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#let me know if it needs any more
pine-arten · 1 year
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hunter design :)
going to make a hll design soon
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finally at that age where i'm thinking i should get a tattoo. not bc i feel strongly about it, just seems like a waste not to. i've got so much skin i'm not using
#feels so selfish like. all this skin what am i saving it for?#open to design suggestions! (please make me regret this offer)#maybe some deep sea horrors. a pretty watercolor of a gulper eel#once saw a person on the subway with various Skeleton Tattoos on all their limbs#i respected their commitment to the theme#but more than that i respected how all the skeletons were engaged in Activities#dancing in a ballgown. juggling its own (and two other???) skulls. swordfighting. being a mermaid skeleton#ANYWAY. the only reason i haven't already gotten tattoos is i just couldn't be bothered#i'm old enough to know i don't have any strong-but-potentially-temporary feelings driving me towards it#aesthetically i prefer decorated to non-decorated surfaces. but i'm not artistic or thrilled with commitment#honestly it feels like sheer laziness. indecisiveness--nay. immaturity!--that i HAVEN'T gotten a tattoo yet#letting all this blank canvas go to waste. tut tut i need to grow up and be an adult and get a tattoo sleeve already.#really i've put off my responsibilities long enough#(in fairness i DID at one time have 18 different piercings)#(but i took most of them out bc they interfere with wearing headphones and/or shoving my face in my pillow during Sleep Time)#(i only kept the nape piercing bc oddly enough it ended up being the most convenient. and the least painful to get now i think about it.)#(neck piercing? no problem. normal pair of earrings? Tribulations And Suffering. i don't make the rules i just poke them with a stick.)
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otiksimr · 8 months
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Round two of funky dragons! (1) This time featuring a whole lot more bugs.
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theonlymadmanonmars · 3 months
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Hi hello hi. As an AroAce individual in a QPR who has no desire for a romantic or sexual relationship, I think shipping Alastor in QPRs is so so fun and people should do it more. I also think it works for a good amount if not all of the ships I've seen him in.
Alastor and Rosie: Hell yeah. They're already great friends and every interaction we've seen between them has been pure and adorable. Rosie Gently guiding Alastor through his identity because he isn't exactly up with the slang. Them going out for tea and human flesh Sunday afternoons. Them giving each other forehead kisses and holding hands platonically.
Alastor and Angle dust: Mhmm. Angle not really wanting Sex or romance after all he's been through. Angle respecting Alastor's identity and not pushing for anything more than friendship. Alastor not really liking Angle at first because of their differences, But tolerating him regardles. Alastor explaining to Angle that Romantic relationships don't have to involve Sex (I'm an Asexual Angle truther.) Angle offering Alastor a hug that Alastor reluctantly accepts. Them cuddling at night with a pinky Promise of nothing more.
Alastor and Vox: Go ahead. A fic about Alastor trying to Navigate exactly how he feels about Vox, Because when he died the term AroAce didn't exist, so he thinks it's romantic attraction, Maybe they kiss and Alastor is like "Ha! No!" Maybe that's why they had their falling out? Who knows.
Alastor and Lucifer: So So SO much Yes. (This is my personal favorite) The two of them hating each other, but putting up for each other for Charlie's sake. Slowly growing to actually tolerate and maybe even like being around the other. Exchanging snarky remarks in a more playful way. Alastor finding Lucifer sitting in a pile of ducks and despair and offering his hand to help him up and take him to the hotel. Never letting go of his hand. Fuck Enemies to Friends to Lovers I want an Enemies to Friends to Qpr arc goddamnit.
I do think it's okay to ship Alastor even outside of QPR's, BUT. If you do, don't just ignore Alastor's identity. AroAce people get far less representation than the rest of the LGBTQ+ community. I can think of one other canon Character off the top of my head. So it's not okay to erase the little rep we do get. In the end I think it's important to listen to what AroAce people have to say on the matter, it is our representation after all.
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fiepige · 4 months
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Hobie and Noir both doing a two finger salute
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muffinlance · 3 months
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Wait, what’s going on with Embers???? That fic has been on my read later list since 2021, what’s happened with it???
Brief overview, then I'm likely never touching this topic again, because this is not a Drama Blog:
Context: Embers is a super old AtLA fic that was written during the early fandom days, read widely at the time, and was the origin of the widely-used fanon name of "Wani" for Zuko's ship (kind of by default that it was one of the first popular fics to give his ship a name, I think?), even though most fic writers don't seem to realize it's from there anymore.
"What's Going On": I used to include a link in all my stories to it, because I believe in crediting other writers for borrowed elements, and I was using "Wani" in all my fics. But BOY did I not want to be sending readers that way anymore, so I've adopted a new name for Zuko's ship, and removed all Embers links.
None of the criticisms about Embers itself are new; I'm assuming they date back to when the fic was being written, because this isn't an "it aged badly" thing, this is an "actually yeah this gets worse the longer you think about it and I shouldn't have ignored my bad feelings just because some of the worldbuilding was interesting" thing.
An Incomplete List of Why I Made the Change:
I don't actually like the story that much anymore, and don't want to rec it
I tried to re-read it recently to see if some things were as bad as I remembered and it turns out they were So Much Worse Oh Yikes. More specifically, the treatment of Katara and Aang and their respective cultures has... rather a lot going on. One example: The Fire Nation and Air Nomads are both given multiple backstory elements in an attempt to make the average Fire Nation soldier's participation in the genocide/war in large part the fault of the Avatar and the Air Nomads themselves, and also fully justified from the Fire Nation perspective. And I do mean fully. One of its core tenants is "People from the Fire Nation (and only people from the Fire Nation) who don't follow orders Literally Die, therefore murdering pacifists and babies and continuing the war (and their regularly scheduled war crimes) is the only thing it is physically possible for them to do". I cannot emphasize enough how literal that is.
Also the name "Wani" means "Alligator" and is... objectively a pretty lame name for Zuko's ship? Where's the personality, where's the deeper meaning, where's the resonance with Zuko's themes? @tuktukpodfics initially thought I was calling the ship "Wanyi", and that's what I've switched to, because it is Objectively So Much Better. In their words: “Wànyī (萬一): Literally ‘one in ten thousand,’ ‘perchance.’ Used grammatically in Chinese to mean ‘what if’ or ‘just in case.’ I think a ship called ‘The Perchance’ is perfect for a boy clinging to false hope.”
TL:DR; I don't rec Embers anymore, because I don't actually like the story anymore, and there are things about it that get worse the more I think on them. I've removed links to it and renamed Zuko's ship to "Wanyi" ("The Perchance") because our boy deserves a ship name that reflects his character arc.
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jacobglaser · 6 months
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OUR FLAG MEANS DEATH 1x06 // 2x04
Stede responding to Ed's body language (requested by @273blw0)
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loupy-mongoose · 1 month
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WARNING:
This comic contains BLATANT depictions of INJURIES, BLOOD, and CHILD ABUSE.
This is not directly related to the current running story, but I was hit with a mood to share some... rather unpleasant character lore...
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shima-draws · 3 months
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THAT right there, ladies and gentlemen, is a LOVE CONFESSION
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lunarharp · 9 months
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if i just told you i love you would this world change
#witch hat tag#orufrey#these kinda suck lol i feel like i cant draw right now *irritated sigh* BUT I FEEL EMOTIONS !!!!!!!!!!!!!!!!!!#if you are gay go watch good omens season 2 right now. NO YOU DONT KNOW THO!!!!!!!!!#i know being this affected by good omens is probably cringe. I dont care any more. the last 1 minute of good omens season 2 was#some of the most affecting acting i've ever seen in my life. sometimes someone acts with the force as if their entire career led to that#like during the credits part the very end im not even talking about before that. holy god#aziraphale i know everything about you. i know what you are feeling right now. i can see everything on your face. we're going to make it#ER.... NOT THAT THIS HAS ANYTHING TO DO WITH THIS POST. IT'S NOT SPOILERS !!!!!!!!!!!!!#I JUST FEEL THOROUGHLY CHANGED !!!!!!!!!!! SHIT GETS REAL FROM NOW ON.. LIKE IN GENERAL! IN MY LIFE!#tormented gay love tormented gay love TORMENTED GAY LOVE TORMENTED GAY LOVE !!!!!!!!!!!!!!!!!!!!!!!!!!!!#btw the first 3 images were drawn earlier with an entirely different feeling and an entirely different mood.#Why do you keep pulling away from me?#It is because i love you that i do this#the lyrics from one of my japanese orufrey songs (A SONG THAT THE CREATOR LISTENS TO!!!!) led to feelings#“あなたが知らない私を残さず見ててほしいの” but i'm not translating it cause it just sounds weird. if with his eyes oru's asking “WHY don't you want#to let me in? to see all of you?“ those lyrics are like ”I actually want you to see every last bit of the parts of me you don't know“#oru you have no idea how much i want to lay bare my whole soul for you#maybe it's an alternate version of chapter 40. to me#i need to draw something really fucking good or i'm not going to forgive myself. i will not rest in this life#until i have made the orufrey that fully satisfies me nor until i have seen what the manga is leading to#NO STORY MEANS ANYTHING WITHOUT TORMENTED GAY LOVE AT THE HEART OF IT. THATS THE HEART OF THIS WORLD!!!!!#........... so Hi im normal :) haha *goes and finally makes breakfast*
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inkskinned · 1 year
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this is sort of pathetic, but when you were younger, you were sort of puzzled by the cartoon representations of fathers: how a kid would be outside with a mitt, waiting to play catch.
it's not that your father never played catch with you, but you also didn't like when he did. something about a hard ball coming quickly towards your face doesn't seem exciting. not that you'd ever say you don't trust him. you trust him, right?
it's not like he never tried to teach you anything. or never tried to parent. on rare days, a strange person would walk in your father's skin. bright, happy, magnificent. this version of your father was so cheerful and charismatic that you would do anything to keep him. and this is the version of your father that would laugh and gently coax you try again. this is the version of your father that would break down the small elements of a problem and point them out so you have an easier time with them.
as a kid, those days happened more often. but somewhere around 11, you started being too much of a person, and he was often cross about it. when he'd try to sit you down to learn something, you spent the whole time with your shoulders around your ears, nervous, uncertain. terrified because you didn't immediately understand how to navigate something. worried you will run out of his goodwill and then you will have the Other Father back, and you will have ruined a good day for your entire family. something about you being visibly afraid - it just made him angry. he would accuse you of not wanting to learn and storm away.
on tv, it's not like there's a lot of versions of men-who-are-mostly-fathers. they can be good dads, but usually their stories are not told in the household. so it's normal that your father is there, but he's never around. you know he was in the house, somewhere, it's just not that you guys ever... "hung out". he just seemed to get kind of bored of you, annoyed you weren't made in his perfect image. frustrated with how much energy it took to raise a kid. over time, you kind of adopt a bittersweet band around your throat - he knows nothing about me. he says at least i never abandoned my family.
and it's technically - technically - true. he was there for you. sometimes he even made an effort and made it to the big moments; the graduations and the dance recitals. he grins and tells everyone that he taught you. it almost erases the days in between, where he complains because you need a ride to school. the weeks that go by where he doesn't actually ever speak to you. the times you say i am struggling and he says figure it out on your own. i can't help you.
and that's fine! that's all fine. you can call him if you are having a problem with your car. or if you need a ride to the hospital. he loves playing hero, he just doesn't like the actual work that comes with being a father. and you've kind of made your peace with that; because you had to, because you don't want to live your life like he does; the whole world at a managed distance, a little rotating and controlled orb he can witness and take credit for but never truly love.
as an adult, you are rewatching some dumb cartoon - and again, the child standing in the rain, with a mitt, waiting for their father to come play catch. as an adult, there's this strange creeping dread - this little thing? this little thing, and their dad can't even show up for that? oh god, holyshit, it's not about the mitt, is it. oh god, holyshit, your father spent most of your life leaving you hanging.
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minty364 · 3 months
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DPXDC Prompt #61 part 1
Danny didn’t like thinking about his old life. He was born to a family of assassins and as soon as he was out he never looked back. He had to fake his death and he changed his name, as far as anyone knew Damian Al Ghul had died on a mission to America. He was determined to keep this secret to the grave. Of course he knew who his dad was, Bruce Wayne was a prominent figure and he knew if we went there his secret would get out and he never wanted to be forced to be an assassin again. Once was enough. 
Danny knew he had a soft heart, his adoptive parents, the Fentons and Jazz had told him so. Jazz knew he didn’t have the greatest childhood or past but she never pried, she understood his business was his and wouldn’t let her own curiosity get the better of her. The only issue their family had was their parents obsession with ghosts. Damian never believed in ghosts, the entire thing sounded like a hoax. He probably never would have believed in them but then life happened. 
Danny believed, but it was kind of hard not too after everything that happened. When he had turned 14, his parents finished their biggest project yet. A portal to the ghost zone, of course it doesn’t work at first and his parents were very disappointed. Danny felt conflicted about the whole thing. On one hand he wanted his parents to succeed and he wanted them to be happy, on the other the portal was the reason he ate alone with his sister at night. He wanted a normal family life, something he was never allowed back at the league. 
He did something so stupid that night.
After his parents along with his sister were asleep, he crept down to the basement and stood in front of the empty hole in the wall. He looked around the outside of it first but nothing seemed to be out of place. Then he stepped into it and before he got too far into it something happened. He knew there were a lot of cords on the floor and thought he had avoided them all, but as he realized he was quickly being acquainted with the floor, he out of instinct held his hand out to catch himself on the wall. Right onto the ON button.
He didn’t remember much but pain after that.
A lot happened in the year after the portal was turned on but Danny thought he was taking things well. His sister found out about everything sooner than he liked but having someone to help him was something he didn’t realize he really needed until then. The ghost attacks were frequent and Danny was having trouble finding the time for school, friends, and fighting ghosts that the assistance helped a lot. 
Danny sat at as desk in Mr. Lancers class, who was going on about the play Hamlet. Danny was only half paying attention, he was preoccupied thinking about the latest conversation he had with Clockwork. Danny was recently crowned prince after his victory over Pariah Dark. He didn’t want the crown, ancients knew what Grandfather would do if he ever found out, but he had no other option but to accept. The conversation left him rather drained and it felt like every word his teacher spoke bled together. 
He eventually made his way to lunch and before he could make it to his destination a blue mist wafted out of his mouth. Sighing he ran out of the room to find a place to transform. Once he was Phantom he wasted no time finding the ghost. Of course it was Boxie. 
Before he had time to even fight though a portal opened up right besides Danny and he was kicked in by the Box Ghost. The world seemed to swirl around him until he landed harshly onto some pavement. The pavement was a roof and he appeared to be in a city. 
Not just any city he soon realized as he looked over to a bank that had the words ‘Gotham Bank’ brightly plastered on the front.
Shit… Danny wanted to avoid something like this, unfortunately the portal was already gone. 
After taking a moment to think about his predicament he decided the best course of action was to call Jazz.
He took a look around the rooftop he was on and when he didn’t see anyone he transformed back. 
Pulling out his cell from his pocket he pulled up his sister's contact on it and hit the call button. 
His sister took a bit longer than usual to answer but the hesitation in her voice caused him to pause, “H-hello?”
“Jazz, it’s Danny, we’ve got a code green,”  he knew setting up code colors with his sister would come in handy. Red meant he was gravely injured, yellow meant the ghost got away and he was in pursuit, blue meant he caught the ghost, and green meant he fell through a portal or something similar. 
There was silence on the other line for a moment and Danny was almost going to say something else but she spoke, “How do you know my name?”
Master Post:
Next:
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royalarchivist · 1 year
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With over 20 members currently on the QSMP and more on the way, it's almost impossible for a single person to stay up to date on everything that happens, even with help from QSMP's official Twitter recap accounts.
For people who are interested in QSMP's story, characters, and/or streamers but don't have time to watch hundreds of hours worth of VODs, I've created the QSMP VOD Timestamp Archive.
If there's a particular lore moment you missed live and can't find, search for it in the archive!
Timestamps include quotes, notable lore events, and funny interactions. Interesting or important moments from each stream are bolded for emphasis. I'm also adding short summaries for lore-heavy / eventful stream.
I've organized the document so it should be easy to navigate, and you can CTRL + F to search for specific streamers and/or events.
Complete VOD playlists, recaps, and additional resources are also included in the document for people who might be feeling overwhelmed by the amount of QSMP content out there. It's never too late to get into the series!
If you have a streamer you watch consistently, consider writing down important timestamps to help fellow fans! You don’t have to take detailed notes like mine – even one or two timestamps can be a real lifesaver. If you have any helpful timestamps you want added to the list (or even a 1 sentence summary of a particular stream), send it to me via DM so I can add it to the archive.
I am just one person, so unfortunately this archive is by no means comprehensive, but I'm constantly updating things and adding more streams and timestamps to the document. I've been working on this project for a while now, so even though it's not complete, I hope people find it useful!
[ VOD Timestamp Archive ]
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todayisafridaynight · 6 months
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journalists underestimate the magnitude of my addiction and how far i'll go for the bit
#snap chats#im lying i physically could not marathon this i got school LMAO BUT IMAGINE#my god speaking of school i signed up for a japanese history class. because of course i did#i also needed an extra class and i didnt know what else to put LMAO but i might swap it or somn#thinkin i should get back into theater..... i got like two months to decide anyway#i was thinking about how im gonna play IW during streams... if the lord will let me i might stream for 2~3 hours or so#im putting such a small time limit due to Aforementioned School but also idk if my computer can record any longer than that#when i tried saving the video to my flashdrive it only lasted about two some hours right ? maybe 3 if i remember right#i decided to record to my computer's hard drive instead of the usb since it has more space so maybe i can record longer#ill prob do a test run later today and record a nonsense video. i WILL delete it i just wanna see what the limit is#cause my plan is to just Record One -> Upload It -> Delete OG yk. Lazy Susan type of plan#didnt mean to type out my whole gameplan in the tags LOL BUT HEY I WANTED TO TALK BOUT IT AT SOME POINT#my final message is that ive Hopefully preordered the ichi statue. i say Hopefully cause i am once again doing it through jp rabbit#and i didnt get the confirmation it was successful yet so I Will Simply Wait.#point is it was a lot cheapter than i thought it was going to be <3 yay <3#ok im running out of tags tl;dr im gonna marathon IW until my eyes bleed BYYYE
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anonymocha · 6 days
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Bluepoch gave us the gift of barely-subtext tragic sapphic-centric media do NOT throw that away.
Context regarding PJSK and Undertale under cut.
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Project Sekai cast is dominated by female characters but mlm is more popular, meanwhile Undertale has canon wlw rep and oh my god they’re at the bottom. I have nothing against these fandoms or media (I’m literally currently/was in them) but yeah. I just HOPE r99 doesn’t end up in a similar state.
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comradekatara · 3 days
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sokka, katara, and the paradox of “the gifted child”
something i’ve noticed is a tendency to (mis)characterize sokka as someone who is dismissed due to being a nonbender, when that’s only partially true. sokka is certainly dismissed by some for not being a bender (namely, by benders), but i think there’s a key difference between being dismissed and not being valued in one specific way. katara was valued by her tribe for being a waterbender for the very crucial reason that she was the last one left. had she been a dime a dozen in her tribe, which would have been the case were it not for the systemic extermination of her people, she would not be valued as highly for possessing this skill. that said, while sokka clearly does hold some resentment over his lack of bending ability, calling himself “the guy in the group who’s regular,” i think it’s folly to assume that this means that sokka was dismissed and discarded as “average” while katara was put on a pedestal for being special. because while katara obviously was considered special, sokka is also clearly considered special by his family, merely in different ways. and if anything, sokka embodies the archetypal struggle of the so-called "gifted child” far more than katara does.
while sokka clearly believes himself to be disposable and intrinsically worthless, i don’t think that he was actively neglected by his family. even if katara was clearly marked by her bending as embodying the last hope of their tribe, that doesn’t mean that she was seen as more gifted than he was or was designated as her family’s obvious favorite. for example, the way hakoda talks about sokka (saying he trusted him with leading and protecting the tribe when he was thirteen, calling him a genius, and other such insanely high praises to heap on a child) shows that he clearly views his son as particularly exceptional and has never been shy about showing that. sokka is distinctly insecure around his father for assumptions he makes regarding hakoda's faith in his abilities and his insecurities when it comes to his perceived failure in not measuring up as a man, but from the second we meet hakoda, it's evident that these insecurities are entirely internal and completely unfounded, at least in terms of his father's perception of him. hakoda is nothing but incredibly proud of sokka, constantly emphasizing just how capable and brilliant he believes him to be. whether or not sokka is capable of internalizing it is another story, but it's clear that hakoda is not stingy in his praise and affection, not even a little bit.
moreover, while katara is clearly kanna’s favorite on an emotional level, she nonetheless affords sokka far more respect. she admonishes katara and tells her to do her chores, and notably, she also impresses the importance of “listening to her brother,” and backs up sokka’s decision to banish aang from the village. you can claim that sexism plays a factor in how sokka views his own supposed position of authority, but kanna is a woman who traveled the entire globe as a teenager because she wanted to escape patriarchal impositions dictating her life. she’s simply far too smart to treat sokka as any sort of authority within their village if she did not fully entrust him with that responsibility. she treats sokka almost like a peer, as if she is legitimately co-running the village with a fifteen year old boy.
katara is only a couple years younger than sokka at most, but her dynamic with kanna is very different. on one hand, kanna clearly sees more of herself in katara, can identify with her sense of adventure and rebellious spirit, but on the other hand, it means that she views katara as a child to be taken care of, who needs to be reminded to do her chores and bailed out when she gets herself into trouble. sokka doesn't want to be viewed as a child, and so he does everything in his power to position himself as kanna's equal rather than her grandson. he takes his duties and responsibilities very seriously, and is obedient to a fault whenever he is submitting to any authority he actually respects, especially his father and grandmother. to be honest, a lot of what katara considers coddling is probably just sokka never being bossed around by their grandmother because she never actually has to tell him to do his chores. because despite katara's claim that he simply faffs about "playing soldier," sokka's problem is actually that he takes himself too seriously for her liking. and with the exception of kanna saying "be nice to your sister," which is the kind of teasing a parent says to their child, she clearly respects sokka's position in the village. when katara tries to run away with aang, kanna takes sokka's side and forbids her from acting impulsively, but when sokka is the one who packs supplies and plans to save aang, kanna gives them both her blessing.
katara is the only person who takes umbrage with the notion of sokka running the village and telling her what to do all day. and those frustrations have likely accumulated up from a lifetime of being told to “do as her brother says” and “why can’t she be smarter and more responsible and levelheaded blah blah blah.” she clearly thinks that she’s punching up when she yells at or mocks him, which may seem crazy to anyone who understands that sokka’s entire identity and existence revolves around being katara’s protector, but katara doesn’t actually know this. in her mind sokka is merely the perfect child who has always represented this impossible standard of “genius.” and what's more, he's absolutely insufferable about it.
and to be clear, this isn’t to say that katara herself isn’t highly intelligent, capable, competent, and skilled. she’s not only an incredibly talented waterbender, but also clever, quick, witty, creative, resourceful, practical, mature, and thoughtful in other ways. at one point, toph calls her a genius (“a stinky, sweaty genius”). and she is, indeed, an extremely powerful and innovative waterbender, both due to her hard work, but also because she is genuinely brilliant. that said, she’s smart in the realistic way that a kid is smart; she works hard to be good at what she cares about (and she has an existentially devastating reason to care about being a good waterbender, mind you), and she’s also good at thinking on the fly when she needs to. however, unlike sokka, or even toph, her intellect may be impressive, but it isn’t astonishing. sokka’s mind functions completely anomalously. i wouldn't say he's unrealistically intelligent, because i do know some people in real life who are similarly adept at processing all kinds of different information with the ability to deftly apply it near-immediately, but it is certainly abnormal, both for real world standards and within his universe.
i normally bristle at this term and its applications (for multiple reasons), but since it is explicitly stated multiple times across the show, it is important to acknowledge that sokka is referred to as a genius multiple times, including by his father. katara is referred to as being a genius by toph for using her own sweat to waterbend (which, as hama points out an episode later, isn't even that clever because you can literally bend water from the air around you); conversely, sokka is referred to as a genius for helping to invent hot air balloons and for figuring out multiple escape routes from the world's most secure prison in less than a day. we don't know the exact timeframe under which katara trained with pakku and earned the title of master, but she clearly worked incredibly hard to earn that title, not only as a master, but as the greatest waterbender in the entire world. i assume it was any time between a few weeks and a little over a month in which zhao would organize a fleet to arrive at the north pole, which is, of course, extremely impressive in itself and a testament to her passion and determination. however, on the other hand, piandao claims that sokka has basically mastered the sword and is ready to make his own within less than a day. it's important to remember that katara is also brilliant in her own way, and possesses great skills that sokka lacks: not only bending, but also midwifery, and an ability to locate her own emotions and allow herself to be vulnerable with others, two skills which should never be looked down upon for their association with womanhood and femininity, and are also particularly impressive considering just how young katara is. she is brilliant in her own right, and in any other family, katara would easily have been "the smart one." and yet, sokka is simply in a league of his own.
so, yeah, he can stand to get thrown around and yelled at; everyone her entire childhood just kept on impressing how special and perfect and brilliant he is, he can handle it. she has no idea that he is depressed, depersonalizes, loathes himself, and thinks he’ll never be good enough, because he never actually communicates any of that to her. the closest he ever comes is admitting that he’s jealous due to not having bending abilities, and even that shocks katara, even though it’s such a small and obvious admission in the scheme of things. she has no idea what’s going on with him psychologically, how he views himself in relation to others, and specifically in relation to her, so she kind of just assumes he’s entitled because surely he must know how special he is and thus feels owed accolades by the world at every turn. he deserves to be humbled, and she is in fact righteous for humbling him.
when she makes fun of him for being stupid or miserable or paranoid or cynical, she thinks she’s owning him the way a righteous underdog fights against an oppressor. it's similar to how zuko wants to "put azula in her place." in katara and zuko's minds, they are both the valiant underdog siblings who had to fight and struggle against the siblings for whom everything came so easily. and in katara’s mind especially, she is always punching up, and she always has a moral justification in lashing out at anyone she pleases. so she couldn’t fathom that the reason sokka puts up with her antagonism without complaint isn’t because he’s so above her that he can simply ignore her taunts and gibes without a care (if that were the case, he wouldn't bother to taunt and gibe in return), but rather that he feels so detached from his own personhood that he would never think to actually explain his feelings to the person whom he has defined himself through since childhood. and if he did ever, somehow, communicate that to her, she’d have to reevaluate their whole entire lives and dynamic. but he never will communicate that to her, so she’ll never actually have to do that.
moreover, even though katara often does tease sokka and cast doubt upon his competence and abilities in low-stakes situations constantly, whenever they are actually facing a real problem that requires an immediate solution, katara seems to forget that sokka is supposedly an unhelpful, lazy, immature idiot because she immediately turns to him to fix all their issues. and then once that issue is resolved, katara goes back to finding his existence bothersome. sokka, on the other hand, falls into this role of problem solver instinctually, with the one exception that when they actually name him as the idea guy, he jokingly complains that it’s a lot of pressure to be one who is always expected to come up with solutions. and while he is joking during that conversation in “the drill,” he’s being honest to an extent, because his perfectionism and fear of failure is truly dire.
when katara is faced with failure, whether as the consequences for her own actions or otherwise, she simply gets back up and tries again. she can’t be knocked down, she can’t be deterred from achieving her goals. she has a very healthy approach to making mistakes, and while she doesn’t always learn from them in the longterm, she does always try her best to fix them and amend the situation as immediately as possible. katara is someone who is incredibly resilient and is constantly demonstrating the sheer magnitude of her inner strength, especially in particularly difficult moments. she has the ability to fail as many times as it takes without letting that failure affect her own self-esteem or desire to keep striving for what she believes in.
sokka, on the other hand, is very physically resilient (he gets beat up a lot), but his emotional resilience is actually quite pathetic. he has no tools for coping with failure. from even the slightest mistake, like not actually being able to open the doors at the fire temple with his makeshift explosives, to a catastrophic one, like his failed invasion, sokka immediately retreats inward. in “the boiling rock,” sokka demonstrates how his first ever real failure that rests squarely on his own shoulders is so devastating to him that he becomes totally irrational and suicidal in an attempt to “rectify” the situation. he does not know how to cope with failure, because he expects himself to be perfect at all times. and it’s not because sokka is overly proud, but rather that his guilt complex is so profound that he blames himself for every single thing that goes awry at all times, even when it isn’t actually his fault whatsoever. so that guilt and shame is magnified a thousand fold when sokka is actually culpable for those losses.
one of many ways in which it is evident that sokka is the older sibling is that he clearly lives with the mentality that if katara messes up or gets herself in danger due to her own impulsive inclinations, it’s always actually sokka’s fault for not being a better, more attentive brother. when she sets off the booby trap in the banned ship, sokka banishes aang from the village so as to protect katara from herself. when katara experiences the consequences of heedlessly blowing up a factory, sokka gets mad at her for her recklessness, but also immediately finds a way to help her fix this situation, because that’s his job, and in fact, his primary purpose on this earth. this is a dynamic sokka has probably internalized even before he was assigned the role of her sworn protector, because that’s just how being the eldest is.
sokka’s tendency to take responsibility for everyone else’s mistakes and his desire to shoulder everyone else’s pain at all times, coupled with his implicit belief that he, uniquely, cannot afford to mess up ever (if other people make mistakes it’s fine and he can help them fix it, but if he makes mistakes he no longer has a purpose on this planet, goodbye cruel world), definitely indicates that he was held to an incredibly high standard all his life. he expects himself to be able to handle a lot of responsibility with perfect ease because he always has. he isn’t used to making mistakes of any kind. if he puts his mind into learning a new skill, he always masters it within a couple of days, whatever that skill happens to be. unlike katara, sokka is used to things coming easily to him, and what he isn’t used to is failure.
katara and sokka are both exceptional, of course, but in very different ways, and for very different reasons. katara grew up with a lot of external pressure to excel as a waterbender, because she needs to embody her cultural legacy and prove that her mother’s sacrifice was not in vain. it’s an unfathomable burden to place on a child, and the rate at which she improves her waterbending once she is actually given the resources to hone her skills is a testament to her perseverance and untiring dedication. katara becomes the greatest waterbender in the world not because she is a natural prodigy (which is something she bristles at when aang does display prodigious skill), but because she is incredibly determined and no one can outmatch the strength of her heart and unshakable commitment when she is pursuing a goal. as pakku even says, raw talent isn’t everything, and katara’s abilities prove that despite not being “naturally gifted,” hard work and determination is far more important when it comes to excelling in any given domain.
however, if katara’s motivation to be excellent is externally imposed by the tragic circumstances of her life, sokka’s motivations are, at the very least, internally maintained. as aforementioned, i have no doubt that he received a lot of external validation and praise from the adults in his life as a child with a dazzling, brilliant mind. as has been established, sokka is constantly displaying an ability to synthesize new information at a staggering rate, which likely means that before katara had even discovered her ability to waterbend, sokka was probably being fawned over for the impressive rate at which he was picking up new skills as a baby. since pretty much everything (cerebral, at least) comes easily to sokka, i can only imagine that hakoda, who never hesitates to express to his children how proud he is of them, would constantly affirm sokka’s intellect. and by boasting that sokka takes after himself (hakoda also refers to himself as a genius, completely sincerely), he unwittingly plants the first seeds in fostering sokka’s belief that he must be exactly like his father in every way, and that any deviation from hakoda’s image would prove him unworthy. but he will never be the spitting image of hakoda the way that katara is "the spitting image of kanna" because sokka is already the spitting image of kya, if not – perish the thought – his own person entirely.
unlike katara, who spent her whole childhood trying to waterbend by herself with little success (beyond, of course, isolated instances demonstrating her sheer raw power when her bending was being influenced by her incredibly strong and passionate emotions), sokka always felt like he could handle the amount of responsibility he was given, because everything came easily to him. until the day that his life changed forever, and suddenly the stakes were no longer abstract, but tangible and personally devastating. sokka had never learned that it was okay to fail as a child because he never had a reason to, and then suddenly, he could not afford to fail under any circumstances. failure of any kind went from being a (purely hypothetical) blow to the ego, to being something that could directly endanger the lives of his loved ones. and so sokka decides that the only way to not be culpable for his potential failures is to be a martyr.
of course, there are instances in which sokka is proven to be inept, such as on kyoshi island or with piandao, wherein his humility and open-mindedness are put on display and sokka puts aside his own standards of perfection to learn from a master, but i don't think these instances qualify as failures. for one thing, sokka happens to master the forms he is being taught in less than a day, at an unprecedented rate, and thus these initially humiliating blindspots in his knowledge become victories as sokka absorbs new knowledge. sokka is always eager to learn, and willing to acknowledge his lack of expertise in area, humbling himself to learn from others any chance he gets. no, what i mean by "failure" as it relates to sokka's self-perception and ego is not a lack of knowledge, but an inability to protect another. to sokka, his existence is defined by his ability to provide and protect, and thus, a failure is, specifically, when someone gets hurt under his watch. that is what it means to not be able to afford to fail. he is not overly proud (if anything he is overly insecure), but he also understands that the stakes of failure – real failure – are tangible.
so when it comes to failure that carries grave consequences, he would rather be dead than fallible (or, responsible for not adequately protecting his loved ones), one million times over. and so every time someone makes a sacrifice for him, he feels as if he has failed on a fundamental level, because simply being exceptional is not enough, he must also bear the entire world’s suffering alone – as (in his mind) hakoda instructed him to when he left him behind to protect and provide for the village. otherwise he has failed in his promise to be needed, which is his raison d’être. sokka’s complex is very obviously not informed solely by his upbringing as a “gifted kid,” and in fact largely informed by the dehumanizing logic of war as it necessitates sacrifice, but his inability to accept his own fallibility as a product of his self-dehumanization is, at the very least, compounded by his debilitating perfectionism.
thus, katara and sokka's dynamic within their family isn’t “gifted kid and neglected kid,” but rather “two gifted kids who are gifted in different ways, one of those ways being valued more on a cultural level due to its scarcity as a byproduct of genocide.” while katara was put on a pedestal her entire life due to her ability to waterbend, it doesn’t mean that sokka wasn’t put on a pedestal in other ways. if anything, the reason hakoda entrusted a child with the burdens he did was specifically because he put his son on a pedestal. sokka assumes that hakoda didn't think he was capable enough to join his army, but that couldn't be further from the truth. hakoda trusted his thirteen year old son so much that he genuinely thought it best to leave him alone with this duty to defend his village and protect katara at all costs. he didn't leave a single man behind, not even the other teenage boys, because that's how much faith he had in a child to take his responsibilities seriously and perform them competently. and if that decision gave sokka one million different complexes and fucked him up for life, it wasn’t because he wasn’t valued for his abilities, it’s because he was overvalued and given too much responsibility at too young an age.
both he and katara struggled to live up to the expectations placed on them, forced to fulfill the roles of their parents instead of being allowed to exist as children. but crucially, katara sees the injustice in that, and clings to her childhood even as she strives for greatness, and sokka simply doesn't. he's long accepted that injustice, and in fact feels guilty that he cannot better live up to the impossible portrait of an idolized father, an idealized masculinity, an illusory model of the infallible, unshakeable warrior. despite all his achievements and natural giftedness, he nonetheless feels totally inadequate, deeply flawed, and ontologically worthless. perhaps, in a world beyond the pressures of war and its dehumanizing logic, sokka would have internalized the praise he was constantly receiving his whole life for his gifts. but since he was only ever a prodigy in ways that didn’t matter (within that colonized paradigm), he doesn’t actually care about how clever and brilliant and creative and talented and unique and special he is, because that would first require him to see himself as fully human, and he can’t even do that.
#analysis#sokka#katara#katara&sokka#hakoda#kanna#kya#hakoda&sokka#kanna&sokka#kya&sokka#kanna&katara#whew...! 20+ paragraphs about sokka and katara’s childhood. it’s more likely than u think (highly likely at all times)#see but this is why sokka is so clearly a mirror to azula to me#like not just in terms of crippling perfectionism and devastating fear of failure and being a child prodigy who is put on a pedestal#but simultaneously dehumanized etc etc#but also the fact that like. zuko treats her the same way katara treats sokka#he clearly thinks his immediate hostility and aggression towards her is like. him nobly fighting the battle against his tormentor#when that is literally his little sister and she is struggling so much and desperate for support from LITERALLY ANYONE#katara and zuko are like ‘let’s put azula in her place’ and high five#and that’s just so fucking apt because they truly do believe that it’s their duty to put their perfect prodigy siblings ‘in their place’#but those are truly two of the most miserable people on the planet#so to any outside observers it’s just like………. why are you being mean to them they’re literally suicidal and shaking like a leaf#but also everyone already knows that azula is the prodigious gifted sibling bc zuko says it like one million times#so there’s rly no need to argue that#whereas katara loves calling sokka an idiot so i do believe that some clarification is in order#but like. yeah there’s no way sokka was dismissed or neglected as a child#he’s dismissed and neglected by the world at large#but within his tribe he’s like a mini celebrity . he’s their young sheldon (sorry)#anyway im running out of room to write tags but um. perfectionism is a disease get well soon xoxo bye
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