#obviously it's awesome if you see otherwise but that is just how it is in my brain lol

[beep-beep-sunny]

I added two new chapters to My Daddy Likes Boys a fic about Eddie Kaspbrak's son trying to get him together with his teacher, Mr. Tozier.

Read on ao3 or below!

Chapter 1: Two daddies?? Cool!

My daddy likes boys. I don't know why that's such a big deal. I'm not a dummy. I understand that they don't mean he likes boys just as friends like me and Hank from my class. Otherwise, mommy and daddy wouldn't have broked up. I get it. It's about in love. Like Aladdin and Jasmine. They aren't both boys, but that's okay. I'm sure there are other examples of boys I'm just not thinking of.

Mommy already sees other boys. Daddy comes to watch me when she goes on her "dates" and we watch Bluey on TV or play hungry hungry hippos. Daddy is great at games, but I'm better because I always win. Still, daddy deserves to play games with someone he can beat. Someone he can go on "dates" with. Maybe on a magic carpet. Daddy likes cars, and that's a very cool and special kinda car. I wanna ride on one. Maybe if daddy's boyfriend has a magic carpet I can ride in the backseat and fly up high. That would be cool. That would be super cool.

I started kindergarten in the Fall. I'm in Mr. Tozier's class. He wears funny, colorful shirts and does voices that make me laugh a lot. When we learned about animals he made all the sounds. My favorite was when he made the goose sound. Mr. Tozier is the coolest.

And a boy.

And daddy likes boys.

Then I had an idea. My daddy and Mr. Tozier could be in love! That's a great perfect idea. I just needed to find a way to get daddy and Mr. Tozier to talk. When they talked they would obviously instantly fall in love because they are both awesome and fun and they both love me. It would be the greatest thing to have two daddies!!

I started small. Daddy tells me every day that I'm brave and I decided to prove it. I made sure Mr. Tozier was close and I climbed up higher in the jungle gym than I had ever climbed. The other kids watched and some waved and giggled. By the time Mr. Tozier noticed how high I climbed and started running towards me, it was too late. I bent my knees like a frog. Mr. Tozier saying ribbit ribbit popping into my head as I hopped off the roof (where I definitely wasn't supposed to be) and fell hard onto the ground.

Plop

I yelled and yelled and yelled some more. How was I supposed to know it would hurt THAT much. Mr. Tozier reached me quickly with his kind blue eyes twisted up in worry. "Frankie!" He yelped. "How'd you even get up there?" He was concerned, but I couldn't help but notice he also sounded impressed. This was going perfectly according to plan even though my arm hurt a whole lot.

Mr. Tozier carried me to the nurse's office. "I'm gonna call your parents, okay? Just sit tight buddy." I made a froggy sound and his worry melted away just long enough to do an, admittedly much better, froggy sound.

He rushed out the door. Oh no. "Call my daddy!" I shouted after him, hoping it was loud enough. My voice was usually louder, but my arm hurt too much! I waited to let my tears fall down my cheeks for after Mr. Tozier left. He probably thought I was very brave. Mr. Tozier and daddy will talk about how brave I am all day long until they fall in love.

Daddy didn't come. Mr. Tozier must not have heard me. When I saw mommy come through the door with her arms stretched out like she was ready to clean my dirty cheek with her spit, I cringed a bit and then started crying. This time it wasn't from the pain. Well, it wasn't just from the pain. This was going to be harder than I thought.

Chapter 2: Frankie's Big Break

had a lot of time to plan my next move while I was at the doctor then at home. My arm was broken and got put in a huge cast. It's so hard and heavy. I drummed on the wall with it when mommy wasn't looking, she always told me to stop even though it made the best sound.

That made me think of my next idea. I couldn't keep getting hurt and going right to the hospital. I'd be off too much school and all my bones would be in casts until I couldn't move. I can't make Mr. Tozier and my daddy fall in love like that! I need at least one limb free!

When I got back to school, all the kids wanted to talk to me and sign my cast. I noted that I'd let Hank sign it first, after I talked to Mr. Tozier. Unless Mr. Tozier wanted to sign it first. Then he could. Sorry Hank.

Mr. Tozier sat at a big desk with papers all over the top. I could just see over it. He looked down at me, looking over his big thick glasses. He must have a really hard time seeing with glasses that big. My eyes are perfect, everyone says so, but daddy probably doesn't care about perfect eyes. I tried to focus.

“Frankie?” Mr. Tozier said. “What is it?”

“Next time I get in trouble, can you call my daddy instead of my mommy?” I said. I thought if I was as obvious as possible that he would definitely get it right next time.

Mr. Tozier's brow furrowed. “Well, you weren't in trouble, Frankie, but why do you want me to call your daddy? Is something going on at home?”

I really thought about it. No, not really. Home has been kinda boring. Daddy always looks sad when I'm with him, but mommy always has boys around all the time. I just want my daddy to be happy too. Not with lots of boys though, just Mr. Tozier. I didn't like getting used to lots and lots of new boys because some of them smell funny and have weird mustaches.

“Frankie?” Mr. Tozier asked. Oops, I'd been thinking too much.

“No.” I said quickly and walked away. I didn't even remember to ask him to sign my cast. I guess Hank could do it first after all.

After all the kids got done signing my cast with lots of cool things, Hank drew a dinosaur, I went to work. I knew daddy would definitely come if I was in danger, but it didn't work the first time. I decided I had to do something different. I had to get in trouble.

It happened at recess. Mr. Tozier was watching everybody, but I wanted to make sure he was watching me. I took a big breath in and let out a loud scream. Mr. Tozier looked up but so did everybody else. I'd have to explain why I was doing it to all my lots of friends later. They'd understand. With all my might, I pushed over the big wood play kitchen and all the kids playing house ran away. The play plates hit the ground over and over one at a time. It sounded like rain.

Mr. Tozier rushed over. Yay! “Is everyone okay?” The other kids nodded. When he looked at me, he didn't look mad. He looked worried. That made me worried too.

He took me to the place I go to when I get off my bus and had me sit in the big plush chair. Once he was in the other room, I got up and pressed my ear to the door. He was talking to somebody. I think on the phone.

“I think something might be going on at home.” Mr Tozier said. I sighed. Not really. Just call my daddy. Say I'm in big trouble. “Oh, a divorce? That's gotta be tough on him.” It wasn't tough at all! What was tough was getting my daddy and Mr. Tozier in one room. Ugh!

Chapter 3: Why Does Everybody Ask if I'm Okay??

How was I supposed to know they'd just make me talk to some lady? That is not what I wanted at all.

“Frankie,” She said gently like she was talking to a puppy. I'm not a puppy. “Can you please tell me how things have been at home?”

“Why does everybody keep asking me that!” I knew it wasn't polite to shout, but I was getting so frustrated! “Sorry, things are just fine. I'm happy.”

Even though I told her I'm happy she still looked sad. What was going on? “Are you happy when you're with your mommy?”

I felt a big frown on my face. “Yeah, I guess!” I folded my arms. Things were fine. Mommy was just kind of boring sometimes. She just wanted me to dress up nice and be polite. I was so sick of always being so polite.

“What about your daddy?” She asked.

I smiled. “Well, daddy is the best. We play games and watch TV but he's lonely and needs a boyfriend like my mommy has.”

The lady's eyebrows raised up like they were gonna bump into her hair. “A boyfriend?” She asked. “Maybe you mean a girlfriend.”

I rolled my eyes. “No! My daddy likes boys!’’

Talking to that lady was so pointless. She didn't even help me with how to get Mr. Tozier and my daddy together. I hoped I never had to see that lady ever again.

My mommy drove me home and fussed with my hair when she buckled me in. “What did you say to the nice lady?” She asked me.

“I told her daddy likes boys.” I explained, getting a little tired of always having to explain myself.

Mommy's eyebrows did the same thing as the lady. It's a little silly for her to be surprised. I knew she knew that already. She didn't say much else. She just got in the front seat and drove us home.

When Daddy came to pick me up the next day, I was so excited. It was the weekend and Daddy always planned a fun activity. I wanted to see the new Sonic movie and get lots of popcorn.

It was taking mommy and daddy a really long time to come get me in my room, so I hopped off my bed and sat on the top of the stairs looking down at them through the bars. They looked upset. They had angry eyebrows and folded up arms.

“You told him about your little perversion?” Mommy said. I didn't know what that meant, but what did daddy tell me about? Maybe about the big black cats at the zoo.

Daddy held up his hands. “No, I didn't tell him anything about that. I don't know how he found out.” Maybe not about the big cats after all.

“Well, tell him you don't. Tell him you like women like you're supposed to.” I opened my eyes really wide. Was this about daddy liking boys? What's the big deal! Mommy likes boys too!

“Daddy can like boys if he wants to!” I ran down the stairs to stand up tall next to daddy.

They both looked down at me with their mouths hanging open. Close your mouths, gosh! “It's not normal.” Mommy said in a calm voice. I was so sick of people talking to me like a puppy or a baby or something.

I held out my hand. “Daddy, I wanna go.” I didn't feel like talking about this. I had important things to do.

Daddy looked down at me, surprised. Mommy looked mad. They looked at each other for a few seconds before daddy grabbed my hand and we started walking out. I smiled wide.

“Wait!” Mommy called after us, but we didn't stop or look back.

We were gonna have a wonderful, awesome time watching Sonic and eating popcorn and then after that I would think about my next plan. Daddy and Mr. Tozier were gonna be happy if it was the last thing I did!

#richie and eddie #reddie #eddie kaspbrak #richie tozier #fanfiction #alternate universe #richie is a teacher #eddie has a kid #eddie is divorced

[deadgit]

4 AM and I can't sleep... so it's time to post my deeply unpopular, but fervently held belief that Rimmer fell first, but Lister fell harder.

#obviously it's awesome if you see otherwise but that is just how it is in my brain lol #to be fair. i think that rimmer is gonna have to fall in stages and that process isn't going to be finished until lister already loves him #but he definitely starts first in my brain #and. tbh i think if it all went catastrophically wrong he'd handle it better than lister #not HEALTHIER mind you. but he'd get on with his life and just never trust anyone ever ever again 🙂 #i think lister would struggle a lot more #they both have to really tear themselves open to fall in love. i think in hindsight lister knows this. rimmer des not. #idk i'm feeling a bit morose tonight so you guys get Late Night Ramble Tags i guess lol #rimster

[year2000electronics]

wow. four years old huh. i'll keep this part short but sappy rant under the readmore! happy four years!!

it feels like just yesterday when i watched this series on a whim because my friend kept making jokes about my ocs with hlvrai quotes and then it was so funny and engaging that it pulled me out of a months-long depressive slump... feels like just yesterday that my work was finally being seen by people, yesterday that the summer of 2020 was one of the most interesting summers ive ever had, yesterday when the 2020-2021 school year ended up being one of the most difficult times of my life and hlvrai really helped me get through it. without exaggeration this series has changed my life

yeah we all may have had ups and downs, like a LOT of downs, but ill always consider hlvrai to be very special to me, not just because i love it but because it represents so many good things to me: friends joking around having fun, friends carrying their past experiences with them (gmod rping, an affinity for extensively-planned bits, jokes that could ONLY be made by rtvs with each other, you get it), and how the best things often come from happy accidents, from people who DARE to CARE, because hlvrai is good because theyre not afraid to be silly! theyre not afraid to be stupid and sincere and ridiculous!!

and the most inspiring part to me has always been that hlvrai wasnt made to chase any trends. it didnt come in the wake of anything, it was made, and then after it was made, rtvs pretty obviously made it clear that they wouldnt let their lightning-in-a-bottle series box them in. like everyone on the team is very strongly against ppl being parasocial to them, they dont let people beg them for the funny half life info and references, all that. as a creator its cool to see people doing what they love and not succumbing to any pressure algorithmically or otherwise, especially during the lockdowns, when a lot of other streamer-based fandoms cropped up that had a VERY big 'encouraging being parasocial' problem. its always been nice to have a web series thats just one of many awesome things rtvs has done

hlvrai was everything i could have ever asked for and more, and me myself i was perfectly content with just having the standalone series forever, because sometimes a standalone thing is all you need. but with hlage, bbvrai, and hl2vrai being announced, im still so happy to be here and so happy that i get to keep enjoying one of my favourite pieces of media <3

#hlvrai #my art

[atanx]

James Somerton's "A Measured Response": A Measured Response

so I watched a reupload of the video because idk i like to torture myself. and i took a bunch of notes:

“I tried to be a voice for every member of the queer community, but that was a failed endeavour before it even started.”

what a strange way to say ‘I tried making it seem like I’m the only queer creator and stole from and actively harmed people in the queer community. knowingly. purposefully. and when I was called out in the past I tried to hide it.'

“I'm a cis, white, gay man. No matter how much I try to be a good spokesperson, I can never really, truly, understand the life experiences of other, far more put upon,  members of the queer community.”

so of course I stole and hid work from the people I can't understand, gutting it of their personal experiences and refused to redirect my audience to those people so that they can enrich themselves and hear about issues pertaining them from someone who actually does understand.

“...one of the reasons I used their own words. But I should have made it clear that that was what I was doing.”

BITCH YOU STOLE. YOU GUTTED THEIR STORIES OF MEANINGFUL PERSONAL EXPERIENCES. YOU WEREN'T USING THEIR WORDS TO BE ABLE TO TALK ABOUT THINGS YOU CAN'T ENTIRELY UNDERSTAND YOU WERE MILKING THEM FOR CONTENT AND DEPRIVING PEOPLE OF ACTUAL, SOULFUL, MEANINGFUL ARTICLES AND BOOKS AND DOCUMENTARIES AND VIDEOS THEY COULD HAVE BEEN WATCHING INSTEAD.

“Being a cis white man I thought I might win over some people who otherwise wouldn't listen.”

Yeah sure. Because racist transphobes are going to be watching your badly plagiarised gay film analysis.

“I would also like to apologise to Jessie Gender, who is one of the kindest people I ever met. Through my hot-headedness, I drew her into this anger spiral.”

‘through my hotheadedness.’. shirking responsibility onto an ‘ingrained personality trait of yours’ I see.

if you are so honestly sorry for being an asshole to Jessie why don't you fucking apologise to her directly? privately? not as a way to boost your own fucking image??

he's trying to earn good will by complimenting Jessie Gender “oh he knows to compliment an awesome person we have that in common I guess he can't be so bad after all” fuck you I recognise your strategies and it's gross to drag Jessie into this like that, she spoke out against you and you are trying to imply some sort of friendship or something between you. okay I cannot UNDERSTATE the way he tries to make it seem like they are close in some way and sort of drag her onto his side that's so fucking despicable. as far as I know Jessie Gender does not have a relationship with him of any kind?

once again bringing up death threats I see. obviously death threats are shite and anyone who threatens the dude in seriousness or harasses him will not see the light of heaven as Hbomberguy said but IN AN APOLOGY YOU DO NOT MAKE IT ABOUT YOU THAT'S MANIPULATION

also blaming the police for not clarifying a situation in a timely manner - the police are a flaming pile of garbage and I hope the institution explodes but NOT SAYING ANYTHING WAS YOUR CHOICE. THE POLICE DIDN'T MAKE YOU DO SHIT THERE

the problem isn't that you tried to “create a channel where all queer people could be safe”, the problem is that 1) you are a misogynist 2) you yourself engaged in transphobic behaviour and 3) you also actively supressed queer people's voices. The problem isn't that you supposedly wanted a space for all queer people, the problem is that you tried to MONOPOLISE queer literature analysis. fuck, queer doesn't look like a word anymore I've written it too many times now

(paraphrased) “I should have been helping with making queer people's voices discoverable” this makes it seem like he just didn't do anything and not like the reality that he was actively trying to rewrite history and bury LQBTQIA+ voices under his steaming pile of garbage

also BLAMING YOUTUBE AND THE ALGORITHM FOR ‘PUSHING HIM’ because he's cis and white, like maybe they did, I certainly wouldn't be surprised, but that is not why other creators suffered, a large part of that can be attributed to James Somerton stealing their work without any acknowledgement whatsoever apart maybe if they are lucky, a “based on” in the credits or their name flashing on screen for half a second.

“I should have done more to share the voices of other queer people” THAT IMPLIES YOU DID SOMETHING. YOU WERE ACTIVELY WORKING AGAINST THAT YOU STUPID PIECE OF SHIT-

“it was just my dweam to be a youtubew and when my videos gained twaction i felt pwessuwed to make mowe vewy quickly and that's why they wewe so shit uwu” fuck off you weren't pressured into shit you just wanted to make money and that's why you were a content mill

“early on I thought that crediting authors in the opening credits alone was enough” what about the times YOU DIDN'T EVEN DO THAT??? YOU'RE MAKING THIS SEEM LIKE THE DRAMA IS ABOUT YOU CREDITING PEOPLE WRONG WHEN ITS ABOUT YOUR SYSTEMATIC THEFT AND OPPRESSION OF THOSE YOU CLAIM TO MAKE VIDEOS FOR AND ABOUT AND THOSE YOU CLAIM TO MAKE A SAFE SPACE FOR. WHO THE FUCK DO YOU THINK WATCHES YOUR VIDEOS?? WE KNOW WHAT YOU DID YOU CAN'T JUST PLAY IT DOWN

not him using Hbomberguy's example of the DEEP CUTS: SOCIETY AND QUEER HORROR video and claiming he credited all people in the opening scene when Hbomberguy highlighted he DIDNT EVEN CREDIT MOST OF THEM FUCK OFF ARE YOU DELUSIONAL HOW DO YOU THINK YOU CAN GET AWAY WITH THIS

I think I'm going insane this all seems so blatantly fake. he brings up the evil queens video and how he asked Sean Griffin, retroactively, permission to include his work in the video. and he shows a ‘screenshot’ of an email Griffin allegedly wrote to thank him for putting him in the title-card and that he thinks it is ‘a very thoughtful video’. only the text of the email header, such as Griffin's name, the RE:, and the To: is a lot smaller than the ‘text’ in the email, which leads me to believe that the below text is edited in some way. And with how hard James is trying to rewrite history, it wouldn't surprise me if he literally rewrote the email or cut things out to present himself in a more positive light. obviously I can't prove that the email is fake but I'll just say that I think the likelihood is very high that it is.

the way he says this also implies that he asked for permission after he made the video but hadn't published it yet. which is also blatantly false.

again trying to waltz off responsibility on nick, saying he was much more interested in production and implying that nick did all the writing .

“nick and I had both grown up poor so when I lost my job in 2021 (approx.) we of course were desperate and turned to producing videos even quicker and plagiarising the fuck out of all of them! but we can't help it we were both poor as kids!” fuck off, you weren't poor when plagiarising every-fucking-thing, this was in “the second year of COVID”. obviously if they really did grow up poor that sucks, and that's why we should eat the rich and redistribute their money. not plagiarise people who partly are poor or not financially cushy and manipulate thousands of people into believing you are the only queer creator.

also milking his mom's cancer. if you were really that worried about your financial situation, one would think that you would get an actual job for security and not put everything into your youtube career that is unstable, especially considering you've already done a lot of plagiarism and have no intention of stopping. “oh I plagiarised because my mom had cancer QAQ” that is so digusting to use a person's medical condition like that.

“i have memory issues because of a head injury i suffered as a child and that's why I plagiarise badly. see, I copy pasted the text with the intention to rephrase it later but forgot.” that would still be fucking plagiarism if he'd done that, also, if he's so aware of his memory issues and how they lead to him plagiarising, why didn't he try to work around that? leave himself notes? or tell nick to remind him to integrate actual proper credit and citations before uploading a video? mark the plagiarised stuff in the document with like highlighter or so when you're pasting it in?? oh but he didn't do all of that because he has ADHD. now, ADHD can be debilitating, but he says it's recently diagnosed so it must not have caused a lot of problems for him so far, so it's probably not severe and even if it is, it doesn't excuse him not crediting people properly. stop fucking hiding behind things ‘you can’t change' because if you truly can't you probably shouldn't be doing this in the first place.

“my mom really wanted me to make a movie with her life insurance but that wasn't paid out so I decided to crowdfund it. i planned to underpay the actors so hard it was under union wages. we got more money than we were expecting and upgraded to wanting to film a feature (final girl) but i didn't want to start working on it until the campaign was over for some reason that totally isn't me just wanting to exploit people for money!”

I'm not gonna go into the Telos stuff but he tries to explain it by claiming it was very unorganised and that's why they constantly ran into issues and that's why nothing ever got done and they were JUST about to start doing stuff when the Hbomberguy video released. You know what, I can believe it, although I am very doubtful considering all James ever does is lie. Idk. 

once again trying to excuse his plagiarism with needing to pay two rents and thus needing to make more videos for more sponsors and not having the time to not plagiarise like please. i don't believe that they were in that dire need of money and if they were - just get a fucking stable job and put youtube on the backburner. 

also once again trying to make it all about him by once again talking about his suicide attempt and death threats. like. no one should suffer through that kind of mental anguish but honestly I cannot bring myself to feel sympathy for this man. and i see this as an attempt to gather pity points.

“nick worked very hard on these videos other three years and it's unfair to [them] (james says that they're non-binary but doesn't indicate their pronouns anywhere? and in the beginning he uses they/them but later only he/him so idk what their pronouns are but it seems like they/them is at least part of their pronouns so i'm just going to use that) that they all got taken down” well y'all shouldn't have fucking plagiarised then. let this be a lesson maybe and don't fucking show your face on youtube again!

he is fucking relaunching his channel. like james. this isn't something you come back from. no one will ever be able to trust you ever again and you don't deserve an audience. he claims all the revenue will go to Hbomberguy's fund but we have no way to verify this. we have no way to know just how much he makes and how much of that is actually going to the fund. i don't trust him with any money. which is why i watched a reupload rather than the original. he's also releasing a new video he claims is entirely by him. like?????? don't???????

he also might not relaunch his existing patreon but he's still making a new one.

he claims he will “work his ass off” to make non-plagiarised videos. like that isn't “working your ass off” that's the bare fucking minimum. I really want to trust him. and I want to believe he'll actually try to do better. and maybe he will. and i believe in second chances, even for someone as despicable as him. but throughout this video he has continuously tried to play down what he did. tried to make excuses for everything. and that's why i am not going to give him a second chance. if he can't even admit what he did i don't trust him to not do it again. and i also just plainly don't want to endorse a person making such arguments.

also, he plugs his fucking new patreon right after this.

“this video is not about me promoting myself. it's about me apologising.” the only fucking person you actually ‘apologised’ to is Jessie Gender. 

James Somerton: makes a billion fucking excuses. Also James Somerton: “These are not excuses. There is no excuse for what I did.”

this entire video was just a publicity stunt. he tries to humanise himself and repair his image. this is just a tool to be able to continue on and continue making money.

he also still claims the disney video was based on the Celluloid Closet and he credited the author and ignores that this wasn't the only author he fucking plagiarised in that video. he is trying to reduce his plagiarsm to incorrect crediting and mistakes and that is disgusting.

the least he could have done was mention by name out loud every author he plagiarised and what work he plagiarised. not just say “uuuh i'm sorry to everyone I plagiarised QAQ”

#james somerton #hbomberguy #james somerton a measured response #atanx.txt

[weirdmarioenemies]

SURPRISE! Did you think the day would come when we would cover Love Live on this blog? I didn't!

Yohane the Parhelion: Blaze in the Deepblue is the Metroidvania-style game based on the fantasy spin-off of Love Live Sunshine, but you probably don't care about that! Statistically speaking, our target audience is Bogleech readers who are deeply revolted by anime girls!

So why bring up? Why bring it up? The answer is 🐠 FUNNY FISH! It's Funny Fish Friday!

Since this game is set in an underwater temple, the enemies this game are all based on sea creatures, and that's cool! Again, statistically speaking, you probably think sea creatures are cool. I really liked seeing the variety of enemies when playing through this game, so I thought it'd be fun if I could share them with an audience of people who otherwise wouldn't care! None of the enemies really have names, as far as I'm aware of. But I'll do my Rubesty...?

Our first guy we encounter in the game is the sort of guy who emerges from the ground like the Zombies from Castlevania, and wow! A good first impression I think. It is sort of a squid mantle, if the mantle was also a cloak for a spooky sort of wizard! The way it doesn't really have a 'face' in the hood and the eye is below really makes it seem like a weird mimic creature. Cool!

They also get a tough lategame variant which looks like a mix between a flapjack and a vampire squid. You don't often see flapjacks be designed as scary!

---

Next is Barnacles! A whole clump of them, like a cake. They shoot Energy Balls at you. Is this what Barnacles can do if they combine their powers...? The top actually opens up, and it looks a lot like a sea urchin's mouth! So maybe it is some sort of naked urchin creature covered in barnacles? Game Theory!

There are also barnacles with Ice Powers. Like real life!

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Let's give it up for Garden Eel!!!!

What a fine Garden Eel it is! Complete with the sort of grumpy face, and with the addition of two little arms that make it look like it's praying or maybe a bit shy. But it is mean! It also spits energy balls at you, then hides in the hole so you can't hit it. How very sneaky!

SO sneaky, in fact, that these eels have mastered the art of ninjutsu! The ninja eel shows up for a split second in one single room, before smoke bombing away. You'd have to use a time freeze power to get him, but I never got around to doing that. I don't have any beef with a ninja eel! I respect him and his training!

Did someone say CTENOPHORE? I hope you did, or my hearing has really gotten worse. This thing is a grade A ctenophore, only with a ring of Scary Teeth! A little scary to think of a ctenophore who could Bite you, but nonetheless this deserves a :ctenopog:!

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Let's not forget Fish Vortex! Fish Vortex was the first guy to make me go 'wow, this game's enemies really are awesome!' So of course I had to put him at the top of the post! He is my selling point! I am selling all these enemies to you. For 4.99 a pop!

Anyway. This design is just so funny and cool at the same time. A swirling school of fish that leads into an endless dark abyss, and in the middle, a big eyeball. Also covered in fish. It shoots fish at you! Yay!

There is also a pink variant - it shoots fish that give you the Solitude status effect, which basically just makes Yohane too depressed to summon her friends. Meaning? They are Depression Fish! Maybe she just becomes so jealous of the unity and teamwork of these sardines. She's me like just for real! ^_^

---

isopot :)

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This slug is an umbrella. That is ridiculous! Ridiculously EPIC! It does the opposite of shield you from rain, which is create rain, that kills you. But I would still want one as an umbrella.

---

When I first saw this thing, I thought it was some strange round Echimoderm I had never heard of. But upon further inspection (I actually asked Mod Chikako shh), it is obviously like a Brittle Star, with each arm folded round to form a wheel! How creative and fun! It even has a bunch of eyes like a starfish!

---

Last but not least- sushi! There are sushi guys and they are cute. They don't really do much and are typically found in their own rooms, so I'm not sure what the point of them is. But finding a funny walking sushi should be a reward in of itself, I guess! Look at their funny rice feet! Or the one with the roe eyes!

I happened to use fire magic on one of them and this happened. Oopsies...

Now I am sure you are saying, thank you for showing me all these funny enemies. But are there any cool bosses? Of course there are, me! What's a Metroidvania without cool bosses? So I shall show you my favorites without delay!

First is this freak (affectionate)! It is a sort of amalgamation of lots of different animals and I think it just looks plain cool! Two squid mantles combined into one, a bit of a sea angel shape, bug legs and of course a great big eyeball!

If it is not freaky enough for you, let it be known that the bug legs turn into big green skeleton hands, and it also keeps getting pinker, and it grows new eyes and then extra horns grow out of those eyes. If THAT is not freaky enough for you then I am sorry but I cannot do anything about that.

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Now, how about a sampling of this Freaken Thang? It honestly doesn't seem that sea-creature themed, but it uses seashells so I guess it counts!

What is really neat is that this boss has two different forms, upside down and rightside up! When it is upside down it looks a bit like a Magolor type creature. And of course, I really like the flame thing in the middle as well, that really feels like a Kirby enemy or something! Like a wisp made of plasma!

---

Fans of Anomalocaris won't be disappointed by this one! It's a big Anomalocaris tank and boy is it cool! There's something for everyone here, whether you're an Anomalocaris purist or you've always wanted to see it turn into a sort of futuristic beast with a screen mouth that shoots lasers! It really is the future, zura...

---

After covering all these wacky creatures, I'm going to have to end it off with the final boss! What could the big bad, the ultimate boss of all these sea monsters even be, I wonder? Well, it's...

...a coelecanth. Just a big coelacanth! It is big and blue! And really, does it need to be anything else? It is such an honor to make the biggest ultimate boss a coelacanth. It is even pretty cute!! Think he's smiling! 😊

Uh oh! Is it still cute? I guess so. My first thought seeing this was of course the world-renowned tongue eating isopod, so I really hope it was an intentional reference! It probably just wants to shake hands. Still, a pretty simplistic design for our final boss, right?

Buu buu! Its true form actually looks like this! Actually, it's kind of doing too much. Like let's tone it down a little?

So!! We beat the mega ultra coelacanth, and now we can find out what his motivation is! And it is... that he is the memories of the people of the past or something. And they all didn't want to be forgotten, so they turned into fish monsters! But we forgive them!

It doesn't really matter. All the girlies gather around and sing him a song. Look how happy he is! I forgot I was talking about a Love Live game until now, actually. All's well that ends well, the end, et cetera! Hit it, Yohane! [imagine this is like the end of a kids movie where all the Love Live girls are having a dance party and there is a shot of the big coelacanth in jail and he's tapping his mouth fingers along to the beat]

#funky friday #yohane the parhelion #genjitsu no yohane #yohane the parhelion: blaze in the deepblue #not mario #mod f boy #yes it was me! i was the weeb mod who played the love live game! #and now i must burden you all! #i wrote this all in one go hooray for ritalin #tw anime girls

[alexiethymia]

Listen, book!Lockwood who is so repressed that it just translates to beaming smiles has a special place in my heart, but at the same time I cannot stress how much I appreciate the live action series for showing us unbelievably exhausted Lockwood who’s so obviously scared that Lucy and George will eventually leave (willingly or otherwise) but still has the gall to push them away. My boy was barely pulling it together. And ofc he would be so tired that the bags under his eyes are so prominent because we’re outside of Lucy’s POV now. Lucy who’s always had rose-colored glasses when it comes to him.

Speaking of Lucy, I really do love how she calls him out. She’s so aggressive with her love. It’s like she’s demanding that George and her will love and care for him and there’s absolutely nothing Lockwood can do about it so he just better shut up and take it. Peak found family right there.

How that scene where Lockwood comes to apologize to Lucy in the kitchen had so much ‘husband in the doghouse’ vibes, and how ultimately what Lucy is really mad about is just her wanting Lockwood to value his life more. And for Lockwood to outright admit that yeah he was a bit suicidal but it’s a bit like he found a new reason for living because of Lucy and George, again I say PEAK FOUND FAMILY, this is my jam. The ease of which Lucy being Lucy calms him down. (Ugh, again the domesticity of choosing egg cups). He can’t stand when she’s mad at him and he learns about apologizing properly this time around, but when she wordlessly forgives him, you can see on his face how he could fall so quickly and deeply in love with her. That’s one thing I love so much about the live action series. While the book showed us more of Lucy’s feelings for Lockwood, I actually think the series highlights Lockwood’s feelings more in that if I hadn’t read the books beforehand, I could have easily seen it as Lockwood falling first. His abandonment issues are so prominent in the series and while they play it with humor with Fittes and Kipps, you can just see that desperation behind the lighthearted tone, and for Lucy to say that she chooses Lockwood and George anyway….!

This is basically an excuse to ramble about the little things they add in the series that I love so much, which works because we’re not restricted to Lucy’s POV, in no particular order:

How Flo can immediately see how Lockwood feels about Lucy because of the effect she has on him. Prior to that statement, she’d only met Lucy once before, but that brief meeting told her everything she needed to know. She probably knew Lockwood in the aftermath of his family’s death, so for her to see Lockwood just buttering someone’s else toast for them and being all domestic and smiley, treating another person like a family member especially considering how guarded he is, she must have thought (and rightly so) that meeting Lucy made him have an appetite for life again.

We actually get to see Fittes’ and Lockwood’s side of the fight! And it was awesome. “I’m Anthony bloody Lockwood.” I can no longer remember if that line was in the book or not but idc I love it.

George and Lucy’s scene was in the book, but the acting in the series just really sold it for me. How Lucy’s heart just broke hearing George talk about himself, especially everything he said then were feelings I’m sure she’s also had about herself. I seriously loved that last episode. George and Lucy were adorable. Again I say, found family ftw.

The rise of the Flo x George ship! “You, me, and herons!” Again I say, adorable.

There are some elements that work better in book format, but in many ways the tv series really did elevate this beloved book series. It was a wonderful, wonderful adaptation. As a reader, I couldn’t be more satisfied. As a shipper, I couldn’t be more ecstatic.

#lockwood & co. #lockwood and co #locklyle #lucy carlyle #anthony lockwood #george karim #george cubbins #flo bones #books #tv #I loved it so much #I thought pining lucy was bad enough #but pining lockwood?? #omg I can’t believe we’re in the best timeline #if he’s already like this at this point #I can’t even imagine him should we reach The Hollow Boy and the aftermath of lucy leaving #he already had a death wish #he will no doubt end up unhinged at this rate when lucy leaves

[ghostlykeyes]

Hello! :)

First, I'd like to say that I've been enjoying your works so much! They're so well-written and fun to read ^^ I especially loved the one with Kayn and a cute partner, it was so sweet! <3

If it's alright (and there's no worries if not!), may I ask for either Sett or Yone with a shy, soft-spoken partner? Both seem like they'd make a cute pairing! Just completely sfw please.

Tysm! 🩷💫

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HEARTSTEEL SETT/ SHY READER ♡ Gender Neutral ♡ SFW ♡ No TWs ♡ YESSSS I'm so excited to write for Sett ! While the amount of Kayn content might indicate otherwise I have ALWAYS been a Sett main and I will ALWAYS maintain he is BEST BOI ♡ Thank you for your kind words anon! Hope you enjoy ~

♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡

SETT

Wonderful, sweet Sett—he can tell exactly when you're worried about a social situation. All it takes is a look, and he knows that you're stuck in your own head, stressed about meeting new people or replaying the last conversation you stumbled through. "Hey," he says gently, bumping you with his shoulder. "You okay?" Sett listens as you talk through your concerns, rubbing a comforting thumb over your knuckles. He's silent until you finish. "I know other people can be rough" he says once you've expressed your struggles. "But honestly? Screw what anyone else thinks about you. You're sweet, kind, cute..." Sett continues the list until he coaxes a smile out of you. "But for real," he says, once you feel better. "I think you're the greatest. If someone else can't see that just because you're a little shy, that's their loss."

Sett knows he's got those Scary Boyfriend Privileges and he's not afraid to put them to work for you. Trapped in a conversation? He'll stand behind you, arms crossed, and glare. Usually the other person says their goodbyes pretty quickly. Need to confront someone? Any disagreement, big or small; say less. Sett is there, definitely not flexing menacingly. And asserting yourself? Well, telling your roommate to do their own dishes is a hell of a lot easier with over six feet of solid muscle backing you up.

Whenever you've got something to say, Sett shushes everyone so that you can speak. It's a little embarrassing, suddenly having all the attention suddenly on you. You do have to admit, though, it's nice to have people actually listen to you for once.

Obviously he can't avoid fans approaching him, but Sett feels so bad whenever you're out together and someone recognizes him. You've already got limited social energy, and now you have to waste it playing nice with heart-eyed fangirls ogling your boyfriend? He understands it's not pleasant. "Sorry, baby," he says to you. "I'll make it quick, I promise." After taking a selfie or two with them, he politely but insistently makes an excuse to leave. "Awesome to meet you," he smiles, winding his fingers through yours, "but we gotta go. Heartsteel schedules, man!" After you make your escape, Sett bends down to kiss your forehead and apologizes for the unwanted attention.

The best way Sett supports you in social situations is through his body language. He comforts you with the soft pressure of a hand on your back, or a reassuring thumb rubbing circles over your knuckles. When you speak, he turns his head to you, fully engaged. And, if you're in a group, he always makes sure to angle his body so that you're included in the circle.

When introducing you to his mom, Sett sticks to you like velcro. The two people he cares about most, finally meeting? Of course he wants it to go well! He practically hovers over you, trying to give you as much support as he can. You can barely go to the bathroom without him chaperoning. Bless his heart, though—he's so nervous and eager to please both his mom and you that it actually ends up making you more withdrawn. Thankfully, his mom—angel that she is—notices how nervous you are. She gives you a comforting smile (the exact same one her son often offers you, you note) and tells you both to relax. "Don't pressure yourself, my dear," she says to you. "My son adores you, which means I do, too. You've already got my approval." Her kindness and warmth is incredibly disarming, and you find it's very easy to come out of your shell around her.

God help the poor soul who tries to speak over you. Sett gets so pissed whenever anyone cuts you off. It doesn't matter if it's a Heartsteel member, or one of your friends, or, fuck it, your own damn mother—Sett's jaw locks and he gives them the dirtiest of dirty looks. "Uh, hey? I think they were trying to say something," he interrupts them, voice firm and eyes hard. And with Sett glaring down at them like that, all bulging muscles and barely-concealed growls and pissed-off-boyfriend energy? They usually quiet down pretty quick, and you're free to continue. They're on Sett's shit-list for the next couple of days, though. He's giving them a glare every time your back is turned.

While Sett loves his bros in Heartsteel, he knows that they all have really big, loud personalities. It can be a lot to deal with, especially for someone so shy. So, he invites you to everything—music video filming, birthday parties, movie nights— but he makes it clear that he completely understands if you don't want to come. Oh, but if you do show up? He's over the moon, and he'll do anything to make sure you're as comfortable as possible. Feeling overwhelmed and need a social break? He'll step outside for a walk with you. Kayn's teasing you? Sett's got him in a 'friendly' headlock in .2 seconds. Said something embarrassing? Don't worry. Sett will immediately distract everyone, even if he's got to say something twice as embarrassing to change the subject. Whatever you need, he's got you.

#heartsteel headcanons #heartsteel #heartsteel x reader #Sett #Heartsteel Sett #Sett/reader #sett x reader #sett lol #sett league of legends

[lovelyyandereaddictionpoint]

Our perfect Addition | Platonic Yandere Mei Mei and Ui Ui

When you were recruited into Jujutsu Tech, you could not settle in. Given an ultimatum about joining or your family suffering from unknown consequences. It doesn’t give you an all too positive relationship with the school. Often having to be reminded of your life and family’s lives on the line. You're eventually placed in the first year's class under the supposed strongest Gojo Satoru. Not that it mattered to you. 

“OKAY! This is your new classmate! Introduce yourself, newbie.”

“Nice to meet you all.”

“So so (Y/n)-chan! Tell us something about yourself!”

“I didn’t want to enroll but was forced to. Otherwise, my family will be-”

He slaps a hand on your mouth and then pushes you toward the trio. 

“Awesome introduction! Welcome to the team!”

Despite your disgruntled disposition you tend to hold your own quite well. Able to come out mostly unscathed thanks to your technique. Speaking of your technique one of its functions allows attacks against you to become diamonds and minerals that you can maneuver throughout the battle. When you’re not using them to fight, you aren’t afraid to fashion them into jewelry or, after meeting Maki, weapons. Needless to say, it’s helpful when it comes to anyone you’re fighting against cursed users or curses themselves.

Which is perfect for defending your friend in the Kyoto School Exchange. Their attacks both physical and cursed are thwarted by your own until the violent interruption. Before then though the professors watched with anticipation.

“Gojo Satoru, how much for the gem maker?”

The Kyoto School Exchange is where she sees you in action. She’s heard the whispers that Gojo’s been given a treasure-making curse-user for a student. She doubts it's as weird as they speak of but someone so money-driven is bound to be curious. 

The crow that returns from the forest is clutching a nugget of gold. Mei Mei gets it appraised and true enough it is a bonafide mineral. One selected among others you carry away or leave behind from your violent battle with the intruders.

“Not for sale.”

Gojo’s warning is ignored as Mei Mei is constantly sending crows to follow. She watches how you pay for your family’s expenses and spend time with them when you’re not scheduled for a mission. She notes how big you smile when they greet you and how hard you laugh. She finds it endearing. 

So endearing she devotes more of her energy to watching you do anything and everything. Where you go with your friends, where you eat, how you sleep. If it weren’t for Gojo she’d have a more concrete copy of your schedule by now but having the general ideas of your life is a good start.

“Nee-Sama! Don’t you want me by your side?”

“ I need you to watch someone for me.”

“Only for you, Nee-Sama!”

She kicks herself for asking Gojo about you. Since then he’s been hard-pressed to keep you far from her as you go on different missions. He’s strong but he can’t control everything. Sooner than he can threaten the council, Ui Ui is assigned to accompany you as you take on a grade 2 curse. 

“Uhm hope we can work together well, Ui Ui.”

“Hmph! I’m not going to speak to you, money bag.”

He quite obviously was jealous of his sister’s interest in you. Constantly degrading you or insulting you as you both learn how to work together and handle the curse. Despite his prickly beginnings with you, he finds himself in awe of you…

“Ui Ui! Teleport me onto the debris it consumes. I don’t care which one just do it.”

“But if you do that your gems won’t be able to manage your fall!”

“Don’t worry about it! Just do it.”

From what he’s heard from his sister you were forced into this. Unable to choose this life you’re still so willing to put yourself at risk. With the way the battle had been going, you could easily abandon the mission claiming it was too advanced. But you stayed and devoted your limited gems to protecting him.

With a pout and a blush, he found himself accepting the hug you gave him in achieving your victory. He cheekily praises you on the plan you came up with, still insulting you enough to keep you from noticing.

“You’re not nearly as powerful as my beloved Nee-Sama! She would have handled this in minutes.”

“Didn’t you say she was a special-grade sorcerer?”

“Yes…and by that standard we were decent.”

“Yeah, 30 minutes is pretty good.”

“Your standards need to be raised–” “Hey!” “-I think it’s important we keep contact for when that day comes.”

“Is this you’re roundabout way to ask for my number so we can hang out?”

“Think what you want! My Nee-Sama is the only one I bother planning to meet…I’ll text you.”

He’s lucky you don’t have a technique like Mei Mei’s otherwise you’d tease him to no end about how he kicks his feet when he texts you. With a blush and a chuckle, he’ll happily let his sister come in close as they watch your snap stories or a video you took.

“They seem perfect for us Nee-sama.”

“I agree. Now all that’s left is to take them for ourselves. Now to get past the famous Gojo Satoru.”

“You could beat him. Nee-Sama!”

“Hmmm, if only.”

The Shibuya incident couldn’t come any sooner. Having been paired up with Nobara, the siblings are all too keen on your proximity to them. When you casually respond to a text Ui Ui sends at the beginning of the mission, you couldn’t possibly be aware of the gears turning in their heads.

“Ara Yuji-kun, the gem user is also training to be a special grade, correct?”

“Uh yes, they were sayin’ something about retiring.”

“Oh really?”

“Yeah!”

“Don’t respond so casually at Nee-Sama!”

Mei Mei is quick to take advantage when Gojo is sent in to fight. Far too focused on his battle she can devote a crow or two to follow your progress and intervening at close calls. Her plan is only to watch you, it is an unexpected advantage that the sorcerer that’s been guarding you so closely is sealed. 

“Eh? Gojo’s been sealed? What an interesting turn of events…he still owes me.”

After surviving the run-in with Kenjaku, she has no intentions of staying in Shibuya. She needed to change her currency after all. Before she leaves, she makes a point not to leave her gem, swiping you up before you can register. 

“W-what just–”, you call out as you look at your new environment. No longer in the heat of battle, you look amazed at the lush and luxurious hotel room. High above a glowing city, this wasn’t Shibuya…it didn’t even look like Japan.

“(Y/n)!”

Ui Ui hugs you tightly, beginning to worryly obsess over your wounds. When the crow imbued with his technique landed on you mid-fight, you were on the cusp of being greatly injured. A few scars, a broken rib, and muscles that’ll make your body ache for days are what you got away with. You considered yourself better off than some of the seniors you were fighting alongside.

“I have to go back! They need me!”

You struggle against Ui Ui’s tight grip, who took advantage of your injury to hold you still, you can’t properly detach yourself. Mei Mei pays no mind to your determined snarl, not even looking in your direction as she hurriedly types on her computer.

“Gojo Satoru’s been sealed.”

“I know that!”

“Do you though? Your family was promised to be protected as long as you stay in Jujutsu Tech.”

You think for a moment. You deflated, “Gojo….”

Finished typing she comes to your side, not minding her brother as she cradles your head to her chest, “With Gojo no longer around do you think they’d bother to keep them around?”

You floundered,“I- don’t- I–” 

Ui Ui hugs you tight, bringing your attention back to him as he looks up at you. 

“We are your family now.”

“What?!”

Mei Mei’s hands held your chin turning your face towards hers. Her hair was down and she was wearing a hotel’s robe. With a bandaid on her right cheek and the deep red of her lipstick. The look on her face was unreadable, her eyes looked too gleeful in comparison to yours.

“(Y/n), your family is being housed by some friends of mine.”

“But they didn’t tell me they moved.”

She chuckled, “Of course, they haven’t I wouldn’t allow them to.”

When you looked at her suspiciously, she squeezed your cheeks.

“For their safety, of course. I care for those I invest in.”

She let her other hand pet Ui Ui’s head. He blushed intensely muffling a ‘Nee-Sama’ into your clothes. You felt your lip curl in disgust.

“So you want me for the gems I make right?”

She smiled to herself, before beginning to unbutton your school uniform. Ui Ui readjusted his hug, forcing your arms to your sides as Mei Mei undid all your buttons. 

“I might have also decided you were just as valuable as your technique.”

You scoffed, “Yeah I doubt that.”

She laughed at you. “Think what you like but I’m sure your…family would love to hear from you.”

She held a burner phone out to you. It was opened to a contact profile with a group picture of your family. Wriggling your arm out of Ui Ui you reached to snatch it away only for her to easily hold it further away from you. 

“It’d be a shame if I changed my mind about funding their protection. Stay in my care from now on.”

“What are you getting at–”

The phone began to ring. You frantically reached for it, willing to endure Ui Ui’s grip and graze the edge of the phone.

“Promise me, (Y/n).”

“I-I promise! Please!” 

With a nod, the arms holding you released, letting you stumble and wince as you answer the call. With your back to the two of them, they smiled at one another gazing at the uniform shirt that easily slipped off in your struggle for the phone. Mei Mei holds the cloth in her hands caressing the jeweled buttons, she knows you custom-made. 

“Ui Ui.”

“Yes Nee-Sama?” 

“Wash their uniform and give them the change of clothes we brought for them.”

“Of course Nee-Sama!”

She starts to make her way back to the computer, resuming her business with those on the other line. Turning her head over her shoulder she watched the way you fiddled with the plants in the hotel room while chatting excitedly on the phone. She smiled as she watched her brother eye the shirt with a deep blush.

“Oh, Ui Ui.”

“Yes, Nee-Sama?”

“Be sure to breathe in with both your nose and mouth. It’s less likely you’ll pass out that way.”

“Thank you Nee-Sama.”

Looking out at the city Mei Mei felt triumphant. She finally had her gem and with the world ending, it was the perfect time.

#yandere x reader #yandere x you #lovelyyandereaddictionpoint #yanderexrea #yandere #yanderes #yandere jujutsu kaisen #yandere jjk x reader #yandere jjk #yandere jujutsu kaisen x reader #yandere mei mei #platonic yandere mei mei #yandere ui ui #yandere mei mei and ui ui #yandere mei mei x reader #yandere harem

[cutielights]

AHHH UR HCS ARE SO FUN TO READ I LOVE!!!!! Could u do the rise boys w/ a s/o that’s super easy to impress and very expressive so it’s pretty easy to read their reactions to things? THANK YOU!!

TYSM LOVELY <333

Tw: none

Rise boys with an Expressive! S/O

Leo

Uses this opportunity every time it presents itself

And if it doesn’t he’ll make an opportunity

Skateboard stunts? Check

Ninja stunts? Check

All round awesomeness? Triple check

Genuinely adores the reactions he gets from you

Would die if anything happened to his sweet s/o

Always trying to think of something to top what he did last

Looking over his shoulder when doing something cool to see your reaction

Raph

He’d do something genuinely impressive and then when you have the appropriate reaction he’d downplay it

Raph, buddy, not everyone can lift a car with their bare hands

Or their mystic hands

Gives you a head tussle every time you applaud him

His heart- he can’t take it somebody call a doctor he’s getting diabetes

You’re just too sweet!

Trying and failing to not get flustered

Loves your reactions to things

Takes any opportunity to impress you

All round wholesomeness 11/10

Donnie

Oh he is overjoyed at praise we all know this

Immediately after finishing a project he’s on his phone to tell you to come over

Give him that praise

PLEASE

He worked so hard on this new tech

Loves seeing your eyes light up

Knows he did a good job

Until you ask him if he’s slept

Of course he did! The very fact that you merely suggest he do anything other than take care of his own health is simply preposterous!

Those bags tell you otherwise

Mikey

He’s showing you all his art

Cooking with you

Giving you tips

Loves those stars in your eyes

Obviously he’d return the affection!

Two sweethearts!

This would be such a healthy relationship I’m getting tooth rot from how sweet you guys are together!

Would try pulling off a really fancy cooking technique just for brownie points

Fails, but you’re still impressed at the effort!

That gets his motivation back up!

#donnie x reader #fanfic #head canon #rise donnie #rottmnt #rottmnt hc #rottmnt headcanons #rottmnt x reader #rottmnt x you #x reader #rottmnt mikey #rottmnt leo #rottmnt michelangelo #donatello x reader #raphael x reader #rise raph x reader #rise mikey x reader #rise leo x reader #rise raph x you #rise mikey #rise donnie x reader #rise of the tmnt #rise x reader #raph x reader #leonardo x reader #donnie headcanons #mikey x reader #rise headcanons #general headcanons #rise michelangelo x reader

[endlessdaydream]

I get it, live actions aren’t for everybody and that’s totally fine. Not everyone’s gonna like it. But to shit on the stupidest things, or draw the dumbest conclusions??? Blocked. Y’all look dense as fuck. Views will be mixed as they always are, quit clogging up the tags with your negativity and find some chill 😂 The originals are still there to watch or read and enjoy…so go do that…it’s literally on the same app 👏🏻 I’m trying to be understanding I am, but some of y’all are so damn hung up you’re letting it completely destroy something you’d otherwise enjoy

Anyways!! Here’s some of the stuff I loved from the atla live action!

•cinematography, soundtrack, costumes - all on point

•getting to see the airbenders flourishing!!! Also the dude who played Gyatso?! Didn’t think I could love him more!! Even though it was painful as FUCKKKK getting to see the first invasion of the fire benders was an epic masterpiece

•speaking of, the first scene?? With the earthbender soldiers in the fire nation?? Iconic

•Omashu: unpop opinion I’m sure (bc y’all hate change but simultaneously hate when it’s carbon copy????????🤦🏼‍♀️) I loved how they incorporated like 3 or 4 episodes into one, and they flowed really well together. Jet is FOINEEE. Mechanist was perfect & his son is a freaking badass, amazing casting! Even though it was change, the secret tunnel scenes were still really freaking cool and the badgermoles were SICK AS FUCK. Also I love that Bumi was still cooky but not just randomly cooky? Like mans was run down from being king basically the entire war…which FAIR. And it made sense that he was peeved with Aang BECAUSE they were such good friends. Like the other avatars being mad at him? Yea that’s whatever. But for Bumi it was kinda personal. Also CABBAGE MAN WE MISSED YOU 👏🏻👏🏻👏🏻 Oh! And the way they mentioned other episodes like they were lore when Zuko was trying to find Aang? That was an amazing way to tie back to the OG series

•I love how they incorporated the blue spirit, Koh, the fog of lost souls & parts of the ep where sokka and Katara got sick & Aang had to get them frogs - just reimagined it. Oh also Hei Bai! Yea, I loved that whole episode. Koh & Hei Bai were SCARY as fuck, it was awesome!!

•HAHN MY BELOVED…I ADORE YOU! Favorite character that they added/changed. Katara getting the other women involved in the battle?! Tui & La? The oasis?! 😭😭 stunning!!!! I also LOVEDDDDD Aangs avatar spirit that he turned into, literally perfect! And I loved the change that he gave himself over to the spirits wrath..fucking SICK. Also right before aang turned into the spirit/whatever that’s called, I was praying they’d do the line and thEY DIDDDD!!!

•Fire lord Ozai?? 😳😚 nothing needed to be said - perfection

•Kyoshi?! The Kyoshi warriors?! SUKI?! - speechless

•I like that they’re making more of a point to show how smart Sokka is! Mechanist calling him an engineer…I hope they play more into that! Ik they did a bit in the show with the subs (cartoon), but still

•”~hE rAn~” seriously my favorite line, I was DYINGGGG!!! The scenes with Zuko and Iroh, Zuko before the war meeting, the leaves from the vine being in the background at the funeral….ARE YOU FUCKING WITH ME?! Zuko’s crew being the crew he SAVED?! And when they find out they all do the fire nation bows to their prINCE?! 😭😭😭😭

I’m being fair y’all - things I don’t love/hope they change:

•this one I’m 50/50 on - I don’t love that they tried to give Kuruk a reason for disappearing. They tried to pull shit from Korra to make him look meaningful & not useless as an avatar and it didn’t hit for me

•some of the wigs: obviously we won’t see Yue again, but I wanted her hair to be white. I didn’t love the wig but it wouldn’t have been as bad for me if it wasn’t so grey. Also do NOT love Azula, Tylee or Mai’s hair. Ik they look just like the show but whether that’s wigs or their actual hair (I’m clueless) it needs some serious improvement. Azula’s looks great down, I just don’t like how big the side pieces are that frame her face when it’s up.

•Katara, my love, I am PRAYING part of your development is also going to be her becoming more outspoken and badass, bc this season we saw the tiniest of glimpses of it, not a fan (unless it’s a part of her development…she did grow up in a tiny ass tribe so I’m giving them the benefit of the doubt)

• IK they’re going with a much more serious Aang, but pleaseeeee give us some actual moments of him being a kid. We saw that like twice 😭

•Dante is the PERFECT ZUKO, I will hear NO slander. However, I need him to be more of a dick. I’m hoping we’ll get that when he gets super desolate when they’re on the run & then we have Zuko alone & he has his inner battle. I need snarky dickhead Zuko, so you can truly see the big differences between what he’s fighting (himself vs. who his dad wants him to be)

Have fun kids!

In case I haven’t made it clear, idgaf if you disagree. I go so hard for these live actions because it’s fun! It’s just supposed to be fun and different and new. If you get so serious about it you’re ALWAYS going to be disappointed, there’s no way around it bc nothing is ever going to be as good as the original book, the original show, the original tale. OG atla is ALWAYS gonna be the winner, nothing will compare! So sit back ~relax~ and find some joy in the little things

#also if I see anymore of you IDIOTS say Aang was flying in episode one? I’m gonna choke #atla #natla #Netflix atla #avatar #avatar the last airbender #netflix avatar #netflix avatar the last airbender #zuko #aang #katara #sokka #toph #uncle Iroh #northern water tribe #southern water tribe #kyoshi #kuruk #Roku #yangchen #monk gyatso #appa #kataang #zutara #azula #ty lee #Mai #fire lord ozai #momo #atla spoilers

[callsign-relic]

I loved part 2 so much!! The adorableness makes me grin like a fan girl. How you contrasted what is going on in their heads... one dark, any negative sign must obviously be betrayal... and tiny human reader is fretting over angles and shading and (holy crap Starscream stop moving) for the giant alien war mech 😍🫠

I didn't mean to ramble, I apologize, I just hope you know how awesome you are.

And if the offer still stands, and you think this is okay, I would love a part 3!! And I had an idea that you can totally use or not use, but what about stargazing?

Maybe reader brought a sleeping bag or maybe time just slipped away on a normal visit, idk, I was trying to go for soft bonding.

Idea or not, I'll seriously be happy with anything. Thank you!!! 😊

Wow, thank you so much!! I’m very happy you enjoyed that little series so far :D I’d be happy to make a part 3 for you! For those unfamiliar, here are parts one and two!

Hope you enjoy! I kind of got carried away with it so it’s a little longer than my usual fics, HAHA

Warnings: SFW, Fem!Human!Reader

There was something you had noticed during your frequent visits to Starscream’s hideaway.

For all of the mech’s boasting and shows of his own grandeur, all of his complaints and infuriated utterances when things didn’t go his way— if there was something that could always seem to get him to quiet down, it was the view from the top of the waterfall at night.

Only once had you stayed long enough to really notice. You were already on your way back to your home before sunset, but you had forgotten your bag. You turned back into the clearing, expecting to see Starscream there, only to find him perched atop the waterfall’s edge at the top of the mountain. He wore an expression you had never once seen before on him, and was gazing up into the sky.

And so, you resolved to really see it next time.

Starscream’s optics flicker as they catch the light of the setting sun, fierce in its final moments— as it always was, the seeker had learned from his time stowing away in earth’s wilds. He raises a clawed servo to shield his optics before casting his gaze down onto you.

You were doodling away in your sketchbook— as you usually did, when you didn’t know what else to do. For once, you were taking a break from drawing studies of your mechanical companion, instead examining a finch perched upon a tree branch not too far from the rock upon which you were sitting.

The little bird seemed to be in the midst of its preening ritual. With its sharp little beak, it dug into the pit between its torso and wing and tugged. It kept tugging at the same spot for a little while, until finally, it removed a bug from its otherwise well kept red and brown feathers. With a couple twitches of its head, the bug jittered around in its beak before disappearing into its mouth— a well earned reward after its hard work.

You felt this was the perfect scene to capture on paper. You quickly brought your pencil to the page, first getting the basic shapes down, as you usually did—

But something suddenly blocked the remaining orange light from overhead, and your sketchbook was too dark to look at. Had the sun set already? No, you could still see the faint hues of pink and orange from the corners of your eyes. Perhaps a passing cloud blotted out the sun?

The clearing of a throat pulls you out of your wandering daydream, and you lift your nose from the page to be met with a gray pede. Slowly, you crane your neck higher and higher until, scaling the length of a familiar mech’s frame- until you lock eyes with a pair of squinting, red optics.

You offer a crooked grin.

“Human,” Starscream begins, servos impatiently on his hips, “it is about time you start on your way home.”

Though your grin falls into more of a smile of ‘I tried,’ you nod. You close your sketchbook and grab your bag, stuffing it full of your art supplies and a spare grocery bag full of wrappers from snacks you had thankfully remembered to bring with you that day. As you begin packing up, Starscream gives a nod of his own and goes in the opposite direction as you— scooping the spare mechanical parts he often spent his time fiddling with into his arms before stepping into the forest line. He crouched down, removing a false bush from its place, revealing a worn hole in the ground. Then, one by one, he places the metal pieces into the hole.

Now was your chance. Aside from your travel bag filled with your usual materials, you hike a much larger backpack over your shoulders. You were lucky Starscream didn’t care enough to ask what you were doing with a new bag.

Rather than head out into the forest line— while the mech was distracted, you carefully backed up and away closer to the waterfall. In your exploring, you recalled there was a little alcove hidden behind the waterfall, and that would be your temporary base until Starscream returned to his perch atop the mountain.

Tucking behind the rushing water, you pull yourself inside just in time to see Starscream cover the hole with foliage once more, quickly picking himself up onto his pedes. Though the water makes it difficult to see, you can see the bright red of his optics shift about— he had been scanning the environment as night finally began to fall.

Once he was apparently satisfied, he left your field of vision from this angle. You could, however, continue to track him from the tremors his pedes left in the earth as he walked. Though the vibrations sent your instincts into a slight panic, all you had to do was breathe, you were used to it by now.

Eventually, the quakes fade, and when you hear one final shake run its way from the top of the mountain all the way down to you, you know Starscream has finally sat down.

Now was the time to make your move.

You slip your way out from behind the waterfall and begin your ascent up the mountain. Thankfully, it wasn’t that bad of a climb, really— just a steep incline. Though, you did have to take a couple of breaks along the way to catch your breath and take the weight of your backpack off your shoulders for a little bit.

Eventually, you take another few steps up onto the hill, and the back of the silver mech’s frame finally becomes visible to you. You duck your head instantly— you didn’t want to risk him catching you so early on. But, there he was, in that same position he always liked to seem to take.

One leg dangling off of the edge of the cliff, the other crossed onto his thigh, and his arms resting behind him as he gazed into the night sky.

With another breath, you gather your courage. You approach him.

You soon make it up beside one of his servos behind him and he doesn’t even notice you. You’re not sure how to get his attention without frightening him…

“Hey—“

A shrill screech cuts its way through the air, and while you flinch into yourself, Starscream raises his servos in defense— pedes scrambling in place as he looks around in a panic before finally landing his optics down onto you. The fear in his eyes quickly twists into fury, though his chassis pounds up and down all the same. He slams one servo down into the earth with a fierce growl, using his other servo to scoop you up in one fell swoop.

“You!” He shouts, “I told you to leave! What are you doing all the way up here?!”

While getting scooped up into the fist of a metal giant would typically send you into a bout of panic, you had enough experience with Starscream’s sudden flashes of anger that you could keep relatively calm. “Okay, I know you said to leave, but…!” You trail off, trying to determine whether or not it was worth lying to the mech’s whose hands your life was currently at the whims of.

With a sigh, you drop the eager attitude. “…a couple days ago, I saw you up here, looking up at the sky. I— I know you say you don’t care about company and that having people around you is more trouble than it’s worth, but…” your eyes drift to the scar under the mech’s right optic before you lock eyes with him once more. “…I feel like your problem is that you just haven’t met the right company yet.”

Starscream examines you for a long time. His fury has simmered down by now, though his faceplate remains twisted in pure suspicion.

“Correct me if I’m wrong,” you add. “Listen, I get if I crossed a boundary with you. I’ll leave if you want me to.”

Then, after another moment of scrutiny, Starscream lowers his servo back down to the floor— much to your surprise. You drop to your feet, nearly tumbling backwards from the weight of your backpack, but you manage to keep your balance enough to see the seeker staring at you with… stifled confusion. Though he appeared to be trying his best to hide his emotions from you, your eyes shifted to the side, catching his wings tilting themselves downward.

Quickly, he tears his gaze away from you. “Fine. If you don’t bother me, you can stay.”

You pump a fist quietly to yourself, all while giving him an earnest, “Thank you.” Finally, you remove your backpack from your shoulders, crouch down, and open the zipper to gaze into the contents within.

Your trusty sleeping bag.

You scoop the mass of fabric into your hands before dumping it onto the floor. You unravel the bundle into a much more usable form, lower the zipper—

“What are you doing?”

The sound of Starscream’s rough voice makes you jump in your spot just a bit. You turn around to see him staring at you with a raised optical ridge— perplexed.

You fully turn to face him and place your hands proudly on your hips. “I brought a sleeping bag,” you explain, gesturing a hand towards the bag. “It’s basically a bed that can travel with you, and you can use it to sleep in the wilderness. Another innovative human invention,” you wink.

The seeker’s confusion dissipates into disinterest. “Whatever keeps you busy,” he waves you off with a servo before turning to face the night sky again.

You shrug— you learned to never take Starscream’s comments to heart anymore. If he really didn’t want you there, he would have long since kicked you out by now. So, you drag your sleeping bag up beside the mech’s hand— Starscream lifting it out of reflex as you approach.

“No, you can stay there!” You assure him, fully unzipping your bag. “Uh, if you don’t mind me next to you, that is.”

The mech rolls his optics, shifting to the side to allow you some breathing room with a grumble. You offer a little chuckle as thanks as, at last, you slip into your sleeping bag, zipping it up to about halfway up your torso.

Then, you cast your gaze up into the stars.

The sparkling dots looked as though they were dancing gently in their places. While you couldn’t tell them very much apart, it was certainly a much better view here than from your apartment window. It was no wonder why Starscream liked the view so much.

“…hey, Starscream?” You try.

“What is it?” He replies in a low grumble, looking down at you from the corner of his eye.

“You said you were an alien, right?”

He huffs a pompous laugh, “A Cybertronian, yes.”

“So… is your planet up there somewhere?”

And you’re met with silence.

“Starscream?” You repeat.

“…yes,” he finally answers— though his tone is softer than you had ever heard from him before.

You shift from lying down to resting your weight onto your elbows behind you. “Is it visible from here?”

There’s another huff, but it’s more resigned this time. “No. Though I know its general location from this angle.”

You lean forwards, squinting— trying to get an idea of where Starscream had been looking just from the perspective of his head. But then, you suddenly pull yourself backwards as something slowly raises itself before you.

A single, dark navy servo.

You look between the hand and Starscream’s face for a moment, dumbfounded— but you decide to just take the chance and hop on. He wasn’t even looking at you, who knows how long this offer would last? Leaving your sleeping bag behind, you clamber into his palm, and the very moment you’re settled down is when Starscream raises you into the air, level with his chest.

With his free servo, he points northwest. “There. Just past that cluster of stars.”

You squint again, trying your best to follow his pointed digit. You wished you were more astronomically adept. “The… the group of seven or eight stars there, all bundled up against each other?”

Starscream nods. “There, thousands upon thousands of lightyears away, lies Cybertron.”

#relic writes #Transformers #Transformers x reader #Transformers prime #Transformers Prime x reader #TFP #TFP x reader #Starscream #Starscream x reader #TFP Starscream #TFP Starscream x reader

[bowsersfavprincess]

BOWSER X METALHEAD S/O

Contains: Fluff, gn reader, Bowser having a fat crush on the reader (ofc), Junior being a cutie patootie, Kamek not giving af, mention of potential imprisonment/death/kidnapping, bad words 🙀☠️

Sorry it took me so long to make another part but this pretty much goes with my last post (Although you don't have to read it to understand)

Bowser's a lonely guy, all he has is his makeshift family

Kamek, the Koopalings, and of course his son Junior

Which you'd think is a big family, but he still feels lonely

He longs for companionship

He craves the thought of marriage

Which is why Peach finds herself in his grasp so often

Junior obviously deserves a mother figure, and who better than the sweetest most beautiful Princess in all the land?

And although Bowser can't deny that Peach is something special, he finds himself thinking about how Peach sort of isn't his type

She's too uptight and prissy for him

He wants someone who he can be himself around, and they won't see him as a total monster

But he's convinced himself that no one like that exists, and that Peach would be the best option for a mother

Well he was convinced, until he met you

You had both been at a concert

Bowser's favorite heavy metal band at that

A band that happened to originate from the darklands

The band was entirely made out of Koopas, so the only fans were darkland creatures

Who would be dumb enough to travel to this deadly lava land and possibly be imprisoned forever just to see a rock band?

And it made sense, heavy metal was usually only enjoyed by the people of Bowser's kingdom

But there you were in the crowd, sticking out like a sore thumb

Easily noticeable

Though most of the Goombas, Koopas, Shy guys, and other creatures didn't seem to take notice or care

If you were any real threat King Bowser would easy spot you out and dispose of you

And oh, he spot you out alright

As soon as he sits in his big throne (which he has for all his concerts because he's 'The King of Awesomeness') he spots you immediately

'Kamek... who the hell is that?'

Kamek nudges him for swearing because Junior's standing by

The small Prince looks at his father with wide eyes

'Oops.. uh.. sorry Junior. But who is that?'

Kamek just shrugs

'I'm not sure sire, why don't you ask?'

'Wha- I can't just go up and ask!'

Bowser wonders why he's so nervous about asking

You're technically an intruder, and he could throw you in a pit of lava if he so wished

But that feeling in his stomach reminds him that he wouldn't

That jittery feeling of nervousness and excitement

He begrudgingly does what his advisor suggests, tapping you on the shoulder

You turn around to a tall King looming over you

His shadow engulfs you, but you aren't afraid

He seems puzzled at this

'Oh! You must be King Bowser. It's a pleasure to meet you, really.'

Now he's even more confused

A pleasure? To meet him? Surely you're joking

But that sweet innocent smile says otherwise

'I.. uh.. yeah. You too...'

He's at a bit of a loss for words, which never happens to him

Ever

He's trying to find something to say, to not just stand there staring awkwardly

'So uh.. you... like this band?'

You smile at him once again with genuine interest in the conversation

'Yup! This is my favorite band actually.'

Bowser can't help but smile too

'Huh... really? Wow, not a lot of uh... outsiders like this music..'

He quickly speaks again to make sure you're comfortable

'Not that you're not welcome of course! I won't uhh, throw you in lava or anything..'

He chuckles awkwardly, hoping that he won't scare this mysterious human away

You laugh too

'Oh that's alright, I'm not scared'

He stops, blankly staring

You're not scared

You're not scared of him

You're not frightened, visibly repulsed, you actually like the music here

Bowser just stares for a long while, absolutely dumbstruck

Then the buzz of speakers connecting is heard and he knows the concert will start soon

'Uh.. why don't you.. join me?'

He points to his elevated seats

'Best seats in the house'

He smiles awkwardly and is overjoyed once you accept

It's then you meet Junior and Kamek

Kamek isn't necessarily interested in you, you aren't a threat and Bowser seemingly enjoys your company

Junior however, could not be more interested

Some random human that his father brought back to sit in the royal spots with him

Some human who seems genuinely friendly

It's not something Junior is used to either

He doesn't get along with Mario at all, doesn't see Luigi much and well

Princess Peach doesn't necessarily like Junior

As much as she's sugary sweet on the outside, the idea of mothering a small version of her enemy doesn't quite appeal to her

And she's not exactly the best actress

But this random human seemed to have no problems with Junior

In fact they seemed as interested in Junior as he was in them

Bowser notices

'Oh, that's my son, Junior'

Junior just gives a small wave

Your eyes go wide and you smile at him

'Hello Junior'

You can't help but squeak with excitement looking at the shy koopa

'Oh, you look just like your father! I bet you're going to grow up and be big and strong just like him, huh?'

Junior's tail wags slightly

'Yeah! I'll be just like papa!!'

Bowser watches this scene with the most joy he's felt in years

Maybe... maybe he could stop pursuing Peach and kidnap someone else

No, he had a chance

It was slim, but much larger than the chance Peach was giving him

Which is none

He didn't have to force you, not yet

You weren't scared

You seemingly liked him and his son

Maybe he could actually get someone to love him

The real him

After the concert ends Bowser doesn't want you to leave

In fact he's a bit beside himself at the thought

Maybe he will have to kidnap you, make you stay

But you assure him that you'll be back

He doesn't believe it, not one bit

But then you take out a sharpie you had brought to get the bands autograph and write your number on his palm

Once again he's speechless

Maybe he has a chance at real love after all

We can fix him. Or make him worse 😈

I'll probably make a part two to this because I was going to do something entirely different but then accidentally made a whole story lol

Also how do you guys feel about Bowser x reader smut?? 🤔🥴 (Monster fuckers unite)

#bowser koopa #king bowser #super mario #super mario movie #bowser x reader #peach #bowser jr #kamek #bowser x peach #koopalings

[psychologeek]

Red Hood

DAY 24: "i'm doing this because i care about you" ALT 10: last man standing

[from Who am I (to disappear))]

Maybe he didn't think it through.

Possibly.

Just, you know, the tiniest bit.

Drugging all the baby heroes to sleep, using aerosol, was a brilliant idea. He'll give it to himself.

Also using his old codes.

Which, honestly? He didn't really think it would work.

Still: great execution. Pun might be intended.

Anyway.

Kid obviously still up in the kitchen, probably working on the post-mission report or some other bullshit.

( The best thing about being dead? No. Fucking. PAPERWORK .)

Sitting with a mug of coffee and

(Is that Zesty? The kid really mixes those poisons together? 

Nuh, of course he would. Like the sleepless workaholic bird he really is.)

They talk, and he already prepared some FUCKING AWESOME monolouge. Vicios and snob and all that. And he beats the kid. Bat won’t take it seriously otherwise. Kid fight as good as he gets.

And then there’s something—

( the worst part? he doesn’t even remember what )

and the Green is all he sees, and–

(No. The worst part is when he sees a bleeding head full of black hair. The worst part is seeing a body, lay down in the bottom of the staircase, as the blood spread around. The worst part is knowing that he did it. That he's just like that fucking clown.)

His alarm beeps. Someone’s trying to enter via Zeta-tube.

(He can’t help tha kid. 

Because it’s a goddamn kid, Jason. 

What’s wrong with you?)

He can’t help the kid, but maybe someone else could?

He release the block he put on the Tubes, and head to the transport room through the secret passage in the walls.

He can't even remember how he got back to Gotham. How he made it to the safehouse. 

All he knows is washing his hands in the rusted sink and staring at a shattered mirror he still sees the abyss and the monsters is inside, now, and his fist–

And everything is red, red, red round him.

Tag bc you may like: @envysparkler @shinekocreator @jasontoddsguns

#batman #my writing #jason todd #red hood #batfam #tim drake #robin #Jason's attack on Titan's tower #attack on Titan's tower #Titan's tower #guilt #whump #snarky jay #“i'm doing this because i care about you” #day 24 #febwhump #Febwhump2024 #ALT 10 #last man standing

[tokyo-tower-symbolism]

A Deep Dive of the Claudine-Maya Revue in the Movie, or why you really ought to read the fine print before signing a contract in tomato juice

So the Revues in Revue Starlight are a lot.

There is just so much packed into a few minutes. The sets! The fighting! The music! There’s just so much going on that you can’t completely process everything going on at once. And it’s absolutely awesome. The Revues look so amazing and feel so epic.

And sure it’s a lot, but we still get what’s happening. We saw the build up to each Revue, and we mostly know what’s going on in each of their heads. After all, it’s not just the stage that matters in the revues, but also the emotions going into it. For some, they’re worried about their future as a stage girl, whether or not they’ll be good enough to one day achieve their dreams. And for others, they’re worried about what graduation will mean for their relationships with each other as they each go on their separate paths. And as much as they try to hide it, these anxieties boil over in their Revues, forcing them to confront their deepest insecurities in front of the very person they tried so hard to hide it from.

But they’re never alone in these cases, they have their partner. Admittedly this usually doesn’t help at first since the only thing worse than one person catastrophizing over their future is two people catastrophizing over their futures. But still, they all manage to figure it out in the end together.

But Maya and Claudine aren’t insecure about the future. Both of them know that they’ll get into their dream troupe and neither of them seem too bothered about the fact that the two of them will be going their separate ways after High School.

So unlike every other Revue so far, which has been desperate and came from a place of hurt, the Revue of Soul starts off so much more lighthearted. The vibes are completely different from everything that came before in the movie. It feels like Maya and Claudine have nothing left to say to each other, that they are doing this Revue just for fun, it’s like a game to them.

But obviously it’s not just that, the two of them mean so much to each other! They’re just acting otherwise because of their pride, and once the two of them decide to drop all pretenses, they can finally have a proper Revue, where they put everything on the line just to understand each other.

And to see how we got here, I’m going to try to lay out everything going on with Claudine and Maya in the Movie that got us here. This is a part of a series of Deep Dives I’m doing for each of the Movie’s Revues, and while you can read this one without reading the others, I may make some references to themes and ideas that I brought up in the earlier Deep Dives, but I’ll do my best to give context if that ever happens.

So first I wanna talk about Maya at the start of the Movie.

She’s applying to the New National Theater Troupe, regarded as the world’s greatest theater company. She wants to use it to face even greater challenges there and go to the greatest stage.

And unlike Mahiru or Futaba who doubt their chances of getting in, Maya has no such concerns.

Her teacher even warns Maya that the lessons will be strict at New National because even she is already assuming that Maya will be accepted.

It should be noted though, that when her teacher sees her plans, she mentions that this troupe was what she expected from Maya, which leads into Maya’s self image thing we see later in the actual Revue.

Of course, that’s not to say that Maya is only applying to New National because that’s what people expect her to do. She’s genuinely excited. She’s constantly bragging about how cool and awesome New National is in the common room and on the train ride to New National. Seriously, in the scene in Common Room, she’s reading a book about them because she’s so excited to be going there and wants to share what she learned with all her friends!

Honestly she’s such a dork.

Speaking of friends, Maya has them now! She isn’t nearly as isolated as she was at the start of the series, back when Claudine was the only one to reach out to her. Before there would usually be shots with some line or other kind of separation between her and the rest of her classmates in the frame, but Nana’s taken that role now, so Maya gets to be smack dab in the middle of conversation now instead of lurking at the edge. And later at the kick off party, you can even see Maya talking to some people who weren’t in the Starlight cast! I guess after losing the Top Star position to Hikari, she seemed less untouchable and more approachable? Though I’m only saying that because Maya isn’t really trying to make more friends by being nicer. In fact, Maya isn’t really acting any different from how she did in the show.

Like sure, she lost the audition because Hikari and Karen Starlighted more than her and Claudine, but it’s not like they really shook her worldview. She even says to Claudine that she hasn’t lost. She had absolutely no reason to change in the time between the show and the movie. The only thing that changed is that people don’t see her as the untouchable top star anymore, just their friend who’s a little more skilled than they are.

Actually that might be because of Karen and Hikari beating her now that I think about it. I mean in the Revue of Pride, Maya was almost insulted by Karen’s idea that she could shine together with Hikari. After all, Maya talked about how the top star had to stand alone and what she had to give up to be the top star, and it everytime it would cut to a shot of Claudine.

But after losing to them, maybe Maya softened up on this position. She realized she doesn’t need to stand apart from everyone else in order to shine, and that maybe she should reach out to others more, just like Karen and Hikari did to shine together. So that’s why she comforts Claudine after their loss, and that’s why she decides to get closer to everyone else after the auditions.

But while she’s not nearly as distant as before, there’s still a gulf separating her and her classmates. She’s still on a last name basis with most of them, and there are some visuals separating her from Futaba and Mahiru, like the metal bar separating them on the train, or how Mahiru and Futaba mimic the poster on their left while Maya mimics the poster to her right.

But for a more distinct moment of separation, take a look at when Kaoruko brought up the anniversary of the auditions. No one else knows what she’s talking about when she mentions the date, except for Maya, who coolly answers her. And while everyone is kinda shocked that Kaoruko would actually want to go through that again because last year's auditions are kinda a terrible system and everyone moved on, it’s important to note that they all did forget the date and are way more surprised than Maya that Kaoruko would even consider wanting to be the top star of those auditions.

Kaoruko claims that everyone’s indifference to the anniversary is actually because they all gave up on becoming the top star. And like obviously Kaoruko is just lashing out here, she admits it to Claudine later, but there’s a grain of truth in how no one was seriously thinking about being the top star anymore, or about their next stage before the Revue of Annihilation.

Except for Maya.

So now let’s take a look at Claudine.

Because of her performance in the 100th Starlight, Claudine was scouted by a Theatre du Flamme, a prestigious troupe in France that could rival New National in fame. It’s an honor and it’s her passion and she wants to put herself up to the challenge, all that stuff is that’s important, yes, but what I want to point out is that she isn’t going to New National with Maya! It’s not even her second choice! She has no plans to compete on the same stage as Maya after they graduate!

Earlier I said Maya didn’t change much from the show, but Claudine definitely has.

Claudine has this thing in the show where she’s cool, calm, and collected most of the time. She’s very wise, easy to get along with, and supportive of all her friends. Basically the perfect stage girl. However all of that goes out the window the moment Tendo Maya comes into the room. Literally the moment Maya enters her line of sight, she goes completely feral and will devote 100% of her energy on trying to beat Maya. And since she’s always in the same scenes as Maya, we see this mode like 90% of the time.

It’s hilarious and wonderful.

But this stops after their mutual loss to Karen and Hikari, when Maya takes a moment to let Claudine know that she respects her, that Maya also needs Claudine, and that Claudine doesn’t need to try so hard to get Maya to acknowledge her.

So basically during the first part of the movie, Claudine knows that she doesn’t need to work so hard to prove herself to Maya, so she can be her usual cool and collected self around Maya.

But despite that, the two of them don’t really talk. Even though the two of them affirmed that they need each other and they make each other soar higher, their only interaction before the Revue of Annihilation is on the Train to New National, when Claudine teases Maya because she overheard Claudine say her name while talking to Junna. This would never happen in the show when Claudine was always desperate for Maya’s attention, but now Maya is the one hanging onto Claudine’s words.

Instead, Claudine focuses her attention on everyone else, which is necessary since they have a lot of baggage.

Mahiru confides in Claudine about her uneasiness about her chances of getting into New National. Kaoruko admits that she’s the most useless of them all only when Claudine confronts her. Claudine is the one who pushes Junna to aim higher in her future plans. And Claudine is the one who recommended Futaba to try and audition for New National.

Anyways you may notice that Claudine doesn’t have a moment with Karen, Hikari, Maya, or Nana. That is for various valid reasons, like Hikari being in London, but from a meta perspective it’s because Claudine has lost to all of them in a Revue at some point. So basically, Claudine is giving advice to everyone as a top star, and she’d be unqualified if she tried to advise the other four.

Anyways I want to take a moment to talk about the differences between Claudine and Maya’s philosophy on the Top Star’s duty to her costars. Maya uses herself as an example of what a top star should be, and expects others to emulate her. Meanwhile, Claudine takes a much more direct approach with helping her friends become the top star.

We saw this in the show with how Claudine helped Futaba practice, while Maya instead advised Kaoruko on how the leader has a duty to be a goal to the follower. Or how when Maya beats Karen, she leaves Karen at the bottom and shines alone at the top. And this is juxtaposed with Claudine beating Futaba simultaneously, but Claudine actually holds out a hand to help Futaba up.

Actually Claudine really only helps Futaba in the show, now that I think about it…

Whatever, we can assume that this attitude would extend to any of her friends had they reached out and asked for help like Futaba.

And now I want to talk about the purpose of Maya and Claudine in the show.

So basically Maya is the perfect top star. She can dance, sing, and act better than everyone else there. Her first scene in the show literally had her claiming position zero uncontested. She is the person they all aspire to be in their pursuit to be a star. It sounds a bit dramatic, but that was her role in Revue Starlight. If Karen and Hikari wanted to topple the top star system, they’d have to defeat Maya, who represented everything both great and wrong about it.

Claudine meanwhile, is representative of the other part of the top star system, the ones who aren’t the top star. She competes with the Top Star, in hopes of taking the spotlight for herself. But despite that, only one person stands alone at the top, so when Claudine is passed over, she needs to take a supportive role and kill her ego in the actual play. And while this is some impressive compartmentalization on her end, Claudine still insists that she hasn’t lost, and continues to challenge Maya despite her many losses. Claudine is what Karen or Hikari would have to be if the other managed to be the top star. But despite that, Karen and Hikari don’t want to fight each other in the show. Hikari goes out of her way multiple times to keep Karen out of the Revues, and Karen wants to shine together with Hikari.

So Maya and Claudine are what Karen and Hikari need to overcome to make their own Starlight. Actually, Maya and Claudine are representative of the 99th Starlight too, the past that Nana tried to protect.

But for everyone else, Maya is the goal that they’re all striving for. She has that je ne sais quoi a star needs, but just seeing the end goal isn’t enough for the rest of them. They don’t get to see how she got there, so they themselves don’t know how to get there. It’s like looking at the answer for a physics question without knowing the formula. And that’s where Claudine comes in. She’s constantly competing with Maya, never letting setbacks keep her down for long. She’s constantly practicing and never satisfied, she doesn’t rest on her past glory. She’s the person closest to becoming like Tendo Maya, to becoming the Top Star.

If a stage girl wants to be like Tendo Maya, first they have to be like Saijo Claudine.

Anyways, that’s what it was like in the show. But if you take a look at Claudine’s advice in the movie, she tends to have a recurring piece of wisdom: That Maya ain’t shit actually.

It sounds a bit rude when I say it like that, but it’s actually supposed to be inspiring.

In the laundry room with Mahiru, Claudine tells her that everyone’s like freshmen, and that if she gets into New National, Mahiru will be too. But following that logic, Maya will also be a freshman, and in the same position as Mahiru, so Mahiru really shouldn’t be that worried, since she’ll be on the same level as Maya. And on the train, when Junna says that she doesn’t think she could measure up to Claudine or Maya right now, Claudine tells Junna that she can be just as good as Maya. And consider what Claudine told Futaba, “If it’s you, you’ll get in.” That’s basically what people said about Maya applying to New National.

And that means a lot considering not too long ago, Claudine thought Maya was just so good that she couldn’t lose to anyone! And when she did lose, Claudine blamed herself instead, because Tendo Maya can’t lose.

But now she’s helping her classmates who are feeling that same insecurity she felt last year, that she couldn’t compare to Maya, and she’s telling them that it’s actually just in their head. That they can be just as good as Maya so long as they don’t think of her as anything special, because otherwise they’d be limiting themselves to Maya’s shadow.

So unlike everyone else, Claudine and Maya are doing fine, more or less. Like yeah it’s a stressful period of transition for all of them as they plan for their futures after High School, but Claudine and Maya seem to have it mostly figured out. If anything, they’re the reliable ones who everyone else goes to for guidance.

So maybe that’s why the two of them take the lead in the Revue of Annihilation against Nana.

When everyone gets put in a surprise Revue with Nana, Claudine and Maya do not get blinded by the stage lights and are the first ones to get their bearings and attack her as she makes her way across the train. And it’s worth noting that they’re the only pair who’s in sync, but that doesn’t really mean much considering the only other pair on the same side is Futaba and Kaoruko, and they’re going through a rough patch. But then again everyone else is also going through a rough patch at this point, so my point stands.

That’s kinda why they’re doing this Revue.

This Revue is supposed to be a wake up call for all of them. Nana knows that they’ll all die as stage girls with their current half hearted conviction, but none of them can see it. They’ve all stagnated and got comfortable, and as a result are dying. So when they fight a stage girl who is actually motivated, they crumple. They’re no match for Nana as they are now.

In the show, Nana always wanted to protect them, and she still is trying to guide them during the Revue of Annihilation. She still has that same brilliance, but no one else has the same motivation they had during the show. Mahiru, Junna, and Futaba don’t even think they can get into New National, which is a far cry from the stage girls who once attempted to beat Tendo Maya and become the Top Star. They’re all scared of the future and gave up on becoming the top star, like Kaoruko accused earlier. And just like Kaoruko said before, she’s the most useless of them all when it comes to that.

And with every clasp she cuts, Nana makes them come to terms with that ugly truth they were ignoring.

But Claudine and Maya aren’t scared of the future. They’re confident they’ll make their dream troupes. Unlike Junna or Mahiru or Futaba, they were in the world of Theater even before High School, and they’re confident they’ll continue for the future too.

So that clarity is why the train leaves the darkened tunnel that Nana defeated everyone else in. And while the train goes through the city, Nana repeats her line from the start of the Revue, that the train will go to the next station without fail. But what about the stage? What about us?

In a literal sense, the next station for the Train is New National, but I’m pretty sure it’s a metaphor for the unstoppable marching on of time. After all, New National is going to be the next stage for a good chunk of them. So Nana’s essentially asking them whether they are prepared to move onto the future. And along with that, will the stage be in their future? Will they decide to live on stage?

But that took me a while to figure out. Like I had to sit down and think about what Nana was saying, and then pick up seemingly inconsequential lines by Mahiru and Claudine much later in the movie. Do you really think I understood that the first time I saw this movie? It’s way too cryptic. Literally how the fuck is anyone supposed to understand that in the middle of a Revue.

But Claudine gets me. She has no clue what’s going on either. She’s just like me for real.

But Maya isn’t a plebeian like me and Claudine. She’s the top star. Obviously she understands exactly what Nana means. This is Tendo Maya, after all. She has never not taken the stage seriously. From the moment she entered Seisho, she already knew what her future was going to be and unlike everyone else, she never had a big shock to shake that resolve.

She’s constantly giving 100% to be the ideal top star and won’t ever stop, so as long as the stage and audience will have her, she is already on stage. Both the stage and herself will be at the next station. She decided long ago to live on stage.

Despite Nana’s worries, Maya will never die as a stage girl.

And that’s the difference between Maya and the rest of her classmates. That’s why Maya is illuminated by moonlight, but everyone else gets cast in the shadows by the tunnel. Because Maya has no doubts that she wants to be a stage girl, she is the only one shining.

Anyways, Claudine continues to be the audience surrogate since she still has literally no clue what Maya and Nana are talking about, which is fair. In what world does any of this exchange make sense? I guess I explained it a little earlier, but literally how is someone supposed to understand this on their first watch? They are speaking complete nonsense. This sounds like a code that a spy agency would make their undercover agents in enemy territory say before handing them classified documents.

This feeling of alienation continues for Claudine as Maya and Nana approach each other in sync, while Claudine is still stuck in place. And despite her calling their names, the two of them continue in their little world without Claudine.

And this infuriates Claudine. After all, the only reason she’s been on her best behavior recently is because she reached an understanding with Maya that they were rivals who respected each other’s skills. And now Nana and Maya, but mostly Maya, are leaving her behind? That’s completely unacceptable.

So it reignites that competitive anger that Claudine had in the show, and she charges at Nana with that same drive to win that she had during the auditions. This is the energy that Claudine had when she was constantly chasing Maya in the show, when she gave it her all. But this means that Claudine hasn’t been giving it her all since the show ended. She’s stagnated as well, since she’s no longer forcing herself to improve, and instead resting on her laurels after getting Maya to acknowledge her. And that’s not enough to stay alive as a stage girl.

Plus, if the only reason she could reawaken her previous radiance was because she wanted to prove herself to Maya and Nana, but mostly Maya, and they’ll all be going their separate ways after High School, can you she really say she’s prepared for the future where she’ll be on her own? It’s not like the two of them will be able to compete like they did at Seisho when they’re halfway across the world from each other.

So while Nana has nothing to say to Maya, who doesn’t actually need her wake up call, she can tell Claudine that she’s being a bit too talkative. And that’s also why Nana can easily slice off Claudine’s button and move on to lock swords with Maya.

But as I said, Maya is already resolved to stand on stage, so Nana can’t actually beat her, so she doesn’t. So by defeating Claudine, Nana achieved everything she needed, so that’s why the cloak falling matches time with Nana reaching Position Zero.

And that’s it. Nana tries to act out a scene with Junna, but they’re all so dead as stage girls that none of them can continue the scene. Blood Tomato Juice rains down on them to add insult to injury, and they’re all so consumed in their own problems they don’t even realize it’s fake.

Except Maya of course, who is the only one with a complete view of the stage currently and can clearly see it’s just stage equipment. And she takes charge, telling them this fact.

But even though Nana has forced them to confront their own failings during this Revue, it will be up to them to work past it.

Which is where Seisho’s 101st Starlight Kick Off Party comes in!

The scene starts off with shots of all their other classmates having fun and it’s brightly lit, but then we cycle through the losers of the Revue, and they’re all alone and in the dark. It’s a visual metaphor.

We then get to Tendo Maya and unlike everyone else she’s not alone, since she’s talking with some other students, and she's actually in a well lit area! Nana didn’t give Maya anything to think about, she can just enjoy this party all carefree like the rest of their classmates.

Unlike Claudine, who is malding and watching Maya through the window and wondering why only Maya managed to not lose. At least, I’m guessing that’s what Claudine means since she never actually finished her question of “why is only she…”. But I’m probably not too far off since Claudine takes a look at her phone which has Nana’s question from earlier that only Maya could answer.

Anyways, I think it's interesting that Claudine gravitated towards the practice room, because that’s the same place she went after she first lost to Maya in the auditions.

Claudine took that loss pretty hard. She missed her morning classes and she kind of just lost all her confidence. And then after class, she tries to practice there, but keeps messing up. It’s only after aggressively dancing there with Futaba, who came to check up on her, that Claudine breaks out of that funk and regains her usual spark.

But the practice room is also where Claudine managed to understand Maya. In episode 4, when Maya and Claudine are practicing there, Claudine asks her why Maya’s participating in the auditions to become the top star when she’s already the top star anyways. That’s like a millionaire entering the lottery, it feels kinda pointless. But then Maya tells Claudine that she’s in the auditions because she wants to be the only top star and doesn’t want to see anyone else take what’s hers, which fits into my millionaire analogy pretty well. And at this moment, Claudine understands that Maya’s just really greedy, which does come into play later in their Revue.

So I’m wondering if Claudine is in this darkened room because it’s where she regained her confidence last time, or because it is where she managed to understand Maya, and wants to again.

Either that or she just spends a lot of time in the practice room, so a bunch of important moments happen here all the time since where else would they occur? She’s always there!

Anyways, back to the kick off party, the script is unfinished, just like their futures. So the director gets on stage and after rupturing everyone’s eardrums by screaming into a megaphone, she tells everyone that she’s scared. That this is going to be their final performance at Seisho and she doesn’t know what their next play will be like, if it will be better than everything they’ve done before. Just like the anxieties about the future that everyone has. But she doesn’t want to stop. She wants to do one last show with everyone.

And the scriptwriter apologizes for not being able to finish, but instead she gets an outpouring of support from her classmates, who love what she did so far and are willing to help her out.

This is just like the stage girls who are also scared of their future, but just like everyone else here, also have each other.

This moment is a turning point for the losers after the Revue of Annihilation.

Once they erect the Starlight Tower prop for the next Starlight play, Maya repeats her line from the train, that she is already on stage, only this time instead of saying I, she says we. None of them would lose to Nana on the train again at this point. They’ve learned their lesson. They’re got renewed determination to live on as stage girls, and even if they’re not there yet, there is someone out there who can help them on their journey.

Nana tells them that the time for snacks is over, and the stage girls need to hunger for a new stage, because that’s what a stage girl is, and asks if that’s true for all of them. She’s putting into words the implicit question she had on the train.

Do they want to continue being stage girls in the future? Well, stage women I guess after they reach a certain age, but then again stage girl is a state of mind so whatever.

And Claudine answers that she’s already on the stage, the same answer Maya gave before, so yeah, she does.

She also finds the answer to her question earlier in the practice room for “why only she…” since Claudine says “So that’s why only she...” while watching Maya perform.

Wish she’d share the answer with the rest of the class though. Or even the question. Seriously.

Anyways, they get back on the train and face their dead stage girl selves. We can tell they’re dead because they have no cloak and are lying motionless on the floor, but also because we quite literally see a dead stage girl later, when Karen refuses to act because she has nothing after Starlight and ends up in a similar state.

These are stage girls with no next stage, no future. And judging by the fact they aren’t wearing shoes, which is characteristic of suicide in Japan, this means these stage girls who chose to die. They didn’t decide to continue to live on stage.

While looking at her dead body, Claudine decides that she’ll get back on stage again. Despite her loss, she choosing to continue acting, just like when she first lost to Maya in the auditions. She’ll have to work hard to become her own ideal top star, but she’s going to do it, so she can’t give up here.

This isn't what Maya does. Unlike Claudine and everyone else, Maya doesn’t even consider looking at her self as a dead stage girl. Because Maya has known her entire life what she’s going to do, she has never considered stepping off of the stage. That’s why she doesn’t even bother to look at it, instead looking at the giraffe, the stand in for the audience, the stage, or whatever other concept it symbolizes that day.

Also it’s interesting that when Junna asks what they need to put an end to, Maya answers “to greed.” She also says “to brutality”, but the greed thing feels more impactful considering Claudine understood that Maya was just a greedy person back in episode 4. Anyways, Maya says they need to do that to continue acting on stage and to get to the next stage, which shows that even she isn’t ready to move onto the next stage, as she thinks she has to strip away some of her uglier emotions to get to her next stage.

Anyways, from the giraffe rolls a tomato that Maya picks up. Because he’s made of vegetables and other fruits now. And no one questions it.

Please someone question this.

They questioned the talking giraffe so much in the show, but literally no one has anything to say about this.

As the giraffe says, he is their food, their fuel. This ties into the original auditions from the show, but there the fuel was each other and it was used to get the top star to their stage of destiny. But in the upcoming Revues, they aren’t fighting to be the top star. They are fighting because as stage girls, they need to hunger for a new stage, like Nana said.

So by eating the tomato that comes from the giraffe, they are choosing to continue being a stage girl. And by repeating Maya’s answer, that they are already on stage, they have grown past the versions of themselves that lost to Nana.

And then we get three whole Revues plus scenes of Karen’s past and Hikari’s journey before getting to the actual topic of this essay. I wouldn’t blame you for forgetting what’s going on with Maya and Claudine before we check back on them.

Although We see Claudine for a little bit, since she has a little cameo in the Revue of Resentment, which was nice. But like, why? Literally no one else ever takes part in anyone else’s Revue. What is she doing here?

I mean I guess it fits into her philosophy with her classmates, where she gets involved in everyone else’s business whether they like it or not. Although we never really got to see that in the show because Maya was on her mind like 95% of the time. Maya’s probably not on her mind right now though, since she’s smug once more, so clearly she got over whatever happened on the train and is confident again, just like at the start of the movie.

Also would you look at that? Some unattended, extra Star Buttons. I wonder if those will ever be used in the future?

But before we get to the Revue of Soul, I want to take a moment to reflect on how all the other ones started. Futaba burst into the scene while Kaoruko was challenging Claudine. Hikari ran into the stage looking for Karen but instead got Mahiru. And Junna was blindsided by Nana forcing her to commit seppuku. What I’m trying to say is that none of the Revues have started with both participants on the same page. And once they do meet up, they immediately start performing because they can’t contain themselves any longer.

Which is why it’s a shock when we get to Maya and Claudine, who are backstage and playing a kids game of Shoji before their revue. They’ve quite literally hung their cloaks up and are just vibing before the show.

And in a reversal of their usual positions, Claudine beats Maya. Maya hasn’t even won once, but she insists that next time she will, just like what Claudine usually says.

Anyways, the lighthearted conversation they have about Maya sucking at Shoji segues into Claudine monologuing about her own failings as a stage girl. Like Maya, Claudine also decided the stage was going to be her way of life long ago. But if that were true, then Claudine shouldn’t have lost to Nana, she should have stayed undefeated like Maya.

But she was so focused on her stage with Maya that she didn’t consider the next stage. And once Maya acknowledged her, Claudine got satisfied with just that, and as a result lost that drive that made her an amazing stage girl in the show, and started decaying because of that. After all, if Claudine was so easily satisfied, she would never be able to grow as a stage girl in the future.

So that’s why Claudine wants to put an end to it with Maya here.

Claudine will be reborn. She will no longer chase Maya. She will find her next stage on her own.

And Maya’s shocked by this. She likes it when Claudine chases her. But Maya knows that she needs to get rid of her own greed if she wants to continue to the next stage, and Claudine needs to do this to get to her own next stage, as unfortunate for Maya that may be.

So despite her probably mixed feelings, she welcomes Claudine to the stage, seeing as they’ve both resolved to continue being stage girls, and that’s what the top star ought to do, right? Inspire everyone else so that they too can one day make it to her level, and Claudine did exactly that.

But that kind of leaves the issue of what Maya and Claudine are doing here.

After all, Claudine just got to the conclusion that it took most of them a Revue to get to. Kaoruko and Futaba, Hikari and Mahiru, Junna and Nana, each of them ended their Revues by cheering each other on as they went their separate ways. And Maya and Claudine just went through that emotional rollercoaster entirely backstage and off screen.

When they perform, the stage girls put everything out on stage. It’s a moment of complete honesty where they reveal all their insecurities and hidden feelings that they avoid in their daily lives. Sure the movie complicates this by adding portions where the stage girls play different characters, but in the end there's nothing but them left.

And it's because of this that they can help each other get ready for the future. Only by laying out their issues could they even begin to ask for help. Kaoruko’s pain over Futaba leaving her, Futaba’s insecurities about her own ability compared to Kaoruko, Mahiru’s fear that she won’t act well, Hikari’s constant escaping from her costars, Junna’s lack of self confidence, and Nana’s longing for a Junna that no longer exists.

But it was because of the Revues that the other person could help support them. Kaoruko understood that Futaba would eventually come back, Futaba got to be the selfish one for once and ignore Kaoruko’s feelings, Mahiru received validation as Hikari’s rival and as an actress, Hikari stopped running away and could properly face Karen, Junna found a new resolve, and Nana got to see Junna shine again.

So what’s the point of this upcoming Revue? Everyone else needed their revues so they could come to some conclusion about their future as a stage girl, but Claudine and Maya are good now. Like sure, Claudine lost in the Revue of Annihilation, yeah, but she figured out what she was doing wrong and corrected herself. And Maya never needed any help with her future as a stage girl in the first place.

Just like the animal shoji, this upcoming Revue is just a game for them. A way to pass time rather than anything personal. There’s no need for the vulnerability we saw before. And it’s all just so antithetical to every Revue we’ve seen so far.

Obviously that’s not going to be true for very long. It’s these two overdramatic losers we’re talking about after all.

So yeah, let’s get to the actual Revue now.

I know the Revues are all about acting, but this one is literally a play. Like when we hear the buzzer that starts the auditions, the curtain rises and it literally says Act I.

Not to mention, there’s an audience too! Everyone who finished their Revues is watching what’s going on.

And then we see our players, Maya and Claudine, or rather the stage person and the devil, because they are playing characters. Specifically characters from Faust, with Maya playing the eponymous Faust and Claudine playing Mephistopheles.

In the previous Revues, you could tell when a character is performing because they are wearing a costume instead of their Revue Outfit, and that’s true even here. Although they are wearing buttons that tie up their cloaks, their weapons are different from usual, and Claudine is speaking in a much lower register.

But while a good chunk of the current scene is superficial, it doesn’t mean it’s meaningless.

The frame next to Maya displays the golden bird from the Revue of Pride, the symbol of her dominance as a top star. In the Revue of Pride, Maya showed the difference between her and Karen, as no matter how hard she tried, she couldn’t reach Maya’s level. Everything she did was futile as both the stage and Maya stopped Karen from getting any closer to the bird and the top.

Karen may have managed to win her previous Revues, but she still had a far way to go if she ever wanted to be the top star. And as Karen watched from the bottom of the stairs, you can hear Maya singing about how this is her pride.

That bird is the symbol of all her work to become a top star that no one else could reach.

Meanwhile the frame near Claudine contains the contract that will become very important later on, not that the first time viewer will notice that. But basically, that contract is Claudine’s promise to show Maya a brilliance that she’s never seen before, essentially that Claudine will beat Maya. Which if you think about it, is the exact same as her always saying that she hasn’t lost. She’ll win next time.

Essentially, that contract is the materialization of everything that kept her going as a stage girl despite her many, many losses to Maya.

And it’s no accident that these two meaningful props are framed similarly. Claudine and Maya act like this is just a game to them, but it’s really not. The two of them are too important to each other to let their final goodbye be so meaningless.

Plus, Picture frames will become an important motif as the Revue goes on, and actually you can see a ton of frames at the top of the stage before the light turns on for this Revue.

Anyways, similarly to her role in the gambling house from the Revue of Resentment, Claudine makes a bet with Maya: That if Claudine can show Maya a brilliance she has never seen before, Claudine can win Maya’s soul. And to show this, she steals the bird from Maya’s painting, which is basically a declaration of war when you consider what it meant in the Revue of Pride. But I guess here it’s Maya’s soul?

Undaunted, Maya accepts her offer and signs the contract in blood tomato juice with a T for Tendo, establishing the bet.

And I mentioned that whatever is in the frames is important to them, so I just think it’s a neat visual detail of how much the two of them affected each other by physically changing these symbols.

With the bet established, the stage responds to the two of them, changing the set and starting Act II of the play. It’s titled the Black Tragedy, or the Colorless Desire of the Stage Person. Black refers to Claudine, since her nickname Kuro means black in Japanese, and she’s gonna suffer a pretty big loss in a bit, or that she’s going to be the tragedy that awaits Maya later, I guess. And the Colorless Desire of the Stage Person hints at Maya’s ideal of a top star, as in one that’s empty.

Anyways, the two of them spar for a bit, but it’s not an actual Revue Fight. They are using different weapons from usual, since neither of them have the gem that shines with a stage girl’s passion. And if you listen to the song, you can hear Claudine and Maya refer to each other as Devil and Stage Person, meaning these are just lines in the play for their characters. Plus we see Claudine hide in the shadows using a bunch of demon cut outs as a distraction, which isn’t exactly how Saijo “How dare you look away from me in the Middle of a Revue” Claudine would usually fight.

But then again, seeing the misdirection she pulls off later in the Revue, maybe she has recently adopted a bit of trickery into her arsenal.

Again though, I want to stress that this is like a game to them. They’re saying cheers in French and talking about making a wager. They’re playing. They’re having fun in this Revue. They like competing against each other. Earlier I asked what’s the purpose of this Revue, and the reason is because they want to do a Revue with each other. And you know what? I’m enjoying it too.

Fuck it, I ship them, I’ve even written fanfiction of them. I like it when they’re happy together. Plus it’s a nice change of pace to not have to deal with any heavy emotions for a bit considering we just went through three very emotionally charged Revues and snippets of Karen’s really lonely backstory.

But neither Maya nor Claudine are content to let their final goodbye just be a play that anyone could perform.

As the battle draws to an end, three artworks in those recurring frames descend from the ceiling, and they depict the stage person Maya triumphant, the devil Claudine defeated, and a discarded star clasp.

And while Claudine and Maya ignore it, it might seem familiar to the viewer because the poses and the position of the paintings match the scene at the end of episode 2, where Maya beat Claudine in an audition.

This is because Maya, as the artist we see later, is asserting their history through the play. Despite the two acknowledging each other as equals, Claudine has still never beaten Maya, and they both know that. Maya has always been one step ahead of Claudine.

Back in the play, Claudine shouts at Maya to give her the soul and thrusts her sword forward, but only ends up skewering her hat with Maya nowhere to be seen. And the framing of the scene makes the hat cover the painting behind it with the button, as though Claudine had stabbed the button.

That’s because Claudine should have won here.

In the story of Faust, Mephistopheles does end up taking his soul. It’s a tragedy, so the main character loses. If they were properly acting this play out, Claudine would have won here. So had she been fighting anyone other than Tendo Maya, she would have cut her opponent’s clasp off here.

The show should have ended. You can hear canned applause from the audience, but Maya has disappeared, so something’s up.

We eventually find Maya in the audience, who is clapping along with the empty audience for a show well done.

And then Maya brings up Rivals.

Now, Faust and Mephistopheles are not rivals. Mephistopheles is so much more powerful than a mere human, he’s just lending Faust his powers so he can eventually drag him to hell. They are not equals. Meaning Maya isn’t acting anymore, she’s talking about herself and Claudine now. She’s finished with her performance.

Anyways that little laugh Maya did before saying rivals pissed Claudine off because she thinks Maya is mocking her, so she asks what’s so funny about that. Again, showing Claudine’s insecurity about actually being equal to Maya. We saw this on the train when she was out of the loop with Maya and Nana, and we see this again here, showing that maybe Claudine still craves Maya’s approval.

But the one hole in that theory is that Claudine is still acting here.

Although, there is a moment of genuine surprise in her own voice when she sees Maya, that doesn’t last for very long.

But even though they’re talking about themselves now, Claudine’s voice is still much lower than usual. Plus she’ll continue using the masculine pronoun for I (ore) that the devil uses instead of her usual feminine I (watashi).

By the way, don’t expect any more analysis of the actual Japanese wordings from me ever again. I don’t know the language at all and the very little I do know comes from Anime, so that’s like net negative knowledge actually.

Anyways, back from my tangent, Maya elaborates that Claudine has been doing a very good job at playing the role of a rival who chases after her, which pisses off Claudine even more because what the fuck does Maya mean role? It’s not a role, she is Maya’s rival.

And Maya doesn’t disagree. As we see later, she sees role and one's self as the same. She’s always performing, doing what’s expected of her as a top star. So in a weird way, Maya simultaneously thinks that Claudine is her rival and that Claudine did a very good job at playing the role of her rival. It’s confusing. And Maya tries to explain this, talking about the real role she must perform, the ultimate stage person.

Earlier I mentioned that Maya going to New National was expected of her, and here we hear the other expectations she’s been given, as a thoroughbred, because both of her parents are in theater, but also as a genius. But instead of feeling pressured, Maya embraced these titles.

That’s why her advice to Kaoruko back in episode 6 was that she ought to meet the lofty ideal that Futaba set for her. The sense of duty to always be the very best you can be. In fact, Maya wants to go beyond the expectation that everyone else set for her, aiming for an even more impossible goal that only she could achieve.

But that’s just Maya’s perspective. I’m sure it sounds very grand to her and us at this point, but I doubt Claudine would be very impressed by this goal. And this is all speculation on my end, but I want to rewind to what Maya’s said earlier, when Maya talks about how people called her a thoroughbred and a genius.

And like, Claudine knows that. That was the whole reason she approached Maya when they first met at the entrance exam, because Maya was called those exact same words. But Claudine was pretty famous too. She was called “genius child actor” and “future top star”. And she got ahead of herself because of that. And as Claudine says in episode 10, she was so lame because of that overinflated ego. But when Maya kept beating her, that brought her back down to earth and forced her to be reborn as someone humbler and harder working.

So basically, what I’m trying to say is that Claudine thinks what Maya is saying here is super cringy. It’s like seeing someone do something embarrassing, but then you remember when you did that exact same thing years ago.

It’s the worst.

So in order to end this living nightmare, Maya needs someone to bring her down to earth like she did for Claudine so long ago.

But not yet. Right now is a moment of triumph for Maya as she reveals the cool new bird that is her soul. It’s way cooler than the golden one that Claudine took before because it’s bigger and moves. Plus it’s a vessel for god, since it has no emotions or instincts and is thus completely empty, and therefore can portray every single lead and stage.

Except for tragedies apparently, since Maya refused to play Faust properly and let Claudine steal her soul, so I wouldn’t say she’s perfect yet.

And with this reveal, Maya changes out of her stage person outfit and puts on a white, feathered dress which resembles the large, feathery dress the Top Star Otokoyaku would wear at the curtain call of the Takarazuka Revue. Also the giant staircase is a reference to the Takarazuka Revue, but then again it’s Revue Starlight, so there are staircases everywhere and everything is a reference to the Takarazuka Revue.

If any of those terms were confusing to you, then you really ought to look it up on your own. I’ll do my best here, but literally everything here is second hand information, so take what I say with a grain of salt. So for starters, the Takarazuka Revue is the all-female Japanese Theater troupe that Revue Starlight both glorifies and critiques. Specifically their top star system. But if you’re a fan of this show, you’ll probably like the Takarazuka Revue as well, considering the similar themes and concepts. The franchise was literally inspired by it, after all. And while unfortunately I am completely unqualified to talk about it, there are some good youtube videos and blog posts about it if you’re interested.

Anyways, just understand that by dressing up as the Top Star here, Maya is playing the role of the ideal top star she will be in the future. And I do mean role, since this whole thing is just an act. Maya still doesn’t have her usual sword with the gem that reacts to the passion of a stage girl. Although in her current mindset, Maya really doesn’t see the difference between herself and the role, so I guess it’s fine?

Also I want to talk about how the scene with the staircase elevating Maya is eerily similar to that one shot from the Revue of Pride, showing how this widens the distance between Maya and Claudine, despite them being equally matched moments before. This is the difference between a stage girl at the next stage and a stage girl stuck in the past.

And at the top of the stage, Maya also says the lines that will become recurring in this Revue: “For Heroes, there are trials. For Saints, there are temptations. For me, there is a devil.”

So basically Maya is acknowledging that Claudine hasn’t stopped acting yet, and so she continues the play as well. But Maya has completely changed the play. It’s no longer a tragedy where a devil steals the protagonist’s soul, but a victory for the stage person by tricking the devil. And just like how heroes and saints overcome trials and temptations to achieve their fame, Maya will overcome Claudine to ascend to becoming the ultimate stage person, because Maya isn’t there yet. She knows that. Her giant bird is rough and unfinished, nothing like the smooth and golden soul Claudine stole at the beginning of the Revue.

The ultimate stage person is the next stage for Tendo Maya. Although it’s incomplete, it's where she wants to go, and beating Claudine so absolutely here might let her do it.

Act III is titled “Like an Awry Arrow Revealing the Imitation of God,” which feels fitting considering that whole god complex thing Maya has going on and Claudine using some Junna trademarked tactics in this fight to misdirect Maya by hiding in the dark.

Anyways, they fight for a bit, and the bird projects a light down onto them with the frame in the background, and you can still see the shadow of the bird looming in the background. Eventually we see what’s going on through the frame and its various plays where Maya plays the Hero and Claudine plays the villain.

And while Claudine manages to keep up with Maya, it still ends with Claudine losing.

It doesn’t really mean much considering Claudine is just playing along with Maya though. You can hear it in the song, when Claudine agrees that “For you, a Devil”, even though we know she’d actually want to sing “For you, a Rival,” like she does later in the Revue.

But right now, she’s playing her part as the designated loser, the second fiddle to the main character. Because in this version of the play, the ultimate stage person overcomes the devil by tricking him. Although she offered her soul, the stage person was empty, so the devil gets nothing. The Devil just couldn’t comprehend the Vessel of God.

And Claudine’s playing along with it. She’s even doing the exact same pose as the devil in Maya’s sketch from earlier, which is a little different from her pose in episode 2 in that Claudine is unarmed in the sketch and here, unlike in her earlier Revue where she never let go of her sword.

And that’s why the Devil loses when the Vessel of God shows the infinite multitudes of herself, and wow it is such a good looking scene. It’s just so smooth and don’t forget the character designs! They did not have to go this hard on a ten second clip, but they did, and I appreciate that.

So yeah, the Devil realizes he’s outmatched, a series of frames come at him from the empty vessel, and Maya cuts off the button as Claudine goes falling to the ground, along with the other empty works that Maya had discarded in the dark.

And Maya is disappointed.

She’s like, that’s it? And sure she’s never really celebrated winning before, but she was having so much fun just a few moments ago and now it’s over.

The reason Maya showed Claudine this vision of her future self was because she wanted Claudine to match her. Claudine has always been able to keep up with Maya, and Maya hoped that she could continue to do so as Maya went to her next stage, but it just didn’t work out.

But Maya will learn to live with it. After all, this Revue was supposed to be an end to them, so she’d have to go her separate ways with Claudine anyways, and who knows. Maybe Claudine will use this experience to grow on her own, and be even better the next time Maya sees her. A parting gift, basically.

But for now, it’s the end, and she’s on her own at the very top. So Maya claims position zero as she has so many times before.

But she can’t. The stage rejects her victory.

In a reversal of the scene where Maya was in the audience, now we have Maya confused and Claudine laughing, once again in the spotlight.

And it’s only at this point that Claudine stops acting. Her voice is back in her regular register and she talks like normal again.

Maya wonders what’s going on since she’s sure that she beat Claudine, and Claudine reveals she had a second button on her anyways, so the win didn’t matter.

She also reveals that the button was in her mouth the entire time, making me wonder how she managed to sing with that there.

And Maya gets mad at this. Actually mad.

As the top star, we rarely see Maya have an over the top reaction to anything, so this is kind of a first. She’s usually calm and collected and just goes along with everything. She didn’t even seem that down when she lost to Hikari and Karen.

But all despite that, we do actually see Maya getting angry exactly three times in Revue Starlight, and each time it’s kinda subtle.

The first time is in her Revue with Karen, when Karen thought she could challenge Maya for her position as Top Star without the proper resolve, and Maya beats Karen even harder than she was before for that insulting thought.

The second time is when Nana refuses to go all out in the auditions because she wants to be the Banana that everyone loves, and Maya is barely controlling herself when she tells Nana that she wouldn’t forgive her for that.

And the third time is in the Revue Starlight specials when Hikari plays Claire differently from how Maya would have done it, and instead of facing her frustrations with losing the top role, she criticizes Hikari’s performance. Although she isn’t very subtle about her by the end, and basically starts screaming once she realizes what she’s feeling and comes to terms with it. Plus she makes up with Hikari afterwards. But it’s really not great that Maya implies that it’s been so long since she was properly frustrated that she didn’t even recognize the emotion. In fact, Junna mentions she has never seen Maya that frustrated before, and gets genuinely surprised when Maya laughs. Although that may be because it seemed like Maya was laughing at Junna’s newest original quote. Maya has a really bad habit of laughing at the worst times, now that I think about it. Remember the thing from earlier with Claudine?

And while one of these is a lot pettier than the others, it is worth noting that everytime Maya got mad, it was because she thought her opponent wasn’t taking the stage seriously enough.

And right now Claudine just broke the laws of the stage.

And like sure, these Revues aren’t exactly following the same rules as the show. Mahiru cut Hikari’s button but continued Revue and Junna managed to go past Position Zero. Actually, now that I think about it, even in the show we had Karen getting up again after Hikari cut her clasp in the Revue of Astral Sins, so the laws of the stage are more suggestions at this point.

But Claudine and Maya aren’t them.

These two are the establishment. They are the embodiment of everything amazing and painful in the top star system. They are what Karen and Hikari needed to overcome in order to shine together in the show.

The two of them aren’t meant to subvert the Revues like this.

And technically Claudine didn't. After all, it’s not like Claudine’s a sore loser who won’t accept a loss. I mean she can be a sore loser who won’t accept a loss, but you know what I’m saying.

As Nana said, these aren’t auditions. They aren’t fighting over a single role that someone else can bestow upon them. This is for their own self satisfaction, and clearly Claudine isn’t satisfied with this ending.

Anyways, Claudine brings up the contract they signed where Claudine promised a brilliance that no one has ever seen in exchange for her soul, but the contract is discarded and in the dark, so you’d be forgiven for forgetting it. After all, it was just flavor text, right? That was part of the play, not this Revue between the two of them.

But without Maya’s knowledge, the two of them apparently agreed to change the final goal to the T on the contract instead of the normal position zero, so that’s the ending that this Revue has to honor.

It’s rather devilish of Claudine though, making a contract that tricks the signatory. There’s a reason you shouldn’t make a deal with the Devil, you won’t know the true cost until it’s too late.

And maybe Maya did forget it, but still, she showed her Vessel of God, the ultimate actress who could perform any lead. If anything, that should have been the never before seen brilliance. The Revue should be over. Maya should be satisfied.

But Maya isn’t an Empty Vessel of God. She’s human. That’s the advice that Claudine kept trying to tell everyone at the start of the movie. “Maya is just like them, don’t get intimidated.” And she’s not empty either. She’s full of Pride and Arrogance and Envy and Longing.

Pride and Arrogance is the name of the song that was performed in the Revue of Pride. Technically it’s a duet between her and Karen, but even then Maya completely dominated both the Revue and song, with Karen only getting like a couple lines in the beginning before getting drowned out and utterly defeated. It was the song where Maya sang about the difference between her and Karen, the difference that makes Maya a top star. Pride, the deadly sin, is the reason Maya is the top star. It’s how she got to where she was.

As for envy and longing, that was literally her motivation for the auditions. When Claudine asked Maya why she was in the auditions to become a top star when she was already a top star, her only reason for joining was because she didn’t want to see someone else become the top star. She is a jealous person and just the thought of that would make her go mad with envy. Again, one of the seven deadly sin pushed her to constantly compete to stay the Top Star and never rest on her laurels.

And like I said earlier, it was that conversation that got Claudine to realize that Maya was just super greedy. Another deadly sin. Can you really call someone like that an Empty Vessel of God?

So like Claudine says, Maya is just a greedy human.

Okay, so I know I sound a little pretentious by talking about sin and what it means, but that’s not my fault. Revue Starlight did it first. When Hikari traps herself in the eternal stage, she says it’s her punishment for her sin of trying to steal everyone’s brilliance. And then Karen responds that all of the stage girls sinned by aiming to be the top star as well. So by definition, it’s impossible to even be a stage girl without sinning.

Anyways I just thought that was a neat little aside, now let’s get back to watching Maya’s entire future fall apart right in front of her.

The Empty Vessel of God was just a goal for her, and Maya isn’t there yet. It’s the role she thinks she must perform. So Maya knows that Claudine is right when she says that Maya’s acting isn’t up to par for this role. Claudine is the one who’s been watching Maya the closest. She knows who Maya is, and Maya herself told Claudine half of these facts.

Before this Revue, backstage in the dressing room, Claudine said that she would to put an end to it with Maya and be reborn so she could stand on the next stage. But she’s taking that back now. Now she’ll be reborn to beat her rival into submission.

Claudine played along with whatever Maya was doing earlier, because that was part of the Revue. She wanted to act and perform on stage with Maya. But now that Claudine sees this warped worldview that Maya has for her future, she can’t just ignore that. She’d never forgive herself if she just let Maya ruin herself like this. And Claudine is nosy and always gives her opinion on what someone ought to do, like with Junna and Futaba at the start of the movie, even when it’s not asked for. Especially when it’s not asked for, in Kaoruko’s case.

She knows she has to get Maya down the right path to be a top star, and unlike Maya, Claudine doesn’t just expect others to be inspired by her and try to match her. She reaches out her hand and pulls them up along with her.

So Claudine chooses to be reborn just to beat Maya so thoroughly that it will bring her down to earth the same way Maya did for her back in the entrance exam. It’s what Maya needs.

And who cares about the next stage? It doesn’t matter right now. For Claudine, it’s only the two of them.

So Claudine kills herself and is reborn.

She reappears at the top of the stairs, out of the costume and in her usual Revue outfit, so we know for sure that she’s no longer acting. She also manages to make a mockery of Maya’s ideals by parodying Maya’s Revue Introduction for her own Revue Introduction. Actually, with the elevated starting position and the bird imagery in the background, even her entrance is a parody of Maya.

But despite that, she is unabashedly herself right now. She still states her ideals and goals for this upcoming Revue, to have her brilliance show Maya something she has never seen before. She made that introduction into her own. She has her regular weapon again and she stopped acting entirely. She physically destroys the Vessel of God, which is kind of unnecessary when you consider how thoroughly she disproved its existence earlier.

And if we take Claudine’s lyrics as fact, that right now, the stage belongs to her, then that means Claudine being herself managed to shine brighter than Maya being the perfect lead, proving Maya’s whole plan for her next stage to be completely and utterly useless.

So after such a thorough rebuttal, Maya has no reason to play the role of the perfect top star anymore, and as such also disappears, letting her costume and her button fall, just like Claudine from earlier, so she too can be reborn.

Maya accepts Claudine’s challenge to beat her into submission, not that she thinks it’s going to happen, and reappears rising from the stage where they held their play, which is opposite to the stage with the giant staircase. And before she rises, the painting of the button from before falls, essentially balancing out Maya’s win from before by getting Claudine to drop one of Maya’s buttons. Well, sort of. Plus the pictures of her history of victories over Claudine disappear as well, so basically the two of them are restarting this Revue with a clean slate.

Now in the Revue of Pride, Maya descends on a swan during her Revue Introduction. In the Revue of Fate, Maya and Claudine appeared on top of Tokyo Tower before doing their Revue Introductions. This is because Maya has always been the favorite to win, the closest to reaching the top, but for the first time, she’s the underdog who has to rise to get to the stage. She has to meet Claudine’s challenge for once.

So just like Claudine, Maya also parodies Claudine’s usual introduction and ideals, while making it her own. She plans to show Claudine the difference between them once and for all, just like before, but now she’s not going to act as if she’s been enlightened. It’s pure arrogance at this point. And I guess to mirror Claudine stealing Maya’s imagery, Maya has those sun rays coming from her head which bring to mind King Louis IV, the Sun King of France. It’s a bit of a stretch, but I think it works. There’s also the Cold Sparklers on the stage since Claudine is kinda associated with fire, like the burning passion Claudine mentions in her Revue introduction. It feels like a stretch though.

But it’s kinda important that their Revue Introductions, the thing that is supposed to be all about the performer, is being used to mock each other. That Revue introduction is supposed to be everything they stand for, everything they want from this Revue, and like sure they still do that, but now their introductions are literally barbs and personal attacks on each other. They’re already fighting before the Revue even properly begins. Their only goal here is to fight each other, anything else is an afterthought.

And that includes their positions too! Neither Maya nor Claudine introduce themselves with their head or as 2nd rank here like they usually do. They’ve thrown all that out as well. Their past doesn't matter here. It’s just Maya and Claudine of the 99th class.

Honestly I love this berserker mindset that the two of them have going on for each other right now. Literally the only thing on their mind is beating each other. It’s so unhinged and I am loving it.

Anyways, once Maya appears from the ground, you can hear orchestral notes from Pride and Arrogance with each of her arm movements, signaling that Maya has given up on being that ideal empty vessel and is now performing like her usual self again. And now that Claudine and Maya have gotten rid of all pretenses, the title of the Revue shows up.

Their Revue has finally started.

The stage is reconstructed and merged, with the roses and crosses from the play mixing with the obelisks and the stairs from Maya’s Vessel of God set. It also marks the start of Act IV, “We, together.” And wow is that title fitting.

The music slows for a bit, with the only movement being the wind that blows through their clothes and hair. If that imagery sounds familiar, that’s because this is a callback to the Revue of Annihilation. Only instead of Maya and Claudine being out of sync again, now they charge at each other in time with the music.

Also I like the little detail of how they have to fall down from their platform and rise up again to meet each other in the middle. It feels symbolic.

Anyways, while locking swords, Claudine brings up how Maya dropped her facade and is her usual self again, and Maya takes offense to her glee because she kind of hates this usual self since it doesn’t fall in line with her image of the ideal top star, calling it emotional and ugly. But Claudine is kinda into it. She wants to see more. The audience wants to see more. After all, we don’t like Tendo Maya because she’s the perfect top star, I mean we do, but we also like her because she’s an overdramatic dork.

Although I’m guessing the audience Claudine is actually referring to is their friends who have been watching this entire thing, if you recall from earlier. And yeah, they like Maya too. They don’t want Maya to force herself to be someone she’s not. They want her to be herself around them.

Then again, Revue Starlight operates on Schrödinger's Fourth Wall, so who knows which one Claudine is actually talking about. Maybe she’s talking about the faceless masses that Maya has always been trying to impress. I literally could not tell you.

But you know what, Claudine especially likes this Maya, saying the desperate and emotional Maya is the cutest she’s ever been, since Maya usually represses these feelings.

The cute thing is a callback to when they lost against Karen and Hikari in the Revue of Fate, when Maya told Claudine that she was cute when she cried. Claudine was so invested in the stage and in their victory that she was overcome with emotion when they couldn’t make it, and Maya likes that. She likes Claudine when she gives her all to the stage. And now Maya sees that Claudine likes Maya when she does the same.

Either that or Maya meant that Claudine is cute no matter what she does, even if she isn’t measuring up to the unreasonable high expectations that Claudine set for herself to match Maya, which is why she doesn’t have to keep proving herself to Maya. But in that case, Maya also doesn’t need to try and be some unreachable lead for Claudine, she just needs to be Maya.

So Maya responds in the most Tendo Maya way ever by stating that she’s always cute, because she’s always given her all to the stage, but it’s still good to see her proudly reclaim that with pride and arrogance. And she’s no longer mad at getting exposed, just thrilled again to be able to perform with Claudine.

Anyways, while fighting, the two of them literally do nothing but sing about each other. They use their opponent’s name as puns in the song, they talk about how they only need to look at each other forever, you get the gist. But what’s interesting about this fight is that the stage isn’t responding to them. They maneuver around by swinging on ropes they cut off. The momentum of landing causes Maya to get thrown off her platform, and the smoke cloud that ensues when it falls blinds Claudine from one of Maya’s attacks. Their attacks kick up the ornately placed rose petals and send them everywhere, and the stage rising literally tosses them flying in the air.

The stage is literally breaking apart as they fight, which has never been an issue for them before. Only minutes before, Claudine got the stage to make devil cutouts that she could hide in and Maya got the frames to fall and attack Claudine. The stage responds to the passion of a stage girl, but right now it’s getting in the way because they don’t need the stage. They’ve gone past it even. They just need each other, they are their own stage at this point.

Anyways, while falling, Maya grabs onto Claudine’s cloak and complains about how if it wasn’t for her, Maya wouldn’t be exposed as a fraud. Remember, Maya’s philosophy as a top star is to be someone who inspires others to try and be like her. But that really doesn’t hold up if we see that Maya herself doesn’t even act like that, so there’s really no reason for anyone to try to emulate that in the first place. But if you look at her face, you can tell Maya doesn’t really mind. If anyone was going to expose her, she’s glad it was Claudine.

And Claudine grabs her cloak in return and agrees that only she could do this. After all, the two of them are special to each other.

They said as much in their Revue against Karen and Hikari, when the two of them took a break from fighting so they could stare longingly in each other's eyes and confess that they understand each other instinctually and only they can keep up with each other.

While falling, Maya resolves to expose her everything on stage, a complete 180 from her position only a few minutes ago, and Claudine tells her that she has a partner who she can expose everything to on the stage, namely herself. This is mirrored in the song, where Maya says basically the same thing and Claudine promises to accept it, be it ugly or beautiful. Oftentimes the song has the singer's true feelings, which can sometimes contradict the words that the person says on stage, but not this time. The two of them have resolved to be completely true to each other, and aren’t hiding their real thoughts out of shame or insecurities anymore.

And what are their true thoughts?

They want to cross swords forever. They love the stage and they can’t part from it. It makes them pathetic clowns in Maya’s eyes, but it’s fine for Claudine since they’ll have each other as Rivals as long as they stand on stage together.

And that’s great for both of them. Their competition makes each other better. They’ve always known that. Back in their dressing room, Claudine was worried she stagnated because she was satisfied with just being Maya’s equal. But now she sees that as long as she continues to compete with Maya, she can still grow as a stage girl without decaying or dying.

Actually, the only reason she was dying as a stage girl was because she thought she didn’t have anything to prove, but here’s someone who will constantly ask her to put her best self forward over and over again as they push each other higher and higher.

Actually, going back to when Maya comforted Claudine after their loss, Maya says the same thing she said in this Revue, that she can only go higher if Claudine is there. Meanwhile Claudine says that Maya makes her more beautiful, a direct contrast to how Maya claimed her emotional self was ugly before. In the song, when Maya talks about exposing herself, Claudine says it could be ugly or beautiful, but clearly she thinks that it will be beautiful in the end.

Also, you see that orange glow that’s starting to get brighter in that little window at the stage? That’s the start of the fire that will consume the set by the end of the Revue, and it only grows when Claudine mentions her beauty.

The two of them take a moment to call each other by their first names instead of their full names like they always do because they’re extra. This is probably a reference to “Ma Maya” and “Ma Claudine”, but I guess they thought the tenderness would feel a little out of place in this climactic showdown. Personally I think they’re wrong, but I’ll give them a pass because everything else has just been so perfect.

The two of them repeat the refrain from earlier, about how heroes have trials, saints have temptations, but they change the last line to “For me, there is you!” They’ve divorced the line from any roles, now it’s just them.

Although in the song, Claudine sings that “For each of us two, a rival”, not exactly cutting out the roles from before, but keep in mind Claudine always saw herself as a rival to Maya, it wasn’t just a role to her. But it also has a greater meaning in the larger scope of the movie, since Hikari and Karen eventually also become rivals and have this relationship, so it’s a bit more universal when Claudine says rivals instead of you. Then again the next line of the song is the two of them agreeing that their rival is each other, so it doesn’t really matter too much.

So basically, Claudine got Maya to admit that she should expose everything on stage and give up on being an empty vessel, as well as getting Maya to admit that Claudine was her rival. I mean we already knew that second thing, but still.

So by showing Maya a brilliance she had never seen before, that being the two of them pushing each other by being themselves, Claudine has completely outshone Maya’s ideal top star that could play any lead. She fulfilled the promise she made for Maya’s soul, so she can claim the Position Zero that the two of them set on that contract from before instead of bothering with the Position Zero given to them by the stage.

And Maya agrees. Once Claudine strikes the finishing blow, we see a frame around Claudine. Now earlier, when Maya had the frames, it displayed one of the infinite multitudes of herself that she could play in a production. But Claudine isn’t playing anyone. She is unashamedly herself, and Maya thinks she’s beautiful. Claudine is far more compelling that that empty top star that Maya tried to be.

Also, I want to bring up what the frames mean. The frames showcase the works they have made as stage girls, be it their plays, hard work, or promises. And Claudine couldn’t get here on her own. Her radiance is a direct result of their rivalry. So Claudine herself is one of Maya’s works, just like how Maya is a product of Claudine. They molded each other that deeply.

And immediately after saying that Claudine is beautiful, the stage gets set on fire, which is fine since it kept getting in their way anyways. The fire also melts away any traces of the giant mechanical bird.

✨Symbolism✨

Okay but actually the fire is a reference to what the giraffe told Hikari right before this Revue, of how he was the fuel to be set alight by the passion of stage girls. As he said, stage girls are dangerous, but it’s because of that danger that they are so beautiful, just like what Maya sees in Claudine. And that beauty/danger was so much that it burned down the stage, I guess. I don’t think that’ll hold up if you go to court for arson, but what do I know?

But actually, this burning down of the stage may have been foreshadowed long ago.

Back in episode 3, after beating Karen in the Revue of Pride, Maya tells her that there is only one star that shines at the top. But then it cuts to the aftermath of Claudine and Futaba’s revue, where Claudine helps her opponent up, and Maya trails off in the voice over, saying “However, the flames of her passion…”

Maya had firm ideals about what a top star should be, namely alone, but even at the start of the series, Maya knew that the flames of Claudine’s passion could overwhelm that. Admittedly it was Karen and Hikari who actually proved her wrong in episode 10, but Claudine is the one who actually changes Maya’s perspective on how she should be a star here.

And change she did. After her loss, you can actually see a couple tears in Maya’s eyes! Maya didn’t even do that when she and Claudine lost! And she clearly had strong feelings about losing, even if it was hard for her to understand at the time, at least that's what she said in the specials.

And even though she isn’t full on bawling Claudine did for her, she’s letting herself be more open, and that’s a start. She’s letting herself go through the emotions that the stage brings out in her.

Although there’s really not much of a stage left, considering everything got burnt down and destroyed.

Anyways, Claudine takes this as a moment to gloat about winning the bet, because yeah, she did. She’s been waiting for this moment for years now. That has to feel good.

But Maya pulls a page out of Claudine’s book and says she hasn’t lost yet, this was one of the rounds. That the two of them will continue to challenge each other over and over again for the rest of their days until their contest is over.

And that contest isn’t ending anytime soon, since as Claudine says, the Revue of Rivals doesn’t end for all eternity. Which is a big departure from what the two of them decided backstage, that they would put an end to it.

Although neither of them mind, considering they look pretty self satisfied laying on the ground.

Anyways, we get a shot of the two of them holding hands over the Position Zero on the contract they made, which is probably a call back to when Karen and Hikari were in basically the same position after their final Revue in the Show.

In that scene, there was nothing but the stage, their promise, and each other. And they made it work, despite all the bumps along the way. And just like them, Maya and Claudine also make a promise, to keep performing their Revue of Rivals that never ends. Sure they might be able to stand on the same stage anymore, considering their different troupes, but they’re still connected, just like Karen and Hikari were for all those years when Hikari was in London.

Funnily enough that’s not the only thing they steal from Karen and Hikari. Even the way they hold hands over their Position Zero is a reference! Normally, in the play Starlight, Claire holds out her hand, but grasps nothing but air because Flora was blinded and fell off the tower. But in Karen and Hikari’s rewritten Starlight, their promise is kept and Claire and Flora can hold onto each other (and the stars they were longing for) using the same odd grip that Maya and Claudine use to hold onto each other.

After seeing so many pairs of stage girls agree to meet again after they part, we are finally seeing a pair who agreed to part but still got to keep their promise to reach the stars together, a pair who will still be connected no matter the distance.

It’s kind of hopeful in a way for all the other pairs who separated actually. Maya and Claudine are at the final step of the journey each of them will be taking in the future, and we can see that they’ll be connected in spirit as rivals. So that means Futaba will eventually make her way back to Kaoruko after proving herself. Mahiru will continue loving the stage and her brilliant self, as well as be Hikari’s rival. Junna and Nana will meet each other on the same stage in due time. And neither Karen nor Hikari will lose themselves in the other in the end.

Anyways, they also say we are the flames that fall together while burning, which is probably a reference to the giraffe from earlier, since he was also falling and on fire. But when he did that, he talked about his role, which was to light the stage, which I guess could corroborate what I said earlier on how Maya and Claudine are a hopeful future for everyone else.

And yeah, that’s where we leave them. Sure, we get the shot of everyone tossing their capes off at the end, but this is where the two of them end their story together. Well, not actually, but you know what I mean. From here on we’re going to see them as individuals.

We see that Maya got into New National, along with Futaba and Mahiru. It’s also nice that Maya isn’t alone in her next stage, a reversal from all her talk about how a top star needs to stand alone from before, but then again she hasn’t been peddling that nonsense much in this movie. But all of them seem excited to invite Hikari to their next performance, so hopefully it’s all going well with them there.

And then we see Claudine, who it looks like is working at a coffee shop in Paris alongside acting at Theatre du Flamme, the troupe that scouted her. Anyways, she promises to visit Hikari next time, which I guess she can do by just crossing the English Channel. Plus she also has that little chick in her window, probably to remind her of Maya.

Honestly this one probably was my favorite Revue when I first watched the movie. I mean it actually had a kinda happy ending instead of a bittersweet one, so that definitely scored some points in my book.

But even now I just think it’s so good. Like I didn’t even realize that Maya had been repressing herself throughout the show. Like Maya literally said she would go mad with jealousy if she saw someone else be the top star, but she took that loss way better than Claudine. Obviously she wasn’t ok with that. And sure we see her actually lose her temper about it in one of the specials, but I’m going to guess a good chunk of viewers didn’t even know they exist. Seriously, watch the specials. We actually get to see Hikari bonding with her classmates, it’s beautiful. But this Revue feels it completed a character arc I didn’t even know was going on but makes total sense in hindsight! Plus seeing Claudine in non feral mode actually helped me understand her character in the show a lot more beyond her relationship with Maya. Somehow, everything in this movie feels like it was handcrafted just to make me appreciate the show more!

And it just feels like everything a Revue should be about. Like they always called it performing, but this is the first time we actually see a Revue as a play with actors. But then their personalities and struggles slowly start to bleed through the role until they’re showing their true selves on stage and are desperately trying to one up each other.

Don’t get me wrong, every single Revue did that in the movie. You can see everyone get more desperate and unhinged as the Revues get closer to the end, but it just feels the most drastic with these two since they go from 0 to 100 real fast, unlike everyone else who you can clearly tell are worrying about something from the very start.

So yeah, good Revue. Honestly I think I should get a rival myself now. I feel like I’m missing out here.

And now here’s some more thoughts I either didn’t think of earlier or just didn’t want to completely derail the deep dive for:

Maya on the train mirrors the man in the poster that talks about how to act.

This feels kind of on the nose since Maya is the only one who isn’t defeated by Nana, so the rest of the stage girls need to learn how to act from Maya, since she’s the only good example at that point. It’s also her philosophy as a Top Star, that she shows others how to act as a top star and hopes they try and act like she herself did, by giving their all on stage.

I also think it’s funny how perturbed Maya is here when Mahiru would rather take a look at Futaba’s phone about the play they’re gonna see rather than her very interesting infodump about how cool New National is. Like despite acting all cool and detached, Maya can not stand not having the attention be on her, just like Claudine.

So I was recently told that when Nana is fighting each of the stage girls, the lyrics actually reflect a failing of each of the specific stage girls. I kind of missed that last time, my bad, but I do know now so I can talk about it a little.

Anyways, while the train goes back into the tunnel, Nana addresses the beautiful mademoiselle, and asks if there is wildness inside of her. Now by context, it sounds like she’s addressing Maya, because Maya tries to hide all those kinds of feelings and wildness. But the word beautiful will only be used to describe Claudine in their upcoming Revue, and mademoiselle also feels like it’s referring to the French Claudine.

And in a way, Claudine was hiding her wildness as well. I’ve been referring to her drive to beat Maya as feral, and apparently Nana agrees. She hasn’t been going all out recently because she’s been satisfied, and she’s been keeping that wildness dormant.

Although then in the next line, Nana says that the ones who will survive to the end will be:, and Maya is the only one who does survive to the end. After all, Maya is the only one ready for Wi(l)d-Screen Baroque, which basically means the next stage, so maybe she was referring to both of them in that middle line?

Nana was kinda on the backfoot when Claudine and Maya worked together. Like don’t get me wrong, she was clearly dancing around them easily, but it’s still worth noticing that she would block their blades when they attacked her individually, just like everyone else, but had to dodge when they attacked together. And in the end, Nana defeated Claudine because she attacked her without Maya.

Okay so at the Seisho Kick Off Party, usually there is a line from the script that someone else says while one of the major characters in frame, and it’s usually thematically relevant to their upcoming Revue. Only for Claudine, she is the one reading it, and Maya does not have a line for herself. But technically, the line Claudine says is for Maya. After reading it, Claudine looks elsewhere from her script, and while it seems like Claudine is taking a look at the Starlight Tower that Class B just put up, we later see her watching Maya perform.

So yeah, this is Claudine subconsciously realizing that she needs to get Maya down from the tower, she needs to bring her to earth, make her no longer the top star, but just Tendo Maya.

Okay so in their game of animal shoji when Claudine checks Maya, Maya is more concerned about the chick. And then Claudine teases her for not actually playing the game properly, and Maya makes an excuse that she feels sorry for the chick, which is why she noticed that first. It’s dumb, but it’s actually true.

So when actually Claudine beats Maya, it’s using only chicks because Maya can’t bring herself to take any of them. Maya really does have a soft spot for the birds she’s associated with.

Anyways, I’m going to take this funny little scene and use it to gush about how this is a microcosm of their upcoming Revue.

So basically, Claudine is constantly adapting in her pursuit to surpass Maya. She’s taking in new information all the time, and using that specifically so she can beat Maya in the game. This ties into the whole being reborn thing as many times as she needs to to beat Maya. Funnily enough, Maya repeats that she’ll win both the next game and the next Revue after Claudine beats her at both.

But it also kinda shows that Claudine is a much better strategist than Maya, which leads me to the question, was all this planned?

Like we’ve established that Claudine probably knows Maya better than Maya herself at this point, so Claudine might have known what she had to do coming into this Revue, which was to beat Maya so badly she had to completely reconsider her philosophy as a stage girl. I know I made her decision to be reborn to beat Maya sound kind of spontaneous in the main essay, and I stand by that because we do see her genuinely surprised a couple of times, but there’s an argument to be made that Claudine planned this super far ahead.

Like, she got the second button during that gambling scene with Kaoruko, but what was she initially planning to do with that? She tricked Maya into signing a contract so that the Revue wouldn’t end even if Maya beat her once. She continues to play along and act as the devil even after Maya breaks character. So was what she said backstage, about being reborn by ending it here, also just misdirection to lull Maya into a false sense of security? A ploy to create a sense of urgency and get Maya to finally reveal her hand, the Empty Vessel of God, just so Claudine could utterly demolish the idea?

But like none of that is very Claudine behavior. She’s always been direct and straightforward, so it doesn’t really make sense. So maybe they were just contingency plans? I mean sure she wants to win, but she’s never been underhanded about it before.

So maybe? Maybe not? Who knows?

She’s a really good actress, and it doesn’t really change the end result.

I think it’s funny that Maya is displaying her amazing stage talent with a bunch of framed paintings when canonically she just sucks so much at art. She absolutely hates it. The Revue Starlight 4-koma has 3 jokes that it keeps repeating about Maya, and one of them is how terrible of an artist she is. Painting is on her dislike profile. But here she is acting like that weakness doesn’t exist, another sign that she’s forcing herself to be someone she’s not.

Junna had to fight for her life to avoid dying as a stage girl, and here we have Claudine doing the exact same thing Nana was trying to get Junna to do and being reborn instantaneously. 

Junna is fuming in the audience for sure right now.

I am obsessed with their Revue introductions in this movie. I really wanted to go more in depth in the actual essay, but in order to not completely kill the pacing I’m moving it here so I can scream about it and no one can stop me.

Okay, so first off we get Claudine calling out Maya’s usual introduction with the shine of the moon and love of the star, because literally what the fuck does that mean. Like is Maya actually comparing her own brilliance to actual celestial bodies? They don’t actually mean anything. The thought is just as empty as that lead Maya was trying to portray. Anyways, she throws all that out in favor of her own light, the burning passion from her original intro, and promises to bash it into Maya’s heart, which is much more violent that Maya’s promise to send it. And then she takes Maya’s usual thing of showing her brilliance, but changes it to my brilliance will show you, because that’s the goal she set for this Revue.

Meanwhile, Maya kind of completely got rid of her earlier philosophy and is no longer trying to act like an otherworldly being. That’s why almost none of her new intro is like her old one, because none of that would fly with Claudine anymore. Instead she makes fun of Claudine’s bravado and pretentiousness. I mean seriously, talking about freedom and equality and love, who does she think she is, the French Revolution? She’s just as savage and pathetic as the rest of them. Instead, Maya details her own accomplishments, as the best and brightest, but in a much more narcissistic way than before. And while Claudine would have confidently stated that she was the star (in French), Maya makes it her own not only claiming to be the star, but mentioning the distance between them as no matter how high Claudine soars, it’s basically the abyss for Maya.

The disrespect! The incisiveness! The rage! They want to punch each other in the face soooo bad, I love it.

Okay but what the fuck is up with the roses? Was that supposed to be a Rose of Versailles reference? I legitimately have no idea, but it feels important considering there were roses in the background of Claudine being beautiful? I mean the only other things in that scene when Claudine beat Maya were themselves and the frames, so it feels important that the roses were there too. Is it really just for the aesthetic? I feel like I’m missing something here.

Also, can I just say we were robbed of never seeing Maya and Claudine have an actual Revue in the show. Like these were the two best performers in their class! I wanted to see what happened! It was probably amazing! Don’t get me wrong, them working together was awesome too, but I wanted more.

Although it is funny that apparently the two of them destroyed the stage even back then. Like this was not a one time thing. Literally every time they fight they cause complete and absolute destruction, and that’s amazing. Also probably a metaphor, but I don’t feel like thinking about that too hard right now.

And I know I’ve never really been that objective in these Deep Dives, but can I just say how happy I am that Claudine got her win against Maya here? Like she never really got her chance to shine in any Revues in the show, but you could see just how hard she worked and how badly she wanted to win, and she finally did it. And it was glorious. It was everything I ever wanted for the two of them.

This movie is just so good.

#revue starlight #claudine saijou #maya tendou #kuromaya #mayakuro #revstar #gekijouban shoujo kageki revue starlight #analyzing starlight

[sinnamonsters]

Why your favourite Sparklecare patient SUCKS!! (and also why they're swag!)

I feel like in the Sparklecare community that it's been too long that people put characters on a binary scale of "asshole who deserves to explode" and "awesome person who i love and cherish no matter what", because the characters in the story are nuanced. Every single one of them has done bad and good (minus Cuddles and Mr. V of course) in the story and more people need to see that, so I'm here to put in some of the ups and downs of all the main patients.

Barry Incredibly smart and willing to help! Throughout the story, he's been shown to help the others with his intelligence time and time again, and the main patients wouldn't be able to do nearly as much without him.

BUT he's also very argumentative and refuses to take no for an answer, and egotistical, believing himself to be above everyone else because of his aforementioned intelligence. He also sometimes acts like what he's doing isn't wrong when it absolutely is.

Uni Very kind and caring for her friends, she's seen time and time again doing what she can for others, even Doom, someone who everyone else sees as an evil monster because he does the whole doctor thing, showing that she absolutely doesn't hold grudges, and can give people the chances that they deserve.

BUT she's also rude and messy, making backhanded jokes towards others, and refusing to clean up her space, even when others are present. And, she's very possessive, how she acts about Barry is incredibly selfish, and not how someone should go about having a crush on someone.

Caroline Loyal and clever! While Barry might be the book smarts of the cast, Carrie would be the street smarts, if you will. She knows how to talk to people to get what she and her friends need, and can make a damn good plan, considering how many times she's probably attempted to escape the hospital.

BUT she gets upset very easily, and holds grudges too much. You can see her acting mean to other patients constantly over other things that they've done, and seems to be against Uni wanting to be with Barry purely because of the times that he's been rude or otherwise mean.

Hemera She does her best to help everyone else stay alive! Even though her methods may be less than ideal, keeping the others from getting killed is ultimately a good thing. She's also been said in the cast page to help others with tech issues, so it's safe to assume that she also helps people with other problems!

BUT, as said before, her methods of helping others can be seen as bad by others, and has caused harm before. She's also controlling, wanting everything to go exactly the way she wants it to, and that everyone would see things exactly as she does.

Jay One of the most helpful patients in the hospital, Jay is a nice, caring, and creative person that helps everyone in (almost) any way that they can! Very friendly, Jay has very few patients in the hospital that actively dislike them, and for good reason.

BUT, yes, even Jay has their flaws! They're seen multiple times standing by, not doing anything for the others, even when it's most important. Just because they aren't doing anything, doesn't mean they're not doing anything wrong.

Does this mean any of these characters are 100% good people, or that they're bad people who deserve bad things?

Fuck no.

All of these characters have depth and nuance, not a single one can be put under a binary label of "good" or "bad", they all have their ups and downs, as we all do. Hell, I would've even gone into more of the characters, if I had the time.

You've been an asshole at one point or another. Does that make you a bad person? Do you not deserve love and care like everyone else does? No. Obviously not. And these characters aren't any different in that regard. So don't treat them like they are. Thank you.

#sparklecare #sparklecare hospital #barry ill #uni cornelius #caroline coughs #hemera philly #jay fortune #writing

[fullofpossibilities]

Adopted Au Headcannons for R!Leo

So this is very heavily based off of the Adopted Mikey Au and the Adopted Donnie Au done by @tblsomedoodles so if you don't know the basics that would be a great place to start. (They also gave me permission to write these headcannons to thank you again!!!!).

Basically, I was at work, and absently thinking about their Adopted Aus, and thought, "who would adopt R!Leo (otherwise listed as Blue) if he went missing in another dimension?" And first some reason the first person that popped into my head was 2012 Donatello, so this is that train wreck.

Keep in mind that Blue is, like, 3-4 yr. old in this au, and happened to get sent to the 2012 universe after being attacked in the sewers of his own dimension and doesn't go back to his home dimension until right before the Rise show starts.

Purple is R!Leo's comfort color (since it reminds him of his twin) so I can see Donnie being the first person he would latch onto.

-It helps that the reason Blue is in this universe would be a highly coincidentally timed portal on 2012 Donnie's end that transported both Leo and the mutant attacking him to the sewers nearby

Donnie goes to investigate the energy surge that happened during the fight and finds Blue, saving him from either the mutant that had been attacking him prior to the portal or the krang who might have been the reason for the portal in the first place, haven't decided yet. Donnie takes him home to patch him up, and gets imprinted on by a very lost, confused, and scared Blue who just wants his twin but hey this stranger is wearing Purple's colors so he must nice, right?

Blue obviously gets most of his sense of humor and energy from Uncle Mikey. They love to skateboard together and play pranks, usually involving a lot of messes to clean up. Both get into food competitions, where whoever can throw together the weirdest food combination and eat it without throwing up wins (Donnie always gets upset when they do that though, worried about Blue's health).

Uncle Raph is probably (read definitely) the most protective of the uncles, and even though he isn't the sensei, he still helps teach Blue how to fight. He'll introduce him to Chompy and show him to use the pinball machine, and if anyone accused Raph of going soft he'd slap their head then go get Blue for their scheduled nap (because Blue will only sleep if someone else is there). Blue likes that Raph is so big, because it reminds him of Red (even if Raph is bigger than he remembers Red being), and naps with him are the best (but he'll never tell his dad that). If I do include the fact that Blue gets plushies that remind him of his brothers like @tblsomedoodles did in their au, they were made/knitted by Raph (once again, something he'll never admit, he just claims he found them randomly)

Uncle Leo, of course, is the sensei, but they still interact outside of training. Out of all the uncles, Blue probably looks up to Leo the most, resulting in another "Splinter Junior" situation, but between Leos, and less copy but no less "hero worship." Leo is like the Jupiter Jim or Captain Ryan of Blue's childhood. Leo will introduce Blue to Space Heroes, and the two will spend hours basically fan-boying over the show.

Obviously Blue is closest with his self-assigned dad, Donnie. Donnie is the reason that Blue gets so interested in medical practices and chemistry, and Donnie has a lot of practice (cough Mikey) with grabby hands in the lab, so he knows how to keep an eye on Blue while still working in a way that lets Blue stay in the lab during the day if he wants to. Blue thinks his dad is the coolest guy ever, being able to make whatever he wants (He built such a cool car! and Metalhead was awesome!) and fixing anything that breaks (like his toys). He learns sarcasm by watching his dad talk with Uncle Casey, and boy was that something that Donnie will always regret (second only to the fact that Casey also seemed to be trying to teach Blue how to flirt). (side note: this would be in a universe that did not emphasize a lot of romance. While all of that drama still happened when they were teenagers, the only couple that I MIGHT have as canon in the Au would be Raph/Mona, because it was the only ship that didn't have some kind of problematic background). When Blue decides that his dad hasn't slept enough, he'll go and sit on his lap, and just start to fall asleep. In an effort to make him comfortable, Donnie will try to move him to the bed, and when he tries to go back to work, Blue will latch onto his arm and refuse to let go, forcing him to stay "just until Blue falls asleep." Leo walks in ten minutes later to the father-son duo practically dead to the world on the bed. On the other hand, if Donnie doesn't want to be disturbed by anyone, Blue will make it his personal mission to keep the uncles out of the lab.

It's unclear when exactly Donnie became Blue's "dad," it just happened one day with Blue walking into the room, half-asleep, and asking his dad (by his now new title) if he had seen his blanket/plushies. Donnie, understandably, freaks out internally (and later externally) but can't deny that something in him was both happy and sad: happy because he had grown attached to the little tot; sad because he knew that a time would come when he would have to send him back home (dealing with alternates has left Donnie with the very real realization that this is probably a another little Leo, especially after hearing Blue talk about his brothers). Among the infinite possibilities of universes, though, that would take some time, so maybe it would be ok for the kid to call him that? He'd ask for advice from his brothers and April, and all of them, while equally cautious, would encourage him to let it happen because dangit they're attached too (although Leo would be the most hesitant, with his sense of responsibility).

I'd like to think that Blue learned Spanish by watching tv with April and Casey. Sure, he watches tv with his uncles too, but I can't see them watching anything that might have Spanish in them. I'm imagining that April and Casey were babysiting and both fell asleep with the tv on (thinking Blue was asleep too). Some Spanish drama came on and little Blue fell in love with the accent, so he started trying to copy it. Donnie caught on and set up a system to teach him some of the words instead of just copying the accent (he doesn't know spanish, but there are a lot of learning programs online he can hack into). It becomes a bonding experience between little Blue and the humans, since they take it upon themselves to help him learn whenever they babysit (April being more successful in these lessons than Casey).

Blue was seen as very athletic in Rise!, so I imagine that he fairly enjoys sports. Watching Casey play hockey probably kick started it, which evolved into skateboarding, basketball, baseball, football, etc. He couldn't play all of these a lot, but skateboarding and basketball (or at least shooting hoops) were fairly simple to set up and do constantly. He likes baseball and football simply for the fact that it gives him and excuse to throw a ball and run around a lot, but he doesn't play them often and prefers the other two. His uncles help set up a basketball hoop in the lair for one of his birthdays, and all he did for the next week was shoot hoops.

He thinks April is cool. Leo may be Blue's personal hero, but April is a SUPER hero. She had powers and a cool outfit, and in Blue's mind that's all he needed to label his new favorite aunt as an honest to goodness superhero (followed later by Mikey's alter-ego Turflytle). He's always following her around when she visits the lair and trying to get her to make him "fly."

Instead of the lair being attacked by the mutant/yokai that tried to kidnap and eat Blue, I imagine that the event that triggers Blue's return to his original world involving the Krang. The Krang attacked the lair or there was an attack outside somewhere that Blue snuck out and got stuck in, but a Krang would attempt to drag Blue through the portal to use as bait or leverage, and Blue's ninpo messed with the portal and sent him home (without the Krang for some reason, idk its fanfiction so fanon magic). He returns to the same place where he disappeared in his world, not that he remembers that that is where he left, and instead of Tello or Angie finding him, it would be Raphie (because I'm trying not to be too similar to the original Adopted AU, no more than I already am). The rest of the Rise show continues as normal.

Maybe if I get more inspiration I'll do some headcannons for when R!Leo reconnects with his family in the 12 dimension, but for now this is all I can think of.

#rottmnt #2012 leonardo #2012 donatello #2012 raphael #2012 mikey #2012 tmnt #Adopted Au #12Donnie adopts R!Leo #It's adorable #based on @tblsomedoodles adopted aus #seriously if you haven't read those #do so