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#its a lot. but i think more people should know about it
genderkoolaid · 1 day
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hate to be that person but siwas rebrand is a deliberate thing to cover up the shit she put the children on her show through. aside from a kid with medical conditions being forced to continue practice even though she was bleeding from her belly button (she was told to just put a pad on her clothes to hide it and continue) she also ripped them off for a lot of money.
i wouldn't be surprised at all if it is deliberate. but that also doesn't really change my point. every single thing i've been recommended about this situation has been framed around her being Weird and Cringe. because people have been mocking his girl for her entire life & it just so happens that she has also done harmful shit which they can use to justify their obsession with mocking her. however genuine her feelings are wrt the new aesthetic, people are still more concerned with hating this girl they find annoying and weird instead of making a substantive criticism of her as an equal.
& i also think its important to point out that like. her mother seems to be the one dictating her business decisions? & i feel like its pretty easy to draw a line from her growing up on a famously heinous dance competition show to her acting heinous alongside her mom on her own show. this is not to say she's not responsible for her actions, but i also think its telling that she is the one who gets 100% of the blame while her mom isn't brought up?
like other child stars have also acted like assholes once they hit adulthood. with various motivations. and they aren't excused from their moral responsibility, but its also important to understand where they are coming from. i've seen people bring up that's she's perpetuating the cycle of abuse- which is true!- but like. has she even really had a chance to escape her own (potential, i dont want to put words to experiences i don't know about) abuse? why isn't more negative press directed at her mother, who set her up for this shit and is financially benefiting from it?
we can and should criticize former child stars but i think its vital we do so while understanding the kinds of vulnerable situations they can be in. & we should do so because we want them to grow as a person, not because we think they are Cringe and their harmful behavior is just a convenient excuse so we don't have to feel bad when we cyberbully them. i just don't see much compassion here, and i have never seen much genuine sympathy for jojo. if it is a coverup than all anyone is doing is helping them cover it up and being needlessly cruel.
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strawberrymochin · 2 days
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Springtime Fushiguros♪
Context-: exploring the memories of childhood of fushiguros, marking the spring time of you and satoru gojo.
Dentist :- Gojo suggests going to dentist to pull out Megumi's loose tooth.
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A lot of things bother Megumi fushiguro. The zenin kid has beef with pretty much everything, such as socializing, loud people, and gojo satoru.
He recently developed a new ick for anything sweet, after gojo's repeated attacks on his candies.
From the past few days, this list of megumi's discommodes has added a new hassle to deal with.
One of his teeth from his upper jaw has been annoying him for quite a while. First of all it was mild, almost not noticeable, thus he shrugged it off. Then, it got slightly inconvenient, the tingly sensation he would feel while eating or having a cold drink was irritating.
Though he still didn't inform anything about it to you, he thought the pain would go away naturally and it's maybe because he ain't brushing that hard.
And as the thought process of a 7 year kid suggests, last night he brushed his teeth extra hard thinking it might help and subsequently this morning he woke up with a pain even more worse.
Megumi came out of his room, which he shares with Tsumiki, he has been in his room for half of the morning pretending to be asleep, debating with himself whether he should go and inform you or maybe wait a bit more for the pain to magically disappear.
And when he finally couldn't handle it anymore, wanting you to get his of his problem he couldn't find you.
'Whatcha doin' kid?' asks gojo, closing the refrigerator, after taking out a bottle of water to sip. He had been noticing megumi for a while, going in and out of your bedroom. He assumes Megumi wants breakfast, opening the refrigerator once again to take out the carton of milk, the loaf of bread and the jar of jam.
'brush your teeth if you haven't, till then I will get your breakfast ready.' he says, winking at the kid proudly, thinking he's such a good guardian, picking up on megumi's necessities. After all he had spent $531 on buying all those parenting books aren't worthless. So what if, he had only read 6 out of those 57 books? He would have scoffed at toji, teasing him how he knows megumi better than him.
'I don't want breakfast.' said Megumi plainly, what? An invisible arrow passes through gojo's heart, how can he be wrong? He turns around with a swift motion, discarding the breads on the counter, which he was about to put in the toaster.
Megumi isn't even looking at him, he's busy staring at the clock. 'why won't you have breakfast? Are you implying that I can't even toast a bread?'
'maybe. Where are y/n san and tsumiki?'
'out for grocery—wait don't change the topic, what do you mean by mayb—' he was about to ramble on when he noticed megumi a little more clearly.
He walked up to him, bending himself to his level, pulling at his blindfold, eyeing him as he removes them completely. Megumi's one hand is cupping his cheek, while the other is curled into a tight fist.
'You've got a teeth problem?'
'how do you kno—ah—hurts...'
'yes! I knew it. My days of reading those books aren't useless.' he felt pleased at himself, wanting to perform a ballet right now. However he calmed himself, taking a look at megumi glowering at him.
'open your mouth wide, lemme see. Which one? This?' megumi nods at him, as he figures out, he has a loose teeth.
The first one.
'you've a loose teeth. It will fall out on its own.'
'HUH?!'
'it's normal. A new one will grow out from the bare spot.' He said pushing a bit at the teeth to see how loose it is.
'ahh hurts!'
'can't do much about that.'
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Megumi tucks at his sleeve, it's only been 15 minutes since gojo announced his teeth will fall out. 'what now?'
He stays quiet for a while, head low, then slowly murmurs, 'it hurts, can't you do something about it?'
'well then, open your mouth, lemme pull it out.'
'what! No!'
'you want then out right? This is the only option then.' gojo shrugs.
'.....'
'or else....'
'or else?'
'we have to go to the dentist. They will take it out with a tool, like an big sized tweezer. Let's go, shall we?'
'Hell no.'
'then lemme pull it out. Won't hurt much i swear. Open your mouth wide.'
'aaa—' Megumi opens his mouth hesitatingly, unsure what his Sensei might do, but he definitely doesn't want to pull it out with a tweezer.
'Megumi, what do you want for lunch?' gojo asks diverting megumi's attention, and before he could answer, gojo slowly pressures his index and thumb on his teeth plucking it out with little effort and a 'ow' from megumi.
'see here you go.' standing up proudly handing up his teeth in the air in victory, when megumi kicks him, 'ahh, what was that for?' he asks.
'you said it wouldn't hurt. Moreover it feels weird and blood is coming out.'
'you will get used to it. There's still a whole set of teeth to fall.'
Megumi's mouth fall wide open, at his sensei's words, he wishes the next time its you getting rid of it gently, like you do for other things. And not gojo coming up with more ideas to pluck his teeth off.
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You came home to a proud gojo, flexing megumi's first loose tooth, he pulled out. He even suggested preserving it with raisin as a memory. You chuckle as Megumi shows you the gap between his teeths and how weird it feels.
'hey babe! You know what, the next time he gets another loose tooth lemme use my cursed energy to get it out.'
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I’d love to hear your take on the rumour that Meghan wanted to sue for/believed the Duchy of Cornwall should be split 50/50 between the brothers and whether you believe there was any truth in it?
Initially I thought no one is this delulu but now I am not so sure…
So one of the things I’ve learned in tracking/following BRF rumors is that most of them have some truth to them. To me, that’s what makes this fun; digging as deep as I can to find out what that little modicum of truth is that makes it seem plausible.
I don’t know that the rumor Meghan wanted to sue for 50% of the Duchy of Cornwall is legit. For one, no lawyer (in their right mind) would take that case because it’s pretty settled in the law how succession and inheritance works. But never say never, right, because there’s always an ambulance chaser sniffing around. (That’s why Shakespeare said we need to kill all the lawyers first.)
But there are three things I see as being behind her (and Harry’s) belief that the Sussexes would get a cut of the Cornwall money.
One - Inheritance vs Succession
I do think she, and Harry, believed that they could get some kind of money from the Duchy of Cornwall because they probably saw it more as an inheritance, rather than succession. So usually with an inheritance, it’s split between children/relatives, so Meghan probably assumed that Cornwall would be split between William and Harry because it’s Charles giving away an inheritance versus laws about succession. (I’m not sure if that makes sense. I don’t really know how else to explain what I’m thinking about that.)
But it goes back to Diana’s insistence that the brothers be raised equally, and at some point there was probably a conversation or two where “everything William gets, Harry gets” implanted in Harry’s brain and he has really taken that to heart over the years, probably spurred on by Meghan’s own ambitions of “everything Kate gets, I should have too.”
Two - Magnificent Six
Charles’s ‘Magnificent Six’ plan/vision kicked off in 2012 with the jubilee - that the future of the monarchy was Charles, William, and Harry and their wives. William and Kate would focus more on the UK and Harry and his future wife would focus more on the Commonwealth. I feel pretty confident that those discussions Charles was having with his sons and the courtiers at that time would have included some kind of discussion about the finances and how the Commonwealth work would be funded. Maybe during those discussions something came up like because Harry + Future Wife would live at Kensington Palace alongside William and Kate, it made sense that his work would continue to be represented by Kensington Palace instead of being shifted over to Buckingham Palace so maybe there was some kind of deal that a portion of the Cornwall money would continue being allocated to Harry because if the arrangement worked, why break it?
(Remember, back when these discussions were taking place, 2009ish - 2013ish, Meghan wasn’t anywhere close to the picture so there probably were a lot of things promised to Harry, or that Harry expected, that were ultimately taken away when he did marry and Meghan did join the family because of attitude/behavior issues affecting the monarchy’s overall reputation and representation.)
Three - General Not Understanding of These Things
Look, neither Meghan nor Harry are details people. So chances are extraordinarily high that they never bothered to actually read the papers or understand the laws about how the titles, succession, transition, and accession actually worked. They just assumed that everything would stay the same or that they would also get Wales titles too. And we know that’s what they assumed because of all the PR the Sussexes kept putting out in the second half of 2022; stories about how they wanted to start using “Prince Harry and Princess Meghan of Wales” titles - someone out there in Montecito thought that “of Wales” meant children of the monarch, not that it was its own separate title/position.
And I wouldn’t be surprised if that lack of understanding (or sheer ignorance) also came with a heavy delusion that “inheriting” Charles’s “of Wales” surname also came with “inheriting” Charles’s money too.
So I guess long story short, the delusion is rooted in reality. It’s just a matter of figuring out what reality it is. Was there legitimately a plan for William to continue supporting Harry’s office post-accession with Cornwall money the same way Charles supported both of the sons with Cornwall money? Or did Harry promise
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v1xyboy9 · 1 day
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4Me 4Me - Matt sturniolo
♱✮♱⋆ ⋆♱✮♱⋆ ⋆♱✮♱⋆ ⋆♱✮♱⋆ ⋆♱✮♱⋆ ⋆♱✮♱⋆ ⋆♱✮♱
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♱✮♱⋆ ⋆♱✮♱⋆ ⋆♱✮♱⋆ ⋆♱✮♱⋆ ⋆♱✮♱⋆ ⋆♱✮♱⋆ ⋆♱✮♱
Summary: completely ghosting your ex boyfriend definitely helped you get over him…right ??
Warnings: 18+ MINORS DNI !!!, use of alcohol, weed, and nicotine, language, tiny bit of smut, switch!matt x Switch!reader, uses of pet names (baby, honey, sweetheart, pretty girl), not proof read, lmk if I missed anything
Word count: 5.8k
You and Matt dated for a year and ended up on bad terms due to your jealous toxic behavior and Matt’s possessiveness. For the first 2 months of the break up yall stayed in contact and still acted like a couple until you got a fucking grip and completely ghosted him on the 3rd month. You started going out a lot more and making new friends even flirted with a couple guys but nothing was truly helping that bit of emptiness that you still felt without Matt.
It’s now been 10 months since you and Matt broke up and 8 months since you’ve completely cut contact. You stopped going out as much you really just focusing on yourself and fixing your bad behaviors making yourself a bit cold and distant with everyone in your life, your friend even calling you “heartless” at one point. And maybe also you know tattoo therapy….
·:*¨༺ ♱✮♱ ༻¨*:·
Tara invited me to her party that’s tonight and of course I said yes, it’s been a while since I’ve seen her or even went to a party period.
Its was currently 8pm and I’m contemplating going now that I’ve been staring at myself in the mirror or a bit to long
“Yeah no I can’t wear a dress”
Everything about it was just unflattering and too feminine I change into some baggy dark wash jeans with one of those black rave star halter tops that literally only covers your boobs and the rest of it is straight up string
I accessories with a black BEBE belt , black and white tie dye beanie, studded cuff bracelets, and to finish off the look some black and white DC shoes. I also make sure to lift my thong a tad bit so you could see it poking out of my waistband
“Okay now I feel better”
I definitely started dressing less fem and more masc over these couple months but honestly it’s a nice change I personally think it’s made my style better
I check the time it’s 8:30pm and my Uber should be here in 5 minutes. I grab my phone, my vape, my penjamin, and my house keys. Lock the door and happily go outside and get in my Uber
·:*¨༺ ♱✮♱ ༻¨*:·
Pulling up to Tara’s party you got a bit of a qweezie feeling in your stomach but just brush it off texting Tara letting her know your here and step out of the car thanking the Uber then head inside.
It was loud and surprisingly dark you try to look around and see if you recognized anyone…..JAKE ! It was always easy to spot him due to his height. You head in the direction of Jake but also looking around to see if you know anyone else, you see Tana in the distance with her bf, Johnnie awkwardly standing next to Sam while he talks to Colby. It was nice to see your friends again you couldn’t lie you missed being out like this.
You finally get to Jake lightly tugging on his jacket for him to notice you, Jake looks down in confusion but breaks into a smile once he sees you
“Y/NNNNN nice to see that you escaped prison” he chuckles and embraces you into a hug
“Please don’t make me seem like a criminal Infront of people that don’t know me” chuckles “but thank you I really have Tara to thank though, speaking of her where is she ?”
“I actually do not know but maybe the bar knowing her”
Chuckles “yeah you’re right”
You turn in the direction of the bar and sure enough you see her tiny self
“God damn y/n how many tattoos did you get within these past couple months, your more covered than me”
You look around confused for a second then realized you never posted about your tattoos when you got them
“Oh shit right dude honestly um I thinkkkk twenty, cause I have 28 in total right now and when we meet I only had 8”
“Your crazy”
“Says you you also have a fuck ton of tattoos”
“Yeah but mine are small patch work you’res is like HUGE”
“If you think any of these are huge then you should see my most recent tattoo it goes down my whole leg”
“Your actually insane now go see Tara cause she has something for you”
He lightly pushes the small of your back in the direction of the bar which you moved heading to where Tara is your anxiety spiking for some reason you take a hit of your vape and continue
Tara sees you coming her way and started squealing in excitement and runs to hug you and you hug her back of course
“Ughhh you don’t know how much I’ve missed you you really went all ghost on everyone for so long” she looks you up and down “like look at these tattoos most of these weren’t here a while go” she chuckles “you look so hot though maybeeee might get a guys number you neverrrr know”
You laugh at her teasing blushing a little bit
“Nono I’m really not here for that I just want to have a good time you know that”
“Hehe okay we’ll take a shot with me pleaseeee”
“Just one”
“Three”
“Two”
“Fine two”
“Give me a chaser bro I am not taking these straight”
Tara laughs handing you her Diet Coke “Go first”
I throw back both of the shots then chug down the coke
“Uhhh fuck I hate alcohol so much”
You Take a hit of your vape and pen
“Smoking is also bad for you, you know”
“Yes but I much rather kill my lungs then my liver thank you very much, also Jake said you have something for me what is it”
“Oh yeah um it’s not a gift or anything but more like someone gave me this to give back to you, open your hand”
You give Tara your hand while she places something in it
“Promise me not to get upset”
“I can’t promise anything Tara but I won’t make a big deal out of it”
“Okay”
·:*¨༺ ♱✮♱ ༻¨*:·
She moves her hand, it’s a ring and bracelet…. Matt’s ring and bracelet that I gave him when we first started dating.
“Well that sucks it’s the one thing I wasn’t expecting coming from him, give it back to him they’re his not mine”
“Give it to him yourself y/n it’s been 8 months”
“Yeah I guess right…”
Tara smiles a little
“Okay well let’s not worry about that now let’s have fun”
·:*¨༺ ♱✮♱ ༻¨*:·
Nick pov
“MATT YOURE COMING INSIDE”
“NO IM NOT I BROUGHT YOU AND CHRIS HERE NOW GET OUT”
“I’m tired of your depressed self you never have fun, ever since y/n broke up with you, you’ve been MISERABLE and I’m tired of it, it’s been 8 months officially, tighten the fuck up and get over it”
“Matt you even got ready JUST GO IN you act like we’re gonna see y/n, I tell you all the time that women has CHANGED for the better at that. she doesn’t go out anymore she’s a homebody and on her work grind dude”
“I don’t understand why you still talk to her”
“She didn’t want too for the longest but I made her stay my friend cause I didn’t wanna lose a good friend cause of my brothers possessives and his own problem’s”
“She also had things wrong with her”
“NO SHIT MATTTTTTT SHES THE ONE WHO NOTICED THAT AND DECIDED TO END IT”
“Matt come on dude you’ll be with us the whole time”
“I do not wanna go”
“You are not about to miss ANOTHER Tara yummy party now get your ass out of the car, NICK GRAB HIM”
I hop out of car and open the driver door and pull Matt out the car while Chris pushes him out, Matt is extremely pissed off
“OKAY JUST GET THE FUCK OFF ME”He straightens himself out
“Okay we can go inside yall are so annoying”
“Wait Matt where is your ring and bracelet?”
“I guess I just forgot them”
“You fucking idiot”
I could tell he was lying it’s not hard to tell he always wears them and he was fidgeting with his hands way to much
My phone vibrated in my pocket it was from y/n
“Nick are you at Tara’s party ?”
“About to go in why !?”
“Im coming outside”
“WAIT YOURE HERE ?!?!?”
“Um yeah Tara invited me??”
“Stay inside”
“Now why the fuck would you tell me to stay inside?”
I look up from my phone to see y/n coming towards us with a confused look on her face
“Oh fuck”
My eyes dart to the side looking at matt for the second, she turns her head to look at him then tilts her head
“Oh That’s why, well I came to give you Matts bracelet and ring back but since he’s here”
She walks to him and places Matt’s bracelet and ring in his hand
“Next time don’t send someone else to do your dirty work Matthew I know you’re not weak like that”
“Y/n I-“
“You don’t have to explain yourself Matt I don’t need to know, it was good see you three, I’ll be going inside now if you’ll excuse me”
We watched as y/n walked back inside
“Now if I must say y/n has only gotten more attractive, holy fuck even the way she composed herself”
“Chris shut the fuck up” I start “well is that what you wanted Matt”
“Her tattoos…holy fuck”
“Oh my god your not even paying attention”
“I am I am but what the hell why did she only get more attractive and I’ve gotten less”
“Your not ugly your a very handsome boy”
“Yes a very attractive young man”
“Okay yeah but COMPARED TO THAT no dude I just fumbled”
“I mean not really yall where toxic asf nearing the end of it”
“Yeah but she’s changed”
“And you haven’t soooo let’s move on with this conversation and get THE FUCK inside please and thank you”
·:*¨༺ ♱✮♱ ༻¨*:·
Y/n pov
I run back inside to find tara and grab her by the arm
“Matt is here I ran into him by accident”
“Girl huh how?”
“Nick told me he was outside so I went to give him Matt’s stuff but he was literally right there I just gave Matt his stuff of course but I spoke to him but I feel like I was super harsh with it”
“Girl breathe… talk to him literally what is the harm it’s been 8 months I’m sure he would understand also it’s not like you like him still”
Bats eyelashes blank stare
“Oh you’ve gotta be kidding me y/n”
“IM JOKING IM JOKING but I do wanna apologize to him for everything cause it was mostly my fault”
“Okay but wasn’t he like overly possessive”
“Yeah… but I always pushed his boundaries with that shit and was always insecure and made him not have any privacy like I definitely need to apologize to him more than he does to me”
“Instead of telling me that why don’t you just go”
“Heeehhh let me go hotbox the restroom and enjoy my first thennnn I’ll go talk to him later in the night”
“Might as well get another shot in while you’re at it”
“Ugh fineeee just because I know your gonna bother me about it anyways”
·:*¨༺ ♱✮♱ ༻¨*:·
Its 10:35pm now your a bit more drunk then you would like and you where also a tad bit high as well.
You feel all sweaty and crammed now kinda wanting to go home now but you still wanna talk to Matt so you go to find him. you stumble apon chris first though he was sitting and talking to colby and his girlfriend Malia
“Hmm chris have you seen matt?”
“I havent actually why”
“I wanna talk to him”
“y/n youre drunk”
“Yes i know chris im not gonna do anything stupid trust”
“Hmm dont know if i should”
“He going into the bathroom right now” colby spoke up
“Hehe thank you colby also Malia you look absolutely gorgeous”
“Thank you y/n” she giggles
“Hmm of course”
You very joyfully head to where that bathrooms are and stand there and wait for matt to come out, getting more nervous you hit your pen
“You waiting for someone beautiful”
You look up and meet eyes with a guy youve never meet before, you look at him confused
“Random flattery wont work on me”“Awe come on you wouldnt dress that way for no reason”
“What are you implying exactly huh”
“You know what i mean look at you” he goes to grab your waist and you back up
“Hm okay well imma give you two options now. 1. Leave and dont bother me again, or 2. Continue to harass me and i make a scene”
“Awe come on a pretty girl like you shouldn’t be threatening no one” he went to brush your hair behind your ear but you slap his hand away
“Try some stupid shit again dawg”
“Awe what you think you all tuff i bet i could bend you over right here and fuck that attude out of you”
You spit in his face “lmao the fuck you think you are”
“YOU BITCH” he pushes you hard against the wall winding you
Just in the blink on an eye you see matt grab the dude by his collar his slam him against the wall “watch your fucking mouth and if see you put your hands on any women again ill wont just slam you against a wall next time, patchetic excuse of a man” matt lets go of the guy looking over at you worried then comes over too you
“Are you okay ?”
“Yeah i didnt feel it tbh im a little to drunk”
“Um can i jus-”
“Wait no dont say anything can we talk outside i really need to talk to you”
“Um yeah lets go to the van”
·:*¨༺ ♱✮♱ ༻¨*:·
You both head outside and get in the van at first it’s just silence between yall until Matt clears his throat so you speak up
“it’s been a while since I’ve sat up here”
“Yeah it’s one think Chris doesn’t have to worry about anymore”
“He must of loved when I stopped coming around huh”
“Only for the part he didn’t have to fight anyone for front seat, he misses messing with you he really sees you as a older sister y/n”
You didn’t even hear him you were too much in your head which lead to word vomit
“I’m sorry for everything, I was a pretty shitty girlfriend I never had trust for you even though you gave me no reason to feel like that I had a lot of mental health issues going on and I pushed everything onto you and it just became more and more toxic cause my jealously and insecurity’s only grew… I truly am sorry for everything”
There was a moment of pure silence which scared you a bit until Matt let out a light chuckle
“I see that you’ve gotten way better at talking about your feelings”
“Yeah it’s called get on anti depressants and getting help”
“Oh shit sorry..”
“Nono oh my god I was joking about the anti depressants, I am on ADHD medications now though” you laugh and how easily he believed you
“You’re an idiot”
“Youre a bigger one”
“Shut up”
“Hey, don’t catch an attitude with me Mister” you grab him by the chin making him look at you then let go
“Okay I’m sorry I take it back, but I do wanna say I still can’t apologize to you about how possessive I was cause well it hasn’t changed, I thought it was cause well I haven’t had any interest in anybody but no… seeing you again especially with other guys it gave the same feeling in the stomach that it did back then as well”
“Matt can I ask you something”
“Yeah of course ?”
“When we were together what was i for you”
He looks at you confused but then just sighs
“Everything. You made everything just feel so perfect nothing was bothersome anymore all my thoughts would leave my head I was just happy… anytime I was away from you all I was waiting for was you to text or call me once you weren’t busy anymore or asleep, everything revolved around you because I wanted it too, you felt like my true safe place… and when you ghosted me it honestly ruined me.
“Matt…”
“I thought it was some kinda sick joke at first but even Nick and Chris couldn’t get through to you.. it felt like my whole world crumbled down. After the first week I got a little better since Nick forced you not to break contact with him and Chris just because of me, I’m pretty sure neither of them told you this but sometime when you would call them they would have the phone on speaker just so I could hear your voice…it was the least they could do they said cause they felt bad”
“I’m sorry Matt I didn’t know it affected you so much…but I do remember on the 4th month of having no contact with you Nick called me at like 3am asking me if I could just get back with you could shut up but I didn’t know what he ment at the time”
He looked confused for a second but then it clicked
“I woke him up one night cause I couldn’t sleep and just complained about how much I missed you”
“You know I unblocked your number on the 4th month right?”
“Huh no what ?!?”
“Yeah I unblocked your number a while ago totally not to see if you would call me or something…but since you didn’t I just assumed you were over it at that point, it lifted a weight off my shoulders but now knowing that wasn’t the case, I’m sorry”
“Hm don’t apologize you didn’t know”
“I still feel bad” you pout
“Wipe that pout off your face you look ridiculous”
“Ugh you’re still so mean when I pout”
“Uh yeah your not a kid don’t baby yourself”
“I don’t even mean too you know that”
He laughs resulting in you taking a hit of your cart and exhale in his face, he waves the smoke out of his face
“Rude”
“YA MOTHER, actually I take that back I love your mom so much”
“She actually asked about you last week well she asked Nick not me”
“Awe did she really?”
“Yeah she asked when you would come to visit her in Boston”
“What yall tell her?”
“Nick told her that he would ask you”
“He never did ask”
“Oh well um when would you wanna go see her and dad?”
“Next time yall take the trip out there I’ll go with yall”
A huge smile plasters across Matts face, he uses his hand to cover his face trying not to seem more happy then he needed to be
“Yeah okay, I’ll let Chris and Nick know and we’ll figure out a week to go”
“Okay perfect, I’m actually kinda excited I haven’t been in forever”
“Does this mean we’re back to being friends?”
“Absolutely” you give him a bright smiles “just make sure to not go back into bad habits, I’ll make Nick go off on you”
“Yeah yeah whatever”
“I’m serious Matthew”
“I promise I won’t go back to my old bad habits”
“Pinky promise”
I hold my pinky out so Matt can interlock his but got distracted by the feeling of the car door opening behind me, it was Chris
“UGHHHAHHHHHH MOVE”
“Chris back now don’t even start”
“She just came back and I already have to sit in the back”
“She’s a women she gets front, go”
“Ughhh”
Chris dramatically closes the door with a big huff then gets in the back with Nick
“Sorryyyyy”
“You’re not sorry you have a full smile on your face”
I couldn’t help but giggle, I missed this to be honest.
“Okay let’s get y/n home and then call it a night huh”
·:*¨༺ ♱✮♱ ༻¨*:·
Almost 4 months have passed since the party, you started hanging out with the triples more often even if it was just to sit in there house and do work, Nick wanted you up and out of your house even making you run errands with him and Matt just like yall use to. You were mostly with Nick and sometimes Chris for the first 2 weeks but gradually starting hanging with Matt more often weither it be watching a movie together or just talking about a topic over a meal.
After a month has passed yall started going on night drives together sometimes it wouldnt even be days you were at the house he would just randomly come by your place and tell you to come downstairs. Matt always knew you enjoyed listening to music and driving around at night and it was a nice way to catch up more, matt even opened up a bit more about his insecurities and internal struggles
Now going into a new month the boys planned a trip to Boston to visit their parents and of course you’re going along, you’re currently all packed and waiting for Matt to get to your place your legs bounce with anxiety but also excitement, you haven’t seen there parents in a while
Soon enough Matt texted you that they were here, you quickly headed downstairs seeing the van putting your luggage in the back you could hear Matt screaming at Chris to get in the back, Chris gets out of the front with a huff and gestures at you the get in
“Let’s go passenger princess we don’t have all day we have a flight to catch”
“Chris just shush”
·:*¨༺ ♱✮♱ ༻¨*:·
It’s now 6pm, trip there was nice no difficulties or anything except for Chris trying to scare you while on the plane resulting in Nick and Matt silently yelling at him cause he made you scream super loud by accident. once getting through all the airport security and whatnot yall where finally able to get outside, Nick ordered a Uber for yall while yall waited. You’re still a little tried leaning your head on Matt’s shoulder
“Y/n?”
“Hmm?”
“You okay?”
“Mhm just still tired, sorry”
“It’s okay, you can take a nap in my room when we get to the house yeah?”
“Can we eat first?”
“Mom knows we’re coming she said she’s making us dinner so you’ll eat don’t worry”
He tucks your hair behind your hair and kisses the top of your head, only recently he started being physically affectionate with you again and your fine with it he knows your boundaries
Soon enough the Uber gets there and yall head to the sturniolo household
Once there the boys head in first and you follow behind them, Mary Lou ignored the boys and engulfed you into a big hug
“Ohh honey how have you been”
“I’ve been good, how have you been?”
“Oh honey you know the same old same old nothing new around here, I’m glad to see you again I thought I wouldn’t see you again after Matt told me yall broke up”
“I thought the same thing to be honest but everything is worked out now, I’m glad to see you again and doing well”
“Same to you”
“Ayeeee look who it is, my daughter in law that’s technically not my daughter in law anymore but still definitely is to me”
You laugh at jimmys comment before he gives you a small squeeze
“It’s nice to see you again sweetheart”
“Same to you”
“Okok whatever y/n isn’t important what about your sons?”
Of course Chris had to speak up, you see Matt rushing back downstairs you didn’t even see him go upstairs
“Your stuff is in my room if you need anything”
“Thank you Matt”
“Mhm of course”
·:*¨༺ ♱✮♱ ༻¨*:·
It’s been 3 days since yall have been in Boston it’s been a lot of family time and catching up, you’ve been sleeping in Matt’s room on his bed while he continues to protest to sleep on the couch in the living room even though youve told him multiple times that its okay for him to sleep with you.
Its currently 8pm on a wednesday evening its just you and matt in the house chilling in the living room. mary lou, jimmy, chris, and nick went out to a small get together with friends. Matt didnt wanna go out which is common, you stayed because well your not from boston and dont know anybody theyre going out with plus you really wanted to catch up on your reading since your behind.
You get up from the couch to stretch
“Imma go take a quick shower”
“You showered yesterday though?’
“Imma just wash my body off not like im washing my hair”
“Hm okay have fun”
“I guess??”
You giggle as you walk away genuinely wondering why he seemed annoyed by you going to take a shower. You clip your hair back then grab some jammies and your hygiene stuff then go to the restroom to take your quick shower. You lied about the the quick shower you actually ended up doing an everything shower minus your hair cause you felt like it, it still wasnt super long only 20 minutes. After drying off you slip on your black lace panties and your junji ito PJ pants over them, tossing on a black spagettii strap not bothering to put a bra on, You also do your skin care then clean up and head back to matts room putting your dirty clothes in the basket you and matt are sharing for the time being.
You grab your headphones, penjamin, reading glasses, and book from your bag then get comfortable on matts bed putting in your headphone and connecting them to your phone choosing your reading playlist, opening your book placing the book mark next to you and put your glasses on, finally taking a blinker cough your lungs out a bit and now ready to get completely immersed in the book.
Its been 20 minutes since you finished showering matt figured you would comeback downstairs once your done but youve been gone for 40 minutes now and it was bothering him so he went upstairs to his room to see you peacefully reading on his bed not even noticing that he walked in, he decided not to bother you and just grabbed clothes so he could go shower as well leaving you be for now until he was done.
·:*¨༺ ♱✮♱ ༻¨*:·
I picked up my phone to check the time its 7:27pm youve been reading for a little over an hour now, you take a quick stretch then sit back down to continue reading
“Damn you still reading?”
“Oh hm?”
I look up from my book and see Matt shirtless with grey sweatpants on and damp hair. I could feel my face heating up
“I came In here earlier and you were reading I figured by the time I finished my shower you would be done, didn’t know you wear glasses though when did that start”
“Oh. Um they’re just reading glasses I’ve had them for a while now but I never really read but now I use them all the time”
“Can you look at me and point your finger up”
Confused but curious I do as he says, he takes a picture and starts laughing
“You’re so cute”
“Oh shut up, let me see”
“I’m being serious”
He walks over to me showing me his phone with a stupid smile on his face
“I look so stupid”
“Erm actually looking ahh”
“SHUT UP”
“I’m kidding I’m kidding, I think you look very beautiful with your glasses”
He places his hand under my chin making me look up at him threw my glasses
“Don’t look at me with those eyes sweetheart”
“Maybe keep your mind out of the gutter, I’m just looking at you Matt”
He chuckles and lets go of my chin
“Well I’m headed back downstairs enjoy the rest of your night”
“Matt for the love of god can you just stay up here with me”
“Naw naw I don’t wanna bother you”
“Matthew Bernard sturniolo please stay with me”
I don’t know why I’m begging, but I just wanted to be with him I wanted it to feel like old times I don’t want him to put that space between us anymore, I just want him again.
“Are you sure?”
“Matt I swear to god-“
“Okok I get it I’ll stay”
“Okay, I’m almost done with with book though so give me like 5 minutes”
The moment I pick up my book he takes it from my hand and places it in a higher spot where I can’t reach
“You’re done reading cause I’m bored and cause I said so”
“Fine”
I take off my glasses as Matt crawled into bed with me, cuddling closer to him he wraps his arm around me and plays with my hair
“What’s going on sweetheart, what’s going through your head”
“Nothing why do you think that ?”
“Well it’s just that this is the first time we’ve done this In a long time so you know”
“I just wanna be close to you I don’t know, I’m comfortable around you”
“Glad I make you feel comfortable”
He kisses my forehead continuing to run his fingers through my hair, I drape my arm over his chest scooting myself closer to him
“Matt.”
“Yes?”
“Is it bad that I don’t wanna let you go ever again”
“No, cause neither do I. You’re so important to me on so many levels just those 8 months alone went to show me that I was miserable without you”
“I’m sorry”
“Don’t apologize, you did what you had to do and guess what you learning and progressing also helped me out you know”
Just watching him talk made you smile, Matt in general makes your heart feel warm
“Matt can you kiss me?…”
“Woah..y/n I-“
“Nevermind sorry that was to mu-“
Matt cups my cheeks and places a small peck on my lips then looks at me for reassurance, I nod my head. He pulls me into another kiss it’s slow but passionate just like it’s always been, I began to move myself from my side to the middle to straddle him, my thighs on either side of his body directly placed above his slowly but surely growing erection. I break the kiss, Matt places his hands on my thighs looking up at me
“Are you sure about this”
“If I wasn’t I would tell you”
“Hmkay just making sure baby, is it okay if I mark you”
“Only if they’re hidden”
“Can I make just one of them noticeable?”
“If you buy me the pair of shoes I’ve been wanting”
I said it as a joke cause Osiris NYC 83 skate shoes are 1. Expensive and 2. Lowkey hard to find especially the color ways I want. Seeing a smile spread across Matt’s face told me that he already bought me the shoes and I should have come up with a better deal.
“Whatever your thinking in your pretty little head in correct”
He flipped us over him now being on top of me
“Safe word is meatball”
“Matthew you’ve gotta be kidding me”
He chuckles and kisses my neck
“I’m joking sweetheart gosh, you know it’s always been strawberry nothing has changed”
·:*¨༺ ♱✮♱ ༻¨*:·
He carefully takes the clip out of your hair throwing it across the room, he kisses the side of your lip slowly going down peppering kisses over your neck he lightly bites down on your collarbone earning a whimper out of you
“Ow Matt”
“Sorry baby”
He kisses where he bit soothing his hand over it with his other hand slipping it under your shirt
“Can I take this off?”
You nod your head
“Words sweetheart”
“Yes”
“Arms up”
He easily slips your shirt off again tossing it across the room
“No bra?”
“Shut up”
“Yes ma’am”
He kisses down your chest to stomach leaving marks every once in a while, coming back to your lips giving you a small peck
“My pretty girl”
Your face heats up in embarrassment making you cover your face with your arms
“Awe come on don’t do that baby, let me see your pretty face”
You put your arms down
“There’s my beautiful girl”
“Matt just fuck me”
He chuckles “your so impatient I’m just admiring you honey, it’s been too long also just look at these beautiful tattoos on you”
He traces the stars that go down your left ribs, you squeeze you thighs together at this point everything Matt is doing just feels like teasing
“Do you really need me that bad”
“Oh shut the fuck up”
Matt slides his finger under your waist band
“When is the last time you’ve came y/n”
“Matt don’t make me answer that”
“No I wanna hear the answer”
“Matthew”
“Yes sweetheart”
You sighed knowing damn well he wasn’t gonna let it go
“The week before I ghosted you”
“Hm that was also the last time we had sex isn’t it?”
“Yes now shut up and just fuck me Matt please”
“At least you said please”
He quickly pulls down your bottoms panties included, Kissing down your stomach once again until reaching your pussy giving it a light peck
“Already wet huh?”
You close your legs around his head, you notice his eyes scanning over the tattoo on your under right thigh
“Yeah and what your gonna do about it ??”
“Eat you the fuck out”
(I would write full smut for yall but I’m genuinely so bad at it..)
·:*¨༺ ♱✮♱ ༻¨*:·
Now naked cuddling in bed together watching SpongeBob while Matt plays with your hair making you doze off a little
“You tried sweetheart?”
“Kinda”
“Let me get some clothes on you then we can sleep yeah?”
“Yeah”
Matt grabs you a pair of his boxers and a shirt of his
“You got it or want me to do it”
“I’ll do it just throw on some boxers please, I love you and your body and your dick very much but please cover it up”
“Repeat what you said”
“Throw on some boxers please”
“After that”
“I love you?”
“I love you too”
He puts on his boxers while you slip on your as well and put his shirt on, he lays back in bed tacking you in the process
“Does this mean we’re back together?”
“Don’t rush it pretty boy ask me again in the morning and I’ll say yes as of right now though let’s sleep”
“I love you so much”
“I love you too Matt, I won’t leave you again I promise”
“You better you know much I hate when you leave, just stay”
·:*¨༺ ♱✮♱ ༻¨*:·
Ragghhh hihiiii um this is kinda an authors note i guesss sorry if this is kinda wack shit I had writters block for 8 months and this is my first writing coming out of it so be nice 3:
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ldrfanatic · 3 days
Note
speak nowww
Slytherin Boys as Speak Now Songs
*in perspective of their relationship with you AND their personality. and why*
here's speak now (tv ofc), 1989 is on the way; which taylor swift album should i do next?
(mattheo riddle, draco malfoy, theo nott, lorenzo berkshire)
slytherin boys masterlist nav
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mattheo riddle as Better Than Revenge
best lyric(s) - "she should keep in mind there is nothing I do better than revenge" + "she underestimated just who she was stealing from"
explanation - so, as stated in ttpd version (here), mattheo has a lot of pent up frustration and anger. so he's really good at getting back at people. especially when he gets into a relationship with a partner he really cares about and they ask him not to be mean or attack people for no reason. then he has to channel all his efforts into just getting back at people who bother him. (even though sometimes bothering him is just looking at him even slightly sideways).
w/ his partner - with his partner, mattheo has absolutely no regrets or qualms about being an absolute menace to society. since he began dating them, he's been much less volatile than his normal self, but whenever people get a little too cocky and do absolutely anything at or to you, all bets are off. then mattheo feels that its necessary to step up and remind people that he's still the dark lord's son and he will be the dark lord's son if he has to.
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draco malfoy as Speak Now
best lyric(s) - "don't say yes, run away now, ill meet you when you're out" + "horrified looks from everyone in the room but i'm only looking at you"
explanation - I feel like draco is the kind of guy who would totally 1000% crash your wedding if you were ever marrying someone other than him. (*I just read this theo fic abt him crashing readers wedding, ill try and find it and link it here*) But anyways, he would totally crash your wedding. like at first he would feel really bad for even thinking about it but then he would legit just stroll into the chapel like "you can't marry him, you're supposed to marry me" even if he like never mentioned anything about his feelings for you. he mentioned them in his way aka glaring at you slightly less intense than he does everyone else. how could you not notice that he was in love with you?
w a partner - def more silly and cute than anything, but i like to think that when you first started dating (esp if youre a gryff or a huffle) draco would make it his personal mission to embarrass the hell out of you by saying the most out of pocket things in front of like the other slytherins or just in the middle of class as loudly as possible. he just likes to see the little blush on your cheeks whenever he says something that he most definitely should not be saying out loud.
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theodore nott as Electric Touch
best lyric(s) - "all I know is this could either break my heart or bring it back to life" + "I'm tryin hard not to look like I'm trying"
explanation - theo is that guy thats scared of commitment. (sorry to all the theo girlies me included but we gotta admit it at some point). it's not that he doesn't care about his partner, it's just that he's terrified of commitment. there's way too much that could go wrong. he learned very early on that you could do everything right, love someone completely, treat them wonderfully, and then they could just die. but bc his mother passed at such a young age he has a very distorted point of view on this because in his head, he's like but what if they just die???
w/ a partner - that being said, when theo finds that person that's like the one for him, he wants to commit so bad. and he puts all of his effort into it, like he'll call you his girlfriend, he'll spend an exorbitant amount of money on you, he'll even buy you a damn ring, but he won't let you get emotionally close to him. and it kind of freaks him out when he finds himself wanting you to know him in that way. when you finally confront him about one day and he's like, what if you just like died?? and you're just sitting there across from him like '...'
theo, wtf? i'm not just gonna like keel over one day.
after that he kind of lets you in a little and after a few months when he's sure you're not just gonna suddenly fall over, then he's completely fine and continues on like nothing ever happened. (its a little amusing in the hindsight of it all)
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lorenzo berkshire as Dear John
best lyric(s) - "don't you think 19's too young to be played by your dark twisted games" + "cause you burned them out, but I took your matches before fire could catch me"
explanation - I don't think it's really talked about enough how much emotional support that enzo needs. his own family aside, he still grew up around death eaters and that surely cannot be healthy for a guy. so when he finally is an adult, i like to think that he looked into some kind of therapy option wizard, muggle, or otherwise. i think that he probably also struggled a little with the friends that he lost during the entire ordeal that he wishes he could've saved (almost like survivor's guilt)
w a partner - so when it comes to a partner, i really think that he needs someone who sees him. that's really important to him that he's with someone that he could just let go with and not have to worry about always being either grinning or stonefaced. He'd like to be able to feel his entire range of emotions without hindrance and he's only really gonna feel safe to do that with a partner.
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4.25.24
wc 960
taglist @moonlightreader649 @svt-dk97 @thatdammchickennugget @helendeath @fandom-life-12 @bouquetolegoflowers @maryvibess
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ruershrimo · 17 hours
Text
take me back (take me with you) | f. megumi x fem! reader | chapter 6: beginning
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ao3 link for additional author’s notes | playlist | prev
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chapter synopsis:
'“Why else do you think I am the way I am? I may be shy and scatterbrained, or a horrible woman with a muddled sense of morality or what I think should and should not happen, when in reality it’s just what I want to happen. But this is why I’m so resolute, and so stubborn. This is why I love you so fiercely. All mothers are like that to some degree, even if my own would never let me bear witness to it.”
You haven’t told her you love her too in years.'
'And Itadori seems… like a good person. I think it’s good, that… you were able to find a friend like that.”
“It was. He’s a really, really good guy.”
“You love him a lot,” Megumi says.
---
You and Megumi set out to prevent an emergency involving Yuuji and a cursed object. Unfortunately, that doesn't happen. But at least everyone is fine in the end, even if it means you'll have to walk away from almost everything (or maybe it's the other way around).
You're going to be all on your own. Still, now it seems like this will hurt less now.
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word count: ~8k; tws: none for now :)
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17-6-2018 
The two of you walk down the lane. It’s midnight. There’s a loitering silence in the air, no words exchanged between you and him, and it twists your heart in brief moments of hurt when you’re not trying to keep your mind occupied with other things. Your legs move subconsciously without you caring to think of them, the route to the hospital ingrained in your mind as if intrinsically there. 
At some point, you think your hand with its sweat and its grip is going to leave imprints like a marring on his skin, but it’s of your own selfishness that you choose to hold onto his wrist anyway. 
There’s a million things you could say to him right now, things you’ll forcefully push to the very back of your throat, things you’ll keep under lock and key in a mangled mix of quiet anticipation and sombre anxieties. Right now you’re holding his wrist and that’s enough for you, to have him walking behind you if not beside, to be two people near each other— not together— in silence since any conversation is not an option; any conversation could lead to the last spark needed to be fanned into the flame for it to erupt bigger and brighter than ever before. 
If you asked about Tsumiki right now, or why either of them never bothered to speak to you since 2016, it could break you apart, of that you’re sure. And even without words it threatens to do so to you like a chandelier of melting wax candles hanging above you being suspended precariously from the ceiling or light lightning soon to be thrown down mercilessly from the sky. 
“The turning to Sendai Hospital is on the right.” 
“I know the routes better,” you let out, and rather disappointingly it sounds brasher and more derogatory aloud instead of the unobtrusive tone you were aiming for— you hope it doesn’t hurt him but then wonder why you still even cared that much about how he felt about what you said or did anyway, “I got myself accustomed to taking the one on the left that leads you through. Quick shortcut and all.” 
You’re not looking back, but the light pull of his hand from the hold of your wrist seems to suggest his slight reeling back in a small sense of surprise and an equal amount of shock, as if suddenly remembering the fact you were your own person, that you had your own autonomy as one, because somehow everyone thought you weren’t. 
It’s strange to look back at how you were before: meek, timid. Too shy to speak up. Too innocent to be angered by anything. Always dreaming, mind bleary as if on a cloud in blurred skies, hiding behind the backs of others like a petrified forest critter. 
And now you’re this— this person who frowns and disagrees and retorts at every little thing, and as much as you have to, as much as it was nearly inevitable the way you turned out, all you can think you share with the person you were when you first met Megumi and Tsumiki was your need to be useful— and even that has been exacerbated by how you’ve grown, how you’ve become this person you grew into. And a part of you— no, just you as a whole— doesn’t like yourself at all. 
Your father was right. That little girl was hopeful, obedient, kind, caring— you don’t know why even then you were dissatisfied with the way you were, or why your dissatisfaction would matter because at that time you’d cared so little about everything besides caring for people and having fun with the pair of siblings that you were so rarely bothered by it, that it was still just a slight whisper from the back of your head that could be shushed or tuned out with library visits and nights in front of the TV and the glow of old cartoons. Your father was right and this is proved even more by the fact that the whole situation just infuriates you on the surface, and just makes you feel like an empty, hollow shell left behind when you reach deeper into yourself. 
That little girl had potential, potential to be useful but kind, obedient and close to the people who raised her even if it meant abandoning her own ideals. But you’d been so devoted to them, you think, that she was killed and destroyed in the world she grew up in, and now there’s a space for her that’s left vacant due to the way she wasted away. You miss her, the girl you once were, you miss being her, how easy and lighthearted everything was and how all of you felt so content in every sense of the word. But you don’t want her back. Now that’s just what makes you miserable sometimes. 
Self-reflection just made you feel revolted by yourself. You keep your eyes on the road. 
“It’s here,” you state, pointing at the building in front of you. 
Sendai General Hospital is an institution made out of bare concrete. Its walls are yellowed and close in on its wards like a prison, coloured using old paint that hasn’t been repainted over and is as pallid-looking as the skin of the people sitting on the beds it is inhabited by. Just being in it feels like a hit to the body and the brain and the senses, too. There are old-fashioned tiles on its floors, their pale beige hue muted yet the blinding shine on them harshly mopped clean. Inside it reeks of an imminent presence of sickness or death or illnesses and conditions never to be able to be defeated and sterile sanitisers. Looking at the latex-blue curtains in it feels like a blindfold unwantedly, forcefully pulled over both your vision and your ears. 
“You and that Itadori seem close.” 
“We are,” you say, then you add, not really knowing why, “He’s my best friend.” Maybe you’re trying to make him jealous, rile him up a bit. But even then you wouldn’t want him to be riled up, nor would you be satisfied if he were to keep silent. Maybe you just wanted to hurt him, to hurt him back or something, if only for something small, even if you’d already resolved not to do so. 
You’ll make sure not to do that again, though. 
Instead he does something else, takes another route instead. “Then it seems you visit his grandfather often.” 
“Uh-huh,” you nod as the two of you enter the hospital, and you have to blink a few times as always in order to adjust yourself to the light and how it reflects off the detachedly clean floor. “My mother’s here, too.” 
“Oh, I’m sorry— is she alright?” 
“She’s okay, I… think. She… she got sick a while back and stays here now,” you explain, “Let’s not talk about that…—I mean, I… don’t really want to.” 
“I’m sorry.” 
“You don’t have to keep saying that.” It just makes people feel worse. 
He doesn’t push further and you suppose that’s okay. Your chest hurts a bit, like phantom pain on a wound that’s still there. There’s not really a way to explain it but almost everything makes you feel that way these days. Everything makes you feel horrible to some degree. Maybe it’s being a girl, maybe it’s being a teenager, but it’s not quite either, you guess. 
“He won’t be here for a while,” you say, “He’s either still in the room where his grandfather is or he’s buying flowers for him.” 
“Then I’ll just contact them and let them know the whole situation first.” 
Who’s ‘them’? 
“Okay.” You turn your back on him, “—wait.” 
“What?” 
“Do you have any emergency contact or something? Like, a trusted adult who could help you with any of this? In case things go really bad?” 
“...why would you need one?” he questions. 
You roll your eyes, “Just give it to me, damn it… if there’s anything I have nowadays, it’s probably foresight for stuff like this. For emergencies.” 
He gives you the number, albeit a bit begrudgingly. Why’d he have to be so pissy about anything and everything? 
“Okay, thanks. I’m going to visit my mother now.” 
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The air and the colour from it seems distant as always, the ward she was basically imprisoned in smelling of the indistinguishable mix of sanitiser and sickness. There her body chains her to her bed, and there is little she can do besides rely on and weakly cling to the nurses who assist her, a frail shadow of what she once was. 
“Hi, Mummy.” 
She turns to you, and your chest constricts. Her hair, once much longer, the type that you dreamed to have as it billowed in the wind, the type that invited you caressively to bury yourself in and take in that heady scent of roses that emanated from it— that hair is now replaced with a cloth wrapped around her head. Radiation. Chemotherapy. 
The wrinkles on her face make the difference between her now and her years ago all the more stark. Every visit you come back here, you’ve forced yourself to be acclimated to this new reality, one where she isn’t waiting at home no matter how tedious the fights get or how exhausting it was eating with someone who remained silent, someone who chose to continue suffering if it meant she could hurt and turn her daughter to guilt (as if that would change anything). At least she was there. 
Cancer is a terminal illness, especially the type your mother is facing— regardless of how much chemotherapy she would struggle through and how much you didn’t want to acknowledge a truth so plain and conspicuously bare, she would be confined to this bed until her final days, her illness like gyves tying her limbs and forcing her earthbound; the bed a cage she could never be liberated from. 
Sometimes she made it a point to you that she didn’t want to liberate herself from it anyway, and you’d never been so depressed yet irked by anything else. (You’d regret everything— not spending time with her, not appreciating her nearly enough— except for your decision to be involved in the Jujutsu world, if not as a sorcerer then as a doctor. That was, and is— your ultimatum. Your end all be all of this whole situation.” 
“Hello. Where’s that Itadori boy?” 
“Not here today, he’s still with his grandfather— maybe later.” You swing your bag over your shoulder, rummaging through it a while before pulling it out. “I’ve something for you, by the way.” 
“Oh! These,” she exclaims, and she smiles faintly, bits of colour rushing back to her face like watercolour dots on moistened paper. “I used to make them for you, sometimes. They used to be your favourite when you were really little.” 
“I know,” you explain, “That’s why I made them. I don’t like them anymore, but… I can’t remember your favourite food or if I ever asked, and I know you don’t like the food they give you here as much as… I don’t know. Your own cooking, I guess.” 
“It’s not my favourite,” she states, matter-of-factly, bluntly, “But thank you for the effort. My favourite will always be my own mother’s cooking.” 
Silence. 
“Now that I look back at everything, there are so many things I regret. Things I should have done but never did out of fear; things I should not have done and never apologised for out of pride. I’d like it if you could be different. Your grandmother went out the same way. At least, even if you had the same illnesses as we did, which I hope the genes for which have been curbed by your father’s— at least you would not leave the world with regret,” she looks down at her hands, staring down at them solemnly like a shadow, an excluded figure. “But it was a good life.” 
“...then maybe you can tell me more. While you— while we still have time. What was your childhood like? What was your mother like?” It feels strange, imposturous, maybe— to be referring to someone basically a stranger as “grandmother”, to name someone so far away from you so intimate, even if the only generation between you, tying the two of you together, was your mother’s. If you had a daughter it would be the same for her, most likely. There’s a part of you that would find honour in becoming your mother once you’d grown, but there’s a part of you that would think being such would accost you horribly, for all time. 
She sighs, “I’ll tell you later. There would be so much to say, like compressing all my words into one tiny paper. The stories have weight in them the same way letters and words in handwriting can be firm and large. But if I were to start,” she begins, “I’ll say that I was born as the daughter of two very powerful sorcerers. Now, I know how much this would sound like some nonsense spouted by your mother, but I think you should listen anyway. 
“My parents loved each other a lot, but my mother had come from an obscure clan whose name I can’t remember, but who had high hopes in them having a child with a powerful cursed technique as their last resort, since, if I recall correctly, there had been a crisis within the clan for it to keep surviving. 
“I still remember when they found out I had no cursed technique and how terrified they were. In me I had a bit more than the relatively normal amount of cursed energy most people have, and so I was expected to have techniques as powerful as they did. They loved me and treated me preciously, like a fragile object, so long as I was quiet and demure— and I guess to some extent I still was and still am today. They wondered what they could do to run from the clan, as if they didn’t have enough power when they were supposed to protect me despite my father’s bullheaded industry and my mother’s patience-formed strength. They lacked grit to grapple against them, and only in this did they lack it, I think; only against my mother’s family did they not have the ability to resolve things whether peacefully or violently. And eventually they just gave up and thought they would just… surrender me over when I entered my adolescent years. I was their daughter. I… suppose they didn’t love me enough. I know it sounds awful— thinking that they should have always protected me, through and through—” 
“No, it wasn’t.” 
“—when it could have been the clan itself that would have been mostly to blame.” 
“But they were still supposed to protect you! They were your parents—” 
“Why else do you think I am the way I am? I may be a shy and scatterbrained or a horrible woman with a muddled sense of morality or what I think should and should not happen when in reality it’s just what I want to happen, but this is why I’m so resolute, and so stubborn. This is why I love you so fiercely. All mothers are like that to some degree, even if my own would never let me bear witness to it.” You haven’t told her you love her too in years. 
“But then when I was an adult I met your father, who was a bit like a country bumpkin, but a formidable sorcerer and a kind, honest person, and I couldn’t help but fall in love with the person he was both inside and out. And for the next few years we struggled to have a child until I found out I was pregnant with you,” she continues, “Even though by that time I was well into my late thirties, we were overjoyed and decided to keep you.” 
Suddenly you wish there had been more time before things were ruined. Time for you to know her better, the beginning of your existence. You would have begged her for old photos, stories, mementos of her and your father. 
“And now the clan’s faded into obscurity, finally. The younger members left and the older ones passed away peacefully. Happy story, right?” 
“...yeah.” It all ended well, but you don’t know if you can say the same for your mother’s. At least, you hope, when she goes away, it can be swift and peaceful like the way her relatives did. 
Then suddenly there’s a buzz in your pocket. An inconvenient one, out of the blue. 
“You should go get that first,” she says. 
“...okay.” 
You lift it up to your face and feel like crushing the damn thing. Old number. Stupid number. Number you haven’t called in months because you’d given up on that bastard— oh. The two of you were working together now. 
You turn away from your mother, creeping to the edge of the room. “What’s wrong?” 
“I just talked to him, but I think it would be easier if you came back and was there with him too since you know him better than I do. And he… doesn’t seem like the brightest. He may think that it’s not important enough to hand over unless you ask him to or something.” 
You muffle your voice with your hand and whisper, “Hey, you shut up, you know nothing about him. He’s way smarter than people give him credit for. But I’m— I’m with my mother right now. Wait for a second. Just ask him to wait for me first; he wouldn’t need any of my help for all of this yet. Make a friend or get a life or something.” 
“...fine. But you’ll have to join us later. He’s bound to ask about you.” 
“Then just tell him I’m with my mother!” you snap, still whispering. 
“I’ll see what I can do.” 
“Wh— you little— oh, don’t you hang up now—” 
Weird thing is, he probably wasn’t even being so infuriating on purpose. And you wouldn’t have burst out at someone for being that way anyway. It was only because it was him, specifically. 
You’d sworn to put that past you. 
Your immaturity strikes once again. 
“If you have to go now,” your mother says, “You should. Just come back again next time. I can tell you the rest. Thank you again for the food, [Name].” She doesn’t call you ‘darling’ anymore, doesn’t she? Just your name. 
“Okay. Sorry.” 
You swing the bag back over your shoulder, wearing it this time instead of taking it off, easing your way out of the room. 
“It’s okay,” she assures you, “Goodbye. I love you.” 
“...I love you, too,” you say, but it’ll mingle with all the other sounds in the hospital, and it’ll be drowned out like a ship in the middle of nowhere, your voice soft and thoroughly soused by the cacophony of bleak noises like telephone rings and beeps from electrocardiographs outside of her deafeningly quiet hospital room. 
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“Hi, Yuuji,” you greet them in the dimly lit waiting area, “...and Megumi. Sorry to keep the two of you guys waiting for so long.” 
“Oh, hey; it’s okay!” he goes, although in his voice it seems that there’s been some of his usual energy seeping away from him. “Didn’t know the two of you knew each other until just now or that you were a part of some magic curse society. Are you guys childhood friends who met because of all that cursed stuff or something?” 
“Something like that,” Megumi explains. 
“It’s a long story,” you say, not exactly denying him nor conceding his words anyway. Once again, there’s a trace of anger despite your promise to be untethered to your puerility like this. “Anyway, are you okay, Yuuji? How’s your grandfather?” 
He pauses. “Oh, about that… he just passed away.” 
“Oh, I’m so sorry, Yuuji…” you hold the fabric of his jacket (sometimes it still feels wrong to try and hold his hand— it just makes your heart ache again like a scab being clawed at) and pull him into a brief caress, patting his back as gently as you can manage. 
“It’s okay, I’ll be fine,” he smiles as you pull yourself away, “Grandpa wouldn’t want me to be crying right now anyway. So don’t worry.” 
“Okay, I won’t. But if you’re sad, just know you can always talk to me.” 
He laughs, softer than the boisterous manner he usually does so in, “Yeah, I know.” 
Megumi clears his throat, pointedly trying to make a sound, “Anyway. Itadori Yuuji—” 
“Just call him Itadori. You don’t have to be so uptight.” 
“Nah, [Name], I’m fine—” 
Megumi sighs. “Anyway, we need you to give the cursed object now.” 
“Oh, yeah, that,” you start, “So, Yuuji, do you have the thing that Megumi would have explained to you? The cursed object? We need it for everyone to be safe, and all.” 
“Yeah! Hold on, let me get it. I told you I didn’t have it already, but here’s the box,” he says, tossing it over to Megumi. 
He retrieves the box. It’s ancient and wooden, the craftsmanship behind it elite and adroit, and the paper on it has the words for a buddhist sutra written on it like an inscription. You’ve heard of it before, the kind of curse it was meant to seal, but it definitely couldn’t be— 
He opens the box. 
Holy shit. 
“Where is it?” 
“It’s empty…” Megumi panics, “Wait— hold on!” 
Things are bad— as in, they couldn’t get any worse— not only was the school doomed by the loss of its cursed object, the cursed object was Sukuna Ryomen’s finger itself. 
You blame your inadequacy, your inability to have stopped everything sooner— if not for that nobody would have gotten hurt. If not for that there wouldn’t even be a risk of anything happening anyway. You should’ve tried harder to sense it, and you should’ve focused more on it to keep the student body safe and sound. 
It was your fault. No one else was to blame but your useless self, and even if that were wrong, you’d still have the most to be blamed for. 
Megumi has a hand on Yuuji’s shoulder, keeping the other boy from moving, his breathing erratic and his eyes wide in frantic shock. 
“...well, they were saying, ‘let’s open it up to see what’s inside it tonight’,” Yuuji clarifies, standing a few centimetres away from the door, “Why? Is that bad?” 
Sasaki and Iguchi? 
The air in the hospital feels particularly chilly tonight, gooseflesh terrorising your skin all over, and for all the kinds of reasons that would cause anything like such. 
“It’s way worse than bad,” Megumi declared, fear and grim so thick in his voice they were tangible enough to be cut through with a knife. “Your friends are going to die.” 
“We’ve got to go,” you rush, “Now! Quick!” 
It passes by like a blur, as if you’re in that moment and out of it simultaneously. Your mind has been bombarded with and pressed so thoroughly onto the moment, like tissue on a wet surface, that it seems it’s being blanked out, while your legs continue to run despite your mind nearly forgetting, at this point, why you’re running— as if your legs moving so frantically to help them was something intrinsic, something you didn’t need your mind for. 
Sasaki and Iguchi are in danger. Sasaki and Iguchi are in danger. 
You didn’t know them all too well, really— just through Yuuji, and Yuuji himself wasn’t as close to the two of them, being their junior and all. And although a part of you was doing this just because you could, like the way you did when you first discovered your cursed technique, you knew that another was doing this for Yuuji. If in any way they were hurt or could not survive, he would blame himself to no end. He possessed such a kindness within him, so much that it hit the depths of your soul sometimes; shattered your heart so gently a million times over or heated it in the kindly way mothers heated pans on stoves despite the heat of it being greater than that of blue flame. If anything happened to them, no matter how much or how little he knew of them, he wouldn’t be able to live after that. 
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The two of them are near the barrier separating the school from the street before you (you struggle with catching up to them— one’s a star athlete and another has been training for much longer than you, you’re sure), the gates tall and enveloped in darkness. You didn’t think much of school except for when it came to your grades and being with Yuuji, thinking of these gates— the ones that you and Yuuji use when you’re running super late— in particular as just a shortcut entrance you paid little attention to, just something treated with indifference as you passed through them whenever you were late. Yet now they echoed denial, refusal, and slim chances— it was unlikely that they’d be alright, especially since this cursed object in particular was the finger of Sukuna Ryomen. 
“Is that the building?” Megumi questions, “Where are they?” 
“Fourth floor— guh!” Yuuji seems to come to an abrupt halt, nearly slamming into what seems to be an invisible wall. A veil. 
“Yuuji!” 
“I’ll handle this,” Megumi declares, hopping onto the metal wires, more directed to Yuuji than you. So even he can tell how selfless Yuuji is, even after only having just met him. 
“I may not know those two that well, but—” Yuuji starts, “But they’re friends! I have to help!” 
“You’re staying here,” Megumi commands, “[Name], if you could— get your father or any sorcerers you know to come here and help.” 
He climbs over the gate. 
He’s going away from you again. Slipping away from your grasp. And now, all you can do is watch. There’s nothing else— nothing else you can do, at all. If you went inside now, you wouldn’t be able to help except— what?— tend to their injuries? Manipulate your own cells into weapons? The former wasn’t possible with how much you’d strained yourself from running so quickly earlier, and the latter was too dangerous: you hadn’t even started with the basics of that yet, on your father’s obstinate insistence that even if he’d let you play doctor he wouldn’t let you manipulate any of the cells in your body into any kind of usable weapon. Any simple wrong move could make things turn south in the most drastically terrifying of ways. If you went in there, you’d just die, and there’d be more casualties, more trouble, more problems caused by you and you alone. 
You can’t even call your father, either. That would always be your last resort— because even if you fought, you still needed him to rest. You didn’t want him overexerting himself by using his cursed technique at all. 
(You were selfish. You didn’t want to lose your father. You didn’t want to have to visit not one but two parents lying sick and tired and grey in matching hospital beds.) 
“Yuuji?” you start, turning to him. “You’re…deathly quiet. Are you okay?” 
His lips quiver slightly, a faint whimpering noise coming out of him. Is he crying? 
“Yuuji, look at me. Are you okay?” you ask, as gently and softly as you can right now, despite your ragged, unsteady, unathletic-addled breaths. You place a hand on his shoulder, slowly rubbing up and down from his shoulder and crook of his neck to his back. “It’s okay. …Megumi’s a good and… capable, strong person and jujutsu sorcerer. He’ll be okay, and they’ll be okay too. Just… just put your trust in him, okay?” 
“I’m sorry, [Name], but I’ve got to go,” he tells you, “You stay here, and call for help or something. I’m sorry, but I’ve just really got to do it!” 
He hugs you, quickly, deftly. And then he crosses the gate, leaving you all alone like Megumi did. You wish he’d hug you longer, that you could take care of him for a little longer— it was your last way to be useful now. 
Still, there’s someone you could call, now that you remember him.
The emergency contact. 
You snatch your phone out, resolute. 
“Hello! Gojo Satoru speaking,” the voice on the other line says. 
You’ve heard it plenty before by accident. 
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When Gojo and Megumi are back, Yuuji’s in the form of a figure slung over Gojo’s shoulders like he’s been reply entrenched into slumber, his body seemingly limp and his torso completely bare. There’s barely an ounce of movement in him, except for slow exhales and inhales you can see on his chest. Sasaki and Iguchi are both nearly the same, the former covered in bruises and in a deep, panicked haze, and the latter as asleep as Yuuji seemed to be while harbouring injuries he may never recover from. 
The only non-roughed up one here is Gojo, it seems; Megumi has a stream of blood running from the top of his head in rivulets, staining his sweaty, scraped forehead. 
“Wh— you two, what happened? Why are they all asleep? What happened to Yuuji? Are they okay? What—” 
“Calm down, kid,” Gojo says, “They’ll be fine. I mean, there’s a 100% chance that your friend can be executed, but…” 
“Executed?” you almost scream, “What the hell happened? You said things would be okay!” 
“Uh-uh, again, calm down. I mean, we don’t even know when they’re gonna make him kick the bucket! He ate Sukuna’s finger, by the way.” He holds his arms up in faux surrender. 
“Gojo you ignorant slut! Don’t you fucking dare tell me to ‘calm down!’ He ate Sukuna’s finger? Why weren’t you able to stop anything? What’s going to happen to him now? You know what— give him to me!” 
“You know, it’s not like I’m scared of being hunted down by your father if you use your cursed technique— I mean, I’m leagues stronger than him— but the stuff was too strong. It’s not like you’ll be able to get rid of the finger in your little boyfriend.” 
“He’s not her boyfriend!” Megumi interjects.
“Thank you, Megumi!” Your face is going hot like a campfire fanned by the wind. 
“Oh?” Gojo adds, a teasing lilt in his voice. “Anyway, we’re going to get him to a place where we can cover everything with talismans to surround him.” 
They’re going to execute him at Jujutsu High after.  
“I’m coming with you.” 
“You sure?” Gojo asks, “Your father isn’t going to like you travelling so far away without telling him.” 
Megumi shifts, a little sombre. “[Name], you don’t have to.” 
“...I’m doing this for Yuuji, not for you.” 
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“You okay?” Gojo asks while the three of you are back in the hospital. (You hate this building so much.) Iguchi’s been transferred to a ward, Sasaki having woken up and insisting on staying with him. “I’ve got kikufuku if you want some. You must be really tired since it’s so late, huh?” 
The whole situation is so incredulous you’re unsure of whether you want to burst out laughing or dismember someone. 
“...nothing. Wait, let me see Yuuji again.” 
Everyone is asleep, it seems— all except for you and Gojo. Yuuji’s been knocked out, and Megumi’s stuck in the world of his dreams. 
You can’t sleep. There’s just nothing to put your mind at rest. 
At least if there’s one thing you can do it’s this. 
Gojo picks him up by the sides of his torso (now temporarily clothed with a spare white shirt) like a child with a heavy book. “Woah— he’s pretty heavy for a fifteen year old kid.” 
You lay Yuuji face-up on the line of hospital chairs. There are thin scarlet marks right under his eyes— Sukuna’s eyelids, you’ve been told. 
You should’ve done more to protect him. 
Slowly, reticently, you kneel by the side of the chairs. You press your fingertips onto that pair of thin tiny lines. 
Nothing happens. You can’t picture his cells being able to grow back. It’s as if there’s been a slit on his face and its outline has been replaced with brand-new skin. His cells don’t budge. 
“Why don’t you help Megumi? I bet he’s got plenty of healable injuries.” 
“…I don’t think I’ll be able to help much. I could faint if I try helping him now. It’s better to leave it to Dr Ieiri or something.” 
“Pft,” he scoffs, “Shoko? She’s definitely not going to heal all of him. It’ll just be a waste of her time. You can just help him with the tiny scrapes and bruises first. And I’ll even tell her that you did it. She’s really fond of you, you know.” 
You give him a shy, modest smile. “Thanks, then.”
It’s time to get to work. 
Megumi’s skin is smooth like a baby’s just like the last time you felt it, though the frown on his face, ever-present, is bound to cause wrinkles there in less than a few decades’ time. You place your hands on him, bruised and bloody, watching in your mind and directing his cells as they work. 
Once the smaller injuries have been dealt with, you stop. “I can’t really work on the one on his head, since then you’d get another fainted person to carry around, but he should be fine with some bandages and patching-up there, because I’ve already kind of catalysed the start of that area’s healing process a little. Other than that, he should be completely fine. I’ll give it, say… two weeks or so for it to get better completely.” 
“Good work!” he smiles, the outline of his cheeks visible on his blindfold. 
“By the way, Mr Gojo…” 
“You know, I appreciate the respect you’re giving me now, but just Gojo is fine.” 
“Okay, Gojo. Do you think Yuuji will be okay?” 
“I mean, I’m pretty sure. And I’m going to ask them to suspend his sentence. I’ll just see whether he wants that or not once he wakes up.” 
“That’s the thing. I’m not sure if he even will.” 
Gojo laughs. “Don’t worry. He was really strong, and able to switch between being possessed by Sukuna and being himself at will. We haven't seen that kind of talent in a millennia! I’m sure they’ll listen to me, anyway.” 
“Thank you,” you sigh. Thank goodness. “If you need any type of payment, um… teleport to my house whenever you get inconvenient little cuts like bruises and stuff. I can help.” 
“Nah, reverse cursed technique’s got me covered.” 
“Oh, wait— I forgot about that— um… I can…”
“Just leave it to me! No payment required,” he exclaims, holding both thumbs up. “And for the record, the one who wanted to save Yuuji was actually Megumi.” 
You wouldn’t have imagined that would happen. Megumi— pragmatic, serious, unkind when he needs to be (no matter how kind of a person he actually is— no, was— at heart), different from Tsumiki in so many ways. There was no way he would have been the one vouching for Yuuji, someone he’d only just met, to be spared. 
“Really?” you ask, “I… wouldn’t have thought he was the one who would do it. I thought, maybe, you were just… really kind tonight or something…”
“Well, maybe it was because he saw how much you cared about Itadori and did it for you, or maybe he had met Itadori, liked him, and just wanted to save a good person,” Gojo suspects, “But if there’s one thing for sure it’s that your old friend saved your new one.” 
“...oh.” 
You’ll have to bring it up with him next time— maybe, if he’s still there tomorrow…
“I know you’re mad at him, but a lot has happened,” Gojo states, voice lower, softer like a schoolteacher’s, “Still, I won’t tell you that you have to give him a chance or any of that. If you don’t want to, you don’t have to thank him or anything. I’m sure he did it out of his own volition without expecting anything from you. He knew he probably didn’t deserve to if it were you.” 
You pause. “No, it’s just… I’ll talk to him again the next time I see him. Alone, most likely. And I can figure something out. I think that would be the best way to go around things. Thank you, Gojo.” 
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18-6-2018 
The aftershocks are still there, although you’ve come out unscathed. 
Last night was a mingled mess, a blur. You’d tried your best to help Iguchi by the time Yuuji was placed in the room of talismans and you could come back to the hospital and visit, but in the end he still needed better help than that. His injuries were too large of scale for how you were at that moment, already tired after healing some of the numbers done on Megumi. 
(You were useless. You couldn’t help anyone. You couldn’t prevent Yuuji from being hit with such soul-striking guilt., couldn’t help Sasaki from being traumatised, couldn’t help Iguchi enough for him to be back at school soon—) 
Sasaki’s injuries were limited to bruises and scrapes, but though you could help her physically, there was nothing you could do to assist her emotionally. 
You stayed with them for a few hours in the ICU and then one of the hospital wards (a floor under your mother’s), your father calling you once the sun had risen. 
“Gojo Satoru told me about everything that happened.” 
“Yeah. I know you’ll scold me, but… not now. I’m sorry, I’m just really tired.” You hang up. 
For all you spoke of wanting to be useful, the night when your powers were needed the most was when you were at your most useless— you couldn’t help them, you couldn’t help attack the cursed spirits, and the only thing you could do was call for an adult’s help like a little, scared and helpless girl. 
You needed to train, and train harder than you had been doing for the past few years. 
There’s a knock on the door, a dot-dot-dot-dot-dot. dot dot. It’s Yuuji, you know it is. How ever could you not? 
Timidly, movements quiet like the room itself, you pull the door knob, seeing him there, relatively unscathed. You sigh in relief, a moment’s respite before you return to the panic you had been living in before since you deserve the respite less than other people do— no, you don’t deserve such a break at all, you’re absolutely sure of that, not after what you pulled, how horribly and utterly useless you were, you’ll remind yourself of that again and again and again— the heart-piercing guilt and the worry and the constant need to care for the people around you, almost like a mother, maybe, but you don’t like that thought as much as you think you should. Maybe if your own mother knew, she’d disagree— maybe she’d tell you that you should be a mother, maybe she’d ignore that you were also a child at certain times— the most convenient ones, probably. When she thinks it good that you, a child, were someone’s caretaker because women should take pride in and appreciate that, she would encourage you to be one; when she thinks it bad that as a caretaker and a so-called ‘adult’ you can have your own autonomy, agency and opinions, then maybe she’d remind you that in her eyes you knew nothing of the world. But maybe, just maybe, there was also a chance that she wouldn’t be like that in any way. 
But you wouldn’t put it past her. 
“Yuuji, are you okay?” There are questions about to spill out of you, tears about to fall like gushing rivers, but you’re just happy he’s alive at this point. 
“Yeah.” His voice is soft. Your chest twinges; it hurts like an awful, intransigent little bruise. “Hi, [Name].” It feels so unignorable, the way it’s filled with such sorrow and worry that it weighs his usually loud and boisterous voice down. 
“I thought that—” you start, lips trembling, “I thought there was a chance I couldn’t lose you. The only thing I could do was—” you sniffle, “Hope that they could delay it or something.” 
“Yeah. I’ll explain it later,” he says, his voice sincere. 
You squeeze the wrist of his sleeve. “Don’t do things like that ever again,” you plead, “Promise me that at least.” 
“I promise.” 
“And keep your promises.”
“I will.” 
“...want to come inside?” 
He walks inside, and you step back to make way for him. 
“Sorry I came so late,” he says to you and Sasaki, who shakes her head in reassurance. “Hello, Sasaki,” he greets, “Is Iguchi okay?” 
They speak for a while— you don’t feel like it’s much of your right to join their conversation, since you did nearly nothing at all when they were most in danger, so you leave them be for a while. It would be better not to bother them right now, anyway. They’ve both been traumatised until it reached beneath their bones within the past twenty-four hours. 
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When you leave the hospital, Sasaki tells you that she’s going to stay. You tell her to take care, squeezing her hand one final time. 
You let her, patting her on the back. You’ll call them later— she’d given you her contact— just to check on the two of them. 
“Where’s Megumi?” you ask Yuuji. 
“Oh, Fushiguro? I’m not too sure, but that Gojo guy said he’ll be there soon.” 
“Where, though?”
Sheepishly, in peak Yuuji fashion, he scratches the back of his neck. “Actually, another reason why I came here was also because… I mean, I know you and him weren’t close, but I’m going to the place where they’ll keep Grandpa’s ashes, and I think… you know, you could come with me. I… I don’t think I’d be able to do it really well alone, even though he had definitely made it clear he seriously didn’t want me moping around after his death and all. Gojo and Megumi will probably be there, but I thought it would be better if you were there because I know you better than those two, and you’re my friend. So… could you come with me? I know that he never really showed it, but I think he had always liked you a lot. Like, he was happy we were friends and stuff.” 
“...mhm. I’ll always be happy about that,” you tell him, before pulling him into a hug. The guy must need one right now. You’ve never hugged him before. Your heart hurts. 
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The air is hot and humid with the breath of summer, bundles of mosquitoes bound to be breeding new ones these next few weeks. Up in the sky is the sun, bold and bright, glaring down harshly at the two of you. 
“Before he passed away, Grandpa actually said something. He… kind of cursed me, if I’m being honest,” Yuuji starts. “He said I was a strong kid, so I should help people. And I’m going to do that. So that was why when Gojo asked if I wanted to be executed immediately or just eat all the fingers before dying, I chose the second option. I… I think I want to help people that way.” 
‘You’ve already helped people enough. You helped me,’ you almost tell him. 
You frown, because that’s the only thing you can do right now. You search for words to say the same way you do looking for dog books in libraries chock-full with those of other genres. “I’m… disappointed, I— I know I should be grateful, grateful that you’re still going to be alive and all, but… you’re still going to be in danger, and you’re still going to be executed one day. I mean, again, I know I should be happy you’re going to have more time alive and that I can still see you, but what if things don’t go as planned? What if you lose control of yourself once you reach, like, the fifth finger or something?” 
You’re selfish like that. In a way, you’re just the way your mother is. You should’ve always known— you were her beloved daughter after all, and the people you know would be loved the same way she did you since the day she knew of your existence, and maybe even before that. 
“Don’t worry,” he grins, wide as always. Even in an over-enveloping darkness he still manages to be the light. “I’ll be just fine. I’m a strong kid, after all. And we’ll always be friends!” 
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Gojo asks if he and Yuuji can talk in private for a while. You wonder if this was how your mother felt as she had to give the person she loved most away (but you will have to go away, one day), because you can briefly tell what Gojo is going to ask. You wonder if she felt this twice. 
Yuuji can’t stay with you forever. In the same way you can’t remain by your mother and father’s sides for all eternity. 
This won’t be the last time you’re here, you think. For a place of death, it’s quite a bit beautiful how there’s such large masses of grass and plants surrounding it. 
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Megumi nearly walks past you, his eyes on the old photographs of the deceased all around him. 
“Megumi.” 
He turns around. 
“I just wanted to thank you for wanting to save my friend, even if you may not have wanted to do it for me, specifically… um… I didn’t expect that you’d still be here. Are your injuries okay?” 
“I’m okay,” he answers you. “And also, I…” he hesitates, the first time he’s talked to you for something actually related to the two of you in a long time— nearly two years if you’re counting correctly, but the thoughts in your head are a bit too jumbled to count at the moment. “I didn’t really do it for you, though. It… it was for Tsumiki.” 
“Oh.”
“Wait! I’m sorry, that didn’t… come out right. But I should also apologise for something else. You wouldn’t have been thrown into this world anyway if not for my own demon dogs years ago.” 
“No, no, it wasn’t your fault. And I would have wanted to be in it anyway. There’s not many who can heal other people and all, so I just thought… even if I can’t do as much yet, since I don’t have reversed cursed technique and the drawbacks that come from mine are really bad, I can still help people sometimes if they’re dealing with relatively minor injuries. I can, um… make things easier for people. I can be useful like that. I’d keep to it anyway, because I’m stubborn, but… yeah. It wasn’t your fault, really.” 
“Okay. That’s good to hear.” 
“Yeah. Anyway, I’m happy to know that Tsumiki is okay.” 
Silence again for a while. The air turns a little more sombre, and a lot more awkward. 
“She is. And Itadori seems… like a good person. I think it’s good, that… you were able to find a friend like that.” 
“It was. He’s a really, really good guy.” 
“You love him a lot,” Megumi says. 
“I do. He’s a really good friend. If there’s something I’ll always know I know that, at least.” 
“I can see that. It doesn’t seem like he loves you back in the same way, though.” 
“...wow. Way to be blunt, Megumi. And yes, I do know that, too.” 
“Let’s just… change the subject.” 
“You’re the one who introduced it in the first place.” 
“Okay. How… how are you?” 
“I’m good. Wait, I think you should… go back to them. Maybe they’ll need you there right about now. He’s probably going to have to go to Jujutsu High, right?” 
He pauses. “Yeah. I’m sorry, [Name].” 
“No, no. That’s okay. I expected it. It’s just that I’ll miss him a lot,” you tell him, “He took care of me, kind of. You know I’ve always been a bit of an awkward or shy person, but he still approached me since I was new and we ended up hitting off as friends, kind of. We did a lot of stuff together.” 
Sounds pretty familiar, huh. 
“If you want I can make sure he’s safe for you.” 
“...you should be able to do that regardless of whether it’s my wish for you to do so or not…” you state, “But that would help, I guess. And I’m sorry for my attitude towards you for the past few hours or so. Thank you again.” 
“...I’m sorry I never spoke to you for so long, by the way,” he says abruptly. ‘By the way’? Classic Megumi… 
“I could tell you were. It’s… it’s okay. The two of you kind of have a habit of doing that.” 
All your rage, your loneliness, your feelings of abandonment— and this is all you can do. This is all you can say. You can only just let it go, in the end. 
“I’ll explain it all one day.” 
“You don’t have to if it’s hard.” 
He stays. “No, I will. I promise. And I promise I’ll start to talk to you again, as well. I was just… scared of a few things, maybe.” 
“That’s okay.” 
The two of you aren’t quite friends again yet, but it’ll happen soon. Maybe. And even if it doesn’t, you’re finally able to say, with an open, honest heart, that that doesn’t matter as much anymore. 
“I guess this is goodbye again, then.” 
“Not really.” 
“Oh, right— promise to keep in touch, okay? My patience is running thin with you,” you chuckle at that last part, attempting to joke and make things lighter again. 
“Promise.” 
“I’m going to go home now, by the way. Please tell Yuuji that I wish him the best and I’ll visit when I have my own money to visit Tokyo and all.” 
“I will.” 
“And help me say goodbye to him for me,” you add, “Hope that’s not too much for you to do. Sorry for the trouble. It’s just that I’d actually just about cry if I had to do it in real time right in front of him. Be good to him and be good friends, okay? Keep that promise, at the very least. That’s the one thing that I wish for the most.” 
“Bye, Megumi.” You turn back in the direction opposite of his. 
“Wait—!” 
His hand is on your wrist. Now you’re in front of him, like yesterday, and he’s holding your wrist, albeit a bit gentler than the way he used to pull it a whole eight years ago. 
His eyes are cast away from you, slightly avoidantly and in a way that’s a bit abashed. “I’ll miss you, [Name].” 
“It won’t even feel like I’m not there,” you say. Though his grip is slightly tight, he loosens it as soon as you try to slide it up, as if he’d let you be free of it if you want him to. 
You squeeze his hand instead, turning to face him. It feels warm. It feels like there’s blood coursing through you, the sensation more tender and tangible than it’s ever been. 
“Goodbye.” 
“Goodbye, [Name]. I’ll… I’ll call.” 
“Thank you.” 
Now you’re the one slipping away from his grasp. You move your hand away and walk back. The door slides open. 
2010. Springs, summers, autumns, winters. Hands on wrists, a back faced to your eyes, wide with innocence. Warmth and laughter and happiness and love. Days coloured with vibrant hues and time spent with dog books and in libraries. Frowns were greeted with smiles. Hesitance was non-existent. You didn’t feel a need to compensate for your uselessness. You were a child. You didn’t feel useless at all. You just felt this: a constant leaping in your heart, the corners of your mouth twisting up into a juvenile grin, braiding someone’s beautiful brown hair and tying it with a pretty cherry hair tie. 
You want to cry as you walk back home. 
You’re pretty sure you do. 
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taglist:
@bakananya, @sindulgent666, @shartnart1, @lolmais, @mechalily, @pweewee, @notsaelty, @nattisbored
(please send an ask/state in the notes if you'd like to join! if I can't tag your username properly, I've written it in italics. so sorry for any trouble!)
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x-liv25-jamieswife · 3 days
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Can you make some sad libby headcanons? I swear all your other sad headcanons made me cry😭
sad libby head canons
YES! libby is literally the fucking best and she's so underrated. trigger warning for self-harm, suicidal thoughts/attempts, eating disorders, and sexual assault. hope you like them <3.
she used to apologize to her mother after she would hit her (in tig she says her mother used to hit her when she was stressed)
she's been self-harming since she was like 12. she used the blade in her pencil sharpener and cut the tops of her thighs (you can't see them even when she wears shorts)
drake convinced her that him SAing her was out of love, and that he knew she 'wanted' it so she should stop complaining. she'd be the one who ended up apologizing to him after he'd assault her
in high school, because of how tough things were at home, she used to do drugs (she had this really bad group of friends that sort of influenced her) (she didn't get addicted to the drugs though, if was more of a once in a while thing when she couldn't handle her life anymore)
at some point, her mom was doing really badly financially, and they were forced to move into a smaller one bedroom apartment. libby thought her mom deserved the bed bc she worked so hard so she slept on the floor.
she's so used to people hitting her that it doesn't even hurt anymore. when someone does, she sort of dissociates in order to not feel anything.
her mom used to tell her she was overweight (she was literally underweight, her mom was just jealous). libby then developed an eating disorder (bulimia)
the ED was sort of an on and off thing for her. every once in a while, she'd get the idea in her head that she was overweight and ugly and should do smth about it, but, then, avery or one of her friends would help her get better.
the reason she's drawn to men like drake is bc it's the only thing she's familiar with. her mom was a piece of shit too, so for her its what's normal/what she deserves (this is less of a head canon and more psychology but eh)
she'll do anything anyone asks of her. she can't say no even if it makes her uncomfortable/she doesn't have the time/doesn't like that person.
she sometimes gets so mad at the world that she punches walls until her bones almost break.
she hates getting mad at people bc she reminds herself of her mother.
she's terrified of becoming a mother (even though she wants to be one) bc she's convinced herself that she'll be like her mom, if not worse.
her mom used to get mad at her for ricky (her father) leaving. so much so that libby started blaming herself for it
drake used to tell libby that if she didn't let him have his way with her, he'd hurt avery. libby, of course, didn't want that so she would let him do awful things to her.
she hates taking baths bc drake used to waterboard her (if you don't know what that is, search it up)
when libby used to do things her mom didn't approve of/like (mistakes all children make and learn from like spilling a glass of milk), she would deny libby basic needs like food, water, a bed to sleep in etc.
idk if this one will make sense (it makes sense to me but idk), but libby dyes her hair a new color very often bc its a way for her to start anew. like lets say she breaks up with drake again and she hates herself for getting back together with him in the first place, she dyes her hair a new color to signify the beginning of a new era.
she will literally break her back to please people/be the person they want her to be. if they think she talks to much, she'll stop talking, etc (people's opinions of her matter a lot to her)
tw prob one of the darkest hcs i've ever written: libby ended up in the hospital once bc she slit her wrists trying to off herself. this happened right before she took avery in. the doctors didn't think she'd make it.
she'd considered offing herself multiple times before and after the last hc, but she doesn't bc just the thought of it makes her feel guilty. she doesn't want people to cry over her bc she thinks she doesn't deserve their tears, and she doesn't want to leave people she wants to help
she insists everyone get therapy but herself bc, to her, other people matter more
the only thing that brought her comfort as a child was this stuffed bunny. she used to press it to her wounds bc it would dull the pain (this might not make sense but whenever i get hurt (cause im ass clumsy bitch), putting pressure on the wound dulls the pain). she also found comfort in how soft it was.
drake threw that bunny away cause he thought it was worthless. libby told nash about this and he searched the entire fucking country until he found that damn stuffed bunny (idk how he did but he's a hawthorne so...)
when she has panic attacks, she'll either be very silent/still in a corner or she'll be clawing/pulling at anything around her (including herself)
she didn't do well in school not bc she wasn't smart but bc the students and teachers were so creepy towards her (would harass her constantly) that she felt uncomfortable even stepping into the school
absolutely hates it when drunk people interact with her/get too close to her bc whenever drake got drunk, he'd hit her
hannah's death hit her hard too. they were actually much closer than people thought they were. hannah helped her through a lot of shitty things that happened in her life. she would visit her grave every once in a while to tell her she wished she was still here bc her life (and avery's) was absolutely shit without her. she would breakdown in the middle of the graveyard every time
whenever she felt like hurting herself but didn't have a blade nearby, she would dig her fingernails into the already existing wounds to make them bleed again.
drake once beat her up so bad she ended up in the hospital with brain swelling and a fractured arm. the swelling in her brain was so bad they didn't know if she'd make it out alive.
here's a happy libby head canon to (hopefully) make it all better:
she used to be this supervisor at a daycare when she was younger (that's probably not even a thing but lets pretend it is). the kid would make her drawings all of the time with hearts and proposals and stuff. she loved the kids so much, she would hug every single one of them and bake them cupcakes. they were literally her best friends, and some of them still send her messages through their mom/dad (she would befriend their parents and give them her number/email)
not proof read bc i'm a lazy ass bitch. i say this in every post, but pls talk to someone if you need help (if there's no one in your life you can talk to, contact a helpline). sending lots of love to everyone <3.
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aiura-stan · 3 days
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Onto 0-3!
The first thing I wonder when I start reading this chapter is… why does Saiki repeat himself every chapter? Just to drill it in? I guess this was a serialized manga.
And he includes the same nose joke again… except it isn’t as funny as the original. (“If that applies to you, then please just forget about this conversation” had me in hysterics the first time I read it.)
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Unrelated to anything in particular, I like the large screen tone used on Saiki’s eyes in vol 0. It’s visually interesting. I think Asou sensei could have kept using this to indicate when Saiki was using his powers.
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Here we go! Actually important details to the saikiverse (if you will.) One second of staring at a target is enough to get a glance, but three seconds of staring removes clothing and five seconds removes muscles as well as skin (maybe four seconds removes just skin, revealing muscle.)
No guarantee of how true this is, but I like to think it’s more or less accurate, thinking forward to the Kusuo’s birthday challenge chapter, where he has to spend a lot of time staring at an object so that he can see through it.
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I had forgotten that Chuono makes his first appearance in this chapter. Yay! Chuono san is so cute.
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“At moments like these, what sort of face should I be making?” is another iconic Saiki quote. This gag still manages to be pretty funny in its rough form, imo. *Now* what sort of face does one make?? The kind of face Chuono is making, perhaps. I just love the idea of Saiki meeting an illusionist in the first place. The fake “magician” versus the real psychic who can alter the laws of reality. It’s one of the genius bits in Saiki k.
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I also love the intentional misunderstanding that Saiki is an illusionist. It leads to so many funny situations down the line. Why does this random middle aged man call Saiki “master”? Who knows. In this case, Saiki’s habit of letting people make assumptions really came back to bite him in the ass. (Well, that and trying to out-magic and discourage him.)
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Another detail I like: Saiki missing social cues (in this case, the dip in the conversation where an average stranger would be like, ok, see you, good luck. That’s not very neurotypical of him…
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I really do find this weird stunt hilarious. Saiki’s logic is so off because he inevitably ends up dealing with weirdos expecting normal behavior. C’mon Saiki.
Also, Saiki says here that he can teleport (called apport in the comic proper I believe) not just things, but people into a specific place… crazy
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Saiki doesn’t understand the (reasoning behind the) eyelash/long hair simile? Continuing to build my ND Saiki case material…
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Also enjoying this little panel of Ike-san holding the 500 yen coin, which Saiki definitely gave him.
Well, I think that does it for volume 0 Chapter 3….
see you all soon. 💫
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Text
some Thoughts on chapter 13 now that i've finished:
I LOVE HOEDERER.... i already did but like. Really enjoyable to get his POV in this event and see more of his inner thoughts and motivations. I'm fond of characters who are so tired and worn down and jaded, but manage to hold onto some scrap of hope regardless, even against their own better judgment. A lot like Mlynar in that way, tbh.
regrettably this chapter sold me on hoederines a little. i'm CONFLICTED because i love wines so much, dammit. (and manhoe, but there's not as much of a conflict with my headcanons there.) But their relationship is so good regardless of whether you read it as romantic or platonic.
speaking of, Ines was a delight in this chapter. Love her role as the resident non-Sarkaz Sarkaz who is completely unaffected by whatever arcane bullshit is getting to Hoederer and W in any given moment, so she can yell at them to snap out of it and save all of their lives lmao. I love her deep loyalty and care for them that she expresses in everything but words. ugh ugh i love her
the little subplot with Vendela and the Sarkaz commander who tried to keep her safe was sweet and sad, I wish he'd gotten a unique sprite at least. I kind of want to see her meet Flamebringer now and her reaction to the friendship between him and Perfumer... I feel like there's some parallels there.
We're starting to see some payoff to the buildup with Siege in this arc, and I'm so glad! I've never really understood the hate her arc gets - I know it's partly that I'm biased, she was my first 6* so I'm rather fond of her, and I just really like the whole concept of the Glasgow Gang. And I think it doesn't help that ch12 was (imo) the weakest part of act 2 so far. But also, it was always really clear to me that we've been just... laying the groundwork with her up til now, I didn't really expect her to have big moments or turning points yet? Idk. i kind of want to write a whole post about her arc and my thoughts on it at some point. BUT, I really liked her in ch13, seeing her start to really come into her own and how all the events of act 2 up until now have shaped her decisions.
I'M REALLY SAD ABOUT GUARD ACTUALLY??? :( Tbh I have not really cared much about New!Reunion until this chapter, except for Talulah, but I'm finally getting invested. And Talulah's confrontation with Eblana was AMAZING. I've always seen her as a foil to Talulah - while Talulah started down her path with good intentions and ideals, Dublinn seems to have been like late-stage Reunion from the very start, because Eblana has always cared more about seeking power than about the oppression of the people around her. SO FUCKING SATISFYING to see Talulah, of all people, calling her out on that, and protecting Reunion from her. I really hope we get more of these two in future, and also more Reed in main story please please pleeeaseee.
This chapter was wonderfully cohesive with the themes of tradition and bloodlines vs forging a new path. Siege, Delphine and Horn, all beginning to break away from their inherited roles in Victoria's hegemony and fight on their own terms instead. The Kazdel flashbacks, the spacetime feranmut, and Hoederer's POV - a character who wants to see a better future for Kazdel, while still remembering and learning from its past. Nine, Guard and Talulah dealing with what Reunion means as a symbol, and figuring out what it should become. Shining and Nightingale, confronting the Confessarii and their own past. Even Vendela, having to let go of the life and traditions she'd grown up in, the townspeople clinging to familiarity and the hope that things would go back to normal to the point that it was literally going to kill them. The confrontation with the Sanguinarch was such a great culmination of all of this, with his fixation on blood purity and the glorious lost past of the Teekaz. And he's defeated by several people who all soundly reject his vision of what the Sarkaz "should" be - Amiya, the outblood King; Logos, who does have a "pure" bloodline by the Sanguinarch's standards but refuses to be defined by the role he inherited; Hoederer and W, two of the mixed-race "commoner" Sarkaz he's so contemptuous of (and Hoederer specifically rejecting the idea that the Sarkaz's destiny must always be soaked in blood); Ines, who isn't a Sarkaz at all, except she is, because her family is Sarkaz, and she's always going to be one of them. It was! So fucking good!
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cripplecharacters · 2 days
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Hello! Want to double check that I've done a decent job of avoiding disfiguremisia, and try to turn it into great counter to hatred instead of just an okay one.
Preface: I have a form of memory loss and likely brain damage so I cannot always phrase things clearly although I will try my best.
Personally I do not feel happy reading escapist stories as that happy ending is not achievable for real people. We don't get to live in a place that's completely safe and free from judgement. I'd like to write people in a hostile world who find love and safety and community, however this does necessite writing hostility. I want to make sure I'm doing so with care.
I would like to make sure that the hostility written as tension does not tar how I write how one of the main characters. He should be written with dignity and respect even when he is not being treated well by those around him.
One of my characters is blind and develops severe burn scars. He wears a blindfold to help with photophobia and sensory overwhelm, but takes it off when its dim. (CVI plus autism.)
While he does wear a cloth coverings in public due to ugly laws, he views it as a ridiculous requirement and happily removes this mask when with friends. He also enjoys that being visibly strange or somewhat unnerving to most people means that shallow people who judge by appearances avoid him.
Question: what other things might I be able to employ to counter disfiguremisia? I have him being content with his face as it tells a story of his life and he's a blunt, forward person, not covering his face for most of the story despite laws necessitating that he do so, and a few other things too (and many side characters with facial differences and deformities also).
Also none of the central plotlines centre around facial difference. He's joining a servant rebellion, befriending a bitter exile intent on status at all costs, and discovering the truth of history. (Also a mind controlling octopus being is involved and a semi sentient moon amalgam thing but don't worry about it everything's fine.)
I think later books will be a more effective counter due to lack of ugly laws and him finding a lovely interest. I will also do my best to make the counters feel real and feasible - I want it to feel like an achievable option for those who deal with prejudice in the real world. I want his happy ending to feel real.
I respect the hell out of escapist fantasies it's just that they do nothing for me personally. I really want to write someone dealing with a lot - more than I ever have - and coming out the other end happy. Yes this world is hostile and will judge me but I can find joy despite it all. Some say the world is universally cruel but I have not found this to be the case. It is wise to be wary but myself and friends can create small sections of time and space where no precautions are necessary. Am I not part of the world? Are not they? The world is not universally cruel as long as I and those I treasure live in and we are not extraordinary, simply uncommon, and what is uncommon is still a great bounty. (Something to that effect.)
I'm set on what I want to write but the specifics I'm more than happy to change in order to bring joy. Do you have ideas on how I can do this full idea full justice?
Hello,
before getting to your actual ask, I have a "few" questions about the premise of the story itself.
You mention that you don't like escapist fantasies - that's fair. Taste differs; you can write whatever and that's great. But I do find the insistence to write a story about a specific type of discrimination as an outsider rather strange. If you want to have facial difference representation, I assume you want to have readers with facial differences, correct? I mean, I don't think that many able-bodied people would be too interested in it specifically considering most don't know what it is. So okay, this is supposed to be a story of characters with facial differences overcoming centuries worth of hatred and all that. Arguably more, considering that disfiguremisia and ableism go all the way back to Biblical times.
Why are you the person who needs to tell this story?
Just as people with facial differences are readers, we can be authors as well. We tell our stories. I will take an #OwnVoices book over a one that isn't that any day, and this fact will influence the rest of this answer. I'm a firm believer in #NothingAboutUsWithoutUs and all when it comes to this stuff.
Have you talked to people with facial differences who would be interested in the kind of story you want to tell? Do you know what they want to see from an author that's not taking it from their own experience? I don't count here, because as I made clear before, I'm not and won't be interested in it. I also don't know anyone in the community who has ever said "I wish more people without our experiences wrote about how hard it is to be us!". You need to make sure there are people who want this.
So, have, or will you, reach out to those that could like it? Sensitivity readers, random people online who like to read about disfiguremisia in their free time, advocates who work on media-centric problems? Anyone who would enjoy it is automatically a better candidate to help than me. I'm too jaded, I suppose.
If you want to talk about people with facial differences in such detail and setting, you need to get to know us. One guy with a specific set of opinions from a blog on Tumblr isn't that (thank god), but I guess I can serve as a reminder that not everyone will be excited to read a book that represents them in some way. We still have preferences.
To write it, you need to involve yourself in the community, start actually spreading activism about our issues. Preach about Face Equality and celebrate when our once-a-year week happens in May. See what disfiguremisia causes. Share our efforts to get all the problematic garbage off the big screen. Read our stories. Understand us as people who are incredibly diverse, and that not all of us like to be described as strange or unnerving.
If you only want to talk about our suffering as some quota to fill on a "types of discrimination" list, it will always be flat and inauthentic, and if you don't put in the effort it's pointless. We don't want tragedy porn, and we don't need to be included in every story about struggles that just wants some brand-new type of bigotry in it. We want authors who care about us, the living and breathing people. And sometimes it might mean respecting our opinions on writing disfiguremisia.
Here is a great post by @writingwithcolor explaining the effects of tragedy exploitation. Not everything there applies, but I would consider it a very valuable read.
If you think about all this, and decide that you are ready to write such a heavy, community-based story, go ahead to...
Actual Answers! Hooray
what other things might I be able to employ to counter disfiguremisia?
Sympathize with him. Disfiguremisia is a tragedy, it's brutal and it hurts. It's traumatic and impossible to forget, even if it wasn't happening constantly just to remind us that it's still there. On this note, I would recommend you research writing characters with PTSD.
Have him think about it. Sometimes I get home after getting stared down on the street and just want to yell. You don't forget a microaggression or a hate crime after five minutes. Let him vent and let him be upset. He can have flashbacks or recall similar situations that happened in the past.
I'm glad that he's aware of disfiguremisia unlike a ton of characters who are somehow always unable to figure out that it's a problem. If the ableism he's facing is so systemic and severe, individual people will be even more extreme. You can have him remember that the shop owner was a slur-spitting bigot, or that his neighbors avoid even talking to him. I want him to call them out - in retrospective, at the moment, in his head, whatever - on what they're doing. Throw a "not this fucking thing again" or something in there.
The minimum is to make him feel like a human with an internal thought process, who is able to actually experience what's happening to him, and for it to have long-term effects.
Also, outside of the whole disfiguremisia thing and me being overdramatic, check out our #blindness tag, and research burn scar care. If you don't show the boring and mundane, it will only feel closer to tragedy porn; just a sad thing one after another.
I will also do my best to make the counters feel real and feasible - I want it to feel like an achievable option for those who deal with prejudice in the real world.
This I think is the part of the ask that made me the saddest, and not because of what you wrote. I tried to think of achievable ways; ways that we did it, tried to do it, and are doing it, and one-by-one I crossed them out as "didn't work", "no one cared enough" or "kinda worked but honestly, it didn't". Face Equality is basically non-existent, not matter how much it hurts me to admit it! We are trying our best, and it doesn't work. It's just plain hard for me to come up with suggestions for this.
In fiction, I suppose that personal resistance is the way when it comes to this. I don't think there are feasible systemic changes that could happen that don't border on magical thinking or get into the "singular glorious revolution that somehow fixes everything and everyone lived happy ever after. We fixed racism, yay!". This just sucks.He could try to educate the people who are willing to listen - that's somewhat what I'm trying to pull off here on this blog, I guess. Sometimes it works, often it doesn't, but in his situation it wouldn't hurt to try.
The fundamental part here will be whether your character is able to find a way to make the ordinary person care in the end. To me, society who still hates us just as much, with a small group that thinks we're okay isn't a happy ending. The opposite, rather. It's cold and isolating to know only your friends could value you as a human being, and downright sad to imply that we should be happy for that. I don't mean that everyone should love us in every story, but there's a difference between The Ableism being represented by an antagonist or two versus the entire world except for the main characters.
If you decide to go forward with this story, I do hope your other readers with facial differences enjoy it!
mod Sasza
[This ask was submitted before my announcement of not taking questions regarding this subject matter. As of publishing this, it still applies.]
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lovecolibri · 2 days
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And yet if it was all questions related to Tommy they wouldn’t have a concern in the world. They like to say stop making it about buddie, and that it should be about just Buck, but then they turn right around and make it all about Tommy and his perfection. But like you said, asking about buddie is asking about bi Buck. And not to mention buddie is 6 years worth of history at this point. And we’ve learned enough the last few days to know a big portion of bucks bi sexuality was in tandom with Eddie. There is next to nothing to go off of in terms of things related to Buck Tommy. They have had a single kiss and a bad date. That’s it. Interviews would get like one question out of that and then end of topic.
Yeah, I just don't get the hype 🤷🏻‍♀️ Which is normal, I'm a chronic mono-shipper so I just avoid ships that aren't for me and block tags and such. But it's hard because right now there is a LOT of mis/cross tagging so I'm trying to just stay in my bubble.
But yeah, it's weird that people are both saying this should ONLY be about Buck but are also mad that it's not more about Tommy. He's a side character whose job is to move the plot forward, and there are lots of other storylines going on that are going to get the focus in upcoming weeks, and they haven't shot the last couple episodes yet so what is Oliver supposed to say? If there are only a couple more scenes with him and Lou coming up while the storyline focuses on Madney, Bobby, and Henren, he won't want to spoil them. If they already have maped out where the relationship reaches its natural end, he's not going to spoil that either but also won't want to super hype up a relationship he knows isn't going to last. He HAS made a point to say he hopes Tommy can stick around as a friend which to me says that the cast enjoys working with Lou and the audience has been mostly receptive so it's a good character for the show to keep in their back pocket as a recurring guest.
But Buddie??? Oliver has YEARS of pent up Buddie stuff he didn't feel like he could talk about, especially after FOX shut down the storyline, and that he's talking about it now tells me conversations have been had with him, Ryan, Tim, and the network about what possibilities are open to them and likely a broad timeline/plan. Which is of course, subject to change as we saw with this originally being planned for Eddie but due to actress availability, got shuffled around but I don't think they would be clearing these questions and Oliver especially would be answering so freely if he didn't feel like it's where things are eventually heading. 🤷🏻‍♀️
Also, I think it's important to remember it's a STORY and so of COURSE people are pulling in threads from previous seasons and connecting the dots because that's what you do with stories. And from the first moment Buck sees Eddie and doesn't quite know what that feeling is that he's getting, it's all been tied up in Eddie, with the show reinforcing that relationship at every turn. Why WOULDN'T people make it about Buddie when the story itself tells us it always has been? I just don't always get the "these stories have to be entirely separate from each other" because beyond all else Buck and Eddie are best friends. Of course their stories are going to include each other and be intertwined! And if Buck is looking at his life with new eyes or Eddie is examining what he actually wants in a partner for himself, why WOULDN'T they examine their relationship with each other since it's the most prominent one they have?
ANYWAY
*i just have a lot of feelings.gif*
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DICK KNUBBLER MAYE STILL BE ALIVE
Kinda
Alright before I do anything take this with a grain of salt, cause it’s probably a continuity error / can be easily explained away BUT if you all would like to hold onto some hope please just hear me out. And also it offers a question for yall.
Alright! So!
On twitter someone had asked Brendon and Gene about Murmaider III and its placement on Dethalbum IV ( which btw shoutout to Gene’s wife that was brilliant ) and Brendon had mentioned that what sets 3 apart from the other two was that it was more dreamlike, and that it was made AFTER Army of the Doomstar. Now since Brendon and Gene weren’t the ones to make the order on the Album we can’t set a timeline for the songs ( though they are set in Brutal to Dreamlike order once again shoutout to Genes wife you goddess ) we can at least say that some songs were made post Army. In fact we could also make some assumptions about what songs were made DURING army. So I’ll separate that list here.
NOTE : YALL DONT NEED TO READ THIS PART THIS IS JUST ME RUNNING WITH “ some songs were made post AOTD which ones could they be teehee “ JUST KNOW MURMAIDER AND SOS WERE AFTER KUBBLER DIED OK SORRy I’m not deleting that whole thing I like it
Songs with “ * “ are canon, the rest are personal interpretation.
DURING ARMY OF THE DOOMSTAR:
* Aortic Desecration ( the first song of salvation but obviously not )
* SOS ( song of salvation )
Gardener of Vengeance ( Nathan directly references this during the scene where he confides in the band and Knubbler that he doesn’t write songs about hope and he’s just doing what he knows. I believe he wrote and recorded this but felt it wasn’t good enough to be the song of salvation and moved on. HOWEVER the language he used could place this as post AOTD because it sounds more like a thrown out there example kinda like how he figured out SOS in the cave )
Poisoned By Food ( Again I think this is a scrapped song of salvation since besides the actual poisoning of food a lot of the imagery feels like the what the metalocalypse was described like )
BLOODBATH ( guess what another scrapped song of salvation. This one feels like a ‘you don’t scare me I’m going to confidently stop you because if I go down you go down with me’ song. Also it could be Nathan trying to reach out to Magnus since he was one of the people on his list. Also quick note I’m going song by song so I don’t know if I’ll notice if any other songs would reflect the list I just got out of work so I’m not gonna catch it all rn )
Horse of Fire ( this is tricky because lyrics like star still blazing allude to this being written before aortic desecration but also Nathan didn’t have the talk with the whale until the deadline came up in which he had to go with aortic desecration <he wouldn’t have had time to write about the fist or the hand.> But the lyrics don’t have the <we should reach out to the fans> revelation that SOS has. Maybe this was a draft for SOS but I think once Nathan figured out what SOS was meant to be it just came to him naturally. I’m not sure. HOWEVER since the doomstar is referred to as a star that is still blazing and not a portal that’s been destroyed it’s safe to say this is not post AOTD. Either way this is an important song to keep in mind if you look at this speculating )
POST ARMY OF THE DOOMSTAR:
* Murmaider III ( stated by Brendon Small in the interview. He said he feels that the boys would have written this after AOTD and based off of interviews he’s had in the past about his songwriting process it’s hard to not take this as canon so. )
DEADFACE ( I think this is post because while the song plays during the movie only Skwisgaar knew about the possession so the lyrics wouldn’t quite make sense yet. It’s a tricky placement but I can see Skwisgaar playing around with it since he does play the notes during the movie )
Mutilation on a Saturday Night ( this feels so much like a we survived so now we’re gonna party song I can’t see Nathan Skwisgaar or Pickles make an argument for this being a Song of Salvation. Also all the fucked up shit they talk about references what happened during the metalocalypse but it’s spoken in past tense like a ‘hey we fucked shit up but we fixed it so now we’re just gonna keep fucking around haha’)
I am The Beast ( simply cause I don’t see this as something Nathan would write during AOTD but the ‘ I am a beast this is my domain and when I speak you scream my name ‘ could work as a salvation line but it feels too much like a Mutilation Saturday Night ‘I can write whatever I want cause I lived and I’m not gonna hold back’ vibe )
Satellite Bleeding ( this feels like the first song they would have written and recorded after the doomstar died. Kinda like watching the sky clear up after a storm. )
Now despite me rambling on about this I would like to draw attention to what’s canon. Specifically SOS and Murmaider III. These songs came out after Knubbler died. Yet Dethalbum IV credits Knubbler for production.
Drawing your attention to how crediting in the Dethalbum works, each album has a little section for Dethklok to get musical credits and thank whoever and whatever. There’s also production credit and location credit. On ALL of the Dethalbums Knubbler is credited as producer. Cause he’s the producer makes sense yeayeyaeyah. But whenever there’s a change in location or production, there’s additional credits.
ANOTHER NOTE: I DONT HAVE THE KLOK OPERA CD I HAVE NO IDEA WHAT THE CREDITING SYSTEM LOOKS LIKE ON THERE but if someone happens to be selling that cd outside of eBay please let me know
Let’s look at them.
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Dethalbum I ^
Shit ton of credits right, and on the other page which I didn’t take a picture of and can’t because I’m not home at the moment there’s credit to Snakes N Barrels for “Kill You” with each member listed. Take note that songs that are considered exceptions are credited differently and locations not at Mordhaus are credited.
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I lied I have the other page. For those without the dethalbum cds the actual credits are usually on another page and “Kill You” got mixed in with it
Anyways
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Dethalbum II
Hey Knubbies gets to thank someone this time! Anyways once again Knubbler is credited for production, but also Dethklok. Keep this in mind. Also the fact that different location credited for Murmaider II but it’s recorded at Mordhaus
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Dethalbum III
Knubbler credit AND Abigail credit along with Dethklok AND once again location credit is Mordhaus and another fuckass place. Only thing that’s not really credited is Magnus with The Hammer but idk if he was like Toki and William where they play the songs but don’t really write or if he actually wrote The Hammer. I’m not a HammerHead, I’ve seen people interpret him as both, but at the end of the day idrk.
So what about Dethalbum IV
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Knubbler is credited. At Deus Keep. Only Knubbler. Only at Deus Keep. “But he’s not credited as a Producer” True! If the album was released in universe it would probably be a producer credit. Especially since Brendon and Ulrich have Producer credit on the page prior. Maybe it’s because Knubbler didn’t make it to the final production stage. Or maybe he’s staying hidden undercover..
Remember earlier. He canonically was not around for two of these songs on this album. He could not have recorded OR mixed SOS or Murmaider III. Even if you don’t fully think that Murmaider III was made Post AOTD, SOS was done post Knubbler death. Hell, the song was dedicated to him by William! But there’s no separate credit for SOS.
If we went on the same basis as previous albums SOS would have been credited to that part of Norway where they traveled to that I forgot the name of and I’m not gonna look up but you get the point. Or even Dethklok would have been credited as production. I could also say something about how Murmaider III wasn’t recorded in the Mariana Trench and how the whale isn’t calling to Nathan anymore but that’s for another day. Right now though, it’s just Knubbler. Just Knubbler and Deus Keep.
Which leads to 3 possibilities.
Knubbler Lives: Knubbler survived ( the flashing things on the ground were teleporters ) and Deus Keep is rebuilt. To celebrate their survival they make Dethalbum IV but don’t release it
Knubbler Died: The band recorded the last few songs on the album at the remains of Deus Keep. Knubblers presets aren’t changed so credit remains to him. Once again not releasing it.
It’s not an album: Dethalbum IV doesn’t exist in universe. That’s why there’s no producer credit. That’s why Nathan doesn’t thank the klokateers ( he thanks the army of the doomstar which is just him thanking fans ). Dethklok recording it post AOTD is more to do with how Brendon records dethalbums than in universe writing.
I like to think that this is just an unreleased album in universe since the record label is more than likely destroyed, but it has the possibility of releasing one day if society is rebuilt to what it once was. But it really depends on if you think the album is canon to the universe. Cause there’s no Mordhaus credit on Dethalbum IV and there’s no way for SOS to have been recorded at Deus Keep and blablabla
something fun to think about tho yk?
TLDR: two songs on dethalbum IV were made after Knubbler death yet the credit doesn’t change for him in the dethalbum so there’s a chance that he recorded and mixed those songs cause he is alive and well horray
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their-little-writer · 12 hours
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“I’m here now, my deer”
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hi, this was requested so I hope you all like it! Not proof read
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This week was a rough week for you- there have been a lot of issues and chaos going on lately due to the extermination coming up lately. Auntie Charlie and vaggie have been running around and trying to figure out a plan. Uncle husk and big brother angel/ sir pentious have been making weapons and trying to build protection to help protect the hotel and you papa has been making sure things have been going ok and has been going to a lot of meetings with the overloads so you have been alone a lot this week. Heck you even got put in time out a few times because you were upset that no one was around and that your papa was missing.  
Like he was there for a few small moments at a time, and he always put you to bed but you still missed him and wanted to spend more time with him. This wasn’t fair to you; you were just a small little baby. You shouldn't be alone; you should be in papa's arms while he sings you soft songs as he feeds you a bottle. But no, you were in your tiny room all by yourself.  
It was in the late afternoon; the sun was beaming through the windows of your nursery, and you were in your crib. You had just woken up from your nap and you were not having it right now, 
you had a dream where people were saying icky things to you and your Carrers just watched and didn't say anything. You had tears in your eyes that were soon running down your face, and you were whining as you held your blanky close to you. Before you could roll over and see you heard the door open  “Sweet pea...?” you heard a familiar voice say as they walked over to you. When you looked up you saw your papa, he smiled softly but you could tell in his eyes he looked a little worried for you. “What is wrong my dear...?” He asked as he gently picked you up from your crib, with your blanket around you. You tried to use your words however you couldn't, there had been to much going on and you couldn't bear it anymore, you just felt your tiny self-get to overwhelmed and started to cry into your papas shoulder.   
“Now now my little deer what's the matter..?” he asked as he gently rubbed his hand over your back trying to calm down “Did you have a bad dream..?” he asked as he gently swayed with you. You nodded your tiny little head softly “Aw your poor thing.. Lets get you a bottle made..” he said as he gently carried you in his arms to the kitchen as he started to make you a bottle.  
He gently fed you as he carried you back to your room and sat in the nursery. It stayed quite for awhile however once you were done he sat the bottle on a side table as gently rubbed your back as you laid on his chest “Why did you have a bad dream my little fawn?” he asked softly. Words were  hard since you were small right now, so feeling bad you gently pointed at him. “Me..?” he asked softly as he tried to think about it. “Is it because ive been busy..?” he asked, and when you gave a small nod he felt horrible “I know ive been busy my little fawn... im so sorry i dont mean to be...it must be hard for you since its been so crazy..” You nodded again as a small sigh left your mouth.  
“I promise i will try to be here more my little deer..” He said softly. “What would you like to do today my little fawn.. We can do anything you want to...” alastor said as he gently looked over to you. You bable softly in respone, a soft smile on alastors face as you do “Hm, that sounded like music, am i right?” he asked. You cooed at his answer which basically meant yes so with a smile he gently got you up and carried you to your changing table “ok baby fawn but you gotta get changed first, and then we can ok?”. You nodded softly as he changed you and put you in a onesie, then he grabbed your blanky, paci, and stuffie as he made his way to his raido tower. He opend the window softly as he went and sat in his chair as he turned on his raido which turned on soft lullubys for you as he gently swayed with you and your stuffie. 
The night was peaceful as later made you dinner, read you books, and gave you a bubble bath, because no matter how busy he was, Alastor always made time for you, after all he was your papa, and you were his fawn.  
⋅˚₊‧ ୨୧ ‧₊˚ ⋅⋅˚₊‧ ୨୧ ‧₊˚ ⋅⋅˚₊‧ ୨୧ ‧₊˚ ⋅⋅˚₊‧ ୨୧ ‧₊˚ ⋅⋅˚₊‧ ୨୧
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astaldis · 2 days
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One thing the guys who criticise Netflix for its racial diversity in The Witcher always seem to forget
Had this discussion with this guy on Reddit again, always the same arguments, of course, the lore allegedly is all Slavic/white European. And then they pretend to care for the identity of other cultures and that they should be preserved and distinguishable and that there's Zerrikania on the continent for black people. Yes, Zerrikania, featuring so prominently in the books, right ...
What they totally seem to overlook, humans came to the continent through the Conjunction of the Spheres about 1,500 years before the events of the novels. They did not evolve on the continent through survival of the fittest. The distribution of skin colour on the continent ought to be mostly random. Yes, people who came from hot places in their original world and have a very dark skin colour as adaptation to the climate in their lost sphere of origin might prefer to settle regions like Zerrikania with a similar climate. But why wouldn't they settle in Toussaint, for example? Fringilla being dark skinned does not have to mean she has ancestors from Zerrikania and does not need to be explained in any way. Same with culture, people from all kinds of different cultures have very likely landed on the continent together and mixed their cultures while they were helping each other to survive in a totally new world. Why should there be distinct cultures related to skin colour and climate after only 1,500 years of populating the continent? A mix makes a lot more sense under these unique circumstances.
There was also a very funny thing one guy asked me when I wrote something like: Oh yes, the Korath desert is very Eastern European.
Did you know there's a desert in Poland? Yes, there actually is. We also have several "deserts" in Germany, but they are all so small, even a toddler would have difficulty getting lost in one of them 😂. Of course Sapkowski was exclusively thinking of this miniature Polish desert when he created the Korath 😂.
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lalaloobzy · 7 months
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Do gay people even know about Birdy?
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Once every couple months I remember these dudes and they take over my whole mind
I am BEGGING people to read or watch Birdy
I'm in love with queercoded old fiction. And these pictures don't even begin to show how queer it is. Not to mention it's one of the best portrayals of complex PTSD I've ever seen
There's a part where Birdy gets 2 birds specifically with the intention of having them mate and have babies and he names them Birdie and Alfonso after Al and himself. HELLO????
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grandcovenant · 3 months
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who's pulling the strings of the puppet king?
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