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#not saying this is fact or fiction
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ngl, I'm beginning to take issue with how in conversations about anti-intellectualism almost automatically, the face of girls and women will be slapped on the problem.
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tea-cat-arts · 7 days
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Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will
#svsss#scum villian self saving system#shen qingqiu#shen yuan#the fact that people think scum villain#-a series that examines and criticizes common tropes in fiction-#is somehow against criticism or being a little hater is wild to me#especially since shen qingqiu never gets punished for being a hater#heck- he's still a little hater by the end of the series#he mostly gets punished for treating life like a play and like he and the people around him are characters#(or in other words- he suffers for denying his own wants and emotions and his own sense of empathy)#I think some of y'all underestimate how much writing/art is inspired by creaters being little haters#like example off the top of my head-#the author of Iron Widow has been pretty vocal about the book being inspired by their hatred of Darling in the Franxx#I think my interpretation of Shen Yuan's transmigration is also supported by the fact that this series is an examines writing processes#side note- though i understand why people say Shen Yuan is lazy and think its a valid take it still doesnt sit right with me#i am probably biased because my own experiences with chronic pain and depression and isolation#but ya- i dont think Shen Yuan is lazy so much as he is deeply lonely and feels purposeless after denying parts of himself for 20ish years#like yall remember the online fandom boom from covid right?#being stuck completely alone in bed while feeling like shit for 20 days straight does shit to your brain#the fact that no one came to check on him + he wasn't exactly upset about leaving anyone behind supports the isolation interpretation too#+in the skinner demon arc he describes his life of being a faker/inability to stop being a faker now that he's Shen Qingqiu#as “so bland he's tempted to throw salt on himself” and “all he could do is lay around and wait for death” (<-paraphrasing)#bro wants to be doing stuff but is stuck in paralysis from repeatedly following scrips made by other people#another point on “Shen Yuan isn’t lazy” is just the sheer amount of studying that man does#also he did graduate college- how lazy can he really be#he doesnt know what hes doing but he at least tries to actively train his students#and he actually works on improving his own cultivation + spends quite a bit of time preping the mushroom body thing#+he's experiencing bouts of debilitating chronic pain throughout all this#but ya tldr: Shen Yuan's transmigration is an encouragement to write and not a punishment and also i dont think its fair to call him lazy
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i don’t care what you tell me. i don’t care what canon you cite: jason is a responsible gun owner.
his safes are always locked, and he’s got his guns and ammo stored separately. his guns never just sit around loaded except the one he uses for home security and it’s still locked up in a safe by his bed. he doesn’t point it at anyone he isn’t prepared to fatally shoot.
jason uses guns but he’s not an idiot.
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violetsteve · 1 year
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If you prefer, this is also posted on AO3
After the almost end of the world, Steve decides he’s going to put the moves on Eddie Munson.
Robin may or may not laugh in his face when he announces it.
The thing is, despite Robin almost laughing him out of the building, the thing is Steve is still figuring out his sexuality. He knows he likes girls, he’s always liked girls, but then Robin pointed out that maybe he couldn’t figure out what he wanted because he wasn’t looking in the right place and Steve realized she was right . Sure, Robin had meant more of a ‘ stop going after girls who are traditionally pretty and from well off families and try going out with girls whose company you actually enjoy’ and not a ‘ hey, dudes are kinda hot, too, right? It was real weird how transfixed you seemed to be on Eddie Munsons lips while we were actively fighting demon monsters,’ but Steve has always been good at reading in between the lines. Or, more like inserting what he wants in the gaps of what people leave unsaid.
So, no, Robin did not tell Steve to open his eyes and realize that straight guys don’t exactly think about how another guys lips will look slick with spit, how they’ll feel under the pressure of his thumb, what the sweet satisfaction of them partying so readily under his will feel like, but she did tell him to broaden his horizons and honestly, they were basically the same thing.
Which is why Steve feels like she should be more supportive of his plans to woo Eddie Munson onto his couch—and maybe, if he’s feeling ambitious, eventually into his bed.
“Robin, come on . I’m serious!” Steve will never admit, even under Russian torture again, that he whines it. He’s coming to Robin as a sounding board, not so she can make fun of him. If he wants someone to make fun of his lack of prowess, he would go talk to Dustin. 
Or, yeah on second thought no. He’s not actually sure his ego could take that much of a hit at the moment.
“Sorry, sorry,” she gasps, gripping the—newly rebuilt and polished—family video counter in front of her. “I just—Steve, that’s-that’s so ambitious . You literally just came out to me less than a week ago and you’re already talking about getting with a boy. And Eddie Munson at that.”
Steve scowls at her, crossing his arms over his chest in a way that he knows looks bitchy, but he can’t help it because—
“Don’t say his name like that. He literally almost died to save us all. He’s not fucking dirty .”
Robin immediately sobers, a guilty, but irritated look on her face. “That’s not how I meant it, Steve, and you know it. Don’t get bitchy at me just because you’re feeling sensitive about your feelings for a boy.”
And that’s the crux of it, isn’t it? Steve isn’t really angry at her for laughing—Robin makes fun of him at least 7 times a day, Steve would be more concerned if she didn’t make at least one joke about this—and he isn’t even mad at her for putting a weird emphasis on Eddie’s name. No, he’s all twisted up about his feelings and he’s never been good at expressing them, let alone talking about them. He’s feeling self conscious and his skin is prickling with embarrassment and the easiest thing to do is lash out about it.
“That’s not—“ Steve cuts himself off, looking away from Robin as his shoulders slump. “You’re right,” he mumbles. “Sorry. I just. I wanna fucking kiss him so bad , Rob, and that freaks me out a little.” Steve untucks one of his arms to scrub a hand over his face, leaving the other one tucked around his waist to protect his vulnerable bits.
“Hey,” Robin murmurs, closing the distance between them so she can settle her hands on his shoulders. “I get it. Do you think I acted like a sane person the first time I realized I wanna kiss girls? I think I cried for a week. Kerry the stuffed Koala had to go to therapy because of all of my crying. It was a serious time in the Buckley house.”
Steve smiles behind his hand. He loves her so much. She’s really his best friend. He’s so thankful for her.
“You still cry about kissing girls,” Steve says, rather than admitting any of that. She already knows she’s smart, Steve doesn’t need to add any more to her ego. It just gives her more brain to bully him with.
He drops the hand covering his face to look at her. “Only now it’s more of a,” Steve puts on a high pitched, whiny voice, “‘why do I have to go to work when I could be spending all day making out with my girlfriend.’” He brings both of his hands up to clasp in front of his chest, batting his eyelashes at her in a fake-coy way.
Robin shoves at him, catches him off guard and he goes stumbling backwards into the counter, laughing the whole way. 
“Shut up , you absolute dickhead, ” she all but screeches, reaching out to give his chest another shove for good measure. “You literally have no room to talk considering you started this shift by announcing your intentions to, quite literally, crawl into Eddie’s lap and kiss him stupid . That’s almost verbatim what you said, Steve.”
Steve’s still chuckling as he rights his position a little, leaning back against the counter more comfortably. “Yeah, I did say that.” He sucks his bottom lip in between his teeth before he continues with, “I really, really wanna sit on his lap and kiss him until he can’t focus, Rob.”
Robin rolls her eyes, but it’s more fond than annoyed. Steve can tell—he’s been on the receiving end of about 90 percent of Robin’s eye rolls, he’s getting good at distinguishing the emotions behind each one.
“I still can’t believe you have a crush on Eddie Munson of all people. He’s so weird ,” She laughs, but Steve can tell that that, too, is fond. Robin and Eddie have a weird friendship. They geek out over obscure instruments and the nuance of tacky movies together. Steve doesn’t get it, but he enjoys watching how expressive both of them can be. He once watched Eddie climb onto a table while arguing with Robin about one of their movies. Robin followed him up shortly after, though, so Steve isn’t sure why she thinks the weird is limited to Eddie.
“Yeah,” Steve sighs, and he’s man enough to admit that it sounds dreamy . God, he’s pathetic over Eddie. It scares the shit out of him. “You know, the other day he gave me a rock. It wasn’t even, like, a cool rock. It was literally just a rock. When I asked him why he just shrugged and was like ‘I dunno, it made me think of you.’”
Robin’s grin grows. “Oh my God. What did you do with the rock?”
Steve shoots her a disgruntled look. “What do you think I did with the rock? I put in my pocket and then brought it home and set it on my nightstand. Eddie gave it to me, I wasn’t just going to throw it on the ground again. That’s rude.”
Robin absolutely cackles at this, there’s no other way to describe it. She’s awash in glee as she claps her hands together a few times. “ Jesus , Steve. You’ve got it so bad for this man.”
“God,” Steve mutters, running a hand over his face again. “That’s not even the worst part, Rob. He like. He grabs his utensils with his whole fist when he eats. It’s so weird, and it’s so messy . It makes fuck all sense. He doesn't even grab a pencil that way. Just his fucking eating utensils . 
“And he walks so chaotic. He just randomly breaks into a sprint. Just starts fucking running out of nowhere. And he bounces. As if the random running wasn’t enough, he just fucking starts jumping. Sometimes he jumps at me, and it’s all I can do to actually catch him before he eats dirt. Or- or he’ll just. Spin. Just twirl in the middle of the sidewalk while still carrying on a conversation.” Steve slumps, his back getting slightly scraped against the counter as he sinks to his butt.
“The man has zero regard for personal space and he always makes way too intense of eye contact. Sometimes he’ll use one of his character voices in the middle of an otherwise totally normal conversation, and he’s always climbing on things. He’s loud and he’s weird and I wanna wrap my fingers around the collar of his shirt, shove him against a wall and then shove my tongue down his throat , jesus christ. ” Steve buries his face in his knees, his mind playing an endless loop of Eddie smiling with those stupid lips that are always cherry red and raw from his constant gnawing. Steve wants to bite them for him.
“Oh, my God, Steve.” Robing sinks down to sit across from him. “This is pathetic . I, like, knew you had a crush on Eddie but this is like. Dangerous territory. Like, the next step might be the L word level territory.”
Steve makes a small squeaking noise, his face still buried in his knees. Robin’s words hint at something that Steve is so not ready to admit to himself yet. She’s hitting way too close to something Steve has been avoiding actively and vehemently since he realized the attraction he feels for boys is decidedly not of the straight variety.
For a moment, neither of them say anything. Then, like the angel she so clearly is, Robin says, “So, wanna tell me about operation ‘crawl into Eddie’s lap and makeout with him?’”
Steve laughs, the tightness in his chest slowly easing. He lifts his head, and then spills his guts.
***
The plan starts simply. First, he needs to get Eddie alone . No annoying tagalongs to potentially interrupt.
It’s easier said than done. For two days straight, Steve asks Eddie to hang out and, somehow, one of the kids manages to weasel into their plans.
It’s driving Steve nuts.  
He casually asks Eddie to watch a movie, give him a proper education like him and Robin are always going on about, and Dustin overhears and invites himself.
He asks Eddie to go for a walk, makes an excuse about it being gorgeous outside while he plots ways for the walk to end right outside his house, isn’t that neat, but Lucas and Max overhear and suddenly it’s a group affair.
He asks Eddie to get milkshakes, plans to lure him back to his house with the promise of complete control of Steve’s record player, but El overhears and asks if she can tag along and Steve just can’t look into her big, earnest eyes and tell her no. He’s not a monster.
So they get milkshakes with El, and it’s fun . Of course it’s fun, but Steve is getting desperate . It’s been a little over a week since he hatched his mad plan with Robin and he’s about to start climbing the walls with anticipation.
It doesn’t help that Eddie has a mother fucking oral fixation. At every opportunity he’s either putting stuff in his mouth or chewing on something. It’s fucking rude, is what it is. It’s like he doesn’t even realize Steve is suffering.
It all finally comes to a head a full week and four days after his conversation with Robin on the floor of Family Video. He’s stopping by Eddie’s house to grab something Dustin left behind because Dustin asked and he’s nice . It’s maybe also because it’s a great excuse to see Eddie, but Dustin sure as shit doesn’t need to know that that’s the sole reason Steve said he will.
Eddie is slightly bent over, riffling through his Dungeons and Dorks stuff, and Steve is trying so hard to pretend like he’s not entirely focusing on his ass and the line of exposed skin above his belt. If Eddie turns around right now, he’s busted for sure.
Eddie’s just mentioned some kind of dragon when he lets out a triumphant noise, his story coming to an abrupt halt as he spins on his heel to face Steve.
“Aha!” He exclaims, thrusting a notebook in Steve's direction. 
Steve automatically reaches out to take it, his fingers brushing over the backs of Eddie’s in the switch over. Eddie bites his bottom lip at the contact, avoiding Steve’s gaze, and suddenly all Steve is thinking about is his mouth.
Steve debates with himself for a moment. This isn’t really how he planned to seduce his way into Eddie Munson’s lap, but he’s adaptable. If the years of almost apocalypses have taught Steve anything, it’s that sometimes you have to make do with what you have.
And what Steve has is an empty trailer save the two of them, and a couch less than ten feet away. He’s got the object of his affections standing in front of him, and Steve decides to adapt.
He wets his own lips, stepping towards Eddie. His hand is still holding Eddie’s hostage over the notebook.
“Thanks, Eddie,” Steve murmurs, ducking his head so he can look up through his lashes.
Steve watches Eddie’s breath catch, watches him stutter over his next sentence.
“Y-yeah,” he breathes out, his eyes flicking between Steve’s eyes and his mouth at a rapid speed. “Of c-course. I mean, it happens. Kids forget things. I’m sure Dustin just wanted to, like, go over the last session's notes for anything he missed.”
“Of course,” Steve agrees, taking another step into Eddie’s space. He’s aware that he’s primarily staring at Eddie’s lips, which is probably rude, but he can’t help it. They’re wet and shiny and Steve has been thinking about them an obsessive amount for the last week and a half.
“We’re, um, I-I mean they’re going against a red dragon,” Eddie continues. Steve’s aware of this. It’s what Eddie had been telling him when he’d found the notebook. “They’re very powerful, almost impossible to defeat.”
“Are they?” Steve’s only half following the conversation, but that’s not saying much. He has a hard time keeping up with the DnD talk on a regular day.
“Oh yeah,” Eddie says, and then he’s off. He starts spitting words so fast Steve wouldn’t be able to keep up even if he were paying complete attention.
“Eddie,” Steve says, but Eddie is still talking, still mumbling along about the red dragon.
“Eddie,” Steve tries again, but it’s like he’s shouting in an empty room. He knows Eddie knows he’s talking to him, can tell by how wide Eddie’s eyes are, how he’s not even trying to not slur his rapidfire words together. If Eddie was talking about dragons for the hell of it, he’d be gesticulating and probably climbing on things. As it were, he’s got his gaze fixed on Steve, eyes comically wide as his words rush together—barely getting one out before the next slew rush into it in a truly amusing word traffic jam.
Eddie’s nervous , and fuck if that doesn’t thrill Steve to his core. Steve takes the final step towards him to completely close the distance and—
Eddie takes a step back, his words stuttering along with Steve’s heart in his chest. He wasn’t expecting that, wasn’t expecting Eddie to back away from him so quickly. Steve has half a second to be hurt, to mentally kick himself because get a fucking clue , Harrington, before he catches Eddie’s eyes darting down to his lips, his tongue unconsciously swiping along his lower lip before his gaze skitters back up to Steve’s.
And, oh, yeah , Steve has him exactly where he wants him. Eddie isn’t stepping back because he doesn’t want Steve. No, he’s stepping back because he’s prey . Steve is stalking towards him with a single minded focus and Eddie is skittering backwards like a scared rabbit—bouncing back step by step as Steve approaches until his back collides with the wall. That, finally, seems to knock all their air out of Eddie. The dragon conversation dies on his lips as Steve finally—fucking finally —closes the remaining distance between them. He reaches out, cupping Eddie's cheek in one hand, his jaw in the other, all while pressing up against Eddie from hip to chest.
“ Eddie, ” Steve murmurs, his eyes hooding. This time, Steve feels Eddie’s breath catch, feels the way a tremor works its way through Eddie’s body. He’s staring up at Steve with wide, wild eyes. He looks like a deer caught in a trap—ready to break his leg trying to get away if he needs to.
Steve isn’t sure why that makes him feel a little wild, but it does.
He stretches his thumb out to swipe across Eddie's bottom lip—already bitten and red from Eddie’s nervous chewing. God , it drives Steve crazy . He has a half-hysterical thought about offering his own up for Eddie to chew on when he’s nervous. Eddie makes him crazy .
Steve licks at his own lips as he watches the way his thumb catches and drags and the swollen skin of Eddie’s bottom lip. Eddie’s trembling in earnest now, and Steve feels his pulse thundering in his ears. He wants to kiss Eddie so bad his fucking toes are curling with the anticipation.
He flicks his gaze up, away from Eddie’s lips up to his eyes and he has to fight back a groan. Eddie looks fucking wrecked and Steve hasn’t even kissed him yet. His eyes are wide and wild, his pupils blown and there’s a scarlet flush in his cheeks. He’s fucking panting against Steve’s face and he can’t take it any more. He really, really can’t. He has to kiss him—screw anticipation, screw driving Eddie past the brink. He needs and he needs now.
“ Eddie, ” Steve practically gasps . “Eddie, please.” Steve squeezes his eyes shut as his body unconsciously rocks forward, seeking even more of Eddie out. “Wanna kiss you so bad, please say I can, please—”
And before Steve can get another plea out, Eddie’s slamming his head forward with enough force to knock their teeth together in an uncomfortable clack ; enough force that their noses knock together in a painful way.
But Steve doesn't care . He doesn’t care because Eddie’s lips are on his and he feels like there’s liquid fire coursing through his veins. He feels lit up from the inside out as Eddie finally, finally touches him back. He fists a hand in the back of Steve’s shirt, the other winding through Steve’s hair and fuck it’s finally happening. After night upon night of imagining what kissing Eddie Munson would be like, Steve’s finally doing it.
And goddamn is he doing it. Eddie’s lips are slick against his, hot and encouraging . They slide together in a way that has Steve’s mind going blissfully blank, his only thoughts being hotwetyesmore.  
He kisses him messy, lips moving together in a too fast pace that neither of them can keep track of; bruising force in the way their lips slide, spit sliping from their parted lips in a slow trickle that has Steve’s fingers curling against Eddie’s jaw.
He uses that hand to tilt Eddie’s head up slightly, angling it enough that Steve can get his bottom lip between his own and suck slightly. The first slid of Eddie’s lip between Steve’s own has him seeing fucking stars . 
A punched out groan breaks free from Eddie’s throat and he rocks forward into Steve, seeking more . The hand in the middle of his back pulls and Steve is helpless to do anything but push Eddie more firmly into the wall. He knows it has to hurt, has to be restricting Eddie’s breathing with how tightly they’re pressed together, but he can’t take enough focus away from Eddie’s mouth to care . Plus, if Eddie minds that much he wouldn’t be pulling Steve closer .
Eddie breathes a wet gasp into Steve’s mouth when he takes his teeth to the lip still tucked between his own, and Steve can’t help but let out a gasp of his own. Eddie tastes fucking phenomenal. He can taste the lingering tobacco on his tongue, the salty tang of the popcorn he must have had earlier, and just the overwhelming taste of Eddie. Hot, sweet, fucking sublime. Steve‘s never been a particularly religious man, but he feels like he’s drinking heaven straight from Eddie’s mouth. With every gasp, every moan, every brush of Eddie’s tongue, he feels one step closer to absolution. It’s addicting .
God , he wants more. He wants Eddie’s hands all over him, on bare skin. He wants those deft musicians fingers to snake into his hair, tug a bit. He wants Eddie over him and under him and—
He stills suddenly, a thought occurring to him. The line that had triggered this whole thing—his announcement to Robin back in Family Video—and suddenly there’s a burning need in Steve’s gut. God, he needs to sit in Eddie’s lap right now. Needs to feel his strong thighs under him, needs Eddie’s hands on his ass and his tongue in his mouth.
“ Fuck, ” Steve bites out when he pulls back. Tearing his mouth away from Eddie’s is so much harder than it has any right to be.
Eddie’s staring at Steve with glassy eyes, his lips shiny and red and oh fuck even his chin is glistening with their spit. Steve wants to devour him.
“Go sit on the couch,” Steve says, and is pleasantly surprised that his voice only sounds a little rough, a little shaky.
“What?” Eddie croaks out, staring at Steve for a beat. Then, miracle of miracles, he does it. He stares at Steve the whole time, the glassy look getting a little clearer, and Steve thinks that simply will not do.
The minute Eddie is seated, Steve’s crawling his way into his lap. He wedges his knees into the crease at the back of the couch, shuffling as far forward as he can so their chests are pressing together, their clothed crotches aligning. Then, without giving Eddie a chance to adjust, he drops down, pressing the full weight of his ass into Eddie’s thighs and, by proximity, his dick.
“ Jesus Christ ,” Eddie swears, his hands shooting out to grab at Steve’s ass on instinct. Steve almost giggles . It’s exactly what he wants.
“You can just call me Steve,” he mutters, and before Eddie can reply, he’s sweeping in and claiming Eddie’s lips again. Eddie huffs against his mouth, but let’s Steve have the last word. Steve’s glad because he has plans .
Plans that start with Steve winding those thick curls around his fingers as he slides his lips against Eddie’s. Eddie pushes his head back into Steve’s hands like a cat, and it makes Steve smile into their kiss, which makes Eddie smile into the kiss. It’s like a domino effect—once Steve feels Eddie’s smile against his, he starts giggling like a schoolgirl. He can’t help it, this feels unreal in the best possible way.
Then Eddie’s off, giggling back into Steve’s mouth. They’re both just sitting there giggling at each other, eyes squinted and happy . God, Steve feels euphoric in this moment, perched in Eddie’s lap like it’s his throne, with Eddie’s hands on his ass.
Eddie pulls back after a moment, when their smiles are too wide to actually kiss. He brings a hand up to gently brush a strand of hair away from Steve’s eyes, tucking the long lock behind his ear before putting his hand back on Steve’s ass. 
“You’re unbelievable, Steve Harrington,” Eddie whispers, eyes so full of affection that Steve feels his insides turn to mush. He squirms in Eddie’s laps, ducking his head to mouth at Eddie’s neck because if he stares into his eyes any longer he’s going to do something stupid . Stupid like admit that he’s pretty fucking sure he’s in love with Eddie, has been since he gave him that dumb rock for no decernable reason other than he wanted to, because he was thinking of Steve.
Steve tongues at the tendon in Eddie’s neck that’s stretched taunt, rubs his nose along his jaw and up to the hollow under his ear. Eddie laughs, tilting his head sideways to give Steve easier access.
“Oh, now you’re gonna be shy? After you practically pounced on me earli—”
Eddie’s words cut off in a choked groan as Steve bites, hard , at the tendon he was just showing attention to.
“ Steve, ” Eddie gasps, but Steve doesn’t let him do any other talking. No, he’s not going to let Eddie derail him again. So, he dives back for Eddie’s mouth, licking into it, not slowing down and not giving Eddie a chance to catch up. He smooths his tongue alongside Eddie’s, lets Eddie push back against it with his own for a millisecond, before he’s switching tactics—licking behind the top row of Eddie’s teeth, sliding his tongue over Eddie’s bottom lip. 
Eddie squeezes his ass at the sudden onslaught, and Steve can’t help the small jerk his body gives at that. He grinds down, a gasp trapped in the humid air between them as sharp waves of pleasure shoot up his spine. He’s trapped in between Eddie’s lips and his hands and he feels like he’s high with it.
He’s enjoying himself so much.
He slides his tongue along Eddie’s again, enjoys the way it's slightly rough and gloriously slick against his own. Enjoys the way it makes his pulse thrum a little faster, his fingers grip a little tighter where they’re fisted in Eddie’s hair—the way it makes Eddie squeeze a little tighter, which makes Steve grind down a little harder.
Steve feels the evidence of Eddie’s interest, has been feeling it, and knows Eddie has to be aware of Steve’s own. And Steve’s fantasized about Eddie’s lips for so long that he’s tried to keep it to just that—tried to focus on the heady drag of lips on lips—but it’s hard to ignore the way Steve’s own hips are twisting down, seeking as much of Eddie as possible. Hard to ignore the way Eddie has his own feet planted on the floor, meeting Steve’s hips with firm thrusts of his own.
They’re sharing humid air and sharp gasps, their lips swollen and honestly sore . Steve’s lips ache in the best way he’s ever felt, and Steve doesn’t want to stop. Wants to sit right here on Eddie’s strong thighs, wants to feel Eddie’s teeth nipping at the too sensitive skin of his mouth, wants to kiss Eddie for the rest of his life .
They kiss and kiss and kiss, and Steve has never just kissed someone like this. He’s never kissed just to feel, kissed just for the pleasure of it with no expectations for what’s to follow. He feels intoxicated. He’s utterly, wholly blissed out on Eddie Munson’s mouth and he never wants it to end.
They kiss for so long that Steve has honestly started to lose feeling in his lips. It’s weird feeling them so sore, so numb. But they are, so he slowly, so slowly pulls back. Leaning down for a few lingering pecks as he puts a little distance between their mouths.
Eddie’s mouth is bright red, spit slick and so tempting. Steve watches with fascination as a single string of spit connects their lips, stretching until he’s put enough distance between them that it breaks.
Steve bites his lip on a moan, thinks that’s one of the hottest things he’s ever seen.
He meets Eddie’s gaze. His eyes are wild, pupils blown out. His hair is an absolute disaster from the way Steve’s been running his fingers through it, and his cheeks are flushed so prettily. Steve can’t resist sneaking one more kiss in, lingering around afterwards to rub their noses together.
“Hi,” Steve finally murmurs and fuck, is that his voice? Jesus, he sounds wrecked.
“Hi,” Eddie says back, his smile verging on loopy. “Did you know that some corvids can understand physics?”
Steve stares at him for a beat, a little stunned and a lot confused by the abrupt topic switch. Eddie stares back, a look on his face that Steve can only take for regret, his already pink face is turning positively crimson. 
It’s dead quiet for a moment, then Steve bursts into laughter. His chest absolutely swells with affection, with, fuck it, love. God damn , he can’t deny it any longer. The love he feels for this boy sitting under him is overwhelming at the best of times, and it feels like it’s just bursting out of him at this moment. He’s coming apart at the seams with his feelings for Eddie, and he’s done trying to pretend that they’re anything but that.
“Oh my God, ” Eddie mutters, bringing his hands up to hide his face. It’s so endearing. Steve is endeared. “Sorry, fuck. I don’t know why I just said that.”
“Jesus Christ, dude.” Steve’s still grinning down at Eddie, moving his hands to clasp around Eddie’s wrists, trying to pry his hands away. He never wants to not be looking at Eddie. He’s so fucking weird and Steve likes him so much. “I like you so fucking much .”
Eddie lets Steve pull his hands away, and he…there’s no other word for it, Eddie just absolutely lights up. It’s like Steve’s staring directly at the sun. Eddie is beaming up at him, his smile so wide that his eyes are basically closed. He has laugh lines, and Steve is already obsessed with them, already thinking of ways to make Eddie smile this wide, this radiant all the time.
“Yeah?” Eddie asks.
“Oh, yeah,” Steve confirms. “Just ask Robin. I’ve been whining about it for weeks .”
Eddie laughs again, his grin not dimming in the slightest, and Steve just has to taste it—has to get his mouth around Eddie’s happiness. So, he swoops back in, feels Eddie’s laughter transfer to him via their connected mouths, feels a piece of himself that’s long been looking for a home finally slot into place.
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The "wow this relationship was so compelling and/or queer I'm sure that there is much fan stuff" to "Oh yeah I forgot the fandom branded these characters as having a familial relationship such as siblings or parent/child and harassed people who said otherwise" pipeline
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tyriongirl · 5 months
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Genesis 4:1-5, translated by S. R. Driver, from The Book of Genesis, 1905
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A Clash of Kings, Prologue - Maester Cressen
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Emanuel Krescenc Liška – Cain (1885)
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Claus Westermann, Genesis : a commentary, 1984
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Arthur Segal - Kain und Abel (1918)
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A Clash of Kings, Prologue - Maester Cressen
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Natalie Diaz, A Brother Named Gethsemane, from When My Brother Was an Aztec
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Lovis Corinth - Kain (1917)
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Genesis 4:6-9, translated by S. R. Driver, from The Book of Genesis, 1905
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A Clash of Kings, Chapter 33 - Catelyn IV
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Odilion Redon - Cain and Abel (1886)
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A Clash of Kings, Chapter 33 - Catelyn IV
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Genesis 4:9-14, translated by S. R. Driver, from The Book of Genesis, 1905
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A Clash of Kings, Chapter 31 - Catelyn III
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St. Omer, Benedictine Abbey of St. Bertin; c. 1190-1200
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A Storm of Swords, Chapter 36 - Davos V
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S.R. Driver, The Book of Genesis, 1905
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A Clash of Kings, Chapter 42 - Davos II
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Lazzaro Pisani - Death of Abel (1885)
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S.R. Driver, The Book of Genesis, 1905
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A Clash of Kings, Chapter 42 - Davos II
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A Clash of Kings, Chapter 42 - Davos II
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Cain and Abel - City of Zeven - 2015 (source)
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Genesis 4:14-16, translated by S. R. Driver, from The Book of Genesis, 1905
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firehandlerfred · 9 months
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The villain dying at the end of a show?
Expected
The villain dying at the hands of his surrogate daughter?
Fucked up, exciting, love it
The villain dying at his daughter's hands AFTER PROVING HE WOULDN'T ABANDON HER?
Insane actually, peak fiction
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skinnypaleangryperson · 4 months
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mynameis-a · 1 year
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reading fanfic and being all like “he would not fucking say that” is even worse when you literally are one of the characters
i would not fucking say that
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mxtxfanatic · 6 months
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Ngl, I’m actually pretty uncomfortable reading my old posts defending the goodness of the common people and their right to defend themselves—as persecuted groups or as individuals—from hierarchical tyranny, given how easily in this current irl moment a not-insignificant amount of people have fallen into supporting an active genocide, because I cannot separate this from how much pushback I got (and still sometimes get) for being consistent in my politics
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ventiswampwater · 11 months
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Griffin Dunne as Jack Goodman in An American Werewolf in London (1981)
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ivaspinoza · 5 days
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Quick tip from the art/lit world
Drop the need to impress and shock people with themes or bad words and porn. Not only because of how deeply desensitized our society is: drama, horror, gore, sex, drugs & rock'n'roll and similar genres or other tragic, violent themes do not hold any inherent value, not on their own.
The reason a director from Czechoslovakia will talk about the horror of war using pigeons on a mushroom trip and it's going to be exceptional is because it makes sense to him first. I can use all the same elements he did and my work will be shit. There is always reason and context for creation. Reason and context. Why and how you make what you make.
The worst thing you can do as an artist or writer is try to impress others. It will show. Mature people can spot that miles away. Drop the hard themes you know nothing about. Stop listening to the internet 13-year-old kids who never leave their rooms trying to help you (or charge you to help) you write about such a complex and stigmatized theme as drug abuse, for example.
Go inwards for wisdom. Go to your own heart chambers, be quiet and listen. It will tell you what you need to write about. Be honest, raw and wild. But first, try to understand what those words really mean in the current context.
With all my love, Iva.
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invinciblerodent · 5 months
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going slightly feral today for characters who don't think of themselves as being "~into~" touch and physical intimacy suddenly discovering that they actually are, in like an embarrassingly huge way
"oh fine, I'll indulge you, but I'll have you know that I'm not exactly cuddly, darling. 🙄" (proceeds to wrap themselves around their partner in their sleep like a boa constrictor) (yes this becomes a regular occurrence)
"no dear, I don't like hugs" (does, in fact, melt into each embrace with a soft sigh and eyes sliding shut, all gooey inside like a person-shaped fudge brownie)
"how juvenile. I'm not ticklish, I'm not a child. 😒" (starts convulsing with stifled laughter if their partner as much as wiggles their fingers in their general direction) (no they are very cool I promise)
"don't touch me 😒" (secretly pouts when their explicit wish is respected. no wait come back i didn't mean don't as in don't, i meant it as try harder. yes i know that's counterintuitive. no you should read my mind exactly. how is that even hard--)
"*makes a longing 🥺 face every time their partner is doing something just out of their reach, wanting to touch them but not wanting to come off as ~needy~*" (scoffs and turns away when asked if they want a hug) ((that means "yes please"))
"ugh, fine, but if you ruin my hair--" (all but tears up at having their scalp gently scratched. finds that they do not give a solitary shit about their hair now, actually.) (yes, they will now regularly plop their head in their partner's lap as a silent request for scritches. they're not cuddly, though.)
will not hold hands. will, however, knock shoulders while walking. (it means try again. it means please never stop trying.)
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thelaurenshippen · 6 months
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this is a genuine question not at all meant as a rude gotcha, but I feel like I've seen lots of people cite the relatively low barrier of entry as a huge advantage of podcasts as a medium, "if you have access to decent audio tech you can make a podcast" etc etc. So where does the need to sell a script come in? Is it a financial thing, and IP thing, something else?
this doesn't read like a rude gotcha at all, it's a really good question! there is a much lower barrier to entry when it comes to podcasts compared to tv, film, theater, etc. (though not as low as writing a book if we're talking about hard resources - you can technically write a book with just a laptop and a dream and then self publish! though as a writer who has written a lot of scripts and four books (3 published) writing a book is a much bigger psychological burden imo lol).
the need to sell a script, for me, is entirely a financial thing. if I had the money to produce podcasts at the level I want to entirely independently, I would! I know how to do it! but, unfortunately, I really only have the funds to produce something like @breakerwhiskey - a single narrator daily podcast that I make entirely on my own.
and that show is actually a great example of just how low the barrier is: I actually record the whole thing on a CB radio I got off of ebay for 30 bucks, my editing software is $50/month (I do a lot of editing, so this is an expense that isn't just for that show) and there are no hosting costs for it. the only thing it truly costs me is time and effort.
not every show I want to make is single narrator. a lot of the shows I've made involve large casts, full sound design, other writers, studio recording, scoring, and sometimes full cast albums (my first show, The Bright Sessions had all of those). I've worked on shows that have had budgets of 100 dollars and worked on shows that cost nearly half a million dollars. if anyone is curious about the nitty gritty of budgets, I made a huge amount of public, free resources about making audio drama earlier this year that has example budgets in these ranges!
back in the beginning of my career, I asked actors to work for free or sound designers to work for a tiny fee, because I was doing it all for free and we were all starting out. I don't like doing that anymore. so even if I'm making a show with only a few actors and a single sound designer...well, if you want an experienced sound designer and to pay everyone fairly (which I do!), it's going to cost you at least a few thousand dollars. when you're already writing something for free, it can be hard to justify spending that kind of money. I've sound designed in the past - and will be doing so again in the near future for another indie show of mine - but I'm not very good at it. that's usually the biggest expense that I want to have covered by an outside budget.
but if I'm being really honest, I want to be paid to write! while I do a lot of things - direct, produce, act, consult, etc. - writing is my main love and I want it to be the majority of my income. I'm really fortunate to be a full-time creative and I still do a lot of work independently for no money, but when I have a show that would be too expensive to produce on my own, ideally I want someone else footing the bill and paying me to write the scripts.
I love that audio fiction has the low barrier to entry it does, because I think hobbyists are incredible - it is a beautiful and generous thing to provide your labor freely to something creative and then share it with the world - but the barrier to being a professional audio drama writer is certainly higher. I'm very lucky to already be there, but, as every creative will tell you, even after you've had several successes and established yourself in the field, it can still be hard to make a living!
anyway, I hope this answers your question! I love talking about this stuff, so if anyone else is curious about this kind of thing, please ask away.
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franklyimissparis · 1 month
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i think it’s funny how when some people talk abt alex turner’s potential drug usage it’ll either be like “he has a major drug and alcohol problem it’s so obvious!!!” or “i don’t think he’s the type to have ever even tried a hard drug” as if there isn’t a ton of middle ground between those two extremes
like the man who wrote “why’d you only ever call me when you’re high” and has been a touring musician since he was 19 has obviously fucking been high - and not just with weed - but that also doesn’t mean he’s completely off his head in every interview he’s ever done 😭😭
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waterberry-strawmelon · 2 months
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just gonna go ahead and say this in advance—
if Riz does indeed come out in junior year, and he says, “I’m ace” or “I’m asexual” when referring specifically to his lack of romantic attraction, aromantic people are allowed to be upset about it.
#because yes of course some people irl say ace to mean both bc that’s how they personally identify#but in fictional media the distinction is necessary. especially with how few canonically aromantic characters even exist in ANY mainstream/#popular media.#I assure you I’m not invalidating anyone who is ace and they mean that to include lack of romantic attraction.#But to look at this from a MEDIA PERSPECTIVE its irresponsible to do this w/out clarification that they also know the word aromantic exists#because otherwise that’s just a conflation of asexual and aromantic without any nuance#and an erasure of aromantic people who are not asexual.#Plus—name a single fucking time a character in mainstream/popular media has said the word aromantic.#Because I can name several instances where they say asexual. But I can’t think of ONE where they say aro or aromantic.#(Maybe that Isaac kid does in season 2 of Heartstopper? But I haven’t seen it so I’m not 100% sure.)#anyways.#the way this fucking fandom—and ANY fandom with a canon aro character—discusses the aromantic spectrum#is blatantly just to remove their own personal guilt for shipping that character with other characters and erasing their orientation.#because yes aromanticism IS a spectrum!! But when people talk about fabriz and say ‘he can still be ace!’ (Which is aro erasure) or#‘he can still be aro!’ They never SHOW riz still being aro or having any kind of complex relationship with romance.#I’m angry and I’m allowed to be.#I get that a ship you liked may be hard to let go of or something#But I’d be much less mad if all the fabriz fans said ‘yeah I know Riz is aro in canon and he and Fabian would never get together.#I just like to imagine it sometimes in fiction/fanon!’ Then that would be a WHOLE different conversation#Because then they’d at least be acknowledging that riz doesn’t feel romance in canon. That fabriz is something that actively#Goes against the canon characterization of one of those characters—and that’s fine. Just fucking ACKNOWLEDGE IT.#But most of these people either WANT fabriz to be canon/believe it WILL BE canon#OR I guess feel uncomfortable confronting the fact that they ARE erasing riz’s aromanticism so they don’t even acknowledge it at all.#fhjy#fantasy high#d20#dimension 20#riz gukgak#aromantic riz gukgak#fhsy
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