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#might do some character design sheets for this
audhd-nightwing · 2 months
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the eldritch Guardians of gotham notice batman when he first emerges- they see how he protects their city, so they gift him the abilities of a bat: wings, night vision, enhanced senses, fangs
bruce wayne becomes a shut-in after his parents die. then he travels the world only to come back the same old shut-in. he works from home, and doesn’t leave the manor. every window is covered. only lucius fox and alfred pennyworth ever enter or leave the house
one night the bat follows sirens to a circus tent, and he watches as a young boy is escorted out, crying for his parents. the next day alfred pennyworth shows up at gotham’s social services and requests to become a foster parent. a month later (money might speed the process along) dick grayson is out of juvie and the orphanage and into the safety of wayne manor
bruce tries to hide his wings when the boy arrives, but dick is fascinated by them and thinks they’re “awesome”. bruce explains how he got them, and that he is batman.
later, when batman gains a partner- robin- the Guardians of gotham bless the boy with gifts similar to his mentor: robin wings, enhanced senses, and nails that sharpen into talons
dick grayson becomes a shut-in like bruce, and is home-schooled by alfred. he doesn’t mind, he didn’t have friends his age in the circus either, and alfred and bruce are good company. bruce does let him get pets, though, a three-legged puppy he names Haley and a bloodhound named Ace
when he grows out of robin and away from gotham, the Guardians give him different wings (steller’s jay) to show they support his independence. he lives at titans tower for a while before moving to blüdhaven with his best friend donna troy. dick remains a shut-in, but takes online college courses and goes out often as a new hero- nightwing. he goes out in the mask during the day, something he never did in gotham, and spends most of his time as nightwing- not that he minds. (troia is only his nighttime vigilante partner since donna has an actual day job)
the cycle repeats with jason. however, when jason claws his way out of his grave, the Guardians guide him back to the manor where bruce finds him. when it seems like jason may never recover from his comatose state, the Guardians show bruce a lazarus pit beneath gotham, and despite his hesitation they assure him no harm will come to jason if they have a say in it
jason is revived without the nasty side effects (thanks, eldritch beings) and dick moves back to gotham. jason also leaves robin behind for a different name- red hood- and is gifted new wings (cardinal). in this au the bats & birds are more morally grey and will kill people, but only the worst of the worst/repeat offenders. jason still becomes a crime lord but he only kills when necessary and has no pit madness.
dick and jason notice their young neighbor tim drake is often home alone/without his parents and convince bruce to let him in on their secret and have him stay over at the manor. bruce eventually agrees and they later adopt tim. tim never becomes robin but he does know about their vigilante identities (og way- recognized dick as robin and connected the dots).
tim will help out on comms and basically this au’s Oracle. babs does not become a vigilante in this, instead she becomes a lawyer, but she is still paralyzed by the joker as a civilian (pre-jason’s death, bc bruce kills the joker after that)
steph works with the bats as Spoiler, and is eventually let it on their identities. she and tim bond over being the only ‘normal’ ones
when cass comes along, she is gifted the same powers as bruce, including bat wings. she goes by Black Bat and mostly communicates using sign language
bruce is never lost in time and damian eventually arrives in gotham. damian is given robin and the gifts that accompany it
since duke already has powers, the Guardians don’t give him any, but they protect him as their own
JUST. CRYPTID BATFAMILY <3
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punishedc00chie · 5 months
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My take on human Sonic and Shadow
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soundcrusher · 9 months
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You admire me?
Usually I know what to write here, but for some reason, I can't find the right words.
Oh well, might as well keep this short and simple:
It's a small story featuring @tachyon-omlette's TFA Eda and my TFA Flinch. The setting is during Season Two, when things get rather rough for the main cast and our poor boy Flinch here.
At least he has a good friend who's there for him.
First story about Eda and Flinch I post, despite having othere ones too. But I still have to work on the Armada stories before I post them.
Flinch could still remember the first time he woke up on earth. It was right after the pod his parents put him in crash landed near a military site. Luckily, he got out before anyone human could find him and quickly scanned a nearby Black Bird jet before passing out again.
The next time he woke up, Flinch found himself in the hangar of a museum. Surrounded by other plains that weren’t like him. At least, he was sure they weren’t like him because every time he tried to reach out, there was no answer. And so, the young Cybertronian simply stayed put. Watching the humans walk around the museum, observing how they would interact with each other, and he wanted that too. It was lonely being nothing more than a museum piece. He had no friends, no-one he knows, and his parents were far away.
Flinch was alone, and so, he created a holo-form. Using the references he took of the visiting humans and those he found in the thing called ‘Internet’.
And it worked. He was able to create a real looking human avatar, and at first, he used it only at night when no-one was around. It felt weird, yes, but with more practice, it became like a second body. A body that allowed him to interact with humans during the daytime. He could talk with the personal of the museum, he could talk with the visitors, and he even found a friend in the cafeteria lady who was the first human Flinch ever told who he really was. And instead of alerting the security or even the military, she took him in and showed him what it meant to be human.
Misses Goodwill was a nice woman. Flinch was still unsure how she pulled it off, but after finding out about him and his story, he suddenly had a job at the museum. More specifically, as one of the tour guides walking around the place. She even helped him with figuring out how to do certain things like opening a bank account or doing his taxes. The best thing she helped him with though was getting a citizenship. Although, Flinch isn’t really sure how he should feel about that, because the way she did it was kind of dubious, but who was he to look a gifted horse in the mouth.
Thinking of Misses Goodwill caused Flinch to let out a sad sigh as he watched Mister Powell’s scientist scurry around his frame from his look out. He didn’t like how he had to stay in this stingy warehouse like a caged animal, but what else could he do? Mister Powell, after kicking out poor Sari, took over Mister Sumdac’s company. And that meant that he also had the contract between Mister Sumdac and his museum. Although, Flinch could care less about the contract. It was written when the museum’s boss didn’t know about him being a Cybertronian, so, he could have walked out at any time.
He could have, but Flinch didn’t. Mister Powell, after Flinch voiced his lack of care of the contract, threatened to contact the needed authorities about Sari’s predicament and the Cybertronian knew what that meant.
Of course, it could have been all a bluff. Mister Powell wouldn’t try anything like that, not when Mister Sumdac could still return and Sari had friends among the Autobots, but still. Flinch cared too much for the little girl to put her through even more trouble. So, he simply took whatever Mister Powell, Mister Masterson, and the traitor he called his co-worker put him through. No matter how painful it was or how tired it made him. Feeling like an experiment was better than putting one of his only friends through even more pain. Even if it felt like he was slowly taken apart from the inside out or like his mind was being ripped in two and burned. Knowing Sari was safe from whatever Powell could do made it worth it.
His suffering was worth it, right?
“Eda would probably say ‘No’.” Muttered Flinch quietly as he wrapped his arms around himself in an attempt to fight the shudder running through not only this avatar, but also his real body staying underneath the roof he was resting on. “They’re only getting bolder… I wonder if they know that they’re tearing open a Cybertronian and not just examining a strange jet.”
“I do not doubt that they know.” Said someone Flinch only knew all too well. And as the young ‘man’ turned his head to face his friend, he couldn’t help the sad chuckle coming from him. “I think you’re right Eda. Powell probably told them who they’re taking apart… or they managed to figure it out themselves. There’s only one light green Black Bird in Detroit.” Said Flinch, before scooting over to give Eda some space to sit down. “How are you doing Eda? I… haven’t seen you since that ‘debacle’ with my war-frame-protocol-thing last week.”
Eda nodded as he sat down on the blanket Flinch had placed down on the roof. There was no need for it, not when these forms of theirs were only avatars, but still. It felt nicer sitting on a blanket than the hard roof. “I am doing well Flinch, how about you?” Asked Eda, eyes fixated on the squirming ‘young man’ next to him.
“I… Can I be honest with you?”
“Always.”
“I don’t feel well Eda. Scratch that, I feel like shit.” Flinch clenched his teeth as another shudder ran through his body. “I’m not allowed to leave the warehouse; I’m not allowed to even transform into root-mode since they messed up and caused my war-frame-program to activate. I’m constantly poked, prodded and… and…” There was a pause, before Flinch continued. His voice nothing more than a whisper as he looked over at Eda. Eyes wide in fear and body shaking as if the words alone would doom him to a fate worse than death. “They’re going to put me into stasis, Eda, or something like it. They’re… they’re going to ‘shut down’ my mind. They’re basically going to put me into a coma, while they have full control of my body. They’re… They’re…”
“Eda… what if they use me to do bad things? What if they break something? What if… what if Mister Sumdac comes back and… and he wakes me up and I’m not me anymore?” With each word, Flinch grew more frantic. Looking around the roof as if fearing that someone would come up any moment and drag him back into the warehouse or force him to make his holo-form disappear.
Flinch didn’t want to be forced back. They already took his movement, locked him into his alt-mode and forbit him from using his holo-form to walk around the city. Flinch couldn’t even visit Sari to see how she was doing; he didn’t want to lose the freedom this roof provided. Nor did he want to leave Eda.
No, Eda was the only thing that made him feel safe now. He didn’t want to lose that. And so, Flinch scooted closer to his white-haired friend. Silently asking if it was okay to hug him, and when he got the okay, Flinch was quick to wrap his arms around hims. Hiding his face in Eda’s shoulder, while his body shook like a tree during a storm.
And Eda found himself at a loss. How was he supposed to comfort someone who’s as scared as Flinch? How was he supposed to fix this mess, he had no idea. Was there even something he could do? Well, maybe there was. Eda could try to ‘kidnap’ Flinch. Take him away from this place and hide him somewhere, where he’ll be safe while Team Prime searched for Mister Sumdac. But how was he supposed to do that? Eda would need to come up with a plan, and then, he would need a place big enough to hide Flinch.
He would definitely need help, but for now, all he could do was help Flinch calm down. And so, Eda wrapped one arm around his still shaking friend, while placing the other one on top the light brown tuft of hair. Awkwardly patting it and causing Flinch to let out a soft, although still sad, chuckle.
“You’re really bad at this Eda.”
“At least I am trying. It’s the thought that counts, right?”
“Yea… Just one more thing to admire about you.” Flinch said without even thinking, but the silence following it caused him to look up at his friend. Face depicting nothing more than pure confusion, as he tried to figure out why Eda was staring at him as if he just grew a second head. Can holo-forms even have a second head?
“Eda?”
“You… admire me?"
“Y-yea?” Eda’s confusion was confusing Flinch. Did he say something bad? Weird? Why was Eda looking so strangely at him? “I mean, there isn’t anything I can’t admire about you. You’re kind, funny, you’re nice to me when you have no reason to, you came whenever I needed you. Honestly, it’s like you’re my guardian angel, you know? And… you don’t look at me as if I were a… a monster. Team Prime took one look and attacked me.” Flinch couldn’t help the chuckle as he remembered that peculiar memory. “Okay, yea, I kind of did kidnap Sari, but still. I’m sure that they would have attacked either way. Same goes for that chin-for-brains Sentinel, that hammer-brain Magnus, the twins, and Jazz. I don’t know if the Decepticons would have done the same, but I don’t think looking up to them would be good.” Flinch shook his head, no, looking up to them would definitely be bad. Alone for the fact that they have tried to destroy Detroit a few times.
“Yea… Yea! I look up to you Eda, more than you might know, because I want to be just like you when I’m older!” Flinch was beaming brighter than the sun when he finished speaking, and Eda found himself confronted with the undeniable fact that Flinch was speaking the truth.
This young, innocent, Cybertronian was looking up to him. Him who was nothing more than a monster, an engine of destruction meant to destroy every single good thing in this universe. And yet, one of those good things he was meant to destroy saw him as good enough to be admired. To be someone to look up to and aspire to be like. Someone he compared to a guardian angel, a pure force of goodness and protection. And not the destructive arm of the opposite.
And Eda didn’t know how to feel about it. On one hand it made him happy to be seen as more than a weapon of mass destruction. To be seen as someone who protects instead of destroying, but at the same time, he couldn’t stop the self-doubt slowly creeping into the forefront of his mind to taint the happiness and twist it into sadness.
But when Eda was trying to answer, say that Flinch must be mistaken, that it was wrong to look up to someone like him, all that came out were sobs. Quiet ones at first, but the deeper the realization sank, the louder they became. Until he was wheeping openly in front of Flinch, despite it being weird that he used his disguise to do so. But to Unicron and beyond with weirdness. This day has been nothing more than an emotional roller coaster. Fuck it, his entire existence has been one hell of a roller coaster, Eda deserves to let it all out ever now and then.
And so, he hugged Flinch tighter. Ignored the confused questions coming from him, while letting bottled up and forgotten emotions run freely, and when he was done, he let go. Grabbing Flinch’s face to turn his face to face him. Glowing green eyes meeting confused pale green ones.
“Flinch, I’m going to get you out.”
“Wh-what?”
“I’m going to get you out. I don’t know how, but I will.” Eda might not believe Flinch, no, he couldn’t believe Flinch. Not with the things he’s done, the things he’s been through, but there was a part of him that wanted to believe. It was small, but it was there none the less.
“That’s a promise.”
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dyed-indigo · 11 months
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y'know i intended to draw a bunch of refs for some of my characters that i haven't posted a ton of art of for artfight this year but i think i'm literally just gonna make crunch and wesker's refs, re-do reverie's ref (it's been bugging me since last year), format and upload horatio's preexisting ref, and update some character descriptions. that might just be all i have the energy for regarding artfight prep, at least if i wanna have some energy going into artfight too
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prokopetz · 7 days
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I think a lot of folks in indie RPG spaces misunderstand what's going on when people who've only ever played Dungeons & Dragons claim that indie RPGs are categorically "too complicated". Yes, it's sometimes the case that they're making the unjustified assumption that all games are as complicated as Dungeons & Dragons and shying away from the possibility of having to brave a steep learning cure a second time, but that's not the whole picture.
A big part of it is that there's a substantial chunk of the D&D fandom – not a majority by any means, but certainly a very significant minority – who are into D&D because they like its vibes or they enjoy its default setting or whatever, but they have no interest in actually playing the kind of game that D&D is... so they don't.
Oh, they'll show up at your table, and if you're very lucky they might even provide their own character sheet (though whether it adheres to the character creation guidelines is anyone's guess!), but their actual engagement with the process of play consists of dicking around until the GM tells them to roll some dice, then reporting what number they rolled and letting the GM figure out what that means.
Basically, they're putting the GM in the position of acting as their personal assistant, onto whom they can offload any parts of the process of play that they're not interested in – and for some players, that's essentially everything except the physical act of rolling the dice, made possible by the fact most of D&D's mechanics are either GM-facing or amenable to being treated as such.*
Now, let's take this player and present them with a game whose design is informed by a culture of play where mechanics are strongly player facing, often to the extent that the GM doesn't need to familiarise themselves with the players' character sheets and never rolls any dice, and... well, you can see where the wires get crossed, right?
And the worst part is that it's not these players' fault – not really. Heck, it's not even a problem with D&D as a system. The problem is D&D's marketing-decreed position as a universal entry-level game means that neither the text nor the culture of play are ever allowed to admit that it might be a bad fit for any player, so total disengagement from the processes of play has to be framed as a personal preference and not a sign of basic incompatibility between the kind of game a player wants to be playing and the kind of game they're actually playing.
(Of course, from the GM's perspective, having even one player who expects you to do all the work represents a huge increase to the GM's workload, let alone a whole group full of them – but we can't admit that, either, so we're left with a culture of play whose received wisdom holds that it's just normal for GMs to be constantly riding the ragged edge of creative burnout. Fun!)
* Which, to be clear, is not a flaw in itself; a rules-heavy game ideally needs a mechanism for introducing its processes of play gradually.
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tobyneedssleep · 1 year
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Finally getting out of art block but it’s in physical, canvas form rather than digital. We’ll get there eventually- some day :D
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badgertracksart · 9 months
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Portfolio advice, from a lead who hires Concept Artists
(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.
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2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -
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5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.
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7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.
9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs
11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?
13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:
You haven't shown you are considering the design from all angles.
In many games rear view is the main view.
Stop cropping feet.
15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.
16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.
16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.
17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.
18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O
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shoomlah · 1 year
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how do you consistently draw the same character without it looking weird or off every different time?? also how do i coordinate faces, i always make the eyes too far apart or too big or too small or make the mouth too close to the nose or chin edge. If you have any advice I'd really appreciate it since it looks like you have your art shit figured out 🙏
Oh man SO so much of it is just practice, and you're not alone! I honestly think everyone struggles with a sort of "generification" of their characters' features the more they draw them, even seasoned professionals. There's a tendency to just sort of average everything out into an unrecognizable mush over time, and it takes a lot of conscious effort to push back against that.
Here are a couple tips and tricks that I've found to be helpful over the years:
Make turnarounds and model sheets. There's a reason animation/game studios do this, and it is because we are all still bad at drawing a consistent face. Despite being gainfully employed. What are we, graphic novelists?? We wish. Anyway it's a great way to familiarize yourself with your character's face from multiple angles, and it gives you a single source of truth to return to anytime you need a refresher:
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Gather real-life reference. Anytime I'm designing a character I'm pulling together a ton of reference of actual people who look, to some degree, like the character in my head. It's always a collection of analogues, never just a single person, but it can be a great cheat sheet for understanding how your character might move, emote, etc:
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Make a 3D model. I know it seems daunting, but with the advent of programs like Blender and Nomad Sculpt it's becoming remarkably more accessible. Heck, even James Gurney was sculpting maquettes out of clay for Dinotopia back in the day! It doesn't have to be particularly detailed—just a sort of proportionate lump will do—but it's another great way to have dynamic reference that you can rotate and light accordingly:
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Practice, practice, practice. Make expression sheets for your character! Either right there on the spot, just start drawin' expressions, or you can slowly collect drawings of your character that you like, as you draw them, and compile them all in one place for your own reference. Need to draw your character's head from a weird angle? Maybe you've already drawn it before and you can copy your own homework! Doesn't count as stealing when the call's coming from inside the house 😎
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I'd love to pretend there's a magical point where you can just immediately rotate your character's head in your brain like some sort of photorealistic apple in a twitter meme, but a lot of the time it's reference, hard work, and whole lotta repetition. 😐👍🏼
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kathaynesart · 8 months
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Replica Anniversary DTIYS!
Well, it was one year ago today that I started Replica!  It’s been a wonderful experience so far and I wanted to do something fun to show my appreciation to you all!  So in celebration I want to do my very first DTIYS, but we’re going to do this one a little differently. 
YOUR MISSION: to design a comic cover for the upcoming Replica Holiday Special that is all about the birth of Casey Jr:
The year is 2028, eight years before the start of Replica.  The Central Park Colony is still going strong and the turtles now must protect an expecting Cassandra Jones from the very people they are sworn to defend. 
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As far as theme that is entirely up to you!  I’ve always found comic covers to be fun because they don’t necessarily have to show what happens in the actual story. So if you want Casey Senior holding up Junior on Pride Rock, Lion King style?  That’s great. You want to do an epic pose of the turtles battling Krang while trying to defend the Caseys?  Perfect.  You want to have Casey Junior bursting out of a Krang’s stomach like a Xenomorph???  Okay weird, but I’ll accept it so long as it’s not too gory!  Also the cover doesn’t  have to be Casey centric, I just want to see what you all come up with! (Note: please no NSFW art)
I have included character sheets and some visual development as reference for how the characters will look at this point in the story (though you do not need to strictly follow it. Feel free to give it your own artistic twist).  I will also include a PNG of the logo in case you have a vision for how you want it to be incorporated. Note you don’t have to use the logo but if yours is picked as the winner I will be putting a logo in there somewhere!
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PRIZES: 3rd Place: an OC of yours will get to be a bg character in Replica (note the character cannot be an AU version of one of the main cast for obvious reasons). 2nd Place: a black and white commission of one character of your choosing. 1st Place: your cover front and center in the Replica lineup (with credit of course) as well as a 1-2 character commission w/ color (please no nsfw requests for either commission). 
DUE DATE: NOVEMBER 19 (gives you all 2 months)
IMPORTANT: please use #replica DTIYS hashtag for easy search Also please DM me with your finished cover on Tumblr (otherwise I might miss it!)
NOTE: while not mandatory you’ll probably want the piece to be around the typical comic cover vertical 2:3 ratio (10x15" for example).
DISCLAIMERS:
I’ve never done an event like this before so I’ll admit I’m a little nervous.  Don’t know if this will even gain any traction but I just want people to have good time and get creative :) 
This is all just for fun so please do not push yourself too hard!
Let me know if you have any other questions and have fun!
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crystalfangsss · 2 months
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Part 2 My Little Almagation (CW: Body Horror)
PART 1 / PART3 (not released yet)
CHARACTERS SHEETS
Rarity got caught up in her work and forgot to pick up Sweetie Belle from school after her walk in the woods with her class. When she discovers an announcement from Celestia herself (?), she's in for a real shock.
Where is her sister? What's become of her classmates and teacher?
Perhaps two old friends have some answers for her.
Upgraded and updated characters sheets coming soon! (Since I was sick, didn't have a lot of time and was discovering Photoshop while doing part 1, I was really unhappy with the art of part 1 so I might redo it, the rest of the comic will have similar designs to part 2! Hope you like it ! )
You can also find the story on my TikTok: @ crystal.fangs
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plasticferal · 2 months
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keeping score | matt & chris sturniolo.
prologue: 'they say love is the sixth sense that destroys all other five senses’
authors notes: 1.9k, explicit language, reader discretion is advised. welcome to my first series, please enjoy the ride.
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they both want you. the only way matt and chris can agree to settle who wins is through competition, one where you’re the prize. your own heart is torn between the two brothers. the thing is though, love doesn’t keep score.
they have two very different experiences to offer. two sides of the same coin. a coin you refuse you flip and settle on.
matt is the first to catch your eye in any room. he makes you nervous. butterflies, stuttering, awkward laughs, stuttering over your words. all of it. you like him. you’re unsure if he feels the same toward you.
however, you also like chris. the compliments he showers you in, the subtle flirting, the way he softens his tone around you, how giving he is, the way he’s so shamelessly himself. the list goes on. he’s different. 
it’s a weird triangle of intrigue and unrequited feelings that lingers and is never acknowledged.
you’re already convinced it’ll never happen. with either of them. you’d be putting too much at risk considering how deeply you value your friendship before anything else. the fear of falling in love, and losing them both. 
which might just be your karma for being into both brothers. 
they occupy the living room. you’re upstairs, using nick’s bed to take a nap while he showers, and he takes long showers. he’s always given you a safe space in the house, to make it feel like home. 
you love to annoy chris and matt by stealing their clothes, blankets, soft drinks out of the fridge, tagging along to every late night drive and fast food pick up. 
they share everything with you, but you designate yourself in nicks’s room as to not stir up any terrible, rash decisions on your accord.
being fast asleep and tangled up in crisp, cold, silk sheets, it’s a deep sleep. completely escaping into your dreams.
you’re left unaware of the chaos that’s about to ensue in the living room between the two brothers who occupy your mind. chaos is the score in which reality is written upon.
“you like y/n, right?” matt asks chris. 
you’ve had a strange feeling for a while now that matt is trying to set you up with his brother. which, as flattering as it is, it’s bittersweet. 
matt is sinking lazily into the lounge while scrolling through his phone, on the furthest left. chris is on the furthest right with his feet kicked up on the coffee table. 
they’re in direct view of each other on the L shaped couch. not in a literal sense, just in proximity. neither brother is actually looking up from a screen of some kind.
“what?” chris snaps his head toward matt, diverting from the television for a moment. 
“just answer the question.” matt huffs.
“of course i like y/n. she’s the closest person in our life besides like, nick” chris shrugs, going to look back at the screen again. 
matt groans in disappointment at his response. 
“you know i don’t mean it like that.” matt sits up slightly, readjusting his position and posture.
“god here we go again.” chris runs a hand down his face, fearing his brother's next words. 
“how do you really feel about her?” matt pries. 
unusual for him. out of character even, chris is usually the one who needs to know everything all the time, and is never afraid to ask the hard hitting questions, as annoying as it may be. but not with this topic of conversation.
the difference is, chris does it because he’s genuinely curious. matt asks questions for his own selfish reason, to chris’s oblivion. 
chris needs reassurance that he’s making the right decision in not pursuing you. matt needs to know if or when he’s going to have to compete. little does he know that time is nearing. 
“man, i don’t know. i just- i like her. can’t we leave it at that?” chris’s tone is anguished. 
“you’re avoiding the question-”
“i answered your question!” chris cuts matt off before he can fully form his sentence, and matt’s jaw tightens. 
“fine, whatever.” matt waves his hands in the air with defeat before diverting back to his phone, leaving chris to linger on his words.
“i’m never gonna make a move. i know how you feel about her, too.” chris huffs, as though he’s annoyed at the response he’s had to give.
“what’d you mean?” matt gives chris a glare, like he’s daring his next words.
“you know exactly what i fuckin’ mean” chris scoffs, shifting in his seat, crossing his arms over his chest and pulling the sleeves of his gray hoodie past his knuckles.
matt takes a loud inhale through his nose and exhales through his mouth 
“we can’t just keep pretending that we both don’t want her.” matt drops his phone onto his stomach face down, being slightly slumped. 
“i’ve been fine pretending” chris throws the hood of his sweatshirt over his head to hide his eyes more from matt, a natural reaction to not enjoying the grilling. 
“well if you don’t make a move, i will.” matt’s tone is serious.
“you wouldn’t.” chris deadpans, a sincere tone of disbelief seeping from his lip that he’s now biting the corner of.
“you’ve been saying you’re gonna make a move forever and haven’t done shit."
he knows it’s not nice, but there’s something about the lack of passion from chris despite the obvious crush just makes matt's skin crawl. if someone is going like you and not do anything about it, matt is more than willing to shoot his shot, give you what you deserve. 
“that’s not fair” chris twists his face, glaring at his brother. 
"i think it’s more than fair play at this point, kid.” matt scoffs.
if looks could kill, matt would be dead.
all those times you’ve perceived matt bringing up chris to entice you have just been a ploy to gauge how both of you feel. he knows it’s manipulative, but no harm, no foul.
the worst part is, chris isn’t actually even sure he wants a relationship. he’s infatuated by you, undoubtedly. matt on the other hand would marry you with a paper ring. 
they’re both scared of their own feelings, and the intentions that might come along with them. they don’t ever want to hurt you, but their carnal desire is misleading their moral compass.
“alright then,” chris starts, matt’s words hitting a nerve for him. he slaps his hands onto his thighs and sits up in his spot. 
“how do we settle this? who gets her?” chris continues, staring at his brother intently now.
“i don’t think we get to make that decision.” matt shakes his head, bringing his hand to his mouth as he begins to bite his nails, which muffles his words.
“you’re right, we don’t. but we’re gonna have to compete for it to even be an option.”
“compete” matt repeats chris’s words with a sour huff, a slight arrogance in the sense that he doesn’t view his brother as a threat. 
not when it comes to you, and there might be a small part of that statement that’s correct. you have a sweet spot for matt, which fires up chris even more. he is conscious that he’s the underdog, as much as you try to show an even amount of attention to the both of them.
“what’s wrong? you scared you’ll lose?” chris taunts. 
“that’s the least of my worries.” matt scoffs, his mind traveling down every possible path this terrible idea could go down. 
“fine, then you won’t be afraid of a little competition.” chris says nonchalantly, pushing back with the same energy matt’s been giving, turning the tables.
“what’s your plan here? we just tally up the moments we get with her until someone wins? to boost our own egos?” matt speaks with his hands.
“i do love to have my ego stroked” chris grins to himself, the thought of you crossing his mind as the words leave his mouth. his train of thought tends to wonder easily.
“seriously, chris, how do we plan on settling this?” matt rubs his hands together, like the action you do when you’re trying to stay warm. 
“i think there’s only one answer to that.” chris responds, in a “duh” tone, without explicitly sharing what’s on his mind.
their sixth sense of being able to unpack each other's minds sparks like an electrical fault in the moment. of course, neither of them hate the thought of getting you in bed. they just hate the thought of you being unaware. 
somehow it’s more challenging than falling in love, or securing a relationship. betting to sleep with you is actually the hardest challenge of them all, let alone covering all the bases in order to attain it. 
the intimacy, the intensity of it all. it just seems so unattainable. it requires them, and you, to be completely and utterly vulnerable. 
“that seems kind of, objectifying.” matt shifts his demeanour, ironic considering he sparked the conversation. 
“it wouldn’t be a competition without a challenge.” chris acknowledges, and unfortunately for the both of them, he’s right. 
“this sounds so fucked up” matt says, running his hand through his scruffy hair.
“first brother to five points takes all. all of her.” chris speaks, confidently setting up the challenge. 
essentially their plan is to see who can get the closest to you, and let the other brother suffer in watching it happen. which occurs points. loser has to back off of you completely. unless someone gets to you first, in which case all their hard work flies out the window. they won’t be making it easy for each other.
“points won’t matter when i get her into bed first.” matt’s smug, knowing it’ll make chris go insane. 
“so i take it that you’re up for the challenge?” chris ignores matt’s words with a prompt, because if he doesn’t disregard it, he’ll lash out. 
matt considers it. at least he acts like he does. he knows his answer. if he wants you, if either of them do, they have no choice but to compete. neither of them are sure if it’s love or lust, but they’re about to find out. 
they are certain of one thing though. they like everything about you. the way you look. the way you smell. the way you sound. they know exactly why they want you. it’s the first time ever someone has been able to grab the attention of both brothers. hence the severity of the agreement.
“when do we start keeping score?” matt responds, and that’s all the reassurance chris needs in his brothers answer. 
as if on command, you trudge down the stairs in a sleepy state. their eyes snap toward you simultaneously, and you blink repeatedly to make sure you’re seeing them right. 
you are their favorite part of every day, so it’s not out of the ordinary for them to acknowledge your entrance, but you can feel the intensity of their eyes on you with a different energy. 
with foggy vision still clearing as you rub your heavy, tired eyes, you let a small yawn escape. they both melt at the sight, despite you feeling like you’re in your least desirable state. 
you’re not even paying attention to their back and forth bickering. the sound of their voices muffling through your ears. whatever it is they’re saying, they’re not saying it loud enough for you to hear before you even make it down the stairs.
“now.” chris states, eyes snapping back at his brother as they both raise off the lounge.
all is fair in love and war.
tag list: @luverboychris @floofparker @fake-sturniolos @letstripsturniolo @imwetforyourmom @mattsneezing @mattslolita @breeloveschris @rootbeerworshiper @mattstattoo @mxqdii @tay-laaaaa @pettydollie @lacysturniolo @annamcdonalds67 @landrysflannel @goandcomebsck @sleepysturnss @call-me-ninaaa @lustfulslxt @txssvx
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galesdevoteewife · 4 months
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Gale may not be so typical squishy wizard/scholar?
-My Galeology study note-
Looking at his character sheet in the Deluxe pack gets me thinking, maybe our wizard is not exactly designed to be the typical squishy one...?
[Act2 spoiler warning]
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2 things caught my eyes:
1) Great physical fitness, and good reflexes. (For your reference, Gale & Wyll are the two companions who have the highest Con: 15. I put everyone's sheets at the bottom of the post.)
His Con and Dex are... very high?? I mean, higher than Karlach and Lae'zel...????
Note 1: I suspect it could have something to do with his background as Mystra's chosen, as they are somewhat "transformed" when they agree to become the goddess's chosen. A topic for another day since I haven't quite figured it out yet, for anyone who is interested there's a chapter about it in The Seven Sisters. Also, I have little clues on how much chosen lore credit Larian was taking into account while designing him, or how Mystra's "taking back the given ability" works. Note 2: Again, Mystra's chosen are often sent on missions that involve a lot of traveling according to Elminster's series. Mystra also mentioned that Gale and she used to have adventures together, which leads to an assumption: despite his preference he might be traveling quite a lot until he was cast aside and quarantined himself in his tower. Might be the type of scholar who is very keen on field studies?
Note 3: Can someone undress Elminster to exam my theory please??xD Neh won't work I think all human might share same body model in game
Come to think of it, there was a party banter between Karlach & Gale that went like :
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Karlach: Whoa! Almost slipped there. Gale: You wouldn't be the first, I'd wager. It's been some time since these walkways felt the carpenter's hammer. Karlach: You gonna catch me if I eat a brick? Gale: With my reflexes? I'd catch you before you so much as stubbed a toe.
At first I thought that was a sarcastic joke but, seems like it wasn't? Also this:
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Karlach: Ready to enter the belly of the beast? Gale: It's the stairs I'm dreading. I shall close my eyes, and pretend I'm climbing my own, far superior tower in Waterdeep. Karlach: In that case, welcome home.
...So it seems when I pictured him as a homebody, I should reimagine the concept of home... His has...lots of stairs? Just walking around in the tower could be counted as a workout, sort of thing? Note: I don't think the place he shows in the Act 2 cutscene is his tower. Otherwise, aren't these neighbors pretty much doomed?
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2) Not THAT smart. Well, I love him, so I will speak in his defence: [1] He has a warm(s) digging holes in his brain. [2] Poisonous magical bile running in his blood. Maybe he's just not at his best, makes sense, eh? Wyll mentioned he is nerfed after tadpole too. After all, this man obviously memorized a DICTIONARY:
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Gale: You promised to stay in Waterdeep. 'Promise,' verb, meaning to swear something will or will not be done. Tara the Tressym: And I decided 'will not'. And a good thing, too. You look like you haven't had a good meal in days
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Player: When I said we could be more than friends, you answered 'perhaps'. What does that really mean? Gale: If I recall correctly, the Waterdhavian Dictionary of the Common Tongue of Faerûn defines it as an adverb that conveys the meaning of 'it may be that', or 'possibly'. Gale: Sorry, sometimes I just can't help being quite insufferable. In seriousness, I'm glad you asked that question.
Along with a bunch of you-may-never-need information:
Everything about ceremorphosis? Myconid? Why in the world have him read about Cazador??? And how can he not know the distance between Waterdeep & Baldur's Gate, even Karlach ―who spent a decade, which is likely half of her life in hell― knows better geography than him. Gale either totally ignored the subject or portaled everywhere; distance meant nothing to him?? Uh, but you can't take party banters too seriously; it's buggy. How could a bug bit Karlach in the swamp? It should've been burned into ashes before it even reached her, no?
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Anyway, just rambling some thoughts <3 I would have gone to Harvard if there was a major in Gale...
-DISCLAIMER- Brought to you by a brainrot wife, Galerian missionary. Be warned the article might has (strong) bias because the writer is braindead and she thinks Gale is the most awesome character in the world.
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dosie-dosie · 6 months
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THINGS TO DO WITH YOUR OCS
If you’re like me and you like to play around with your OCs a lot, here’s some things you can do with them!
ART & CRAFTS
Put your OCs in character scenario memes! Here’s some I found on Deviantart.
Do an art trade where you draw someone’s OC and they draw yours!
Use those "Draw The Squad" templates and draw your OCs.
Crochet/knit/sew/etc. a plushie of your OC.
You can also make a paper doll! You can find tons of tutorials on youtube.
You can also make a figure of them out of something like clay, cardboard, or another material.
You can build them out of Legos!
You can also create a hand or finger puppet of them.
Draw a comic featuring your characters!
Create an animation of your character.
Draw your characters as animals!
Create pixel art of your OC! Maybe even make it look like video game sprites.
Draw your characters as playing card designs.
Draw your characters as tarot card designs (Suggested by @ultragirl-parsley)
Create a coloring book full of your OCs!
Create a large cardboard cutout of your character. There are tons of tutorials online!
Put your OCs as designs on cookies, cakes, etc. (I kinda want to do this one but I know it won't turn out well for me 'cuz I suck at handling food T_T)
Design your OC's home.
Make a board game about your OCs and their story
Make Minecraft skins of your characters
INTERNET
Make your OCs in picrew or other dress-up things!
Create a character playlist on Spotify or other music site!
Create a Pinterest board with inspo for your OCs! Maybe outfits they’d wear, a moodboard, etc.
Reblog those “tag your OC as” blogs! They usually have a prompt and you can reblog it and tag which OC it describes. Here’s a few blogs which do this: Tag Your OC on Tumblr develop your oc on Tumblr Daily Asks for your OC (tumblr.com)
Take quizzes as your OC! You can find some on Quotev or IDRLabs.
Make a roleplay account as your OC.
Create a quiz on Quotev about your OC. Maybe something like, "Would my OC like you," "How similar are you to my OC," etc.
Put your OCs in the incorrect quote generator.
Find OC questionnaires and templates online.
Create a page on your Tumblr just for your OC! You can include things like a character sheet, general facts, your posts about them, etc.
WRITING
Do character exercises for them! You can find a lot of these on the internet, but here’s an example.
Write from your OC's perspective. It'll help you understand them better!
Create a list of media they enjoy. Maybe movies, video games, songs, etc.
Write a song (or just lyrics) about your OC or parts of their story.
Write a random story about their childhood!
Create an in-universe news report from your OC's world.
Write a poem about your OC.
OTHER
Put your OCs in character alignment memes! Here’s some from a search on Pinterest.
Create voice headcanons for your OCs. Here’s an example of Vivziepop’s for Hazbin Hotel..
Play as your character in video games! Like, maybe design your character in Miitopia or Sims.
Do some theatre improv games as if you were your OC.
Edit your OC on to pride flags.
Also, you could maybe make those like, Tiktok edits of your OC? (Y'know the ones I'm talking about?)
Create an AU version of your characters! (I’ll create a list of AU ideas soon! :D)
Have your characters solve the trolley problem and other moral conudruums.
Cosplay as your OC!
Create ship names for your characters!
You can also find baby names that your OC might like or something.
Create a visual novel/dating sim in Google Slides (or if you can code, you can do it like that!)
Create a crossword/word search relating to your characters and story.
Answer "Would you rather?"questions as your character.
Find poems that remind you of your OC.
Make family trees.
If anyone has anymore ideas, please tell me and I’ll add them to the list!!
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zivazivc · 8 months
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I love the concept art for this movie (along with the finished look!) and all those awesome character designs sheets inspired me to do some of my own more relaxed and fun sketching. I don't actually like any of these for a final design but it was fun trying to think about how mm!casey might look. surprisingly i think I like where the third sketch was taking me the most xD
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somerandomdudelmao · 11 months
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"why does uncle tello's new body have scars?" this "will Sensei's new body still be missing his arm?" that, listen listen guys listen it has already been established that becoming a Vessel for a Hamato grants you a new character design sheet. sometimes you wake up with sweet new genius-trademarked digs, sometimes you just get to be healthy again but with reminders your souls survived some Shit* (....and sometimes ur arm falls off. /j)
*wait wait but theres like the start of an idea there: like when a Hamato spirit possesses/shares a body with someone, they obviously do not change the person, but they can share knowledge, share power, share /themselves/, and this energy can be expressed through alterations in designs, alterations to reflect the additional presence within. 'you are not alone,' but like literally -- meanwhile, when a Hamato spirit is given an 'empty' body, the form is theirs entirely, it reflects them in the full way they understand themselves, not as a brand or a style or an influence, but as a full individual. So like, while the body already looked like Donnie prior to his spirit entering it due to the fact it was created w his DNA, when his spirit entered it it became really and truly an embodiment of /him/, all the life and experience that makes up the way he understands himself, scars included. (Not in an angsty way. Personally id imagine none of the future boys view their scars/injuries very negatively, at least not like their younger counterparts might. i feel like they were too busy with bigger issues and just staying alive to worry about being self-conscious or getting caught up in near-misses.) idk if thats necessarily made much sense or was what you were thinking, but its a fun concept to dig into :D
YOU.
Are absolutely right💜
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soft--dogs · 26 days
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Hey friends! I'm running a small sale on full body commissions, I'm taking 5 slots at $85 a character (down from my standard price of $100). I need more examples for my website, and I just want to draw some characters :3c alsooo if anyone's interested, I'm offering discounts on commissions of your character with my sona Sammy! PLEASE NOTE, Your character *must* have a ref sheet or full body image I can work from. I'm not designing characters for these, sorry! ALSO, please have an idea or pose in mind! It can be generic, like "playing a switch" or "enjoying the outdoors" but I need to have an idea to work from ^_^ LAST THING, I'm changing my shading/background style a bit from my past work, I'm not going to be offering detailed cel shading or backgrounds. Minimal shading and simple bg elements are fine! I've just been way too overwhelmed lately to take on complicated projects. Sale prices are as follows: - 1 character: $85 - 2 characters: $170 - Your character and Sammy: $145 Some more rules: - my regular ToS applies! - sfw and nsfw allowed! (ToS still applies) - again, must have ref sheet or image of character. - payments through Paypal invoice only. - turnaround time will be 4-6 weeks! - I may be slightly more picky than usual with these, I might pass up more complicated characters or ideas. Feel free to run ideas by me though! DM me if you're interested in grabbing a slot, or have any other questions! ^w^ Stylistically they'll be similar to this! I can do a bit more detailed bg too, feel free to ask to see more examples.
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