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vigilskeep · 7 months

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a quick guide to dog lords, telling your arls from your teyrns, and generally how ferelden works

okay, this isn't quite what anon asked for, by which i mean not at all, but unfortunately they activated my interest in some of my favourite lore. it should hopefully contain a lot of the relevant stuff and i’ll try to branch out to less fereldan specific information in other posts!

okay, let’s start with the hierarchy. there’s four kinds of noble in ferelden

royalty: you know who these guys are. except for during the orlesian occupation, ever since ferelden became one kingdom, it’s been ruled by the theirin family. which i think is for 388 years, i really hope that’s right, i got out a calculator

teyrns: these are super powerful lords, basically banns so powerful that other banns swear fealty to them. they’re second only to the king, who is essentially just the most powerful one of them. there used to be a lot of them, but with one dynasty in power for so long, that kind of opposition has been eroded away. there are only two remaining: the couslands of highever in the north, and the mac tirs of gwaren in the south

arls: these are extra special banns. they answer to a teyrn or king and hold a strategic fortress for them. we know of six—amaranthine, south reach, denerim, redcliffe, west hills, and edgehall—but i’m unsure if that’s because they are only six or because there are unnamed others

banns: these are your common or garden noble, the lowest ranking and most common. this is your local lord type. they seem to vary the most in power, though, with some banns having big speaking roles in the landsmeet

but i kind of should have written that list in the opposite direction. what do i mean by that? well, in your standard medieval hierarchy, and in a lot of the rest of thedas, power comes down from the king, who lets you hold the land. but in ferelden, most of the land is owned by freeholders: commoners, well-off enough to own their land but still not by any means nobles.

how does that work? well, let’s say i’m a freeholder.

i own my land, but thedas is a rough place. if i want to keep my land, i’d better swear fealty to a bann. i’ll pay him a portion of the goods produced on my land, and in return, he’ll protect my land from anyone wanting to beat me up and take all my goods... and also, you know, not beat me up himself, as he probably would if i didn’t have any bann looking after me. it kind of sounds like he has all the power, right? like a medieval protection racket? it’s certainly how he gets his power and wealth

so i, freeholder harker, have signed up with bann jeff. it makes sense, because he’s the closest to my freehold, and i want soldiers to actually get here in time if i’m in trouble. that’s why my family has been swearing fealty to his family for generations. it’s just how things are done

but the thing is: i hate bann jeff. maybe he takes too much of my harvests, maybe he sides with a different freeholder when we go to him with a dispute, maybe his men don’t mind their pleases and thank yous when they come for my goods. i’m well within my rights to say fuck bann jeff and leave him. especially if there’s another bann nearby who would be perfectly happy to take my goods instead and treat me right. and the less freeholders bann jeff has, the less resources and men he has to make a fuss about it with. if bann jeff pisses off enough people, he might not have any freeholders left at all. and where will his wealth and power come from then? maybe soon he won’t be a bann at all

of course, bann jeff’s family might feud with the family of the bann that stole me away for a few hundred years. but that’s hardly my problem, is it? “courting” someone else’s vassals is apparently the biggest cause of conflict within the bannorn

anyway, this isn’t just how banns work; it’s how all power theoretically works in ferelden. there are no serfs/“unfree” men. every peasant has a right to go where he will and choose which freeholder he works for, just as every freeholder has the right to choose their bann, and banns who swear to teyrns can break away. (the latter is probably less common because a teyrn could fuck you up. i’m guessing you’d have to get the king’s backing about it to survive that.) and even the king answers to his lessers in the landsmeet, the super ancient gathering of nobles where law is made, which can override the king on any matter of law. (but they’re not going to do it if the king is really popular or powerful, because. you know. there’s a limit to all things called common sense and they would prefer not to get squashed about it.) but generally, everyone who holds power in ferelden has to curry favours with their so-called lessers in order to keep their goodwill.

everywhere else in thedas thinks this is weird as hell, by the way. having to court the approval of those beneath you? even the king having to do that? wtf? but the level of freedom means everything to fereldans. it’s their highest ideal and they’re really proud of it.

(the people who really don’t have a voice are what the ttrpg calls “low freemen”, which according to its handbook, consists of criminals, prostitutes, and elves. they still have the right to freedom of movement and to be paid for their work, but they’re not going to have freeholders and banns seeking their favour and speaking for them, and they typically have to resort to bribery for entrance to cities, their homes are bought and sold by others on a whim, things like that. ultimately it makes their position incredibly vulnerable to abuse, as we see in the games. i’m sure we’ve all played the tabris origin. there’s a reason the potential boon to get a bann for the alienage is so wild.)

so, let’s say you made it, everyone loves and/or tolerates you, and you’re a noble. what good does that do you and what can you do? firstly, you have a voice in the landsmeet, which is super important and means the king wants your goodwill and advice. more generally, you have three basic functions of a noble: raising taxes/tribute, commanding soldiers, and dispensing justice. nobles are expected to live off the wealth provided by their land and it would be hugely looked down on if they did work instead, with exceptions for, like, military careers and the chantry, which are respectable for their status. they raise militia from the commoners when necessary, and they also have trained soldiers or possibly knights (see postscript) in their service. that means you can protect your land and you can win glory and spoils when the kingdom goes to war, it also means you’ll be expected to provide those men when your liegelord calls for them. and lastly the law is their responsibility. remember how in the awakening dlc you had to make judgements as the arl of amaranthine? like that! the smaller scale you are, the smaller scale it’s going to be. in turn, if you want a dispute sorted by a higher power, you have to go up to your liegelord, maybe a teyrn or the king, or if you can’t get one of them, a more powerful bann or arl in the area. possibly the chantry would be an alternate option? if it’s just about finding someone you will both listen to, which is usually the main issue

some privileges other than the standard “power over those beneath you” that you can typically expect to belong to the noble class, even if it’s not specific to dragon age: the right to carry a sword, the right to have a coat of arms, the right to precedence on formal occasions and a special seat up front in your local chantry... sometimes niche ones, like fabrics and clothing that are only permissible to wear for people of a certain rank, so it distinguishes them. you can expect favours from/common class interests with your king, you would expect to be given a trial or treated chivalrously if things did not go your way, depending on era you might be captured for ransom in battle rather than killed outright, you probably have exemptions from certain royal taxation... etc. etc.

that’s what i have! i hope these are some helpful fundamentals and that anyone who has more knowledge than me on any aspect feels welcome to contribute it

P.S. as an aside, i’m a little confused about the fereldan use of knights. they definitely exist as lesser nobility, but i don’t understand how they fit into the hierarchy. a real knight was typically a vassal who held land from his liegelord and fought for him in exchange. i... don’t know how that works in the context of land ownership mostly going upwards. they’re definitely around, anyone addressed as ser is a knight, you have the knights of redcliffe and people like ser jory and ser cauthrien. (someone in an order like the templars has the rank of knight and gets ser and everything, but is not a noble.) as a rule of thumb i think generally they’re probably just members of noble families with that dedicated military training and no greater title to lay claim to? i’m basing that on stuff like nathaniel howe being sent as a squire to his mother’s cousin, a chevalier; if he’d completed that he probably would have been a knight unless/until he inherited his father’s place? i don’t know. i’m making this up. and on the other hand, there’s very little distinction in fereldan between your regular noble and a some kind of warrior class, which is why i struggle to see the purpose. (there are also inexplicable career soldiers who are not knights. what the hell is funding that upkeep and armour, buddy. you and whose land ownership? this is why you were fighting the darkspawn with your whole arms out, aveline. stop trying to imply ferelden has a standing army you can go off and join. yes i see you carver lore. i will not buy it.) ANYWAY, because knights are more prevalent in certain areas, i do wonder if it’s an import from the long orlesian occuption, based on the knightly order of chevaliers? i don’t fucking know. worth chewing on

#dragon age #ferelden #dragon age: origins #sorry to anon for asking specifically what your exact question was #and then going off on one anyway. that is my bad. if anything is not answered here let me know #and to anyone who has noticed the probably obvious things i missed pls be gentle #god this is so fucking long AGSHSJSKKS i thought i was being brief i dodged powerpoint... anyway #i just couldnt get to grips with what a noble can do until you know what different kinds there are and where there power comes from and.#well here we are

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aromantic-diaries · 11 months

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If this flag offends you

I'll help you pack

#aro #aromantic #arospec #aroallo #yesterday i got an anon being arophobic specifically towards aroallos and i am not having that #this is an aroallo friendly blog you guys are amazing #idc if i get hate for posting aroallo positivity i would rather have that than make actual aroallos feel unwelcome

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bixels · 9 months

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I'm so in love with everything about your art!! I wanted to ask something about your MLP human designs in particular. all of them have really lovely and interesting face shapes/details. even though all the pony designs have the same head molds (save for eye shape), all the unique characteristics you gave them just... look RIGHT. is there a particular method or design principle you used? thanks for your time!! I can't wait to see more of your work!

It's all about shape language and how they inform a person's read on the character.

I talked about this before, but each of the Main 6 were paired together so I could design them in contrast with each other. For RD, I wanted her short hair to have a wind-swept look, as if she's constantly running. So bare forehead and hair spiking out at the bottom. She contains lots and lots of sharp lines and shapes to give her the look of a speeding arrow.

Felice, on the other hand, droops down a lot to reflect her solemn, shy disposition. I didn't want her hair to be perfectly straight though, as that'd suggest she spends a lot of time fretting over it and isn't outdoorsy, so I made it a bit of a tangled mess too.

In short, RD's features are sharp and point upwards, Felice's features are round and droop downwards. (Think Joshua tree vs. weeping willow.)

For these two, I specifically wanted to include non-Western facial features, as I found I haven't really included them in my character designs up until now.

Pinkie's bold and loud, so I gave her bold eyes, bold eyebrows, a bold nose, etc. I worked on Thea's nose for quite a bit and ended up abstracting the shape a bit to look more cartoony, borrowing from Pixar's Soul's character design notes. In cases like these, I recommend finding ways to simplify features and break them down into easily-recognizable shapes and forms (Cartoon Saloon are masters at this). The less visual noise, the easier their expressions are to read! And it's generally more fun to draw.

In short, diversify, exaggerate, and simplify. Figure out what works for you and get a little wacky with it. Character design is all about finding a balance between maintaining your voice and vision and creating something unique and lively.

#ask me #anon #long post #i would recommend studying character design sheets too #my personal favorites are by cartoon saloon/ami thompson/anything from disney and pixar #you can learn a lot about how to draw specific eye shapes and facial structures and hair styles #and how all these features squash and stretch for different emotions #ask yourself: do you know how to draw someone with a very high cheekbone? how about someone with a lot of cheek/neck fat?#then ask yourself how these differences in features reflect on the character #facial structures especially are something i see a lot of beginner artists struggle with

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pettyprocrastination · 1 year

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whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her.

So the general Idea is that you and Joel are happily married before the outbreak.

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place.

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him.

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening.

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail.

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench.

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency.

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.”

he isn’t sure if he’s saying it to his daughter or himself.

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found.

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there.

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames.

“We’re gonna find her, but not there.”

So Joel searches. for the first year spent in the world post-outbreak its all he did.

He became a smuggler because of it.

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way.

But it’s Tommy that asks him to give up. Not in those words of course.

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him.

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles

“You think she would have wanted this for you?”

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence.

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.”

All he can do is nod.

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit.

It begins his new life. One that empty and cold but one he can live.

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago.

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo”

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them.

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands.

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face.

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity.

“You hurt one of mine, I hurt one of yours. That a fair deal?”

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be.

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.”

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again.

“You’ve got five seconds Joel, make a fucking choice before I make it for you.”

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples.

“One.”

The one above him has Sarah’s hair. Soft brown curls that shine under the sun.

“Two”

Wait. No, they both do.

“Three.”

Twins. Jesus fucking Christ you had twins.

“Four.”

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet.

Your voice softens just for a moment. “You okay, Duke?”

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless.

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same.

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head.

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun.

“Now, you want to tell me what the fuck you think you’re doin’ at my home?”

#joel miller x reader #joel miller x you #i had an idea of something similar for tommy but on outbreak night he uh. abandons you instead of getting separated from you #because. angst :D #people say nice things #this was incredibly generous of you anon thank you so so much!#i may get myself a little starbucks drink this week now because I havent had starbucks since like january 1st lol #joel reeling from taking in all this information and also realizing he suckerpunched HIS OWN KID #id like to apologize for all the grammatical issues with this. this is just a bulletpoint word vomit to get my thoughts on the page before-#-beginning the actual fic. also I have to do a midterm tonight and this is my treat to myself hehe #but yes. joel getting separated from his wife on outbreak night and having to accept that shes probably dead #meanwhile youve lived this entire life without him because you think HES dead ad raising your boys all on your own #which just- further digs into his insecurities about failing in his role as a protector #he couldn't save sarah. he can't save ellie and he couldn't even save you #he thinks about you pregnant and alone. fending for yourself in a world full of infected and raiders and his chest grows tight again #this is all followed by Ellie going >:O 'you KNOW THIS PSYCHO?'and then joel immediately snapping at her to WATCH HER MOUTH #because that kid has no filter and he has to explain that youre his wife #anyways joels wife is a badass mfer who also maybe has a little garden and some chickens that you and your boys take care of <3 yeah .#reunion tag #ill be using that for this specific couple because I dont have a fic title yet but if anybody has suggestions!

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natjennie · 4 months

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bbc ghosts s3e5: something to share?

"father was very formal. he liked to be in charge and to be respected, but he was very kind of heart."

(requested by anonymous)

#is this the kind of thing you had in mind anon?#if you wanted something more specific/different/whatever let me know :)#i never considered taking gif requests but i guess i do now!#bbc ghosts #the captain #kitty ghosts #kitty higham #lord higham #does her dad have a name??#ben willbond #lolly adefope #my edits #my gifs

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anonpolls · 2 months

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Thanks for the question, Anon! I had to shorten some of the options. Hope they make sense still!

I’d choose the broccoli-ginger one or the expired products.

-submit your poll!-

#hyper specific poll #poll #polls #submitted by anonymous #thanks anon!#submitted March 17 #anonpolls #anonymous #random polls #tumblr polls #poll blog #would you rather

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shinidamachu · 2 months

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Sid, why do you think people think Kagome is “so annoying” and “whiny?” How exactly did she earn this reputation among her (rather dumb) haters.

The world is not kind to 15 years old girls, and what is Kagome, if not the perfect representation of one?

People forgot they can dislike a character just because and then move on. They'd rather grasp at straws to try and justify themselves, that way they can pretend they're being rational about the constant hate they're spreading when, truthfully, they're just being miserable.

Kagome specifically is in even greater disadvantage because her critics are, mostly, people who haven't read the source material and are instead basing their takes on a biased adaptation – which they probably watched ages before developping any critical skills – or people who see her as a threat to their ship and therefore are already prone to hate her.

The first group won't ever bother going out of their way to try and get a better grasp of her character by reading a 558 chapters long manga and the second group won't change their minds either way.

That's why they call her out for using the beads of subjugation even if: it wasn't her idea in the first place, it served to balance her relationship with Inuyasha at the beginning – since he was powerful and violent while she wasn't –, the rosary became a symbol of their bond, it saved Inuyasha a couple of times and he was always more annoyed than hurt by it, not to mention Sunrise blowing it out of proportion compared to the manga.

You never see Inuyasha getting bashed for hitting Shippo every other episode or Sango getting any heat for constantly slapping Miroku, because funnily enough people seem to understand it was just dumb, outdated, slapstick comedy, a courtesy they refuse to extend to Kagome.

That's also the reason they call her “annoying” and “whiny”: Kagome’s most important lesson was that it's okay to have feelings, so naturally they twisted that into a bad thing in order to keep hating on her. It's not about how her character was written, it's about people using of bad faith and deliberately mischaracterizing Kagome to pass their internalized misogyny as valid criticism.

I know part of the issue is that audiences nowadays are under the impression that for a female character to be strong, she can't cry or be feminine, but you don't see anyone hating on Sango even though she does cry and she can be as feminine as Kagome depending on the circunstances and on her mood.

The truth is that Kagome is playing a game she can never win, because the refs have decided they want her to lose before the match even starts.

If she stands up and sets boundaries for herself, she's annoying. If she doesn't, she's a doormat. If she feels jealousy, she's a bitch. If she shows kindness, she's boring. If she fights, she's overpowered. If she doesn't, she's useless. If any other character cries, it's heartbreaking. If she cries, she's whiny.

If she goes back to her own world, she's selfish. If she leaves that world behind to live the life she wants for herself, she's a stupid girl who left her family for a boy. If she does something grand, that's only because she's someone else's reincarnation. If she messes something up, the fault is hers and hers alone. She is, somehow, simultaneously a Mary Sue and a toxic abuser.

I've personally seen people slut shaming her because she got hitted on by Koga. I've personally seen people call her a "pick me" girl. Kagome. A pick me girl. Kagome.

And none of this is fair, because she is the kind of character who does her best to see the good in others, to understand the reasons why they act the way they do and to offer them some grace, but she gets very little of that in return, be it in canon, be it in fandom.

They always hold her up to such an impossible standard, but they completely forget to ask themselves: would the characters I stan be able to match the expectations I set for Kagome? Scratch that: would the characters I stan even be able to deal with things the way Kagome managed to do? Would I? The answer is most likely no, so how about cutting her a slack?

You ask me how did she earn this reputation among her rather dumb haters, my answer is: she didn't. They're just incapable of understanding that if a particular nuanced, well written, female character is not their cup of tea, they can simply ignore her and focus their attention on the characters they do like instead of spreading their baseless, misogynistic takes on the internet.

#I also feel like there's this trend of disliking protagonists in general #But I won't elaborate because this is already longer than I wanted it to be #And it applies to most of protagonists so it isn't Kagome specific #It's a dicussion for another day #Inuyasha #Kagome #Kagome Higurashui #Thank you for the ask anon #Sidmailing

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emry-stars-art · 4 months

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sorry to bother you, but….

if statled jelly!niel stings, does sleeping jelly!niel sting? Because it seems to be a conscious effort for niel to not sting? Or did I misunderstand this?

what are the scientific implications of sleepy jelly cuddles?

Great question! Thank you for letting me put on my more beach-appropriate baseball cap and do more mer research hehe

So I asked the shark and he told me to mind my business I think.

Unfortunately for him, the manta ray will spill just about anything in exchange for pretty human stuff and I am great at taking notes.

Basically? It seems to me like it’s expected touch vs unexpected, combined with the jelly’s maturing self-awareness. When it’s younger, a jelly mer will start getting control of its sting by ‘turning it off’ consciously. As they get older, it can become closer to “will not sting unless actively startled or for good reason” as the jelly chooses! Think of the sting response like a knee-jerk, throwing-elbows response. Anything less startling isn't worth the effort. Or in jellyneil's case, maybe more of a nervous person's flinch response.

So at this age when jellyneil is awake, it generally won’t sting unless really startled - unfortunately for most mers, the poor thing is a little jumpy and most unexpected touches are startling 🥲

When jellyneil is asleep, there’s more of a “base state” idea happening - however it goes to sleep is how it’ll peacefully stay. So if it falls sleep with someone else touching it, no stings! If it falls sleep in traditional jelly fashion (wedged between rocks or otherwise anchored down) the tentacles and stingers are instinctively in defense mode and I cannot advise getting too close.

If it gets startled awake though? I can only assume it would sting then as well but I can't tell you for sure because the whale and the one shark twin are usually very good about not letting that happen.

There’s some point to be made here about the fact that the stinging is only ‘turned off’ while cuddling/sleeping on other mers - clearly, brushing up against rocks doesn’t desensitize the stingers to other outside stimuli. In open water, the sleeping jelly knows to fend for itself. The presence of another mer seems to be instinctively calming.

But I am not here to wax poetic about it, that’s your job, I just provide the research 🤲

Find the mer au masterpost here 💕

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