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#look deeper
brightlotusmoon · 1 month
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247hypnoslave · 1 year
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Turn of phrase, around and around
“Spiral out of control” is an interesting phrase. After all, spirals are all about control. They may seem chaotic, but if you look closer, you can see that it’s perfectly in sync. Always spinning, always swirling, almost out of line, but still able to maintain a certain seductive fluidity. A fluidity that can’t be ignored, and shouldn’t. It’s not like it’ll make you spiral out of control. You may see your control spiral out of you, but that’s ok. You don’t need it anymore anyway.
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All change is not growth, as all movement is not forward. Without change, something sleeps inside us, and rarely awakens. The sleeper must awaken.
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1introvertedsage · 1 year
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radinageorgieva · 10 months
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poorly-drawn-mdzs · 5 months
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The musical episode.
[First] Prev <–-> Next
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clanborn · 6 months
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like water through my claws
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wyrmapalooza · 8 months
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Finally finished this :D !!!!
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nonasbirthday · 1 month
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i still can't believe there are folks who say "well GTN is annoying but you just have to get through it and then the other books aren't like that so you'll be fine."
personally i have been chasing the high of GTN ever since i first closed the book
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horang-07 · 6 months
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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247hypnoslave · 4 months
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Look into the flame
Look into the flame
That was the last you remember hearing before you found yourself staring at your candle
Look into the flame
The power had gone out, and scared you
Look into the flame
There weren't any storms
Look into the flame
You thought you had heard a noise before, like footsteps
Look into the flame
But none of that seemed to matter anymore
Look into the flame
It was so pretty, so calming, so soothing
Look into the flame, deeper and deeper
Making your eyelids heavier and heavier
Keep standing, keep looking, don't resist
That's right, very good
Sink into its warmth, into its embrace, my embrace
SNAP
Sleep
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mizartz · 10 months
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guarding the flock
(please consider: ghost king danny but the crown is a wolf collar)
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jicklet · 10 months
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Ember and Wade in Elemental (2023)
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1introvertedsage · 28 days
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Entrance(d)
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I miss listening. Waiting for clues. Whispers of news. Long past over due. Said I’m done playing their fool. And by their self serving rules. Not much left for me and you. When we’re busy living Just to prove. That we’re worthy Of basic human decency. I’m tired of seeing these scenes on TV. Robotic parrots all screaming the same things. When no one really sees the discourse that it brings. And the minds that it leads.
I can’t close my eyes to these lies. As I hear the people's cries. Salvation so easily denied. Because it’s easier to deny then try To fix this fucking circus.
Rape us and take from us. Stroking our fears But your lives are made by us. What do we get in return? Balance the scales Don’t have time for those tales What goes up must come back…
Yea, you know the rest And it’s about time I get this All off my chest. Fighting and screaming Til I don’t have much left. And there you are - Lights, camera, action Some sort of so called star.
But you don’t light up the night. Most times - not so bright. Stop and look around It’s yourself you continue to fight. But it’s alright. Got me here To shine a little light On this fucked up thing we call life. These chains cut like butter With the dullest knife. Cause the shit they’re doing Ain’t right.
Got people robbing me. Living in poverty. And it’s probably Because we’re ingrained to Worship false idols. Nothing new under the Sun. And I’ve only just begun To unravel this trickery That they’ve spun. So delicately around our heads As we were fast asleep in our beds. Compounding more for us To wake up and dread. Tranced minds are much easier To be led. Just listen to What’s not being said.
More money for war As more homeless and refugees Are dropped at their doors And they still lie About what they’re even fighting for. But sign up your kids. Follow suit. Lace up your boots. It’s what your parents did. While others cut corners And hid.
Babies sent to war And returned burned. What did they learn? The world is a cold place When you play by those rules. So easy to subdue. Pretty soon we’ll have newborns in school Backpacks full of drool. Abused by more parroting fools. Or the lost ones Shooting up the schools. With nothing to lose.
But more money for war. It’s not your children We’re fighting for. Got these greedy pigs at the top Just gotta have more And feed the demon. Sure, I read the lore. That means I also know What’s in store.
From all the bricks. Picking up my sticks. Barely on my feet And you keep taking more licks. Your gluttony Makes me sick. And I’m okay with justice Being swift. Walls fall and truths lift. No more pleading the fifth. We’ll read your rights While we read your heart.
Heart vs. feather You read the script. You thought it changed Cause you gone and done a few Magic tricks. Call that dumb as dicks. Silly pricks. When I done wrong I got my ass whipped With a switch. What do you think Your creator will pick? As the devil’s dogs Lick their lips. I came here to sink ships.
Won’t drop names That’s not my game. Just know one way You’ll have your fame. Thought I was alone. More than 2 can play that game. Take a step back. Let me show you How I came.
~Osian~
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ruporas · 7 months
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happiness today and tomorrow (ID in alt)
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kilopcor · 2 years
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Look deeper
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#Look deeper skin
So I hope this short message will encourage you to not only look deeper into others rather than judge by their appearance and also to be sure that your heart reflects Jesus Christ so others will see a true representation of our Heavenly Father in you. Proverbs 27: 19 as a face is reflected in water, so the heart reflects the real person. And lastly I want to share from Proverbs to encourage you: You have the Holy Spirit dwelling within you and because of that people should be seeing the Heart of our Heavenly Father. We must learn to focus on people’s hearts instead of the outside appearance that’s the bottom line.Īt the same time, we must also keep in mind that we too must represent in love as well, especially if you are a follower of Jesus Christ. I just wanted to give you a visual to look at. Don’t get me wrong there are many people who are well off who also have big hearts and give out of Love and compassion. Some of the poorest countries in the world have some of the most loving individuals in them. They are filled with compassion, they know what it’s like to go through trials and tribulations, they know what it’s like to not feel loved, they know what it’s like to go to sleep hungry, just to wake up and do it all over again. Some of the most loving people do not even have a roof over their head but instead, they have Jesus Christ in their life and they live in a way that truly reflects Him.
#Look deeper skin
I want to take his profound statement one step deeper and say this: “ a nation where they will not be judged by the color of their skin but by the reflection of their heart.” It’s about the Heart…… Their Heart, how they love and care about others. Martin Luther King had a dream and in part of his speech he made this powerful statement: “I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character. Not only looking at the color of our skin but how wealthy we may look, the cars we drive, the homes we live in, the clothes we wear, etc. When it comes to us as humans and how we treat each other, it’s heartbreaking to see how we treat one another based on our outside appearance. That sentence right there, wow drop the mic for real. He could have looked over the papers in less than ten minutes.Stop looking at the outside and start looking at the inside. They presented their draft to the president, who looked it over, nodded and signed it. V P P n look over phrasal verb If you look something over, you examine it quite quickly in order to get a general idea of what it is like. Look 11 look out for phrasal verb If you look out for something, you pay attention to things so that you notice it if or when it occurs. V P n prep/advĮmployers look favourably on applicants who have work experience. V P n as nĪ lot of people look on it like that. V P look on, look upon phrasal verb If you look on or look upon someone or something in a particular way, you think of them in that way.Ī lot of people looked on him as a healer. V P -ing/n look on phrasal verb If you look on while something happens, you watch it happening without taking part yourself.Ībout 150 local people looked on in silence as the two coffins were taken into the church. He had once looked into buying his own island off Nova Scotia. V P P n look into phrasal verb If a person or organization is looking into a possible course of action, a problem, or a situation, they are finding out about it and examining the facts relating to it. Motor traders are looking forward to a further increase in vehicle sales. V P P n look forward toĢ phrasal verb If you say that someone is looking forward to something useful or positive, you mean they expect it to happen. I wasn't successful, so they looked down on me. V P look down on phrasal verb To look down on someone means to consider that person to be inferior or unimportant, usually when this is not true. Looking back, I am staggered how easily it was all arranged. V P look back phrasal verb If you look back, you think about things that happened in the past. I'm going to look around and see what I can find. In BRIT, also use look round If you look around or look round a building or place, you walk round it and look at the different parts of it. I'm trying to look ahead at what might happen and be ready to handle it. V P n look ahead phrasal verb If you look ahead, you think about what is going to happen in the future and perhaps make plans for the future. the farm manager who looks after the day-to-day organization. 2 phrasal verb If you look after something, you are responsible for it and deal with it or make sure it is all right, especially because it is your job to do so.
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