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blazethecheeto · 4 months

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ATLAS PARADOX RAMBLING

dude this book. i need to talk. about it. im going insane.

everyone who hasn't read it, PLEASE DO!!! it's a dark academia book about a bunch of gay silly magic people that join a society and try to kill each other. there's time travel, a big ass polycule, aesthetic scenes, the prettiest writing style in the world, science, philosophy, and fucked family. (opposite of found family).

(extremely chaotic unorganized long rant below, with spoilers. click at your own risk)

FIRST OF ALL WHY WAS THIS SO MUCH BETTER THAN THE FIRST ONE?!!?!?

i had to power through the first one, it felt long, and unnecessary and like trekking through a JUNGLE with the thickest and most intricate ecosystem that i had to peel back and unravel for hours and hours. only to like move the plot by an inch.

BUT THIS. olivie blake found her footing because this was so good. i am aware the reviews hate on this book and some people don't like it, but personally i adore it and it's really well written.

CHARACTERS

bro they all had such wonderful voices, like they were distinct and unique from each other but not drastically, noticeably different I NEED TO LEARN FROM THIS. six of crows and the atlas six do multi povs so well <3 its like this book was made for me, each character was perfect and incredible and gay and silly and-

reina. love of my life. i look forward to all her povs because the plants are so silly and she's the best character. i said it. she's canon asexual now too YEES. i needed more of her because she was barely in the first one, and they DELIVERED. the juicy plot with her 'god complex' (ily callum) and her feelings getting hurt and learning she actually is lonely and wants friends? she's so wanda maximoff. next book better have her opening up and learning to love people or i riot (and also her killing people and being the badass she is)

parisa always my fave too, i do wish her character wasn't always talking about sex or romance, there were some great moments in this book where she showed off her telepathy powers (the prince in the tower!!) it was awesome. i'm glad they acknowledged that side of her with reina, (oh my god i ship them so much wait till i rant about them-) but dude i still HATE DALTON. SO MUCH. OH MY GOD. every time it's her pov i dread seeing dalton, i wish she could give that up. generic white men should die.

CALLUM. whatever turned him from complex, daunting, and a psychopath last book to janus from sanders sides this book- beautiful choice. he's literally the one sassy wine-sipping gay aunt that feels nothing and everything at once, also extremely mentally ill and depressed. he's SO FUNNY. his povs are fucking hilarious to read, and he quickly became one of my faves bc of how complex he is. i'm not smart enough to decipher and psychoanalyze him but god i LOVE CHARACTERS LIKE THIS.

i don't know what happened but nico is literally one of my faves now too, he's so silly and sweet and kind and i loved his relationships with everyone this book. like him trying to murder tristan in multiple different ways oml. he's my bbg. tristan was hit or miss for me, i did find him interesting but he's not my favourite. doesn't mean i hate him, he's so very british, i feel it radiating off the page. libby my queen my icon, her dream povs were so trippy i loved it- so so realistic to a real dream, that was the most surprising and unique part. also my bisexual queen seducing belen??

i did not like ezra and atlas was a little iffy here and there but tbh the cast was so well rounded and interesting and unique but paralleled each other so well?? THE RELATIONSHIPS. I DONT THINK ANY BOOK HAS THIS INTRICATE WEB-LIKE RELATIONSHIPS WITH EACH OTHER. they're one big polycule.

RELATIONSHIPS

nico and libby <3 i love them so much as siblings/queerplatonic partners. i don't ship them romantically, because i LOVE how they subverted the eye-rolling predictable ' YA academic rivals enemies to lovers' trope. when i started TAS, i immediately thought they were gonna get together and assumed the worst. but no, they still had the banter and importance in their relationship but without the romance? instead both of them were gay af. it's beautiful. i love subverting tropes so much. they're each other's 'other half' and they're hilarious together.

NICO AND TRISTAN. they were such a highlight this book, it was unexpected but so funny. nico trying to murder tristan and their little talks because 'they're not friends...just coworkers' yeah right, the best friendships start with creatively murdering each other. tristan being droll and chill af, and then nico bouncing off the walls my adhd king.

reina and nico broke me?? like that one chapter where they sparred and caught up with each other and reina was guarding her hurt feelings. DUDE THAT KILLED ME. made me stare at the ceiling for a good minute. their friendship is everything to me, they contrast each other so well. she deserves to be treated better- when they had that projection chapter and she saw that nico downplayed her skills...like she was good, but not good enough for him to care about her. AGGHGH.

REINA AND PARISA. NOW THIS. THIS HOOKED ME INTO THE BOOK. i ship them so bad guys. they parallel each other and are both hot and enemies to lovers and wlw slow burn and- look. reina is asexual, therefore the only person to truly see and understand parisa for who she is, and not be influenced by her body. like that one projection. she can help parisa understand HERSELF and who she is past her sexual desirability. how to love someone again. romantically. then, on the flip side, parisa can help reina see and understand OTHERS. reina only sees people as one trait, cut and dry- without any of the complex feelings. parisa is a telepath, she knows how to read others. THEY CAN BOTH HELP EACH OTHER AND LOVE EACH OTHER IN WAYS THEY NEVER COULD HAVE OMFDADJFLSKJADFL- also reina pinned her against a wall and they want to kill each other and every time they interact i scream into my pillow-

'You can't love anyone right?"

"I've met very few people worth loving."

*throws myself off a building*

now we just gotta play the familiar game "IS IT DELUSION OR IS IT JUST SLOW BURN" and find out whether their insane chemistry pays off in book 3.

the nico parisa scene was actually sweet ngl, even though i don't ship them. the whole callum and tristan thing was so bitter exes situationship coded and i ate every second up. especially that last conversation. AND OFC. GIDEON AND NICO?!!! AAAAA THEY WERE SO CUTE THEY'RE ENDGAME I SCREAMED WHEN THEY KISSED DUDE THEYRE SO-

PLOT

now for the actual plot. this book has so many interesting subjects and philosophies and debates i'm not smart enough for this. but past all the aesthetic glamour, it's science, time travel, dreams, multiverses, fate, reality, and the complexities of the human mind. and my god it's fascinating as fuck.

do i have any idea what they do in this society?? NO. am i entertained? YES. especially that whole explosion paradox to bring libby back to the future. the whole powering the connections via aurora borealis? the whole debate about being gods? i love it. i love it.

alright im so sorry for that rant, i gotta go now but DUDE I LOVE THIS BOOK NO MATTER HOW WEIRD IT WAS

#the atlas six #the atlas paradox #fandom rant #long post #jesus HOW MANY WORDS WAS THIS #this was long #parisa kamali #libby rhodes #nico de varona #reina mori #tristain caine #atlas blakely #callum nova #nicogideon #reina x parisa #tas #my faves #mine

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lionydoorin · 10 months

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who ARE your blorbos? give us a rundown. describe your babies.

oh! :3 since i'm in my scream hyperfixation i'll give you a rundown of my no. 1 scream blorbo, anon :))))

first of all this 👇

little guy right here is tara carpenter.

tara's dealt with loneliness from a very young age.

canon-wise, there's not much we know about her childhood, so boo canon the scream mutuals got me covered. my personal view of tara's backstory is a mix of canon and fanon so i'll just break it down the best i can.

tara was born a frail, tiny baby, and had to deal with different medical issues throughout her childhood. her dad left when she was little, following the discovery that her older sister, sam (tara's favourite person), wasn't his daughter. and her mom wasn't the best mom. she drinks and travels too much to care about her daughters. sam also left when tara was 13 — when her parents got divorced and christina became the shittiest person in the universe, sam drowned in guilt and sadness over the knowledge that her entire life was built on a lie, and thought she was the one responsible for everything (even though we all know it's not her fault, but her mom's :3), and resorted to unhealthy coping mechanisms, such as alcohol and drugs, before making the ultimate decision to move out at 18. it's easy to see why tara has abandonment issues only by taking a look at her family situation :3

after her sister left, tara had to lean on her friends a lot for support and had to mature faster than most kids in order to survive. a friend, in particular, was very special to her: amber freeman. amber wasn't particularly the nicest person; she could be very controlling, sometimes a bit explosive. she knew how to play with people and manipulate every situation in her favour, and, above all, knew how to play her cards in order to have tara in her hands. amber was also obsessed with the "stab" franchise, which, surprise, is based on the crimes committed by sam's father and other killers who took over the title of ghostface. amber also became a ghostface herself, attacking tara and killing a bunch of people she knew.

and it's tara's attack that leads her sister back into her life, sam coming back five years after she left to make sure her sister was okay. together, they kill amber and the other ghostface (richie, who was sam's boyfriend at the time). a year later, richie's family also target sam and tara wanting revenge on their fallen son/sibling, resulting in more trauma and more death and more injuries :3

anyway, you can see how hard her life has been to this point.

of course, all of these events leave tara with a bunch of trauma to deal with. not only she survived the homoerotic teenage friendship with a psychopath, but she also had to deal with multiple murder attempts, which left their mark both physically and mentally.

amber's initial attack left her with two injuries that logically do hurt a lot and affect her in the long run: her right leg got snapped in half and she got stabbed in her left hand. of course, it's horror and permanent injuries in horror are almost never a thing as far as i'm aware of, but in this tag i ramble a lot (and came to a conclusion) about how tara's hand injury, in particular, should affect her in the long run and i personally hc her with such disabilities.

tara also struggles a lot with the thought of being a survivor. while she did get treated for her physical injuries, tara has been neglecting her own mental health. in fact, she has been for most of her life. it makes sense that her mom being who she is would never put tara in therapy and tara had to repress a whole lot of emotions for most of her life, but after being through everything she's been through, girly should probably see someone lmao still. the tara we know hates talking about everything that happened and just wants to be normal at all costs — putting herself in dangerous situations, having to resort to unhealthy coping mechanisms and making somewhat impulsive decisions to seek said normalcy.

after the second attack, she promised she'd try to get better, though. we'll see how it goes :)

all in all, she's my whump blorbo and i love her so much. it makes me so sad to see how part of the fandom hates on her and doesn't get why she is the way she is in 6. people are too harsh. she's a literal teenager who didn't have anyone that truly cared about her before her sister got back into her life, and of course she's feeling overwhelmed. it's not sam's fault, sam isn't overwhelming, but tara simply doesn't know how to be taken care of and it's a process. she's learning and she's maturing.

i love how the scream tumblr fandom gives tara so, so much love though. we're the only ones that get her, guys, everyone else's opinions are wrong :3

i was going to make it about tara and about amber but i started to ramble and the post is getting too big. i have a lot of thoughts about the crazy bitch that is amber freeman, though :)

#ask #anon #ough i may have gotten out of track i dunno i just rambled here but mom woke up so i'm chatting w her and am here at the same time #thank u for this tho anon love u mwah #tara carpenter #ma talks scream

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laughtosmilex · 1 year

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rating tvd characters because i’m out here struggling with this show (up to s5)

for context: i’ve had this love-hate relationship with tvd since i was 12. now that i’m grown and not blinded by insignificant storylines and attractive 30-year-olds playing teenager roles, i’m rewatching and struggling. and i’m taking y’all with me.

elena gilbert, 1/10

- banal

- whiny

- bad acting, got like two facial expressions

- annoying

- tries to be cool and tough, but to me she’s just cringe 99% of the time

- i don’t give her 0 just because she’s rarely funny and active (= not being a damsel in distress or a living ingredient for some witchcraft shit)

stefan salvatore, 7,5/10

- boyfriend material

- love s1 stefan

- kind and caring, excluding the ripper personality

- comes up with good plans

- a lot of different phases of life, maybe too many

- transformative arch’s a bit confusing (up to this point), like one step forward and two steps back

- sometimes i feel like punching him in the face

- still i have a soft spot for him

damon salvatore, 5,5/10

- king of bad decisions

- ridiculously down bad (relatable)

- comes up with either shit plans or excellent plans that resolve in the worst way possible

- funny and charismatic, but very moody

- cinic to say the least

- he doesn’t sit right with me, i don’t hate him tho

- still very iconic

caroline forbes, <3/10

- cute

- kind

- witty

- adorable

- does everything for her loved ones

- her smile lights up the world

- the show did her dirty since episode 1

- she owns my heart

- i can make you happy, caroline, i swear

bonnie bennett, 10/10

- underrated

- powerful af

- brave

- strong

- selfless

- the show did her dirtier than caroline

- always sacrificing everything for other people

- i love witches in tvd

katherine pierce/katerina petrova, 4/10

- stereotypical

- manipulative

- annoying

- selfish

- her favourite singer would probably be ariana grande or something like that

- but she got flaws too

- she’s funny tho

- i like her at times, rare times

(ni)klaus mikaelson, 7/10

- i would’ve given 10/10 when i was younger, but i have to rethink about that

- psychopath

- his whole family stuff is just creepy and somewhat nonsense

- “man, i love my family. what did you say, brother? i have to do the dishes?” *stabs you and puts you in a casket for 900 years*

- curb your millenary creature flirting with a 17-year-old

- pros: powerful, fascinating, charming, poetic, british accent

- i wish i could hear him call me “love”, just for once

- hybrid (they’re cool)

matt donovan, 2/10

- give me a chair, because i can’t stand you

- if “i won last place” was a person

- he’s just boring and very mean at times

- i’m sorry that his life sucks so bad tho

tyler lockwood, 4,5/10

- s1 tyler was asking to be kicked in the balls

- totally unbearable

- however his character grew so much and i’m glad

- i know i said hybrids are cool, but i liked him better when he was just a werewolf

- he went back to being intolerable when he was sired to klaus, but it wasn’t entirely his fault

- i’m mixed on this

- nah, he broke caroline’s heart, so fuck him

jeremy gilbert, 9/10

- let’s ignore s1 jeremy, shall we?

- from emo teen to kick ass hunter

- lovely

- strong

- brave

- i can’t help being drawn to him every time he’s in a scene

- i don’t have anything else to say, i like him, period

#the vampire diaries #tvd #tvd universe #elena gilbert #stefan salvatore #damon salvatore #caroline forbes #bonnie bennett #niklaus mikaelson #klaus mikaelson #katherine pierce #katerina petrova #matt donovan #tyler lockwood #jeremy gilbert

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cursedvibes · 2 years

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naruto for the ask game!

thanks for the ask! hmm...

favourite "male" character: Orochimaru (just putting him here to leave space for Tsunade) One of the first favourite characters I ever had. And the first of many gnc Mad Scientists I've been exposed to. He was actually a positive influence on me regarding queerness when I was young. Even if he is bad representation. Aside from that, I just like that he is a straight up psychopath. As much as Boruto likes to pretend otherwise, there is no way to palliate what he did. He is frightening and cruel but still entertaining. Also one of the most intelligent characters in-universe. I wish we got to see more of his vast knowledge of jutsu. Missed potential.

favourite female character: Tsunade When I say I like the sannin, I'm mostly talking about her and Orochimaru. She has been fucked over by the shinobi system so hard, lost so much, hit rock bottom but in the end she did manage to at least improve a little bit for the future generation. More than many other hokage did. I also like that she straight up left the village and turned her back on being a ninja. It's not weak, after fighting in 2 ww it's her right. Konoha doesn't deserve her.

least favourite character: Hiruzen and Itachi Can't decide on one, so they're both here. Itachi is mostly just shitty writing because Kishimoto couldn't make up his mind if he's supposed to be a misunderstood genius and hero, or an abused child, or a cold ruthless killer. His arrogant attitude just pisses me off. I especially hate his fight against Kabuto. It solidifies that unless you were born into a powerful clan, you can't amount to anything and any struggle is useless. Kabuto basically got brainwashed into accepting that and keeping his head down. Hiruzen has no backbone and is responsible for most bad things that happen in the story. He didn't do anything to stop them. 9-tails? Naruto? Danzo? Shinobi WW 3? And then the narrative turns around and wants me to believe he's just a jlly old man. Nope.

prettiest character: uuh don't know, Orochimaru's hair? There are a bunch of good-looking characters but I wouldn't call them "pretty"

funniest character: Sai. great dick jokes

favourite season: Kakashi Hiden (in the anime, haven't read the light novel). It just shows all the problems with Konoha and the shinobi system so well. Now if only someone had done smth about it...

favourite episode: When Kakashi and Kinoe enter Orochimaru's old hideout. The tension there is really good. And you get a hint at the horrible things that have happened there, but you are left to fill in the blanks of how it got to that point. My favourite kind of horror.

favourite romantic ship: A lot of the stuff I ship doesn't involve romantic feelings but I like Tsunade and Oro as fwb. Like, in the least cishet way possible

favourite family ship: Not sure what this means but the Otogakure hideout in Boruto is horribly dysfunctional while still being endeering in a fucked up way. I want to see more of Mitsuki & Log and the other clones.

favourite friend ship: Orochimaru & Tsunade again? I want to see them work together in the medical field, either before they defected or during Boruto times. They could achieve so much together or have already. I'm sure they'd also really get on each others nerves while working.

worst ship: Any child/adult stuff. I'm not passionate enough about Naruto ships to hate a specific one.

#asks #orochimaru #tsunade

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jimlingss · 4 years

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Moirai [2]

Chapter 1 - Chapter 2 - Chapter 3

➜ Words: 6.2k

➜ Genres: 60% Fluff, 40% Angst, Isekai!AU

➜ Summary: Death is supposed to be the end. Or at least that's what you assumed when you're hit by a TRUCK. But the moment you open your eyes again, instead of being sent to the afterlife, you've become a baby. And not just any baby. You're the female villain of a video game.

You turn the corner and dart down the hall. “My lady!” There’s a parade of maids chasing after you, Joan included in the bunch, and a frightened guard whose metal armour clanks with each movement. You grin, swinging your wooden sword around at them with a ‘huzzah!’. Pretending you’re a champion, you twirl around the pillar with one arm. But even with your theatrics, they’re still meters away and out of reach. “Please! Come back! You have your dance lessons!” You stick out your tongue. “Then catch me!” It’s been one full year since you’ve started learning swordsmanship and admittedly, it’s become one of your most favourite times of the day. It beats sitting at a desk with the old fart droning on and on about dumb things you already know or having your posture criticized over and over again during dance lessons. You’re frankly getting tired of having information and insults shoved down your throat. Sword lessons are the only time you can be out in the sun and do whatever you want. You can tell that you’re improving too. It’s a pain in the ass to get the guards to take you seriously, but sometimes the tips and tricks they give are pretty helpful. It’s fun. Especially when there are people desperately chasing you. “P-Please!” one of the girls cries out, running out of breath. One of the best perks about being a five-year old is having endless energy in your body. And you’ll happily take advantage of that while you still can. “Pirates never give up! Argh, matey!” But your play time is unfortunately interrupted by a deadpanning voice— “What are you doing?” The familiar sharp voice sends shivers up your spine and you freeze. Your parade halts on their heels as well, immediately dropping their heads to the ground and placing one hand over the other reverently. “Your grace.” “What is going on here?” Your mother’s footsteps echo through the marble hall, ball gown dragged behind her as her scrutinizing eyes lay on the help, the knight and then to you. “I’m so sorry,” Joan is quick to confess, “The lady refuses to attend her dance practices.” And she’s quick to throw you under the bus. If you could, you’d stick up your middle finger at her. Your mother turns, her glare laid upon you. You brace yourself. “This is not how the future Devereux head should act.” Her voice is above a slight murmur, yet chilling and heavy. Her narrowed eyes have dimmed as they look upon you. She doesn’t need to yell to be frightening. “The Chevalier household has their youngest daughter playing piano and they recently went to the castle to show her talent. How will you compete, Anastasia?” “I—” “Or will you continue to tarnish our family’s name by being a child?” You are a child. Technically. The woman looms over you, her demeanour imposing and the burden of the household’s name lays upon your shoulders. You can’t help but feel small. It’s no wonder Anastasia took the Prince’s kindness as love and fell for him so quickly. Moments with him were her moments of freedom. You stay quiet, solemn, knowing it’s not worth arguing. Your eyes instead focus on a younger maid who’s silently snickering to herself and before you can make note for later, your vision blurs. “From now on, your swordsmanship lessons will be retracted until you’ve caught up with the rest of your lessons,” she says while looking straight ahead, not sparing you a glance. “The only places you are to be permitted in for the next month is your room and the study—” It’s unfair. A punishment that doesn’t fit the crime. But your voice doesn’t come out of your mouth. The world tilts on an axis. It swirls. Your head is lightweight. And before you could figure out what’s happening, there’s a shrill cry for you — “my lady!” — and you feel yourself falling back before the universe becomes pitch black. An abyss of nothing. // “Why did she faint?!” When you come to, your first thought is that you’ve died. Again. Illness. Heart attack. Maybe from the plague. Fuck. It’s frightening and you feel an urge to cry, knowing that you yet again didn’t complete your goal of living a long and fruitful life. That the years spent fighting for your survival were ultimately useless. But then you hear far away voices and realize your fingers can twitch. The soft mattress underneath you registers soon after and it sinks in that you’re in your room, bedridden. “Well….your grace…” “On with it! I didn’t bring you here to waste my time!” “Herrick…” Oh right. It’s the Eve of the Solar Festival, isn’t it? A day where commoners celebrate the empire and wish for its everlasting prosperity. You remember since you’ve never gone before. Around this same time last year and the year before that, you fell ill in the exact same way — cold, chest aching, dizzy spells. It’s odd. Usually you aren’t so weak and yet somehow, you always get better in the morning once the festival is over. You don’t remember this ever being mentioned in the original game either. Or at least Anastasia never said anything about it and she would’ve totally milked it for the Prince’s attention if she could’ve. But maybe it’s an outside detail. Something the game developers were going to include in a future DLC. “We don’t know what’s happening to the lady, your grace,” the healer says. Your father bellows from his stomach, “Excuse me?!” “H-Her pulse reads well and she has no fever either. I-It’s a very unusual case.” In your half-consciousness, you perceive the bitter silence. “Heal her at all costs.” Your father’s footsteps fade and your mother sighs. You wish you couldn’t hear. Otherwise, it would be easy to demonize the pair as unsympathetic, psychopathic parents who only consider their daughter a chess piece. You’re sure the only reason they’re expressing so much concern is because you are the only heir after all. They really have no future if Anastasia dies. But it’s still hard to quell the hope that they actually care for your wellbeing. Still, you wish you couldn’t hear their desperation. It wouldn’t have to be so conflicting. Or bittersweet. The only time they show an ounce of their affection is when you’re on your deathbed. You muster the strength to open your eyes once everyone’s left the room. Most likely, you’ll live through this. You still have yet to have any of the game’s encounters or even start. Anastasia was alive for most of it, enough to terrorize the main character, so you’ll live too. Shit. When does the game start again? The opening scene was right before the debutante ball was held for all the girls in the empire. You count on your fingers — give or take, there’s twelve or thirteen years left…. But you remember from the wiki fan page that Anastasia became engaged to the Crown Prince when they were kids. Oh god. If you weren’t so weak, you’d roll over and scream into your pillow. There’s an unsettling feeling boiling in the pit of your stomach. No matter how much effort you put forth, you don’t know how you’re going to avoid that arrangement.

Turns out, it’s unavoidable. It begins two years later at seven years old, the D-day that you were dreading, the first domino that begins all the others. “No! Please!” The entire household is stunned at how you’ve grabbed onto the Duke’s leg and wrapped your limbs around his appendage, practically dead weight and not allowing him to move a single step. All your life, you’ve kept a good amount of distance between your parents — never daring to overstep your boundaries or sass them back no matter how much you wanted to. It’s more trouble than it’s worth anyway and it’s better to play on their good side. But you’ve thrown in the towel. This is your last desperate attempt. “I’ll be good, I promise I’ll go to all my dance lessons and all my history lessons and all my math lessons. Please, papa! Please!” You’re practically crying aloud. You wish someone would help you. “I don’t want to go to the Royal Palace!” Edith is shaking her head while Joan is mortified at the sidelines. Your mother’s expression is twisted in disgust while your dad is wholly aghast. Hey — it’s not like you wanted to do this either, alright?! But your pleas fall on deaf ears. To them, it’s merely the whining of a child. A temper tantrum. “My lady, please stop this,” Joan harshly whispers and rushes to pry your grip off of the Duke’s leg. Several others come too, maids and kitchen staff alike. Your strength is no match for theirs. “My stomach hurts!” Your father has no sympathy. “We’ve delayed enough times, Anastasia. If we postpone the meeting with the King again, it would be shameful to our house. Now get up.” He’s done hearing the excuses — and while you’d usually internally call him out for being an ass, the moment you heard he wanted to take you to the palace, you did claim you have a fever. Then you claimed diarrhea. A cough. Hid for several hours. You’re actually surprised you managed to delay it for this long. “There’s no choice, my lady,” Joan mutters quickly as she fixes the ribbons in your pretty hairdo. “You must go with the Duke today.” Deep down, you know it’s true. You’ll be pulled along anyhow. But you wish they would understand that this is a matter of life and death for you. Your silence is a sign of raising the white flag and Joan retracts back to her place as your dad turns to leave the manor. He adjusts his hat as he’s escorted to the carriage and you’re about to trail after him, but your mother stops you. You expect her to reprimand you, give an earful of what you should and shouldn’t do. But you’re surprised when she lowers herself down to your eye level. She catches you off guard when she reaches out to button up your pea coat, attentive and careful in each swift movement. “This is a really important meeting, Anastasia. Do you understand?” Her voice is soft, quiet enough that no one else aside from you can hear. You nod. “You must be on your best behaviour. Your father, me, all the workers here, and the whole House of Devereux will be relying on you.” Wow. Way to not pressure a seven year old. “Today is the day that might change our lives for the better.” As she finishes buttoning, her hands stroke your shoulders down your arms. The Duchess smiles gingerly, tiredly. For a moment, you feel guilty for being so selfish — for prioritizing your own survival and desires when everyone else was quite literally relying on you for their livelihood. You find yourself swallowing hard before nodding again. You get into the carriage without another word. Well fuck. What now? A part of you wishes you ran away when you had the opportunity — even though there was a good chance you would’ve been kidnapped and sold at an underground market or gone hungry or be shipped back right to your parents. Ashea, like any other place, doesn’t take kindly to wandering children. But at least then you would’ve had more control and choice. You know this isn’t just a fun field trip to the palace. The only reason the Duke and the King would meet like this is to seek an engagement. Your engagement with the Prince’s. Half an hour later, you peek out the carriage windows to see the castle at the horizon. Stone walls, seven towers, lookouts, the empire’s flag fluttering in the breeze — it’s a beautiful place with rolling green hills and beds of flowers that wind up the path. It’s a hundred times more grand than the Devereux estate and ten times the size too, stretching across for miles. But it’s also the location where all of it happens. The beginning. The climax. The end. “Anastasia.” Your attention is taken when your father steps off the carriage. You take the servant's hand and hop down onto the cobblestone, following your father closely. He greets an important person or two and you lower your head to them in greeting as they complement how mannerly you are. The two of you are led through open, lavish halls full of life-sized portraits and marble statues, and then through the garden. Even in both your lifetimes, you’ve never seen so many different kinds of flowers and vivid hues in one place. Pansies. Orchids. Marigold. Magenta. Lavender. Marmalade. But you don't get to admire it for long. Not when the gazebo comes into sight. A man with straight posture, dark hair streaked with gray to show his age and deep set eyes sits at the rounded table. Even with the absence of his crown, his status is shown through his navy cape ornate with golden swirls held together by an emerald jewel embellished with the royal crest. Wrinkles around his mouth, he has a fiercely stern expression until he cordially smiles as your father approaches. Beside him is a spitting image, a smaller boy slumped in the white chair, visibly bored. “Herrick! Good to see you, my old friend.” “Your Majesty.” Your father bows and you follow suit, giving a curtsy and lowering your head. But at the same time, you can’t help peeking at the boy. His eyes meet yours and you look away. Oh fuck. It’s the first meeting between the Prince and Anastasia. You’re sure for her it was impactful, nerve wracking, life changing. And it’s like that for you as well, but not so much on the positive side. “Please, the formalities. Is this the daughter you've been speaking so highly about?” “Yes, this is my only child, Anastasia.” You plaster on a perfect, little smile. “It’s a pleasure to meet you, Your Majesty.” The King hums. “A very lovely child indeed. The Devereux House is blessed.” The Duke smiles. “Thank you.” “Please sit and make yourselves welcome.” The King gestures and the servants nearby scurry over, pulling out your chairs, pouring tea and placing plates of biscuits on their table. In a blink, they’ve finished and you can’t help but muse how much better they are than the servants back at home. The King smiles and looks at his son. “Jungkook, don’t you have anything to say?” “Nice to meet you,” he deadpans before his doe eyes wander out to the gardens. Jungkook is wholly disinterested in you and this entire affair — you don’t blame him. You bet any seven year old would be itching to get out of their seat. But looking at him, you can’t believe you liked him so much in the game. You even had him as your phone wallpaper for a few months. But from the perspective of Anastasia and knowing your outcome and your impending demise, he’s not even cute as a kid. If anything, sitting across from him stresses you the fuck out. You weren’t supposed to even meet him. This was the exact opposite of your battle plans. And yet the engagement is going to happen whether you like it or not. The greatest irony of all is that you know he’ll end up falling in love with the main character anyway instead of you. Aka. the orphaned girl who ends up adopted by a baron. This whole ordeal only serves to make you suffer. The only way you could sabotage this meeting now is by slamming the teapot over Prince Jungkook’s head. And that would either get you thrown in jail for treason and executed or sent back to the Devereux estate on house arrest where your mother would kill you. Oh god. It’s death either way. “Are the sweets not to your liking?” It takes a second for you to register that the King is looking at you. That he’s speaking to you. You go wide-eyed, realizing you haven’t had a bite of the cakes, the biscuits or sipped on any tea. You’ve completely tuned out their conversation. But he’s been watching you and Jungkook from the corner of his eye, assessing your interactions closely. Your palms go clammy as you open your mouth before closing it. “She’s just shy,” your dad swiftly informs with a polite smile. It’s a complete lie, but one the royal monarch believes. “Ah. We shouldn’t bore them with adult talk then.” The man turns to his son. “Jungkook, why don’t you go off and play with Anastasia here?” “Okay,” he mumbles and slides off his chair. You follow suit, a bit relieved that you were dismissed from the overly formal atmosphere. The two of you go deeper into the gardens until the gazes of your father and the King’s fade from view. Jungkook is wearing a white ensemble with a cape which he dirties with the way he’s kicking rocks in his path. He seems burdened that you’re beside him. “What do you like playing?” he asks. You’re perplexed on how to answer. You’re not sure how you should play with an actual seven year old. Then again, you like to run away from the maids and swing your sword around on your down time. But that’s just because you like their reactions. “Sword fighting.” Jungkook blanches as if he just bit into a lemon. “What kind of girl plays with swords?” Suddenly, you’re overwhelmed with an urge to kick the royal prince right in his shin. But as the annoyance floods you, an epiphany comes along with it — if you can’t avoid Jungkook, maybe it’s time to switch strategies. Maybe you can start sowing the seeds of your future survival right here, right now. If one day, he’ll be condemning you of countless crimes and looking down at you as an evil villain, maybe you can turn his perception in the opposite direction. Harmless. Overbearingly nice. Arrows that practically point ‘I’M NOT A THREAT WHATSOEVER!’. You’re a genius. You force the highest pitched giggle you can. “Really?” Jungkook kicks another rock. “Girls have flimsy arms and trip every time you touch them.” Ah. The ancient version of: girls have cooties and so you should stay away from them. Alright, alright. You can work with this. “What do you like playing, Your Highness?” “Anything that’s not with girls.” You pause and laugh, hoping it doesn’t sound too stiff. Jungkook suddenly lifts his head and turns to you with the swivel of his heel. You stop as well and his index finger juts right in your face. “Since I’m the prince, I’ll have mercy on you. We can play servant and king.” “What’s servant and king?” “I’m the king.” His thumb pokes himself and then he’s back to pointing right between your eyes again. “You’re the servant. You have to follow me and all my orders or off with your head!” What a little shit. How is this going to be any fun for you?! But you draw an enormous grin on your face, left eye twitching in the process. “Sounds like fun, Your Highness!” He strolls off. “Let’s go, dumb dumb.” Your teeth grit and you inhale a deep breath. It hurts your pride to be insulted by a literal seven year old, but you can handle it. When it comes to life or death, you’ll easily befriend the hero. “Fetch that stick, peasant!” The prince points at the distance and looks at you expectedly. Your teeth grit. But you muster a smile and dash forward. When it comes to life or death, you’ll befriend the hero……….probably. “Here you go, Your Highness.” You present the stick to him with both hands and the brat smirks. A rush of air leaves his nose and then he takes the stick. You’re not sure what to expect, but your entire body freezes when he hurls it as far as his arms can go. He points between your brows a second later. “Go get it!” Motherfucker. “Yes!” Once Jungkook’s tired of having you fetch like a dog, you trail after him closely. The green hedges are triple your size, acting like corridors of the garden before they open up to certain areas filled with beds of flowers or a fountain. Some paths are unpaved, so you listen to the crunch of rocks underneath his shoes amidst the quiet. When you’re not out of breath and running at his command, it finally sinks in that it’s the first time you’re with a main character of the game. For the seven years of this lifetime thus far, there was only really you. Your parents were supporting characters at best who just took the opportunity to slyly diss the main heroine a few times at royal gatherings. But other than that, you’re currently facing the backside of someone you know a lot about. Who he will become. What his future holds. What his desires are. You pipe up, “Prince Jungkook—” “That’s Your Highness, peasant!” You clench your jaw. “Your Highness…” “What?” You quicken your steps until you’re beside him and he turns his head. “I’ll support you forever if you want to fall in love with anyone! I don’t care about being the crown princess or the queen!” For good measure, you flash a wink and a thumbs up. “What?” His boyish face is twisted up in disgust. “Why would a peasant be a queen?” You hold in your sigh. “I’m just saying. If we ever get engaged or something, it can always be annulled when we’re older. So feel free to love on, Your Highness. Make love, not war!” Your words completely fly over Jungkook’s head. His face reads that he has no clue what you’re talking about. And he turns away from you. “You’re weird.” You scoff. You’re not sure how you can become friendly with a seven year old when you’re internally twenty years older than he is. If you had chocolate on you, you’d use that as a bargaining chip. But clearly, you only have your body, brain and the surroundings at the moment…. What do seven year old boys like? What do they like? As you scan your surroundings, your eye catches something in the bushes. You stop and get closer. At the same time, Jungkook realizes you’re not following him anymore and turns around. “What are you doing, peasa—” His words are cut short by a shrill shriek of absolute terror. Your brows furrow and you thrust your hand closer to him. “It’s a ladybug.” The tiny red and black polka dotted bug is crawling in your hand. Jungkook screams again. He’s stumbling back, nearly tripping onto his butt, doe eyes reflected with complete horror as if you just chopped off his mom’s head. “Get that thing away from me!” his voice cracks up and down two different octaves and realizing his weakness, you grin. You know your plan was to seem as harmless as possible, but it’s just too much fun teasing him. “What thing, Your Highness? Your servant is merely showing you a small forest creature.” “No! Stop!” He scrambles and starts running away. You chase after him while giggling manically. “Prince Jungkook! Where are you going!” “Get the bug away from me!” He turns over his shoulder with eyeballs nearly falling out of their sockets, face bright red, and you take the opportunity to toss the ladybug at him. Jungkook’s shrieks echo, pitched and earsplitting. You’re forced to stop with how hard you’re laughing and by then, he’s ran for the hills, completely gone from sight. Oh god. You can’t believe he’s so scared. You can’t believe you were so scared — he’s just a kid. Your giggles taper off as you wander the gardens by yourself. It’s freeing to stroll at your own pace without a brat demanding you to fetch sticks or barking at you to do this and that. It’s a chance to finally admire the surroundings. You’re sure the first time Anastasia saw the castle, it became her dream home. The place is similar to the aesthetic background graphics of the game and it was always described as beautiful by all the characters. And it really is that way. But this is also the place of her demise and possibly yours. You’re sure the only time you’ll be able to enjoy the palace and be this carefree is right now. You’re admiring the blooming carnations, peony and roses as you turn the corner. The figure standing by the sprouting fountain doesn’t register until after a delayed moment and your eyes lift to see a woman — mysterious in her gray dress. It’s simple attire, but the fabrics are layered on top of one another, light enough that they drape down and flow to the breeze. Her brunette hair is tied into a bun and as if she feels the pressure of your eyes, her bright irises turn towards you. You realize you’re staring and you blink several times, approaching her politely. She pulls her charcoal shawl closer to her and smiles. The light wrinkles around her kind eyes crease. “Are you lost, child?” You shake your head. “No. I’m just looking.” She crouches down to match your height, gazing at you tenderly. “Where are your parents?” “My dad’s talking to the King.” You point off in the distance as curiosity eats at you. She doesn’t look like an ordinary worker but not a visitor of the castle either. “I’m Anastasia.” She searches your expression as if she’s endeared by you. “That’s a beautiful name.” “Thanks! Who’re you?” She’s soft-spoken, voice above a quiet murmur, “My name is Erena Robane.” You frown. The name rings a bell. “Lady Robane?” “No.” Her laugh tinkles. “I’m no lady.” Before you can press your mind any further and pick apart your brain at why her name sounds so familiar, she reaches into the small pouch she was carrying and hands you a wrapped piece of candy. “Would you like one?” Your eyes light up at the pink square. “Yes, please!” You know better, as an internal twenty seven year old, than to take candy from strangers, but the Duke and Duchess never give you any sweets. So you’ll happily take what you can. Erena smiles and drops the treat into your outstretched palm. Not wanting to risk getting it confiscated by Edith, Joan or your mother if you brought it home, you quickly unwrap it and throw it into your mouth. It’s peppermint and it’s pretty damn good. The woman looks at you patiently, waiting for a reaction, so you give her a thumbs up and a “Yummy!” She laughs faintly. “Do you like candy?” “Yep!” You hold out both hands as if you’re trick-or-treating. “Can I have another one, please?” Might as well seize the chance while you can. It’s a dog-eat-dog world. “You have very good manners.” She smiles, taking another out of her endless pouch and dropping it in your hand. Oh man, you’re starting to really like this lady. “My son likes chocolate, but I only managed to get candy for today.” You chew the hard candy in your cheek, crunching down on it. You hope it rots your teeth and makes Edith’s life a living nightmare when she has to deal with it. “Your son?” Her lips part to speak. But she’s interrupted— “Mom?” By sheer coincidence and coincidence itself, a boy with floppy, brown hair turns the corner of the garden. Thin lips, but chubby cheeks and bright eyes of deep mocha. You’ve known him the second your eyes have laid on him. A younger form of the person you fear most. Taehyung. You gasp and immediately spin around, hoping he didn’t see you, pretending you didn’t see him. “I have to go now!” Before Taehyung’s mom can utter another word, you run away. You don’t notice how Taehyung slows as well, brows furrowed at your receding form. To see Jungkook is one thing. But to see Taehyung, the one who will use, coerce and lead you to your doom, is another. Jungkook handed down your judgment, but Taehyung is the one who led you there. He’s the villain. // “You did decently,” your mother informs a few days after the whole affair. “We might have to go to the palace more often from now on.” You nod, unable to dwell in her approval, mind still lost in a daze. Taehyung — a half prince born a year before Jungkook. He has the blood of a royal with his father as the King, but his mother is merely a palace maid. You remember that he seeks revenge for her death after she’s poisoned by the jealous Queen. But if she’s still alive, that means it’ll happen soon. This year. Springtime. You’re slowly recalling the details of the event, the catalyst that begins Taehyung’s descent into madness, how he became the game’s villain. But you can’t involve yourself. You just can’t. You shouldn’t have met any of them in the first place. You shouldn’t get entangled in their story, in their lives. If you want to live, if you want to survive, you have to avoid Taehyung at all costs. So you can’t. You can’t. Can’t. A day passes as you focus on your studies. You can’t. Another two days goes by, six meals eaten. Can’t— On the seventh, your silver spoon clanks noisily against the porcelain bowl, slipping from your grasps, dropping downwards in your deep trance that throbs your temples. Joan turns at the ruckus and you look at her, already standing up. “I have to go to the castle.” The guilt eating at you has won its battle. “Pardon me?” “Today. Right now.” You rush out of the room and down the hall, determination set in your strides. Maybe you can avoid this. Maybe if you do, he won’t become the game’s villain. Then he won’t be a threat to you, and you won’t be a threat to anyone. You’ll live and so will his mom who’s done nothing wrong. The maid struggles to catch up to you. “My lady! Please! Wait! What do you mean?” “I forgot something really important!” “Y-You can’t just go. My lady! You must ask permission from the Duke and Duchess!” “There’s no time to.” You’ve never been more serious and somber. There isn’t an inch of mischief, no childish selfishness. Twenty seven years has amounted to this very moment. And you use your status as the Duke’s daughter to command the girl. “Come with me. If the Duke or Duchess gets mad, I’ll take the blame.” Joan sighs, annoyed as she looks around as if someone else could reason with you. But as you turn to her, looking her dead in the eye, she shifts on her feet and hesitantly calls for a carriage. You’re in it before you can blink again. There must be time. There hasn’t been any news yet. No reports of a death in the castle. You can warn him. You can avoid this tragedy. “We’re here, my lady,” Joan informs, peering out the window at the enormous stone walls and towers looming high above the clouds. The carriage doors open and she guides you out. Your feet land onto the cobblestone. But there isn’t any welcome. No guards that ask what your business here is. No servant passing by. Instead, there’s chaos in the distance. Your head whips to the noise and Joan shouts as you dash off towards it. Yet no one notices you in the midst of the pandemonium. No one would pay mind to a small child. You’re left to linger in the open halls, butlers that quickly walk past, maids whispering amongst themselves— “Did you hear?” Your head turns towards two girls. “The King’s mistress just died!” You came a moment too late.

No one cries. The arrangement is short and unluxurious, the bare minimum of what would be acceptable for a royal family. A priestess in front drones on impassively about the afterlife, but as you look around, no one grieves. After all, they wouldn’t shed tears for a mere maid. This is merely a charade to quell away scandalous rumors and to give nobles an excuse to come to the castle and be acknowledged. You’re overwhelmed in black, a tulle skirt and puffed sleeves. Your parents stand on either side of you, your father in a jacket with the house’s emblem and your mother with a veil covering the right side of her face. Like many others, your family has come for appearance sakes. But for you, it’s different. The woman inside the closed casket has shown you a kindness that you so seldom receive. And because of your hesitation, because of your self-preservation and selfishness, this happened. Once the burial ceremony is over, your parents mingle amongst the nobles, laughing cordially behind gloved hands as you follow after them and cutesy. It feels like you’re a show pony, brought around to show what the future of the Devereux looks like. But after a while, you manage to slip away from the scrutiny. And by sheer coincidence and coincidence only, you find him. At first it’s the noise of heart wrenching sobs. It’s unrestrained wails and choked hiccups in between that attracts your attention. You twist through the familiar hedge corridors and the moment you turn the corner, your eyes lift to a small figure underneath an oak tree. He sits alone. He cries to himself. The boy with floppy, brown hair has his knees pulled together. He incessantly rubs at his eyes as if that alone could stop the tears that well and pour. He cries enough for the tens of people at the funeral, substituting their apathy with his anguish. His entire body wracks and the moment he whimpers “m-mom” in-between, it’s shaking to your core. This is the beginning. The start of his path of destruction. In this entire castle that stretches across the horizon, only his mother ever loved him. The half-prince. The Forgotten Prince. The one dirtied by regular red blood, not blue enough for the golden crown. Taehyung mourns, vision blurred by his grief. But as he rubs his eyes with his small fists, black shoes appear between the gaps of his hands. He looks up. Your arm is extended in front of him. Taehyung looks down to your folded, pink handkerchief. He looks stunned for a moment, as if he’s surprised that there was someone here. That someone actually heard him. That someone came. He takes your handkerchief and sniffles. “I’m sorry,” you murmur. Sorry that she passed away, that he has to endure this, that you didn’t save her when you could’ve. This isn’t just a game you’re playing anymore. All these people aren’t just characters. You’re living a new life. And all these people have emotions, desires, thoughts of their own. You’re not sure how you can comfort Taehyung. What you can say to make it better. “Your mother loved you a lot. I’m sure she wouldn’t want you to be crying so much by yourself.” He hiccups, snivelling uncontrollably. “B-But if I don’t cry for her, who will?” You don’t know what to say. Tears continue to slip down his cheeks and as you linger awkwardly, you decide there isn’t much that you can say. So you sit beside him. You sit underneath the canopy of the tree and branches of rustling leaves, on the soft bed of grass, looking out at the garden. This is all you can do. You don’t notice the way Taehyung looks up in-between his mourning, glossy eyes pinpointed on the profile of your face. The pair of you sit next to one another in the silence of his sniffles until it levels. Until he can breathe again— “Anastasia!” There’s a sharp call of your name, one that can only belong to your mother. You immediately come to your feet again as if a dog whistle has been blown. But as you hurry away, you turn over your shoulder. Your eyes connect with Taehyung’s brown ones, and for a moment you slow. You leave a second later. You twist down the hedges and turn the corner, nearly bumping straight into her. She looks down at you with her brows furrowed. “Where did you go?” You smile. “I got lost.” It’s futile. You know it now. Trying to avoid the three that will lead you to your demise is like trying to wish you’d suddenly vanish off these lands. You know it won’t be the last time that you see Taehyung. It won’t be the last of Jungkook either. Or whoever the heroine will be. It seems like the more you try to run, the more you inadvertently become involved. But you’ll hold your head up high and face whatever is to come head on.

#bts fanfic #bts scenario #jungkook fanfic #taehyung fanfic #jungkook scenario #taehyung scenario #jungkook fluff #taehyung fluff #BUT WHO'S GONNA BE THE ENDGAME GUY HMMMM?

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why-this-kolaveri-machi · 3 years

Text

the wolf should’ve been afraid of me.

Titans 3.04

just under the wire! ... i hope.

like with the previous review, i’m typing this up as i see the episode. here we go!

spoilers ahead.

1. ... well. that was an interesting cold open.

1.25. i don’t know whether to admire this show’s restraint when it comes to gotham and its excesses, particularly arkham asylum. it’d be easy to go hammer and tongs, like suicide squad (2016) did, or any number of bat media did, at a tropey, colourful~~insanity~~ that can be quite damaging, casting mental illness in strangeness and criminality. it definitely shows gotham as... separate from the rest of the country, its own ecosystem of heroes and villains, a sort of rogue state.

but that ecosystem is still human, with its heroes needing to clip parts of themselves away just to survive, growing old and needing to be recycled, its villains languishing in the same kinds of systems that fail everybody else who needs to be helped. it’s a quieter, tenser sort of wrongness: not strange enough that you can dissociate, but not close enough that you can completely empathise. gotham is its own creature.

1.5. i know that the reasoning behind this is more doylist than anything, but i’m so glad that joker was killed off with little fanfare right at the start of the season. he is the one man in the batverse that’s transcended its confines as this sort of ethereal boogeyman/eternal edgelord and to justify his presence in the series would mean giving him this tired, overblown importance and too much of a stab at colourful, tropey “madness” in this otherwise-subdued series. i wish all batmedia would follow suit and get rid of this fucker.

1.75. so jason is bucking scarecrow’s control! or reminding him of who exactly holds all the cards right now. circling back to what i talked about in the last review, it’s remarkable just how little time it’s been since jason’s “death” and he’s already got ‘minions’ and elaborately set up plans to track, break and kill the titans. just how long has he been planning this? when did he first look at WE weapons prototypes and think that’s something i can use to blow somebody up? and the most unsettling question: did he plan his own death at the hands of the joker just so that he could break batman?

at this point it’s obvious that the scarecrow at least started jason down this path, but it’s frightening just how far he’s travelled already.

1.8. aaagh, less than one minute in! i’ll shut up.

2. conner washing his hands at the sink reminds me that he was directly in the line of explosion when hank got blown up and he’s probably got atomised hank-bits all over his skin that he’s desperately trying to wash off.

... you’re welcome.

2.25. conner, don’t you speak to gar fucking logan like that, sir, no!

2.3. if anything it’s the lex part of him that gave him the knowhow to recognise the weapon and build a de-activator for it.

anyway, for that ‘half-breed’ and ‘talking tiger’ comment?

(i wish, tho, that we actually see conner more interested in the superman part of his legacy, like maybe listening to stories from gar, or even better, dick, so we get a better idea of the pressure he’s feeling to live up to that part of him and not the part that’s lex.)

((i talked about conner’s stages of moral development in his introductory episode last season, but i wonder if the next stage of his self-actualisation would be to further integrate the parts of himself and realise that they are only parts and he, conner, is an entirely different person unto himself that can make decisions on how to use what he has and what he knows. his superman abilities can be used to destroy. his lex knowledge can be used to save.))

3. oh dawn :((

3.25. is this the last we see of dawn and hank? i mean, we know donna is coming back; would it be a stretch to think they’ll try to have a go at resurrecting hank as well?

3.5. “deathstroke didn’t make us into killers.” good, because deathstroke didn’t make jason a killer either. there’s a missing step there you need to be looking for, dick.

3.75. dick did try to break the cycle, step away from gotham, run from the possibility that he could turn into batman. it didn’t help; he couldn’t fully withdraw from his vigilante persona the same time he loathed it, and batman literally haunted him both asleep and awake. but maybe gotham doesn’t have to turn anybody into anything. maybe gotham has nothing to do with it at all. it’s about taking responsibility, realising some sacrifices are pure bullshit, and building an actual family instead of merely a team.

anyway: hugs!

(oh, also? mr “i hate flying”? i mean, there’s perfectly valid reasons to hate flying that’s not related to childhood trauma, but then again, this guy was literally a ‘flying grayson’ once. also also, remember that he also gets sea-sick. must’ve a lot of fun stories to tell.)

4. ooh that gar/kory confrontation was brief but cool!

listen, i have never seen a psychiatrist with that extravagant an office and SIR I WOULD LIKE TO KNOW HOW--

4.5. kory’s so unused to reaching out for help and it’s breaking my heart that HPG likely is some kind of impostor that’s maybe causing her symptoms in the first place.

kory and dick have mostly been apart this season but it’s remarkable how their journeys have paralleled each other; kory processes her grief, isolation and existential dread into a determination to take care of this new family she has, no matter what it takes; dick does much the same, forging ahead with plans and solutions until he has no fuel left in him and spirals into a massive breakdown.

4.25. listen titans this really is a TERRIBLE continuity error. we aren’t goldfish; we can clearly remember that two minutes ago it was gar’s upper arm that was burned, not his forearm. COME ON.

“sensory deprivation tank” *SNORT*

anyway, gar is the BEST

4.5. i wonder where these visions of experimentation took place. was it on tamaran, or on earth, after she came to hunt down rachel/trigon and before she lost all her memories? is HPG a part of the scientist group that experimented on her? ... god, i hope not. i mean, i think he is, but it would be cool to have some positive therapist representation in media.

5. you’d think the van transporting a dangerous supervillain that only batman could catch would be more secure but... i’m also not entirely surprised.

5.15. i love dick gives ZERO shits about hiding himself or even ensuring scarecrow is adequately contained. just turns away after kidnapping him in BROAD DAYLIGHT and says ‘let’s go’. I LOVE THIS DUMBASS

6. lmao gar is having a really really shitty day SOMEONE GIVE THIS MAN A BREAK or just a goddamn story arc of his own

6.5. i’m really confused about the timeline here. so... sometime ago, kory came down to earth to hunt down trigon, yeah? at some further point down the line she and her sister were kidnapped and experimented on. THEN she somehow escapes but... loses her memory? a few months pass and then we see blackfire alive and well and free; she kills faddei, can impersonate other people, and is clearly seeking out kory. but now she’s still in the experiment facility...? what’s going on?

i’m not entirely surprised about the facility being mostly deserted. either the biggest investors in this project gave up on it and it was left to the most fanatic to carry on, or they were deliberately trying to lure kory and get her to free blackfire--expand the environs of the experiment, so to speak.

7. hopefully barbara is going to get something to do other than listen to various men give her Attitude

8. how do you terrorise a terrorist? well:

i love when dick is a scary-competent motherfucker.

8.25. ooooh, the attack on crane at arkham a ploy to get crane to blackgate? nice one dick, i didn’t even think of that. but why though? to protect crane from the titans? to intercept the van to blackgate and “rescue” him? seems likely--red hood was there, except dick got to crane quicker.

9. still reeeallly unclear about the komand’r situation. was komand’r captured after s2? is this all A TRAP?? if so, why are you stepping into the only thing that can contain you, kory????

9.25. so... definite parallels between dick/jason and kory/kom here. i’m just. i’m still. really confused. i’ll shut up now.

10. this may be my favourite dick look yet:

woodsman!dick in a beanie.

10.5. i unironically love how titans has made this bizarrely-devoted-to-his-moniker, toxin-spewing supervillain into a tamer version of hannibal, psychoanalysing his victims into submission. it’s of a piece with how inward looking titans is, the way all of its villains are obsessed with how our protagonists’ minds work, to the point where they would actually spend time inside of them.

there are no big plots to end the world. no apocalypses or endgames here. these villains collect the titans’ insecurities like infinity stones. the way the titans defeat them is by achieving character growth--literally winning by the power of love. literally “the real superpower is the friends we made along the way”!

10.7. anyway, i’m betting dick is used to this bullshit from crane and is humouring him in the service of getting more information. the story about the wolf? an implicit threat, not to mention dick getting to control what crane knows about him and what methods he would use to manipulate him.

am i giving dick too much credit here? i don’t think so. he’s really impressed me so far this season.

10.75. like. there’s a real unreliable narrator vibe coming off with every person that talks about bruce (much like how the various members of the titans talked about jason’s motivations) and to buy into crane’s talk about bruce being a psychopath is to fall for the same manipulation that jason fell for. dick is the only person who hasn’t really psychoanalysed bruce this season, and i think some part of his detective brain is piecing things together into a bigger picture.

11. i’m glad kory rescued kom but did she have to kill the scientist?

(i mean, yeah, probably - the less people know that kom escaped the less likely they’re going to have the fucking govt on their doorstep, but still.)

11.5. dick’s gonna come back to wayne manor, stare straight at komand’r and go, well which room would you like? because the team might as well adopt ANOTHER person, yeah?

12. oh MAN that red hood/nightwing fight was AMAZING! and he did the thing! the boomerang escrima thing! i’m so delighted!

12.5. the anger and disbelief in dick’s voice when he says you told crane EVERYTHING?! tells me that he knew exactly what he was telling crane himself.

12.75. “everything you are is because of him” - oh that reminds me of halluci!bruce from last season. i hope we see halluci!bruce again--he is so vicious but so entertaining... so much more effective at tearing dick down than crane or jason combined. goes to show that dick’s biggest enemy is own fucking head.

12.8. oh no! dick’s shot! crane is in the wind with red hood! blackfire is now with the titans! i love it!

honestly this season’s pacing is such a big step up from the last couple. gold star, show.

#titans #titans spoilers #meta #dick grayson #koriand'r #garfield logan #komand'r #conner kent #dawn granger #jason todd #jonathan crane #a byronic cupcake #badass strawberry truffle #manic pixie pop tart #a tragic jalebi

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casasupernovas · 3 years

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series 4 may have a new companion, but it still seems to hinge too much on rose. series 3 seems to have little consequence on the overall story. so much so, that if you took out series 3 altogether and went straight from the 'runaway bride' to 'partners in crime' and swapped out martha in the sontaran two parter for the brigadier...the only consequence of series 3 that is shown in 'turn left' when the doctor dies is that he wasn't there to help when the royal hope goes to the moon, and everyone bar one dies, including martha, sarah jane and her crew. rose isn't even aware of her existence, and by proxy she is not even aware of sarah jane's death either. right at the beginning of the series after yet another blonde takes the helm in 'voyage of the damned', the doctor seems to feel guilty for what happened with martha, with donna commenting that he acting better than he was the first time they met, only for him to reduce the entire situation to be that martha had a fancied him even though we know she was in LOVE with him, something he KNEW because she admitted it to John Smith and we KNOW he remembers 1913 very clearly, and saying it got 'complicated' is a gross simplification of the series that was very annoying to watch.

in fact, this simplification becomes downright alarming to donna when she hears the full story of what actually happened to martha and her family. furthermore, it's sets up a weird superiority over martha just because donna is not romantically interested as if the idea of romance in itself hinders a character. it doesn't, if handled correctly. i dont think rose's romance hinders her - i just wish they had made her more equal to the other companions. as far as i know, this was never really a thing in classic who, people had favourites, but no companion appeared to be deemed better than the other. in the 'fires of pompeii' - the emotional weight of why the doctor needs a companion is great...until you realise he should have already learnt this with martha already. and with all the rose cameos, it also felt like donna was becoming dimmed in her season too albeit not too much as catherine tate brought her so much character that she is hard to diminish.

'turn left' while a stellar episode, leaves a bitter taste in my mouth as the more i rewatch, the more callous rose seems and the more the story seems to just be a ploy for rose to scarifice donna to get her man back. i dont think this was the intention but it's certainly what it feels like. it made more sense to see someone like martha in that story, rather than rose, as martha was literally working with unit, and it is implied that unit keeps tabs on certain worlds and timelines, and it would have been really eerie for donna to meet martha jones, only to see on the tv that the woman she just spoke to was dead. also rose seems downright psychopathic when she leans over donna's dying body with no sadness for her death and says "bad wolf." and although im sure everyone was exicted to see rose again, i feel like it would have been more impactful if she wasn't involved because she was still trapped in 'pete's world' and instead, we get a surprise last farewell when the doctor sees her again in 'the end of time part 2'.

seeing rose pre the first season for the first time since series 2 would have been more impactful in my opinion. additionally, it felt odd for the show to display rose as some sort of warrior with a massive gun she barely even uses, especially with what the doctor had said multiple times in this series in regards to guns, especially as his daughter literally got shot a couple episodes previously and his response to her murderer. in fact, i don't even even remember what rose actually did in the 'stolen earth/journeys end' two parter (please comment). i only remember martha working for unit, jack dying and liasing with torchwood back in cardiff, harriet jones bringing everyone together, and the red herring thrown in with mickey, sarah jane and the osterhagen key. and of course the meta crisis doctor and donna. i even read that even billie piper wasn't a fan of how rose's story ended. her immediately leaping into the meta crisis doctor's arms was selfish but selfishness is one of the main characteristics to rose. it was realistic so i didn't dislike it. but it was kind of annoying when they were all on zoom as it were (haha!) and rose immediately got jealous of martha.

again, jealously is another classic rose trait, but i would have thought rose would have grown up a little at this point. and the "she's good" line to martha wasn't as great as they probably thought it would be, as at this point in the story, martha didn't want or need rose's random stamp of approval.

all in all, i think the impact of rose, and handling of subsequent companions could have been handled much better. martha could have still been in love and have agency like she does in the doctor who novels. and i think we all know donna can stand on her own two feet as a character. and i personally felt that a point that series 2 should have focused on more than the 'my boyfriend the doctor' thing should have been the instability of traveling with him. they would explore this to an extent but the tone would almost always be a little ruined e.g. rose being devastated at mickey choosing to stay in the parallel universe only to forget his existence in 'the idiot's lantern' the very next episode. i did like however how they handled mickey & rose in 'army of ghosts' because you could see that rose was visibly hurt that mickey wasn't exactly fawning over her anymore, but it wasn't like she could say anything. and some points she talks to him and he doesn't even look at her. and because i liked rose so much, it just became quite disappointing to see how her character was subsequently handled after her departure.

fin.

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jess-rewatches-prodigalson · 3 years

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You Can Run... (S2, E11)

My time-stamped thoughts for this episode are below. As always I reference Malcolm’s mental health. A lot. So if that’s going to be a trigger for you, don’t keep reading.

SPOILERS AHEAD:

0:03 - Baby!Malcolm and baby!Ainsley playing together is so cute. <3

0:05 - Malcolm is playing with Batman (the hero) and Ainsley is playing with the Joker (the villain). But Ainsley wants to play with Batman. Coincidence? Foreshadowing? I’m torn.

0:20 - ....I can’t tell if this is regular “kid fake crying to get sibling in trouble”, “bad fake crying because kid actors are still just kids who are learning”, or “Ainsley is a psychopath and she’s never been able to cry properly fake crying”.

0:50 - “I’d much rather stay at home with my favourite guy.” UgH. Excuse me while I cry myself to sleep. No wonder Malcolm has so many Daddy issues. This broke my heart. Malcolm clearly idolized Martin. Martin was his hero. :(

1:35 - “Where are you? Talk to me.” This hurts because it makes sense. Malcolm’s one constant in life was his father’s voice. For better or for worse. It reminds me of anxiety disorders/depression. Part of you doesn’t want to heal. You don’t know what to do without the pain and fear. You don’t know who you’d be. The unknown is scarier than the pain and misery. That’s Malcolm right now. He knows Martin is bad for his mental health but he’s afraid to lose Martin because without Martin’s voice Malcolm has no idea who he is.

1:55 - I can’t decide if I love or hate Ruiz. She’s really combative? Like Malcolm didn’t say “You’re here to take over” aggressively. At all. I respect the hell out of her for being a total badass and good at her job....but she’s also kind of verbally aggressive? And pretending she doesn’t know Martin is Malcolm’s father? Like - I know she was probably trying to break the ice but it was really unprofessional and kind of a dick move? IDK something about Ruiz just kind of rubs me the wrong way (no this isn’t sexism. I’m a woman working in a male-dominated field. I respect the hell out of career-driven women. This is purely just something about her personality that bothers me.)

2:41 - Oh yeah. Gil did not like the joke about Ruiz not knowing The Surgeon = Malcolm’s father. Look at Gil. He’s annoyed but he’s also worried af about what that little comment did to his already mentally fragile profiler.

3:22 - Just how many times has Malcolm played that voicemail since the end of 2x10? It looks like Gil’s already heard it. Dani’s probably heard it. How many times did Malcolm listen to it - desperately searching for clues? This is not good for Malcolm’s mental health. He needs a hug - not to listen to his manipulative serial killer father on repeat (although, that’s kind of the show isn’t it?). Also, where’s the “we’re the same” part of the message? Did Malcolm delete the end of the message? Maybe so he doesn’t become a suspect?

3:32 - Look at how utterly furious and concerned Gil is. Guys. Guys. Papa!Gil is BACK. <3 <3 <3 <3 Oh how I’ve missed him. Seriously though, Gil looks absolutely livid (at Martin) because he can see how upset Malcolm is and he knows it’s all Martin’s fault. Plus the concerned looks he keeps shooting at Malcolm? <3 My heart <3

3:39 - “Of course not.” LIAR. I truly believe this episode is an excellent example of a character “knowing something as fact in their heads but feels the opposite way in their hearts”. Malcolm is still a little boy desperate for his father’s love. Problem is, Malcolm is also a highly educated adult man who knows that his father is incapable of truly caring about him.

3:55 - Gil watching Malcolm’s hand shake. <3 I have no words. Gil looks so concerned. We’re getting so close to a full Malcolm breakdown and I’m here for it. If we get a full on intervention and/or hospital scene I will be the happiest person alive.

4:15 - A couple of things 1) look at how Capshaw is glancing around the room when Gil, Malcolm, and Jessica are talking about how Daryl tried to kill Jessica. Capshaw is showing equal amounts of disdain, envy, and guilt. 2) Gil making a joke just to make Jessica and Malcolm smile is the cutest thing I’ve ever seen. Gil is single handedly, emotionally, holding these two together and it’s the content I’ve been desperate for.

4:42 - <3 <3 My heart is melting. <3 Gil’s little smile when he looks at the picture of baby!Malcolm and baby!Ainsley. Look me in the eyes and tell me Gil isn’t their dad. I’ll fight you.

4:50 - “All the kooks will come out. I know the drill.” Poor Jessica. She’s really been through a lot of crap. :(

4:55 - Did Gil shoot Capshaw that suspicious look because he was about to show blatant physical affection to Jessica or because he suspects Capshaw knows something about Martin? Maybe both?

5:00 - Sooooo Gil and Jessica just flirt openly in front of Malcolm now? ....Look at Malcolm’s reaction to their little moment. That boy has heart eyes. <3 Forget Brightwell - Gillica is the ship I will die on.

5:50 - I promise you. Jessica’s eye roll+huff when Malcolm says he’s going to stay with Capshaw for a minutes is defensive. She’s knows that Malcolm is trying to get information that will help recapture Martin. But right now? She just wants a hug from her son. She wants to keep him in her sight; where she knows he’s safe.

6:12 - soooooo Capshaw is definitely a psychopath and she’s 100% acting in this scene. Look at her. She’s angry but she’s trying to act calm. She’s trying to justify everything she did but it never quite connects. She’s just a little bit....something. Vacant? Insincere? Malcolm seems to believe her though...because she told him exactly what she knew he would sympathize and empathize with...the next two episodes are going to be incredible.

7:00 - Damn. Malcolm looks so destroyed in this scene. He looks scared, sad, angry. This boy is riding an emotional elevator that only goes down. I’m just waiting for it to hit the ground.

7:14 - This is fake. Capshaw’s “crying” here? How completely put together she seems? Fake. She’s trying to act distraught and guilt-ridden but she just seems too put together and angry to make it believable.

7:25 - How much do you want to bet that Capshaw is either 1) after Martin because one of her family members was killed by the Surgeon, 2) some sort of already established serial killer/psychopath who thinks killing the Surgeon will make her a serial killer legend?

7:30 - Malcolm being kind is everything. <3 Ugh. This little cinnamon roll is such a sweetheart. <3

8:12 - I’m on Malcolm’s side. Ainsley can’t think about work? Bullshit. Ainsley is somehow in on this whole thing. Istg.

8:21 - “Dad is out there and I don’t know. I’m just not okay.” ....this whole exchange between Ainsley and Malcolm felt forced? Like Ainsley is really off here. It seems out of character that Ainsley would admit that she’s not okay so calmly. She’s too passionate (generally speaking) to just be this calm right now.

8:24 - Ainsley is way too calm for the daughter of an escaped serial killer. Malcolm looks utterly terrified. Ainsley just looks....indifferent. Sure, maybe she’s processing things different or she’s in some state of shock but I find it unlikely.

8:41 - Awwww. Looks like Gil let a Whitly near his car. <3

8:51 - Awwwww...Malcolm literally jumping into the ambulance is adorable. <3

9:00 - “So it’s official. The Surgeon’s killing again.” THE LOOK. The look that JT, Dani, and Gil exchange everything to me. It’s concern. For Malcolm. For what they know this is doing to him. It’s fear. For what may happen next.

9:19 - “Dude.” Some people think JT is being a dick to Malcolm here. I disagree. Sure, it’s not what Malcolm wanted (or needed) to hear. BUT the way I interpreted that ‘dude’: JT is concerned about Malcolm. JT knows that Malcolm is having a hard time right now and JT is worried that Malcolm is reverting back to ‘scared little boy who doesn’t want to believe his dad is a killer’ instead of his usual ‘profiler-mode’. I don’t think JT is upset with Malcolm. I think this is JT acting like Malcolm’s big brother.

9:26 - “I’m not saying I believe it. But I’m sure he believes it.” Gil isn’t buying that. Look at his face. Gil knows Malcolm is struggling to separate his complex feelings about Martin ‘Dad’ Whitly and Matrin ‘the Surgeon’ Whitly.

9:33 - Again. The phrasing here may have been a little blunt but I think this is JT trying to remind Malcolm that his dad is a monster who doesn’t love him. It’s not a pleasant thing but it is a reminder that Malcolm needed to continue working the case effectively.

9:38 - JT and Dani exchanging looks of concern when Malcolm raises his voice (and again when Gil sends them to canvas the area for missing cars) <3 WHERE IS MY INTERVENTION?!!? <3

10:01 - “You think I’ve lost it.” :( This breaks my heart. It’s not enough that Malcolm has been on a downward mental health spiral this whole season. Now, Martin escapes and Malcolm is so fragile that he can’t tell the difference between concern and disapproval. He genuinely can’t see that Gil, Dani, and JT are concerned about him. He’s interpreting their concern as distrust and disapproval. :(

10:30 - .....where’s Gil’s car? Did he leave it with Dani and JT?

10:45 - “He lived here with my mother before I was born.” Excuse me? What? My brain is short circuiting. I want more details. I find this information utterly fascinating. Were Jessica’s parents alive? Is it a Milton family home or did Jessica and/or Martin buy it themselves?

10:51 - “If my father was a serial killer I may have fortified my house a little better.” .....no. This felt wrong. I don’t like that Gil said this. Why would Malcolm fortify the house more? Martin was literally chained to a wall. PLUS Gil’s been to Malcolm’s place before. If Gil (the cop) was concerned about safety he would’ve said something to Malcolm about it before now.

11:44 - I want to punch that US Marshall in the face. Don’t you dare suggest that Malcolm should’ve seen this coming or that he has anything to do with Martin’s escape. I also love this interaction. It really shows the story of Malcolm’s life: his colleagues don’t trust him because of who his father is. Malcolm’s skill is never enough for the cops/FBI/law enforcement to trust him because Martin is a serial killer. Shouldn’t it count for something that Malcolm is the one who turned Martin over to the cops AS A 10 YEAR OLD? ALSO - WTF did Malcolm have ammo for his antique weapons??!?!?

11:54 - Look at Dani and JT. They look ashamed and concerned. Almost as if they just realized that they’re the only ones in the precinct (other than Gil) who have ever given Malcolm a chance.

12:02 - The hand tremor <3 Damn. Someone hug him. He is so close to a full mental breakdown. I can’t wait.

12:17 - “I’m not fine.” I. Am. So. Proud. Our broken boy just told the truth about his mental state. Look at Dani. She’s shocked and she’s more concerned than ever. Malcolm admitting he’s not fine means he’s really really not fine. This is bad. Malcolm is going to lose it soon.

12:35 - “You were in control” I understand why that would be comforting for Malcolm. HOWEVER, when it’s said like that Malcolm probably draws the parallel between himself and Martin (the manipulative control freak). :(

12:55 - Malcolm expressing his self doubt is shattering. He’s being so vulnerable with Dani right now and I don’t even care about the Brightwell ship at the moment - I’m just proud of him for opening up to someone.

13:03 - “Usually his voice is in my head all the time” Yes. Because even though Martin was chained to a wall, he was still in control. The constant phone calls. The verbal chess games. The traumatic memories. Malcolm has never been able to escape Martin. Ever. Now 2/3 of his regular Martin exposures have disappeared and Malcolm doesn’t know how do go about daily life without the constant harassment.

13:40 - There’s no way Jessica was actually in enough pain to ask for a painkillers. Jess overheard Malcolm and Capshaw talking and she came to ask Capshaw about it.

14:14 - “I feel like I’m in Hell’s waiting room.” “Been there for 23 years.” Ouch. Capshaw is lying through her teeth but Jessica? Jessica is being sincere. My heart breaks for her. Also - the fact that every time we’ve seen Jessica bond with another woman (Eve, Capshaw, Birdie) that woman is a manipulative woman trying to use Jessica’s connection to Martin for her own personal gain is very upsetting. I petition for Jessica to bond with Tally and/or Dani.

14:40 - Look at Capshaw’s face when Jessica mentions Martin’s open casket. She’s hopeful. Like she just found a potential partner in crime. Or at least she just found another reason to justify what she’s about to do to Martin.

15:15 - I can’t anymore. It’s been driving me CRAZY that Dani’s curls are extremely different sizes in almost every other scene this episode. Sometimes the curls are reasonably tight and a little frizzy, Then in scenes like this one her curls are big, loose, and clean. Her hair is gorgeous both ways but the inconsistency is really bothering me.

15:52 - Americans - help me out. Is this a thing? Do your bowling alleys serve alcohol? Specifically wine? My Canadian ass is curious (our bowling alleys serve pop and bottled water. And maybe fruit juice).

15:52 - Look at how cautious Malcolm is as he approaches the boy. He’s afraid. Afraid that he’ll see evidence that the Surgeon is killing again.

16:45 - Who did Pete steal those clothes from? It wasn’t the EMTs.....did he raid Malcolm’s closet?!?!?!

17:15 - Pete was 10 when he found a quasi-sanctuary from his abusive father. So was Malcolm (in the sense that Martin was arrested and physically removed from the home).

17:40 - I love this about Malcolm. Pete helped Martin escape. Pete is a killer. But Malcolm is standing there talking to Pete like they’re friends. Malcolm genuinely empathizes with Pete’s childhood. It’s messed up but it’s also beautiful. Malcolm truly has a good heart.

18:00 - And now Malcolm is scared. He’s just remembered that Pete is a serial killer and he’s in danger.

18:15 - Look, Pete’s a bad guy. But his childhood? Damn. That sucks. :(

18:33 - “Tell me where Martin’s headed.” Not “The Surgeon”, not “Dr. Whitly”, not “my father”. “Martin”. Because Malcolm doesn’t know “Martin”. He’s met his father/dad - the man who loved him and cared for him during the first 10 years of his life. He’s met “The Surgeon” - the man who chloroformed him, manipulated him, and emotionally abused him his entire life. He’s met “Dr. Whitly” - the man who tried to teach him about the human body as a child and the man who gives him valuable medical insight on cases. But Malcolm’s never met this side of Martin Whitly and he doesn’t know what to expect. So he’s calling him “Martin”.

18:56 - Malcolm, you moron. Pete can see that you’re already suffering.

19:07 - I’ll be honest. I was kind of shocked that they killed off Pet like this. I knew Christian Brole was a guest star so obvious something would happen to write his character off the show but....this was intense.

19:16 - “Bright I saw it too.” Thank you, Dani. Calm this boy down. He’s about 10 seconds away from being arrested for being a moron at a crime scene.

19:30 - “It is my job to find my father.” This runs deep. Malcolm isn’t just talking about how it’s his job to profile where Martin might be. This is Malcolm admitting that he’s been subconsciously looking for his father for 23 years. He’s just a little boy who keeps visiting a serial killer in prison because he hopes that one day he’ll find the father that loved him (or at least acted like it). :( Someone hug this boy. <3

19:44 - I found how Malcolm pushes Dani off of him interesting. He’s clearly furious. He clearly is not in the mood to be touched but as soon as Dani starts manhandling him he sort of calms down? He’s not calm but he gains better control of himself. He listens to Dani when she guides him away from Ruiz, (he’s not perfect by any means) but he walks away and you can see his body language relax slightly.

20:11 - I kind of feel bad for JT. Gil and Jessica have blatantly flirted in front of him twice now (2x5 and now). That’s got to be awkward for him. hahaha

20:14 - “Where is Ainsley?” Good question Gil. Malcolm (who is on the verge of a panic attack) is working himself ragged to find Martin. Jessica is terrified and going through old photos to see if she can find anything that might give a clue to Martin’s whereabouts. But Ainsley? Not only is she calm - she’s not reporting on the prison break. She’s not actively trying to find Martin and she’s not terrified. Why? I honestly think (hope) she’s working with Capshaw.

20:20 - That look Gil shoots JT. Yep. Gil definitely suspects that Ainsley’s involved. I’m pretty sure Gil has pieced together what happened to Endicott and now he suspects Ainsley.

20:30 - hahahaha the way that JT stares at Gil as Gil leaves the room. hahahaha. He’s like: “This is awkward. I don’t want to babysit your rich girlfriend (and the Mom of the most annoyingly endearing profilers in existence). I am uncomfortable and I hate that you’re leaving me here alone.”

21:05 - I LOVE THIS SCENE. EVERYTHING ABOUT IT. I love how Dani is slouching in Gil’s chair like she owns it. I love that Malcolm is sitting on the couch like a scolded child. I love that they’re talking about Gil’s birthday.

21:32 - “I’m already drafting an apology letter.” “That’s not enough.” SAY IT LOUDER DANI. This. FINALLY we get someone calling Malcolm on his passive suicidality. Yes, Malcolm is driven and obsessed with the case (any case). But he also risks his life needlessly to solve them. As though he thinks he’s not worthy of saving. As though he believes he deserves to suffer for what he did to The Surgeon and for what The Surgeon did to his victims. Malcolm is passionate and dedicated to his job. But he doesn’t care about his life enough to protect it. That’s passive suicidality in my books.

21:43 - “For a killer who has done nothing but make your life a living hell.....he’s not worth it.” THIS. Malcolm doesn’t hear this enough. People always suspect him of being like Martin. People rarely take the time to realize that Malcolm was just a little boy who was traumatized by the things he found out about Martin. Strangers judge and treat Malcolm like a criminal just because his father is a publicly bad person. It’s been happening for so long that Malcolm believes he’s a bad person who isn’t worthy of happiness.

21:52 - Poor Malcolm. His little face. :( He looks so sad, angry, and scared all at the same time. This is another case of “the logical part of my brain knows I’m acting irrationally but I can’t stop it because the emotions are too big and strong and everything hurts.”

22:05 - “I’m sorry.” MALCOLM WHY THE HELL ARE YOU APOLOGIZING TO DANI?!? Because you yelled at Ruiz and now Dani’s worried about you? Dude. You’re having a mental health crisis and a really really bad day. You don’t need to apologize right now. Dani doesn’t want your apology. She wants you to take care of yourself.

22:25 - “Jury’s still out.” Ouch.

22:32 - Oh look. Another old person with a landline. hahahahha

23:11 - JT being a sweetheart to Jessica. <3 I love this man. This is so cute. I feel like this is the first time JT’s truly seen Jessica as a full human with a personality as opposed to Malcolm’s rich mother and Gil’s love interest.

23:18 - “I get a call like that once a week.” OH HELL NO.

23:30 - I love the fact that Jessica and JT are bonding over the fact that they’re both being harassed and judged for something outside of their control.

23:41 - SOMEONE IS CALLING TALLY?!?! NO. NO. NO. NO. I’M FURIOUS.

24:04 - “I don’t know. Why did you pretend no one was on the phone earlier?” I love this line. Jess didn’t tell for the same reason JT didn’t. They’re independent, strong people. They don’t want bother other people with their problems. They’re embarrassed that this is happening to them and on some level they probably think (wrongfully) that they deserve it.

24:46 - Oh look. All of Malcolm’s worst nightmares are coming true on the same day. The look of pure terror on his face. <3

25:20 - I want more Gil + Ainsley scenes. I find them fascinating. Ainsley looks like she resents Gil (probably because he spent so much time with Malcolm instead of her in the 90s+00s). Gil looks remorseful, sad, concerned, and fatherly. Like, even though he didn’t spend a lot of time with Ainsley - he still loves her. Because he loves Jessica and Malcolm so he loves Ainsley by extension.

25:30 - “People always suspect him” THIS. Ainsley is trying to manipulate Gil into believing she’s innocent by drawing parallels between her actions and Malcolm’s. What Ainsley doesn’t seem to realize (and why Gil is so cold when he says “People always suspect him”) is that Gil watched Malcolm grow up. He watched the cops question him in 98′ because they thought he was a suspect. He watched Malcolm grow up as people bullied him and locked him in closets because he’s the son of a murderer. Malcolm was fired from the FBI for being the Surgeon’s son (and punching a sheriff). Ainsley though? She forwarded her career by televising Malcolm’s mental health issues and proudly announcing that she’s the daughter of a killer. She still has a job. People still treat her with respect. Malcolm wasn’t granted that luxury. Gil knows it. He watched as Ainsley used Martin as a tool for success while Malcolm struggled under the weight of Martin’s crimes and abuse.

25:34 - “Ouch”. Malcolm’s not offended. Look at the little smile he sends toward Dani. <3

25:36 - Ainsley is furious. That’s the look she had in her eyes when she confronted Malcolm about the pig’s blood incident. She has no remorse. She’s pissed that her brother is overshadowing her.

25:49 - “We didn’t plan a prison break.” Who’s the ‘we’. Her and Malcolm? Or Ainsley and Martin? Or all three? Or Capshaw and Ainsley? ....this 3/4 of those options are definitely true. But one of them might be a lie. I think Ainsley was purposely vague to make it harder to Malcolm, Gil, and Dani to tell if she’s lying.

26:17 - Ainsley isn’t scared, stressed, or anxious when she picks up the phone. She seems annoyed but hopeful. I find that interesting.

26:46 - That smile. Ainsley loved talking to her dad. As a girl who grew up without a father - I feel for her. BUT GIRL - he’s a killer and this is not healthy.

27:08 - Malcolm suspects Ainsley. And he’s scared. Bring me my popcorn. I’m here for the show.

27:18 - This must be killing Ainsley. The fact that she knows Malcolm, Gil, and Jessica are a quasi-family unit. It’s probably making her feel more left out than usual.

27:30 - “Maybe I should’ve done more for her when she was growing up.” :( My heart is shattering. This isn’t Gil’s fault but damn, does this hurt.

27:40 - “No matter what we did, all roads led to Martin.” More confirmation that Jessica and Gil co-parented Malcolm. <3 This is amazing. I’m so happy.

27:53 - Really Jess? You’re turned on by the fact that Gil has a secret plan while your daughter is being questioned about helping a murderer escape prison?!?! It’s adorable (especially how Gil starts flirting back with her) but also - not the time.

28:14 - This is why I think Ainsley is somehow involved with Capshaw and/or is a budding serial killer. She’s so cheery. She’s being questioned by the police because they suspect her of committing a crime. Even an innocent person would be a little anxious or defensive. She’s just....numb but also cheery at the same time? Something’s not right here.

28:19 - “This room is under surveillance at all times.” ....but is it under audio surveillance? Is this interrogation going to become a bigger part of the plot later in the season? Because Ainsley verbally questions if she’s like Martin.

29:17 - As much as I hate Martin, I agree with his analysis of Ainsley. She’s high on charm, low on compassion and empathy. She doesn’t have normal reactions to traumatic events. She never appears scared or sad. We’ve only ever really seen Ainsley happy, determined, or angry.

29:20 - ....I fully believe Ainsley is fake crying to manipulate Malcolm during the interrogation.

31:25 - “Do you think I’m the reason he broke out?” Ugh. Ainsley is so starved for parental attention and it’s heartbreaking.....maybe that’s how this killer was made.

32:00 - Gil doesn’t think Ainsley’s a credible source of information. Let’s all just sit on that information for a bit.

32:19 - “It’s not him I’m worried about.” <3 <3 <3 <3 Papa!Gil <3 I’ve missed you. <3 <3

32:34 - YO Gil, Malcolm. Have you two knuckleheads really never watched Criminal Minds?!?! This dude is showing textbook “I’m a hostage” behaviour.

33:19 - Gil calling Malcolm his ‘partner’ is so precious. <3

34:50 - Sooooo 400K is a LOT of money. Did Martin use Milton family money for his murder agenda?!? Did Jessica never notice that much cash missing from their accounts?!? Where did all this money come from?!

35:32 - Ahhhh lovely. Martin had a fake Canadian passport.

35:46 - Excuse me while I cry myself to sleep because Martin put Malcolm’s batman toy in his murder escape bag. It’s so twisted and yet, sweet?

35:50 - “What’s that?” <3 My heart has shattered. Look at the unshed tears in Malcolm’s eyes. Listen to how soft Gil’s voice is. Look at Malcolm’s sad little heartbroken, hopeful smile and Gil’s heartbroken look of concern. <3 I adore this exchange so so so so much. This is the Papa!Gil content I’ve been hungry for.

37:38. -”Bright, she said no.” ....and Gil doesn’t want him going in there either. It’s not safe for anyone. But especially not for Malcolm in his current mental state.

38:25 - “Don’t ever imply Bright doesn’t want to save lives.” YES TELL HER GIL. YES. I’m living my best life. The Papa!Gil fans were FED this episode. <3

38:51 - “They’re going to kill him.” I love this because I get it. My dad was abusive. I don’t like him and I don’t respect him. I think he’s a shitty human being. But I still love him. A part of me always will. Malcolm’s relationship with Martin is a little more complicated but it boils down to the same thing - no matter what a part of you will always love your parents. You might hate that part of yourself. You might try to suppress it. But it’s always there. Whether you like it or not. The idea that Martin will be killed? That’s terrifying for Malcolm because a dead Martin Whitly means he’ll never ‘earn’ his father’s love. It means his chance of finding the father who loved him pre-age 10 is gone forever. And that’s terrifying. Malcolm will grieve what he lost but he won’t grieve Martin as a human being - just who Martin could’ve been for Malcolm.

39:22 - Gil chasing Malcolm <3 I’m in love.

39:55 - Again, where the hell did Hector get these clothes? He sure as hell didn’t steal that plaid shirt from Malcolm’s place or the EMTs.

40:10 - Hector is my favourite killer. I love him and I don’t know why.

40:50 - This sequence is haunting. Watching Gil, Jessica, and Malcolm terrified and concerned in isolating shots. <3 *Chef’s kiss*. AND THE FACT THAT JT is still with Jessica?!?! <3 Glorious. I’m here for it.

41:35 - I don’t like the way Capshaw looked at Malcolm when she said, “He’s your father.”.....it was appraising. Almost like she’s considering killing Malcolm to snub the whole Whitly family of potential killers.

42:17 - That line about karma......holy shit. Capshaw is evil #confirmed. Malcolm is a moron for not spotting it right this second.

42:55 - I have so many questions. 1) how did Capshaw get Martin in the car without anyone noticing? Like, why didn’t the security cameras catch it? 2) ....how much air circulation is in a car trunk? 3) How long has Capshaw been planning this? 4) is it really Martin in the car? Or someone else? ....maybe she had a goon kidnap Martin and take him to a secondary location after he left Claremont grounds? 5) Did Capshaw ever have a romantic interest in Martin? Was it ALL show?

AHHHHH this episode was amazing and I can’t wait for Tuesday. Thanks for hanging out. <3

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eddiemunsonssoulmate · 3 years

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OBX Season 2 Review

I just finished and I have too many feelings so y’all gotta have to put up with me hehe.

I’m gonna talk about the main plot in general and then gonna talk about the most interesting characters and some other stuff.

I’m not putting a spoiler tag on this so it’s more accessible for the people that don’t mind reading spoilers but it should be obvious that this review isn’t spoiler free.

Main plotline

It was okay. Nothing too crazy but also not very realistic but it’s fiction afterall, so I don’t mind. I loved that they kept the treasure hunt theme going even after the gold was lost. Also loved that it was Pope’s plotline and he got more to his character thanks to it but it was also pretty obvious that every other character suffered because of that. So I’m hoping they’re gonna stick with that, S1 was John B, S2 was Pope, hoping for S3 to be JJ but from how the season ended, it looks like it’s gonna be John B again but who knows, I have hope.

There were some things that I didn’t like for sure, timeline issues, continuity problems but it’s fine, I can overlook it for the sake of the story. I was just missing some real Pogue action, they kept them apart quite often or just split up in smaller teams. I’m also a little meh about the whole fact that they’re okay with being on a deserted island in the middle of nowhere where they could potentially die? Idk that was weird but they hopefully can just get off the island whenever they want.

My boy first, of course. He was as beautiful as always but I lowkey hate how they treated him this season. He was more of a comedic relief character than he was already in the first season with less iconic lines and even his friends treated him like a stupid child even though he had some great input. Yes of course he is a reckless character that fucks shit up quite some time but he is still the most loyal of them all. He would willingly go to jail and die for them and yet, I feel like they don’t appreciate him enough. Now that Luke is gone too, he’s basically homeless without a legal guardian and he only has his found family. Please treat him better and please give him some actual character development next season, thanks.

John B

I’m really conflicted about him. He is fucking stupid sometimes but then again he is a good guy. He can be such a good but also such a shitty (boy)friend. Idk man, I like watching him but sometimes someone needs to slap some sense into him. I’m glad he is doing okay and I’m really curious to see what Season 3 has in store for him.

Pope

I’m so happy he got more storyline this season. Who would have thought he would have such a great family tree? He for sure didn’t haha. I’m glad he wasn’t just a full nerd all the time and actually got into a few fights. He deserved the screen time and Jonathan did a wonderful job portraying him. I feel really bad that he didn’t get a single thing this season. No gold, no cross, no Kie.

Kiara

Eh, I can't get to vibe with her this season. Most of the time she was just stupid, running around yelling dumb stuff, treating her parents and especially Pope like shit. We all knew that Pope and Kiara wouldn’t be together for long but honestly girl, what was that? Flirting with him but never reacting when he tried stuff, then having sex with him, knowing full well he has feelings for you and then just dumping him? Nah girl, that’s not it. You’re better off at boarding school.

Sarah

Poor baby girl. You deserve better, why are they putting you in so much pain? Honestly, first she’s getting kidnapped, then she’s a fugitive at the brink of death multiple times, she watches her father explode into pieces in front of her only to get kidnapped again to find out that he’s alive and still wants to take her with him AND THEN HE TRIES TO KILL HIS OWN DAUGHTER? Girl needs therapy, I’m telling you. She had already been so conflicted in season one and season two didn’t make it any better. Give her a break, please.

Rafe

He can still go choke. For real. Like, we know that he’s apparently been turning into a psychopath since he was ten and Ward only pushed him further to the brink. Don’t get me wrong, it was amazing to see how he was spiraling during the season, how he was losing his mind more and more and Drew did that so well but god, he did it so well that I just want Rafe to die.

Topper

This is a quick one. I was really hoping for a good redemption arc and he kind of started to get one but then his unhealthy Sarah obsession kicked and I was like nah boy, get the fuck away from the Pogues, thanks. Let’s see how it goes in the next season.

Side Characters

I’m too lazy to list more in detail. Ward is a shit but too smart for his own good. Rose is such a gold digger but she really loves her family. Wheezie is the MVP and she deserves to be with her sister in peace. Kiara’s parents...I feel bad for them, they just want the best for her kid but get treated like shit. I also feel bad for Mr. Heyward who is so worried about Pope without really knowing anything. I’m glad Shoupe came around in the end, there’s some good cop in him. Luke is still a shit father and I’m glad he’s gone but for some reason I doubt this was the last time we’ve seen him.

Overall

The season started off quite slow but as soon as the Pogues were united again I started to get the vibe back. My favourite was probably the middle part of part 4,5,6. The ending was a little too crazy for my taste but it wasn’t bad in general.

I’d give this season a 7/10. There’s a lot of things to improve and things I’m looking forward the next season, hopefully with more development for JJ and some therapy for Sarah.

#obx #outer banks #obx netflix #outer banks netflix #outer banks season 2 #obx s2 #review

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theshapeofhorror · 3 years

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Comparing and contrasting Halloween 2′s Michael Myers to Halloween 1978′s

After re-reading this: warning. Snark about / towards Halloween 2 ahead.

Halloween 2′s portrayal of Michael is an oddity to me. I constantly see other sequels trashed for their portrayal of Michael, yet never this one - even though, from a writing point of view, this is really where the train started to derail from its tracks. The writing of Halloween 2 is an absolute mess and Michael is no exception to that - don’t get me wrong, I have crazy amounts of nostalgia for this movie and I love Dick Warlock as Michael Myers, but if I’m being honest, this portrayal fails to capture any of the original movie’s fascination and quite simply doesn’t work as a good continuation of Halloween 1978′s Michael.

(There is one scene I’d call an exception to that, but it can’t carry the rest of the writing / portrayal / movie on its own.)

Let’s get into it.

1. The good - The costume

One major reason why I think this portrayal is quite well-liked amongst fans is that, unlike a lot of the other sequels, it got Michael’s looks right. It’s honestly super wild to me that I have to cite this as a positive - this is a character who doesn’t talk and gets defined by his looks and body language. Insane that for most of the sequels they failed to get this basic yet crucial aspect of the character right. But anyway...

All snark aside, Michael does look pretty great in this movie. I chose that screenshot of a side-view specifically to highlight the following: they actually had someone play the character whose physique and height fit Nick Castle’s from the original movie. The mask is the same, if grittier/dirtier (which works, considering he rolled around in the grass after getting shot and all), and also big points for continuity - you can actually see the bloody holes in the coveralls where Loomis shot Michael at the end of Halloween / start of this movie. The coverall looks good, too.

Based on looks alone this portrayal doesn’t disappoint and actually happens to be one of my favourite in the whole franchise. (I’m especially partial to that scene where Michael stabs Laurie’s empty bed.)

This movie, quite different than Halloween 1978, isn’t afraid to give the viewer full-on frontal shots of Michael, starting right from before his first kill less than ten minutes into the runtime all the way up to the end. In a way I feel this detracts from the tension, but I can see why they did it - they probably thought “Hell, the viewers know what he looks like anyway if they saw the first movie, might as well”.

2. The good p.2 - Throwbacks to Halloween 1978

I don’t consider this a necessity, but some easter eggs / throwbacks are always appreciated (by me). Halloween 2 in parts does a pretty good job of capturing and recreating some of those iconic moments.

The first 15-ish minutes of this movie in general are, thematically, almost a 1:1 of Halloween’s intro scene; we get a long POV shot of Michael lurking around and watching Loomis (Judith), then Michael picks up his weapon of choice, then the first kill (stabbing with a knife). Though this is also where Halloween 2 quite diverges from the beaten path in some ways, in giving us a full-frontal of Michael and the mask and a close-up of his eyes.

3. The bad - Different way of killing

Objectively, if I strictly view this movie as a slasher, this isn’t a negative, and I think most people don’t take it as such. I sort of don’t either - the kills in Halloween 2 are visually impressive, creative, and have some nice gore. (I love the syringe kill, for example - the lighting / visual ambience in that scene is awesome.)

However... they don’t fit the character of Michael as established in Halloween 1978. In that movie Michael kills for gratification, because he gets something out of it. The kills are drawn-out, have long build-up with extended stalking, and all relate to choking the victim in some way or form. Michael only chokes one character in the entirety of Halloween 2, and that guy doesn’t even die from it. There are no vocalizations either. That’s not to say that Michael can’t change his motivations for killing or change his character - but Halloween 2 takes place during the same night as the original movie.

It’s simply unbelievable that Michael, who, at the end of Halloween 1978, still tried to go for choking Laurie despite her having escaped and injured him, would suddenly throw all of that out the window and stab Alice’s throat mere minutes after the end of the first movie. Unless...

4. The bad p.2 - Different motivation for killing

... they went back and changed his whole motivation for killing.

Which they did. And it’s flimsy writing at best.

So, Michael’s motivation for killing in this movie is getting to Laurie. He’s somehow connected to the idea / spirit of Samhain now and wants to end his family line, or so the movie (and later sequels) make it seem. Most of the other victims kick the bucket because they might end up between him and her in the hospital. As for why he kills Alice and some of the others that technically wouldn’t have? No idea. I guess maybe he still enjoys killing, but really, I only assume that because of the context of Halloween 1978. This movie doesn’t do anything to prove / hint that he does, aside from the hot tub scene which feels almost out of character compared to the rest of the portrayal.

5. The bad p.3 - Don’t fix a thing that isn’t broken

A rule that Halloween 2 doesn’t give a damn about. This movie doesn’t even try to continue Halloween 1978 in this regard. Michael was after Laurie from the start because they’re siblings now, even if neither him nor Laurie ever even interact with that tidbit. It might as well not be in Halloween 2, but it changes a lot for the original movie. You get a certain sense of retcon when you look too closely, something I have never enjoyed in any form of media.

Though it has to be said that I neither hate the idea of a more supernatural Michael nor the sibling plotline itself. Some other entries to the franchise explored the second one to decent / great effect (RZ1, H20) and the Thorn trilogy (Halloween 4-6) is my absolute guilty pleasure among slasher movies.

6. The bad p.4 - Robo / Zombie Michael

This isn’t a knock on Dick Warlock as an actor at all. Some of the earlier Michael scenes of this movie show that he can give a convincing portrayal of the character.

He has the stiff spine and lack of shoulder movement.

The confidence.

And the fluidity. (I like the oddly fitting description of Michael from the otherwise questionable ‘78 novelization: his gait was quick and graceful for a big man)

Really, what happens mostly in the last act of the movie is something I personally think should be blamed on direction and writing - Michael chasing Laurie through the hospital at a snail’s speed isn’t only based on acting. The script determines that he walk over very slowly and swing at her legs when she climbs up the pipes, the script determines he swing like a zombie at empty air after Laurie shoots his eyes.

Nevertheless, and whoever is to blame, Halloween 2 features zombie!Michael.

As well as robo!MIchael. (Despite how good he might look in that scene)

And it just doesn’t fit anything we saw in that first movie.

7. In conclusion

Michael Myers in Halloween 2 is a very, very different character than we saw in Halloween 1978. He has different motivations, kills for different reasons, no longer threads the line between human and supernatural but instead full-on crosses it; he moves differently, kills differently. He fails to be a continuation of the original Michael; he’s more his own character than anything else.

Halloween 2, apart from the hot tub scene, doesn’t manage to capture the fascinating “evil, fucked up psychopath threading into supernatural territory at times but still displays decidedly human behavior and quirks” nature of the character of Michael Myers; it feels empty and flat compared to the original movie, and it paved the way for the absolute mess that some of those later sequels / portrayals of Michael would turn out to be.

However... it is a portrayal that’s easy to simp / thirst for, as Dick Warlock happens to be a very attractive man who looks great in the Michael Myers costume. And, also, the hot tub scene exists. :)

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joliepixie · 3 years

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It’s been a busy month, with being in a stay at home order and everything. Apparently I have a lot to say about the books I didn’t enjoy over the books I did enjoy.

Left to right:

1) spoilers: uh not one of my favourite thrillers I’ve read... had really high hopes for this one but it kind of just fell flat for me. The concept seemed really neat with the dead girl sending the main lead a friend request on Facebook but then when it was revealed that it was the mother I started losing interest and I found the main concept for the book was lost considering the Facebook account meant nothing for the actual murders plot. I felt the ending was rushed and also what’s with the main character saying a few nice words to the murder then he’s like “you know what yeah you’re right I’ll walk away.” He killed to keep his secrets and abused the main character obviously there’s some sort of psychopath mind there and I doubt a few nice words would have actually stopped someone who’s already killed for their secret! And then the main character in the morning just gets up opens the locked door goes to make breakfast and let’s her son wonder the house like a normal morning! I’d be screaming and calling the police and running to the neighbours! This book got me heated and not in a good way! Not worth it in my opinion. Thank you, next.

2) it can only go up hill from the last book right? Think again! This one was also a one star read for me. Again loved the concept: flight attendant wakes up next to a dead man. Who done it? Her? Maybe? Find out? Anyways, it’s basically revealed in the second chapter who killed him and then there all this spy stuff going on behind the scenes which isn’t really what I’m interested in. But here’s what tanked the book for me (spoilers). So main character returns to her room with her hot Italian play thing and then a trained professional spy/killer is waiting for her. He’s easily over powered after a gun back fires on him and main characters hot Italian play thing pins this trained professional. No trained professional is like “ok you got me aha how about you become a spy too??” Book ends with a epilogue and suddenly main character has had a baby with the dead guy from the start of the book and is now a mole for Russia? America? Not sure. What happened to hot Italian play thing? Is he just going to be quiet about the whole thing and then all of main characters family do they not worry what happened to her? And don’t get me started on the super weird twist that was only mentioned in a FBI report of some other flight attendant being a spy too. What are the chances. Not my favourite.

3) Finally a thriller that I liked! once again Peter Sawnson doesn’t fail to disappoint. I think I’m becoming quite the fan of his work! Me and my friend tandem read this novel and discussed theories. It was a lot of fun and so many twist and turns. I called who the killer was after intensely studying every sentence because I wanted to call it before my friend. Competitive even when it’s not a competition. Meanwhile my friend came up with a amazing theory regarding the cats name “Nero” that actually panned out and I was pretty blown away considering she really had to deep dive for it. It was a weird book to read and I found myself actually wanting the eight perfect murders to be completed and at the end they kind of were.

4) I needed a break from the heavier and darker books I’ve been reading and picked up Sally Thorne newest book and let me tell you it was worth it. This book was completely cute and had me feeling all types of ways. I fell in love with the characters and the story. I will never forget the talking through the wall while taking a bath scene and when Ruthie stared tracing the word GIVE on Teddy’s fingers I was in love.

5) Prince Carden. That’s it that’s all I have to say. Just kidding. I got this book on sale on audible and enjoyed it so much that I picked up the box set to continue the series. I really loved the dynamic between Jude and Carden more so when she has the upper hand. He’s definitely a bully but I couldn’t help falling in love him and obviously Jude as well. I enjoyed the twist at the end and I’m very excited to see where this series takes me.

6/7) both these books were absolutely amazing! I started the series a couple months about enjoying the first two books but also not falling in love with them. Don’t get me wrong I was liking them but after reading Sarah j Maas’ other stuff the first two books felt a little young however after reading Heir of Fire and Queen of Shadows I understand the hype now. The world building and characters are beyond amazing and with the story really ramping up now I was drawn in. I took a break between reading the two and I was glancing at Queen of Shadows between every page of Flight Attendant just so excited to start it. I loved meeting all the new characters *cough* Rowan *cough* and getting to know them. And that reunion scene! I mean come one.

8) This one hurt me. I didn’t think that I’d feel so strongly towards Sam but Sarah j Maas once again made me have strong feelings. This book was heart wrenching and I felt sick when reading about the state of Sam’s body... made the revenge on Arobynn that much better in Queen of Shadows. I didn’t think I enjoy the prequel so much but knowing some of Celaena’s adventures before the Endovier salt mines gave me a better understanding of her as well as the relationships between not only her and Sam but her and Arobynn as well. I’m really glad I read this before going into Queen of Shadows. It really added to the story over all.

#book #books #the flight attendant #eight perfect murders #peter swanson #cruel prince #holly black #celaena sardothien #sarah j maas #throne of glass #heir of fire #queen of shadows #rowan whitethorn

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zalrb · 4 years

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*sigh* ok.

Just really quickly because I’m getting a lot of the same “DErs say” asks and what I find to be a common denominator with these DEr suggestions that seem to get the SE anons riled up is that the concept of “earning” is lost on people in this fandom; the concept of active vs. passive is continuously something that isn’t grasped.

This is Delena

Speeches. Dialogue. Words. Verbosity.

What makes the Stefan and Elena scene in 3x05 so epic, what makes it romantic, what makes it my favourite SE scene is the fact that both Elena and Stefan are fighting for their relationship, they are fighting for their love and it’s active.

Elena is a human, Klaus compelled Stefan to break her spine if she tried to leave, the only defence she had against what’s about to happen (which coincidentally is the only defence Stefan has against losing his humanity) was her and Stefan’s love, and so she fights for it the only way she can:

Stefan is a Ripper, a “blood addict”, and right before Klaus compelled Stefan to feed from Elena, he’s had some human blood. Not to mention that all summer Stefan was deep in his dark place, in a volatile mindset, spending months murdering people and then Klaus compelled him, mid-deep in his 3 month Ripper binge to drink from Elena and their love is put to the test. It would cheapen their relationship if it was as easy as looking at Elena and then going, “oh yeah, I just won’t do it anymore”. Actively fighting something that should be impossible, slamming his body in lockers, stabbing himself, putting himself through physical pain because the one, the one thing his addiction can’t eclipse is his love for Elena

is what makes the “turn it off” scene powerful. Stefan didn’t just say no one will tell him how to live and who to love, he proved it with action.

Delena is passive. Damon “fights” for Elena by simply turning off his humanity switch, he doesn’t actually do anything to hold onto her:

and then Sybil comes in and easily takes Elena away

then the writers come in and easily give Elena back

and like everything Delena, other people have to explain to them why they’re so special to each other

What about any of this is earned? What about any of this is deserved? What about any of this is fought for? I don’t want to hear Caroline explain to Damon that he has a love for Elena that wins over anything, I want to see it

I see it with Stelena

Not to mention, context. Damon being “sirened” by Sybil doesn’t mean jack shit because Damon isn’t acting any differently with her in his mind, remembering Elena doesn’t mean he’s holding onto humanity or morality when Damon was killing people/hurting people when he was with Elena or when Elena was around, anyway

so really, the only difference between Damon in season 8 and Damon in all the other seasons is that in season 8, he’s killing people on someone else’s orders instead of for his own amusement or indulgence.

When Stefan is holding onto Elena and trying to hold onto his humanity, it means something because Stefan actively fights his darkest nature to do the right thing and he doesn’t want to lose that

this is also where Paul being the superior actor comes into play because we also see how Stefan isn’t fully there anymore, he’s either robotic, or he’s being torn apart

which adds nuance and emotional weight to how much Stefan needs to hold on to Elena to keep a glimmer of hope alive.

Once again, back to passivity: If Damon is going to claim things like this

then I want to see it, I want him to work for it because he didn’t. Bonnie got shot with an arrow and she sent him back home to be with Elena

I see what Stefan does and endures to get back to and/or protect Elena, I see him work:

and I see Elena work.

If you want to make the argument that Elena was physically around when Stefan works his way back to her, consider when Damon thought that he killed Elena and his reaction to what happened versus Stefan’s as an indication of passivity vs action.

Damon thinks he killed the love of his life so he has sex with someone else

throws himself a pity party by killing people

and getting himself beat up, he effectively gives up

Stefan finds out and he lashes out

mourns:

and then kills Julian:

Another thing, Diana Gabaldon spoke about the importance of the rule of three, which is essentially the importance of following through

Throughout the story, they keep rescuing each other. And the stakes are high. Jamie marries Claire originally in order to save her from Black Jack Randall. Would that be a striking thing to do, if Jack Randall was not, in fact, a serious threat? He is a serious threat; we learn that from Jamie’s backstory. The man’s a genuine sadistic psychopath, who has essentially destroyed Jamie’s family and seriously injured him, both physically and emotionally. And here’s Jamie swearing to give Claire everything he has; the protection of his name and his clan–and the protection of his body–in order to save her from this man.

He then does save her, physically and immediately, from Randall [...] The stakes are higher; the threat to Jamie (and Claire) from Captain Randall is increased [...] The third encounter with Black Jack Randall is the climax, the point where the stakes are highest. Jamie’s been captured and seriously hurt, Claire’s come to save him, but Randall turns up and takes her captive, threatening her life.

OK. This -has- to be a credible threat. Ergo, we have to have seen (and heard about) the real damage Randall has done to Jamie thus far; we have to be in no doubt whatever that he’d do real damage to Claire. We can’t just say, “Oh, he’s such a nasty person, you wouldn’t believe…” We have to believe, and therefore appreciate just what Jamie is doing when he trades what’s left of his life for Claire’s. (Show, don’t tell, you know?) And because we do believe that, we share both Jamie’s despair and Claire’s desperation.

So, OK. Throughout the book, we’ve seen that love has a real cost. Jamie and Claire have built a relationship through honest struggle, a relationship that’s worth what it’s cost them. This is the final challenge, and Jamie’s willing to pay what will apparently be the ultimate cost.

Why would I throw that away? To have him escape rape and torture (he–and we– know what’s coming) by the skin of his teeth would be to undercut his sacrifice, to make it of little moment. (It would be like someone turning up in Gethsemane and telling Christ, “Hey, buddy, you don’t really have to do this. Come with me, I got a secret way outta here…”)

Damon/Delena and the writing surrounding them won’t do this, they stop at gestures making Damon and Delena performative and empty. He will say he’ll die for Elena (and everyone else)

but Stefan will actually do it

and so he makes good on all of these moments:

which strengthens Stefan as a character and SE as a ship even if they weren’t together romantically at that time.

#stelena #stefan salvatore #elena gilbert #the vampire diaries #dobsley #paul wesley #nina dobrev #stefan x elena #elena x stefan #tvd #anti-tvd #anti julie plec #anti caroline dries #kevin williamson

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punchdrunkdoc · 4 years

Text

Updated K-drama list (3)

4 more shows DONE and there’s been some changes to the rankings...

FAVOURITES

1. Crash Landing on You

He’s from North Korea. She’s from South Korea. They never should have met, but they’ll change each other’s lives.

This was my first K-drama, and its still my favourite. The full cast of characters is great, the lead romance is ANGSTALICIOUS and its genuinely, laugh out loud funny (when its not making you cry or swoon).

Male lead: Officially the best boyfriend ever. With added dimples.

Tear-jerk factor: 4/5

2. Healer

The lives, and pasts, of a hot shot reporter, a spunky young tabloid journalist and a mysterious thief-for-hire intersect.

This was so addictive - the plot was tight and engaging, and this is one of the few shows I’ve watched where there didn’t seem to be a lot of filler. I loved the central 3 characters, and the romance was amazing. I especially loved that the male lead started off such a brooding loner, but he became super-affectionate as soon as he admitted his feelings. So many good hugs and lots of face-cradling in this one.

Male lead: Effortlessly beats up 2 henchmen while comforting his girl over the phone. What more do you need?

Tear-jerk factor: 1/5

3. Itaewon Class

A young man’s life is forever altered when he runs afoul of a powerful family.

This felt like a big step up in quality from everything else in this list, in terms of the production, soundtrack (which was brilliant), the lack of annoying sound effects, and just the overall ‘real world’ feel of the show. All of the characters were fleshed out and 3-dimensional, and they all had their ‘moment’ to shine. The story itself was gripping and so well done - some of the twists and reveals had me gasping! And what can I say about the 2 leads? I love them, both separately, and together. He is so wise beyond his years, and his journey will break your heart and inspire you. She is borderline sociopathic, but I adore her.

Male lead: Tenacious, principled, kind, innocent, caring, driven, loyal…and he can cook!

Tear-jerk factor: 2/5

4. Descendants of the Sun

A special forces Captain meets a capable and beautiful trauma surgeon. They feel an instant bond, but their jobs and philosophy on life get in the way, threatening to tear them apart.

Halfway through this show, I seriously thought this might overtake CLOY as my No. 1 fav. I absolutely LOVE the male lead character, and the romance was beautiful…but it didn’t quite nail the angst and the last minute was a bit twee which dropped it down the rankings a bit.

Male lead: A cocky, charming, absolute BADASS with the most adorable, cheeky smile.

Tear-jerk factor: 2/5

5. My Holo Love

A lonely woman falls for a holographic AI and then meets his creator...

I love the concept of this show (I’m a big sci-fi nerd), and it was beautifully shot. The lead relationship is well developed and it doesnt fall into a typical love triangle. I’ve come to realise it utilises a lot of K-drama tropes (face-blindness! shared childhood trauma!), but it does it really well, imho.

Male lead: Tortured loner genius. My catnip.

Tear-jerk factor: 2/5

6. Goblin

A 900yr old immortal guardian finally meets the ‘bride’ who will end his existence

Once I got over the slight ick-factor of the age difference between the two characters at the beginning, I really fell for this show and it’s world. It had me in tears. And I especially loved the secondary character of the Grim Reaper.

Male lead: Surprising innocent and funny for a 900 year old

Tear-Jerk factor: 5/5

7. What’s Wrong with Secretary Kim

An personal assistant decides to quits her job in order to get a life. Her boss has other ideas.

I loved the female lead in this - I’m a sucker for uber-competent people, and the actress is STUNNING. Her boss is self-centred, entitled and vain...but over time, somehow that just becomes endearing! This show also has lots of very good kissing scenes...and when he started to unbutton her shirt during one encounter, I was SCANDALISED (did I mention these shows are usually very PG!!)

Male lead: Like I said, somehow makes vanity and narcissism endearing. Also not afraid to get his shirt off and flash his 6-pack. Bonus.

Tear-Jerk factor: 0/5

8. Legend of the Blue Sea

A mermaid comes onto land to find the man she loves

The (literal) fish-out-of-water scenes in the first half of this show were hilarious - the actress is a comic genius! The romance was nicely done, and there wasn’t a lot of extraneous plot or too many characters. I couldn’t stop watching this one!

Male lead: Cocky, arrogant conman with a soft mushy centre

Tear-Jerk factor: 1/5

9. Fight for my Way

Two life-long friends decide to go after their dreams

I found this during my Park Seo Joon binge and, even though I fast-forwarded large chunks of it (I wasn’t interested in the secondary couple at all), it still made my favourite list because I love the leads - both as separate characters and as a couple. This is one of the best friends-to-lovers stories I’ve seen, mainly because you truly buy that these 2 have known each other their entire lives (their bickering and teasing feels so natural). And then when they take the next step, they’re so affectionate and refreshingly open with their feelings.

Male lead: I love his contradictions. He’s goofy and childish…but can really turn on the sexy charm; he’s a badass MMA fighter…who loves when his girlfriend sticks up for him and protects him.

Tear-jerk factor: 0.5/5

10. Suspicious Partner

A young, hardworking lawyer has her life turned upside down when she is put on trial for murder.

This has been officially bumped up to my favourites list - partly because I’m now a massive Ji Chang Wook fan, and partly because I’ve rewatched scenes with better subtitiles and it made everything10x better. Its still overly long, but the serial killer plot had some nice twists and it was central to the story, so it didn’t feel extraneous like some of these types of plots do. I really enjoyed the central romance - the 2 characters sparked off each other well and I loved their evolution from sort-of enemies to lovers.

Male lead: Its Ji Chang Wook! He’s so good at playing serious guys who are secretly big dorks

Tear-jerk factor: 0.5/5

Notable mentions

These are shows which I completed and enjoyed but they didn’t set my world on fire. Usually because they were overly long, or the plot got in the way of the characters/love story.

1. The K2

An ex-mercenary takes a job as a bodyguard protecting the illegitimate daughter of a politician. A sort-of Snow White retelling.

This started off really well, with some amazing fight sequences (hello, shower room scene!). However, the back half became too bogged down in double crosses and manipulations, and it focussed too much on the politicians. The writers did well to give these characters some layers, but they were all essentially doing bad things for the wrong reasons, and I just didn’t care about them. The show was much better when it was following K2’s journey. The romance also started off well, but was a bit underdeveloped (mainly because they barely interacted).

2. I Am Not a Robot

A man who is allergic to human contact finds companionship with a robot…or does he?

I honestly thought I wouldn’t make it passed a couple of episodes of this - the concept was just too ridiculous. But I’m glad I perservered, because it developed some real depth and some proper good angst towards the end.

3. My Love from the Star

Alien stranded on earth meets an actress soon before he’s due to be rescued.

I finally gave this another chance, and I’m glad I did. The female lead got a LOT less irritating, and I enjoyed the present-day romance and all the flashes back to the past. However, the ending was really abrupt and disappointing (which kept it out of my favourite list). There should have been 1 less filler episode in the middle, and a decent, fleshed out finale instead.

4. Her Private Life

A talented art curator tries to keep her professional persona separate from her fangirl obsession with a pop idol.

This was cute and I loved the central relationship - he was so supportive of her, and their interactions were refreshingly mature and their banter felt really natural. Ultimately, it was a bit forgettable (I’m not dying to rewatch any of it), and the last minute tacked-on childhood trauma subplot was really unnecessary.

5. Strong Girl Bong-Soon

A woman with inherited super-strength gets a job as a bodyguard for an eccentric young CEO

The lead couple in this are AD-OR-ABLE and I loved their relationship. But there was a weird tone issue in this show. The romance is super cute...but there’s a whole dark sub plot involving multiple women being held captive by a psychopath. I ended up fast forwarding most of that, and just concentrated on the romance.

6. Touch Your Heart

Star actress rocked by scandal works at a law firm to prepare for her comeback role

This starred the secondary couple from Goblin and I really like them, even though they are playing very different characters in this (more opposites attract, than doomed lovers). At first I found this too ‘cutesy’, but I’ve since realised the sound effects/graphics are a K-drama thing and not unique to this show, so I’m not as down on it as I was. I still had to fast forward a lot of the secondary romances which I wasn’t invested in.

The others…

1. Hyde, Jekyll and Me

A woman becomes involved in the lives of 2 men, who share one body

This stars Hyun Bin from CLOY and he is sooo watchable, especially as the slick-haired, glasses-wearing, uptight Seo-Jin. And the show started well...but quickly went off the rails into a convoluted, dragged-out revenge plot.

2. Melting Me Softly

Two people are accidentally cryogenically frozen for 20 years. They have to navigate the modern world and their new lives together.

Another good concept, but it ultimately descended into little more than a light work-place romance. Had a couple of good kissing scenes, but it was overall a bit forgettable.

And the DNF:

My Secret Romance

I started watching this because I was looking for something a little less PG - the characters have a one night stand in the first episode! But I couldn’t get passed the bad acting and cheap production.

Master’s Sun

I liked the premise but the 2 leads weren’t very attractive (at least in comparison to the insanely beautiful actors/actresses in the shows listed above). Call me superficial, but I couldn’t see myself spending 17 hours watching them and willing them to kiss.

#kdrama #cloy #healer #descendants of the sun #itaewon class #suspicious partner #legend of the blue sea #fight for my way #what's wrong with secretary kim #melting me softly #hyde jekyll me #touch your heart #her private life #strong girl bong soon #i am not a rob #my love from the star

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hasliaran · 3 years

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Undertale is owned by Toby Fox

Sooner or Later You’re Gonna be Mine is written by Staringback.

TimeHealsTale - Still a WIP by me.

Meet my undertale OC from TimeHealsTale which is an AU living rent free in my head. They are a canon MC that replaces the real Sans (age 5) after he got dumped into a tub of Void by Gaster to be forgotten.

Name: Comic Sans Du Font (Comic/Komi)

Age: 22 (5 years younger than canon Sans and 8 years older than Paps)

Job: Monster Healer that does House-calls. (Not a Judge; Sans disappeared because he was a Judge)

Profile in Game: Toriel’s Contact, The Smuggler, Summon Healer (after befriending; limited to 5 calls (diff. work phone no.); rapid calls will assume it’s a prank and not be picked up for a certain period of time.)

This is not her usual outfit but I just really wanted to post it.

In my head, the scene goes …

- she fell into the void trying to pull out a deformed still 5 years old Sans when she was going through her father’s stuff in his lab dungeon. (Occurred after the barrier broke)

- Sans was in a mega huge test tube floating in pitch black Void essence (frozen in stasis as no time passes through Void), so she couldn’t see anything or knew he was inside. Only after she accidentally tipped it over, smashing it to pieces, when trying to push it out of the lab that she realised there was an effing toddler inside it.

“Dad, seriously?” Comic got fed up already with the mess her father left behind after he got scattered.

- Cue her trying to grab the kid out of the muck only to fall in and be dropped down into another universe with the little one.

(Yes, this is the multiverse travel scene excuse and I love it)

Back then, Sooner or later your gonna be mine just uploaded a new comic chapter on YouTube. Hence, my brain went overdrive and said it’s a free real estate. So, I imagined the duo getting found by the skeleton brothers before the story started from rumours of them pillaging around trash sites, random food thefts and small skeletons offering up to do odd jobs.

Other skeletons than them, huh, curious.

Them skeletons in that story was already huge as heck though, now imagine a five a year old and a roughly five foot skeleton with a slight build running around what was essentially a mob era in the 1920’s.

The first thing that would go through their thick skulls was KIDS, THEY ARE KIDS, WHO HERE F***ED AND DIDN’T USE PROTECTION ?!

So much shenanigans from just trying to chase them down. ^_^

In the end, Komi and Void/V (little Sans; Komi’s not that creative at naming) were lured in by food, an offer for a roof over their heads and warm baths. Yep, tragic.

Little sans doesn’t look like a sans anymore here but a mere smooth skull shell with two big eye sockets and nothing else. I meant that literally. No lips or teeth as those were melted away and a pitch black body with stumps for legs. (look at Hollow Knight; Ghost but without the horns and has smoothen out round cheeks at least. I love that game.)

The last thing he remembered was that his aunt (step sister actually but he knows her as auntie) giving birth in the Underground Hospital and his uncle (Gaster) pushing him into a tub of black liquid, watching him drown.

And now he can’t talk since his lips is sealed shut.

Moreover, someone with his name who looks like a lot like his auntie and a bit like his uncle was dragging him around somewhere. It’s hella weird and confusing and he can’t cry properly. (Yes, HK reference here)

Yes, there is a story here for the duo that will coincide with SoLY’reGBM. Mostly, with Komi claiming Bara Sans courting skills were lame as hell no wonder Frisk ran screaming. This happen only at the time they were all comfortable enough to diss each other. Still, she and V were treated like sassy annoying younger siblings.

One’s assumed to be a teenager another a preschooler. So both were admitted to schools by force and with threats for Komi by Gaster since he didn’t want them in the house 24/7. Also to just enjoy the fact they have money now to send someone in their place to experience school. Papyrus here loves it that someone gets to experience and tell him all about while also not being the youngest in the family anymore.

Komi, in hindsight was 50/50 about it. Hating the idea at first before going, huh, maybe it’s not so bad… Hence the outfit up there. ^

She only has been to pre-school when her mother was alive and nothing else since, Gaster, her father, deeming it useless and only had been homeschooled by him. As much as you could call being locked in a room and told to read/answer these sheets of questions or not she’s never allowed to feed Papyrus as homeschooling activities. It happened in a period of when she was 10 - 14, so Paps would be 2 - 6. Damn well, she learned to memorise and spit everything out like a photocopier.

Seeing the Gaster in this universe sorta freaks her out. Making her wait to be ordered and when she doesn’t gets the order or the orders were just a pat on the skull and be told to behave, nothing else. She will proceed to look at him funny only to realise that oh, this is not dad. The three brothers can see that gal there has been through some shit and it’s not the fun kind. This also makes them question whether they should let them go back to wherever they came from, and that’s a whole other bag of fish to fry.

Komi knows they are a mob family, accepts it because hey her dad had a dungeon where he cuts up humans and eats SOULs for breakfast so why not this?

Only to find out they are pretty nice for a family and was this what a family suppose to be like? She liked it.

Komi with V/Void -, I will protect you my new baby brother that I have adopted at first sight with my body and SOUL. Which she does, she was raised with her Papyrus who was always aimed at gunpoint by her father. Basically, a rinse and repeat cycle situation in her eyes. Only to find out that no, nobody was out to get V!

She felt so gosh darn free in this universe but felt as though she was missing something all the time.

Yep, her found family from back home. So, definitely gotta get out of here somehow.

While also going to high school and befriending your adopted uncles’s enemy’s niece. Fuku Fire. Definitely not telling them what she did. They are gonna get so pissed.

Fuku - I have befriended the cool kid that’s not afraid to talk back against adults and was already a pro in home economics, who is also a skeleton Monster, meaning from a rival family. My parents and Uncle *pedo* Grillby must never know.

Comic will also be going through the motions of life here while figuring out how V’s powers work to send them back home and be getting a supply of Uncle’s favourite mustard since he’s been bitching about it every day by now.

He and Gaster will most definitely never know.

Nah, they know. Comic is a freaking blabber mouth that tells everything to this version of Papyrus just like she does in her own universe. Confirmed, she’ll be outed within 3 days by Paps and a fight about who she befriends was not their business.-at Gaster - who then sees it as an opportunity. Which leaves her storming out yelling they are all the same. Gaster and her Gaster.

Shit goes down that day, and everything went A-okay. Komi would make attempts to not overlap her father’s image over this guy because really, this Gaster is the farthest thing to her dad that’s a centuries old psychopath craving the secrets of the multiverse who would instead have not let her run out the house unscathed for yelling nor talked through things with her when she was brought back.

Darn guy was pretty nice.

Sans and Papyrus of this universe : who are you and what have you done to our brother?

G: What was that?

S&P: Nothing. S: (mutters under his breath) bias piece of sh*t

Then there’s that scene where they now got a new area to govern. Komi and V finds it weird but okay. *shrugs*. It felt like they were going to govern their territory or something. Sounds like basic Royal Guards one-o-one shtick her middle bro’s and friends’ kinda work. Seems simple enough.

It was not simple. I repeat, it was not simple.

G: No, we do not have to patrol the area.

G: No, we do not do shifts to monitor criminal activities.

G: It’s just an area that we will get a claim to.

G: But I need the humans here to be comfortable with Monsters, so I am going to let loose Papyrus on them. Since, we also have you two as well. Feel free to interact with the Humans. Tell me if anyone gives you three any trouble, Sans and I will personally deal with it.

S: wut? Yes? Yep, whatever he says goes. Better listen to your elders, brats.

P: Really, Sans?

C: So-, you want us to help around with the people in the area? Like charity work? Give free food and all that?

G: (how did she jumped to that? but otherwise, she’s not wrong.) … Yes-, that. Feel free to use your green magic on them as well if you have to but only when necessary. I don’t want you to suddenly disappear because your own loose lips.

C: Alright. (Does an excited fist pump) This is gonna be awesome~! …. Heyyy, did you just-

P: And I will be sure to guard them. (No arguing here from the other brothers)

V: (pouts and hand signed) N-O-T—B-A-B-Y

P: (could only stare at this being that barely reaches his kneecaps) Of course, little one.

All I know is, all of them are sassy sarcastic shits and there’s way more to be continued here.

So byeeee~

#timehealstale #undertale #undertale au #fanart #fanfic #fic ideas #sooner or later you’re gonna be mine au idea #do not repost #do not copy #multiverse #dimension travel

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seijorhi · 3 years

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asks :)

hhhh y’all got me cryin over here over your The Final Girl responses 😭 💕

holy shit so i. so i have notifs on and i usually save them all for night so i can go through them and have all my fics to read at night, right? everytime you post i drop whatever i’m doing and immediately start reading and you NEVER disappoint. that slasher fic is AMAZING. your writing style is so suspenseful and it really gets you into what you’re reading and i’m always so excited with your work. amazing job as always !!

sdfgyhgfghjk it was my first time trying to write like proper horror and i was so scared that it was just gonna fall flat or just not be that tense?? so thank you!! i’m really glad you liked it :)

RHI BBY!! PHENOMENAL work as always. the chase? the build up? the faint sense of hope the reader feels for a successful escape only for her to be quite literally shoved back into the devil’s grasp (also the fact that she’s going to give birth to a killer’s child bdishsjsh its a hopeless situation really), and let’s not get started on that closing line. my GOD i got absolute chills. this genre was literally MADE for you holy shit, thank you for sharing your talent ❤️🐦

🥺 bby I’ve missed you!! i spent a long time debating about whether i’d add the pregnancy thing or not, but i’m so glad i did, because it just adds to the awfulness of it all i think, and the reader’s desperation. but thank you sm!! i’ve decided that writing violent psychopaths with soft spots for their darlings is now my fave thing haha

OH MY GOD THE FINAL GIRL IS INCREDIBLE RHI!! I have to ask, did they stumble upon her at the campsite by chance? or was it their goal from the beginning to get her, her poor friends just happened to be at the wrong place at the wrong time (i think the latter was implied but just wondering!!) also, who’s the baby daddy ��👀

oh, they definitely knew that the reader and her friends were camping in their hunting grounds, and probably spent a day or so just watching from a distance, waiting - that’s how they knew that the reader was hiding after they’d killed the others. it just so happened to be bad luck that the reader made an distinct impression on the three in that time, and kind of sealed her own fate without even realising it.

as far as the baby daddy goes - i haven’t decided. it’s a one in three chance i suppose, pick your favourite it’s not like it really matters, they’re just gonna keep breeding you until you give ‘em each what they want 👀

hi!! i think the pregnancy aspect of your story is super fascinating bc it’s sort of a double edged sword. on one end, the pregnancy ties her to them, but on the other, the reader could use it to her advantage. threaten to kill or hurt the baby inside of her if they try to do something, maybe that’s why she was protective over it. not that they won’t just a fuck another one into her

this!! very much this!! the reader’s actually kinda torn over the baby - on the one hand she knows it’s innocent, it didn’t ask to be born and for better or worse it is her child - but it’s also theirs, and she’s terrified of what they’ll do - and you’re right, even if she lost/got rid of that one, they have absolutely no issues in knocking her up again, regardless of what she wants

will they be nice to the baby once they’re born 😰

define ‘nice’👀

haha, i’m kidding. they’re not gonna outright hurt it, they kinda have the whole ‘family’ fantasy thing going on, with the reader being barefoot and pregnant, keeping them happy and sated, and when the kids are old enough they’ll get to out hunting with their dads and it’ll be a real fucked up family bonding.

I was thinking abt yandere pairs in Haikyuu and I know there are the more canon-ish pairs like Bokuaka or Iwaoi but I was wondering what your opinion would be on Osamu & Suna sharing a darling?

ooh - I could definitely get behind a Suna/Osamu x reader pairing!

Omg I loved the slasher fic it was absolutely amazing! Like I’ve read it 3 times already lol. The fear and anticipation and the utter craziness are phenomenal. Question! Akaashi says abt Bo and Kuroo not minding if they get started w/o them. Does this mean they planned from the beginning to abduct the reader? before they killed everyone else? Or did Akaashi just decide? Like how long they knew about the reader before things went down, and if the friends would’ve been spared if she wasn’t there?

so i kinda touched on it above, but they were watching the reader and her friends for a few days and the plan was always (or at least after she caught their attention in all the wrong ways) to leave her alive while killing the others. her friends were always going to die - that much was set in stone the moment they decided to make camp in the woods. but ahhh thank you so much!! you’re very sweet, bby!

RHI! Final Girl? Amazing. Exquisite. 10000/10 👌😫 I was on the edge of my seat the entire time! There’s something about the way you write that just makes me feel the story, ya’ know? God, feral killer Bokuto and teasing, merciless Kuroo were TERRIFYING but cold, calculated Akaashi made my heart level elevate 😰 (all in a very good way I assure you) But can I ask if the trio had been planning that for awhile? Did they see you somewhere and develop a crush? (How did Kuroo and Bokuto react when they came back and saw Akaashi and reader “getting started” without them? 🥵) Thanks for making my Halloween! 🧡

💕💕💕 thank you!!! you guys are being so nice about this fic!!

but it’s kind of funny, because akaashi definitely knew that kuroo and bokuto would both be pissed off to come back and see him and the reader having ‘fun’ without them, but they’re not there to stop him and akaashi low key enjoys winding them up. plus, he wants to be the first to taste her, and he knows bo and kuroo are both selfish and possessive, so he’ll take any opportunity/head start he can get haha.

RHIIII OML ASDFGHJKL I THINK I MIGHT DIE. That was insanely beautiful! Terrifying but beautiful. *incoherent screaming* YOU'RE DOING GREAAAAT!! YOU'RE ONE AMAZING PERSON!! HERE TAKE ALL MY LOVEEE 💕💕💕💕💕

SDFGHJKHGHJK BBY THANK YOUUUUUU!! you’re gonna make me melt if y’all keep being so damn sweet 😭 ily!!

BRO IN FINAL GIRL WHEN YOU PUT THAT PLOT TWIST I WAS SHAKING ITS SO GOOD

i am a huge sucker for plot twists, i’m glad you liked this one haha

Hi Rhi, just dropping by. Hope you're doing great 😊 Ilysm and take care of yourself 💕💕💕

ily2 bby!! i hope you’re having a good day!

Lol I am shamelessly obsessed with your blog. I saw someone send you an ask saying to not feel self conscious about your smut writing and I agree!! Your stories, no matter how soon the smut starts, are absolutely incredible without the smut carrying it like some other writers on tumblr. However when you do add the actual smut it never disappoints. It’s literally like grade A stuff ya know lol. I feel like I’m reading a mini novel when I read your writing and I love it.

💕 PLS COME GET UR KISSES ANON!! no but seriously thank you, smut is always one of the areas i feel most self conscious about writing and i’m nervous to post it when i do write it, but i’m glad you guys like it (and want more?? maybe??) 💕

#BD answers #ask #fic q's

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