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#it’s really just word vomit
hi-its-meg · 19 days
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I’ve cried so much these past few days. My heart just hurts so much.
Growing up I had quite a few close friends. 4 families really accepted me as their own and I spent a lot of time hopping between their houses so I wouldn’t have to go home- I’d go weeks without going home. I was always welcome no questions asked- even on school nights, I was always fed, I was always looked after, and I was always loved.
One of these families was just so filled with love and acceptance and they truly had the healthiest family dynamic I’ve ever seen. The parents were best friends and they never stopped being so in love. They cherished their kids and everyone their kids loved. That house literally poured acceptance and encouragement. Their love was the kind you dream of- the kind where there is absolutely no doubt that they were meant to be together. No amount of hardship was going to stand in their way and they faced a lot of it over the years- from health issues, financial ups and downs, and their families not supporting them as an interracial couple.
Three years ago the dad died and their entire world fell apart. They lost everything- they lost their house, they had to rehome their dogs (the only dog my friend still has is my dogs brother. The dad LOVED him so much that my friend couldn’t let him go. I offered to take him if they needed since I couldn’t let my dogs brother go to a shelter when I’m the one who brought him here, but thankfully my friend made it work), and everyone got separated at that point just so they could all survive. It destroyed the mom. She struggled so much these past few years.
Last week I had to message my friend because I saw a post her mom made on Facebook saying that she was going to end her life. I’m so thankful I saw it so quickly and she was able to send an ambulance to her mother’s apartment in time. A couple days in the hospital and she was back at home and seemed to be doing better.
Yesterday we got the news that she has passed. It doesn’t appear to be self inflicted thankfully, but it’s so sudden and unexpected. My heart is so broken for my old friend and her younger sister. They have no parents anymore. We’re all in our 20s, they shouldn’t have to go the rest of their lives without their parents who loved them so much. It’s just not fair that the best example of a loving family many of us had ever seen got destroyed like this. I cannot express how amazing these parents were and how much their daughters did not deserve this. My heart is just so broken for them.
The mom saved my life as a teenager and I will never be able to thank her enough. She forced my family to stop ignoring that I was hurting myself and that I really needed help. I’ve known and loved this woman since I was 7 years old. She always listened and she always cared.
A bunch of us stayed the night in their basement- which was super common- but this time my now-husband was there. We had been dating for a couple of months at the time. My friend group was always pro boy/girl sleepovers so this wasn’t anything scandalous. The next morning I got up and she was making breakfast for us all. She grabbed my shoulder and smiled at me and she gushed over my husband. She was so happy that I was finally moving on from my ex and she hadn’t seen me this happy in a long time. That he seemed like a good one and that everyone loved him being there. She always knew what to say.
I’m not really sure why I’m posting this. I think maybe I just needed to get it out of my head. This will be the first funeral I’ve gone to where I’ve truly been impacted and loved by this person and I think I’m struggling with that. I’m struggling with how unfair the world is.
The first girl I ever had feelings for passed suddenly a couple days before this. The girl that made me realize that I liked women and I could truly see myself loving her if she let me. I always thought she was the most beautiful person. Her name became my favorite name, it’s still my favorite name. She was so funny and so kind to me when a lot of people weren’t back then. She had a hard time in life but she never stopped being so kind. It’s really sad that she’s gone.
Death tends to come in 3s so now I’m just waiting.
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zuzu-draws · 1 month
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So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.
I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!
Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.
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This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!
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This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.
What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.
Eating is an instinct, a necessity for the survival of every single living being.
And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)
In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.
On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.
Btw, this tweet and this thread gives additional characterisation to Sukuna:
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Link to the original thread: Link.
More context (and reactions :P):
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Link to original thread: Here
This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.
When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:
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When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?
No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.
This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.
This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.
Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )
I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.
He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.
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I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.
Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.
Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.
This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.
I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:
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Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.
Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.
But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:
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This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.
Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.
If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3
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tomezatos · 1 year
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so like basically in the REIGEN manga tome tries so desperately to throw herself into the center of this literal Superhuman world she sees and play the role of the eager young protagonist and its so endearing but in the end reigen has to come clean and she can’t keep using the spiritual premise as a crutch. not because she was wrong to have her whimsical interests, but because the fantasy of specialness can often be an escape from the isolation a person feels due to being unable to live up to societal ideals of normalcy, and yet in the end the fantasy can itself end up feeding directly into the isolation by obscuring your view of the other people in your life. you cannot prioritize the idea of being unique or special alone and that is the reason that the power structures in the story (as represented by roshuuto in REIGEN) so frequently fail short; because actually EVERYONE is a Pathetic Freak Weirdo Nerd Loser, from the handsome, popular rich boy, to the pretentious Dark!Reigen foil who takes himself too seriously, to all of the mundane teenage girls who the audience is initially tricked into dismissing as shallow, but also by the same token EVERYONE deserves to be loved and feel supported. 
because actually bonds with other people are the most important thing, and centrally this is also why REIGEN relies so heavily on bonds with others as something to create horror. the evil spirit mimics the voices of the ones you love and lures you in and when you’re at your most lost and scared and in need, that’s when you turn around and the face of the person you trust betrays you. tome only contracts the fatal curse in the first place because she cared about reigen and went back to make amends with him. because that’s the most horrifying, most terrifying thing, the thing that renders you absolutely helpless, isn’t it? it’s letting yourself rely on others and trust them to the point that it leaves you vulnerable, isn’t it? but you have to do it, if you want to achieve true connection then you can’t continue keeping up a veneer of Specialness and posturing as someone you’re not no matter how afraid you are of being seen as your true self. that’s the idea that really connects tome and reigen above all else. you have to be who you really are and you have to trust that you’ll be loved for it. and that’s horrifying! that’s an unimaginable, Forbidden terror! but it’s necessary. 
and also I think it’s so clever how REIGEN conveys this by only bringing in shigeo kageyama, the protagonist and most recognizable character who the reader has so many preconceived notions of, in at the last moment as a terrifying ghost who is impersonating him. I mean also it’s partially because shigeo can easily be made to look scary lol, because let’s be real, he can be pretty goddamn scary /hj BUT MOSTLY it’s to have him in his uniform, in his most recognizable and iconic form that the reader will cling to, and then have it be blown away by the post-canon shigeo, the real shigeo, the shigeo who has grown and changed and is no longer stuck in the role he once was. because to be vulnerable with others you have to grow and change and do away with old pretenses and dynamics that you’ve become dependent on. it can be scary to stop playing roles after you’ve grown use to them for so long, but you don’t need them - your most honest self will be the most loved. and also I love how just like tome could tell that it was the real reigen bcause he immediately ran into a spiderweb and yelled, you can tell that it’s the real shigeo because he’s immediately rude as fuck and he and reigen literally instantly go into their mean pithy little affectionate banter lol ok sorry anyway.
and also because you cannot really be any more or less special than anyone else and you need bonds with others, it’s true both that you have to rely on other people, but also that you owe it to them to be kind. reigen is literally a normal person working in the spirit business, so he has to rely on other people with the necessary abilities, such as dimple the spirit and serizawa the psychic, yes, but he also does his part to take care of the people who matter to him. roshuuto is so focused on appearances and power - as shown by how he goes on and on about connections - but when it comes down to it, he was not willing to save others (leaving hoshido in Reliance), and so nobody bothered trying to save him in turn. he only abandoned, and was abandoned. this is shown most acutely in the end by how roshuuto “has no other option” but to pass his curse on to someone else to save himself, while reigen “has no other option” to take on a curse to save someone else. reigen and serizawa accepting their responsibility as adults to protect the children around them is an extension of the idea that you are equal to everyone and are obligated to be kind to your loved ones and recieve kindness in turn. anyway mutual trust and communication is all that matters and tome kurata is The protagonist of all time Sorry,
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flying-ham · 7 months
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I know we’ve all discussed Lucy Gray as a foil for katniss, peeta, snow, ect BUT I think she’s all of them??? Lucy Gray is the blueprint for modern hunger games, and so she has elements of all the victors who came after her
Her theatricality and beauty captured the capitol from the moment she was reaped with nothing but a snake, a song, and a rainbow dress, the same way katniss captured them volunteering for prim. But even more so, she could use her songs the same way peeta used words. She knew how to use her talent in her favor, and ultimately won the hunger games because of it.
She may not have been a career, but she was still offered up as a (forced) sacrifice to protect the other girls of the district. She showed the capitol that the children in the districts were almost human, setting the stage for the luxurious quarters and food tributes came to expect. She’s the whole REASON mags’ 11th games had a victory tour! Parading her around like a spectacle to be dehumanized, instead of a traumatized teenage girl forced to fight for her life and forgotten back in the districts.
Hell, her and tigris’ implied prostitution is likely the origin of snow selling desirable tributes like finnick and cashmere
tldr: Lucy gray is a bad bitch who can’t be compared to just one character from the original series, because she’s an amalgamation of many different victors who came after her, and was largely the inspiration for all future hunger games
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tragedy-for-sale · 25 days
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Brother I Love
@zaana made a post in which Hunter is the lovey-dovey type of drunk and naturally I really had to write about it.
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Tech had his back turned to his older brother. He listened to Hunter's seemingly silent winces, his shaky, ragged breaths. Tech closed his eyes, he'd already stitched Hunter up, already applied bacta patches, already did everything he could to help his brother's pain, he couldn't do anything else. Tech glanced to look at Hunter, his eyes were closed, hand gingerly tracing his wound. "I'll be back." Tech promptly said, walking to where Wrecker and Echo were waiting.
"Well?" Echo had been with him when it happened, and he had failed to keep Hunter safe. "How's he fairing, Tech?"
"He's in pain." Tech walked over to the fridge, opening it up and staring into the cold void, "He's in pain because he has broken ribs and three stab wounds, and we're not in a position to get him to a bacta tank." Tech shook his head, grabbing the cold blaster and putting it into his holster. Tech thought about suffocating Hunter just a little bit so he'd pass out and rest, but of course his stubborn ass remained conscious the entire time.
"What can we do?" Wrecker asked, standing up and walking to the fridge, was Tech really hungry right now? Wrecker usually waited at least an hour after a sour mission to eat. Wrecker looked at the door, "We need to go get more supplies, there's a village not too far."
"I agree. Tech?" Echo asked, they could leave now, Crosshair would be out of the shower soon and would watch Hunter until then.
Tech didn't say anything, he narrowed his eyes at the two bottles. "Yes, yes," Tech waved his hand as he reached for a bottle, opening it and smelling it. He wouldn't need anything too strong; Hunter was already such a lightweight. "Echo, power down the Marauder." Tech ordered as he grabbed a bottle of whiskey and set it on the counter.
Echo gave Tech a look, especially after seeing the bottle in his brother's hand. Day drinking wasn't usually Tech's thing, but Echo could really use one too. "We taking shots before heading out?" Wrecker laughed as he pulled down glasses.
"No." Tech said, shoving all but one glass back. He felt the Marauder go quiet and he sighed. Tech opened the bottle and poured a glass. This was the only thing he could think of to hold his older brother over until they got back. Now, Hunter would be the most annoying person ever but it was the best choice. For some reason. He walked back over to Hunter, he'd laid back, his breathing was short and shallow. "Drink this." Tech held out the glass.
Hunter opened his eyes, he barely had enough time to process what was in the glass before Tech had forced him to down it. "Whiskey?" Hunter coughed, whincing and pressing his hand against his wound.
"Yes." Tech poured another and held it out.
"Uh, Tech, can't say alcohol is going to help him any." Echo raised an eyebrow watching as Tech poured him a third glass. "Like, at all Tech." Echo's voice strained. Wrecker looked around the Marauder, that's why Tech had Echo power down the Marauder
Tech helped Hunter lay back down. He grabbed his helmet, putting it on before looking back to Echo, "Hunter is still in pain, alcohol will at least dull some of that pain until we return with proper equipment." It was clear Tech wasn't going to take Echo's objections.
"With only three shots?" Echo had seen Fives down at least eight before a blaster shot wasn't so bad.
"Ha, yeah, his lightweight ass can't handle more than that." Wrecker laughed as the main door opened and he walked down the ramp. Though he'd joked, Wrecker felt a great deal of worry. If they had to leave before Hunter had sobered up, the electromagnetic frequencies of the Marauder would be enough to completely overwhelm Hunter. Wrecker didn't want Hunter to be in more pain. He looked back to Tech, he was worrying about the same exact thing.
Crosshair stepped out of the refresher to a silent ship, he noticed someone had cut the lights and he spent the entire time coming up with the perfect comeback, but no one was here. "Figures." He rolled his eyes.
"Cross-" A giddy voice whispered. Crosshair looked around, "Cross, psst-" Crosshair turned and walked over to Hunter, who was laying on the big mattress. Tech must've finished patching him up and they all left?
"Hey, Hunter," Crosshair mumbled as he scanned the area, an empty shot glass, "Where'd everyone go?" He asked. Hunter's eyes were closed, Crosshair reached out, poking his brother's face, his cheeks were hot and flushed.
"-Cross can I tell you something?" Hunter whispered, opening his eyes. Crosshair let out a sigh as he checked the dressing on Hunter's wounds. "Cross-"
"Yes, Hunter?" Crosshair rolled his eyes as he continued to do a quick check-up on his vitals.
"I love you," Hunter reached out, poking Crosshair's shoulder, "Love ya, Cross," He whispered, narrowing his eyes. Crosshair stifled a chuckle, "Like a lot too, I don't think I've told you this, but I love you more than I love my hair and my knives, and I really love my hair and my knives-"
"That..." Crosshair's voice trailed, looking over to his oldest brother, he still had that stupid content smile on his face. Seems like he got Tech's special treatment plan. "You should lie down." He gently pushed Hunter back. He went willingly of course; Crosshair pulled the blanket up nice and high the way Hunter liked it.
"Okay but first you have to promise me something."
"Okay..."
"Promise me you won't let Tech cut my hair with my knives," Hunter sat back up, eyes wide and waving his accusing finger, "I can see it in his eyes, he's just jealous cause my hair is really, really nice and his isn't-" He hung his head, his eyes became really heavy all of a sudden. Crosshair stared at him, making a face, did Hunter just fall asleep? Crosshair poked his brother's face again and jumped back when Hunter shot up.
"Pinky promise me, Crosshair."
"That's your middle finger, Hunter."
"Middle finger promise me, Cross"
This time Crosshair let out a laugh, no one was here except the two of them and he knew for a fact Hunter's ass was not going to remember any of this, "I middle finger promise, Hunter, now please lay down." Hunter nodded and leaned back, closing his eyes. Crosshair stood there for a moment, a lingering smile still on his face.
"I'd be bald and knifeless for you," was the last thing Hunter mumbled before falling asleep.
Crosshair rolled his eyes, pulling the blanket a little higher, "Love you too," He mumbled before leaving his brother to sleep. Crosshair was against the wall next to the big mattress playing on Tech's datapad when the door of the Marauder opened. Crosshair looked to Hunter, who had also woken up, Crosshair nodded to Hunter before he stood up. "Have fun," Crosshair patted Echo on the shoulder.
Hunter sat up and looked over, "Hi guys!" He waved, "You all look so grown up, I'm so proud of all of you." He held his arms out, gesturing them to come to him. Crosshair shoved his brothers toward Hunter. Wrecker laughed as he got on the mattress and let Hunter hug the three of them. "You guys went and got me medicine too?" Hunter felt weepy, "You guys didn't have to do that for me-"
Echo looked to Cross, understanding what he meant. "Hunter you're bleeding-"
"And you care that I'm bleeding," Hunter cried as he pulled them closer, "You guys are the best brothers ever-"
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It hit me in the feels when yak said that it would have been a shame if he hadn’t found a drunk dee at the bus stop that fateful night bc when you think about it if he hadn’t seen Dee or had just decided not to take him home that night they wouldn’t have gone back to Dee’s apartment and had their first time together they would’ve just been two guys who had a couple of weird encounters and they probably wouldn’t have given each other much thought
But yak did take Dee home and now they’re two people who find comfort in each other and enjoy each other’s presence and they have amazing sex and even though there are a million reasons for why they’re Not In A Relationship they have still found a safe space in each other and it’s just really lovely
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beefcake-penguin · 2 months
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So... this post is going to be quite different from my usual "blorbo-posting" and fandom related shenanigans, but I really want to put this out there, make my position clear, and maybe alert others who haven't heard this unfortunate news yet.
I am an avid horror film fan. I am always seeking out any and every new release. So I was eagerly anticipating getting to see Late Night with the Devil when it came out today.
Unfortunately, now that the film's creators themselves have confirmed that A.I. art was used within the film, I absolutely will not be supporting this movie.
It's hugely disappointing to me that a movie - and an independent movie at that! - would resort to using generative A.I. in this manner and I'm appalled at the creators of the film for doing this.
And I've already seen the bandwagon counter-arguments on reddit, so let me be clear: I don't care how "minor" the presence of the art is in the film. I care that this was done at all. These are the types of "baby-steps" that have led to A.I. being such a prolific cancer already. For it to infiltrate actual, studio-funded and released films, now?! That's too far. And for the argument of "Oh, its presence in the film is so small! It's really not that big of a deal!" I would respond that commissioning/hiring an artist to create something so "small" wouldn't have been a big deal in the grand scheme of the film's production budget, and would have been a HUGE deal for that lucky artist to get their work to be shown in a feature film. And it also wouldn't have supported the blatant art theft that is generative A.I., so that's a pretty big deal too.
Another response I'm seeing is: "How sad these people [aka: people like me who refuse to support the film in theaters because of this shit] are going to refuse to see this great film over something so minor!" To which I would say: I'm upset too, to be quite honest. I'm upset that greed and laziness in such a "minor" part of this film is going to keep me from seeing a movie that - for all intents and purposes - looks like a lot of passion was put into from the cast and crew and really looks like a horror film that would be right up my alley. But it is more important for me to stand on this principle: I absolutely refuse to support any project that contains ANY use of A.I., no matter how "insignificant" it might be. Because of course it will start small. A title card here, a poster in the background of a scene there. But is it "insignificant" or "small" to the artists whose work this A.I. is scrapping to generate its images? No, and you can be certain that it will also not be a "small" matter to other studios that see this and think that they can incorporate this abhorent technology into their films as well. A "minor" use of A.I. is a slippery fucking slope and it is NOT one that I will support or encourage.
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brain-rot-central · 2 months
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I don't wanna go to work. I just want to write vampire smut, cook good food, and bake bread.
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manwrre · 4 months
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don’t ask me why but i have this THING where headcanon? my headcanon? is that billy just loves jewelry.
i fully believe that he had pendants upon pendants and chains and links of gold (real or otherwise) that he’s collected while growing up. maybe it was something that his mom did with him as a kid ie. they’d go to thrift stores and all of these little, rundown antique places and spend hours there— just looking for the prettiest things.
and if they were lucky, they’d return home with necklaces and earrings and other trinkets. and she’d string together the shiniest, most beautiful ones and give them to him; to her sweet, summer child. she’d press a kiss to his forehead and his cheeks and hold him close and they’d spend the rest of their time together showing of their purchases and doing try-on hauls.
and the necklaces? they were all dazzling in their own right but billy’s favorite one was a golden pendant, the size of a quarter and engraved with a semi-wonky ‘w’. his mama had found it hidden in the dingy back room of some store and in her haste to get them home, hadn’t even bought a chain. instead, she’d reached for the one around her own neck ( a delicate, long line of looping oooo’s) and had presented them to her boy.
and as he got older, his little collection only grew more or more; seashells and shark teeth, saints and angels, hearts and stars and butterflies. and of course, it pissed neil off to see him wearing them but his mom would only shoo him off and coo over all of billy’s newest additions.
in her absence, however, he’d begin hiding them from neil and tucking the shoebox of treasures into all sorts of nooks and crannies ( beneath loose floorboards and inside the fluff of his mattress).
but in the instances where he’d slip up and forget? in the moments where he’d get caught? neil would do his damndest to remind billy of just how much he looked like his ‘whore of a mother’ and that she, herself, couldn’t escape his violence.
the first time steve sees him wearing his necklaces, (all layered against the curve of his neck and dazzling atop his sun-kissed, freckling skin) he’d promptly lose his mind. i mean, just stop functioning like a human being and stare at him. he’d dream of kissing the hollow of billy’s throat and running his fingers over the odd shapes and letters. he’d splay his hands out across billy’s chest and take the ‘w’ into his fist— warm with evidence of a day spent in the sun. drink in the sight of billy beneath him. savor the blue of his eyes and the heat behind his smile. and think,
‘god, he’s beautiful.’
‘he’s bright and blinding and i can’t look away.’
‘he’s it— all i’ve ever wanted. he fills me with something so sweet, so warm.’
s w e e t , s w e e t ,
s u m m e r c h i l d
‘he’s the sun.’
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hi-its-meg · 1 year
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You should post the vent. I’m interested 🙋🏻‍♂️
Firstly, it’s too long for anyone to want to read it 😂 and secondly, it’s really not for public consumption. Sorry to disappoint!
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cherrirui-official · 5 months
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Friendlocke Violet Gijinkas (Part 3/7)
PART 3 RAAAAGH!!! SO SORRY THIS ONE TOOK SO LONG AAAH!!!! But it's here now, yippee!!! And just in time for Christmas too, wowie!
I plan on posting them in order by groups of three, so there's gonna be seven parts in total, all of which I'll be linking here when done vvv
(Part One) (Part Two) (Part Four) (Part Five) (Part Six) (Part Seven)
!! These will contain personal headcanons I have for the cast, little fun facts, and also spoilers for Friendlocke Violet (for both the edited vids and the streams) !!
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@saltydkart-reblogs
Designs under the cut!
GRACE:
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The light scars/ cracks on her body were injuries formed while she was accidentally sent through Turo's time machine. Unlike the paradox pokemon/ miraidon, GrAce's body isn't made of iron or metal, so her body wasn't able to withstand the large amount of tera energy used to power the machine as easily as the paradox pokemon were.
Luckily, she was just barely able to hold out against the time machine's energy until she made it to Turo's lab in the present day. Unfortunately, she can't be sent back because she would literally die if she went through the time machine again. Sooooo she's stuck in the modern era.
Very familiar with Area Zero and the various pokemon that reside down there, but moved out in order to continue producing music as well as familiarize herself with current-day Paldea.
She only vaguely know Clavell back when he was a rebellious teenager, though she didn't know his name. Clavell, on the other hand, was one of her biggest fans back in the 50s-60s.
Funny enough, when she sees "Clive" for the first time, she recognizes him! But not as Director Clavell, she just barely recognizes him as the random teenage fan that would occasionally ask her to sign various GrAce posters he had bought. She is also under the belief that he too, was sent from the past into the present, unaware that he simply just grew up.
Likes doing random poses for absolutely no reason whatsoever.
BRAIDY:
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Believes that everything can be solved without violence, but can and will throw hands if need be.
Everyone in Braidy's family greet each other by playfully ramming into one another. So when Peppy and his team were getting chased down by Braidy's family during their journey, they weren't trying to attack them, they just wanted to say hi!
Braidy is really good with kids due to his experience with being the eldest sibling, as he'd often have to take care of his younger siblings.
Mykyie and Braidy shop at the same clothing store.
Speaking of Mykyie, the lighter parts of Braidy's fur appeared only after Mykyie passed...
As of now, he's still an apprentice, but he has great potential to become an all powerful wizard... someday.
CHRISTENE'S:
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Artist's note: I couldn't fit their children in the bio sorry girls and gays. I'll probably draw them out later on after I'm finished with everyone else.
Their stomachs are basically voids, so every time they eat the food just disappears, which is why they're ALWAYS hungry.
HIGHLY flammable.
It is speculated that they're poppets, but you don't have any proof of that, do you?
If you listen closely, you can hear soft bell noises every time they walk. It is unknown why this happens, but I believe it is best not to ask.
Aaaaand that's it! I plan on taking a short break from these bc I wanna draw some other stuff. Dw, I'll continue to work on these very soon!
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luguangluvr · 8 months
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hey guys you know the like. superstition that birthmarks are the places where you took your fatal wound in your past life??
what if you take that and turn it into alternate timeline lives instead??
what if cheng xiaoshi is riddled with birthmarks. some more noticeable than others, but he thinks nothing of it obviously. why would you?
on the other hand. he has wondered why lu guang seems to stare at them a little longer than a normal person would. why his face turns slightly pale when cheng xiaoshi asks what he’s staring at so hard.
and lu guang shakes his head, silently turning away. biting his tongue while he wonders when he started losing count of them.
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muchmossymess · 25 days
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GUYS okay hear me out majoras mask boat boys au
I love legend of zelda I love boat boys this is like the ultimate combination of my interests you cannot understand the brainrot. Idk what to call it yet tho... majoras minecraft? Anyway prepare for an essay
OKAY so we have the Hero of Time, Etho, who stopped ganons plans before they started, and would be stuck in a child's body if not for the fact I think that'd be a lil weird for the more shippy aspects of this au that all the running through time aged his soul and his body followed suit (he's still got a young appearance, and the mask doesn't make him look older like he thinks). Same reason he has the scar over his eye (from the ganon fight); no matter how much the body may heal or rewind the mind will not forget.
Then navi (maybe bdubs?) left him, and he went with epona (maybe bdubs instead? (eponas a horse iydk)) and he sets out on a journey aka the beginning of mm:
Wandering through the woods on epona, gets jumped by skull kid. For those unaware, there is skull kid, a lonely lil sweetheart, and he wears the mask, an entity on its own. He also has two fairies, siblings tael and tatl.
So I was a little unsure about this for a while, but I think I've decided on grian for the skull kid and Jimmy for tael, grian bc watchers and Jimmy bc skull kid is not very nice to tael (bc of the mask) and like a listeners reference or smth blah blah blah
TATL. that's who's interesting. At the beginning she gets separated from her friends and becomes your companion. So naturally for this au she is our favourite joel smallishbeans. It works so well. Tatl is mean but cares, and that's joels dynamic with the bad boys and with etho, guys it's literally perfect idc what you say
I think it doesn't change much throughout like the story of the game, but just taking dialogue tatl says to link and its so perfect for a sassy joel to a "can't believe I'm dealing with this shit again" etho. Uh one thing different though; in hylian form etho doesn't have an ocarina but instead a mini marimba. Just because. I think it's cool, and for potential things later on.
Now, fairies in this au are just tiny glowing people shaped things with wings. The glow around them is their magic, and depending on emotions/energy the brightness changes (thats why they look like flying balls of light). Some fairies have the ability to make projections of themselves, more hylian sized in nature. This can be intimidation or distraction or w/e, but they cant do it for long periods of time bc its exhausting. These forms aren't physical. Just sized up light projections of their actual bodies.
So for a lot of their journey, joel is just a cute pocket sized ball of rage and sarcasm, who helps with ethos aim for fighting. Bc that's a game mechanic and also ethos like half blind. But like when joel calms down imagine him crawling into ethos hat and just dozing off. He can fit in the palm of your hand like guys it's so cute. But he is also capable of being worse than a mozzie
Oh probably a good point to put in what I imagine etho looks like. So it's typical link green (maybe a bit dampened?), weird pointy hat, short hair (white ofc), his shirt is more of a jacket with a fluffy cold weather collar, it's a bit too big for him but he knows he'll grow into it, he's all knobbly and thin (underfed a lil, boy was never taught how to care for himself beyond basic survival). His injured eye is red bc of ganon, and often gives him phantom pains. It can't be healed.
Anyway, at some point in their journey together, etho and joel learn a song that let's fairies have a larger physical form, no wings, sorta like the great fairies (who they learnt it from prolly). It isn't permanent, slowly draining ethos magic meter, the spell ends when you run out of magic. This is because I want them to actually be able to stand side by side or maybe hug, and also bc its hard to block a blow with your body when ur tennis ball sized.
Aaaaand, this ties back in with with marimba. What if ethos injured, or unconscious, and he obviously can't defend himself, so joel panics and plays the marimba in what he hopes is the right order to give himself a body. I imagine that being that small, you could not play an ocarina. And hey maybe joel carries etho away after that, and when the spell ends he has barely any light emitting from himself because he spent nearly all his magic (what he is made of) saving etho.
But this song isn't used much, because of its draining nature, and you can't really do any other magic things while it's going. So it's mostly just in the final fight (over and over) or tough moments or maybe joel wants to experience something like hoe hylians do. It's obviously inferior to how he experiences things as a fairy, of course, he's just curious thats all. He totally doesn't want etho to do it more.
Okay I think ill sorta stop here, I am NOT done, I will probably post some art I've done for this later lol, and I want help with who everyone else is (mumbo is the moon. You cannot stop me nor change my mind) with mcyts to npcs
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al-the-remix · 7 months
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Random fandom thoughts/feelings
The reblog button is turned off on this post but I think it's another incredibly important one to be thinking about. I enjoy their framing of how the profit economy of other social media sites has been bleeding into fandom spaces on both tumblr, and like this post focuses on, Ao3. It's something that I've been noticing more and more and it really rubs me the wrong way and I feel like OP's post words it perfectly in a way I've been struggling to express.
This sort of connects the previous post I reblogged on the topic talking about how fandom is not a good in road for becoming internet famous.
A facet of this that's really bamboozled me recently is that I feel like i've been seeing more and more of is the idea that a singular person has a right to call "dibs" on a specific piece of media. Which is honestly totally fucking wild to me and if I'm being totally frank kind of dumb.
Every single one of us who interacts with fandom and by extent and IP is flirting with copy right law, the consequences of which everyone should be extremely familiar with by now with the fall of LJ and various lawsuits by authors, dmca notices, etc.
We have all heard the adage "there's no such thing as an original idea"; the idea that everything we create is the amalgamation of all the things that influence us, good and bad.
This is totally normal and good, actually.
For example, if I and another person both watch a TV show, see a production photograph that we really like and decide to draw it and post them one after the other it would be considered extremely bad behaviour to then turn around and make a big stink about how someone else had the gall to turn around and draw the same thing that I did. We can all look at a picture, video, lyrics to a song, become inspired and create something wildly different based on our tastes and influences--but we also are equally, if not more so, likely to create something nearly identical to our peers, especially in a fandom space where ideas are concentrated and we are all consuming each other's thoughts, opinions, and creations. More than once I've come up with an idea for a fic or a drawing that someone else had had a nearly identical execution of without us communicating or viewing each other's work. That's just the way the human brain works, we're hard wired to make connections in a fairly similar way.
You do not have a right to call dibs on any one photograph, clip of video, song lyrics or any other bit of media you might consume.
This stands for artists, writers, gif makers, AMV creators, and any other way you choose to express your love of fandom creatively.
If you are really hard pressed to focus on the numbers and work at being ~influential~ the burden is on you to distinguish yourself creatively.
There's a reason why not being able to see follower counts is so important to the way fandom and tumblr functions. The concept of ~small creators~ and ~big creators~ or BNF or whatever are all burdens you place on yourselves. No one is taking anything away from you by engaging with the same bit of media you are in a similar way. We all have a right to express ourselves creatively and emotionally through any snippet of media that sparks our interest. You do not get to "own it" just because you happened to pump something out first. There are no creative "dibs". This isn't even some sort of "fandom" etiquette thing that has gone thus unspoken. It's a strange possessive thing that I've seen crop up more and more as the idea of being a capital "C" Creator brain rots people's minds and atrophies their ability to be creative.
Sort of on a tangent, but I have a bunch of other personal random thoughts about how this push to be prolific stagnates fandom, but these are more complicated for me and I'm not as clear on how I want to express them. On one had I am completely on board with the "there is no such thing as cringe" mindset and that everyone has a right to create whatever super indulgent thing they want to without having to suffer people being snobby about it. But, on the other hand I feel very strongly that the cycle of people seeing one trope or characterization being repeated repeated over and over and gaining popularity, reading only that--writing only that--leading others to also only consume that, really stymies creativity and makes it harder to grow the fandom if people that are trying to enter aren't into That One Thing, while also ostracizing people who are already in the fandom that aren't into That One Thing. I strongly believe that people's tastes are at least 70% just what they're exposed to, and obviously not everyone is going to be into whatever weird niche concept they're exposed to through fandom, but the more they are the more opportunity they have to expand that horizon. I don't know how many times I've gotten a version of the "I wasn't sure I would like this but I gave it a shot and it turns out I really love it!" and how good that feels and how much I wish other people were emboldened to do the same instead of being so wrapped up in how their work may or may not be received.
This is mostly a subjective thing though, so it's less cut and dry. Like for example, I really struggle with engaging with transgender fic despite being transgender myself because of the way most AFAB fic is written to the point where I avoid it now almost entirely. Which, frankly, really fucking sucks but also I will be the first person to fight for other's ability to write transgender characters wether they appeal my personal feelings and taste or not.
Anyway, this is one of the reasons I'm so protective of fandom community events, especially ones that employ aspects of the fandom gift economy such as exchanges. There are one of the few wholly un self-centred places left where the focus is on gifting someone something they will love and giving back to the fandom at large by flooding it with art and opportunities appreciation and engagement with each other. It is not supposed to be an opportunity for you to think about yourself and "getting something good" in return or using it a convenient deadline. It also offers you an opportunity to engage with fic tropes and genres that you've never considered writing or reading before.
TL;DR if you've found yourself recently squabbling over how many notes your gifs, art, writing, etc. has been getting compared to other people instead of focusing on forging community ties and your own creative expression, I'm sorry to say you're doing it wrong.
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penpinetree · 6 months
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Rhythm Doctor's tutorials are perfect and why subdivision beats are my favorite mechanic (SPOILERS FOR ACT 5)
before we get into spoilers: Rhythm doctor is a one button rhythm game where you apply defibrillation to numerous characters who each have their own tempo, mechanics and stories as to why they're at middle sea hospital, the game has a great story, amazing characters, and a simple (at first) gimmick, push the button on the 7th beat. its a good game, you should totally play it, and I recommend not reading this post if you haven't, if you have played it, then listen to me word vomit for a minute.
Act 5 is about subversion, even before the act officially starts the game tricks you into thinking it'll be a fun little baseball themed act
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the entire act takes place in a new (to you) ward where you've overheard from two other patients that a popular baseball player has just been admitted there.
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immediately you'll notice that this is not a ward in a hospital, this is a baseball field, strange, but whatever, doesn't matter. this song introduces a new gimmick, subdivision notes, which are a type of SVT beat (i realize i didn't explain those, basically you're given a get, set, go count and have to hit the beat on go) subdivision beats are simple (at first) where all you need to do is listen for a queue and hit more than one note.
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they look like this (it was so hard to time snipping tool to get these). the top image is for a double subdivision and the bottom is for a triple subdivision the tutorial for these notes is really good at getting you used to these types of notes being matched with each other and regular notes respectively and you'll have a good grip on them by the end of it.
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the song starts out in the same field that going into the physiotherapy ward brought you to, and the music is nice, mostly just a test to see if you have the subdivision beats down by now.
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that is until you reach this point and a baseball suddenly flies into the screen, putting the song to a pause and pulling away the curtain.
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it was a dream, this is lucky, the baseball player who was admitted to middlesea hospital for tearing their rotator cuff during a game. after a quick cutscene the song starts again, cutting back to the baseball field, except it's no longer a dream, it's a nightmare, its pouring rain, baseballs fall from the sky in larger and larger amounts, every now and then you can see the eyes of Lucky's fellow teammates staring at you from the dugout. and then it happens, my favorite part of act 5, the one queue that made me fall in love with this game for a third time.
FOUR! TONK-TONK-TONK-TONK
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all of the sudden you're hit with a quadruple subdivision beat, they didn't teach you this, lightning strikes in the background as its called out, normally this would be bad game design, throwing something at you out of nowhere without explaining how you're supposed to deal with it. but you hit the notes anyway, because by now you've learned to ignore the visual cues and go based off of the game's rhythm, because the queue's "Tonks" are also in tempo with how quickly you have to hit the divided notes, so without making a sweat you hit the notes perfectly, even while the nightmare sequence starts to fall apart, telling lucky to wake up, you still hit every note perfectly until the end of the song
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at the end of the song the screen zooms out from lucky, and you're shown the real physiotherapy ward, this room will no longer look like the baseball field unless you go to it on a new save, act 5 is such a good example of why this game is so dear to my heart (haha) and if you still somehow haven't played it, please, just buy it, give the developers your money.
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clownsalot · 8 months
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im very normal about fuuta in general but i dont think im ever going to emotionally recover from his fire motif and what it represents for his character and how he reflects the greater theme of justice so that means i must rant about it
(more under the cut because this got longer than i expected whoopsies)
so anyway fire is pretty obviously supposed to be symbolic of his passion for justice right? that fire is all over the place in bring it on. he's wielding it to take down enemies, his signature weapon is a flaming sword. it's what he uses to lead the campaign against the people he's after, the people he's deemed in the wrong.
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it's a fucking flaming sword, it's badass as hell!!!! it's what a hero of justice, a knight, would use!!!! it's cool as shit, it's his symbol of justice.
that's how he sees his justice in trial 1.
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he's righteous, he wants so badly to believe he was a hero, he was doing it all for a good cause, for justice. his passion for justice was a tool he used to meet those ends, to be a hero, to wave it valiantly in the face of enemies.
the fire, however, is conspicuously absent once he's noticed the blood on his hands
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interestingly, despite backdraft as a song title being much more related to his fire motif than bring it on, fire is actually surprisingly absent from the mv's visuals. fire, as in actual orange burning fire, doesn't show up much at all in backdraft except for when both fuuta and his victim begin turning to ashes, and a short bit near the end right after the last chorus when the spraycan explodes in fuuta's face. you know what the mv does show a lot of though?
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smoke. and ash. the byproducts of a fire, the byproducts of fuuta's passion for justice.
bringing it back to firefighting for a moment: as many people have already pointed out, backdraft as a firefighting term refers to when a fire that has consumed all available oxygen suddenly explodes when more oxygen is made available, such as when a window or door breaks. the thing about fire hazards, though, is if the fire and the heat don't do someone in, usually it's the smoke. the smoke inhalation causes breathing difficulties and suffocation, making it even more difficult for a person to escape the fire.
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in backdraft, instead of fire itself, what we're shown is these byproducts of a fire. the smoke is damaging to human health, and the ash shows that the fire has burned things up and caused destruction, in this case killing someone. all we're shown is the negative results of a fire, in sharp contrast to its badass, positive portrayal in bring it on.
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hell, even fuuta himself starts turning to ashes and the spraycan explodes in his face, showing how even he is experiencing the negative results of a fire that has gotten out of his control, how even he has gotten burned by his passion for justice. or, is it es' desire for justice?
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translation of fuuta's t2 vd by onigiriico
Me, too! I was like that, too! I also didn't think it'd turn out that way!
You and I are exactly the same breed! The only difference between us is the clothes we're wearing.
fuuta's justice and es' justice, it's all the same in his head now, he directly tells es that they're the same, that we're the same. it's all the same hunger for justice that ends up causing harm even if that wasn't the intention.
you know that saying that fire is a good servant but a bad master? i think that's pretty applicable to fuuta's situation. his passion for the pursuit of justice was great when it was still a tool, a sword he could wield, after all he did manage to shed light on some people's wrongs and bring them to justice. but once it exploded, when it became a backdraft that even he could no longer control, it did more damage than he intended.
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it burned even him, it killed a middle schooler. and he recognizes that in backdraft. he only shows us the ways fire that becomes a hazard can go wrong.
translation of fuuta's t2 vd by onigiriico
What did I do? All I did was say that what's wrong is wrong! I was just going off at a bad person online!
I didn't think they would die! I just thought that wrong things are wrong, and that a crime is a crime! You get that, don't you? See? Aren't we the same?
it's just. fire is such a good metaphor for the message of fuuta's character and his arc. it's an amazing illustration of how dangerous it is when you feed a desire for justice too much, when you forget to put a boundary on how you handle that fire. eventually the fire spreads just like how passion for justice becomes zealotry, until more and more things fall under what you consider to be 'punishable' by your standards and goes out of control to hurt people that probably didn't deserve it. it's a warning to set proper boundaries on our own definition and desire for justice and what's 'right' so the good intentions doesn't spiral into harm. it's a reflection of our attitudes towards milgram as the audience responsible for their justice and forgiveness. it's amazing i love it i love fuuta's fire symbolism i love fuuta's character arc and i love milgram's writing so so so much
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