Aredhel, Melkor, and Fingolfin. Bets on the first bowl of pasta thrown for a silmaril!

Technically adding Thingol might make this arrangement even more volitile but I don't want to invite Thingol no one wants to invite Thingol

🐉 A lot of figures in the Silm have weird Eldritch powers or possibly biology. Tell us about your headcanons for one.

Oh so this is my place to ramble about my Melkor design agenda. Trust me WAY too much thought has gone into this.

First, the caveat: All of the Valar I believe originally manifested forms that range from 9-12 feet tall, with reasonably adjusted proportions. They can obviously decide to be like the size of a skyscraper or normal human sized any time they want but I would consider that to be their normal baseline. (Mandos is the tallest, but Melkor and Manwe are similarly close behind.) (Maiar are usually 6-8 feet tall, and can generally blend in with elves unless they're on the taller end)

So as Melkor is the most powerful of the Valar his design just has to be the most imposing, and I feel many don't do it justice either for focusing too hard one one element (he basically invented all of them except for water) or making him look too much just like. If a guy was a vampire. (Not to mention the old tolkien bros who decided he just looks like if an orc was big.) Obviously the Valar are mostly modeled on elves considering they're really the elvish gods men were just left to fend for themfuckingselves, but they all have sort of elemental/supernatural aspects of their biology depending on their power.

In my opinion, Melkor's form in his full glory (pre- chronic injuries) is extremely fluid. His mass is 90% robes and hair . Just a truly obscene amount of hair and it all behaves like writhing smoke. His main domain is Darkness so it's just like. It's like you're talking to a sentient shadow. He's I think the Vala who most often changes his size like Melkor is the kinda guy who will just grow to the size of a building because he doesn't wanna walk all the way from point A to point B. Either that or he will just fucking evaporate and skirt around like an ominous fog. But I feel when he is solid his physical form behaves like stone, in the fact that it is grey and will glow like magma in cracks across him if he's in hot enough fire. When he was first on Arda as it was being created, he looked much different- well, first off, like a naked ken doll, and secondly entirely a bright glowing orange gold. They kicked him off and everything isn't lava anymore so he doesn't look like that anymore but that was basically what I'd call an "adolescent" form of him which no one but him and the Valar remember anymore.

But yes while he was in the void he got goth and now he looks like a big shadow with a lot of tentacley hair. And horns and talons and teeth. Which is incredibly important to note. I am normal

I already answered the Noldor king allegiance thing on Seb's ask, which u can check out a few posts below but it was Finrod :)

#rowan gets yelled at #ask game #anon

[pumpkinpaix]

Pleeeeeeease get into the class one at some point because I very much want to understand the class dynamics happening in the story but I have yet to find a meta that dives into it

god anon you want me dead don’t you alsjdfljks

referring to this post

okay, so -- my specific salt about class interpretations in mdzs are very targeted. I can’t pretend to have a deep understanding of how class works in mdzs generally because uhhhhh yeah i don’t think i have that. i’m just not familiar enough with the genre and/or the particulars of chinese class systems. but! i can talk in general terms as to why I feel a certain way about the class dynamics that I do think I understand and how I think they relate to the themes of the novel! i’m gonna talk about wei wuxian, the daozhangs, xue yang, and 3zun with, I’m sure, a bunch of digressions along the way.

the usual disclaimers: i do not think you are a bad person if you hold opinions contrary to my own. i may disagree with you very strongly, but like. this isn’t a moral judgment, fandom is transformative and interpretive etc. etc. and i may change my mind. who knows what the future will bring!

OKAY so let’s begin!

here’s the thing about wei wuxian: he’s not poor. I think because characters use “son of a servant” kind of often when they’re trying to insult him, a lot of people latch onto that and think that it’s a much stronger indication of his societal status than it actually is. iirc, most of the insults that fall along the “son of a servant” line come after wei wuxian starts breaking severely from tradition. it’s a convenient thing to attack him for, but doesn’t actually indicate anything about his wealth. (exception: yu ziyuan, but that’s a personal familial issue) this is in direct contrast to jin guangyao who is constantly mocked for his family line, publicly and privately, no matter what he does.

so this, coupled with all the jokes about wwx never having any money (wei wuqian, sizhui’s “i’ve long since known you had no money” etc.), plus his like, rough years on the street as a child ends up producing this interpretation of wei wuxian, especially in modern aus, as someone who is very class conscious and “eat the rich”. but the fact of the matter is, wei wuxian IS rich. aside from the years in his childhood and the last two years of his life in yiling, like -- wei wuxian had money and status. he is gentry. he is respected as gentry. he is treated as a son by the sect leader of yunmeng jiang -- he does not have the jiang name, but it is so very clear that jiang fengmian favors him. wei wuxian is ranked fourth of all the eligible young masters in the cultivation world -- that is not a ranking he could have attained without being accepted into the upper class.

wei wuxian’s poverty does not affect him in the way that it affects jin guangyao or xue yang. he is of low-ish birth (still the son of jiang fengmian’s right hand man though! ok sure, “son of a servant” but like. >_> whatever anyways), but for most of his life he had money. he, jiang cheng, and their sect brothers go into town and steal lotus pods with the understanding that “jiang-shushu will pay for it”. this is a regular thing! that’s fucking rich kid behavior!!! wei wuxian is careless with money because he doesn’t have to worry about it. he still has almost all the benefits of being upper class: education, food security, respect, recognition etc. I think there may also be a misconception that wei wuxian was always on the verge of being kicked out by yu ziyuan, or that he was constantly walking on eggshells around her for fear of being disowned, but that is just textually untrue. i could provide receipts, but I admittedly don’t really feel like digging them up just now ;;

even in his last years in yiling, he was not the one who was dealing with the acute knowledge of poverty: wen qing is the one managing the money, and as far as we know, wei wuxian did little to no management of daily life during the burial mounds days -- mostly, he’s described as hiding in his cave for days on end, working on his inventions, running around like a force of chaos, frivolously making a mess of things -- it’s very very cute that he buries a’yuan in the dirt, but in classic wei wuxian fashion, he did Not think about the practical consequences of it -- that A’Yuan has no other clean clothes, and now he’s gotten this set dirty and has no intention of washing them. is this a personality thing? yeah, but I think it’s also indicative of his lack of concern over the logistics of everyday survival, re: wealth.

furthermore, i think it is important to remember that wei wuxian, when he is protecting the wen remnants, is not protecting common folk: he is still protecting gentry. fallen gentry, yes! but gentry nonetheless. wen qing was favored by wen ruohan, and wen ning himself says that he has a retinue of people under his command (the remnants, essentially). their branch of the family do not have the experience of living and growing in poverty -- they are impoverished and persecuted in their last years, but that’s a very different thing from being impoverished your whole life. (sidenote: I do not believe wei wuxian’s primary motivation for defending the wen remnants was justice -- i believe he did it because he felt he owed wen ning and wen qing a life debt, and once he was there, he wasn’t going to stand around and let the work camps go on. yes, he is concerned about justice and doing the right thing, but that’s not why he went in the first place. anyways, that’s another meta)

after wei wuxian returns, he then marries back into gentry, and very wealthy gentry at that. lwj provides him all the money he could ever want, he is never worried about going homeless, starving, being denied opportunities based on his class and accompanying disadvantages. who would dare? and neither wei wuxian nor lan wangji seem to have much interest in shaking up the order of things, except in little things like the way they teach the juniors. they live in gusu, under the auspices of the lan, and they live a happy, domestic life.

were his years on the street traumatizing? yes, of course they were, there’s so much delicious character exploration to be done re: wei wuxian’s relationship to food, his relationship to his own needs, and his relationship to the people he loves. it’s all important and good! but I feel very strongly that that experience, while it was formative for him, did not impart any true understanding of poverty and the common person’s everyday struggles, nor do I think he ever really gains that understanding. he is observant and canny and aware of class and blood, certainly, but not in a way that makes it his primary hill to die on (badum-tss).

this is in very stark contrast to characters like jin guangyao and xue yang, and to some extent, xiao xingchen and song lan. I’ll start with the daozhangs, because I think they’re the simplest (??).

I think both xiao xingchen and song lan have class consciousness, but in a very simplified, broad-strokes kind of way (at least, given the information we know about them). we know that the two of them share similar values and want to one day form their own sect that gives no weight to the nobility of your lineage and has no concern with your wealth. we also know that they both disdain intersect politics and are more concerned with ideals and principles rather than status. but, I think because of that, this actually somewhat limits their perception and understanding of how status is used to oppress. as far as we know, neither of them participated on any side in sunshot and they demonstrate much more interest in relating to the commoners. honestly, i hc that they were flitting around trying to help decimated towns, protecting defenseless villages etc. I ALSO think this has a lot of interesting potential in terms of xiao xingchen and wei wuxian’s relationship, if xiao xingchen is ever revived. regardless of whether you’re in CQL or novel verse, xiao xingchen really doesn’t know wei wuxian at all, other than knowing that he’s his shijie’s son. he knows that cangse-sanren met with a tragic end, like yanling-daoren before her, and that he wants to be different. but here is cangse-sanren’s son, laying waste to entire cities, desecrating the dead. I would very much like to get into xiao xingchen’s head during that period of time (and i think, if i do it right, i can write some of it into the songxiao fixit), but that’s neither here nor there, because i’ve wandered off from my point again.

i would posit that song lan is used to an ascetic lifestyle, and xiao xingchen probably is too -- but that’s different from poverty because there’s an element of choice to it. I also think that neither of them is particularly worldly, xiao xingchen especially. he lived on an isolated mountain until he was like, seventeen, and he came down full of ideals and naivete about how the world worked. I think that both of them see inequality, that they are angered by it, and that they want to do something about it -- but their solution is neither to topple the sects, nor is it to reform the system. rather, it seems to be more about withdrawing and creating their own removed world. I think that the daozhangs embody a kind of utopianism that isn’t present in the minds of any of the other characters, not even wangxian. honestly, baoshan-sanren’s mountain is a utopian ideal, but one that is not described. it exists outside of and beyond the world. i have a lot of jumbled, vague thoughts about utopianism generally, mostly informed by china miéville and ursula k. le guin, and I don’t think i have the ability to articulate them here, but i wanted to. hm. say something? there is something about the inherent dystopianism contained within every utopia, that utopias are necessary, but also reflections of the existence of terrible things in their conception. idk. there’s something in there, I know it!! but i suppose what I want to say is -- i do not think the daozhangs understand class and social hierarchy very deeply because they don’t see a need to examine it deeply. for their goals, the details aren’t the point. they’re not looking to reform within the system, they’re looking to build something outside of it. I think they spend a lot of time concerned with alleviating the symptoms of social oppression, and their values reflect the injustices they witness there.

regardless, even if their story ends in tragedy and there is a certain amount of critique re: the utopian approach, i think the text still emphasizes that xiao xingchen left a utopia and that he thought that people mattered enough for him to try, and that was an incredibly honorable, kind, and human thing to do.

YEAH SURE THE DAOZHANGS ARE THE SIMPLEST ok ok RETURNING to class and moving forward: xue yang.

i also don’t think xue yang has class consciousness lol, or not in any way that really matters, but I do think poverty impacted him in a much stronger way than it impacted wei wuxian. wei wuxian spent some years on the street as a child. xue yang grew up on the streets. chang ci’an’s horrific treatment of him was directly due to his class and social standing: chang ci’an is a nobleman and xue yang is not even worth the dirt beneath the wheels of his cart. what I think is the seminal point though, is that this does not make xue yang think particularly deeply about systemic injustice, because xue yang is so self-centered, self-driven, and individualistic. he is not even slightly concerned about how poverty and class might affect other people -- they’re other people. what he takes away from his experience is not an anger at being wrongfully cheated by a system, but an anger at being wrongfully cheated by a specific man.

xue yang is not particularly concerned with the politics of the aristocracy -- he has no obvious ambitions other than, “i want to eat sweets whenever i please”, “i want to hurt anyone who wrongs me”, and “i want to be so strong that no one can hurt me”. like, he just doesn’t care -- it’s not the kind of power he wants. he sneers at people for like, personal reasons, not class reasons -- “you think you’re better than me” re: xiao xingchen and song lan. to him, all people -- poor, wealthy, noble, common -- are essentially equal, and they are all beneath him. after all, what does he care what family someone comes from, how much money they have? everyone bleeds when you cut them. some of them might be harder to get to than others, but xue yang does not fear that sort of thing. it’s just another obstacle he needs to vault on his way to getting revenge and/or a pastry.

ANYWAYS onto jin guangyao (wow this is hm. getting rather long ahaha oh dear): I would argue that the two characters with the most acute understanding of class/societal politics and the injustice of them are jin guangyao and lan xichen. i’ll start with jin guangyao for obvious reasons.

where xue yang took the damaging effects of poverty as personal slights, I think jin guangyao is painfully aware that there is nothing personal about them, which is, in some ways, much worse. why are two sons, born on the same day to the same father, treated so differently? just because.

he watched his mother struggle and starve and work herself to the bone in a profession where she was constantly disrespected and abused for almost nothing in return, while his father could have lifted her out of poverty with the wave of a finger. why didn’t he? because he didn’t like her? no -- because he didn’t care, and the structures of the society they live in protect that kind of blase treatment of the lower class.

“so my mother couldn’t choose her own fate, is that her fault?” jin guangyao demands. he knows that he is unbelievably talented, that he has ambition, that he has potential, and that all of it is beyond his grasp just because his father didn’t want to bother with it. his mother’s life was destroyed, and his own opportunities were crippled with that negligence. it isn’t personal. that’s just the way things are. your individual identity is meaningless, your humanity does not exist. when he’s kicked down the steps of jinlin tai, it’s just more confirmation that no matter how talented or hardworking he is, no one will give him the time of day unless he finds a way to take it himself and become someone who “matters”.

jin guangyao’s cultivation is weak because he had a poor foundation, and he had a poor foundation because he was denied access to a good one. he copies others because that’s all he can do at this point, and he copies so well that he can hold his own against some of the strongest cultivators of his generation. he’s disparaged for copying and “stealing” techniques, but -- he never would have had to if only he had been born/accepted into the upper class. the fact is that i really do think jin guangyao was the most promising cultivator of his generation that we meet, including the twin jades and wei wuxian: he had natural talent, ambition, creativity, determination and cunning in spades. in some ways, I think that’s one of the overlooked tragedies of jin guangyao: the loss of not just the good man he could have been, but the powerful one too. imagine what he could have done.

jin guangyao spends his entire time in the world of the aristocracy feeling unsteady and terrified because he knows exactly how precarious his position is. he knows how easy it is to lose power, especially for someone like him. he’s working against so many disadvantages, and every scrap of honor he gets is a vicious battle. jin guangyao fears, and I think that’s something that’s lacking in xue yang, wei wuxian and the daozhangs’ experiences/understandings of poverty. i think it’s precisely that fear that emphasizes jin guangyao’s understanding of class and blood. jin guangyao exhibits an anxiety that neither wei wuxian nor xue yang do, and it’s because he truly knows how little he is worth in the eyes of society and how little there is he can do to change that. to me, it very much feels related to the anxiety of not knowing if tomorrow you’ll have something to eat, if tomorrow you’ll still have a home, if tomorrow someone will destroy you and never have to answer for it. it’s the anxiety of knowing helplessness intimately.

moreover, jin guangyao is the only person shown to use the wealth and power at his disposal to take concrete steps to actually help the common people typically ignored by the powerful -- the watchtowers. they’re described in chapter 42. it’s a system that is designed to cover remote areas that most cultivators are reluctant to go due to their inconvenience and the lack of means of the people who live there. the watchtowers assign cultivators to different posts, give aid to those previously forgotten, and if the people are too poor to pay what the cultivators demand, the lanling jin sect pays for it. jin guangyao worked on this for five years and burned a lot of bridges over it. people were strongly opposed to it, thinking that it was some kind of ploy for lanling jin’s personal benefit. but the thing is -- it worked. they were effective. people were helped.

i believe CQL frames the watchtowers as an allegory for a surveillance state/centralized control (i think?? it’s been a minute -- that’s the hazy impression i remember, something like a parallel to the wen supervisory offices?), but I personally don’t think that was the intent in the novel. the watchtowers are a public good. lanling jin doesn’t staff them with their own sect members -- they get nearby sects to staff them. it’s a warning network that they fund that’s supposed to benefit everyone, even those that everyone had considered expendable.

(did jin guangyao do terrible things to achieve this goal? yeah lol. it’s not confirmed, but his son sure did die... suspiciously...... at the hands of an outspoken critic of the watchtowers........ whom he then executed....... so like, maybe just a convenient coincidence for jin guangyao, two birds one stone, but. it seems. Unlikely.)

lan xichen is the only member of the gentry that ever shows serious compassion for and nuanced understanding of jin guangyao’s circumstances. lan xichen treats him as his equal regardless of jin guangyao’s current status -- even when he was meng yao, lan xichen treated him as a human being worthy of respect, as someone with great merits, as someone he would choose as a friend, but he did so knowing full well the delicate position meng yao occupied. this is in direct contrast to nie mingjue, who also believed that meng yao was worthy of respect as a human being, but was completely unable to comprehend the complexities of his circumstances and unwilling to grant him any grace. you know, the difference between “i acknowledge that your birth and status have had effects upon you, but I don’t think less of you for it” and “i don’t consider your birth and status at all when i interact with you because i think it is irrelevant” (“i don’t see color” anyone?)

to illustrate, from chapter 48:

大抵是觉得娼妓之子身上说不定也带着什么不干净的东西，这几名修士接过他双手奉上来的茶盏后，并不饮下，而是放到一边，还取出雪白的手巾，很难受似的，有意无意反复擦拭刚才碰过茶盏的手指。聂明玦并非细致之人，未曾注意到这种细节，魏无羡却用眼角余光扫到了这些。孟瑶视若未见，笑容不坠半分，继续奉茶。蓝曦臣接过茶盏之时，抬眸看他一眼，微笑道：“多谢。”

旋即低头饮了一口，这才继续与聂明玦交谈。旁的修士见了，有些不自在起来。

rough tl:

Probably because they believed that the son of a prostitute might also carry some unclean things upon his person, after these few cultivators took the teacups offered from [Meng Yao’s] two hands, they did not drink, but instead put them to one side, and furthermore brought out snow white handkerchiefs. Quite uncomfortably, and whether they were aware of it or not, they repeatedly wiped the fingers they had just used to touch the teacups. Nie Mingjue was not a detail-oriented person and never took note of such particulars, but Wei Wuxian caught these in the corner of his eye. Meng Yao appeared as if he had not seen, his smile unwavering in the slightest, and continued to serve tea. When Lan Xichen took the teacup, he glanced up at him and, smiling, said, “Thank you.”

He immediately dipped his head to take a sip, and only then continued to converse with Nie Mingjue. Seeing this, the nearby cultivators began to feel somewhat uneasy.

all right, since we’re in full cyan-rampaging-through-the-weeds mode at this point, i’m going to talk about how this is one of my favorite 3zun moments in the entire novel for characterization purposes because it really highlights how they all relate to one another, and to what degree each of them is aware of their own position in relation to the others and society as a whole.

1. nie mingjue, who is a forthright and blunt person, sets meng yao to serving tea and is done with it. he notices nothing wrong or inappropriate about the reactions of the people in the room because it’s not the sort of thing he considers important.

2. meng yao, knowing that his only avenue is to take it lying down with a smile, masks perfectly.

3. lan xichen, noticing all this, uses his own reputation to achieve two things at once: pointedly shame the other cultivators in attendance, and show meng yao that regardless of others’ opinions, he considers him an equal and does not endorse such behavior--and he does it while taking care that no fallout will come down on meng yao’s head.

is this yet another installment of cyan’s endless lxc defense thesis? why yes it is! no one is surprised! but this is my whole point: both meng yao and lan xichen understand the respective hierarchy and power dynamics within the room, while nie mingjue very much does not. this is not because nie mingjue is a bad person or because nie mingjue is stupid--it’s a combination of personality and upbringing. nie mingjue is straightforward and has no patience for such games. but then again, he can afford not to play because he was born into such a high position: that’s a privilege.

to break it down: meng yao knows that he is the lowest-ranked person in the room, sees the way people are subtly disrespecting him in full view of his general who is doing nothing about it. in some ways, this is good -- nie mingjue’s style of dealing with conflict is very direct and not at all suited to delicate political maneuvering. after all, the way he promoted meng yao was actually quite dangerous to meng yao: he essentially guaranteed that his men would bear meng yao a grudge and that their disrespect for him would only be compounded by their bitterness at being punished on his behalf. (it’s like, why often getting parents or teachers to intervene ineffectively in bullying can just be an incitement to more bullying -- same concept) meng yao’s reaction during that scene shows that he’s pretty painfully aware of this and is trying to defuse the situation to no avail. nie mingjue gives him a bootstrap speech (rip nie mingjue i love u so much but. sir) and then promotes him, which is pretty much the only saving grace of that entire exchange, for meng yao at least.

lan xichen, on the other hand, understands both that meng yao is the lowest-ranked person in the room and that any direct attempt to chastise the other cultivators in the room will only serve to hurt meng yao in the long run. he knows that if this were brought to nie mingjue’s attention, he would be outraged and not shy about it -- also bad for meng yao. so he uses what he has: his immaculate reputation. by acting contrary to the other cultivators’ behavior, he demonstrates that he finds their actions unacceptable but with the plausible deniability that it wasn’t directed at them, that this is just zewu-jun being his usual generous self. this means that the other cultivators have no one to blame but themselves, nothing to do but question their own actions. there is nowhere to cast off their discomfort. meng yao didn’t do anything. lan xichen didn’t do anything -- he just thanked meng yao and drank his tea, isn’t that what it’s there for? he doesn’t disrupt the peace, he doesn’t attack anyone and put them on the defensive, but he does make his position very clear.

i know this is a really small thing and i’m probably beating it to death, but I really think this shows just how cognizant lan xichen is of politics and emotional cause and effect in such situations. certainly, out of context I think the scene reads kind of cliche, but within the greater narrative of the story and within the arc of these characters specifically, I think it was a really smart scene to include. it also showcases lan xichen’s style of action: that he moves around and with a problematic situation as opposed to moving straight through.

not to be salty on main again, but this is why it’s very frustrating to me when I see people call lan xichen passive when he is anything but. his actions just don’t look like traditional “actions”, especially to an american audience. it’s easy to understand lan wangji and wei wuxian’s style of problem-solving: taking a stand, moving through, staying strong. lan xichen is juggling an inconceivable number of factors in any given situation, weighing his responsibilities in one role against those in another, and then trying to find the path through the thicket that will cause the least harm, both to himself and the thicket. lan wangji and wei wuxian are not particularly good at considering the far-reaching consequences of their actions -- again, not because they are bad people, but because of a combination of personality and upbringing. they’d just hack through the thicket, not thinking about the creatures that live in it. that is not a terrible thing! it isn’t. it’s a different way of approaching a problem, and it has different priorities. that’s okay. there are advantages and disadvantages on both sides, and where you come down is going to depend on your personal values.

okay we’ve spiraled far and away from my original point, but let’s circle back: i was talking about class.

I think it’s undeniable that class, birthright, fate etc. are some of the driving forces of thematic conflict in mdzs, and the way each character interacts with those forces reveals a lot about themselves and also about the larger themes of fate, chance, and what it means to be righteous and good and how that is and isn’t rewarded. a lot of the tragedy of mdzs (the tragedy that isn’t caused by direct aggression on the part of one group or another) stems from the injustices and slights that people suffered due to their lot in life. it isn’t fair. none of it is fair! we sympathize with jin guangyao because we recognize that what he suffered was unconscionable, even if we don’t excuse him. i sympathize A Lot with xue yang as well for similar reasons, though I understand that’s a harder sell. this is a story focused on the mistakes of an entrenched, aging gentry and the effects that those mistakes had on their children, and a lot of it has to do with prejudice based in class and birth status. whether the prejudice was the true reason or whether it was just a convenient excuse, the fact remains that the systems in place rewarded and protected the people in power who used it to cling to that power. mdzs is also a story of how the circumstances of one’s life can offer you impossible choices that you cannot abstain from, and it asks us to be compassionate to the people who made terrible choices in terrible times. it’s about the inherent complexity in all things! that sometimes, there are no good choices, and i don’t know, i’d like to think that people would show me compassion if I had to make the choices some of these characters did. not just wei wuxian, mind you, every single one of them. except jin guangshan because I Do Hate Him sorry. and i guess wen ruohan. i think that’s it.

good. GOD this is clocking in at //checks notes -- just over 5k. 8′D *stuffs some weeds into my mouth like the clown i am*

(ko-fi? :’D *lies down*)

#OH BOY OH BOY #mdzs #the untamed #mdzs meta #the untamed meta #?? #mymeta #meta #cql #cql meta #mine #cyan gets too deep in the weeds #im literally falling asleep as i'm typing right now so i'm SURE i've made mistakes and forgotten stuff but i am just. #*yeets this out into the void* #please read this i worked hard on it ;A; #class #class conflict #class consciousness #Anonymous #asks and replies #ok bedtime byebye

[spxllcxstxr]

Yellow Sticky Notes • R.L

(Gif not mine)

Request: maybe an imagine where the reader is dating remus and puts sweet love notes into his books to constantly remind him how loved he is 🥺 — anon

Summary: Remus finds your lovely paper trail in his books while in the hospital wing

Warnings: mention of food, mentions of injuries, mention of full moon, Remus being a bit insecure, fluff

Word Count: ~1k

A.N: Do me a favor? Disregard the fact that Post It Notes were invented in 1980. Let’s just push that date back a tad...I honestly don’t know how I feel about this one? I love Remus so much so maybe that’s why I can’t seem to love the things I write about him because I feel I don’t do him justice. Anyway, I hope you enjoy! Love you all ❤️

****

Remus sits alone in the hospital wing, all his friends stuck in class, while he’s forced to suffer in the all too familiar scratchy bed.

The full moon the night before gave him deep purple bruises all along his abdomen, a foot facing the entirely wrong way, and a brand new inflamed scar running from the bottom of his left earlobe all the way to the corner of his left eye.

When Madam Pomfrey reluctantly held up a mirror in front of him earlier in the morning, he almost snatched it out of her hands in a fit of rage and threw it across the room. He would’ve, if he wasn’t too weak to even lift up a finger.

But that was before James made his way down with a plate of breakfast, Sirius with an armful of jumpers, and Peter with a fluffy pillow from Remus’ very own bed.

You had come running down with his school bag filled to the brim with his favorite Muggle novels.

Just seeing them gave him the strength he needed to get through the rest of the day.

The four of them stayed as long as possible, but Slughorn made it very clear the last time they were late to class that detentions would be the least of your problems. He was threatening to write home, and no one wanted that.

You pressed a quick kiss to his lips before dashing out, his eyes trailing after your retreating form.

He sighs before picking up the novel closest to him on the nightstand. It’s one he’s almost done with, only a chapter or two left.

Remus opens to the dog-eared page, but notices something different about the paper.

Smack dab in the center of the page sits a pale yellow square, your elegant scrawl resting on top of it. Bringing the book closer to his face, he reads out your note.

Dear Remus,

Over the summer, Lily sent me a pack of these Muggle things called sticky notes. I think they’re absolutely fascinating, don’t you? There’s this sticky stuff on the back and that’s what makes it stick onto stuff. Sometimes I think these Muggles are geniuses! There’s one hundred in a pack and I’ve decided to use them all. Let’s see if you can find the other ninety-nine.

Love forever,

(Y/n)

Narrowing his eyes, he turns his head to look at the other books you brought down for him.

Slowly, he closes the book in his hands and grabs another one from his bag.

Sure enough, on the first page, there’s another pale yellow sticky note with your handwriting.

100 Reasons Why I Love Remus Lupin (even though the list is ever expanding)

#46. You’re extremely kind and willing to help everyone. From helping first years with Herbology homework to quizzing me on History of Magic revolts because Merlin there are too many, you’re always happy to help. I don’t know how much you hear it, so thank you.

His thumb traces over the dried ink, soaking in the words. His heart swells as he bites his lip.

He repeats the process with another book.

100 Reasons Why I Love Remus Lupin (even though the list is ever expanding)

#96. You never complain when I fall asleep after begging you to read to me in bed.

Remus snorts, remembering all the times you’ve begged him to read to you while cuddled up underneath a mountain of blankets and then hearing your light snores in the middle of the chapter. You liked to tell him it was because his voice was so calming, but he never really believed it until now.

There were four more books in his bag and he lifts the rest of them onto his bed as fast as possible. His body groans in pain, but that doesn’t matter to him.

100 Reasons Why I Love Remus Lupin (even though the list is ever expanding)

#29. You are so strong. So much stronger than you believe. And your strength gives me hope every single day.

A blush runs up his neck, painting his face pink. Maybe because his emotions are running rampant, but he feels tears welling up in his eyes.

He swallows roughly, picking up the next book, it’s spine cracked from use.

100 Reasons Why I Love Remus Lupin (even though the list is ever expanding)

#7. Your smile. The way it lights up the room. I know you don’t like it so much because your canines are tinted a bit yellow and your front tooth is crooked, but honestly, love, it’s beautiful. Every time it makes its way across your face I forget how to breathe and my heart skips a few beats.

Instinctively, said smiles grows wide. He must look crazy, sitting all alone, smiling maniacally at some novel but he couldn’t care less.

Excitedly, he grabs another.

100 Reasons Why I Love Remus Lupin (even though the list is ever expanding)

#15. How on my bad days you’ll curl up in bed next to me and just hold me close to your chest. You’ll let me cry and make a snotty mess on your jumper. I swear I’m an ugly crier and yet you still look at me like I’m the most stunning person in the castle.

This note has a little heart scribbled in the corner, something he finds extremely cute.

He quickly flips open the cover of the last novel.

100 Reasons Why I Love Remus Lupin (even though the list is ever expanding)

#78. Would it be shallow of me to say that you’re extremely attractive? Because Godric, Rem, you are so fucking amazing to look at. Like a work of art. And I know what you’re thinking. You’re thinking about your scars. Well guess what Lupin, those are beautiful too. It’s my mission to kiss every single one of those scars and I’m no quitter.

He brings his hand up to trace over the new scar, wincing. Before, he was feeling insecure about another white monstrosity ripping through his skin, but knowing that soon enough your soft lips were going to trace over said line, he felt a little bit better about it.

Though his smile has turned into a goofy grin, he’s saddened by the fact he has no more notes to look at. It’s probably for the best, so he can save them for another time.

You don’t get around to visiting your boyfriend in the hospital wing until after classes.

James and Sirius had Quidditch practice, so they dragged Peter with them so you could have some alone time with Remus.

You open the large oak doors quietly, hoping not to disturb him.

You push your way through the white curtains surrounding his bed, greeted by the sight of him surrounded by the books you brought down for him.

“How was class, love?” Remus asks, patting the spot next to him.

You take your seat, pressing your shoulder to his own.

“Quite boring, honestly—“

You’re cut off by Remus’ chapped lips connecting to your cheek. He repeats his actions, peppering seven kisses all around your face.

“What was that for, Rem?” You ask, your fingertips hovering over the spots he kissed.

“One kiss for every lovely note.” He replies, flashing you that bright smile that just makes your knees weak.

“Well in that case,” You smirk, gazing into his honey brown eyes. “I can’t wait for the other ninety-three.”

•

All Character Taglist: @aspiringsloth20

#Remus Lupin #remus lupin x reader #remus lupin blurb #remus lupin imagine #remus lupin fluff #the marauders x reader

[facepalming-since-chernobyl]

I have been thinking for years about it and I’m going to share it. I think we talked about it in a way, mentiuoning it in other comments and posts, but I after s6 it’s became clearer. 

Hope and compassion for all - is the main theme of Supergirl, repeated in all seasons, probably like 20 times if not more. Kara is the Paragon of Hope (btw, it always makes me laugh, because ‘paragon’ in Polish means ‘receipt’, so it’s like pray to Kara so your paragon won’t be high, but whatever) and made gazillion erm, inspiring speeches about it and yet, it’s teh shittiest and most hypocritical part of the show.

Because the hope, help and compassion for ALL are for the superfriends or their friends. And well, for the good guys. And Usamericans. The rest can basically, go to hell.

There is not ALL in it. And never was.

Because that all should goes for example, for Lex, Lockwood, Nyxly, Edge, Rhea, Mr Alienphobe President and any other asshole of the series. For example the security guy who was doing his job for not allowing Kara entering the event she was not invented and ended with broken arm and what was cheered becasue girl power. 

I get why Lex, as a notorious murderer and threat that can’t change for better, simply deserve to rot in Phanton Zone and that’s simply obvious.

But then we have Lockwood and Lobotomizer.

Lockwood started as a normal guy, the thing that pushed him into becoming the Agent Liberty were circumstances such as losing factory, losing father, losing his house and watching his family being in danger and meeting wrong people. Remember how got hurt by the panicking alien and Deo came and Alex treated him like an alienphobe, assuming he was among the humans who attacked the alien?

The point is, I see a logic in his path of becoming a villain and he deserved what he got in the end aka rotting in hell, that’s justice. His actions were wrong. I can understand why he became like that, still murderer. 

But. Not a single character, not Kara, not Alex, not Lena (who ignored his father’s financial probelms and simply treated them as liability, but sure she went for a funeral and was hurt because he told her to fuck off) - no one showed him compassion, tried to understand, tried to help and show him there is hope. No one. I guess because he was a white dude and that’s the perfect storyline for white dudes in Supergirl’s narration?

Just compare his story to Manchester Black. I don’t remember the shit, but I’m pretty sure J’onn tried to understand him and Kara was not so against him.

Because, I guess, he was INVITED FOR CHRISTMAS SO THEY WERE FRIENDS UWU.

And there, we have Lobotomizer. Who violated every human right you can imagine, broke law more times I can count and hurt Kara *copy/paste here every argument against her* and yet, every time she got compassion, help, undersatnding and hope. Multiple times. Before she tortured Kara and after. Her EVERY shitty idea and horrible deed she did was excused and showed in a good light and in the end she didn’t pay consequecnes for her actions. Because you know, hope, help and compassion for all.

All means Superfriends’ friends. Who are also white privileged wealthy bitch, I guess?

And I absolutely get that you have double standards for people you like and are friends with. I get you help your friends and cover their shit, but that’s not for what Supergirl and Co should stand for. Not when they claim it’s for ALL.

And don’t even let me start like seriously Kara is Usamerican and stands for everything what is Usamerican. I get it too. But once again, hope, help and compassion are universal and the show clearly claimed they are not. I get it was Usamerican show,. made for Usamerican audience but for me, agian, being a hero is also universal. And what we got were Usamerican perfect girl and her Usamerican friends (sorry, Usamerican people who read it, but I hope you get my point). It was all too clear in s4 and the horrible crap that was Red Daughter’s storyline. 

I just don’t get at all what the showed tried to tell or teach us. They contradicted themsleves in so many things and I don’t see the whole picture. 

Hope, help and ocmpassion for people we choose. White privileged bitches who are our friends are ok, even when they do shit. Fuck white males, even if we are the reason their lives went to hell. Sisterhood is amazing even when toxic shit happened and it all is ignored. Girlpower means breaking security dudes arms when  they do their jobs. You can magically heal alcoholism by not talking about it. Breaking law is ok as long as you wanted to do good and feel bad about it. Blinded by feelings is an excuse for tortures and brainwashing. No one needs therapy. True friendship is torturing your friends and hurting them. You can’t keep secrets from your friends.  Scientists don’t need to being keep in check and can do whatever they want. Being an idiot is ok.Doing things you don’t like is ok as long as you are successful. Protecting your beloved people and family while keeping secrets is wrong, just tell the shit to whole world. Taking off your glasses can fix all your problems. 

Whatever.

#anti sg #my shit

[gaming-universe]

Who We Are || Russell Adler

Call of Duty Black Ops: Cold War

-PART FOUR-

Warnings: SPOILERS FOR CALL OF DUTY BLACK OPS: COLD WAR! IF YOU HAVEN’T PLAYED/FINISHED THE CAMPAIGN THEN PLEASE DONT READ! Gore, violence, course language, mature content.

Summary: Betrayed and alone after surviving the events that took place on the Solovetsky Islands, Y/n ‘Bell’ L/n faces new and more dangerous threats when she learns that Perseus has other plans for his failed nuclear detonation of Europe. It was only a matter of time before Y/n came face to face with her old team. There is unfinished business between Y/n and Adler, as this operation proves to be more deadly than originally thought.

Author’s Note: So, after finishing the campaign, I needed to do Bell/Player and Adler justice. I loved this game so much, and chosing to play as the female character, I felt like there was a genuine connection between Bell and Adler throughout the game. There is a tag list open for anyone that wishes to stay up to date with the series. Simply comment below. Gif by @travelllar (Girl I’m using all your gifs they are absolutely amazing)

|PART ONE| |PART TWO| |PART THREE|

Another day, another sleepless night.

It was 5am, the sky a light deep blue, and the last of the Soviet soldiers were leaving town. They had searched almost every square inch of this small fishing village, searching for anyone that might be harboring the ones who broke into their base. You thanked whatever god there was that they seemed to forget about Viktor’s house, which was practically veiled by the night sky on a hill below the lighthouse.

You had been awake since one that morning, watching the Soviet soldiers busy about the town like flies on a wound. As dawn broke, you sighed heavily, closing your tired eyes and pinching the bridge of your nose. Your head throbbed painfully from the lack of sleep, but between your nightmares, reoccuring memories and the ruckas of the soldiers, you doubted you would have slept much at all anyway.

The door to the house opened softly, followed by light footsteps as they moved behind you to stand on your left. You didn’t have to turn to see who it was, the familiar stench of cigar smoke almost made you choke. You could see Adler in your peripherals just fine, you rolled your eyes in mild annoyance. “Do you always have to wear those aviators?” You found yourself asking, as the man in question began to chuckle. You heard him sigh “No, I don’t always have to wear them”.

“Do you have to wear them at 5am in the morning?”

“I suppose not-”

“Good, because you look stupid”.

Adler laughed again, releasing a stream of smoke from his lips as he shook his head in amusement. But doing as you had somewhat suggested, Adler removed his aviators, and hooked them over one of the open buttons of his shirt. The two of you stood in silence, watching as the sky began to turn an early morning grey. Adler huffed more smoke “Did you sleep last night?” He questioned lowly, now leaning his back against the white wooden railing and turning his head towards you.

Looking at him from the corner of your eye, you merely shrugged. “I don’t sleep much, not anymore...” You replied smoothly, now wishing that you had never said anything to begin with. You focused your gaze forward again as Adler’s expression fell, he brought the cigar to his lips. You watched as the waves danced in the early morning sunlight, remembering what is was like to be at their mercy. Adler moved closer to your form, flinching slightly as he watched your hands clench into tight fists. You flexed your fingers with a small wince, a sense of pride washing over you as you examined your bruised knuckles.

“How is your jaw?”

“Fucking sore, but thanks for asking”.

You laughed. A soft, genuine laugh as you finally turned to meet Adler’s gaze. His blue hues stared down into your (eye/colour) eyes with a mixture of emotions. His lips parted slightly as he went to speak, clearing his throat awkwardly. “I know you hate me, for everything I have done to you. Nothing I do will ever make up for the amount of shit I have put you through, but you have no idea how hard it was for me to do what I had to do...” He began, his grip on his cigar tightening. “I didn’t want to kill you, I really didn’t. But Park convinced me that killing you was better than the other option-”.

“And what would the other option have been?” You interrupted, folding your arms over your chest. Adler’s jaw clenched, “Letting you go through life not knowing who you were”. You scoffed loudly, stepping away from the taller man before you as you shook your head in disbelief. “She really convinced you that killing me was better than that!? Sure, I might not have ever figured out who I was before, but what was it you said to me after Cuba? ‘The CIA re-invented me’. I could have started a new life, Adler, and you fucking took that away from me” You growled, your eyes narrowing dangerously as you practically seethed with anger.

You paused for a moment to breathe, brushing stray strands of hair from your face as the wind blew in. There was so much more you wanted to say to him, so much you wanted to curse him for.

“Last night you asked me if I regretted it. If I regretted shooting you that day...” Adler spoke softly, almost painfully as his eyes suddenly became a darker shade of blue. “I regretted it, every single goddamned day afterward. And do you want to know why? Because a part of me hoped that you were alive. After you fell I...I hoped to god that you would resurface, that you would have survived that fall. But as the days went by, I realised you weren’t coming back, and that affected me, Y/n, it really did. When Woods and Mason found heard about what I did, they left, and you have no idea how pissed off Hudson was when he found out-”

“I would say just as pissed off as when he discovered that I was the Perseus Agent willing to defect and help the CIA take him down”.

Adler froze, his eyes widening significantly. For the first time in what you assumed was a long time, Adler was speechless. He stared at you completely dumbfounded, his mouth opening and closing as he searched for something to say. “I...w-what are you-”

“A few days before the whole incident at the airstrip, I sent an enrypted message to the CIA, telling them that I was willing to cooperate and answer any questions they might have had in regards to Perseus in exchange for asylum. I guess my message didn’t reach you in time-”

“But, if you were...” Adler trailed off, once again trying to make sense of things “Why didn’t you tell us? When we found you-”

“Things got a lot more complicated when Arash shot me, I think defecting was the last thing on my mind as I lay bleeding out in that car” You finished explaining, shivering slightly at the cool breeze. Adler hadn’t said a word since you finished your long explaination. He paced back and forth, running a hand along the back of his neck as he sighed heavily. You felt yourself tremble as his gaze focused on your form, he looked at you differently.

He looked at you the same way Mason had before Cuba, with pity, sadness, and empathy. “Y/n I...I’m so sorry, if I-” “Don’t apologise...” You interrupted, shrugging your shoulders awkwardly “I’m not mad about that. Actually, I am, but that isn’t the main issue”. Adler nodded, trying to regain his composure with a long draw of his cigar. You buried your hands beneath your arms, not wanting the man before you to notice their trembling. Clearing your throat, you averted your gaze back out to sea “Did you want to talk about last night, or did you want to wait for Woods and Mason?” You asked, trying to hide the slight shakiness of your voice.

You heard Adler sigh, “Y/n, I have to call Hudson. He needs to hear everything from us, and he will no doubt want to hear everything from you”.

Your blood turned to ice, a cold shiver running down your spine at his words. Call Hudson? You felt your stomach churn uneasily, you swallowed thickly and nervously. There was no way of telling how Hudson would react, how he would-

“Y/n...” Adler spoke softly, now standing before you with his eyes searching your distant expression for anything. Something that would give him an insight into what was going on in that head of yours. You turned to face him, looking up at him sadly. “You do what you need to do. But I just-”

“I know, I’ll take care of it. You can trust me-”

“Can I? Can I trust you?”

When Adler’s expression fell, you felt a strange sense of guilt consume you. You didn’t mean to be so hesitant toward him, you didn’t mean to be careful with who you trusted. But after everything that had been done to you...after everything that had happened...

You froze as Adler moved to step around you, your body becoming rigid as something warm was draped over your shoulders. It was then that you realised you had been shaking violently, and that Adler had given you his beloved brown leather jacket. You quickly spun around to face him, managing to catch the fleeting smile he gave you. Then you knew.

Adler understood. He understood where you were coming from. That you needed time to trust him again. “Like you said last night...” He began softly, giving you a barely there smile “no more lies, no more bullshit. Take things in your own time, but I want that jacket back, got it?”. With that being said, Adler turned slowly and made his way back inside, leaving you alone on the wooden terrace. When you were sure he was gone, you wrapped Adler’s jacket around your form tightly and collapsed to your knees, crying softly as strange, compassionate feelings overtook your worry, anxiety and guilt.

When you had calmed down, you leaned back against the wooden railing, letting your head rest against the wooden slats as you breathed deeply. You tried to ignore the scent of Adler’s jacket filling your nose, a mixture of old leather combined with cigar smoke and some kind of cologne.

As the sun began to peak through the grey clouds blanketing the islands, you decided that it was best for you to head inside. You still had the matters of last night to discuss, as well as the oh so joyous anticipation of waiting for Hudson to arrive.

After changing into more comfortable and warmer clothes, you begrudgingly gave Adler back his jacket, giving him a warm smile in thanks before disappearing into the living room. 

Woods and Mason were playing poker with Viktor, and losing horribly. “How the fuck did you manage to get another royal flush?” Woods complained, this his cards down atop the coffee table with an annoyed groan “I swear you’ve rigged the damn thing”. Viktor chuckled, gathering his winnings with a sly wink in your direction as you passed. “When you have played this game for as long as I have, you learn all the tricks of the trade” He responded, as Woods threw his hands out in exasperation.

You watched on from the far wall, grinning as Mason caught your gaze. He waved you over “Hey Y/n, did you want to join us?” He asked, to which you shook you head with an amused scoff. “No thanks, I would like to keep my money-” “Wuss...” Woods teased “I’ll play for you” “No, I’m good thank you, but I appreciate the offer”.

Woods groaned again as Mason laughed, while Viktor practically bled them both dry. Adler emerged from the kitchen, moving to stand by your side. “Adler, lend me some money, I need beat this old man at least once!” Woods exclaimed, gesturing towards Viktor with an extended hand. Adler shook his head “No, I’m not doing that” He replied, glaring at Woods’ obscene gesture thrown in his direction. You chuckled quietly, looking up at the man beside you with a small shrug. “How did you go?” You asked, not liking the way his gaze fell. He huffed “Hudson has a few things to take care of in Washington before he gets here, but he plans on arriving sometime tonight”.

“Well, I guess we can’t really do anything until we inform him of what is going on then?”.

“We can prepare what we are going to say? Combine our knowledge”.

You nodded hesitantly “I really don’t know much. But whatever those soldiers were doing up there is in relation to something called Operation Hyrda”. The entire living room fell silent, as all eyes now focused on you. “Operation Hydra? What the hell is that?” Mason asked, his eyes narrowing in confusion. You sighed “From what I’ve remembered, Operation Hydra is a failsafe for Operation Greenlight. Reading that name back in that bunker triggered something. All I know so far, is that Perseus and I are the only ones who know of the failsafe”.

“And because we brainwashed you, you can’t remember what this Operation Hyrda entails” Adler interrupted, his eyes remaining trained on your smaller form. You nodded as Adler cursed, cringing at his dangerous tone “I’m trying to remember, if that helps-”

“I know you are, we’ll figure it out” Adler spoke distantly, before once again disappearing back into the kitchen. You sighed heavily, pinching the bridge of your nose with a groan. If only you could remember something, even if it was small. Every little detail counted right? A gentle hand was placed on your shoulder, causing you to flinch as your eyes lifted to meet the warm expression of Mason. “Hey, don’t beat yourself up about this...” He soothed “it’s not your fault you can’t remember”.

“I know, but knowing that I’m missing something important is just...” You paused, breathing deeply in through your nose and out through your mouth “I feel so fucking useless”.

“You might feel like that now, but it won’t always be like this...” Woods spoke solemnly from his position on the couch. “Sure, it might take you a while to remember things, but you will get there. Just don’t be so hard on yourself, alright?”. You nodded slowly, allowing his words to sink in. Though Woods did have a point, you couldn’t help but feel like a burden to the team.

As your lips parted to respond, there was a sharp knock at the door. Your head tilted to the side in confusion, your gaze meeting Woods and Masons’ who wore similar expressions. Adler emerged from the kitchen, carefully moving past you and Mason towards the front of the door. You waited anxiously as two voices echoed down into the living room. As footsteps approached, your body became rigid as Adler moved past you to stand on the other side of the room, followed by a woman you knew all too well.

Her midnight hair was slightly longer, but her brown eyes widened upon landing on your form before her expression hardened. All you could do was glare at Park, as she stood in the doorway to the living room.

Tag List: @pookolokon @travelllar @basicwhiteasian @shellshockedbell @inteligentecat @staryozora @lovinggooppalacebanana @ktdragonborn @quietblogs-2-rd @cerezi @alluringartangels​

#russell adler x reader #russell adler #russell adler imagine #call of duty x reader #call of duty #call of duty imagine #call of duty black ops #call of duty cold war #call of duty black ops cold war

[kaisa-ryo]

Megumi Fushiguro NSFW Alphabet

Warning: English isn't my native language!

☆.。.:*・°☆.。.:*・°☆.。.:*・°☆.。.:*

A = Aftercare (What he likes after sex)

Nothing can be better than looking at you, studying every part of your face up close. Watch how your eyelashes tremble, how your chest rises and falls, inhaling and exhaling air. So familiar, so lovable. What a beautiful and so necessary face at this moment. From time to time he wants to run his fingers over it, remember it, photograph it. I want to look at your face for a very, very long time. Then he drops those thoughts because he needs to focus on trying to sleep.

B = Body part (His favorite body part)

Lips.

God, he so enjoys watching you bite them, lick them, paint them with glitter. This is essentially a small insignificant part of the body, but so demanding for courting and kissing. Yes, kisses ... Megumi so wants to touch them and do it yourself: bite, lick, paint with glitter ... After all, they seem so soft and delicious.

C = Cum (Everything about sperm)

Into a condom. Even if it is not always convenient and completely satisfactory with an elastic band, Megumi still prefers to protect herself. In addition, it is useless to oppose this if you do not want problems in the future. But if you ever ask him to do it without a condom, he might even agree, though not right away. First, make sure that you really want it, since he was not ready to ever do this. So don't be surprised if he gets worried during the process.

D = Dirty secret

From time to time he thinks about how you will take full control over yourself. It makes him mentally convince himself what a lustful bitch you are for him. He understands how you revel in your own perfection, how this thin erotic veil allows you to devour him with your eyes, hypnotize. It almost makes you a god. But the deity should not so protrude his sexuality in front of his beloved. Therefore, if you do so, then in the morning Megumi will throw some reproach in your direction, but at the same time he himself will remain satisfied and completely satisfied.

E = Experience

There is. If in high school he was a cold-blooded bully with a good appearance, then it is possible that Megumi had favorites back then. Not to say that, under the influence of hormones, he wanted to fuck every girl, because on his mind he had only the goal of maintaining justice with vague and false concepts. Yet he tried it once. She was a girl with high status and good connections, which were beneficial for him to achieve his goal. Sex without commitment is not the best experience that can be obtained, because apart from the pleasure of the process, you do not feel attracted to your partner. But what you just do not go to achieve the goal, right? The guy did not particularly remember that incident, but a clear understanding of the foundations of the art of submission remained.

Now he doesn't want to remember school life, because both character and actions were not sugar at all. In addition, the intentions of what then and what from now are different, one should not exceed expectations. But speaking of being intimate with you, Fushiguro has acquired a real bond that makes intercourse more sensual.

F = Favorite position

A deck chair is a great option. It seems like an ordinary missionary, but both he and you have something to hold on to. And as a bonus, he sees your face, by which he can give an accurate analysis of how well you are now.

G = Goofy (Are you serious at this moment?)

Yes. Despite the main goal of getting pleasure, it is also important for him to control it. He is not afraid to death that everything will go downhill. It's just that perfect sex hasn't bothered anyone yet. In addition, it is not at all difficult for him to do as he wants. Therefore, he feels a great need for complete control over intercourse. If everything is done correctly, he feels proud of himself, which cannot but please him.

H = Hair (Is the hair ok?)

Hygiene is as important to him as every other aspect of his life, especially if it somehow, no matter how, concerns you. You never need to remind him of this, as he himself tries to take care of the intimate area as often as possible. Therefore, he is unlikely to have problems providing comfort for both of you.

I = Intimacy (Romance)

There is. These are mostly cute things that are usually not considered very important, but for you they are like a trophy. For example kisses on the forehead, crown of the head, knuckles of thin fingers, neck and shoulders. It is like a ritual dedicated to love for your beauty and uniqueness. Even if the process is not very sophisticated, you get pleasure every time. Towards the end, you realize that you have gained much more than the warmth from light, but sensitive touch.

J = Jack off (masturbation)

There is such a thing. And you don't have to be far away. If you have not done this for a long time, but for some reason he is afraid or does not want to offer you, then do not mind masturbating to one of your photos in the gallery.

K = Kink (Kinks and fetishes)

The guy is not indifferent to your body, no matter what shape it has. Feel his smell, touch, stroke, listen until all these tenderness reaches light bites, squeezes, licks ... He feels everything much more sophisticated than it seems. And nature is such that subconsciously very subtly feels desires. Even if they are not at all.

He likes it when you walk in sexy pajamas, stockings that accentuate the shape of your legs or open clothes, although he doesn't always approve of this, because he knows perfectly well that he is not the only one who likes your body.

I like to give you different jewelry because they look so perfect on you. It is not for nothing that people say: "It is not clothes that paint a person, but a person's clothes."

For Fushiguro, this is both the main aesthetics and a source of inexhaustible pleasure, which is noticeable with the naked eye.

L = Location (Favorite places to have sex)

Not a lover of variety, so the option with a bed is the most ideal for him. Moreover, the bed is large and soft, which allows you to do a lot without any discomfort. You often feel tired after sex (unless you're a sex addict), so in the case of a bed, you don't have to worry about passing out on the table or floor. Yes, with the bed, you are subject to almost all poses!

Fushiguro is also not cold to the sofa, which is not much different from the bed in terms of sex. On it he can relax while you ride it, clutching his shoulders or pants. The sofa is also a good control plane, which can be easily used if you understand that you need to get up. It's still convenient! Why do you even need a shower and a table?

M = Motivation

When you walk around the house in the open in only panties and a bra. He doesn't like it very much, but heck, he really doesn't want to admit that he is actually embarrassed and it still turns him on. And when he comes to pick you up from home to take you somewhere, and then finds you not ready, in only one underwear, he will be indignant at why you are still not dressed, then he will turn away, covering his face with his hand and making a slightly trembling exhale. At this time, you will notice how his cheeks and ears turn red and giggle softly, pulling on a T-shirt. Once you specifically asked him to fasten his bra, knowing that it will start. After all, in front of him, a close-up flaunts your completely naked back, which you can touch and stroke. It seems that another second and he will lose control of himself and go into a rage. Holding his breath, he will begin to gently stroke the delicate skin and excitedly run his fingers up and down the spine, feeling his legs trembling from the touch. You will have to bite your lips in order not to turn around, and all this time with concentration to look in the direction where your shadows are reflected in a black silhouette on the wall a few meters away.

Also no less exciting for him is your passion for something. If you diligently write an essay, essay, read interesting books, even just tap your nails on a hard surface - he will be immersed in your actions. After all, the main thing for him is not the process of action itself, but how you perform it. When Fushiguro sees you at work, he enjoys every second of what is happening.

N = No (Which won't do)

What he considers to be risk or abnormal.

Megumi is for healthy sex and will not settle for BDSM, role-playing or sadomasochistic procedures. Especially complete submission. It does not arouse and does not cause orgasm from the word at all. He believes that such an idiotic variety was invented by mentally ill people, after whom everything is repeated for the reason of "fashion", public manipulation and self-hypnosis. In addition, in order to decide on such an idea, you either need to be a crazy psychopath, or stop respecting yourself. At least Megumi thinks so and has no doubts about it.

O = Oral (Likes to receive or to give)

In this regard, Fushiguro tries to maintain balance.

Yes, he likes to hear your drawn-out muffled moans. I like how you all wriggle under it and beg you not to stop. I like the way you cum. But it is no less exciting to see how you walk with your thin fingers along the entire length of his penis, and then clasp your lips and swallow it as deeply as possible, periodically circling the head with your dexterous tongue. Therefore, he is not inclined to prioritize. He continues to give you pleasure simply because he thinks it is right, and when he himself wants to feel pleasure, you will guess it yourself by his eyes, facial expression and swaying his hips in time with your movements.

P = Pace

As a rule, Megumi tries to do it in full force. Physical strength is still a man's trump card in love, and should not be underestimated. But it needs to be properly stimulated. Energy should not be pushed to the limit. Fushiguro was used to stretching his orgasm, speeding up and then stopping for ten seconds. Then the surge of feelings becomes even stronger. Too much speed will immediately lead to overwork, and the orgasm becomes smooth and short. It's too predictable. Of course, the guy is not a fan of variety, but that does not mean that you absolutely cannot pamper yourself, right?

Q = Quickie

Average. The most common.

And what else do you need? High speed does not allow you to feel the process properly, and low speed dampens all excitement and quickly gets bored. Medium is perfect for both of you.

R = Risk (Ready to experiment)

Not ready.

You shouldn't force him to try new sensations. This will cause him discomfort or even anxiety, which will not lead to the best outcome. Once you talked to him about this, at the end he said that he didn’t like it and asked him not to bother with this topic anymore, since even the thought of it introduces him into slight stress. Not because of the experiments themselves, but the very fact of their fear. He is currently struggling with this because he wants to be completely perfect for you. However, it is unacceptable for him that it is easy for him to control the process, but it is so difficult to start experimenting in terms of sexual relations. He will definitely deal with it. Not right away, but it will cope.

S = Stamina (Stamina)

Pretty decent

Getting pleasure is enough for both of you, so you have the strength to wash in the shower, make tea, read a book and just lie around, warming your bodies with hugs. It even happens that there is enough strength to walk along the street, restoring not only physical balance, but also emotional one. Still, a walk in the fresh air with conversations on various topics does not let you forget that your love is real and is not a farce for sexual gratification.

T = Toys

It treats all their varieties badly.

Another trinket invented by the unbalanced and sexually addicted. You both have enough and an ordinary hookup without stupid "decorations".

* In fact, once the thought flew through his head about how you would react if he shoved a vibrator into your vagina as close to your clitoris as possible. And how he later, in all seriousness, assured himself that he would not offer you such a thing for anything. Recalls a magazine article about sexual fantasies among teenagers at thirteen. As a result, having mentally slapped myself in the face, I never thought about it again.

U = Unfair (Does he like to tease)

Yes!

He doesn't like to admit it, but oh my god, how your pleading and sobbing drives him crazy. At such moments, he seems to be in seventh heaven. He would like to listen to them, but then all the pleasure from the upcoming orgasm will disappear. He wants to satisfy his desire as soon as possible, but he really doesn’t want your sweet voice to stop at such seconds ... And when you finally finish, everything inside him contracts. Because now you shout his name instead of muffled moans. It feels like he is special to you. Yes, only he can make you make a mess in your body, which was just so obedient. Only with him can you finally plunge you into ecstasy.

V = Volume (How loud is it)

At first, he is silent, as if swallowed his tongue. But by the middle it already starts to grow. But if you only knew how uncontrollable he is in the end ... although, why am I crucifying here? Of course you know.

At this time, along with orgasm, he realizes how fucking he is. So inside him begins a feverish flow of internal current, and at the same time a fire flares up in his heart, turning into a high.

W = Wild card (Random headcanon)

When you first slept, the spontaneous thought came to you to look into his phone. Nothing criminal, you just wanted to make sure you were the first.

Waking up first and looking at the phone, which surprisingly had no password, you checked the list of contacts that were not embellished in some way, and in general there were not as many of them as you expected. But you, apparently, so much enjoyed digging into his personal life, feeling like a real Sherlock, that you decided to look at Google. There already began something from which you simply could not help but emit an unrestrained laugh: more than ten tabs related to sexual relations, the structure of the vagina, the consequences of the "first time", precautions for intercourse and a bunch of other things. You could hardly restrain your laughter so as not to wake up your loved one, who apparently became a real Alpha and a sex guru in just one evening.

It's been a long time since that moment, but you still haven't admitted to him that you then got into his phone.

X = X-ray (What's under the clothes)

14.5 cm during erection ± 1

Y = Yearning (How high is the sex drive)

Megumi cannot be called “lonely-touchy-with-a-broken-heart”, but “addict” is certainly not about him. This is an unexpected manifestation of desire when he himself begins to kiss your neck, in the hope of showing your initiative. Usually you make love at your request or at a noticeable hint. Fucking you in bed, he is not looking for any benefit for it and is not chasing cheap bonuses. He thinks that he is simply satisfying his sexual need, and does not go further so that you, too, do not get hung up on sex as an important part of your life.

4/10

Z = Zzz (How quickly falls asleep)

Quickly, if you are not trying to distract him with conversations (you are not always sure that you did everything right and completely satisfied him).

If you want to annoy him with requests, for example, if you are cold and you tell him about it, he will immediately cover you with a blanket. But you are more cunning and you do not need a blanket at all, but his strong arms.

— Mmm... and I wanted to warm myself in your arms...

Then Fushiguro will roll his eyes, sigh loudly and hug you from behind.

— I want you to kiss the top of my head! — you will rather smile when he reluctantly, but still will do it.

— Will you sing me a lullaby? - then the guy will understand that further you are just making fun of him.

— Maybe you still dance?

— What a good idea! Stand by that closet.

— Sleep, princess.

☆.。.:*・°☆.。.:*・°☆.。.:*・°☆.。.:*

#jjk imagines #jjk x you #jjk x y/n #jjk #jjk megumi #jujutsu kaisen #jujutsu kaisen x reader #alphabet

[lofi-tophat]

Let’s talk about the 70s punk scene and HWS England

I sometimes feel that the fandom doesn’t give England’s love for punk/rock music much justice. Some authors usually write about this human AU in which Arthur wants to be a rockstar and some others plainly avoid the topic whatsoever. Which is a pity because I actually believe the whole character has a deep punk reference, specially regarding appearence (might expand on this in another post but basically, for me, England seems like some random bushy browed anime 70s punk guy who suddenly has to put on a suit and attend world meetings, which is both fascinating and hilarious).

So I thought maybe we could dive a bit into very general punk history and then I’d like to share with you some hc regarding England’s involvement with punk culture in general (if you just want to read the hcs just scroll down to the last paragraph with the bullet ponts).

My experience in punk stuff is actually that I’m kind of a metalhead lol. Metalheads and punks had and probably still have a deeply-rooted rivalry. However, punk influenced metal a lot, and metal also influenced punk. So I stumbled upon many punk facts while browsing about my favorite metal bands. 

Take this as historical hetalia... but counterculture historical hetalia :D (which is something we need more in the fandom, btw, I know military history is cool but its also cool how humans expressed themselves through art, fashion and music when they felt the pressure of authority and the frustration of society).

Historical context

Let’s return a bit in time and remember the 60s. The 60s were this blessed time in which people tried to defeat the establishment with peace and love. The hippie movement is from this decade and it influenced a lot on how people thought and behaved. In terms of counterculture, I must say this is a fascinating time in history (I recently discovered psychodelic science and its so incredible what was being talked back then).

Anyways, although a lot of young people were into this discourse of love and peace, some weren’t really that happy about it. In Europe, the post-war situation was sad and a lot of young people either were jobless or had the shittiest jobs you could imagine. Politics were also depressing. This was the origin not only for punk but also for other genres of heavy music, such as metal: People who didn’t want to be all happy and peaceful and had the need to express their frustration and anger, shouting about how society was fucked up. They needed an outlet.

Origins of punk

The origins of punk music are actually not quite clear. In fact, the US and the UK both claim that punk music was born in their country. Funnily enough, my country also claims to be the origin of punk (I’ll leave this mini-doc for you. Sadly, I don’t think this is a correct claim, mainly because their music was in spanish and I doubt that major punk bands took them as reference. Its a cool band tho).

I have to side with americans on this: The arguments for the american origins of punk are quite solid. The Ramones were the first actual punk band out there. They were active since 1974. Their music had all the elements of punk and, chronologically, they were the first ones performing this type of sound.

However, they didn’t have the aesthetic. That actually was a british invention. American punk had still leather jackets, jeans and sneakers. British punk? Well, remember all those ripped pants and shirts you commonly associate with punk? Yes, those were the Sex Pistols all along. They were the ones introducing the attitude and the style. The Pistols had some insane performances and a huge shock-value that can’t be found in early american punk. So you can safely say that your image of what a punk is is based mainly on the Pistols (also, for singing anti-authoritarian lyrics, they actually were managed by some dude who had a fashion shop. So yeah...).

Punk attitude or philosophy or whatever

The reason why I addressed the rockstar thing at the start of the post is because I find it curious. Punk is characterized by the whole Do It Yourself attitude and breaking with the establishment. Anarchism in punk is scandalizing people since there is no authority whatsoever. There wasn’t really any deep philosophy behind all of this, nor any political movement. Punk has nothing to do with a formal anarchist philosophy (which actually exists and has nothing to do with disorder). However, punk is characterized by the anti-establihsment lyrics. Remember, this is all about scandalizing people (which sometimes took great lengths). Presentations from british punk bands were also quite wild those days. They involved a lot of insults, spitting and, of course, pogo.

So, it is obvious that there is this deep concern about turning into a sellout, a pretty common fear in any underground scene. Authenticity was encouraged. Aspiring rockstars really didn’t have much mercy in the community so to speak, at least in this specific period. 

I would also like to add how punk had other aspects beside the music. For example, fanzines were pretty popular in the punk scene in the 70s and a great way to engage with what was going on with bands and music. I remember also this interview of this band in which they remembered how a very high guy decided to recite his poem while the band was playing. So, yeah, literature, illustration, fashion and other stuff were involved in the punk scene too.

British punk was also characterized by a very nihilistic attitude and a total disregard for previous influences. 1977, a song by The Clash, stated:

No Elvis, Beatles, or the Rolling Stones!

Now, for the important stuff: The music. Punk music is all about being simple. Punk musicians aren’t really known for their virtuosity in their instruments, something that actually inspired musicians from a lot of heavy bands later. In fact, the famous Sid Vicious from the Sex Pistols never could learn how to play the bass. So the band disconnected his instrument from the amplifier and he only had to pretend to play. The guy actually tried to learn how to play bass but music wasn’t exactly his talent. He had tons of punk attitude though, and that was the reason why his band didn’t kick him out. 

Vocals are usually shouted, the rythm is fast and the riffs are quite simple. In fact, there is this famous publication on a 1976 british fanzine that stated:

This is a chord

This is another

This is a third

Now form a band

HWS England and the 70s punk scene and onwards 

Thanks to his immortality, it is obvious that England had to experience the 70s in all their glory (what a lucky bastard). Was he there? Hell yes. As I explained before in some of my hc posts, nations represent the population more than their Government, so I really believe that England felt the frustration from that post-wwii decade and he probably also felt pissed about this. Working for the Government must have felt really frustrating during those years. 

In the past, he probably would have tried to take his ship and sail the seas or whatever, but that was not possible in the modern era. I guess that’s how he discovered punk. 

Now, rock existed in England before punk. I mean, the Beatles, duh. So Arthur wouldn’t have been completely ignorant about rock music in general. Contrary to popular belief I don’t imagine him being that much of a beatlemaniac though. Sure he likes them, but the music didn’t resonated with him as much. But boy, that first time he heard the Pink Fairies in 1971 (Yes, this was an actual band, a proto-punk band)? Yeah, he could relate more to that.

More detailed stuff here:

Pubs were crucial for the development of punk music. They were these spaces in which bands could play, a venue to discover new music. Yes, Arthur must have been a regular in a lot of these pubs.

Fanzines probably fascinated Arthur as an outlet for his own writings and silly drawings. He probably created a cringey pseudonym and collaborated with a lot of them. 

Its canon that England likes to critic american movies, and, taking from there, I think he’s the type of guy that has an opinion for everything. So I can imagine him also writing about what bands he enjoyed and what bands sucked.

Yeah, I can also see him being drunk and just reciting a poem while some rock band played behind.

With some ability, and a lil bit of tricks, Arthur could escape normal Government activities and perform with punk bands at nights. People were so into the music that he had no problem passing by.

Some cover art in CDs show Enlgland with a guitar and a bass (yes, not many people remember the bass cover art). So he probably plays both guitar and bass. He also probably plays the drums. Of course, he’s no virtuoso and he only knows the most basic stuff in those three instruments. I can see him being into songwriting tho.

Music equipment:

Guitar: Definetely a Telecaster

Bass: Fender P-bass and I can also see him having a Rickenbacker 4001

All these instruments are full with stickers. Punk instruments look really cool btw. (I wish my bass could look like those I see in certain punk bands)

England’s probably the kind of guy that doesn’t cut his strings at the head of his guitar.

He can actually play guitar/bass and sing at the same time.

England plays bass with a pick (what an asshole, we bassists know picks are not allowed)

Contrary to popular belief, I can see England appreciating good rock music from other countries and supporting them. He probably insists that punk music was born in the UK though.

1977: The Queen was going to celebrate her silver jubilee. And England had no problem with this. He really had none... but he HAD to be in that boat trip with the Sex Pistols. There’s no way he was going to miss that. He later had to explain his abscence that day to his Government officials (Btw, my hc for England’s relationship with his monarchy is “It’s complicated”. I can explain this later. Just remember that he was really pissed those days)

I can see Arthur in general being really involved with the scene. A lot of the stuff they were making actually matches with his canon interests and even personality. So he probably enjoyed those days and felt quite at home. I can even say that, for a long time, he hadn’t felt that kind of connection with his own people.

Although I can see England being attracted by the nihilism in the scene, I think his romanticism protects him from embracing it fully.

England had to live a double-life during this era. Not that it was new for him.

Arthur was pierced several times by some random, drunk teenagers. He doesn’t remember who tho. He was also drunk. Obviously his piercings close really fast, unless he has a permanent jewel in there.

I can actually see England expanding his music taste. Although punk is in his heart, it wouldn’t be strange for me that he’s overall a rock nerd and enjoys other genres, specially those with fast drum beats and heavy riffs. So I can see him having some metal favorites too, having a certain taste for prog rock and even digging into hardcore.

I’m still unsure if England would have been a massive Pistols fan as fanfics usually portray him. I mean, maybe? I would say he is definetely into acts such as the Pink Fairies (I mean, c’mon, its perfect). The Clash and the Damned probably also have a place in his heart.

After the punk scene dried out (the 80s weren’t that great for punk music although it was the birth of even heavier forms of music based on punk), England also was eager about the new genres flourishing during these times based on punk. Acts like folk punk might have had an appeal for him. He’s also fond of the punk-ish bands from the 90s like Green Day.

“Punk will never die!” shouted England while stage diving in some random small concert. He likes to support new bands these days.

The most fascinating thing, maybe in a more poetic sense, is that England’s immortality probably also helps him to keep up a punk spirit as much as his nationhood allows him, instead of aging poorly and angry like a lot of punk musicians... I mean, he aged poorly, but for other reasons lmao.

#hetalia #hws england #lofi-tophat: really long hc #in the next issue: America is a swiftie WITH EVIDENCE #I do enjoy some american metal bands but I don't see America being that much into heavy music #he probably doesn't even care if punk was born in the us or not so england maybe won that one #guys i could ramble forever with my music hcs but ill just leave you with Moldovas extensive pop collection #finland's passion for folk metal acts like korpiklaani #and cuba shouting AZZUUUUUCAAARRR in karaokes #btw pirate metal exists kind of as a subgenre but it exists and england is into it

[noethicalconsumptionunderdisney]

Hogwarts Sorting Profile: Max Russo

So, confession time: Initially, I wasn’t actually planning on writing one of these for him.  I’m sorry!  I love Max, but he’s often in the background of Wizards of Waverly Place and just has these really random plots thrown in his direction, rather than interesting character-exploration-type shit like the main sibs.  (Which, to be fair, is probably why some of y’all might be curious what I’m going to say about him.)

But I was thinking about what makes Max so odd as a character, and specifically I was thinking about him in comparison to other characters of his archetype in the Disney Channel-verse.  Because we’ve seen the messy, funny, underachieving brother character a lot, but they come in very different flavors.  Part of that for Max is that he shares some of those traits with Alex in contrast to the overachieving, overly serious Justin, but part of that is… Max often seems to be in his own little world, incomprehensible to mortals and wizards alike, and generally takes in the “real-world” around him with a shrug.  He still cares about the “real-world” when it suits him, but he’s often kind of divorced from it, and that discovery fascinated me.  Furthermore, it made his Sorting “click.”

We’ll start off easy: what does Max do?  The answer is… he’ll do pretty much anything.  He’s not a Burned Secondary, though, he just doesn’t give a fuck.  Max is every bit the Slytherin Secondary that Alex is, we just don’t usually notice because he spends most of his time in his Neutral State.

The Slytherin Secondary’s Neutral State is blunt, rough, and often unphased by stepping on people’s toes. It’s easy to mistake this for a Gryffindor Secondary’s honesty, but it comes from a different place: comfort, relaxation, and/or apathy.  It doesn’t inspire or motivate so much as sit back and do as it pleases, and the Neutral State’s honesty is there for convenience rather than necessity— if a different tactic will work better, a Slytherin Secondary can ditch their honesty and change direction far more easily than a Gryffindor Secondary.

Max isn’t exactly shy about saying what’s on his mind, even if it’s usually dismissed as nonsense.  He also does seem to charge into situations without a care sometimes, but that’s the thing: he’s able to charge into those situations because he doesn’t care.  When he tests out the zombies’ No-Fear Ring, it doesn’t work on him because he’s already fearless.  So while some Slytherin Secondaries are nervous about showing their honesty to others and only show their Neutral State when they’re home safe with people they’re comfortable with, Max lives in his honest Neutral State because he feels comfortable and safe most of the time… even in situations where he really, really shouldn’t.

Curiously, one situation where he doesn’t feel comfortable or safe has very little to do with actual danger, but about personal identity: when he’s turned into Maxine.  And in Maxine’s body, he’s a lot more manipulative.

“You know, I can’t help it if people think I’m cute.  Watch how I make it work for me.”

As Maxine, he uses his cuteness to get out of chores, to get revenge on Alex and Justin in karate, to guilt dishonest customers out of cheating his parents, and comes up with a plan to talk his “boy self” up to a girl he likes as Maxine so that she’ll like him when he changes back.  Yeah, can’t imagine why Maxine reminded Jerry and Theresa so much of Alex…

But there are Slytherin Secondary indications from Max in his usual form as well.

He has no qualms about outright lying — inventing a fake illness to get out of P.E., pretending to be “Tom Sawyer” so he wouldn’t be embarrassed by/compared to his family — but he prefers obfuscation, aka confusing people with his “Max-ness.”

“How do you get your brother to say what’s really on his mind?”

“Oh, I use randomness.”

“What?”

“Well, I just say random things and while people are trying to figure it out, they say stuff that’s on their mind.”

One example of this tactic being employed successfully is with the Genie.  While Alex fails to outsmart the Genie using her quick wits, as the Genie is every bit as cunning as her, Max figures out a way to piss off the Genie enough to blackmail her, then talks circles around her and confuses her until she reveals a way for them to undo her wishes.  Alex calls it “outdumbing” her, but in any case, he succeeded where she failed, and showed that he’s more capable than often assumed.

We get another rare moment of clarity from Max during “Alex Tells The World.”  

“Alex, you know you can’t reveal magic!”

“Oh, even I know that. That’s why I just make people think I’m dumb so if I slip up, ehh, they figure, the kid’s an idiot.  And I slip up all the time, so.  Who’s dumb now?”

Max’s admission that he “slips up all the time” isn’t exactly reassuring, but it is telling that he’s the only one who doesn’t reveal magic during both the Season 4 Premiere and the Season 3 Finale.  Perhaps it was dumb luck that got him there, but I think there’s more to it than that.  There’s a method to his madness.  There’s a logic to it, even if Max’s logic often doesn’t follow all the way through.

Which leads me to his Primary— Ravenclaw.  (LOOK I KNOW. HEAR ME OUT.)

Yes, Max is often seen as “the dumb one.”  Yes, Ravenclaws are perceived as “the smart house.”  And while I’ve just demonstrated that there’s a brain under all the Max weirdness, I’m not about to argue that he’s secretly a genius.  He misses the mark more often than he hits it, and oftentimes when he hits it, it’s through coincidence or dumb luck or Insane Troll Logic that’s impossible for anyone but Max to follow.  But I do believe he operates on logic, just his own wacky version of it.

The thing about Max is that he’s neither as dumb as most people think he is, nor is he as smart as he thinks he is.  He’s somewhere in between, and the fact that people never quite know where exactly he falls on that scale is kind of the point.

In fact, part of the reason I struggled with Max was because I was trying to figure out where exactly he did fit in:

He can be selfish enough at times to argue Slytherin Primary, the stereotypically “selfish” House, but he’s missing Justin’s protective streak.  He doesn’t feel that same sense of duty towards his family that Justin does; when Mason breaks Alex’s heart in “Wizards vs. Werewolves,” Justin turns on him instantly because he Hurt His Little Sister And Is Therefore Bad, while Max is the one most willing to give Mason a chance, because he has his own reasons for wanting Mason in his life.  Yet, he still clearly cares enough about his family to rule out the possibility that they don’t factor into his morality at all, not to mention how easy it is for them to influence him.  

His more humble ending of inheriting his father’s sub shop might make people think Hufflepuff Primary, but there’s even less justification for such a sorting upon scrutiny.  As I’ve touched on above, the staunch loyalty to community isn’t all that important to him, and he’s also not all that into traditions.  There’s no compulsion to help strangers, he doesn’t really make enemies but he kind of just ignores people he doesn’t like (or shatters them in a million pieces on accident), and let’s not forget that he unleashed countless monsters in New York City that killed all the Monster Hunters just to win the competition… even if he did do it when his Conscience was separate from the rest of him.  Not exactly behavior you’d expect from the morality system of “a person’s a person no matter how small.”

Speaking of Conscience, it’s notable that he argues with it, rather than accepting his advice. I’m still a little unclear as to how much this matters (there’s definitely room to argue that most of his brain went into Conscience as well, and that whole plotline was… weird), but even with his Conscience inside his body, he seems to lack that moral drive Alex has.  Gryffindor Primaries have this embedded sense of justice deep within their characters. Even when it’s hidden most of the time, like in Alex’s case, or when it becomes twisted into something dark and dangerous, or becomes Stripped of its certainty, there’s still this sense that there is Right and Wrong in this world, that trusting your gut should lead you to the right conclusion, and that it’s wrong to ignore it.  I have a hard time remembering if there’s really any situation where Max gets that gut feeling of Something Being Wrong at all, much less acting on it with a Heroic Plan… at least, not without convincing.

But Max can be convinced, and that’s key.  Alex often takes advantage of this to manipulate him for her own selfish ends, such as talking him into paying her for handing out fliers to her zombie prom, but more often it’s his parents that act as his voice of reason, whether it’s convincing him to go after the “deli robber,” convincing him to give his siblings a fair shot at the Wizard Competition, or convincing him to tell his girlfriend the truth… and then unconvincing him of that when he takes it too literally and tells her he’s a wizard.  

Actually, Max is prone to misinterpreting advice in this way while trying to follow it to the letter— he does this when he tries to sell fountain water with a puppy, as well, because his mom told him to “add something to it.”  I think he is, to an extent, aware of his own intellectual limits.  He knows he misses the mark a lot of the time, so he’s often willing to trust other people’s judgment over his own, so long as they can get it through to him in a way that he thinks makes sense.

But beyond that, he’s often willing to question “common knowledge” in a way the other characters don’t. When Justin tries to tell him he can’t make life out of the stuff from his room, he simply replies, “Where’s it say that?”  In season 4, when there’s a distinct possibility that he’ll win the competition, he expands the sub shop business by making the Wizard Portal into a Drive-Thru, which genuinely worked as a business plan until Jerry took it too far.  Later that season, he saves his siblings by creating a black hole and then jumping through it to pull them to safety from the black hole in Alex’s apartment.  Like, that was his idea.  He came up with that.  It was weird, it was risky, it was unconventional, it could’ve been incredibly stupid… and it worked.

And that’s what I keep coming back to with this Ravenclaw Primary sorting— that sense of ingenuity, curiosity, and the willingness to experiment.  On one hand, you have your System Claws, who are dedicated to The Rules because they’ve been convinced that living by them is The Best Way To Live, and on the other hand, you have those that are willing to challenge conventional wisdom and try new things.  It’s this willingness to question that I personally attribute to a Ravenclaw mentality, rather than inherent intellectual ability or a large knowledgebase.  While Max may not have the latter, he has the former in spades, and that, more than anything, is really what told me that he truly belongs here.

Conclusion:

Max Russo is a Ravenclaw Primary and a Slytherin Secondary.

As a Slytherin Secondary, Max often likes to confuse and obfuscate to get what he wants, is flexible in his methods, and can even be manipulative when he wants to be.  He’s also relatively comfortable with himself, thus he often lives in a Neutral State where he says whatever’s on his mind without thinking much about danger or whether he’ll be understood.

His Ravenclaw Primary is as curious as it is undefined, and operates on a logic that only Max truly understands.  While this leads him astray more often than not, this also allows him to break from tradition and try new things, and this unconventional thinking can sometimes lead to better solutions than anyone else could’ve come up with.  However, it also comes with a set of brakes in the form of taking input from others.  It’s not always easy to get through to Max, but he can be reasoned with, which in his case, is probably for the best. 

In this combination, we find a character who truly dances to the beat of his own drum.  As the most flexible Secondary and Primary, respectively, Max is a conundrum to most who meet him, confusing even to those who know him best.  That said, being the Russo who “goes with the flow” the most often, he’s also probably the Russo that has the most fun.  He’s certainly more fun to write about than I was expecting him to be!  I’m glad I did, and it’s good to be back.

#sortinghatchats #max russo #wizards of waverly place #house sorting #hogwarts houses #wowp analysis #character analysis #sorting profiles #this one's kinda long but i think it might actually be a little shorter than the alex one #so not too bad #might be about the same; not sure #in any case: #long post #(very very) #harry potter #(sorta)

[ofmythsandmadness]

MY THOUGHTS ON TUA SEASON TWO: PART TWO (spoilers)

So...I finished season two.

I’m putting ALL my thoughts under the tab so please, don’t click unless you’ve seen it all, and/or you just....like don’t care about spoilers? But please if you’ve not watched it, watch it first ‘cause it deserves all the hype and attention.

You can read part one to this here.

FIVE HARGREEVES…

I deadass thought he was gonna die.

I thought throughout the entire show that he was going to die, and ESPECIALLY at the end, I thought that was it. I guess I’m glad though that he didn’t die of course. But I was convinced, and glad he didn’t and that there was no shock-value death of a major character. 

(though like maybe one of them should have gotten hit by a bullet in one of those final scenes?? I mean….there were bullets EVERYWHERE. By SO many guns. How did they miss every time????)

Aiden Gallagher did a terrific job with the character. I don’t agree with the things he personally has done but I am convinced on his acting abilities, I mean JEEZ. He sold the act and alongside Diego/David Casteneda, was really one of the best actors on the show. I am thoroughly impressed. I didn’t really like him much in Season One, but he’s sold the role to me now and I’m very impressed.

That being said... I kinda hated Five. That’s it. I liked him in general but some parts, I was so pissed off and just didn’t like. He was an asshole and I know he IS an asshole but it was beyond just being a grumpy old pisspot. And I don’t know really how to feel, because I know being 45 years alone and lost and then becoming the world’s best assassin or whatever will fuck your head up, so it makes sense. I just think there were points where he lost most of his humanity, and then he’d flip-flop back to a more caring being. I sort of just wished there was a clear definition to all of his thoughts and emotions on it all.

But at the same time his character makes sense so I don’t know how to feel??? Maybe I’m just pissed on how he treated Diego and shit. But I’m very very glad he’s not dead!! 

ALLISON HARGREEVES…

Okay, I thought she was REALLY dead in that scene. You know the one I’m talking about.

Holy shit.

I was so scared. And also it was so sudden (and a little cool admittedly how Lila just threw it back at her like that - HOW DO I WORD thAT NON-SEXUALLY) and I was so fucking worried they’d kill her off, because I find sometimes her character comes off a little disposable. Not because I want her gone, more that the show finds her an afterthought and pushes her with someone or ‘silences’ her.

But overall I loved her storyline. I didn’t know if I’d like her just being married, it felt again like an afterthought and she was being pushed to be with someone, but the civil rights movement plot was really well done, in my eyes. I loved too the agony of having such impressive powers, but scared of the effects of doing so and also not wanting to be the person she was before. I felt for her and I was so impressed with her separating herself from her past, trying to push away from being the one who had it all and trying to be her own self. I think that this season did that really well, with all the characters and finding themselves, and I just...I want her to be happy, and successful and I want to see her find a way to use her powers without causing pain to herself or others.

And not be with Luther. Please, anyone who can do a thing about it reading this, do not make her and Luther a thing.

(also - emmy raver lampman is in general so goddamn talented and beautiful and i wish her the best. i just heard her rendition of satisfied and me oh my, that gal deserves so much more love, i hope this show catapults her career even more forward)

VANYA HARGREEVES…

Literally invented cottagecore.

Also, I love her.

I was so impressed with the way they handled her queer storyline. I was so worried about it, admittedly because television shows have a history of handing out stereotypical plotlines and not caring about the depth of them but dear FUCKING heavens, I loved this one. I cried like a baby, and yet I was left almost happy, at the end? Not happy, because they’re apart and Sissy’s stuck in a world that she can’t be herself in, but there was a beautiful bittersweetness that I adored about it. And it was realistic, and they didn’t just follow a trope and leave it there to wither up and die.

Vanya was adorable in this season and while I normally hate the amnesiac storyline, I think it’s an easy way out, I liked it here! Because yeah it was I guess an ‘easy way out’, but it worked and it made Vanya be able to be here and actually start over. I didn’t want to see her so burdened with who she had been and who she was forced to be, I wanted to see her smile and dance and love her siblings and she could and I couldn’t be happier. I mean, when she was just saying how she loved her family and her family was amazing...obviously it’s funny cause the family’s so messed up, but she meant it and I just want so much good for her.

I just love how they naturally developed the idea of the Hargreeves genuinely liking each other. This season really brought them together but unlike the first, it wasn’t necessarily because they had to, but because they wanted to. And I think Vanya did that for them. 

Basically...I don’t know how to put it all into words without making this a 70-page thesis essay. But I love her and want the best for her.

(side note - I really also was impressed with Harlan. I was scared that somehow they were going to do something stupid with him, but he was adorable and I loved him. his character made me tear up a little, too. as someone who has close family with severe autism, it’s rare to see a show that doesn’t make an upsetting and non-accurate portrayal out of someone on the spectrum. but he was so precious and smart and good and Sissy loved him and dammit, I would die for that little family)

I’m ALSO curious if Vanya’s gonna visit Sissy ever? I mean I thought she would have at the end but obviously the cliffhanger didn’t leave room for that...idk know though because I think with multiverse theories and whatnot, she wouldn’t even know her but...eh.

KLAUS HARGREEVES…

I don’t actually have much to say on him, which is shocking because in Season One, I could have written a whole book on his character. But that doesn’t mean I didn’t love him! He’s still one of my favourites, and I wish I could just take away his pain because that boy deserves at least a kernel of good in his life. But truly, there’s just not much I know to say about him??

The scene in the restaurant with Dave and his uncle though hurt. What hurt more though was his nonchalant nature about it, because he’s been through that so many times and he almost expected it, which hurt. It’s expected and I knew he couldn’t just waltz up to Dave and confess his love and they’d be dandy, but as a queer person, it was a punch to the heart just watching him go through that.

I just want him to be happy someday, and bond with his siblings because there’s a deep sadness that lurks with Klaus, and maybe it’s from the actor too but there’s a melancholy that I relate to, which I hate because that melancholy is a heavy burden to carry. A worthlessness, and a deep depression that he’s seemed to have fallen into that’s a bitch to climb out of and I’m scared that he won’t be able to. He covers it up in funny gestures and vices but it’s still destroying him. Even the cult - he lacks any real love and he finds it in meaningless places, never remembering their names or anything about them and coming off as an asshole when really, he’s just looking for someone who truly cares about him, who he is on the inside and listens to him without yknow, becoming brainwashed and treating him like a god.

I’m interested to see where the show takes his character.

BEN HARGREEVES…

This show really said fuck my feelings on this one, huh???

EPISODE NINE MADE ME SO NUMB AND SAD AND JUST - FUCK.

I cried so hard when he got to save the day. He finally could do more than just follow Klaus around, and he finally got to be more than their dead brother. For so long, Ben was just an idea, a memory and I can only imagine the pain of having to deal with that. They touch on it in the show but it’s so much deeper than just being alone with only Klaus to talk to - I mean Ben was literally nothing, to any of the others, aside from being their dead brother. And when he finally got to save them, and save Vanya and fucking HUG HER AS HE PASSES ON TO THE AFTERLIFE….when I tell you I sobbed....

And his hug with Diego, how HAPPY they both were….the way that they both just….:’((

And that scene with young Klaus and Ben....Netflix when I said I wanted more Ben content I don’t know if I meant THIS.

At the same time...it was beautiful and bittersweet because he was happy, almost, moving on to his next life. He was able to do what he needed to and move on and that was beautiful. And, he got to say goodbye to at least some of his siblings, and so I can’t truly be sad about his passing. Even though it made me sob like a newborn babe.

But also...what the fuck was that ending?

And by that I mean, who the fuck signed off on that stupid lil’ haircut??? HUH???? WHY DID HE LOOK LIKE HE WAS WEARING FUCKING FAKE BANG-CLIPONS AOIHWGOIHWOIWHOIGWH

IN CONCLUSION. Fuck Reginald Hargreeves and also just FUCK.

In conclusion, I really loved this season. It ended happier than I expected and that makes me happy, so much more happy then I thought I would have been. TUA has been one of my favourite shows, and I’ve over the past while waiting for S2, developed several strong loves for these characters. More than I’ve ever cared about others. And for the most part, they were given the justice I hoped they would be.

Overall, I am happy. And I hope we get season three, almost entirely just so I can figure out if Ben Hargreeves is wearing fake-bang clip ons or not. And also...like for everything else.

Also, what the fuck is a Sparrow Academy? Whomst??? And where’s miss Lila?? And are they technically related and if so HUH?? And also...no rights to Mr Reginald.

This is such a messy summary, lmao.

But let me know what you think! I’m going to rewatch it soon, probably tonight and I’m so excited to fall even more in love with it. (and them)

#tua #tua spoilers #the umbrella academy #the umbrella academy spoilers #diego hargreeves #klaus hargreeves #ben hargreeves #allison hargreeves #luther hargreeves #vanya hargreeves #lila pitts #raymond chestnut #umbrella academy

[thebibliomancer]

Essential Avengers: Avengers #230: THE LAST FAREWELL!

April, 1983

“Yellowjacket no more!”

Aw, dang! Hank got raptured!

Captain America, Thor, and Hawkeye is a weird collection of characters to be staring forlornly at the empty Yellowjacket uniform.

Thor hasn’t really expressed much about the Yellowjacket situation in comparison. You think they could squeeze Wasp into the shot. Just her ex-husband is all. She’s just the team leader is all.

Put Wasp on the cover, you cowards.

So last times on Avengers: Hank Pym got himself kicked out of the Avengers and out of his marriage and pretty much deserved it. He was tricked into committing treason by his arch-nemesis Egghead and sent to jail. He sat in jail for, like, a really long time. The wheels really spun on the arc.

He was kicked out of the Avengers/walked before he could be kicked out in #213. He was arrested at the end of issue #217. His trial was in issue #228.

He was kidnapped from his trial by the Masters of Evil. Then in #229, he turned the tables on them all in quite a satisfying manner and slugged Egghead in the egg head.

Then Hawkeye manslaughtered him. He’s dead.

Hawkeye arrowed the science gun to stop Egghead from shooting Hank in the back and then the science gun backfired and microwaved that egg.

This makes Hank’s victory a little bittersweet for him.

Hank Pym: “I defeated the Masters of Evil single-handed... but more than anything, I wanted to bring Egghead to justice. He was a thorn in my side for so many years. I was never able to defeat him for long, not when I was Ant-Man... and not even after I became Giant-Man! He bedeviled me in every identity I assumed. He did me the greatest wrong when I was Yellowjacket. I’d already ruined my Avengers career, when he tricked me into committing a federal crime!”

Hawkeye too is set to thinking by what happened. Maybe humming a bit of Bohemian Rhapsody to himself too.

Hawkeye: “This is unreal! I’ve never killed a man before! I never planned on anything like this happening! Yeah, but I can’t feel sorry for Egghead! If anyone deserved this, he did! My brother Barney bought the farm, stopping Egghead from killing the Avengers. And if I hadn’t acted when I did, Hank Pym would be dead! If I had to do it again... I would!”

Hawkeye: ‘Eh, fuck ‘em!’

hah.

But Hank laments that with Egghead dead, so goes his chance of proving his innocence by turning him over to the law.

Hank Pym: “Egghead was always getting away from me, Hawkeye. It’s almost as if he’s pulled the ultimate escape!”

Fun fact: There doesn’t seem to be an Ultimate Egghead! Why would there need to be? Even more than in the 616, Ultimate Hank Pym is by far his own worst enemy.

Hawkeye basically tells Hank to buck up and that there’s basically incriminating evidence lying all over the place.

He doesn’t say it but even Egghead’s dead deceased corpse is kind of like evidence. Evidence that he wasn’t dead until recently.

Captain Marvel shows up because someone finally came looking for Hawkeye.

Hank is surprised, much like others have been that this is Captain Marvel. He knew the old guy, the super saiyan. And I guess he didn’t hear there was a new one.

Hawkeye: “We’ve had a few changes since you went in the slammer, Hank. C.M. is an Avenger in training.”

Huh. Captain Marvel doesn’t even react to the dead body. Then again, there’s a lot of bodies lying all around the place.

And while Hawkeye is introducing the new Captain Marvel to Hank, one of those bodies stirs.

Moonstone has regained consciousness and assesses the situation. She could blast Hank, Captain Marvel, and Hawkeye with her coherent light pew pew but that’d just weaken her.

Like in the previous issue, Moonstone is one of the few supervillains who knows when to fold ‘em.

So she decides to skeedaddle while the getting is good but whoops.

Getting wasn’t good.

The rest of the Avengers have shown up and cornered her while she was pondering.

So Moonstone decides ‘eh fuck it’ and promises to spill all the beans if it gets her a lighter sentence.

So days later, the mostly off-screen trial of Hank Pym finally ends.

A loooot of new evidence suddenly popping up led the prosecution to withdraw all charges.

The lead prosecution witness, Trish Starr, suddenly reversing her testimony after putting on Tony Stark’s magical mental-scan helmet kind of tanked the case, really.

Wait, they really did just admit the use of the helmet in the trial when its new, unsubstantiated technology whose inventor disappeared?

Damn, I knew the Marvel legal system was wild (considering comic books as legal documents as explored in Dan Slott’s run on the character) but still!

Although it makes sense. Egghead got Trish to incriminate Hank by using the bionic arm to alter her memories. The helmet Tony invented undoes that kind of alteration. This connects the dots quite reasonably. Glad Stern was paying attention when preparing to finish this arc.

Moonstone and Beetle confirming that Egghead was using Hank as a tool also helps.

In fact, not only did the prosecution drop all their charges, the judge also dismissed all the charges. Which feels redundant? I dunno much about law, really. Just the She-Hulk version of law. Which, again, uses comic books as legal documents.

Apparently happening at around the same time, Hawkeye also had his day in court.

Literally a day.

It wasn’t a trial, just a hearing to investigate whether he was guilty of wrong-doing in the death of Egghead.

Newsman with a newsplan: “Though he was threatened with contempt-of-court charges a number of times -- Hawkeye was found innocent of any wrong-doing in the death of Dr. Elihas Starr -- the self-styled Egghead.”

Yeah, I bet Hawkeye was threatened with contempt-of-court a bunch. And I bet you anything that at least one of the times he rejoined with “No, you’re out of order! This whole damn courtroom is out of order!”

And then the judge probably just sighed.

I mean, look at that unbelievable Hawkeye in the bottom left panel.

Anyway, I think Stern must have felt a little pent up having to start his Avengers run finishing off someone else’s story, especially having to devote a recap issue to it since the plot had been interspersed with fill-ins.

Because in the middle of concluding this arc, he throws in two plot beats that I have to assume are to set up stuff of his own.

A day after the trial, the Beetle is being escorted to a cell in a Western Pennsylvanian federal maximum security prison when he bumps into another prisoner.

What neither the Beetle or the guard notices is that the bump to “Sam Smithers” has peeled off some skin on his arm and revealed THAT HE IS ACTUALLY MADE OF WOOD!

Suspect possibly a living puppet.

And elsewhere but samewhen, IN SPACE, specifically on Saturn’s moon Titan, Thanos’ brother Eros is basically complaining about being bored.

When Captain Mar-vell died of having a lot of cancer, he asked Eros to look after Mar-vell’s... uh... -google- robot girlfriend?? Elysius.

Eventual mom to Genis and Phyla-Vells.

Soooooo, Eros has done as Mar-vell’s deathbed wish was and spent an agonizing several consecutive months hanging out in Titan’s beautiful inside forests and just having a real hard time caring about one thing for such a long period of time.

I’m not even being unfair to him.

Eros: “This is the first time in ages that I’ve spent so many consecutive months on Titan! I have ever been a wanderer! I’ve sought out adventure across the wide cosmos. Frankly, I have known romance on more worlds than most sentient beings could imagine. That’s part of the problem. Our friendship has been wonderful, but I’m having a hard time adjusting to it. My previous relationships have all been of a fleeting nature.”

‘Look its not you, its me’ except for attempting to dump someone as a friend, instead of romantically.

Not dump, even. He just kind of wants to ditch her and is asking in a roundabout way if she’s emotionally stable enough to ditch.

She goes, yeah sure, go off and have fun. And maybe she’s getting tired of his company too.

Elysius: “Look... you’ve been a great comfort to me these last few months, but now I need to be alone for a while with my thoughts.”

Geez, how clingy has he been this whole time while desperately wanting to be anywhere else?

Anyway, since she’s fine with him fucking off, he does fuck off. Right to the Hall of Science.

Where Eros’ dad is like ‘oh ffs’ when Eros tells him that he needs to use the LIVING COMPUTER Isaac to look up planets with the highest adventure potential.

Mentor of Titan is a man deeply disappointed in both of his sons for very different reasons.

Anyway, would you really be surprised if I told you that Earth was in the Top 3 planets in known space for adventure?

You wouldn’t, right?

Meanwhile, back at the plot, Hank Pym is on a boat with Trish Starr.

She wants to apologize for that time she incriminated him but Hank isn’t going to blame her for being as much a pawn in Egghead’s scheme as he was.

Trish: “Yes, uncle was like that all of his life. I think he really enjoyed using people.”

And she remembers the first time they met in Marvel Feature #5, where Egghead tried to drain her mind to power his machines. Because. Batteries hadn’t been invented? Because he’s just not happy unless he’s screwing over someone else?

Second one sounds likeliest.

She also remembers the time he car bombed her car but siphoned out most of the gas first.

Trish: “He didn’t want to kill me... only maim me. Nice guy, my uncle.”

Yeah. Its stories like that why its only Trish and Hank also Fred Sloan on a boat at Egghead’s funeral. Yeah, by the way, this is basically Egghead’s funeral.

Fred is only here for Trish.

Hank reacts to Fred so I wondered if he’s important in some way or if Hank recognized him but I checked the wiki and his main importance seems to be... this issue? So I don’t know why Hank reacts to the guy.

So Fred is just here for Trish. Trish is here out of duty, since she was Egghead’s only known family. And Hank is also only here out of duty but more archnemesis ‘can’t believe that asshole is dead and I don’t even get to feel good about it’ duty. I assume.

Hank even gets the honor (?) of laying Egghead to rest. By dumping his ashes into New York harbor.

Mostly because it doesn’t seem like Trish wants to?

So Hank quotes some Mark Twain and dumps the ashes.

Hank Pym: “‘Death... the only immortal who treats us all alike, whose pity and whose peace and whose refuge are for all -- the soiled and the pure, the rich and the poor, the loved and the unloved.’ Farewell, Egghead.”

Trish: “It’s awful to say this -- but I can’t find it in myself to be sorry. I think I’m glad he’s dead.”

And that’s Egghead’s legacy. Mourned by no one. And his death is only not cheered because the only people that cared feel shitty about feeling glad he’s dead.

ANYWAY, there’s some other loose ends to tie up.

So Hank takes a taxi to the Avengers Mansion and I guess finally explicitly explains why the mansion has seemed to change positions over time?

Hank Pym: “I never thought I’d be coming here again. The place has certainly changed since the day Jan and I met here with Iron Man, Thor, and the Hulk to draft the Avengers charter and by-laws. And I still recall the time Iron Man and Thor moved the mansion back from the street to give us more privacy. What a project that was!”

Sounds like a heck of a noodle incident, Hank.

... Why just Thor and Iron Man? Did they... did they literally just shove the mansion back from the street? ... There’s... basements and caves under there. How does that work? That seems like a massive architectural project.

Hank, pls, I need to know more details. You can’t just drop that information and casually stroll away. HANK!

Captain Marvel meets Hank at the door and escorts him inside, captain marveling at how calm Hank is despite everything he’s been through.

Hank shows up to the Avengers meeting and-

Oh god, She-Hulk looks like she wants to punch the suppressed emotions right out of Jan. She-Hulk, pls.

So, Wasp is super formal, calling Hank Dr. Pym and telling him that they want to use the mento-scan helmet to see if he was under outside influence when he did all the very bad things he did.

All of the Avengers are harboring their own concerns.

She-Hulk: “I’ve read legal briefs that were more informal! She’s cool on the surface, but inside -- ! Jannie, why are you doing this to yourself?!”

Are you guys already at the cute nickname stage of your friendship or is that just the way She-Hulk be?

Cap is worried that this is rough on Jan but that she’s doing what she needs to do as the Avengers chairwoman. But he’s more worried about the absence of Iron Man who is still missing and who ignored three calls to assemble.

Thor is just internally like ‘just do the helmet, my dude.’

Hawkeye is literally biting his lip at the tension.

Hawkeye: “Jan divorced Hank after his last breakdown. If we find out that he wasn’t to blame, what’s it gonna do to the both of ‘em? I hate this! That stupid court hearing was a breeze in comparison.”

Huh, Hawkeye has a point. Even if outside influence is proven, its not as straightforward as Jan and Hank instantly getting back together, no harm no foul. There was harm. And the problems with their relationship were deeper than one incident. But it would also create this possible expectation that they should get back together because the specific incident wasn’t Hank’s fault.

And Captain Marvel is still looking at this from an outsiders’ perspective.

Captain Marvel: “They’re really hurting over this... all of them! They all care so very, very much. If I ever become a fully active Avenger, I pray that I can live up to their example.”

So Hank very calmly agrees to use the helmet. But...

Hank Pym: “Sorry... no outside influences. It would have changed a lot of things if there had been, wouldn’t it? But no, I made my own mistakes... and I have to live with them.”

Thiiiiis was the best decision for the story arc. It may seem, in retrospect, the worst decision in the long run, but I can respect the story for standing by what it has done and standing by the growth Hank has had as a result of everything that happened.

I think a lot of more modern marvel comics have gone a little wild with letting the heroes do all kinds of dubious things and also die because it can be easily undone. It was a Skrull, they were being mind-controlled, it was an AU Nazi version of them created by a cosmic cube child. Or by giving the hero some big redemptive moment like Iron Man wiping his mind to make up for doing Civil War. Or Iron Man dying to make up for Civil War 2. You can explore whatever scenarios you want without worrying about dealing with the consequences long-term.

But in this era of Marvel, they were concerned with the long-term. Not to say that there weren’t cop-outs back in this day too. But since books were expected to keep going indefinitely instead of being cancelled and relaunched, there’s less of a sense of ‘this thing is only here to play with for a little while.’ If you wrote a thing, another writer was expected to follow up on it.

And I miss that a little.

So not giving a cop-out bullshit thing that undoes Hank’s actions was bad in the long run for his image as a character. But that’s a long way from now problem, exacerbated by writers like Chuck Austin and Mark Millar who wanted to wallow in it.

For an arc where Hank fell from grace and proved himself again, taking ownership of what a garbage fire his life can be was necessary.

One among many reasons I probably won’t like the Crossing when I get to it, haha.

With Hank’s actions proven as being Hank’s actions, Hank says there’s one more loose end that he wants to help tie off.

He wants to participate as witness when the Avengers hold a court of inquiry for Hawkeye killing Egghead.

This comes as an absolute surprise to Hawkeye, who I guess never read the bylaws. Which honestly, is very in-character for him.

But it being brought up, he insists that all he has to do is enter the findings of the state judge and be done with it.

Hank insists he participate though.

Hank Pym: “Hawkeye is faced with charges because he acted in my defense. It’s only right that I act in his.”

So, the Avengers go to the first floor library, which is apparently the court of inquiry room. I feel like we’re suddenly getting a lot of details about the layout of the Avengers Mansion in recent issues.

So Wasp convenes the court all formal style, so formal style that Hawkeye thinks that stickler Cap(tain America) couldn’t have done a better job. The purpose of the court of inquiry is to determine the validity of the charge of “unreasonable use of deadly force” and determine what if any proper disciplinary action should be taken.

I think Hawkeye is annoyed at having to go through with this (read the bylaws, my dude) because when Wasp asks if he has anything to add to his claim of innocence of the charge, he says he already gave the court copies of the court transcript that cleared him of the same charge, but also decides to speechify a little, because he wasn’t accused of contempt of court enough today.

Hawkeye: “I have already given the chair copies of the transcript of a hearing of the state courts... a hearing which found me not guilty of the same charge. And I have something else to say as well!”

“I don’t deny that my actions caused the death of Egghead. But in no way did I use undue force! I found Hank Pym in mortal danger, and I used the necessary means to save him... period. After all, we are supposed to be the Avengers, right?”

Luckily for Hawkeye, the Avengers are more willing to put up with him than a state court so Jan just goes ‘ok, noted.’

Captain Marvel also has a minor change of heart on Hawkeye. I don’t think we’ve gotten her in-depth feelings on him before (although he did get pissy about her joining the team, we didn’t see her response to that) but she’s impressed because she thought he had more wind than conviction but is seeing that isn’t so. And she’s also impressed by Serious Mode Jan who she thought was kind of flighty.

Captain Monica Marvel seeing all kinds of new sides of the Avengers lately.

Also, this isn’t important and you won’t be able to see what I mean unless I included more caps than I wanted to, but in the panel establishing the court of inquiry, Monica is just standing off to the side. But in the next panel she appears in, she’s moved over to sit on a couch instead.

I think its a framing thing but its still kind of funny to imagine her going ‘wait why am I standing up’ and heading for the comfy couch.

With Hawkeye’s statement given, Wasp invites Hank Pym to speak his piece.

And Hank gets up and gives an entirely unnecessary but probably appreciated defense of Hawkeye.

Hank Pym: “Ladies and gentlemen... I have not always been on the friendliest of terms with Hawkeye. Point of fact, we nearly came to blows a number of times... back in the days when I was an Avenger. But in all the time I’ve known him, Hawkeye has never used undue force.”

“I realize that this inquiry is little more than a formality. I have no doubt that you will find in his behalf. He did, as he said, act only in my defense. Unlike my own recent case before you, there is not the slightest hint of misconduct or negligence. The only thing Hawkeye is guilty of is being a good Avenger.”

“When I last spoke before this body, at my court-martial, I was not in a rational state of mind. I was unfit to be an Avenger. You wisely expelled me. I never expected to speak before you again. And now, I can think of no finer final statement than this... It has been my sincere honor to have known Hawkeye’s fellowship... as it has to have known yours.”

Okay. So. Half a defense of Hawkeye. And half... just a general good-bye and a demonstration that he actually does know how to deliver a defense at a court-martial. Cool.

I imagine if he had a mic, he would have dropped it.

Probably not, actually. Hank isn’t that exact blend of cool and inconsiderate for a mic drop.

Jarvis intercepts Hank on his way out and asks that he come with him to the second floor study. Jarvis has taken the liberty of gathering up the personal items Hank just kind of left in the mansion and packing them for him.

One suitcase has a bunch of Hank’s clothes that he had stashed in the mansion over the years. Including some wacky ties for wacky tie Fridays and a shirt that Hank had just plumb lost.

The other suitcase is a spare Yellowjacket outfit. In case Hank ever needs it.

Then Hank and Jarvis shake hands, Hank thanking Jarvis for everything that he’s done for him and the Avengers. He asks Jarvis to take care of himself because he knows he doesn’t have to ask him to take care of the Avengers.

This is a very touching scene. Its so touching that Jarvis excuses himself to go get misty eyed.

This is a Jarvis appreciation blog because I appreciate Jarvis as well.

Then, as Hank heads back down the staircase, he is intercepted by Thor, Captain America, and Hawkeye.

Yeah, the court of inquiry resolved off-screen because of how forgone a conclusion it was.

The three Avengers basically fall all over themselves to pat Hank on the back. Hank actually looks somewhat panicked by the positive affirmation.

That’s some mixture of funny and sad that I can’t identify.

Hawkeye tells Hank how much he appreciated his unnecessary defense. Thor clasps Hank’s shoulder and tells him he’s a class act, but in Thor-y words. And Cap extends an offer for whatever the Avengers can do to help Hank get back on his feet.

Hank thanks him for the offer but he’s already received an offer from a small research foundation in the Midwest.

Seems like getting exonerated of a treason charge is the best resume of all. That and Hank’s actual impressive resume.

But Cap has some stuff to work out re: Hank because he starts off on the stuff he put on the back burner back in that Ghost Rider issue.

Cap(tain America): “Hank... I know Iron Man would agree, if he were here, that we’re all sorry about the way things worked out. We should have realized the pressures you’d been under, prior to your breakdown. I was group leader at the time! I should have -- !”

Hank Pym: “Hold it right there, Cap! What I did, I did to myself! If I could have admitted that my problems existed... If I’d been willing to open up to you folks... Well, ‘if’ can be a big word sometimes. The fact of the matter is, I screwed up. And you did the only thing you could do! I don’t blame any of you.”

Hank has boarded the personal responsibility train and goddammit he’s riding it to the end of the line!

Good for him. Good clarity for the arc to have in its last issue.

But having started to slightly shout at the Avengers that he’s taking responsibility dammit! (he looks a bit pissed when he’s responding to Cap) Hank awkwardly excuses himself.

Cap tries to stop Hank from leaving because he has reached the bargaining stage of grief, I guess.

Cap: “Hank, wait! It doesn’t have to end like this! We could make a special amendment to the by-laws! We could reinstate you as an Avenger! You could be a special reservist -- !”

Hank: “Thanks, Cap. But no thanks. Trying to play super hero was the biggest mistake I ever made with my life! I was only fooling myself in ever thinking otherwise. But if you ever really think you might need a Yellowjacket again some day...”

He hands Cap the Yellowjacket suitcase.

Hank: “... Here! All you need is a good man and what’s in this case!”

I would hope, anyway. It’s going to be awkward if he opens it up later and its full of wacky ties.

The funny thing, although not really funny ha ha, is that Yellowjacket is the one codename of Hank’s that never really catches on outside of him.

You have multiple Ant-Men, a couple Goliaths, at least one other Giant-Man. There was a second Yellowjacket, eventually. But she didn’t make a big splash.

Despite Hank’s attempt here to pass the torch, Yellowjacket is a codename that remains inextricably tied to him. Which might be the problem. If there were another, more successful or at least more endearing Yellowjacket, Hank’s infamy in the role would not stand out so much.

Alas.

She-Hulk and Captain Marvel try next to intercept Hank. They don’t know him very well but they wanted to say their goodbyes too, despite not really knowing him that well.

Its the thought that definitely counts, probably.

But Hawkeye has some social awareness for a change and draws their attention to Wasp who is hanging back, but who clearly wants to talk to Hank.

So the rest of the Avengers quickly vacate to let Hank and Jan finally have closure. Or re-closure. “I want a divorce and to never see you again” is a kind of closure.

The situation has changed, however.

They both try to apologize to each other and then laugh at the awkwardness.

Hank: “Janet van Dyne, you are one in a million! After all that I put you through, you want to tell me that you’re sorry?”

Wasp: “I think we both made some mistakes along the way, but there were some good times... weren’t there?”

Hank: “Yes. But you can’t base a marriage on just a few good times. I fell for the young lady who reminded me of my first wife... and you thought you’d found the strong, silent hero. But I was never that strong, Jan. You know that now.”

Wasp: “Uh-huh.”

Damn, his prison time really did bring Hank a lot of clarity. That or the pile of therapists Tony kept throwing at him.

Hank also kind of talks over Jan here. Or at least steers the conversation. I don’t know what Jan would have said because Hank tells her that they both have other lives to lead and tells her to take care of herself.

Maybe its for the best, if, like Cap, she was going to try to shoulder all the blame for Hank’s bad decisions.

Hank walks out the door and finds Trish and Fred from the boat waiting to give him a ride to the airport. And then he is gone.

Like in the final image of the COURT-MARTIAL issue, Jan watches at the window.

“The last time Henry Pym left these walls, Janet felt like crying... but couldn’t find any tears. Today, at last, she has found the tears... for her former husband... for her team... for herself. Today, there is pain and remorse and release. There will be time enough for joy and hope tomorrow.”

Emotional catharsis can be like that.

In that the book kept going ‘Jan is really holding her emotions in and that’s probably not overall great for her’ its good that she can let it out now.

Kind of laughing at Captain Marvel and She-Hulk who only recently just met Jan being the ones going there there while the men she has known for years are just awkwardly standing in the background.

And that’s the fall and rise of Hank Pym. Apparently collected in trade as The Trial of Yellowjacket, which is a decent enough name too.

Overall, a good arc. That is kind of hampered by the need for filler and a writer change near the end. But honestly, Stern catches the ball and runs with it. He concludes the arc just as good as Shooter would’ve.

This arc is all kinds of iconic for Hank, although, unfortunately, most people are only aware of the beginning and maybe have a hazy understanding of what the ending does.

Although. This is a really good send-off for Hank. A really, really good send-off that would have worked best if he did like he said and quit superheroing forever.

That’s not to be, obviously, not in a perpetual narrative machine like Marvel. But it feels like it could have been and maybe should have been the last word on his character.

I enjoy Hank in Busiek’s Avengers and in Avengers Academy. And also, conceptually, Hank telling Reed “it’s on, bitch.” I very don’t enjoy Ultimate Hank Pym. So its a balancing act. The perfect exit for the character vs but I like some stuff when they brought him back.

Anyway.

After this, Stern gets to move on to his own material. Which he already planted the seeds for in this issue.

That’s a pun.

Follow @essential-avengers​ because of my bad puns. Also like and reblog, if you like to reblog.

#Avengers #Egghead #Masters of Evil #Hank Pym #Hawkeye #the Wasp #Captain America #Thor #She Hulk #Captain Marvel #Monica Rambeau #i did a lot of quoting because the comic has some good quotables here #essential avengers #essential marvel liveblogging

[theseerasures]

Conspicuous Media Consumption, 2020

it’s that time of year again! *saddest toot from the party horn*

for those of you just joining us: it’s a “consume a different content every week for 48 weeks of the year” challenge. for a longer explanation, check out last year’s write-up here, and as always, feel free to pop in and ask questions about any and all of this content.

(same disclaimer as last year too: content for this project ONLY here, and not certain...*looks at my billion Sad Cop Lady posts*...hyperfixations.)

(man remember when i was big into X-Men comics earlier this year? better times than these, if only because no one's discoursing about Emma Frost’s woobie/war criminal ratio anymore--her w/w, if you will)

(...i swear at one point i didn’t exclusively like platinum blondes but alas)

Bitter Root (comic, 1 issue finished 1/1/2020): still very cool on a basic concept level, but runs into the Image Comics problem of just not having enough content to keep my interest beyond that. part of that is on me, for picking it up again BEFORE the second arc rolled out, but the first five issues didn’t really follow (or resolve) any cohesive story either, so...meh.

Immortal Hulk (comic, 3 trades finished 1/17/2020): still not gonna be something i care deeply about (maybe one of Bruce’s Hulksonas dyed his hair???), but i do want to give kudos to Al Ewing for sheer consistency in terms of sustaining this level of quality storytelling month by month for more than two years now. working with the dense archive of the Hulk mythos and managing to make it interesting and thoughtful is impressive even if i personally would not expend the same effort.

Disco Elysium (game, finished 1/18/2020): honestly i should have twigged onto what this year was gonna be like when the third thing i drew from the barrel was pure uncut Eastern European flavored depression. i faintly recall people ragging on it for being pretentiously cynical, but i actually thought its core slid more towards idealism than people give it credit for. also gratified that i haven’t heard anything about Robert Kurvitz using slave labor to finish it, which is a thing we have to say about our video games now!!! fun.

Watchmen (TV, 7 episodes finished 1/27/2020): i am a fool who wants to believe in Damon Lindelof and I WAS RIGHT!!! honestly still cannot believe that he pulled off this highwire act with such deft aplomb. might be my favorite TV this year, which is a pretty high bar given how much TV i ended up watching.

On a Sunbeam (comic, finished 2/1/2020): Tillie Walden rightly deserves all the praise for inventive queer storytelling, but i will say that on reread--since i first read this as a webcomic--there ARE some issues with pacing here that clearly come from the foibles of its original intended medium. still just excellent, even if after some plot significant haircuts i was having trouble telling a few folks apart.

Lazarus (comic, 1 trade finished 2/8/2020): it’s so good and i want moooooorrrreee--though obviously Rucka and Lark have the right to take all the time they need. the newer longer issues work really well with the epic prestige drama vibes of the story! i’m into it.

The Good Place (TV, 4 seasons finished 2/18/2020): i’m gonna be super honest: i actually wasn’t a big fan of the finale, nor the last season as a whole. it felt like all of Eleanor’s flaws vanished for a majority of the season, and the Chidi-centric episode where they tried to give a legible justification for why he’s Like This was...i didn’t care for it. still, it’s so good and unique on the WHOLE that we’ll literally never get anything like this ever again, and that counts for a lot.

The Old Republic (game, finished 2/21/2020): it’s an MMO so it will never actually Be Finished so long as the servers aren’t shut down, but i caught up on the content i’d missed in the intervening months. Onslaught thus far has mostly been...kinda bland tbh; going back to Imps vs. Rebs after all the shakeups in the previous expansions feels like a waste.

High Road (album, finished 2/22/2020): someone should tell Kesha not to say that word!! otherwise i was very happy with this album, and happy FOR her even though we don’t know each other. being able to find joy again in the same genre of music you made while you were being horrifically exploited is very cool.

Young Justice (TV, 13 episodes finished 2/28/2020): given how much the middle stuff dragged--STOP KILLING YOUR HIJABI CHARACTER IN HORRIFIC WAYS--i was...actually kinda mad by how the end managed to stick the landing anyway. the day being saved by Vic’s self-acceptance and Violet’s sublime compassion was A+, and even the Brion/Tara switchup was a pleasant surprise, though it relied on me caring about Brion MUCH MORE than i actually did.

Manic (album, finished 2/29/2020): do people still care for/about Halsey? i feel like even That One Song that was on every tumblr gifset ever has kinda faded into obscurity at this point. this album was...okay. i feel like people give Halsey a pass for extremely obvious lyrical turns that they wouldn’t for other folks because of her subject material--which is fine. not really my cup of tea, but i also listened to lots of Relient K this year, so that’s probably a good thing.

Jade Empire (game, 3/10/2020): the only 3D-era Bioware game that didn’t franchise out, and for good fucking reason!!! the Orientalism and appropriation really haven’t aged well, and even beyond that the story was...standard Bioware faire. even my usual “my wife’s a bitch i love her” Bioware type didn’t do it for me, and i just ended up romancing no one. it did make me think a lot about what level of cultural borrowing is accepted nowadays, and why: people still look fondly at Avatar and talk about how ~accurate and respectful it was, for example, despite it being staffed almost entirely by white folks, and the Orientalism ALL OVER the monk class in DND is still fine for some reason.

Alif the Unseen (book, finished 3/31/2020): interesting to have read this AFTER reading The Bird King last year, because it highlights how the intervening years have shifted G. Willow Wilson’s thematic interest and improved her craft. i’m actually quite fond of how her characterization work is rougher here--Alif is extremely flawed to the point of being insufferable, but it makes his development by the end more satisfying. Dina is also just good and i love her

Baldur’s Gate (2 games, finished 5/31/2020): well, having finally finished the series i’m happy to say that it...still doesn’t really do it for me, sorry. any awesome story moments were overshadowed by the EXCRUCIATING inventory management system and the combat (i still don’t know what a THAC0 is and at this point i’m afraid to find out). these games crucially lack the Home Base that later Bioware games were so good about, and that (coupled with the huge cast of characters you can drop off and never see again) really hurts the intimacy for me. by the time we finally did get one it was the Hell Dimension in Throne of Bhaal, and i was just...trying to get through it. (yes, i did just say that about one of the most beloved expansions ever to one of the most beloved games ever.) THIS particular iteration of “my wife’s a bitch i love her” was very good, but the game wouldn’t let me romance her :(

The Underground Railroad (book, finished 6/19/2020): honestly what is there even left to say at this point! it was exactly as good as every critic on the planet said it was, even with my usual aversion to hype. draining and horrifying in turns but still insistent upon a future for Black folks.

Steven Universe (6 seasons and a mooooooviiieeee, finished 7/11/2020): yes, i DID finish the show and almost immediately begin a rewatch. this series is now one of my top five most formative things, and the amount of love and respect i have for it is incalculable. that said: i once again did not love how the central conflict of Future was resolved (just the resolution--i loved the finale just fine). for all of Steven’s breakdown was built up, resolving it with “EVERYONE HUG HIM UNTIL HE CRIES” felt...cheap, especially since up until this point the show had been so good about treating trauma and mental illness with the respect and nuance it deserves. it made me wish some of the earlier, less substantial episodes had been cut so we could spend more time at the end.

What It Is (comic, finished 8/19/2020): y’all i love Lynda Barry SO MUCH. for the longest time i was worried that One Hundred Demons was more a lightning in a bottle situation but every book of hers i pick up makes me feel obscure emotions i didn’t even realize existed. the compassionate way she’s able to describe her child self and how weird and fucked up she was (and still is) is honestly aspirational.

She-Ra and the Princesses of Power (TV, 5 seasons finished 9/26/2020): so here’s a reversal of what i’ve been complaining about with other shows: i was mostly lukewarm-to-warm about She-Ra, but the later seasons and the finale made me much more into it as a whole. more shows should improve in stakes and overall quality as they age tbh!! i still don’t actively love Catradora (my sole quibble with season 5 actually has to do with the way Adora kept backsliding as a character to make certain Plot/Relationship things happen), but i’m very happy for them nonetheless. i can certainly appreciate a show that will go for High Feeling over tight plot. dark horse standout moments: trees growing everywhere proving that Perfuma Was Right, and Hordak and Adora seeing each other--that weirdly intimate moment of recognition.

Fetch the Bolt Cutters (album, finished 10/7/2020): again i find myself not having much to say that no one else has said. it’s good! once again love it when an artist reclaims something they’d attached with negative affect (anxiety, depression, disordered eating) for better and brighter things.

Solutions and Other Problems (comic, finished 10/25/2020): i was very into Allie Brosh’s ambition with this book, which feels weird to say but i stand by it. it’s cool to see an artist try to make a new medium work for them instead of just sticking to what already works. not all the experimentation was 100% effective, but it was still delightful and occasionally devastating to read, so.

Legend of Zelda (3 games: Ocarina of Time, Majora’s Mask, Link Between Worlds, finished 11/1/2020): this was the third time i’d played Ocarina of Time, which made it the nice, comforting groove i settled into before Majora’s Mask blatted me in the face. i’m not usually a completionist Zelda person because...the gameplay in Zelda is bad, do not at me it just is, but i really felt like i HAD to be one for Majora’s Mask since the whole point is to get attached to the banalities of the town. i’m sure nobody’s surprised that i loved it, even if it gave me an existential crisis about how life goes on in the game for NPCs when you’re not there to save them from it, and there’s not enough time to save them all all the time (also not a surprise to anyone: Romani and Cremia gave Personal Feelings). Link Between Worlds...bad. not like in a “this is a bad story by every measurable gauge” way, but i was already struggling with the 2D playstyle shift enough that for the whole story to end with some “yes it’s v sad that Lorule is Like This but trying to steal Hyrule’s privilege is Even Worse Actually” noblesse oblige bullshit left a VERY poor taste in my mouth, this year of all years. i did audibly gasp when Ravio took off his mask, though. i’m currently playing Breath of the Wild in cautious increments; it’s the first time i’ve enjoyed early Zelda gameplay, but if they wanted fully voiced cutscenes i wish they got voice actors who...knew what words sound like.

folklore (album, finished 11/6/2020): my belief that Taylor Swift is Just Fine continues, i’m afraid. i LIKED this album, don’t get me wrong, and respect her constant drive to innovate, but i didn’t love it substantially more or less than any other Taylor Swift album. mostly i’m just tickled by how she thinks leaning into the indie aesthetic means borrowing Vita Sackville-West’s entire wardrobe, though i will admit to feeling Something when she swore in a song. i think it was like. savage vindication?? you go ahead and swear, Taylor Swift. you deserve it.

Shore (album, finished 11/19/2020): do people still care about the Fleet Foxes? i think there was some Drama with Josh Tillman a while back but i don’t remember where the discourse landed with who was being more problematic. it was nostalgic for me to listen to their new album--made me remember being an undergrad who exclusively listened to men who mumbled and played acoustic guitar all over again.

Star Wars (3 movies: original trilogy, finished 11/27/2020): there is So Much bad Star Wars these days that every time i rewatch the original trilogy i’m afraid that they will suddenly be bad, but guess what! they’re not. i love these children and their hot mess stories, i love that Lando doesn’t know how to say his best friend’s name. what stood out to me this time was the way Obi-Wan described the Force in A New Hope, which strongly implied that ANYONE can be Force Sensitive; that obviously faded with each subsequent movie, but part of me does wish they’d kept it.

X of Swords (comics, 22 issues finished 12/5/2020): i am enjoying Hickman’s X-lines!!! not so much here for the Grand Conspiracy or whatever, but the character work and highkey weirdness is fabulous--they FEEL like X-Men, despite all the shakeups in-universe. this crossover is a nice microcosm of all that: grandiloquently all over the place, but still full of cool standout moments and genuine hilarity. ILLYANA DOESN’T KNOW HOW TO SPELL MAGIC.

Fire Emblem (4 games: Sacred Stones, Path of Radiance, Radiant Dawn, Awakening, finished 12/14/2020): this was the thing that i was closest to giving up early on, but i ended up hyperfixating on it instead. that’s a credit to what the gameplay does to my lizard brain more than anything else, because the story and character writing is...insipid. it was very bizarre to witness this franchise blunder around with its animal-people racism allegory around the same time i was getting back into RWBY, and ITS animal-people racism allegory blunders. Awakening was the first time i felt anything for the franchise beyond “teehee red units disappear make exp bar go up and brain go ding,” so i’m excited for more mature storytelling in subsequent games (they MUST get better. they MUST). the child husbandry thing is...very bad tho, and Apotheosis being “challenging” entirely through the game changing all the rules is also bad.

once again no vidya games that came out this year--i’ll probably pick up Spiritfarer or Hades after the New Year, though (or maybe TLOU II! but probably not. sry Laura and Ashley). more TV and franchises this year, which made me feel In Touch with the Children but was also kinda exhausting. nothing was so egregiously terrible i dropped it without finishing! in a year like this that feels almost like an accomplishment

#conspicuous media consumption

[mypunkpansexualtwin]

I'm drawing blanks on charaters so I'm picking yours, Hows Maya doin?

Send me a character and I’ll talk about them!

David, have I mentioned you’re the only motherfucker I respect on this hellsite? Seriously, I love you. Under a cut, because I’m A Wordy Bitch and she brings out the worst of that in me.

do I like them:

Relationship Status: It’s Complicated. I do. I have 35+ aus that can attest to that, she’s my main oc and I adore her. I also wanna delete the little pain in the ass because woman why the fuck do you need so many aus, why do you need to drag your husband and 6 kids into all of them, why was I put on this earth just to suffer under the yoke of a person I. Fucking. Invented????

5 good qualities:

1) Selfless, although she’s kinda had to come at it from the other direction? This quote in particular is one of her Core Influences. She would do anything for the people she’s decided are Hers, to the point of full self-sacrifice for the hopes, dreams, lives, and safety of those people. It’s not a control thing, she’d never try and dictate what those hopes and dreams should be (too much responsibility), but she’ll cut a motherfucker to make sure that they happen.

2) She puts the ‘passion’ in compassionate. In the anger way (although occasionally in the sexy way too, she knows what she likes and she ain’t shy about it), she’s very much a character who embodies righteous fury. How dare the people in power use that power to hurt the ones they should be focused on protecting?! Great power, great responsibility, truth and justice, all that jazz, but specifically responsibility to other people. If justice isn’t putting the welfare of others first, it’s not justice. It’s spite.

3) Really good at reading people and defusing arguments.

4) A good mom who adores her kids, whether they’re actually her kids or not. Doesn’t matter, she’s there with advice, food, a shoulder to cry on, an ear to listen, whatever you need. She’s full of love.

5) Open-minded and always does her best to learn better than what she was taught when she was younger. Her motto is “Never assume you’re the smartest person in the room. In fact, assume you’re the dumbest person in the room, it’ll keep you humble and remind you that everyone you meet knows something you don’t.”

3 bad qualities:

1) Yeah, that Good At Reading People thing? Means she’s also a master manipulator and doesn’t always remember where the line is on that sort of thing. She’s taken it too far more than once.

2) She’s an alcoholic. High-functioning, but still. And she gets punchy when she’s drunk. She already wasn’t the best decision-maker, once you add booze to the equation? Oof.

3) That woman will hold a grudge until the heat death of the fucking universe. Even if it’s not her grudge to hold. She’ll gladly hold a grudge for someone she’s claimed as One Of Hers, even if that person has moved on. If you fucked over someone she cares about, you will stay on her shit list for the rest of your natural life, do not pass Go, do not collect $200.

favourite episode/etc:

Uhhh well not an episode or anything, but she’s got this Persona au that’s lived in my brain rent-free for the last -checks calendar- uhhhhhh 6 1/2 months? It’s consumed my life! It’s great! Less great is that it looked an awful lot like the plot of Persona 2 well before I ever even fuckin’ looked at another game besides 5. So on the one hand, cool, I’m good at Themes! On the other hand, now I look like I’m plagiarizing. Like, down to the fuckin’ name.

otp:

It’s an OCTP! A husband invented himself from thin air for the Destiny au, Ateskriks, and apparently this dramatic asshole is the soulmate she needed, because they’ve now gone and retconned him and their six kids into damn near every au she had before he turned up.

brotp:

Her and Carrax and/or Huntir would probably get along like a house on fire.

ot3:

Well, when she started off in Fallout 4, Maya/Nick Valentine/Hancock were gonna be endgame in that fic. Too bad I fell off of Cold Comfort entirely.

notp:

Maya/Any God Figure She Can’t Put In A Headlock

best quote:

It’s been a hot minute since I read or wrote anything for her original stuff in Fallout, but the line, “I’m a lawyer, not a fighter!” is my personal favorite of hers. It’s been years since I wrote that line and it still delights me.

head canon:

I am her god, I dictate the canon! Hah, yeah right. I headcanon that I actually get any fuckin’ input on what she does rather than her being a free-range brain gremlin that plagues my existence.

#my ocs #maya acerbi #she is both the mother figure I needed growing up and the wildly dysfunctional alcoholic i'm terrified of becoming #god the irony of me typing that out while i'm four drinks in #I hope to fuck this is coherent in the morning #babebot #answers to questions y'all actually asked

[waitedforgarridebs]

Radio (1994): Merrison & Williams

The 3GAR adaptation that’ll shatter your heart into a million pieces

Clive Merrison and Michael Williams were the first pair of actors to play Sherlock Holmes and Dr Watson who got to dramatise every single story of the entire canon – all four novels and 56 short stories.

In 1987, Bert Coules pitched a screenplay of HOUN to the BBC, which was greenlit and produced for radio with Roger Rees and Crawford Logan as the two lead actors. As this show ended up being a great success, Coules suggested to keep the series going, and the BBC agreed – however, they insisted on recasting. Eventually, the popularity of the show led to the decision to adapt literally every single canon story, and for the first time they actually managed to successfully achieve this feat over the course of the next 9 years. The Merrison-Williams-series ran on BBC Radio 4 from 1989 until 1998.

As Williams unfortunately died way too young in 2001, he could not continue his part as Dr Watson for the series of original stories written by Coules, “The Further Adventures of Sherlock Holmes”. This sequel still got commissioned during his lifetime, and while the production team set everything on hold to wait until Williams got better, sadly this never happened. He eventually was replaced by Andrew Sachs for the last 15 stories of this series.

While Coules remained as lead writer of the show, he was supported by various other writers for this quite massive project. The adaptations of the stories are in their core quite true to the books: The characters’ lines were updated to a more modern sounding language, and filler scenes were written to expand especially the shorter, less dense cases to the runtime of 45 minutes per episode.

For Coules and his team, the Holmes stories are not primarily detective stories. They are stories about a detective – and, more than that: They are stories about a detective and his only friend. Watson isn’t considered to be a bumbling sidekick, but an actual co-lead.

(And yes, I am basically quoting Coules himself from an interview done for the “I Hear of Sherlock Everywhere” podcast, so I do not know if Moftiss nicked that pitch from him or vice versa.)

In order to stay true to every story’s essence, the writers were “imaginatively faithful” to the original cases. They would, for example, sketch out the backstory and all the inciting incidents leading up to a client’s inquiry at 221b, and dramatise a bit of the story Doyle only mentioned in passing, but never actually wrote down. Or they would invent new scenes, sometimes even new endings, whenever they thought the original version wasn’t as effective as it could have been.

The reason I am putting all of this over the cut is to make you aware of the fact that the changes in the story were all done with a purpose – in this case, to amplify its emotional impact.

Because, without this background knowledge, their changes to 3GAR appear to be absolutely devastating. Cruel, even.

Can I just start by saying that I love Merrison’s Holmes and Williams’ Watson?

Their chemistry is incredible. They breathe so much life into these two characters! They banter, they laugh, they at times even mock a particularly annoying client when said client can’t hear them – and sometimes even when they can *coughs* Killer Evans – and I regret not having listened to their entire work as of yet. 

(But that’s a good resolution for the new year if there ever was one!)

And, one thing I can say for certain: This Holmes is 100% in love with his Watson.

It is the “desperately unspoken” dynamic of TPLoSH all over again, but maybe a little less repressed. Also, Watson – again – has his three-continent-reputation to defend. They are stupid idiot boys, they don’t fucking TALK to each other, and it’s driving me up the wall, but at least they do very much consider each other family, and that is a really great step into the right direction.

That being said, do not listen to this version of 3GAR if you don’t have the time to be emotionally compromised after finishing it.

This adaptation first aired on October 26, 1994.

As mentioned earlier, the writers – in this case David Ashton – did add a bit of backstory as well as some filler scenes to stretch the episode over the entire runtime: the introduction shows how Evans shot Prescott, featuring seemingly indifferent, almost John-Mulaney-esque barkeepers, who are so very chill about the entire murder-thing happening in front of their eyes. “Oh, what is it about Friday nights, ey?”

Ashton not only gives characters like Saunders lines, but writes whole scenes just for them, and even paces longer exposition bits quite nicely by, for example, having the American John Garrideb start the explanation about the search for the third Garrideb in Baker Street, and Nathan Garrideb finish it by excitedly rambling about his impending fortune at the exasperated Saunders.

Not only pleasant filler scenes like these were added, however.

You see, there is a running theme throughout this episode: At the beginning, Holmes is quite his usual self, and mocks the concept of love, human connection, and relationships. He and Watson see a young couple in the park, the bloke teasing the girl and playfully stealing ... her ... hat ... *muffled screaching noises* ... and Holmes compares the couple to pidgeons: “The male puffs out his chest and the female runs around in circles.” Watson, as ever, doesn’t seem too opposed to the idea of having a woman in his life, and Holmes simply ends up pointing out that the couple is having their date quite close to where the gallows used to be. Charming as ever.

Throughout the episode, Holmes is confronted with the idea of love and companionship again and again, in very different scenarios, and gradually warms up to it. Which, looking at where the episode is headed – Watson realising that there is a heart behind the cold mask – is actually a beautiful thing to do, and certainly does make sense.

However, one morning Watson has business of his own to attend to. And that’s where the heartbreak sets in: In an added scene, they show Watson ring-shopping. 

(Not for Holmes, obviously. He seems to have met someone and plans on getting engaged, again. Very rude.)

So, while Holmes keeps realising that being alone all the time is not good for him, that he actually wants someone in his life, the only person who could fill this void runs around with a little box hidden in his coat pocket.

But, it gets worse.

Remember when I teased in the post about the Hobbs-Shelley-adaptation (x) that there is yet another way to include Watson’s internal realisation after getting shot? As in, neither putting it as a summary at the beginning nor at the end of the episode?

I was talking about this one.

Merrison’s Holmes, in my opinion, has the most emotional reaction to Watson getting shot. He literally panics. 

(And the fact that there are a couple of seconds of complete and utter silence after he rushes to Watson’s side really does not help!)

HOLMES: Watson, you’re not hurt! For god’s sake, say you’re not hurt! WATSON, in pain: Ugh... oh... almost worth it.  HOLMES: ... what!? WATSON: The pain. To see that look on your face. A great heart... as well as a great mind. HOLMES: Nonsense... I was merely worried about the surgeon’s bills. WATSON, bellows out a single laugh. HOLMES, tenderly: Here. L-l-let me look. WATSON: Oh no, it’s nothing Holmes. I should know it. It’s just a scratch. EVANS, groans in the background. WATSON: Did you shoot the fellow? HOLMES: No. The second shot was his also. But I laid my revolver along the side of his head. Wild West, indeed. – Watson, you are certain? WATSON: It’s just a scratch, Holmes. Honestly.

Then, Holmes first turns into the Hulk and then towards Evans, and if I ever heard a man speak through gritted teeth, then this is it.

And that following exchange features, honestly, the best non-canonical line of dialogue in Holmesian history:

EVANS: Say, what did you hit me with? HOLMES, not missing a single beat: JUSTICE!

But... it gets worse.

Evans gets arrested, and we get to see Watson and Holmes in Baker Street after the incident, where Holmes dresses Watson’s wounds – or at least he tries to, until Watson insists on doing it on his own, because Holmes is rubbish at it. Holmes then starts pacing around in the living room like an expectant father, “But is there nothing I can do??”

Watson tells him that he’d very much like to smoke a cigar, which leads to Holmes rummaging in the pockets of Watson’s coat.

And you’ve guessed it: Of course he finds The Box.

Cue: awkward moment where Watson tells him, for the first time, about his plans to get re-married.

And Holmes starts sulking, because Watson is about to leave him alone. Again.

But, it gets worse!

Suddenly, Lestrade calls. Holmes at first thinks this is about a case mentioned in passing earlier in the episode, but it is actually news about Nathan Garrideb: As you know, he didn’t take it too well that he never found a third Garrideb in Birmingham, and Lestrade now informs Holmes that Nathan got sent to a mental asylum. 

And... Holmes and Watson visit him there!

They happen to meet Saunders in Nathan’s room, who sadly ponders about the fact that Nathan was always so lonely during his lifetime, and that this isn’t healthy, and that this certainly contributed to the fact that his mind now snapped. 

Nathan eventually has a moment of clarity and recognises Holmes. After gifting his collection of bees to Holmes (...), he hopefully asks if Holmes came to tell him that he found the third Garrideb after all. Holmes, of course, has to decline, but he promises Nathan to find the man, if he exists.

But how, Nathan then exclaims in despair, can Holmes not know this! Holmes must know! He must know everything!!

So, the episode where Watson realises that Holmes does, in fact, love him, ends with an emotionally crushed and forsaken Holmes pondering about his retirement and keeping bees.

And that, my friends, is the most heart-breaking adaptation of 3GAR I have ever listened to.

#Sherlock Holmes #3GAR #Garridebs #Clive Merrison #Michael Williams #Bert Coules #History of Garridebs #Johnlock

[stvlti]

10 female characters tag

@timothydraike tagged me to post 10 favourite female characters from 10 different fandoms and then tag 10 people, but honestly this list isn't gonna be too different from my 10 fave characters list cause most of them are women anyway 😂 😂 but here you go:

Nausicäa // Nausicäa of the Valley of the Wind, Studio Ghibli

I didn't explain it last time, but I feel like she is the prototype for all the Ghibli girl heroines, free and autonomous, except she's a young woman who knows exactly what she believes in and wants to do. She's a warrior princess who believes in peace and kindness rather than war; she listens to mother nature and tends to her garden as deftly as she handles her glider jet; she's a born leader who puts her subjects' wellbeing before her own immediate safety. This gif here shows the moment she took of her own gas mask to boost morale while they're crashing into a toxic wasteland. I don't think I've seen many representations of female leadership as compelling and utterly human as hers was before or after this film debuted in popular media.

Harley Quinn // DCU

She's a bundle of contradictions but it's in that I find a female antivillain/antihero that feels real. Her stocky build and bit of chub in the tummy area? Real. Her slobbish habits and love for nasty junk food? Real. Her all encompassing empathy for animal welfare? Real. Disregarding the artists that draw her with too big boobs, she's so ordinary in her appearance and habits that it actually feels like she's the kind of girl that media often overlooks. She's like the manic pixie dream girl but rounded out with relatable human traits.

Tsunemori Akane // Psycho-Pass

I related to her when I was 20 (exactly her age at the start of the series) because I was at a crossroads in life, just as she was. I was searching for my calling, just as she was trying to understand her purpose and place in society. And at that point in my life, I could appreciate the duality between abiding by the system (legal reformation) and questioning the system (dipping into revolutionary ideas). I can't see myself relating to a cop anymore now obviously, but she's a rather unique figure that I still think about.

Ava // Ex Machina (2014), filmblr

She brings out all my post-humanist sympathies. And I think she captures a sort of queer android and Other perspective, one that the male characters feel threatened by, that women can understand well.

Maeve Millay // Westworld

She's my murder mom. Something something about "I've died a thousand times, I'm not afraid of death" (I'm paraphrasing majorly), she's so badass. The fact that she was one of the first androids to awaken and actually challenge the humans, there's so much power in her taking her trauma in stride and moving forward nonetheless. And I think you can see a recurring theme here lolol

Lois Lane (Gotham City Garage) // DCU Elseworlds

Perhaps this is just preserving a core attribute of her main continuity counterpart, but I absolutely adore the spirit she embodies of journalists who stay defiantly committed to truth and justice in the face of insurmountable odds. Fighting against a fascist terror regime - which hits very close to home - and keeping the broadcast going even out in the wasteland. In this last aspect she carries similarities to Dr. Death Defying's character from Gerard Way's Killjoys series, except she's a woman and she was actually fleshed out as a character with a heart and soul and a lot of gravitas. How can you not love her?

(and I forgot this was supposed to be 10 characters from 10 different fandoms until I finished this list but let's say her being an Elseworlds character counts as a different fandom 🤡🤡)

Ripley // Alien (even tho Sigourney Weaver's personal politics is a bit yikes)

The proto-final girl and original warrior mother in sci-fi wrapped into one. (Ok, the crown for modern scifi warrior mother might have to go to Sarah Connor actually, but that's also another Cameron invention so they can share that title.) Even tho I can't relate to most of her character arc, I'm still very impressed by her character. They even touch on her PTSD a little which is unheard of in the contemporary movies at the time.

Honorary mention: Sarah Connor // Terminator

Marceline the Vampire Queen // Adventure Time

Not the original goth gf, but she is a goth gf. Gay and aesthetics aside, I really liked that the show let her be a bit weird and gross (which she should be considering she's kind of undead) and her tragic backstory gets me every time. The best thing is she's still a big softie, who takes good care of Ice King / Simon when he's around; you don't see that kind of (grand)daughter character in media much.

Beverly Marsh // It (2017)

I haven't read the book but tbh I liked the agency the first movie awarded her enough that I'm afraid of jeopardising it; I don't like how the book portrays / handles her sexuality. She is a survivor of csa, but she's a fighter regardless. I like that about her.

Darlene Alderson // Mr. Robot

I honestly debated putting her on this list again since I haven't seen a single Mr. Robot episode in so long, but I do remember her character being given her own arc in S2 (and onwards I suppose) and she's a little fucked up in her own way. People look at Rami's character and get sucked in sorting through his alters but Darlene is no less complex - damaged, dangerous, and compelling.

Other honorary mentions:

Riko Sheridan // DCU (an Asian girl who isn't infantilised or reduced to the model minority? shocker!)

Missy // Colette (2018), filmblr (she's actually a real historical figure so I'm not sure if she counts. But she's so radical and ahead of her time - in fact the film seems to suggest she prefers he/him pronouns. I have never seen such intriguing butch representation and I just fell in love with her character. Worth a watch.)

Jo March // Little Women (2019), filmblr (since we're talking about historical women... well, she's a period film character but not a real one, but she's highly evocative of certain female experiences in much the same way)

Blue // The True Lives of the Fabulous Killjoys (so I didn't wanna crowd this list with too many android ladies but she's the first queer android girl character I came across and I loved her instantly. Too bad they buried her gay but her entire concept is my aesthetic)

Rem // Death Note (I feel like I'm obligated to mention DN, too bad it has shitty writing wrt female characters, that's why I have no choice but to stan the lesbian monster gf friend who is so in love with her gal pal she would die for her. Ugh, poetic cinema)

Ok now I am gonna tag @lawliyeeeet @sweetgloss @dressed-to-keehl @3dnygma @hikenacedabi and anyone else who wants to I guess

#tag meme #long post

[amphtaminedreams]

50 Films You’ve Got to Watch

Hi to anyone who’s reading,

I thought I’d take a break from the fashion posts to ramble on about something else that I’m really interested in for a hot minute. And I say ramble with intent, because I do go ON. 

The topic is film and I thought that I’d make a list of my 50 must watches. These are movies that I feel had the biggest impact on me which means, yes, I do have tattoos referring to a couple of them, lol. My genre of choice is usually horror and although there has been a bit of a “horror renaissance” and a shift towards prioritising good quality storylines over jump scares in recent years, on the whole, they typically aren’t the most highbrow films out there, so there aren’t THAT many on this list. Most of the horror films I listed are just genuinely good quality rather than a straight-up gorefest or anything too terrifying, however, I’m not that easily scared so if you did fancy watching any of the films I mentioned, take that with a slight pinch of salt!

Also, this isn’t anything to take too seriously. I really like movies and cinema but I’m also not a movie critic and this is more of a hobby than something I want to pursue. Like, I’m completely aware of how unrealistic working in TV or film is as a career if your family isn’t loaded. Very aware. Painfully aware you could say (imagine me sighing as I’m writing this). That being said, part of me does want to do a ranking of every film I’ve seen in 2019 at some point this year, so if anybody else is interested in this kinda thing let me know! 

Lauren x

50 Films You’ve Got to Watch:

1. Black Swan (2010)

“I felt it. Perfect. It was perfect.”

I watched Black Swan years ago now and I still remember how disturbing I found it and how exciting that was to me. I was probably a bit too young (young enough that my mum felt it necessary to cover my eyes during the Natalie Portman/Mila Kunis sex scene, lol) but even then I could recognise that it was a beautifully haunting film and Darren Aronofsky has gone on to be one of my favourite directors.

2. Jennifer’s Body (2009)

“And now, I'm eating your boyfriend. See? At least I'm consistent.”

Engrave it on my tombstone: JENNIFER’S BODY DESERVED BETTER. I fully believe that if this movie was released in 2019, it wouldn’t have faced half the criticisms it did back in 2009. It genuinely was ahead of its time. Megan Fox? As a boy-eating, demonic cheerleader? And Amanda Seyfried? Some of the most ICONIC DIALOGUE EVER? It should’ve invented a GENRE. Instead it got paid DUST. Yes, when I write in caps lock, my internal voice is YELLING. I feel passionately about this, okay?!

3. La La Land (2016)

“I guess I'll see you in the movies.”

Again, maybe it’s a basic film bitch opinion to have but I adored La La Land. I saw it at the cinema and spent the last 20 minutes of the film sobbing, only to find my mum and sister distinctly underwhelmed. I indignantly ranted back then to them how perfect a film it was and I’m going to do the same thing now so if you are reading and you didn’t like it, then you should probably just move on because I wouldn’t want to read myself banging on about Emma Stone again for several paragraphs either (don’t worry, I’ll try and keep it to one). I can’t help it. This film was just TOO REAL! Like, in every way but the actual plot and characters, La La Land has the dreamlike quality of a fairytale. The colours are rich and thick and always complimentary, the musical sequences are either like Disney songs or lullabies, and Emma and Ryan Gosling are made for each other. But then life and ambitions and resentments get in the way. And that’s the real part! That’s why it’s so bloody good! 

4. Easy A (2010)

“People thought I was a dirty skank? Fine. I’d be the dirtiest skank they’d ever seen.”

And so we arrive at the movie that actually began my love affair with Emma Stone. Iconic. Iconic in every way. The bad reputation montage is cinematic excellence. For real, though, this is so underrated as a coming of age movie. Like don’t get me wrong, Mean Girls is everything (I easily could’ve included it on this list but I feel like it’s just a given that anyone who grew up in the noughties loves that film) but Easy A deserves just as much credit. It has Penn Badgley, one of the few celebrity males I care about! Amanda Bynes! Aly Michalka! Lisa Kudrow! Did I mention Emma Stone?

5. Kill Bill (2003)

“Now, if any of you sons of bitches got anything else to say, now's the fucking time!”

If I had to put any of these films as my singular favourite, it would probably be the first Kill Bill. Controversial, I know; even my dad introduced it to me as the weaker of the two. To list any Quentin Tarantino movie as the one that inspired you to want to be a director is probably a very cliche film student thing to say BUT I’m not a film student and I’ve put my directing pipe dream permanently to one side, thus, coming from me it’s not as hackneyed a statement. Or so I tell myself, lol. Basically, I was in awe of Kill Bill from start to finish. The colourisation is a dream, from the crazy 88 scene to the final fight between The Bridge and O Ren Ishii, and I particularly remember loving the animation sequence despite that not really being my kinda thing. I was just so impressed with how seamlessly something so out of place, considering the live action format of the rest of the film, fit in with everything else; even the scenes that should be absurd instead work with the comic book style narrative. Uma Thurman is of course amazing and iconic af but Lucy Liu as O Ren Ishii is my favourite thing about this film and the line I chose gave me all the bad bitch energy I need to, I think, get me through the rest of my time on this planet. If not, the tattooed version of this still I have on my arm should hopefully do the job. Yep, I truly ascended to a divine level of basic film hoe with that life choice.

6. Marie Antoinette (2006)

“This, Madame, is Versailles.”

The first Sofia Coppola film on this list, I love this woman’s work to death. Regardless of the content she’s working with, the end result always gives me the feeling I’m watching an extended music video. They always have this almost dreamlike quality to them and everything from the colour palette to the camera movements to the soundtrack in Marie Antoinette is tied together perfectly.

7. Mother! (2017)

“You never loved me. You just loved how much I loved you.”

I was tense throughout the entirety of Mother. As a socially anxious, obsessively tidy control freak, this whole film was like something from one of my nightmares; think unwanted house party on crack. I was mentally screaming along with Jennifer Lawrence for all of those people to get out, whilst simultaneously just staring at her face because she is so fucking gorgeous! Even when she’s completely lost it! Totally unrealistic but it makes for some really pretty shots! And then there’s the ending which left me kind of like “what the fuck did I just watch?” Which is what Darren Aronofsky films do best. They’re terrifying but also quite beautiful and Mother is no exception.

8. Gerald’s Game (2017)

“Everybody's got a little corner in there somewhere. A button they won't admit they want pressed.”

I finally got round to watching this for the first time the other day and I absolutely loved it. It probably helps that the last Stephen King adaptation I saw was Pet Sematary, so despite the praise this got at the time, my expectations weren’t super high, but I think this really is a perfect horror film. It’s clever, doesn’t rely on jump scares, and the creepy scenes that are in there really get under your skin. It drags a little in the middle though it’s beautifully shot, acted and has one of the few “body horror” scenes in a horror that’s actually made me cringe.

9. A Beautiful Mind (2001)

“I think that's what it's like with all our dreams and our nightmares, Martin, we've got to keep feeding them for them to stay alive.”

I don’t want to say too much about this film and spoil the plot, so I’ll just say that it’s incredible. Devastatingly sad but also wonderfully hopeful at the same time, and solidified my interest in psychology! I could watch Jennifer Connelly all day.

10. Alien (1979)

“This is Ripley, last survivor of the Nostromo, signing off.”

As a horror fan, I don’t think I need to explain why this film’s on the list. It’s been raved about and video essayed and called a pioneer of the genre ad nauseam. Again, not that this is really anything new but part of what I love about this movie is the context of its release and success; before Sigourney Weaver’s portrayal of Ellen Ripley, it was a rare occurrence to have a female protagonist in an action-based movie. Alien really paved the way for women to take up space in a previously male-dominated genre.

11. 10 Cloverfield Lane (2016)

“Crazy is building your ark after the flood has already come.”

I saw this for the first time at the cinema and pretty much went in blind. I hadn’t seen Cloverfield but I love Mary Elizabeth Winstead (Final Destination 3 was always my favourite of the franchise, lol) and there wasn’t really anything else on worth seeing, so my sister and I chose this and it was an experience. Like, of all the films on this list, this is probably the one that had me most on edge and I’m not sure watching it on your laptop on Putlocker will do it justice. You need the curtains pulled to, the volume way up and complete silence.

12. American Psycho (2000)

“Try getting a reservation at Dorsia now, you fucking stupid bastard!”

There isn’t a dull moment in American Psycho. Every line is quotable and every scene is straight to the point. I feel like this film is a masterclass in that Stanley Kubrick quote about editing where he says he liked to get rid of everything that was not absolutely vital to advancing the plot or the audience’s understanding of the character in any way. Plus, the ending is trippy af! Or maybe I’m just a bit oblivious to something that was quite obvious throughout, who knows. Either way, what the final scenes really mean are fun to think about.

13. The Descent (2005)

“I'm an English teacher, not fucking Tomb Raider.”

Okay, so I literally just watched this the other day and had to begrudgingly remove Silent Hill to make space for it (I KNOW it was critically panned and I KNOW the video game is better but I liked the visuals, OKAY!?) because The Descent is truly one of the best horror films I’ve ever seen. Before we even get to the supernatural element of the creatures, which are genuinely creepy for once, there’s a party bag of other phobia-inducing sequences that had me emotionally exhausted within the first half hour alone. Claustrophobia, darkness, heights, actual cringeworthy body horror, The Descent has something for everyone. The way it utilises space (or lack of for that matter) and darkness and panicked camera pans makes you feel as if you are really down in the cave with the characters. To add to that, I was actually rooting for all of them too; it probably helped that they were English rather than the typical American slasher cast but I found them to be a believable and likeable group of women. I truly did want them all to get out alive *spoilers*, which only made the ending all the more devastating and although the general narrative is quite predictable, the way in which things get wrapped up left just the right amount of shocks and questions to leave you reeling.

14. Eighth Grade (2018)

“Gucci.”

No film has ever captured what it’s like having social anxiety during “high school” (it’s called secondary school here in England, I know, but you get me) better than Eighth Grade. A tribute to the feeling of never quite fitting in and wishing you knew how to do what everyone else seems to be able to do naturally, it encapsulates that awkwardness with an accuracy that is really impressive considering that 1. it’s Bo Burnham’s first film, and 2. he’s not...like...a 13 year old girl. It is just as funny as it is sad and Elsie Fisher is great and so, so believable. Girl should’ve won some kind of Oscar.

15. American Beauty (1999)

“I don't think that there's anything worse than being ordinary.”

I wavered on whether or not to include this film on the list due to the Kevin Spacey controversy and decided that I had to with the disclaimer that I watched it quite some time before the stories about him came out and won’t ever watch any of the new things he inevitably ends up doing (because Hollywood has a notoriously short memory when it comes to the actions of disgraced male actors, lol). You can’t deny the amount of talent and skill that went into making a film so graceful and elegant and yet in equal parts unnerving, and I don’t think we should refuse to acknowledge the achievements of everyone else on that set because of Spacey’s behaviour. 

16. Bandersnatch (2018)

“The past is immutable, Stefan. No matter how painful it is, we can't change things. We can't choose differently with hindsight. We all have to learn to accept that.”

As I was watching/playing through Bandersnatch, I didn’t necessarily love it. I think I’m echoing a common sentiment when I say that I was kinda confused. I was desperately trying to *spoiler* avoid the option of the protagonist murdering their dad (he seemed like a nice guy!?) but somehow always ended up there by their logic. So I watched most of the endings and then I went on and busied myself for the rest of the evening. AND I COULDN’T STOP THINKING ABOUT IT. One minute I was completely deluding myself into believing the whole parallel universes thing was true and that I should test it out (don’t ask), and then the next I was thinking how disturbing it was that we’d been basically been inside the head of a person experiencing a mental breakdown severe enough for them murdering their dad, who had only ever wanted to help when you think about it objectively, to seem rational. The confusion started making sense within the context of the experience of the protagonist and our role as the audience and though I hadn’t realised it at the time, I’d been completely absorbed in the episode. Maybe the confusion wasn’t intentional, maybe I’m giving Charlie Brooker too much credit based on the recent couple of series of Black Mirror BUT I can’t deny that Bandersnatch left a huge mark on me, and after all, this is the man who wrote White Christmas. 

17. Get Out (2017)

“White girls. They get you every time.”

Going into this film, I was cocky. I’ve gotten pretty good at predicting what’s going to happen in things, probably just because I watch too much TV, but from the trailer I was sure I knew exactly what was going to happen. And then, I was completely blown away. The ending was SO SMART, in terms of both the within universe storytelling and also the metaphorical narrative/commentary on the way our society treats black men and women. Like those early episodes of Black Mirror, it had me like “how the fuck did Jordan Peele think of that!?”. I can only dream of being as creative in my writing one day. Even little plot points like where the “police” car turns up at the end and your stomach sinks and you realise the intention of that is most likely to help you empathise with what the average African-American person feels in their day to day life when police make themselves present, what with institutional police brutality and racial profiling; it’s clear so much thought went into this script.

18. Ghost Stories (2017)

“It's funny, isn't it? How it's always the last key that unlocks everything.”

I don’t have all too much to say about this one apart from that I love a well-constructed English horror. I feel like it’s something we don’t do all too often and to be honest, I’m struggling to think of many English horror films in the first place. Ghost Stories is a great example of why we need more; it’s smart and spooky and folky without hitting you over the head with all those elements and Andy Nyman is a perfect lead. Love a bit of Martin Freeman too.

19. Girl, Interrupted (1999)

“Crazy isn't being broken, or swallowing a dark secret. It's you, or me, amplified.”

Maybe this is the 13 year old black and white Tumblr girl in me jumping out but I still adore this film. I know it’s not necessarily the most critically well received but Winona Ryder, Angelina Jolie and Brittany Murphy are 3 of my favourite actresses and I do love the script. I also like the way that Borderline Personality Disorder was characterised in Winona’s character Susanna (I’m wavering on whether to call her a character as if I recall correctly the book was based on the author’s real experience) in that it was quite subtle and that she wasn’t portrayed as manipulative, or aggressive or basically, as the villain, which I feel is usually the go-to. It focussed more on the mood aspects and the way that people with BPD tend to latch onto and idealise others, as Susanna does with Lisa, and these are both things that I have personally struggled with in the past.

20. Hereditary (2018)

“All I do is worry and slave and defend you, and all I get back is that fucking face on your face!”

It was hard to find a quote that encapsulated what makes Hereditary so great because so much of it is about what isn’t said, if that makes sense. It’s a lot of pained silences and resentful looks and horrified screams, and doesn’t that sound like a fun time? Honestly, it’s not necessarily, lmao. Shocker. It has you feeling like something awful is about to happen the whole time, deep in the pit of your stomach, but I like that in a film, when it does make you properly feel. Ari Aster gets slow-burning dread just right in his exploration of dysfunctional families and grudges, with a few heart-sinking shocks thrown in for good measure all without overdoing the jump scares. There are a lot of deeply unnerving “supernatural” moments but there are just as many horrifically realistic familial conflict scenes that give you that whole “something is wrong” gut instinct in equal measures. It’s been a year and I’m still so angry that Toni Collette didn’t get an Oscar nomination for her performance, because it was really the perfect opportunity to break down the invisible wall between horror and critical recognition. On a more positive note, I loved Midsommar too (not as much as Hereditary but it was still a trip) and I cannot wait to see what Ari Aster does next. Once again, I’ll be in the cinema on opening night.

21. Heathers (1988)

“Dear Diary, my teen-angst bullshit now has a body count.”

Heathers is iconic in every way: the outfits, the cast, the lines. I mean, the acting can be a bit iffy at times but I honestly think that without Heathers, Jennifer’s Body might never have existed and that’s a world I wouldn’t want to live in. There was so much choice when I was picking a line to summarise why I like it so much and of course, “fuck me gently with a chain saw, do I look like Mother Theresa?” deserves an honourable mention. You almost made it bby. The TV remake? We don’t speak of it.

22. Hot Fuzz (2007)

“The way we see it, it’s all for the greater good.”

It might not be the “artiest” movie ever but I’ve seen Hot Fuzz so many times and it never gets old. Though I used to love it when I was younger purely for the PG-13 gore, now I appreciate it for the absurdity and the ridiculousness and to be honest, the total believability of the plot when it comes to towns ruled by low-key hostile, doddery old white people. I should know, I live in one.

23. Inglourious Basterds (2009)

“You probably heard we ain't in the prisoner-takin' business. We in the killin' Nazi business. And cousin, business is a-boomin’.”

I wish I wasn’t a hoe for Quentin Tarantino films (I’ve felt personally attacked by many a poundlandbandit starter pack) but I am. The breakneck pacing, the tongue in cheek dialogue and the gore all make this one of my ultimate favourites. Also, I have a huge crush on Melanie Laurent. Yes, it’s the French accent. No, I don’t know the mechanics of how that works. I hear someone speak French and I want to marry them! I can’t help it!

24. Ingrid Goes West (2017)

“Are you actually insane?”

This seems like a random choice to have on the list seeing as it was never really that hyped up, nor did it receive masses of critical acclaim. It did get positive reviews but that was about it. However, as soon as I saw the trailer, I knew I had to see it. Months, and an £8 purchase from HMV later, I finally got to watch Ingrid Goes West and I loved every moment of it. Whilst Aubrey Plaza’s character, I feel, is an exploration of a lot of young women’s insecurities and self-doubts and fears, blown up to monstrous proportions (or maybe just mine, lol), and a 90 minute film about that doesn’t sound all that revolutionary, this one is as intense as it is stylish and darkly comedic and that’s what puts it on the map for me. 

25. Insidious (2011)

“I like to call them travellers.”

So this film scared the ever-living SHIT out of me when I was younger and though I now consider horror my favourite genre and watch it on the regular with absolutely no qualms, 13 year old me was (not to use the world lightly) mildly traumatised. I genuinely couldn’t be home alone by myself or sleep at night without thinking the old woman ghost from the beginning was outside my room for a good 6 months or so. Like it literally exacerbated an already present sleep disorder to the point where my understandably frustrated-at-being-woken-up-nightly-by-her-panicking-daughter mother got me referred for CBT (to reflect on a time when I didn’t know what CBT or CAMHS was is…blissful, lol). And maybe because of that, in my mind, I still conceptualise it as one of the very few horror movies that has actually scared me, hence its place on the list. That scene where we first see that Star Wars looking red faced devil? I’d probably still nope out even now.

26. It Follows (2014)

“It could look like someone you know or it could be a stranger in a crowd. Whatever helps it get close to you.”

There’s not too much to say about It Follows, other than that it’s a good horror film and more importantly just a really good film. I feel it’s a crucial, early part of this warmly welcomed horror renaissance we are now fully in the thick of where writers are focussing less on making people gasp and more on actual good quality cinema. It’s a simple concept that leaves enough room for you to ask your own questions whilst still feeling somewhat complete, and not annoyingly open-ended. The shots are good, the characters are normal enough to be believable, and the colour palette is Fincher-esque; the muted tones perfectly complement the feelings of dread that run throughout. Whilst you don’t need to be concerned with what the whole thing is a metaphor of in order to enjoy the film, the possibility of there being that second reading of the narrative, for me, elevate it to a higher level. In other words, it’s got *Shrek voice* layers.

27. Juno (2007)

“I'm just gonna go ahead and nip this thing in the bud. Cuz you know, they say pregnancy often leads to…you know...an infant.”

I love Ellen Page. I love Michael Cera. Together they are the best thing ever. See, I’m not really much of a rom-com girl but I see this as less of a rom-com and more of a coming of age film with romantic snippets and great one liners. It’s sweet and whimsical and funny but also really fucking real in parts, and it’s definitely what I would consider a modern classic. If you haven’t watched it already, do!

28. Suspiria (2018)

“Love and manipulation, they share houses very often. They are frequent bedfellows.”

Witches! Ballet dancing! Decapitation! Tilda Swinton! What’s not to love? As soon as I saw the trailer for Suspiria, I knew I had to see it. Creepy but also beautifully shot and scored, it was worth the 8 month wait from the Venice Film Festival and eventual caving and watching on 123Movies after I couldn’t find the DVD on Amazon; I finally got to tick it off my watch list only to like it so much I had to add the original Suspiria back on.

29. Mulholland Drive (2001)

“I hope that I never see that face, ever, outside of a dream.”

Another film which had me like WTF by the end, I really recommend Mulholland Drive for anyone who wants to be vaguely creeped out and extremely confused at the same time. See, I really love a film where you spend the next few hours after watching researching all the different interpretations and reading interviews with the director. That sounds sarcastic, but honestly, I love it. It’s a moody, film-noir style mindfuck of a movie and even after doing my research I’m still quite baffled. That’s the best part. 

30. Requiem for a Dream (2000)

“Purple in the morning, blue in the afternoon, orange in the evening.”

It took me a while to get on board with seeing Marlon Wayans in a serious role (I’ve seen White Chicks far too many times, clearly), but once I did, I was into it. To be totally honest, I don’t think there’s a single happy moment in this film; it comes up quite frequently as one of the most disturbing of all time, which I’m sure Aronofsky probably thinks of as another notch on his belt. Whilst imo, that’s quite a grandiose claim, Requiem for a Dream definitely stuck in my mind after I watched it. Even if you’ve never watched the film, the ending sequence is notorious for how fucked up it is and I do think it’s earned the infamy. What stuck out more to me, though, was how purposeful every shot and sequence felt in terms of trying to let you into the character’s states of mind, the short lived bursts of euphoria and the panicked downwards spirals.  I think it will always be one of the most compelling films about addiction for highlighting how terrifyingly out of one’s control it can be.  

31. Room (2015)

“No one is strong alone.”

This film made me cry buckets. Brie Larson and Jacob Tremblay are wonderful, and everyone involved deserved all the Oscar hype. Every line was so heartfelt and emotive, and I loved Tremblay’s voiceovers. To translate the stream of consciousness of a kid from page to screen in a way that it remains believable in spite of its wisdom (not like those tweets where people try to make out their kid just casually made some off the cuff scathing political jibe at the dinner table) is quite the feat and similarly, I’m in awe of how the director managed to communicate the pain and confusion of the characters on a level that transcended the physical confines of said room. The escape scene had my heart in my mouth. All this being said, I should really read the book because it’s supposed to be even better. 

32. Scott Pilgrim Vs. The World (2010)

‘When I'm around you, I kind of feel like I'm on drugs. Not that I do drugs. Unless you do drugs, in which case I do them all the time. All of them.”

Michael Cera and Mary Elizabeth Winstead are two of my favourite actors and so it’s a given that Scott Pilgrim is one of my favourite films. It’s such a fun, easy watch and the video-game inspired directorial style makes it, in terms of cinematography, probably the most memorable Edgar Wright film on this list imo. The concept, based on the graphic novel, is quite a simple one but that doesn’t stop it being entertaining from start to finish. The rest of the cast is great too: Brie Larson, Anna Kendrick, Mae Whitman, Aubrey Plaza and Alison Pill (Ivy from American Horror Story, anyone?) All make appearances, plus Chris Evans. He’s Captain America or something, right?

33. Scream (1996)

“No, please don't kill me, Mr. Ghostface, I wanna be in the sequel!”

The Scream movies were my absolute favourite when I was just getting into “horror” as a 13/14 year old because they were always pretty tame in terms of scares but nonetheless, always a trip. Though, controversially, I’d probably say I enjoyed Scream 4 just as much as the first one (I am a bit of an Emma Roberts stan), I chose the first one purely for how iconic it was and how ahead of its time. It mixed satire and horror in a way that hadn’t really been done in such a mainstream way before and made it possible for films like Cabin in the Woods and The Final Girls to do so well.

34. Shaun of the Dead (2004)

“Take car. Go to Mum's. Kill Phil, sorry, grab Liz, go to the Winchester, have a nice cold pint, and wait for all of this to blow over.”

I’ve seen Shaun of the Dead way, way, way too many times and I’ll still probably watch it again the next time ITV decide to show it too. It makes me laugh, it’s got lots of good gore and it’s easy to follow. The perfect film to put on whilst eating a take away, as long as you’re not too squeamish, lol.

35. Silence of the Lambs (1991)

“Well, Clarice. Have the lambs stopped screaming?”

Jodie Foster’s portrayal of Clarice Starling makes her one of my favourite movie heroines of all time; quietly courageous, she was the type of female lead that really hadn’t cropped up all that much in the films that came before Silence of the Lambs. And despite its problematic handling of certain issues, it’s a fucking incredible film. The thing about Hannibal Lecter is that they don’t have to tell you that he’s always one step ahead, you see it for yourself (the elevator scene!) and so it kinda feels like he’s looking into YOUR soul too. The confrontation at the end between Clarice and Buffalo Bill is one of the most nerve-racking 15 minutes or so of film I’ve ever watched, and if I ever get asked to justify why I’m scared of the dark again, I’m going to point straight to this scene. Yes, I’m a baby but my fears are VALID!

36. Silver Linings Playbook (2012)

“I do this! Time after time after time! I do all this shit for other people! And then I wake up and I'm empty! I have nothing!”

As you can probably tell from my inclusion of Mother! on this list, I love Jennifer Lawrence, and this is probably my favourite drama film of hers. The way that she and Bradley Cooper portray two people struggling with mental illness is refreshingly honest in that it shows it can make you quite an unlikeable person at times, albeit someone who is just trying their best to survive. That being said, in spite of the subject matter it’s still a relatively light and easy-to-watch film. The diner scene in particular is a masterclass in realistic conflict and reaction, and I hate to be “ooo, edgy” but several of the lines did strike a really deep chord.

37. The Babadook (2014)

“Sometimes I just want to smash your head against the brick wall until your fucking brains pop out.”

The best thing that the Babadook does, much like It Follows, is instils a sense of deep seated dread in you before you even see the supernatural forces at work. The washed out colour palette, apparent emotional disconnect of Jennifer Kent’s (who also directs!) character, and the disorienting movements of the camera all help to create a lingering unease that is just as effective as the grossly uncanny appearance of the monster/ghost/creature/whatever-you-want-to-call-it himself. It’s obvious that Kent had a very clear vision of the story she wanted to tell and even more so that she is a very talented woman; I hope to see even more female directed horror films in the future if the Babadook is anything to go by. The way this film blurred the lines between the inner struggles of a grieving family and the outside supposedly paranormal influence was unsettling as fuck and to get into the psychology of a mother left on her own to raise a small child and how terrifying that might feel is something only a immensely intuitive and empathetic woman could do. Props to her.

38. The Craft (1996)

“We are the weirdos, mister.”

Not to sound all halloween-is-the-only-day-of-the-year-I-care-about VSCO girl (although that might actually be quite an accurate description of me to be honest), but if there’s one thing that sticks in my mind about the craft, it’s the aesthetic. It’s kind of what I aim to emulate in every aspect of my life, NBD. Seriously, when I was trying to pick a still, I was spoilt for choice. The rituals, the outfits, the witchy interiors; there’s this one GIF of Nancy, Rochelle, Bonnie (and maybe Sarah?) lighting all these gorgeous candles and if I could walk around with it permanently looping on my forehead, I would. And ignoring my shallow reasons for liking The Craft, it’s just a really good film. Nancy Downs is probably one of the most interesting female villains of all time and I’m obsessed with anything that explores magic and the occult. It’s equal parts dark and girly, not to use that in a derivative way at all, in that not only does it teeter on the line of being scary, it’s also a gritty exploration of female friendship, power and jealousy. If you are a halloween-is-the-only-day-of-the-year-I-care-about VSCO girl, definitely watch it; more power to you.

39. The Favourite (2018)

“All I know is, your carriage awaits and my maid is on her way up with something called a pineapple.”

I’d seen The Favourite twice within, like, a month of it being released in British cinemas and I do not have a single regret about that; well, maybe a minor regret in paying over £12 to see it in the Leicester Square Odeon with the assumption that the extra price meant fancy seats (it didn’t), but on the whole, I’m pretty happy with my life choices. Emma Stone, Olivia Colman, and the period Mean Girls comparison drew me in but I came back the second time for the costumes, the dialogue, the editing and Sarah Churchill, Duchess of Marlborough. Or Rachel Weiss, in other words. See, The Favourite is superbly casted in that Yorgos Lanthimos must have known we can’t help but see Emma Stone as the “good girl”/protagonist and so it took me a whole second viewing to see her character for what she really was, and realise The Favourite is in some ways less a story of Abigail Masham’s rise to power and more the tragic disintegration of Sarah and Anne’s relationship. I’m sure you can view the film both ways but to view it as the latter brings a whole new dimension to it and the ending, imo. I’m not gonna lie, I didn’t go into the film expecting some vaguely historical lesbianism and that definitely made for a slightly awkward birthday viewing with my family BUT I wasn’t at all disappointed.

40. The Killing of a Sacred Deer (2017)

“If you dig a hole in the yard, better make it a big one.”

This film is slow-moving, weird and the acting can be stiff at the best of times, and yet somehow all these things add to the (take a shot every time I say-) dread that builds throughout. You don’t know exactly how things are going to end, but you do know it’s not well. Like in his latest directorial entry of The Favourite, Yorgos Lanthimos excels in the realm of the strange and vaguely fantastical through his script, score and cinematography, and so even though the settings are quite mundane, The Killing of a Sacred Deer kind of feels like some macabre modern fairytale, the moral of which I can’t quite work out. I can’t imagine anyone playing Martin more unnervingly than Barry Keoghan and I’m never going to complain about Nicole Kidman, but it’s the imagery of the tears of blood, Steven’s children dragging themselves along the floor and the ending scene that stuck with me long after the film had finished. If you’ve got the patience and you enjoyed the style of The Favourite, there’ll definitely be something positive for you to take away from The Killing of a Sacred Deer.

41. The Orphanage (2007)

“Seeing is not believing. It's the other way around. Believe, and you will see.”

When I was first told by my year 11 Spanish teacher that we were going to be watching The Orphanage in class, I definitely didn’t foresee myself including it in a top 50 films list 5 years later and yet here we are. I mean, I shouldn’t have been surprised really as she did tell us it was good and I had frequently seen it included in lists of the best horror films but as with pretty much anything our teachers would put on as an excuse not to teach for a few lessons (I’m really NOT complaining here, they deserve the break and I would definitely do the same, lol), my expectations were definitely low. Side note, I also since found out that Bilbao seems like a pretty cool place and there was a reason she kept banging on about that too, and so moral of the story, teachers do sometimes have some decent recommendations BUT my assumption was that The Orphanage must be pretty tame for her to show it to us. Parents-even of 16 of year olds-love to complain, lol. And to be fair,  it isn’t so much in your face scary so much as it is kind of tragic with an undertone of spooky but I really enjoyed it. I want to say that part of what I enjoyed about it so much was the mystery element but honestly I think a lot of that comes from the fact that it’s in Spanish so I had to work to follow what was actually going on. 

42. The Ring (2002)

“I can't imagine being stuck down a well all alone like that. How long could you survive?”

The Ring does visuals better than any other horror. The contorted faces of Samara’s victims, the infamous tape and the shots of the well all have a staple in pop culture for a reason. Whilst I don’t find Samara herself particularly frightening, the lore and mythology surrounding her feels so authentically creepy; the tape in particular reminds me of the kind of weird YouTube video you might stumble across when you’re supposed to be trying to get to bed late at night and instantly hate yourself for watching. Naomi Watts is a compelling lead and though I was probably rooting for Sarah Michelle Gellar in the American remake of the Grudge more (I still low-key associate her with the live-action Scooby-Doo and I have no shame), to compare other noughties horror classics, on the whole The Ring is definitely the better quality movie.

43. The Shawshank Redemption (1994)

“I guess it comes down to a simple choice, really. Get busy living, or get busy dying.”

The Shawshank Redemption is just an unequivocally good film. On paper, it doesn’t necessarily have any of the things that draw me to a movie in it, but it’s brilliantly acted, written and shot. It’s frequently cited as one of the greatest movies of all time and I think that’s a very fair statement.

44. The Shining (1980)

“Wendy? Darling? Light of my life. I'm not gonna hurt ya. You didn't let me finish my sentence. I said, I'm not gonna hurt ya. I'm just going to bash your brains in!”

I love The Shining. In terms of scares, not all that much happens in it, but what we do see (the corpse in the bath tub is fucking horrifying) undoubtedly leaves an impact. The score is so unnervingly perfect that I can still hear the sound that’s made when we see those 2…puppets? Costumed people? Basically some kind of weird furry activity-which believe me, makes sense if you’ve seen it-going on. And I only need to see a still of the Overlook Hotel and I can immediately feel the sense of claustrophobia and growing tension that Stanley Kubrick so effectively communicated. A lot of people shat on Shelley Duvall’s acting at the time and whilst she obviously didn’t match Jack Nicholson’s energy, she did come across as a woman genuinely traumatised which is sad when you do consider the effect that shooting the film had on her. With that aside, The Shining is a massively pivotal part of horror history and I’m very excited to see Doctor Sleep this year!

45. The Virgin Suicides (1999)

“Obviously, Doctor, you've never been a 13-year-old girl.”

It really is a toss up between Marie Antoinette and The Virgin Suicides when it comes to Sofia Coppola’s best film, and so of course I had to include them both. See, whereas Marie Antoinette could be the visual incarnation of an album like Marina and the Diamonds’ Electra Heart or Charli XCX’s Sucker (if you ignore the less than fortunate ending, lmao), The Virgin Suicides plays out more to the tunes of something less bubblegum pop and more breezy and mellow, maybe LDR’s Ultraviolence or Honeymoon. You could say in a way that this film romanticises suicide and you’d definitely have a point, but I think considering the fact that it’s based on a book and was made in a time when we were less aware of the damage popular media can do (I think there’s a similar point to be made about the way the villain of Silence of the Lambs’s gender is portrayed and linked to his motivation), I give it a pass. It does also kind of make sense for the film to take this approach; the Lisbon girls are viewed through the eyes of a group of boys who are infatuated with them but also ultimately know nothing about them. In a way, it’s almost a critique of the way these boys think and a commentary on just how stifling and confusing young womanhood can be. I think it’s a beautiful film and a perfect adaptation of Jeffrey Eugenides’ novel.

46. The VVitch (2015)

“Wouldst thou like to live deliciously?”

Is it sad that I have this quote tattooed on my back? Is it biased for me to say no? Because for me, just as much as the Virgin Suicides is about how stifling society’s expectations of young women and how they are supposed to think and act, The VVitch is about the demonisation of girls who go against this and how liberation and sexual freedom for so long were perceived as the result of some kind of satanic and deeply disturbing force at work rather than individual expressions of freedom and femininity. The ending is HAPPY, okay, and if you take away the misty, barren landscapes and the isolation and the paranoia and the baby eating witches and the accusations and the demonic goats, it’s kinda a dark feminist fairy tale to go against puritan panic. I mean, let’s be honest, *spoilers* Thomasin’s siblings were annoying AF. Not that I’m condoning child murder on any level, but you know. In a narrative context was it really so much of a loss when those little shits got the chop?

47. Thoroughbreds (2017)

“At the end of the day, I have a perfectly healthy brain. It just doesn't contain feelings. And that doesn't necessarily make me a bad person. It just means I have to work a little harder than everybody else to be good.”

I love Olivia Cooke. I love Anya Taylor-Joy. I love concise, cutting dialogue, the idea of middle class American social politics, and a little bit of (fictional, of course) murder thrown in there for good measure. Thus, I really love Thoroughbreds. If you watched it with the sound off, it’d be a Polo Ralph Lauren promotional film that gets really dark at the end, and what’s not to like about that?

48. We Need to Talk About Kevin (2011)

“What are these people watching, people like me?”

I still haven’t got round to reading the book this film was based on and I feel like that’s something I need to get on top of ASAP, because it’s been sitting on my shelf for a long ass time. However, based on the little I know about how faithful a film adaptation it is, I think Ezra Miller and Tilda Swinton were a wonderful pairing, and this is a film that’s all about the characters, so it’s a good job they were so well cast. Miller does a great job at getting right under your skin and answering a lot of my questions about what leads someone to commit the kind of horrific crime that his character, Kevin, does. Arrogance, done subtly, is hard to pull off but he nails it, and Swinton is very, very believable as a haunted, grief-stricken mother wrestling with the natural question of the part she played in her son’s actions and the scrutiny that comes with it. Not only that but from the offset, every part of the cinematography helps to convey the feeling of impending doom that builds right up until the climax. The colour palette in particular, which for the most part doesn’t stray too far from the mundane greys and bleak washed-out tones perhaps reflective of Eva’s state of mind, does a great job of foreshadowing what to come when it quite purposefully does take a diversion. It’s all about the red, apparently. Take note.

49. Whiplash (2014)

“Any fucking moron can wave his arms and keep people in tempo. I was there to push people beyond what's expected of them. I believe that is an absolute necessity.”

You honestly wouldn’t believe that a film about drumming could feel like a horror and yet here Whiplash is, leaving me on the edge of my seat and wincing for, like, 2 hours straight. Tonally it couldn’t be more different from the other Damien Chazelle film on this list (La La Land), and yet it flows just as seamlessly and has his same impeccable rhythm; every word, yell and snarl slots perfectly into place and every swivel of the camera is flawlessly executed. If you’re looking for an intense and fast-paced drama, I can’t recommend Whiplash enough.

50. Zombieland (2009)

“Twelve's the new twenty. Gun please.”

Zombieland has only one fault: that Jesse Eisenberg’s character wasn’t played by Michael Cera. But it has Emma Stone and Woody Harrelson so I’ll let it slide. Not much to say about this one other than it’s a wild ride from start to finish, but simultaneously easy to watch and probably the most lighthearted zombie film out there. Almost like The Hangover or something along those lines, but with the addition of the undead. It’s a hard film not to enjoy and I’m just really hoping they don’t fuck up the sequel.

DISCLAIMER: 90% of these stills are from Filmgrab, it’s an amazing website!

#cinema #emmastone #michaelcera #cinematography #films #stills #film #filmgrab #filmreview #horror #natalieportman #blackswan #darrenaronofsky #damienchazelle #anya taylor joy #olivia cooke #sofia coppola #yorgos lanthimos #rachel weisz #mary elizabeth winstead