Irondad fic ideas #134
Fic where everything in the current MCU has happened
...for Peter.
In fact, Mysterio captured Peter right after Endgame. Everything that happened since -- Europe, his identity, May -- has been an illusion.
Mysterio even altered Peter's memory of the battle against Thanos to torture him. He doesn't remember the rush to get Tony to a hospital. He doesn't remember being kidnapped. He believes Tony died on the battlefield
Which is why, when he's suddenly in a cell and Iron Man bursts in, frantic and alive, Peter has a hard time telling what's real.
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Prompt:
The fight at Titans Tower goes a little bit different.
Jason actively fakes Tim’s death (all hail clone science) after knocking him unconscious and turns the entire place into a veritable scene of crime.
Then he takes Tim and.. honestly, he hasn’t planned that far. But the kid looks like he could use some hugs.
And Tim, upon waking up, promptly goes starry eyed over Jason’s apparent resurrection. And, yeah, fine, he’s not entirely ok with the whole “I faked your death” thing, but his end goal is now to return Jason to the family fold, so it’s fine. Bruce and Dick don’t like him that much anyway, right?
Meanwhile, Bruce and Dick discover the gruesome scene at Titans Tower and their world crashes and burns for the second time.
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everybody stay with me im shifting back into speculation & analyzing mode, this time about everybody's favorite pair of besties. ill put this under the cut for everyone's sakes
and please, take all of this with a Hefty grain of salt.
so ive been... thinking about a thing. a maybe-possibility. which if this has some merit, the part of me that loves characters having a good time and feeling good feels is screaming in fear. but the louder part of me that loves angst and hurting characters is rubbing its little fly hands together.
short version: i think Barnaby is going to emotionally distance from Wally, if not outright grow to resent him. maybe temporarily, maybe not.
full version: *cracks knuckles* strap in folks. so.
first of all, an entire chunk of Barnaby's bio is dedicated to his character relation to Wally. everyone else only has one-off lines dedicated to their relationships to other neighbors - even Frank & Julie just have single sentences about each other (note that they're described as "partnered with" and "depicted with" respectively. more on that soon). even Wally's bio has his Barnaby mention tacked onto the end of his first paragraph instead of being its own dedicated section
and then there's their character designs - their bios explicitly point out that they share characteristics; color schemes, hearts on their soles, similar outfits.
they were made to be best friends. literally. this quote is what made me start turning this theory over in my mind (sourced from @ /theneighborhoodwatch's collected & absolutely fascinating livestream trivia)
it appears that Barnaby literally did not have a say in whether or not he and Wally are friends. their bios even say "illustrated pages note that they were best friends multiple times." they have to be best friends.
which brings us back to Frank & Julie. they briefly reference each other in their bios, but they aren't described as best friends. it's incredibly likely that they were meant to be a romantic couple - i briefly covered that theory in this post (dont read the first one i was going insane) but they managed to avoid that. Frank and Julie defied the script and chose to be best friends instead.
and then in the trivia document a few more character relationships are briefly touched on, like how Howdy considers Barnaby a close friend, and Sally considers either Barnaby or Poppy as her closest friend, etc.
everyone else seems to be choosing who they're close with. they're forming their own opinions and dynamics and relationships. & its interesting that Barnaby is stated for both of these - as if implying that he may return the friendship feelings, or at the very least he's developed enough of a relationship with them to earn their affection
Barnaby and Wally... i doubt they ever got that. they were best friends from the start, no development, no choice. it's written into them.
and then there's how their relationship has been portrayed so far. i believe i saw an ask where Clown stated that Barnaby is very polite to Wally, which struck me as odd. have you ever had a polite relationship to your best friend? have you ever seen best friends be polite? i'd be surprised!
best friends mess with each other! they tease and rib and roast! what is a best friend for if not mutual tomfuckery?! jesting around? playfully pushing boundaries? a Polite best friendship... that's a straight up oxymoron. no such thing. that sounds boring and exhausting.
not only that, but the fact that Barnaby is often used for Wally's painting segments, and is the go-to guy for teaching Wally something new, is kind of concerning. it gives me the vibe that a big part of Barnaby's literal reason for existing is to be Wally's friend & guide.
which would make the fact of him being described as polite to Wally make sense. of course he's not going to push their relationship or try to deepen it - he's forming his own dynamics with the other neighbors. with Wally... it's already established. that is how they are with each other. that is what they are to each other.
and it's not like Wally can be the one to introduce nuances. i don't mean that as a slight or anything - he's just the way he's been described and the things stated about him that make me think that he wouldn't really... know how to? it just wouldn't occur to him. he probably thinks his and Barnaby's relationship is what a best friendship is and is how it should be.
but they have to hang out. they have to refer to each other as best friends. and while i believe that Wally does wholeheartedly think that they're best friends, close as can be... i doubt Barnaby feels the same. like - yes, he probably does care about Wally. everybody likes Wally.
but it's gotta be frustrating for Barnaby, especially as time goes on and he becomes more himself as a person over just being a character playing a part. it probably stunts his relationship growth with others, since his ~best friend spot~ is already taken and who would want to encroach on that? especially since its taken by Wally mcfuckin Darling?
their friendship might become less of a role and more of a responsibility. Barnaby might grow to feel obligated to stick with Wally as his "best friend". someone invites Barnaby to hang out and/or help with something? sorry, he has to pose for Wally's painting. Barnaby is trying to do his own thing? sorry, Wally is knocking on the door and asking for help with something.
i wonder if Barnaby ever hopes that Wally will go to someone else, or feels relief when he does. and then does he feel irritation/guilt over that denied hope or that granted relief? then does he get angry at himself for those emotions?
how would this effect how he treats Wally and acts around him? this confusing muddle of emotions and this strange growing resentment for his painfully earnest friend who only ever means well, if he means at all.
it makes me curious whether or not this theory has merit. and how this could come to a head. what would Barnaby, in this situation, do if/when he discovers that they're puppets on a set, and he's literally written to be Wally's bestie while everyone else changed their scripts and chose their own relationships.
personally, i don't think he'd be happy, and i doubt he'd handle it well.
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a little update on what i've been doing in the sims lately! don't mind the huge walls of text for once i'm saying things in the post instead of the tags lmao
matthias's scars are very slowly coming along! i really love his left leg scar but can't really show all of it because i'd have to get him naked for that and it also wraps around his leg. um, but it starts at the side of his hip and carves down at an angle before abruptly following a steep line to the back of his calf. it looks gnarly which is exactly what i'm trying to achieve with matthias's scars! i'm also pretty pleased with the scars on his wrists and side, but the scar he has on the back of his right leg is... a little too crunchy? i don't know, it just looks weird. it's kind of hard to get the scars i'm making to look good on matthias's body. especially scars that're smaller or delicate... like the instant loss of quality makes me want to chew on exposed wires. but that's where i've left off on them! his arms and back are where he has the most damage but my god... it's SO difficult trying to get scars to look nice over his biceps and back muscles. also the hair ties i made for him look nice on his wrist <3
theo's apartment is also finally in the works. i've got the base layout finished and a general idea of what all the rooms are for. building and decorating isn't actually that daunting to me, surprisingly—instead, what's actually causing me a lot of grief is the realization that this is too big for theo to really be comfortable in. so, i was thinking, okay, that's fine, just get rid of three of the rooms and scale down the living area. only to pause and take into account the fact that theo's parents pay for this. they're controlling and also very big on appearance so i'm not sure they'd be fine with their son living in a shoebox—i mean, what would people say if word got to them that he doesn't even have a walk-in closet? like... that's the kind of people they are. but i wanted theo to feel comfortable in his apartment so now i'm feeling conflicted on how i want it to look. i'm definitely going to scale down the bedrooms and the living area... but it'll still feel too big to theo. there are just too many corners for him to ever fully let his guard down... which, hm... well, maybe that fits the story more anyway.
this is his general aesthetic for the interior btw... i want it to be brown, cream, and green all throughout the apartment with splashes of orange (this mix between his old dorm and his childhood home but with something new blending it together). i really wanted him to have stained glass windows in his kitchen and bathroom but couldn't find any </3 so sadly that's not happening. and i need to find a nice curio cabinet for his collection of bells... along with bells too lmao. but that's where i'm at so far! i'm seriously going to just sit here in build mode for hours just... trying to figure out how to make this place more comfortable for theo. like it's supposed to be where he feels safe but it's just too much rn.
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it's easy to read the situation between li tongguang, ruyi, and yuanzhou as a love triangle on a superficial level, but looking even one step further, it's clear that there's no triangle about it. li tongguang is obsessed with ren xin; ning yuanzhou is devoted to ren ruyi. ltg's obsession is fervent and all consuming, but it's not devotion. like ruyi herself notes, his feelings to her are on the basis of her as a mother figure in his life, as a replacement for what he never received from his mother. is there an element of romantic/sexual love/desire to it? maybe. more likely he's deluded himself into thinking that, because the truth is, it's doubtful that ltg even understands what love is (platonic, filial, familial, romantic, all of the above, etc), because he has no basis for understanding. ruyi's teachings and actions towards him are the closest thing he has to hold up as an example. what he wants is ren xin, is a replica of the master he had. he doesn't want ruyi, because he doesn't actually care about ruyi. therefore, he doesn't care if she's sad, angry, mad; he just can't bear her 'abandoning' him. we saw this way back when she first meet and left him, both at thirteen and seventeen. although he distrusts her first, she saves his life and cares for him in the way no one else has, hence her first being raised on a platform in his mind. when she leaves for good, ending their master-disciple relationship/training, even though it's for official business and she's not abandoning him, in his mind that's exactly what it is. so now that she's in his life again, he won't let her leave again. he was powerless before, a child with no proper name, but now he's a recognized member of the imperial family, a man who can meet her as 'equals' (even when that's far from the truth). as a child, he could only cling to her legs and beg her, but now he has the power to keep her by his side. it's telling that when he finally gets confirmation of her identity, it's not ning yuanzhou he seeks to harm (even though he detests him and their relationship), but yang ying. yang ying is ruyi's new disciple, and as ltg doesn't know she's a woman, he only sees her as his direct replacement.
ning yuanzhou, on the other hand, is devoted to ruyi. he wants to build a new life and future with her, instead of slotting her into a spot in the life he already has. he's someone who accompanies her on walks and makes her midnight snacks, who holds her when she needs to be held and lets her go when she needs to do things on her own. when she speaks her mind, he listens, even when it makes him discontent/it's not what he wanted/wants to hear. he sees her unabashedly as his equal, and though he acknowledges her skills and abilities, or points out her naivety, he never does it to belittle her; to him, she is his peer, deserving of the highest honor and respect. he trusts her to have his back, and she has come to trust him to have her. he did what she might have thought no man would ever do: he proved himself reliable, so she came to rely on him. yuanzhou gives her freedom and autonomy as both ren ruyi and ren xin. of course they run into problems, but they both learn and grow from them, as individuals and as a couple. yuanzhou's belief in her is unwavering, but adaptable, whereas ltg's is unwavering, but frozen in time, disallowing for any new information to be presented. yuanzhou works with ruyi to accept the changes thrown her way; he seeks the core behind her actions in order to better understand her. li tongguang cannot accept the changes in ruyi's character, because they run contrary to the master he has on a pedestal in his mind.
what li tongguang wants is to return to the past, but yuanzhou offers ruyi the promise of a future, even one that might never come to fruition. there's no triangle about it.
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