#it took me hours to write all of this | Explore Tumblr Posts and Blogs

lovesickeros · 5 months

Text

☆ even the gods bleed [ pt 4 ]

{☆} characters arlecchino, furina, lyney {☆} notes cult au, imposter au, multi-chapter, gender neutral reader {☆} warnings blood {☆} word count 3.7k {☆} previous [ 1 ] [ 2 ] [ 3 ]

Fontaine was bathed in darkness, not even the moon daring to illuminate where the common man fears to walk. The streets were bleak and empty save for the constant, rhythmic ticking and clanking of machines marching on endlessly, dauntlessly wading where even the bravest dared not to venture. Not even the sharp click of the Gardes boots followed the occasional hisses of steam as they walked the barren streets.

It was haunting, and it'd been like that for days now. It showed little signs of stalling in the slightest, too. Every inch of Fontaine was practically crawling with Gardemeks– like a swarm of rats skittering about.

Arlecchino had secluded herself in the Hotel Bouffes d'ete for days at this point, waiting– biding her time. Her nails clicked against the wood as she tapped at the table in a stilted rhythm, the subtle click of the clock mixing into the clanking outside, weaving in and out of earshot as the patrols slipped by. She reached forward after a moment of thought, reaching for the white king.

She leaned back against the chaise, tilting her head just enough to catch a glimpse of a patrol of Gardemeks as they vanished behind the rows and rows of buildings. It wasn't enough to keep her attention for long, however, her features twisting in disinterest as she glanced back to the chessboard– and the letter neatly resting beside it. The seal was unmistakable and a sobering sight, demanding her attention– the soft hues of blue etched into the shape of a dragon stared back at her in a way that almost unsettled her.

She had already parsed through it's contents hundreds of times, but she was met with only vague, flowing script that only served to irritate her more then anything– it filled the page top to bottom yet managed to say nothing at all. Her hand reached out again, but instead of reaching for the letter she plucked the black rook from the board, setting it down with a soft click.

Arlecchino had all the time in the world to sit back and observe her prey, but all that time would be useless if she lacked the information to act.

And he was quite tight fisted about it, evidentially. None of her inquiries or attempts to decipher any potential codes in the letter left her empty handed. She could not act without even knowing the reason for his summons– it was almost worded like a personal affair rather then one would expect for a foreign diplomat. In truth, she'd expected a scalding report on her operatives, but it lacked any mention of anything of the sort.

She was no stranger to people masking hostility behind pretty words and compliments, not that it was ever unwarranted per se– the Fatui did not create connections through honesty and genuine kindness. They have strong armed more then their fair share of people into cooperation to the point distrust is all the Fatui are met with outside of Snezhnaya. Every word was meant to conceal the deceit, every action meant to conceal the price later paid.

So she had been..skeptical of the letter, to put it lightly. She doubted the Iudex of all people would offer a hand to the Fatui without a price attached– a trap, perhaps, meant to lure in the most powerful piece left on the board. Her eyes narrowed, reaching for a white rook and moving it to the right.

Or he was hiding something. Something that he simply couldn't risk getting out to anyone, not even the Divine themself. A tempting prize, whatever it was.

..A dangerous prize, too.

She'd considered burning the letter and forgetting it all together– the risk was great, and she couldn't risk getting caught up by whoever else the Iudex may have on his side of the board. But she could hardly pass up the challenge and the prize that he fought so hard to keep from prying eyes and ears. Even her agents came back empty handed each time. She lazily picked up a black rook, sliding the white pawn aside.

"Lyney," Arlecchino drawled, crossing one leg over the other and turning her gaze to the door as it slowly creaked open. The pale visage of Lyney stepped through, though his siblings were noticeably absent. The weariness that weighed down on his shoulders was apparent in the slightest furrow of his brows and the subtle creak of leather as he clenched his fists behind his back. "Father." He choked out, the title dragged out by the sharp inhale and shaky exhale.

He looked out of breath, she noted.

The silence that lingered after the small exchange was punctuated only by the click of another chess piece being moved. She sets aside the black rook, letting it sit among the dozen other pieces that had been wiped off the board. She can see the conviction glinting beneath the fog of exhaustion, but if he would utilize it was another matter all together.

He had seemed to make his choice quickly, at the very least.

"Our contacts and operatives within the Fortress of Meropide have gone silent– all we have is their final confirmed missive.." His voice is confident, but it is rigid as the words spill from his lips. He takes a sharp step forward, unfolding his arms from behind his back and opening his hands– the small, water stained and messily folded note catches her eye, plucking it from his palms with a half hearted interest. "They believe the Duke left the Fortress of Meropide..and that he may be coming to the Court of Fontaine."

Her eyes narrow dangerously, nearly crumpling the thin paper in her hands– yet just as quickly, she collects herself.

But she cannot get rid of the bitter taste on her tongue, lingering as she sets down the note and slides it to the side, her lips pursed into a thin line.

So the Iudex had shown one of his pieces..she tightly grasps a black rook, tipping over the white rook, letting it roll against the board.

If the Duke was involved, things were much more complicated then she expected– he would be a problem, she was certain. She couldn't blame the lamb for fearing the wolf, either. Whether her agents had been killed or captured by the man mattered little. He had his ways, and he was a force that could instill fear in even them.

Which meant the possibility that her operation was already compromised was far too real.

What had the Iudex so concerned he had gone through the trouble of bringing in the Duke and herself? The Fatui was one thing, but to specifically request one of it's Harbingers..

The Prophecy? The thought had her clenching her fist, but..no. If it were to rear it's head now, the Iudex could simply not afford to waste time on his contacts deciphering his nonsensical script– If the prophecy were to be the issue, there time would be limited to mere minutes in the worst of cases. Which meant it was worth biding his time in order to ensure absolute secrecy.

So if not the prophecy, then what?

Her next moves were..limited. She was already walking on eggshells considering her position and the reputations of the Fatui– especially with a Harbinger in the midst. If they caught wind of her operations, they'd weed out her operatives and be on guards for any snakes that lingered in their garden.

She reached for the chessboard again, picking up one of the white rooks from the board with a scowl. The sharp click as she sets down the white rook and sets aside the black pawn draws a shaky inhale from Lyney as she moves another black pawn, the dull click of the pieces drowning out the distant clinking of machines.

..A draw, perhaps.

The pieces were all falling into place– the players of this game were slowly being revealed. Whether she could secure her victory..she was unsure.

She wasn't even sure who her opponent was. Only that the Iudex himself was but another piece in their game.

Arlecchino reached for the board again, yet this time she hesitated. Perhaps she could still swipe the win from beneath them, if she played her cards right.

She would simply have to capture the king– or, if need be, let it end on a draw. Either way, she would not concede. She could not afford to concede. Down to the last piece, she would drag out this match until she was in a position to force their hand into the outcome she desired.

She stood slowly, picking up the king piece and observing it for only the briefest of moments before she set it down on the table, taking measured steps around the table and across the room. She was hunting a much more dangerous quarry today– it would be no simple runaway traitor this time.

"Do you remember the directive?" She inquired coldly, her hand lingering on the door for that long, tense moment. "..Yes, Father." Lyney faltered, taking a hesitant step back and bowing at the waist. "Then do not stray."

All that was left was the silence and click of the door shutting behind her as she disappeared down the hall, her boots clicking harshly against the floorboards. The rest of the agents knew better then to linger in her path as she stepped down into the lobby, adjusting the cuffs of her sleeves. She barely even acknowledged the Fatui agent standing at the ready by the heavyset doors, their gloves hands held out with her cloak held loosely in their palms. She quickly snagged it from them, tugging it over her board shoulders and clasping it around her throat.

With a quick tug, she brought the hood up over her head to conceal her sharp features, lifting her hand and placing a neatly folded note within their waiting hands. She had only one chance to make the right moves and secure her victory– no matter the cost.

Each piece had it's purpose.

Oft, that purpose was a bloody and horrible end– but for the grand goal of the Fatui built on the backs of the dead, it was an honor.

She didn't bother speaking a word as she dismissed them with a wave of her hand, pushing open the heavyset doors and stepping out into the barren, damp streets. The rhythmic clink and whir of Gardemeks was still distant– she needed to move. Her boots clicked and splashed in the rain soaked stone of the streets as she slithered between the buildings, ducking through the openings in the patrols.

It was almost too easy.

She tilted her head back, taking in the towering Palais Mermonia with a scowl, her hands clenched into fists. The final moves were being played– the king was within her reach, yet she felt no more confident then when she began.

The air carried a sense of unease, thick and heavy, filling her lungs until she felt her breath still in her chest– listening to the empty, bleak night that seemed so..quiet.

She'd done her fair share of research, had more then her fair share of her agents try to peer into the Iudex's office or the Archon's supposedly hidden chambers, but every attempt was a failure. She had to give them credit, they were quite elusive when they wished to be. Though now she only thought about it bitterly– this was all a risky gamble, in the end, and only time would tell if it paid off.

With minimal effort, she'd managed to pull herself to the flat, tiled roof, eyeing the massive tower peaking out of the center cautiously. At least here the wandering patrols down below weren't likely to notice her..she could hear them passing by the spot she'd been in only a few minutes ago, just beneath her. She pulled the hood further over her face, peering through the sheer darkness of the night for any oddities, but it was almost impossible to see in the dark.

Her boots clicked softly against the tiles as she approached the tower jutting out from the Palais, her hand gliding along the smooth stone, pressing against odd indents or crevices. If it was for the Archon's chambers, she doubted they made it very difficult– she'd only met the woman once, but she doubted the Iudex make it all that complex just from a brief glance. And it surprised her little when one of the stones sunk into the wall, gears whirring as the walls split open to reveal a stairwell straight into an inky black hall. Only the barest hint of light peaked under the door at the bottom, but it's occupants must have heard her, considering it went out not a moment later.

She cautiously stepped down into the small crevice, her breath visible in the bitter cold air– her shoulders tensed at the subtle sound of muffled footsteps behind the door, her vision flaring with a molten heat between her shoulder blades as she reached for the worn handle of the door. The heat of her vision was enough to just barely heat the metal, her vision flaring like a quickly building inferno.

Arlecchino was prepared for a fight, if it came down to it.

The door creaked as she pressed against it, shoving it open with a grunt of effort and surveying the room with narrowed eyes and a biting remark on the tip of her tongue– the lavish opulence was expected, she supposed, but the lack of the towering figure of the Iudex was not.

Yet before she could get a word in or even take in her surroundings properly, the light flickered back on and she had to squeeze her eyes shut with a hiss at the sudden brightness. She could hear the door being shoved closed behind her, the hurried footsteps retreating just as quickly as her eyes adjusted to the light.

..This was a joke, wasn't it? It had to be.

She'd expected the Iudex, perhaps even the Duke if she'd been unlucky, not the Hydro Archon. She had half the mind to test her worth as an Archon then and there, her temper flaring like an uncontrollable blaze, barely kept at bay. It took all her self control to force herself to smile politely at the woman rather then snarl.

"Miss Furina," She sneered beneath her hood, x shaped pupils locked onto the startled, trembling Archon with thinly veiled contempt. "What a..pleasant surprise. You'll have to forgive my manners, I assumed I was meeting with the Iudex." She observed her body language carefully– the way her eyes darted about like a frightened rabbit seeking escape, the slightest tremble of her lips..

Arlecchino opened her mouth to offer another scathing remark, but her jaw audibly clicked shut as her entire body seemed to lock up. Even her vision went cold against her back, a chilling feeling creeping up her spine as someone, or something, crept up behind her. Their footsteps were almost silent, the slight rustling of their clothes the only thing she could hear over her heart pounding against her ribcage.

Arlecchino had always prided herself on being on the other end of that sensation– she was the monster, and her target was the prey frozen like a deer between the hunters crosshair.

It was a chilling feeling to have the dynamic shifted on it's head.

She couldn't even swallow, her jaw clenched so hard she could hear it creak as she tried to reason with her quickly splintering mind– a futile effort, her joints locking up almost painfully. Black spots were quickly swallowing her vision from the lack of air in her lungs, the sound of shuffling behind her barely audible over the ringing in her ears.

For a moment – a moment too long to have only lasted the seconds that it did, yet so quick it gave her whiplash – she thought she would hit the floor dead before she could even glimpse her assailant.

And then it was gone. She came crashing back into reality with a startled inhale, her lungs burning and her knees nearly buckling under her. The instinct to lash out and kill whoever had done it was intense, yet she couldn't bring herself to move even a finger– it would be so easy to twist around and ignite them with searing flames, but her feet were rooted in place.

She almost didn't notice the surprisingly gentle hands unclasping her cloak, tugging it off her shoulders, if not for the sheer intensity of the presence still lingering behind her. Her mind was still fractured, struggling to right itself after the ordeal, and it had her seething.

"..Are you certain you held back enough?" Furina croaked, the normally soft lilt raspy and almost hoarse. "Not– not that I doubt your capability, most Divine!"

Arlecchino felt her nails dig harshly into her palms, heat swelling beneath her skin– Divine? Had she lost her mind? The Divine was..

The Divine was upon their throne where they belonged. She'd seen them!

"Hm. Well, maybe? Sorry, I didn't think it'd affect you too." Their voice was sickeningly soft as they stepped around her like she wasn't even there, focusing their attention on the Archon who seemed more then delighted about it. "What gave you that impression, most Divine? Aha, I..was completely unaffected, as you can see! Perfectly fine."

Furina let out a small squeak when they pinched her cheek, but the almost affectionate smile that tugged at their lips revealed the lack of malice behind the action.

"You're a bad liar, Furina. You might want to sit down..please?" They didn't take her protests for an answer, gently pushing her to sit on the bed before abruptly turning to face Arlecchino once more, a forced smile on their lips. "Oh, good, you're..uh, not dead. That's good. I thought I fried your brain. Sorry?"

..Had she hit her head on the way here? The Divine should still be on their throne, yet she couldn't shake the weight of their stare– it felt tangible. She felt like she was standing face to face with the stars– galaxies and constellations bearing down upon her.

She grit her teeth and clenched her hands until she felt the sting of her nails against her palms, grounding herself in the pain through the sheer overwhelming nature of their existence.

"You.." She croaks, reaching out with a shaky hand and grabbing them by the collar of their shirt, lifting them up until their feet left the floor– she pays no mind to the startled protests of the Archon. Arlecchino would crush her like a bug before she even got the chance to intervene and they both knew it. "You shouldn't exist– you aren't them, and yet you..you're the imposter, aren't you?" Her grip tightens yet they face her without an ounce of fear, meeting her unyielding glare with a pondering look.

Arlecchino wanted to make them bleed just to see if she could, the urge to sink her teeth into skin welling up in her chest to the point she visibly snarled, her mask of politeness long . "You're the imposter." Her expression falls for a moment before she schools it into one of apathy, setting them back down and holding them there for a moment, finally releasing them after a tense moment. "Or you were supposed to be."

Hers brows furrow– she wants to demand answers, to throttle them for damning them to being nothing more then dolls for the supposed Divine to break at their whim, but none of the words come to her.

"..Why now? The current Divine has been in power for years, yet you descend now?" Her shoulders tensed, lips pursed into a thin line– it's impossible to ignore the truth that lay before her. The Divine is a fraud and this..imposter is the true Divine. How many years had they been in power, now? How many years were they waiting? Why did they wait? Was the suffering of Teyvat not enough? Was the blood that painted the steps of their stolen throne not enough?

She'd personally been on the wrong end of the Divine's wrath– she wonders..had they watched? Had they seen the cruel hand of their imposter and turned their back on Teyvat?

"I.." They hesitated. It made her seethe, her hands clenching into fists at her sides– her vision flickered, flames swelling within it's casing just to be smothered by the presence of the Divine. But once that spark had been lit, she refused to let it go out. "I didn't know."

The answer does not satisfy her. There is an itch beneath her skin that she cannot scratch, a fire that burns in her chest so hot it scorches even herself.

"And what about now? Are you content to cower like prey in the safety of the Palais Mermonia?" She snapped, taking a step forward, her brows furrowed and her glare intense– she can see the slightest bit of worry in their eyes. She revels in it. "Will you let them use your acolytes like pawns? How many more need to be broken on the steps to your throne before you act?"

Again, her vision flares and dims– it refuses to be used against the Divine that created it.

"Have you no answer?"

The room is silent. They do not speak and neither does she.

Even the world itself seems to quiet in the face of her accusations, fury boiling to the surface so hot it incinerated all it touched.

"I will kill them myself."

Their words are quiet, but they are not soft– there is a vindictive, searing anger that explodes out like dying stars within their eyes. The sight of constellations replaced by a void that would not be . The smell of ichor grows stronger– to the point she feels almost lightheaded.

"..I am aware that I have failed in preventing this, but I had no choice in the matter. Still," They muse, their voice like the tolling of bells. A solemn melody that stills the swelling fury burning in her chest, if only for a moment. "I will rectify it– I will tear down their throne of lies and let not even the earth tarnish itself by burying their corpse among it's soil."

They pause for a moment, holding out their hand– scarred and bandaged by the weapons of the devout, yet still they take upon the burden of dirtying their hands to save those who did not save them.

"Do you trust me, Arlecchino?"

Did she?

"Will you help me?"

She exhales heavily, meeting the starry iris' of the Divine with a scowl still tugging at her lips. Arlecchino trusted no one but herself.

"..Yes."

#sagau #genshin sagau #self aware genshin #genshin impact sagau #self aware genshin impact #fic tag #imposter au #genshin cult au #genshin impact cult au #arlecchino #lyney #furina #you do NOT wanna know what i got put thru writing this fic #trying 2 find out where arle was in the few times we DO see her and going down a rabbit hole of fuck fontaine and its layout actually!#I spent like 3 hours looking it up and checking in game it gives me a migraine thinking abt it. ew #anyway trying to write a really smart character is surprisingly difficult when ur as dumb as rocks #also used an actual chess match for this and gave myself an even worse migraine trying 2 make sure i didnt repeat moves or smth #furina doesnt get a spotlight yet just imagine her sitting in the corner trembling like a wet kitten you found on the side of the road #arlecchino goes thru a crisis more at 11 #shes a tired single dad shes isnt getting paid enough for this okay #hands u a fic over half the length of the other THREE PARTS #ehe :]#is arle actually on ur side??? is she gonna double cross u???? who knows!!!!!#shes unpredictable she might stab u for funsies #anyway im gonna go nap in a ditch now this took SO LONGGGGG OH MY G-D #also just think acolytes who arent buddy buddy w reader and even resent them is so tasty #bc how r they supposed 2 know reader was a human vibing 5 minutes before their got eebied 2 teyvat..#reader gotta roll up their sleeves and get 2 WORK sometimes murder IS okay #they gotta fix some shit around here and that means committing several crimes all at once. sometimes more #a group can be g-d (just got here) their dragon (neuvi) their cat (archon) their dog (wrio) and their wolf (arle)

379 notes · View notes

crybaby-bkg · 11 months

Text

You and Bakugou had discussed your plans of your future pretty early on in the relationship. You wanted to move in by this time, be engaged at this time, have your wedding, enjoy married life, and then have kids. Only thing now, is to have kids. But the problem?

Bakugou keeps pulling out.

You’re not sure what’s going on, where the hold up is coming from. You went through all the steps of getting off your birth control, prepping your body for what’s to come. The only thing you need is him, and for some reason, he keeps denying the last piece of the puzzle.

You confront him finally, after another night of him wiping down your stomach and inner thighs. You lay on your back, staring up at the ceiling with a soft frown. Bakugou pecks at your collarbone and squeezes your flank to hear you giggle, but you only shuffle a little away from him. He pauses, eyebrows scrunched in confusion as he stares down at your crumpled expression.

“What’s going on?” He hums quietly, brushing a few hairs from your forehead as he throws the washcloth on the ground. He holds your face in both hands, kissing gently at your skin when he sees your bottom lip wobble in frustration.

“Why won’t you cum inside me?” You snap, cringing as the words leave your mouth. You could’ve said them a little more gracefully, but it’s hard finding grace when your life plans have suddenly come to a halt without a word on his part. Bakugou’s eyes bulge in confusion before a soft look passed over his face. He sighs, body slumping on top of you heavily, knocks the breath from your lungs and the tears from the corners of your eyes.

“Didn’t think you’d notice,” he mumbles into the skin of your neck, flinching a little when you pinch his side.

“How couldn’t I have noticed? I thought this was our final step to completing the life we wanted together. What happened?” Your voice gets softer with every word until you’re nothing but a whisper in the quietness of the room. Bakugou doesn’t say anything for a long while, just breathes in the scent of you before murmuring quietly,

“I don’t think I’ll be a good dad.” He confesses. You’re not sure if you should stop him and reassure him, but he takes a deep shaky inhaled breath in, and you decide to let him continue.

“I don’t wanna be an absent father to the only brats I’ll ever have. They deserve to have someone be there for them, every step of the way. I don’t think—I don’t think they deserve to have a fucked up person as a father. ‘S not fair.”

You can only lay there and listen, rubbing gently at his back, over his scars and still healing wounds. You run a hand through his hair and blink away tears when you feel his sniffle more than hear it. You both stew in what’s been said for what feels like hours before you speak up.

“How can you say that, when we’ll have the safest kids on the block?” You whisper, pulling his face from your neck so he can look at you, wipe away the stray tears that muddle his ruddy cheeks.

“Knowing you, Katsuki, you’ll be there no matter what. No matter what strings you have to pull, time you have to sacrifice, how many times you’ll have to break your neck—you’ll be there, because you always are. For me, for our friends, your parents, for the shitty civilians that never wanna listen to your instructions.” Bakugou chuckles a little at that, mumbling a quiet, shitty extras, under his breath. You smile at him, leaning forward to kiss his eyelids and eyebrows and forehead and nose and cheeks and lips. When you pull back, he smiles softly, just a quirk of the corner of his mouth and blinks up at you like some big cat.

“You’ll be a great dad, because you’re a great person first and foremost. And our kids will love you unconditionally because you are their dad.” You whisper to him, pressing a final kiss to his lips for the night. With that, you two lay together, discussing possible plans on future endeavors, how you guys will work together when the kids are here, time taken off and how it’ll be spent together.

So, it shouldn’t, but it comes as a surprise months later when Bakugou wakes up one morning to find an empty ceramic mug sitting on the kitchen table. You’re sat beside it, failing to hide a grin behind your own mug you sip at, a new one he hasn’t seen before. He looks at you funny, before picking up the mug, eyes bulging out of his head as he reads what’s on it, and the little capped stick inside.

He doesn’t say anything as he embraces you, pulling you up from your chair and hugging you to him as your giggles fill the atmosphere of the house. The quiet house, that in a few months, won’t be as quiet for much longer.

#sorry this took me two hours to write bc I was cleaning in between lol #happy Father’s Day to all the daddies out there #this is the first fathers day that I’m not actually sad and crying lmao #a win is a win! 😌#okay bye I gotta finish cleaning 🏃🏽‍♂️#bakugou treats! 🍬#—new treat in the streets! 🍫#dad bkg

529 notes · View notes

simplydnp · 24 days

Note

idk why this matters to me but in the last few months they've been acknowledging so many things I never ever thought they would. pinof and the touching. the phude multiple times. dapc slime (ok they had merch to sell for that one but still)

no but actually. phil literally said 'i thought we weren't acknowledging it' about the phude and now they just bring it up all the time.

pinof reacts... i still can't believe we're in a post pinof-reacts universe. how did that happen. i was changed permanently--like something shuffled in my dna when i got the notif for pinof reacts 1. this is not a physical reaction but a chemical one that cannot be undone. for something that was so... sacred. and integral. to their existence and history. pinof wasn't generally talked about unless it was pinof time. and even then it was 'it'll be up soon' or 'we just posted it' and then Never talked about outside of that. especially not the first one! we freak out about the We Know You Know in the newsletter but it's Always been like that with pinof 1. so to see them--new (& natural 🥺) hair for them both, in a house they bought and built together, in the first few months of giving the gaming channel a second chance--reflect on how it all began? absolutely devastating. and to lean into moments and discuss them in new ways. in territory previously not breached! the 'they're toUching'?!?!? the '11 hour fuck session'!?!? the '£9000 champagne'?!?!? like hey we're not supposed to talk about that, dan and phil might see!! shhh!! but they're the ones saying it!! absolutely wild.

in a way, it had to happen. especially with where we're at now (them literally selling merch of them holding hands). in order for them to move beyond that... mindset? i guess? that a lot of fans had, they had to defang it. i really see it as one of the biggest walls they've broken down in the way they communicate with us. the 'hey. it's okay. we've seen it. it's not a big deal. we will absolutely make fun of you for it though. but we're good.'

i'm just really curious whose idea it was. (lbr it was probably phil given dans not a react kinda guy. but i'd be lying if i said i didn't want to be in the room where it happened when they talked about actually doing it or not, and what it would mean) (big ad revenue thats for sure 🤣 get it kings)

i will never be able to get phil's 'they touched' out of my head and at this point i wouldn't want to. it's absolutely earned. and i guess it makes me a masochist to enjoy the psychic damage it inflicts on me, but such is life i suppose.

the crafts mention really surprised me! i had contemplated a few different scenarios in how they'd go about it, and i'll be honest i feel like they could've committed to the bit a little more but they're forgiven. like what about glitchy interstitials! cuts to the merch website. found footage inserted between sections! i recognize they don't want to 'scare' their usual audience wirh sudden cuts to intense/graphic content but my immersionnn. absolutely shattered by 'oh we have new merch now btw'. cmon boys you love to lie to us. say theres merch up but you dont know where it came from. just that we should buy it 👀 or idk, something clever. and i recognize i may sound like a spoilt brat bc i just got a 14 minute long masterpiece of an unexpected dapc revival, but my immersion. i mean i already bought the merch before they shilled it anyways so it didn't influence me regardless 🤣

ultimately we really are in a new era. even beyond just the revival. i think they're really finding their stride--not only in their content (evidenced by a semi-regular schedule) but also creatively, in doing what they want to do, how they want to do it, and truly not giving that much of a fuck anymore. and i'm really happy for them. phil talked a bit about this in his 'rating my icons' video, where he's kind of decided he doesn't care what people on twitter think, and how it's been good for him, and i think we're seeing that reflected in not only his content, but also the gaming channel. they play what they want. they say what they want. and it's just fun. dan going on the record to say he's really enjoying it makes me so happy to hear, because literally december 2022 he believed he'd disappear after WAD. and now, instead, he gets to play games and make stupid jokes and smile and laugh multiple times a week, and he's really happy about it. he gets to be silly and goofy and crude without having to Stress about it. i keep saying it but they're so settled now. and as someone who's followed them through big changes and turbulent times, getting to see them happy after everything... it brings a lot of hope. and i know theyre millionaires. but there's something to looking at someone you fell in love with 15 years ago the same then as you do now. but instead of it being something scary, something you have to hide, something that feels like it can consume you and everything you have--it gets to be something beautiful. and regular. and embraced. you've read this far you get to listen to me wax poetic about them.

we've been thoroughly boiled and maybe, just maybe, it's warming our hearts too.

#thank u for sending this. ive been writing non-stop since it arrived in my inbox #there is nothing i love more than someone pointing me in a direction and saying alright go for it!#i am always only a few moments away from a dnp breakdown and im glad to share this journey with you all #dnp #dan and phil #c.text #answered #phan #<- for the fandometrics #edited tags: holyshit this is a 1k words w/ my tags. jfc. what is Wrong with me. it took less than an hour but idk when u sent it exactly

108 notes · View notes

etoiile · 4 months

Text

RAINY REDEMPTION

synopsis: your ex-boyfriend shows up at your doorstep, soaked from the rain and hoping for a second chance.

starring mikage reo!

genre(s): angst/comfort, fluff at the end, exes to lovers wc- 1.4k

notes: first time trying angst like this. hope you enjoy!!

the last person you had expected to see upon opening your door was your ex-boyfriend of 2 months, mikage reo. he stood before you, soaked from the rain from head to toe, wearing a sheepish smile that contradicted the unease in his eyes. "can i come in?" he asked, his voice laced with uncharacteristic hesitancy. "it's really pouring outside."

stunned and speechless, you merely gestured for him to enter, an invitation he swiftly accepted. as you darted wordlessly to fetch a towel, a tumult of thoughts stormed your mind, each raindrop that fell echoing a question.

what was he doing here? why was he out in the rain? he never ventured into this part of town. what's going on?

shaking off these thoughts, you handed him the towel. grateful, he quickly began drying his hair – the beautiful, fluffy hair you used to run your hands through, to which he'd almost purr as he melted into your touch. the hair that had been long enough for you to braid and accessorize, filling an entire album on your phone dedicated to the different looks you'd given him. it had been months since you last saw it, and now, with no explanation, it was in your apartment.

breaking the silence, you questioned, "what are you doing here, reo?" your voice, calm and level, carried a coldness unfamiliar to him. he disliked it greatly.

"i was taking a walk, and it started raining." he answered simply.

you knew immediately and without a doubt that he was lying. you knew him best, after all.

eyeing him, you demanded, "what are you really doing here?"

a chuckle escaped his lips. that low, boyish chuckle that still sent shivers down your spine. he scratched the nape of his neck before nervously joking, "you got me. you always did know when i was lying."

"what are you doing here, reo?" you snarled, a sharp edge to your voice.

panic and fear washed over his features before he blurted,

"i still love you, y/n."

you took a moment to process his words before your entire world began to spin before your eyes.

your heart pounded, and your vision got fuzzy. your knees went weak, feeling like they might give out. nausea hit you hard, and you wanted to faint, cry, and run away—all at once. it was like a rainstorm of emotions hitting you like a torrent, messing with your whole system.

"..no."

"no?"

"no!" you screamed, tears flowing. instinctively, reo reached out to wipe them away, but you slapped his hand away, making him wince.

"you cannot," you sobbed, "break my heart, tell me it's over, and not talk to me for months,"

reo's eyes began to water too.

"and then come marching back to me, and tell me you fucking love me, reo. no. you cannot do that to me."

"y/n," reo started, but you cut him off.

"i," you breathed through tears, "was just starting to get over you, to come to terms with the fact that you didn't want me around anymore."

by now, reo was freely crying too.

"and then you just waltz through my doorway to tell me you love me? are you kidding me?"

"y/n," reo tried to start again, coming as close to you as he thought you'd let him. "i'm so sorry."

"you're sorry? that's it?" you spat angrily.

"hurting you," he uttered, "was the greatest mistake of my entire life."

gently, he took your hands in his, relief washing over him when you didn't push him away.

"i did so much to tell myself that i'd be fine, that you were just another girl, and i'd find someone else." you almost rolled your eyes.

"but it wasn't true," he breathed. "not one bit. not even close. no one," he squeezed your hands, "could ever come close to you."

"i miss your voice. i miss your laugh. i miss waking up in the morning and seeing you smile. i miss spending time with you doing anything: cuddling and a movie, buying groceries, baking things, going to restaurants. y/n, i miss you so much my entire body hurts when someone mentions your name. i miss you, y/n, and i'm so, so sorry that i hurt you."

you're sobbing uncontrollably now, and his heart aches, knowing he's the one who made you this way. he'd always hated seeing you cry, but he hated it a thousand times more when he was the cause. he vowed to never make you cry like this ever again if you decided to let him back in.

hesitantly, he reached up to your face, fingers trembling with the fear that you'd push him away once more. luckily, you don't. you don't slap him, nor do you yell at him. instead, you let him tenderly wipe the tears from your skin, a silent ode to his love. it felt like a soothing melody in the midst of chaos, a gentle reassurance. you allowed him to cup your tear-stained face, a silent acknowledgment that, in this fragile moment, a sliver of hope had found its way into both of your hearts.

"y/n, i need you. the months we've spent apart have torn me apart completely. so much so that i couldn't even get out of bed to get to practice. nagi had to come get me out of bed, and that should really tell you something."

he winced as he observed your unamused expression, then took a deep breath.

"i know i can't change the past. no matter how much i wish i could, i will never be able to take back the harsh words i said. i will never be able to undo my horrible actions. i know i was a terrible boyfriend to you, y/n, but please. i love you. i know i need to respect your wishes and boundaries, but if you still love me too, i'm not going anywhere." he looked at you desperately, his purple orbs silently pleading with you. "do you?"

silence lingered, the air thick with trepidation. then, you broke down again, burying your head in his shoulder. "of course i do," you mumbled softly, sobbing. relief deluged his body, and his hold on you tightened ever so slightly.

"reo, i love you with every fiber of my being. i love you so much that i never stopped thinking about you for a single minute since we split. i love you so much it took all of my willpower not to jump into your arms the moment i opened the door. reo, i love you so much that it scares me." you confessed, your voice no higher than a whisper. if he hadn't been desperately clinging onto your every word and move, he wouldn't have heard it.

"then please. one more chance. we can make this work, i promise. i swear to you with my life that i'll be better. i'll make you happy. i'll do everything in my power to be the best lover you've ever had." he looks at you anxiously, trying to read your expression. "we can take it slow. ease back into it. but please don't give up on me, on us, just yet. im begging you."

in the quiet aftermath that followed his plea, a heavy silence settled. the air thickened as his words lingered, creating an atmosphere filled with uncertainty and anticipation. your contemplative gaze met his desperate one, and for a moment, time stood still.

"please, y/n. i need you."

you stayed silent for a bit, and he held his breath the entire time. his heart was beating so fast he thought it'd leap out of his body.

"ok." you finally sighed. "let's give it another shot."

elation, bright as the sun after rain, soared through his body as he engulfed you in his embrace. the warmth flooded all your senses as he squeezed you tight, never wanting to let you go.

"thank you," he whispered, tears soaking your shirt. "thank you so, so much."

a nod subtly affirmed, an unspoken acknowledgment of the gravity in the air. "yeah," you breathed gently, taking in what had just occurred. "it'll be ok. we'll be ok."

"i love you," he sobbed, the words pouring out in earnest. "i love you so, so much."

excitement and joy rushed through his body like a heavy downpour upon hearing the four magical words you next uttered:

"i love you too."

242 notes · View notes

stemmmm · 4 months

Text

Close to a year and four rewrites later, I present to you...

Stem's Thoughts on the Game Design of Harvest Moon on SNES

I’m not going to lie, if you don’t like farming sims, you won’t like this one. At their core, every farming sim (at least in the rpg genre) is nearly identical, and that’s because of this game. In a way, I might dare to say that Harvest Moon for the SNES is the perfect farming sim because it has every one of the usual elements in their most simplified form and it just works straight from the get-go. It works so well in fact, that after this game came out in 1996, four more entries to the series were released before the year 2000.

If you are someone who does like farming sims, I can’t recommend this game enough. It’s simple and to the point, with a fast pace and enough random events and points of intrigue that the game kept me relatively engaged for my whole playthrough.

Also, by nature of this being the first game and therefore hard to cover concisely and by nature of taking so long to write this... it's long as hell! Enjoy! :) <3

I can’t say my appreciation of this game doesn’t come with a few caveats. I’ve intermittently played HM games all my life, starting with the GameBoy port (GB1) all the way to Pioneers of Olive Town, so while I don’t know exactly how the series has evolved, I’ve seen it at some of its earliest and at its latest. My vague childhood memories of GB1 (a game I didn’t own and didn’t play much of) were that it was pretty sparse and bland, so knowing that this original game was allegedly the same thing but with a little more content, I was expecting the bare minimum. I was prepared to never even be able to leave my farm, but the first thing the game did was shuttle me off to the nearby town and blocked the exit until I talked to everyone there.

(Maps of the town, mountain, and farm via The Spriters Resource)

You learn everything you need to know about the game right here at the beginning; Firstly, that this town is small as all hell and has hardly anyone in it aside from the five girls you can marry and their immediate family members. The next thing you’ll learn is that there’s a fence on your farm, and you need to be taking care of that. Of the few repetitive lines of dialogue any given person in town has to share with you on any given day, a fair amount are devoted to reminding you to fix your fence, to make sure it’s in good repair. There was just a big storm so watch out! Remember to check it every day! Are you chopping enough wood? Because you’ll need it for that fence!

I’m being dramatic of course, you aren’t reminded about it that much, though the thin variation of dialogue means it comes up a lot. The emphasis on your fence does exist, and it isn’t for nothing: while it doesn’t matter as much if all you do is grow crops– if you keep animals, the game tells you that the ideal thing to do for yours and the animal’s happiness is to put the animals outside to graze. Animal feed bought from the livestock shop will keep them fed, but it's nothing compared to fresh grass grown on your farm. You can’t even buy animals without a certain amount of grass planted! And sure, you can cut the grass to store for later, but it’s at its best straight out of the ground. However, the way the game is programmed, the animals only eat when the day rolls over, so putting animals outside for the day and taking them in at night isn’t an option, and on top of that, there’s things that come out at night that can hurt your animals. This is where your fence comes in.

The Utility of Fences

At the entrance to your farm is a cluster of buildings: your house, a small lumber shed, a barn, coop, and silo, a tool shed, and an old, dried up well. Just barely surrounding all of these is a little wooden fence that looks more like a row of upright logs than anything else. Despite this farm having presumably been abandoned, the fence is in perfect repair. You’ll quickly discover that the fence as it is won’t work out; there’s hardly space to plant anything within it, and with the well dried up, you’re forced to hop it to get to a water source to fill up your watering can. It’s pretty clear that you’ll need to expand your fence, and it’s easy to do with all of the tree stumps littering the massive field that it’s blocking off.

On top of needing to expand the range of your fence, the individual planks eventually will rot away and leave useless stumps. They show up more frequently after rain or a large storm. The posts don’t rot away completely so they have to be manually removed, but replacing them is as simple as smashing the old post with a hammer or ax and popping a new post in its place. It becomes a very natural part of your daily routine to run a lap around the farm’s perimeter before you go to bed to make sure everything looks safe and secure. It’s a good way to ensure your animals are put away and debris is cleared out, too! It slotted very nicely into my daily schedule until a certain point.

With how much time you have to spend hopping over the logs to get to the rest of the area too large to fence in, you might be tempted to leave one out of place for easier traversal. When night comes, it’s clear why that would be a mistake. Sometimes when you go to bed, you’ll hear your dog barking. It’s a small detail, one that took me a long time to notice because I didn’t always play with the sound on. There are wild dogs that prowl around the wilderness surrounding your farm, and only at night do they dare to come close. Your dog, if left outside, isn't able to do anything other than warn you of their presence if they show up. There’s nothing to notice during the daytime if it happens, unless you happened to leave one of your animals outside. There was one night that I left my chickens outside, having thought my fence was in perfect order and repair. I went to bed and heard the dog barking, followed by a horrible crunch. When I went out in the morning, I saw where my chicken had been before, it had been replaced by a pile of feathers. On the north side of my farm was a rotted fence post I’d failed to fix.

The Reality of Fences

After losing my chicken, a cluster of pixels on my screen it may have been, I didn’t feel comfortable leaving my animals outside. I didn’t want to take a risk again, the sound and sight of feathers was upsetting enough. On a more logical note, the chickens didn’t even lay eggs if left outside so there was no value in it. Cows were a pain to put back inside the barn too, because of some silliness with the game’s collision. As much of a disappointment as it was to not have my animals roam around, it was just easier. At the time, I was focusing on upgrading my house anyways, so I didn’t have time to take care of my animals outside where time would pass when I could use that time gathering wood, and everything I had was being saved up for the house so I didn’t have any extra materials to repair my fence with. My fence was all rotting away. Because it was inconvenient for getting to my crops, I started smashing all the old posts as they went, too. That’s when I noticed something: the wild dog wasn’t coming anymore.

I didn’t pay much attention to it until I was looking up a completely different mechanic and discovered a forum explaining how the fences were broken. Rotted posts attracted the wild dog, they said. It didn’t matter if you had gaps in your fence, or even a fence at all–in fact no fence was the best kind to have because the mere existence of posts that could rot was a liability.

I was hesitant at first to test this concept, after all there wasn’t much I could gain from it. My chickens wouldn’t lay outside, and my cows would be too challenging to get back in if the forecast called for rain. The thing that got me to finally try it was when I was trying to hatch more chickens. My coop felt like a nightmare to navigate due to its current population. I wanted less animals inside that I had to feed, so I threw a couple chicks outside–they weren’t laying yet anyways. Lo and behold, the dog didn’t come. More days passed and more animals were left outside, and it never came. My fence had rotted until there was nothing left at all. No dogs could ever come to my farm again. And I realized that the game’s own insistence on its mechanics was all a lie.

How You’re Told To Play - How The Game Lies

Of course, my animals didn’t stay outside. For a minute it was fun having a crowd of cows milling about while I tended to my crops, but letting them wander free and uninhibited made it impossible to find and milk all of them without any trouble, and there were the rainy days to watch out for. After the novelty wore off, they went back inside and stayed there. The thing is, that didn’t make a single bit of difference in how much they liked me compared to how they were living in the barn. On top of that, they didn’t seem to care whether I was feeding them grass or store-bought food either, though I mostly stuck to the grasses since they were cheaper and easier to get. Nothing about how I was told to care for animals really mattered past feeding them every day, petting it and maybe brushing it, if it was a cow.

It gets worse. The most basic aspect of the game is the fact that time passes. The story takes place over 2 and a half years, running through each day until the end, and these days last from 6AM to 6PM according to the game’s own internal time setting. After 6PM, all of the shops aside from the bar will close and you lose the ability to sell anything as you’re told it would rot in the shipping bin overnight, so there’s nothing to do but sleep until the next day. Issue with this is that when the days stop at 6PM… they just stop. Time doesn’t flow anymore. The game doesn’t give you any kind of clock to know the exact time it is until after you’ve upgraded your house, so all you have to go by before that is the color of the environment and whether or not your character has played an animation to eat something (you’re automatically fed when you wake up, at noon, and at night). I discovered this because I was curious if I could actually see the wild dog by staying out, and left the game running for probably 20 minutes in real life only for nothing to happen. Because of the time freeze, the time after 6PM actually becomes really valuable for farm logistics. You can’t sell anything, no, but you can pull up all the weeds on the farm, water your crops, fix your fences, feed and care for animals if you hadn’t already, and harvest wood for fences and house upgrades which would have taken a lot of valuable time to get during shipping-hours. The only thing that gets in the way of doing all that is you running out of energy.

Your energy is what allows you to use your farming equipment like your ax or watering can. Running out of it doesn’t mean you fall unconscious or anything, but your character will play an animation of them stumbling over and will fail to use any tools. The most obvious fix to this is to simply go to bed, as sleeping gives you a full recharge. You can also, however, recharge it by going to the hot spring on the mountain, or by eating food bought at the restaurant in town or foraged for in the forest. You can’t tell easily how much is refilled, as there’s no visual indicator like a health bar, but you’re able to eat more than once, and jumping into the hot spring seems to count whether you did it or not more than how much time you spend in there, so you can hop in and out a couple of times and call it good.

Individually, time freezing at 6PM and energy being endlessly replenishable aren’t bad things. Even together, they’re not the worst. Having free time to focus on profitless chores is nice, and I think it’s important to be able to replenish your energy in case you have a limited amount of time to do things like for example, cut all of your grass before winter kills it. What makes an exploit out of these is the fact that the resources in the forest will never run out. Every time you re-enter the forest, all forage items and tree stumps are respawned. The infinite amount of forage makes for infinite energy refills, and could also make for an incredible money exploit if you didn’t have a very limited amount of time to ship things. You don’t have a limited amount of time to cut up tree stumps though. If you wanted to, you could run up to the forest after 6PM, chop every stump, then simply reload the area, and everything’s back. You can get all of the wood you would ever need to fully upgrade your house in one night. It’s a bit of a grind to do all at once, but it’s a grind you’d be doing over time anyways. It’s not the worst exploit in the world, since you still need money to pay for the house upgrade, but arguably because of how you have to focus your energy elsewhere for most of the game, the wood is the harder thing to get. Additionally, when the game has very little to do in both fall and winter due to the lack of crops, this exploit takes away just about any reason to play those two seasons other than to take care of animals. It’s an optional exploit of course–as all exploits are–but once you learn about it, it’s hard to resist the desire to get the grind out of the way all at once and mess up the pacing of the game.

The Charm of the Game

Learning that the fences were completely broken as a mechanic was a huge disappointment for me. From the moment I got a grasp on how the game was supposed to work, I wanted to eventually surround my whole field with fencing and keep my animals outside so I would have some life on my farm while I worked. I didn’t just want this, I was excited for it! This was something I’d never done in a farming sim that didn’t already manage putting animals in and out for you like Stardew Valley or newer Story of Seasons games do. My routine is always the same: I go into the barn and coop to tend to each of my animals, I take care of my crops outside, then run straight to town to talk to everyone, and go to bed. The change in routine that would come from taking care of the animals outside and patrolling the fence every night felt fresh to me. It made me feel that even though this was the first game of its kind, it was different and required new things of me. But in the end, I played it exactly the same.

Harvest Moon is still very different from all of the games that followed it, though. In many ways, it’s because it has less “stuff” in it– both in terms of items and things you have to do. But I wouldn’t say that it feels incomplete. Harvest Moon runs over the course of 2 and a half years before your work is evaluated. Until that happens, you have the ability to farm four different crops, you can raise both cows and chickens, you can upgrade your house to have more features, upgrade your working tools, build relationships with the townspeople to a small extent, go to town festivals that happen each year, and you can get married to one of the five girls living in town with whom you can have up to two children. Everything that you would come to expect as a fan of games like this is already here from the very first iteration. The most notable lack this game has, and one that seems to be completely unique to this game, is that there aren’t any crops in the fall or winter, which means that unless you have animals, there’s a whole half of the year that you don’t have anything to do. The game is clearly aware of this though, because in an average playthrough, this is where you’ll start to run into the story events.

There isn’t much of an overarching story in the game, past the general concept that you’ve run away from home to work on an abandoned farm. The conclusion rests on how good of a job you actually do. In between those two points are smaller events, usually tied to when you get tool upgrades or special ones for each of the romantic interests. The first event you’re likely to run into happens on the very last day of summer, where one of the woodsmen comes to your house in the morning to ask if you’re okay because he heard a huge crash at night and you should check your farm. What I found was that a tree in my field had fallen over, and its remaining stump had a big empty hole in it. When I inspected the stump, I was suddenly underground in a cave filled with loud and industrious music, and I was faced with two, little green people–Harvest Sprites, though I don’t know if they’re called that yet here. One asked me if my scythe worked well, and when I said yes, told me that they had made it and that I should check my shed tomorrow for a better one. Other tool upgrades are obtained in similar fashion; one comes from feeding a starving sprite a mushroom and another comes from another hole in the farm opening up to reveal another part of the cave system that has a couple of hints on how to unlock other things.

The events for romantic interests happen at less scripted times, as they’re tied to how strong your relationship is with each girl. Each girl only has one event, and it only triggers when your relationship is high enough that you would ask her to marry you. The events usually take up a whole day, and don’t necessarily add much to each character. Ellen’s revolves around how she’s no good at keeping pets– something established on your second day at the farm when you get your dog from her, Eve’s hammers in her fraught relationship with her grandpa, and Ann’s is about losing the chicken weathervane, or “weathercock” which sits on the roof of her workshop and goes missing every time there’s a storm. Conversely, Nina and Maria’s scenes bring up entirely new events that bring up a number of questions while providing no answers. Nina disappears while looking for a medicinal plant because her mother is apparently sick, and Maria vanishes for days until you find her hiding away with the woodsmen for some reason. All of these events, whether they share new information or not, manage to add some greatly appreciated depth to each character by giving them more room to speak and be sincere than their short and repetitive day-to-day dialogues do.

The dialogue in this game is simple, to the point, and sparse– probably because there was only so much memory that could be reserved for approximately 15 people who all have multiple lines of dialogue, and only so much money to pay someone to write more. There is simple dialogue that doesn’t tell you much more than “hello, how are you” would, more dialogue that I’d label as tutorial text, and a few lines that I truthfully couldn’t understand well because of the sub-par translation this game received for english. The dialogue that exists to inform the world really manages to create a unique vibe though. Nina’s dialogue, almost always about plants, goes into forays about how they’re creatures with wills to live, too. Ellen’s uncle who runs the ranch shop tells you that it’s much better to feed your animals fresh grass if you try to buy any from his store, and if you decline to purchase he laughs as if he’s won something. There’s even dialogue referencing the silent player! Multiple lines exist to comment on him not paying attention, and inspection prompts have people telling you not to touch something rather than being an item description. It was the last thing I expected, to get the same level of personality out of the main character as I did from each of the girls, albeit very subtly. He went from a kind of nothing, self-insert into being what I perceive to be a hyperactive boy, akin to a border collie who was let out into a field of sheep for the first time–the exact kind of person crazy enough to take on an abandoned farm and succeed.

It’s these short little character details that bring life into the game. Each day, you’ll really only see one line of dialogue from each character, be it new or old, with that dialogue usually only changing if there’s a change in season or festival coming up. The repetitive, pretty mindless routine of the game can turn into a sort of meditation if you let it, where you spend your time working thinking about the folks in town and what they had to say to you the previous day. The developers took this concept in stride and gave the side characters loads of dialogue about life, about God and religion, and about… very basic morals, but morals nonetheless. It’s a children’s game after all. When you take the thoughts, questions and prompts the characters give you back to the farm to do your long and tedious routine, you have to ask yourself– what are you working so hard for? For the feeling of accomplishment? Recognition from your peers? For the sake of some higher power, if you worship one? For me personally, it was to write this essay, but it was also for a good grade on the high score screen at the end, so to be honest a lot of this stuff was lost on me until just now when I was reviewing the game to get screenshots.

Setting The Standard - Why You Should Play HM SNES

You may read all of this and still think, well, it doesn’t sound like the game has much in it. And you would be right, it’s a very small game, but it’s also extremely quick. On average, my days only lasted about three minutes of real life time. Everything flew by, and I think I finished the game in 20 hours or less. I barely got a chance to notice that there wasn’t much going on because every second of my day was spent busy doing something, and when I wasn’t busy, the break was appreciated. I didn’t start to run out of things to do until I was finished with the second year, and when I looked up what I needed to do to get a decent ending, I was already most of the way there. It was easy to push through those last two seasons to get to the end, and it was so, so worth it.

As I mentioned earlier, the game ends with a high score screen, meaning it has to track all of your accomplishments. These include, but are not limited to: the number of things you ship, number of each crop you grow, number of animals you have and how much they like you, how upgraded your house is, who you married, how much all of the girls in town like you if you didn't get married, how many kids you have (which basically equates to how long you were married), your happiness score (increased by going to festivals and decreased by having animals die), and how many times you’ve pet your dog. In addition to these being tallied up and presented to you, you get special cutscenes not just for each one of these accomplishments, but additional ones for if you managed to do even better! I got a cutscene for having a cow, followed by one for having lots of cows, followed by yet another for having cows that loved me! Watching them play one after the other felt like taking a victory lap even without getting the best possible result. Seeing all of my numbers come up at the end made me want to try again to actually get those other cutscenes, not to get to see them, they’re so easy to find on Youtube, but because the game made it feel like an accomplishment! If I weren’t following this game up by immediately playing its GameBoy port, I absolutely would have started a new file right away. I’ve been playing the Harvest Moon series since I was a little kid and this was the first time I’d actually managed to beat one of these games. I struggle to think the finale of any game following this will feel as good as this one did.

I started writing this whole thing about the fences because it was an easy and silly entry point to get into my core issue with the game, and so I could have an opportunity to dig into game mechanics and the way the knowledge you have of them will completely alter your playstyle, because that’s all fun and interesting for me to talk about. Another reason why I focused on that was because it was near impossible for me to pick any kind of focus point when talking about this game. After all, I’m trying to study a whole series of games that spans multiple decades, and this is not only the first game in that series, but a game that created the whole genre of farming sims and defined that genre so thoroughly that you can see its DNA in every single game that followed.

I didn’t expect much to come out of my experience with this game. My expectations for it before I even picked it up were that it was going to be basically featureless, as informed by my experience with one of the first games I ever played as a child, Harvest Moon GB, which I will get into next. This game was not that at all. I think that everything it did manage to get working right came together just about perfectly. Harvest Moon is exactly what it wanted to be, and where it wasn’t, it lied about how it worked to try and make you play the correct way anyways. When I believed that lie, my time playing was even more enjoyable. Maybe if farming worked just a little bit more like how you’re told it’s supposed to, and if there was just a little bit more story, those would cover the things I felt wanting for the most. But maybe a little flexibility and ambiguity is a good thing. Maybe actually maintaining a fence is just too hard, and maybe if the girls were more fleshed out, I wouldn’t be able to enjoy filling in their gaps in my head.

There are many more things I could say and wanted to say about this game, but this has grown far too long already so I'm cutting myself off here. I'm sure my later entries aren't going to get near this length. If you managed to get to this point, thank you so much for reading!

#harvest moon #story of seasons #harvest moon snes #hm snes #game review #m.txt #hm posting #i think i hit the image cap also? it wouldn't let me put in more even though i dont think there are that many. maybe it was a different cap #im happy to answer questions about things i didnt cover here too lol and i have notes from my playthrough if anyone is interested in those #those notes are the only reason i was able to keep all of this straight given how long it took me to write #anyways finally hitting post after like 3 days because i keep forgetting until weird hours

153 notes · View notes

reds-skull · 6 months

Text

Fic recs - oneshots (part 3)

ALRIGHT I'm hoping this is the last oneshot post, since there are a lot of other fics I wanna recommend that don't fall in this category.

This post is like 5x longer than the other ones just because I wanted to finish all of my current oneshot recs and otherwise it will take like 3 more posts. So beware there are a lot more under the cut.

If you're new here, these are all sfw oneshots:

i've dug two graves for us, my dear. by eddie_dxaz - Johnny gets buried alive.

Scotch-Soaked Lips by FreeToWriteForMe - Ghost watches Soap while the team is in a bar.

I owe the hat man money and I don't want to see him by Louffox - Ghost gets drugged and hallucinates while Soap tries to keep both of them alive.

Painting the snow red by Faolamb - Ghost is a wraith and Soap werewolf. Soap loses control and Ghost calls him back.

Mild as May by lambstew4you - Ghost and Soap are on a mission, and they have a talk by the campfire.

Hell or High Water by lambstew4you - Soap gets kidnapped and put in a sensory deprivation tank. He is rescued, but the damage is already done.

Daylight Through The Fog by WeirdTin - Ghost is afraid of letting people in. Soap just wants to love every scar.

i never said i'd be alright (just thought i could hold myself together) by TheLastTheosaurus - Ghost gets injured on a mission with Soap. Without exfil in sight, he hides it. Despite his efforts Soap finds out.

Breathe in, Hold it by Hedgehog_kun - Simon and Johnny are in a relationship. Life is good, for once. But one night Soap comes home angry and drunk, and Ghost can't help but freeze.

How it started, how it's going by Nuria123 - The fic where Ghost thinks he and Soap are already dating (5+1).

heat death by eggtimelads - Soap and Ghost spend an afternoon fending off this relentless heat [relatable tbh].

note to self: drink in moderation by eggtimelads - Ghost gets drunk, does a little pining out loud, and gets his reputation ruined while also getting a boyfriend.

Absolutely by ElizaStyx - 5 times Soap confesses to Ghost in a language he thought Ghost didn't understand, and one time he knows full well Ghost does.

the shroud is made of linen by stars_boy - In which Ghost is interrupted while watching the sunrise.

Lets Go Stargazing For Real Next Time by Trouble_13 - Ghost thought they were getting somewhere, but it feels like they have to restart all over again.

Lonely Hearts Club by Wheezing_Joe - Soap and Rudy accidentally start fake dating. Ghost and Alejandro aren't too pleased with it [this is ghostsoap and alerudy, so it's twice as good]

Night Has Always Pushed Up Day by Sillililli - Ghost gets injured and is stuck in a hospital, when they bring in a blind Soap. They're forced to share a room.

dying all the way back to the root by Magpie (QuickSilverFox3) - Soap is separated from Ghost, but Ghost can still hear his voice. He just needs to find him before someone else does.

i fear you will know me but most of all i fear i will never know you by rocketnintendo - Soap hides the extent of his injuries. Ghost finds out and is gentle.

My Heart Leapt From Me by Macabre_Flower - A pipe bursts above Soap's bed in the middle of the night. Ghost offers to help.

Palimpsest by Blackbird_flyaway - Ghost loses all memory from the last 3 years, including all memory of Soap.

The way his feet strike the earth by Blackbird_flyaway - Soap puts on a blindfold and gets kissed as part of a drinking game only it becomes a lot more than that.

i need you to hurt me back instead by TheLastTheosaurus - 5 times Ghost needed a hug, and the one time his got one.

Figure Study by 002405 - Ghost asks Soap to draw him like one of his French girls. Things devolve from there.

love me despite by TheLastTheosaurus - Ghost needs rest. Soap helps him get it.

no better version i could pretend to be tonight by TheLastTheosaurus - Soap can't sleep. he goes to Ghost.

Wash your mouth out with soap by Red_Clegane [the one and only] - Soap is reminded how he got his call sign and Ghost helps him put the pieces back together.

sunday morning (rain is falling) by wellyesbutactuallyno - Soap wants to learn more about Ghost. Ghost lets him.

The Haircut by thevalesofanduin - Soap's hair is too long. Ghost helps him cut it.

On the nights you feel outnumbered (I'll be out there, somewhere) by Brigadier - Ghost feels more irritable than usual and gets involved in a bar fight.

I want to crack open your ribs and crawl in the space left behind (Je veux me lover au creux de ton creur et ne jamais repartir) by flaminpumpkin - Simon ends up having to drag his drunk sergeant back to base and finds himself in a sticky situation because he's too smitten with the man.

Bloody Delirium by GnawingAtMyEyes - Soap gets gravely injured and suffers from blood loss delirium.

Tell Me a Secret by resonatingkitty - Ghost asked Soap to tell him a secret one evening at a bar and what Soap tells him is not what he expected to hear.

Never Hide This (From Me Again) by resonatingkitty - during a mission, Soap gets nicked and doesn't report it to Ghost. Ghost doesn't take it well.

Bruised Peach by Phiunzirus - After their latest mission, Soap's right arm looks like a bruised peach. What happens when Ghost accidentally grabs it a bit too hard?

Kiss me once, then kiss me twice, then kiss me once again (it's been a long, long time) by Angelicasdean - Soap's been home for weeks now, but he's still missing the last piece of the puzzle. Thankfully, it's scheduled to return today.

Forbidden by eddie_dxaz - Ghost comes to terms with his feelings for Soap and tries to fight them. Unsuccessfully.

The Maskmaker by ElizaStyx - Soap finds Ghost working on a new mask.

Cat Dad by ElizaStyx - One day a little kitten appears at the 141 HQ and Soap falls in love. Too bad the kitty only likes Ghost.

Blind date with a book by Nuria123 - Ghost is a famous anonymous writer and Soap loves his books. They fall in love.

Recovery by Nuria123 - Soap and Ghost meet after being medically discharged at a rehab facility. Soap volunteers and Ghost is newly admitted. [this is one of the few fics to make me actually sob hard it's so extremely good]

can't keep johnny down by Wheezing_Joe - Soap loses commes on a mission and presumed dead. After finding his way back to base he's surprised by how much he's been missed.

red woven confessions by wayfaredsoldier - Soap got he and Ghost wishing bracelets in an attempt to grow closer to him and got far more than he expected.

made a bed with apathy (years worth of dust and neglect) by aetherealmoss - Soap gets triggered by someone who looks too much like his painful past, and Ghost is there to help him through it [TW SA, rape and child abuse on this one]

Safe With Me by Wixiany - Soap who is in an abusive relationship befriends Ghost when he moved into the neighborhood. His boyfriend accuses them of cheating and Ghost is blocked for several days until Soap shows up in the middle of the night.

snuffed by crown_twist - Johnny really, really doesn't like cigarettes. Ghost didn't know.

Choice by achievement_hunteresss - Shepherd captures the 141. He offers them a deal. He will let the other person go unharmed, if you shoot yourself in front of them.

tags by achievement_hunteresss - Soap asks for help with detangling his dogtags. Ghost accidentally unburies Simon.

Precipice by Islenthatur - Soap dies and has to choose (dw it's surprisingly not mcd)

Coven (Scheherazade) by basgijr - Ghost can't sway an overwhelming feeling that something isn't right. Soap is a werewolf that stinks of wet dog and also love (Ghost is a vampire). [this one I found from a Tumblr post that I lost]

sullen by rottin - Sparring goes a little wrong.

Lessen the Load by Hammy1o1 - Price had to talk Ghost down from suicide a few times. Things change when Soap joins the taskforce. [obviously TW for suicide]

Aaaand that's all of them! And my god there's a lot. Next post I'm considering giving a list of writers I like (aka have a lot of fics that I like so I save their name instead of individual fics), which will be one post since there's not too many. After that we can finally get to the longer fics!

#fic recs #call of duty modern warfare 2 #ghostsoap #ghoap #not art #cod ghost #cod soap #I didn't count how many I wrote down here I just kept going till it was done #took me an hour and a half to write it all down rip #but hey this way there's no chance I'm losing those fics lmao #as always if links dont work you can let me know and ill fix them!

318 notes · View notes

cerise-on-top · 29 days

Note

Can I request the fluff alphabet for Nikolai or Soap? So happy to hear you’re doing well, always look forward to your writing!

Hey there! Of course you can! And thank you! Glad to hear you enjoy my writing!

Fluff Alphabet for Soap

A ctivities - What do they like to do with their s/o? How do they spend their free time with them?

Soap definitely loves being out and about, so he’d love nothing more than to go outside with you and just do things there. It doesn’t even need to be anything terrific like hiking on top of a mountain, a walk in the park suffices for him as well. As long as he gets to spend time with you he’s all game. Though, beware: He will likely be touching you in some way the entire time. If it’s raining outside or the weather is bad otherwise then he’ll opt for cuddling on the bed or couch with you. He’s a touchy guy, the only time he’ll let up is when you need to use the bathroom. But even then he’ll whine to no end.

B eauty - What do they admire about their s/o? What do they think is beautiful about them?

He knows that he can’t be home for too long, so he definitely admires your patience with him. It takes quite a lot of it to date a soldier. Another thing he admires about you would be your loyalty and trust in him. He’s abroad for months at a time, but you don’t question his intentions, believing that he’ll stay with you. And that he will. Soap wouldn’t betray that trust. You don’t message him every time you’re being insecure about your relationship because there’s no need to be. Soap makes sure you feel loved and that you’re the only one.

C omfort - How would they help their s/o when they feel down/have a panic attack etc.?

He’d go about it in the same way he’d prefer to be handled during tough times. He, too, can be a patient man and will listen to your every woe, should you want to tell him about it. Although he may not have the best advice for everything, he’ll certainly try. If you want your favorite dish, he’ll cook it for you. If you just want to cry on his shoulder, he’ll let you while he holds you.

If you’re having a panic attack then he’d try to calm you down immediately, getting you away from whatever might be causing you even more distress. He’s learned a thing or two about calming down, so he’d just talk to you, distracting you from it all until you feel better. This guy has plenty of stories to tell, funny ones too. He’ll calmly talk to you, trying to not have his accent be as thick as it usually may be either so you can understand him.

D reams - How do they picture their future with their s/o?

He’s a more traditional man, so I can see him wanting to get married to you eventually. He dreams of the day he gets down on one knee, pulling out the little box with the ring in it and asking you the big question. Afterwards he’d love to have a dog with you. A rather big one as well, like a St. Bernard or a German Shepherd. Soap loves picturing the kind of future where his dog will lie on top of you while you try to get it off and complain to him about him taking pictures of it. He may love being a soldier, but he adores you and would do anything for you.

E qual - Are they the dominant one in the relationship, or rather passive?

He believes himself to be more dominant than he actually is. Sure, he can take on the role of being the more dominant person among the two of you, but he will step back as well if he needs to, or wants to. When it comes to your well-being, though, that’s when he’ll get very aggressive. Someone sleazebag is flirting with you? Soap’s won against plenty of people, so this fucker will be no exception. However, he can appreciate a suggestion you have made as well and will follow directions. Sometimes he does like letting you take the reigns as well, though.

F ight - Would they be easy to forgive their s/o? How are they fighting?

It’s not very hard to annoy him, even if he can hold himself back usually. But when it all gets too much he’ll get a bit louder for a moment before going quiet. He’ll be passive aggressive the entire time, even if he won’t outright insult you. He knows when emotions are appropriate, so he can control them 80% of the time. Won’t insult you, won’t yell at you either, but he will hiss at you. Give him some time to cool down and think it all over and he’ll forgive and forget. If he’s in the wrong he’ll apologize, if you’re in the wrong he won’t forget as easily without an apology, but he’ll forgive.

G ratitude - How grateful are they in general? Are they aware of what their s/o is doing for them?

Yes, he’s very aware of what you’re doing for him. It’s not a given that someone as wonderful as you stays with him, even less so that you do what you do for him. He’s very grateful and will show such as well. Gives you chocolates and flowers, will take you on dates and outings, will do whatever he can to pay those favors back as well. He loves you and you should know that, so he will cling to you like a koala. Either that or he’ll help you with the chores when he’s not as tired anymore after deployment. Either way, you won’t be alone with doing the chores while he’s around.

H onesty - Do they have secrets they hide from their s/o? Or do they share everything?

There’s plenty of things he doesn’t tell you, actually. Sure, there are some confidential missions he can’t tell you about, so there’s always that. However, he still does have some pride, so he won’t always tell you when he’s in pain either. He can take it like a man, no need to bother you with that sort of thing. He’s also pretty good at hiding his injuries and how much pain he’s in, if it isn’t too overwhelming. But other than that he’s a pretty honest guy and will tell you just about anything. You deserve to know everything about him, but likewise he expects you to be honest and open with him as well. A relationship can only truly prosper with communication.

I nspiration - Did their s/o change them somehow, or the other way around? Like trying out new things or helped them overcome personal problems?

I think you would likely be able to help him with calming down a bit and finding a purpose in life that wasn’t being a soldier. He’s always been an active guy with a knack for chemistry and weaponry, so he wanted to put that knowledge to good use. However, ever since he’s gotten with you he realized that not everything needs to be about work or war. He can definitely appreciate the smaller things with you, like receiving a flower crown from you. You make his life more worthwhile and he finally has something to look forward to that isn’t just work. He has someone to come home to, and that’s worth a lot in his eyes.

J ealousy - Do they get jealous easily? How do they deal with it?

It depends on the person stealing your attention. If it’s, say, Ghost, then he doesn’t mind as much since he knows Ghost has no ill intentions with you. But if it’s some random person then he definitely gets jealous if you spend too much time with them. Starts brooding and getting closer to you, wrapping an arm around you, maybe even kissing your cheek while he’s at it. If it was appropriate, he would growl at the person as well, trying to get them to go away. You’re his and no one else’s. Doesn’t apologize for his behavior either, if he’s jealous then he’s jealous, and that’s that. You’re more than welcome to act the same way with him as well, by the way.

K iss - Are they a good kisser? What was the first kiss like?

He’s not too bad at kissing. Soap has had a few high school sweethearts, so he’s definitely kissed before and takes it easy. He wasn’t particularly stressed out about your first kiss together either and just let it happen. Although he was being cheesy and asked you to close his eyes before he kissed you. It was a gentle kiss since he wasn’t too sure if you truly liked him the way he likes you and he didn’t want to make you too uncomfortable. But when you told him you felt the same way he quickly gave you another kiss.

L ove Confession - How would they confess to their s/o?

I don’t think he’d make too much of a fuss about it. He’d take you to a nice park on a nice day, maybe have a picnic with you and then casually ask you if you wanted to be a thing together. It’s not too bad if you say no, even if he’d be crushed, but he could just play it off and continue the picnic and be friends with you. Would love to watch the clouds go by while lying on the blanket with you. That’s also when he might confess to you.

M arriage - Do they want to get married? How do they propose? What would the marriage be like?

Yes, he definitely wants to get married. He wants nothing more than to have a spouse to come home to. With you wearing an apron, asking him if he wants dinner, a bath or you first. It’s cliched, but he’d melt if you ever called him honey. I think he’d think his proposal through, though. It’s important to him, but he still wants the day to be fun, so he might take you to an amusement park and propose to you on the ferris wheel, sincerely hoping it stops while you’re on top and can view the entire city. The marriage would be sweet, he’d be even more doting on you. Would proudly introduce you as his spouse.

N icknames - What do they call their s/o?

Although they’d start out as a joke where he would mimic those embarrassingly sweet couples calling each other embarrassingly sweet things, he’d eventually take a liking to things such as pumpkin, pudding, or cutie pie. Naturally, there’s also things like babe and baby. If he can reference a stupid meme, he will. You’re also his silly little rabbit, no matter how much you dislike that nickname.

O n Cloud Nine - What are they like when they are in love? Is it obvious for others? How do they express their feelings?

It’s somewhat obvious to others. Soap is much more inclined to gravitate towards you and try to spend as much time with you as possible. He likely also won’t leave you alone unless you ask him to. He becomes much more chatty with you and brags about his accomplishments as well. Might even flex for you, even if it’s cringe. You need to realize how strong and awesome he is. Also does you a lot of favors, you don’t need to repay him. See? Isn’t he just the ideal guy? Isn’t he just so dateable?

P DA - Are they upfront about their relationship? Do they brag with their s/o in front of others? Or are they rather shy to kiss etc. when others are watching?

If it was up to him either one of you would be holding the other at any point in time. He’s not afraid to show the world you’re a thing, he will brag about you to everyone willing to listen. Even if he’s being called embarrassing, he’ll just keep on going. The world needs to know just how lovely you are, that you’re the best partner anyone could have ever asked for. Kisses you in public, hugs you in public, cuddles you in public. If you’re comfortable with it.

Q uirk - Some random ability they have that’s beneficial in a relationship.

He’s a very observant guy, so he’ll almost always know what’s up just by watching you for a bit. You’re happy? You’re sad? You’re mad? Don’t worry, he can pretty accurately gauge your emotional well-being just by watching you for a bit. Does what he needs to do to either cheer you up or keep you happy afterwards.

R omance - How romantic are they? What would they do to make their s/o happy? Cliché or rather creative?

He’s somewhere in the middle. While he may not be the most romantic person out there, he does dream of kissing you under the moonlight and dance with you then and there as well. When it comes to making you happy he’d do just about anything. You want a cat? You want some cuddles? You want him to kill that guy for you? Just ask for it, you’ll receive whatever you want, you’re his partner and therefore very important to him. He tries to get a bit more creative with what he gifts you and actively searches for things online. But usually he just settles for showing you Scotland. His country is important to him as well, so he hopes you can appreciate it as much as he appreciates you. He means well, he’s just very easily excited about it.

S upport - Are they helping their s/o achieve their goals? Do they believe in them?

Oh, definitely. It doesn’t matter what your goal may be, he’ll do what he can to help you achieve it. You wanna work out? He’ll go to the gym with you. You wanna get better mentally? He’s there, cheering you on every step of the way. You wanna be independent? He has connections, you’ll get your dream job and dream pay, don’t even worry about it. As long as you let him help you, he will. And even if you refuse his help he will somehow weasel himself in anyway and help you out, even if you won’t ever know about it.

T hrill - Do they need to try out new things to spice out your relationship? Or do they prefer a certain routine?

Although repetition can be a nice thing, he does prefer having something new every once in a while. Sometimes he wants to see another country with you, sometimes he wants to try new foods with you, sometimes he just wants to watch a new movie with you. It doesn’t always need to be the most exciting thing with you, even the small things suffice, but he needs something new. The same routine every time bores him to death and annoys him as well. Again, something small will suffice for some time, but then it’s definitely time for a vacation away from it all.

U nderstanding - How good do they know their partner? Are they empathetic?

He likes to think he knows you quite well by now. He can remember things very well too, so if you ever mention a fun fact about yourself, chances are he’ll remember it forever. If you ever want something, no matter how small it is, Soap will remember and you’ll get it eventually. He’s also an empathetic person. He sees you and feels what you’re feeling, at least to some degree. Probably not with the same intensity that you do, but he tries to understand you.

V alue - How important is the relationship to them? What is it’s worth in comparison to other things in their life?

His relationship with you is very important to him, as important as his friendship with Ghost, Gaz and Price. The four of you are the most important people in his life, along with his family, and he’d do anything to keep you safe and happy. He does hope that you can get along with the other three as well, though.

W ild Card - A random Fluff Headcanon.

Has probably tried to serenade you before. His voice is by no means bad, but it’s his accent that makes you giggle. He does lay it on extra thick as well when singing I’m Gonna Be just to hear you laugh a bit. He mostly just sings to you to hear your giggles and see you smile, but he does like singing and whistling to himself when he’s alone.

X OXO - Are they very affectionate? Do they love to kiss and cuddle?

Yes. Soap loves nothing more than holding you close whenever he can, especially if you haven’t seen each other in months. When he’s tired you can be certain he’ll be all over you the entire time until he falls asleep. And even then he has an iron grip on you so you won’t escape him. He’s a human furnace as well, so while it may be pleasant in winter, it’s hell in summer. But that’s the worst part about him, he doesn’t mind being sweaty as long as he gets to cuddle you. He’s used to being sweaty anyway, he can just shower it off, but he needs to hold you or else he’ll combust.

Y earning - How will they cope when they’re missing their partner?

Whenever he can, he’ll text or call you. He knows it’s not always the time for such a thing, but he’ll do it anyway. Sometimes, he’ll call you just to hear your voice and fall asleep to it. He imagines himself doing all the domestic things to you he can’t do in the moment, it helps him fall asleep when his heart is aching for you yet again. Sometimes, when he’s just on base and not necessarily being deployed, he’ll steal a plushie from you and take it with him, cuddling it in your stead at night. It does help him sleep better.

Z eal - Are they willing to go to great lenghts for the relationship? If so, what kind of?

Soap would literally kill and die for you. He has this sense of camaraderie to him, and that extends to you as well. He’d fight for you, he’d take a severe hit for you. Anything to make sure you’re alright . Soap is loyal to a fault, so even just someone looking at you the wrong way warrants a fight, in his eyes. You’d need to remind him that none of this is necessary, that you’ll be alright and then he’ll calm down. But don’t you ever think that this man won’t blow up entire buildings just to watch you smile. He’ll make his own explosives as well, if he needs to.

#cod #cod x reader #john soap mactavish #john soap mactavish x reader #soap x reader #This took me almost two hours to write ^^;#I think I'm just gonna do Nikolai and then only accept up to five letters at a time for a character and not do the whole thing ^^;#also this is not proofread I am too tired to proofread this right now #I'm sure it'll be alright though #I was so happy to receive a request for Soap! my brain's been Soaping as of late again!#plus I love that little stinker with all of my heart and much more!#I hope these are alright! feel free to interpret these things the way you would want as well!#I missed Soap he's such a good character I wish I could hold and cuddle him irl as well #but alas my imagination will have to do!#writing about Soap cuddles is definitely cathartic though!

66 notes · View notes

mattodore · 3 months

Text

pay attention to theo’s beautiful face and not whatever matthias’s arm is doing... i liked the lighting more here than against the wall

#these are the last screenshots i wanted to edit from the ones i took on the 22nd and had been slowly editing throughout the week #will finally be putting mattodore in their thirties to rest 🙏⚰️#river dipping #echthroi #matthias evanoff #theodore doe #a burning house to live in #ts4 #ts4 edit #simblr #ended up not doing much to these screenshots tbh… i was so into the audiobook i was listening to i kinda just. stared at the wall a lot...#my brain was telling me this wasn’t worth posting bc i’ve done so many mattodore edits recently and this isn’t anything different but.#like i did actually spend a few hours with these edits so. on one hand i’m like this isn’t really anything #but on the other hand i’m like. well they’re my ocs whom i love dearly and i’ll probably enjoy looking back at this #the same way i do all my other recent edits which i open my own blog up to stare at like. multiple times in a day #obsessed atm……..#anyway.#god… matthias is so huge he always takes up so much space i’m constantly having to crop him out of edits 😭#and these are poses that weren’t even made from me…. so he’s not even at his full 6’3’’ height and size like 😭😭😭#he distracted me but that aside... i'm waiting for my game to open up atm so i can get back to tweaking alessandria's sim #her face is gonna take me forever.................................#ik i don't talk about my other ocs on here much anymore but alessandria is my third favorite oc (mattodore obviously being my top two)#so... i'm seriously gonna agonize over every update i make for them now kjdhknjf #ocs with tragic backstories save me...................#i’ll probably spend a few hours with alessandria in cas and then i’m going back to google docs to write more abt mattodore

141 notes · View notes

rue-bennett · 2 years

Note

Hey! Can you explain to me the dwd drama?? I see everyone talking about it but no one says what happened i dont get it

Here is my attempt, buckle in and get worried, darling:

Olivia’s directing the movie starring Florence & Harry (whose role originally went to Shia LaBeouf, but more on that later), which filmed from October 2020 to February 2021. Olivia was engaged to Jason Sudeikis but their relationship officially ended in November 2020. Olivia and Harry met on set and started officially dating in January 2021. Officially. So, all along there’s been intense scrutiny of Olivia from Harry stans who are convinced they’re gonna date him or he’s gay or no woman is good enough for him or whatever reason they have to vilify her (because they can’t handle that he’s not their little puppet doll). Not to say she didn’t do shit. Let’s get into that soon!

(So yeah. The relationship timeline is sketch. Personally, I don’t really give a shit about strangers ~allegedly~ cheating on each other, it’s not my business, Jason isn’t exactly a sweetheart even if he’s currently America’s Sweetheart because he plays one on tv. Relationships break up, lots of directors fuck stars, it’s definitely juicy but it’s not that noteworthy if it weren’t for the star power involved. Also, in summer 2022 Jason had custody papers served to Olivia *while she was onstage* promoting DWD at CinemaCon. That was a week! However, I’d also like to not that Flo is close with Jason, so it’s not like she’s a neutral party either. She was still very much in a serious relationship with Zach Braff at the time and Zach & Jason are besties. So. There is that!)

Back to during filming, Shia was fired for clashing on set with the cast and crew (namely Florence) and it was widely reported back in 2021 during filming and then brought up in the press a week or two ago that Olivia fired him because she wanted to make her set a safe space for women or whatever, and with Shia’s history of abusing women and anyone really, makes sense, right? Well. Shia’s apology tour is currently happening where he’s clearing the air/making shit up/what’s to be expected from that fucko, who I don’t trust (he recently admitted his movie Honey Boy, which is autobiographical and about how Shia’s real life dad abused him, was completely made up to make Shia seem more likable and that his dad never touched him) and the timing was convenient. However. He did have a video that Olivia sent to him, basically begging for him to come back to DWD and saying she didn’t want to give up if he didn’t (alleging that he quit, he wasn’t fired) and spoke condescendingly about Florence, talking about how if Shia and “MISS FLO” (the attitude with how she said it fjsjcjd) could work things out she’d love to have him back. Anyway, Harry was cast in the role and Olivia and him have been dating for a while, so good-ish for them I guess.

There are intense rumors about Olivia being unprofessional on set/sneaking off with Harry/Florence generally being unhappy on set is the big thing. There are rumors she was gone for so long that Flo had to step in and tell crew what to do, but I highly it was that extreme. There is at least one assistant director always there, and things can be dramatic and bad without being like ludicrous. But people will insist on making things up because they sound good/bad! Regardless—twas bad! (There’s also the whole female director takedown conversation but…)

And Flo has made it really almost obnoxiously but also hilariously obvious that she doesn’t like Olivia or want to promote the movie—she’s THE LEAD but she’s done very little press and barely even promotes it on Instagram. And btw, a certain amount of press (usually a large amount!) is written into the contracts that actors sign when they sign onto movies. It’s not a casual thing that she missed the Venice Film Festival press conference for the movie SHE STARS IN at its WORLD PREMIERE.

A quick note about the promotion—Olivia has been promoting it…a lot. And in a way that really rubs a lot of people the wrong way. It’s definitely being painted by her as super feminist, a female orgasm movie where men don’t cum (yes, she literally said that). Then Florence said how “When it’s reduced to your sex scenes, or to watch the most famous man in the world go down on someone, it’s not why we do it,” and didn’t mention Olivia AT ALL. And with the major marketing just being around Harry eating Flo out when there’s a whole movie around that scene presumably…kinda fucked up.

When she was gallivanting around in her purple suit with her granny lol, not on a delayed flight nor Really having to rush back for Dune 2. (Yes, she and Timmy likely have different shooting schedules, but let’s be honest, he’s been lazying around Italy like Elio in Call Me By Your Name, she could’ve gotten a full day off if she’d wanted it.) It was a huge fuck you to Olivia and Harry, she’s allegedly been really annoyed that their relationship has taken all the attention away from the film and from her acting (which I’ve heard is great in this movie) and it’s just a fucking mess.

And I’m crying because it’s not even over yet.

Flo went to the red carpet and premiere screening for DWD. They were all separated from each other and it is sooooo obvious and messy. And let me say…it’s not normal for a lead actor (Florence) to not even stand or sit next to their director. The Harry part isn’t as weird because they were trying for once to cool their relationship and not make the headlines about that. Instead! Just about the Flo & Olivia beef.

(Btw. The Harry-Chris Pine spitting thing btw isn’t real. It’s funny and people ran with it, but there is no spit. There’s multiple angles of it, and no. Chris found his sunglasses in his lap + thought Harry & Olivia would talk but didn’t. Harry didn’t spit on him. Funny thought though! Fun reaction meme out of it though!)

I think some of it is definitely blown up for the tabloids to get as many people to see the movie as possible because bad press, good press, any press, etc. and things (like the spit rumor) run way out of control on social media. I also think we don’t know Everything yet and maybe never will. But anyways! There goes my sanity! Worry, darling!

#celeb talk #don’t worry darling #asks #anonymous #i’m fact checking oh my g od #this isnt even all of it probably but i’m going insane #this took me like a half hour #hope this clears it up a bit?#also after writing this now i hate everyone fjsjfdjd they’re so annoying #chris pine #harry styles #florence pugh #olivia wilde #don’t worry drama #1k

3K notes · View notes

this-is-a-podcast-fanblog · 9 months

Text

hozier, "francesca" from unreal unearth / tears of the kingdom dir. hidemaro fujibayashi / anaïs mitchell, "road to hell (reprise)" from hadestown / the last of us part ii, dir. neil druckmann, anthony newman, kurt margenau / better call saul s6e13, dir. peter gould / ethel cain, "famous last words (an ode to eaters) / good omens s2e6 dir. douglas mackinnon writ. neil gaiman / william finn and james lapine, "what would i do" from falsettos / the hunger games catching fire dir. frances lawrence / "on another panel about climate, they ask me to sell the future and all i've got is a love poem" by ayisha siddiqa / "roemo and juliet" by henri pierre picou / sza, "awkward" from ctrl

"doing it again" - art about regret, repetition, and circular stories

206 notes · View notes

becauseplot · 8 months

Text

Penciled Lines

(Cross-posted on ao3, if you prefer to read it there. Reblogs still appreciated!)

Missa wakes up, and he thinks he might be doomed. This doesn’t scare him nearly as much as it should.

Missa is awake early—by his own metric, anyway. His nocturnal nature causes “early” for him to mean “early night” and not “early morning.” Regardless, “early” means that Philza is not asleep yet, still going through his nightly rituals. “Early” means that Philza is sitting up in (his? their?) the bed, pillows propped up behind him, notebook in his lap, sketching away.

And when Missa wakes up to the soft scritch-scratch of a charcoal pencil on textured paper, his forehead just so happens to be brushing Philza’s hip.

Missa can hardly breathe.

Oh no.

He knows that if he gives any indication that he is awake, Philza will stop sketching, close his notebook, shift himself over until he is politely seated on his side of the bed, and greet Missa with a friendly smile. Philza has done it before, when Missa wakes up early. That’s how Missa knows he’ll do it again.

Thus, Missa can hardly breathe—his breaths have to be the slow in-out of sleep. He can’t so much as twitch, either. He has to keep quiet and play dead or else he’ll be found out. Seen. Caught living the lie.

“Husband,” Philza calls him. They’re not married. They share a bed. They’re hardly ever in it at the same time. They have a son and a daughter. Neither of them know Missa very well. Philza has had an extra set of armor and a skull on his backpack for months, waiting for Missa. Missa doesn’t even know Philza’s last name.

Philza is a good man and a good friend—and Missa doesn't deserve him. Still, he takes what he can get. Curls around it. Hoarding every innocent kindness Philza extends like a starving creature: the generosity of a backpack fully stocked with equipment; the trust Philza places in Missa to watch the kids when he’s asleep; and now, the courtesy of not moving his hip from Missa’s forehead to ensure his “sleeping” isn’t disturbed. Missa clutches all of these little offerings in his greedy claws and hugs them into his chest, even as the guilt eats away at him.

Because, regardless of the lack of mutual feeling, he loves Philza. He loves him so, so much, and that is why he is doomed. He can’t afford to lose what little he has. He can’t cross that line.

So Missa lies beside Philza, forehead pressed against Philza’s hip, pretending to sleep so he can imagine that they’re not just lying in bed together, but lying in bed, together; and later, when Missa truly wakes, he will sit on his side of the bed and look at Philza’s face soft with sleep and think about how lucky he is that he still has a side-of-the-bed to begin with.

Missa doesn’t mean to drift off. When it starts to happen, he’s hopelessly torn between shaking himself awake and thus giving himself away, or remaining how he is, silently fending off the inevitable. In the end, Missa clings to that scritch-scratch sound of Philza’s pencil on the paper for as long as he can before the fog at last pulls him under.

Eventually, he dreams. In fact, he dreams of the calloused fingers he dreams of every night, hands like his own, an artist of Death, cradling and shading the contours of his face—a softness dashing charcoal across his jaw, and over his cheekbones, and perhaps on his lips, too, if he’s lucky. Defining every edge of him.

~*~

A deep sigh. Phil stops sketching as Missa shifts in his sleep. He tilts his head up so that the tip of his nose is now just nearly brushing against Phil’s hip. The motion disturbs the wild splay of his dark hair, revealing more of his face: eyelashes, cheeks, warmth. Tender blush of something Stygian and otherworldly. New.

Phil’s lips tilt upwards. He turns to a fresh page, and he starts again.

#qsmp #pissa #qsmpshipping #qsmp missa #qsmp philza #i hesitate to put main character tags bc it's shipping content but i think we're all p much okay with that?? we chill??? we chill thumbsup #my fics #ficlet #anyway would you believe me if i told you this took me a week to write. hhourgh.#i'll prolly make small edits as time goes by if i dont scrap this version entirely.#i really like it rn but we'll see how i feel abt it in like a couple hours or a day. the sheer number of times ive rewritten this hhhhh.#this little character/relationship study is primarily for me to try to work them out in my head.#so if this doesnt quite hit the exact vibe you know why.#im still getting acquainted w missa's character but i gotta start somewhere ya know #i didnt actually get to explore missa's feelings of inferiority as much as i wanted to but thats bc i found trying to tackle that As Well-#-as everything else saddled the fic/setting w too many Things and made it cumbersome and muddied the story being told.#so another time perhaps.#anyway i adore them. beloveds.

174 notes · View notes

suddencolds · 5 months

Text

Small Price to Pay | [1/1]

you know all those posts about making out with someone with a cold and the associated consequences? This is that in fic form, ~8.8k words. I'm embarrassing myself typing this, so here it is.

This is an OC fic ft. Vincent and Yves - you can read more of these two here! :)

Summary:

“So,” Brendon says. “You’re still dating him.” Something about the way he inflects the word still makes something sour in Yves’s chest. Yves frowns at him. “Is that supposed to be surprising?”

Yves has a birthday party to attend and a fake relationship to prove. Vincent is nothing if not adaptable. (ft. fake dating, an argument, contagion)

—

Here’s the problem:

Francesca throws a party.

It’s a birthday party, strictly speaking, but functionally it’s more of a college reunion—Francesca invites everyone from their year who rowed crew, which means that one: Yves will be surrounded by some of his best friends from college, and two: Erika will be there.

He thinks up an entire contingency plan—if Vincent can’t make it that weekend, for one reason or another, Yves will show up, hand Francesca his gift, spend the rest of the hour avoiding Erika and Brendon, and leave early, citing some excuse or other. It’s not that he doesn’t think he could handle talking to Erika—it’s just seeing her feels like reopening a wound. A part of him is scared that he’ll see her, and feel the loss intensely all over again—or, worse, he’ll get ideas about forgiving her, about letting her into his life again, about accepting her explanations.

And Brendon, too—seeing Erika means seeing Brendon, most likely, and Yves doesn’t want to justify himself to him any more than he already has.

The point is: the less of the both of them that he has to deal with, the better.

When he asks Vincent a week before the event, though, Vincent’s response is immediate.

V: You can fill me in on the details later. I’ll be there.

It’s a little strange, he thinks, that Vincent always agrees so readily. Vincent isn’t a fan of parties—he’d been clear about that. He doesn’t seem interested in talking much about himself, either—he’s just the kind of person, Yves is realizing, who likes to keep his personal details close unless they offer some sort of utility.

Perhaps there’s something else that Vincent is getting out of this, then.

But when Yves asks, he’s met with the same cryptic answer:

“I don’t mind it,” Vincent says. “And you have something you want to prove to your ex. Ultimately, it’s a net positive.”

“While that’s technically true,” Yves says, “this seems like an unfair arrangement. I mean, you’re only doing this because I dragged you into it.”

“If I didn’t want to be dragged into it,” Vincent says, “I would say so.” as if it’s really that simple.

It can’t be that simple, Yves thinks—there must be more to his reasoning that he’s omitting—but he doesn’t press. Vincent is right. Vincent is the kind of person who knows precisely what he wants. If he really had a problem with this arrangement, he would’ve said so.

And, besides—a little selfishly, perhaps—Yves has started looking forward to their outings as of late.

—

Nevertheless, he doesn’t think about the party again until the Friday before it, when Vincent shows up at his desk.

“Do you have a moment?” he says.

“Yes,” Yves says, saving the spreadsheet he’s been working on and shutting his laptop. “What’s up?”

When he looks up, Vincent looks a little tired, though that’s not unusual—it’s been a long week, and busy season always means long hours and little sleep.

“We can talk later if you’re busy,” Vincent says.

“I’m very free,” Yves says. He’s decisively not—and he’s sure that Vincent knows this, too, so whatever Vincent is approaching him with now must be important.

“Regarding Francesca’s party tomorrow,” Vincent starts. He looks a little sheepish—as if he doesn’t quite want to be the deliverer of bad news. “I can still go. But I’m…”

“If something came up,” Yves says immediately, “you don’t have to come.” “It’s not that,” Vincent says.

“Or even if nothing’s come up,” Yves backtracks, “and you’re just not feeling it anymore? Also totally fine. Seriously. I can always just go by myself.”

Vincent seems to consider this. Yves is starting to get worried that something might actually be very wrong—something that Vincent is hesitant to even bring up—when Vincent takes a generous step backwards, raising his elbow to his face as his eyes squeeze shut.

“hhih’nGKTsHuhh-!”

The sneeze sounds harsh, even muffled into the fabric of his sleeve; it tears through him with little warning, loud enough to echo slightly in the confines of the office space.

That’s when it all clicks into place: the tiredness. The slight off-ness to his complexion, the tension to the way he’s holding himself, the fact that Yves hasn’t caught him in the break room at all over the past couple days. The fact that he’s currently standing so far away from Yves’s desk.

“You’re ill,” Yves says, comprehending.

“Yes,” Vincent says. His voice sounds a little off, too, now that Yves knows what to look for; it has that quality it often takes on after a long day of discussions with clients—not quite hoarse, but getting there. “I’m positive it’s just a cold. I just wanted to give you a heads up.”

“Don’t worry about it at all, seriously,” Yves says. He feels guilty, suddenly—here he is, asking Vincent to spend his already-limited free time at a party, when Vincent probably has a high volume of important clients—and a burgeoning head cold—to deal with. “If you want to take a rain check, you should. I’m sure this week has already been rough for you as it is.”

“When is the next time you’ll be going to an event where Erika’s going to be there?”

That question makes him pause. “I don’t know. In another month, or so, if I had to guess?”

“So this event is important,” Vincent says, sniffling. It’s the kind of light, liquid sniffle that implies that whatever he’s caught, he’s just at the start of it. “In that case, I’ll go.”

“Wait,” Yves says. “That’s not what I—your health is more important than any event. You shouldn’t push yourself.”

“I feel fine,” Vincent says. “No headache, no fever. It’s just a slight cold. I will be fine tomorrow if I make it a point to sleep early.” he sniffles again, his expression growing hazy for a brief moment before he blinks, rubbing his nose on one knuckle. “I just wanted to make sure you were fine with it.”

“I am completely fine with it,” Yves says, reaching for the box of tissues that’s perched on his desk. He holds it out. “I just feel bad about making you go if you’re sick.”

Vincent takes a handful of tissues out of the box, brings them up to cover his nose, just in time for—

“hh- hH’nGKT-! snf-! hH-Hhih… hh’hiHhh’iiZSCHHh-uhh!”

“Bless you,” Yves says, with emphasis, pushing the entire tissue box towards him. “Times two. Seriously. I think you could use the weekend off—you know, to catch up on sleep.”

“Assuming that things haven’t changed from the event details you forwarded me, the party will be in the evening,” Vincent says, taking the tissue box from him, a little hesitantly, and tucking it under his arm. “I’ll have plenty of time to sleep in.”

Yves opens his mouth to protest.

Vincent says, “I’m fine. I’ll call a rain check if I wake up with a fever.” He turns on his heels. “Otherwise, see you tomorrow.”

—

Vincent, as Yves is coming to realize, is very good at appearing presentable, even when he’s under the weather.

“You made it,” he says. This time, they’d driven here separately. Yves had thought, initially, that it’d be easier to just drive Vincent places, so that the only thing he’d had to account for was his actual presence—but Francesca lives between them. I don’t mind driving, Vincent had said. You’d be going out of your way to pick me up, but he’d coordinated a spot a couple blocks down to meet up, so that it would look like they’d come together.

It’s cold outside still—it’s the sort of indecisive weather that seems to periodically hint at spring: a cold front, then a few warm days when all the ice thaws, a few flowers lining the grass along the road where the snow’s melted, and then another snowstorm. It’s easy enough, then, to chalk up the slight redness of his cheeks, the redness at the tip of his nose, as another effect of the not-quite-spring weather.

Yves is carrying his present for Francesca under one arm—a hardcover book—a sequel to one she’d read last year and gushed to him about liking; a couple fridge magnets, which she likes to collect; film for the polaroid camera her sister got her last year; and a letter, all wrapped up in a brown paper parcel.

It’s nice to have an excuse to see everyone again, especially some of the members from crew whom he’s not close enough to invite to parties personally, that he knows Francesca was closer to.

“It was a pain to find parking,” Vincent says. He’s wearing a red scarf today, and a white overcoat with black buttons and a sharply cut collar. Personally, Yves thinks it’s unfair that someone can be down with an irritating head cold and still look so good.

“No kidding,” Yves says. “You would’ve thought there’d be more than one tiny parking lot for all those shops.”

Yves asks how he is (fine, Vincent says—perfectly capable of spending a few hours at a party. Yves says, I feel like you would say that even if you were like, dead on your feet with a high fever, to which Vincent laughs, but doesn’t explicitly deny.)

Yves supposes he isn’t one to talk—he’d showed up to a crew event, near the end of the season, with the flu, just because it had been their then-captain’s last big event, and he’d been planning to give him a farewell speech. The speech had gone fine—and so had the first few hours—but then all his symptoms had hit at once—fever chills, exhaustion, a pounding headache, the likes—and Francesca and Erika had practically had to drag him home.

But that had been an important event—a once in a lifetime thing—and he’d drafted that speech for two weeks. This is so much less high-stakes.

“I prombise I’m fine,” Vincent tells him, lifting up the side of his scarf to muffle a cough into it. “It’s just all the - hHIh-! all the annoyidg symptoms. I dod’t - snf-! - feel any worse than I did yesterday.” “Any worse?” Yves says. “Does that mean you were already feeling pretty badly off yesterday?”

“I barely even feel udwell at all,” Vincent says. “It’s just— I keep havidg to— hHih-! hihH’IIITshHHh-uuH!”

He sniffles, raising a sleeve to his face to cover the next, resounding,

“hHih’iITTSshh’Uhh! snf-!” He buries his face deeper into his sleeve, his shoulders trembling with another gasp. “Hhih…. HIih’nNGKT—SHhuh!”

“Bless you,” Yves says, laughing. “Okay. Point taken.”

Vincent lowers his arm slowly with a curt sniffle. “Are Erika and Francesca close?”

“Yeah,” Yves says. “I think they still keep in touch pretty frequently.” it’s one of the reasons why he hasn’t told Francesca—or anyone else in the friend group—about the specifics of their breakup.

It feels wrong, somehow, to paint her in a bad light, to give people reason to take sides, when it’s always been all of them together as a group. 5am practice was a hell of a bonding experience, she was part of all of that, too. He has no right to take that from her.

“How about Brendon?”

“Brendon’s sort of an odd one out,” Yves says. “I don’t think most of us had met him until he started dating Erika during our senior year. He usually hangs out with a different crowd, so he’s only really around when Erika is.”

Perhaps that’s better, too—more merciful—that when Erika had left him for someone new, it hadn’t been one of the people he knew and deeply trusted. If Brendon had been there too, at all those 5am practices, at all those oddly timed meetings—if Yves had had that much time to look back on, to wonder when Erika’s feelings for Brendon had materialized, to watch her fall for him firsthand, to look back and know that he was losing her…

It’s better, this way, he thinks, that at least he can look back on his time rowing crew as he’d always wanted to—not like the way he feels when he looks at Erika: heartbroken, and a little betrayed.

“I guess I’m in that positiod now,” Vincent says.

“In the sense that you didn’t meet everyone through crew?”

“In the sedse that I’m an outsider.”

Yves considers this. “My friends really like you, though,” he says. “I don’t think they think of you that way.” It’s a short walk to Francesca’s doorstep. Vincent really does seem to be okay, Yves notes—aside from the frequent sniffling, and the sneezes he turns away to direct into his sleeve, he isn’t shivering under his coat, and he doesn’t look more tired than usual.

Despite everything, Yves finds himself feeling cautiously hopeful. Something about Vincent’s presence has that effect on him. Vincent is always so sure of himself, even in situations Yves thinks he can’t possibly be certain will go well.

It makes Yves want to have faith in this too. Yves will see Francesca and his friends from crew, and he won’t have to say anything to Erika and Brendon, his friends will like Vincent very much, and everything will be just fine.

“Wait,” Vincent says, right after Francesca’s let them in through the apartment buzzer. “We should look like we actually like each other.” He holds his hand out, expectant.

“Good point.” Yves takes it. Vincent’s hand is warm, and a little calloused—when Yves tugs his hand a little closer, Vincent’s fingers interlace nicely with his.

“For the record, I do like you,” he adds.

Vincent laughs. “You kdow what I meant.”

—

It’s almost a relief, seeing everyone again. Yves used to feel a little apprehensive about reunions—around the possibility for the people that he’d known and loved to have changed past recognition, to have internalized everything some way but to come back and see that everyone’s moved on in their own ways, grown a little more into themselves—and a little further from him—than he remembers them to be.

But when he sees Francesca, she still greets him with the same hug — one arm looped around his shoulders, for a firm squeeze. He hands her her gift, and wishes her a happy birthday, and she laughs and says the only good part about getting old is having an excuse to have everyone back in her living room.

“And Vincent’s here too,” Francesca says, turning to Vincent, who—after looking caught off guard for a second—smiles back at her. “I’m so glad you were able to come!”

“It’s good to see you agaid,” Vincent says. “And happy birthday. You look great, by the way.”

“Thank you!” she says, beaming. She’s wearing a cocktail party dress which slips elegantly over her still-bare shoulders. “I needed to pick something out for the occasion. I swear, these days, half my closet is just business formal attire. It’s depressing.”

“If that mbeans that the other half of your closet is filled out with idteresting clothes,” Vincent says, with a quiet sniffle, “you’re doing a lot better than I am.”

Francesca laughs. “It’s just for my sanity,” she says. “Can’t let the clients dictate everything I wear.”

“It’s ndice that you’re celebrating your birthday, though,” Vincent says. He lifts a hand to rub his slightly-reddening nose with one knuckle. “My coworkers are always sayidg that they’re too old to want to ackdowledge it anymore.”

“It definitely feels that way sometimes,” Francesca says. “But it’s a good excuse to have everyone here, while we still can. Speaking of which—Yves is the worst at planning things for himself, which is ironic, because he’s always the one planning things for everyone else.”

“That is not true,” Yves says.

Francesca gives him a pointed look. “Last year, you were practically banking on having everyone forget your birthday.”

That is an exaggeration. “I’m pretty sure you wouldn’t let that happen, even if I wanted it to,” Yves says.

“You’re damn right.”

“The ndext time you’re planning a birthday for him,” Vincent says, clearing his throat with a quiet cough, “I’ll pitch in.”

Francesca brightens, at this. “Finally another soldier on the right side of the war,” she says. “You can definitely be part of the secret planning council.”

“Thadk god,” Vincent says, playing along. “I was starting to thidk I was going to have to do it all alone.”

“It’s not a secret if I’m right here,” Yves says. Francesca ignores him in favor of having Vincent type his number into her phone.

—

Halfway through the evening, Vincent disappears into the kitchen for a moment. When he comes back, it’s with two drinks in hand—canned cocktails, Yves realizes, judging by the cans. He hands one over to Yves.

“I actually don’t think I’ve ever seen you drink before,” Yves says to him. “Even at happy hours.”

“I don’t drink very often,” Vincent says.

“Does this mean that I get to see you tipsy? I’m sure our coworkers will be jealous.”

“If you’re expecting my personality to change,” Vincent says, “you will be disappointed.” he says it with such certainty that Yves pays closer attention to him after that.

Vincent does hold his alcohol well, as it turns out, with the exception of the slight flush to his cheeks a few drinks later—though even then, Yves can’t be entirely sure it can’t be entirely attributed to his cold. He listens intently as Yves talks to Diane—who’s a couple years younger than Yves—about how Crew has been ever since Yves graduated (mostly the same; the new underclassmen are good at showing up to practices on time, but that’s partially because their captain this year is a little intimidating). He gives several of the crew members a candid summary of his relationship with Yves, when asked. He tells Marin how they first met and he tells Kenneth what it’s like keeping their relationship secret at work and he laughs—a little sheepishly—when Sasha says they make a cute couple. If lying so openly is difficult for him, it doesn’t show.

If there’s anything that’s off, it’s subtle. It takes some time for Yves to notice—

The next time Vincent sneezes, his breath hitches with a sharp, desperate, — “hHhiH—!” Then he turns away, craning his neck over his shoulder for an uncovered, “HIiiIKTshH-uh-!”

He blinks in the wake of it, as if a little dazed, before he seems to straighten, lifting a hand to wipe his nose on one knuckle. It’s not stifled, as it usually is, nor is it neatly pinched off into his fingers, which is unexpected.

It’s as if the sneeze has fully caught him off guard—as if all the systems he has in place to sneeze as quietly and as unobtrusively as possible are just slightly impaired by the alcohol. Not that it matters much—Francesca has put some music on, and it sits in the background now, a low thrum, all but the percussive elements muted by the chatter of conversation.

“Bless you,” Yves says, leaning over to grab a cocktail napkin from one of the neighboring tables. He hands it to Vincent, who blows his nose and emerges with a small cough. “How’s the cold?”

“Fide,” Vincent says, with a sniffle. “Ndo worse than before.”

“Are you just saying that to get me to drop the subject?”

“I’m sayidg it because I actually mean it. It’s a very tolerable cold.”

Yves laughs, and reaches for his drink. He’s about to take a sip when he feels Vincent’s fingers close around his wrist

It’s only a brief moment of contact, but the warmth it leaves around his wrist stays, even when Vincent lets go.

“Sorry,” Vincent says, a little panicked. He withdraws his hand. “That’s mine.”

“What?”

“The cocktail.”

“Oh.” Yves looks down to the can in his hands. He supposes Vincent might be right—they’ve both had a few drinks, so he’d lost track awhile ago. A lot of the canned cocktails taste roughly the same to him, anyways. “Is it? I can get you another one if you want.”

“No,” Vincent says. “I drank from it.” As if that explains everything. And then—a little quieter, as if he’s embarrassed to say it: “I don’t wadt you to catch this.”

Truthfully, the possibility hadn’t crossed his mind until Vincent mentioned it. It seems a little endearing that Vincent would be worried about it in the first place—Yves has certainly shared food and drinks with friends who were worse off. “I’m not worried about that,” he says. “It’s just a cold. Didn’t you say it was very tolerable?”

“It’s still…” Vincent trails off, averting his glance with a sniffle. “...an annoyance.”

He looks like he’s about to say more when his expression goes distant, his eyebrows furrowing.

“HHih’IIIzSCH-uhh!” It sounds so thoroughly unsatisfying, half-shielded by a hand raised a few moments too late. “hh-HIh-! Hh…” He pauses, his eyes watering, his breath still wavering, and—after a few seconds of nothing—sniffles; a forceful, liquid sniffle that practically emanates frustration. “hIiIIh’kSHhhhh! snf-!”

“Bless you!”

Vincent emerges, teary-eyed, still sniffling. “Case in point,” he says.

—

He doesn’t see Erika when she gets there. It isn’t until she passes him in the living room, halfway in a conversation, that she makes her presence known to him.

“Hi Yves,” she says, and he looks up. Today she’s wearing a pink dress which cuts off at her knees—a strapless dress, save for a pink rose over her left shoulder which blooms into a sleeve. She is every inch as beautiful as she always is.

He smiles at her, cordial, tight-lipped. “You made it,” he says. She looks at him expectantly, waiting for him to say more, and he realizes—with a flash of panic—that he doesn’t know what more to say to her. He hasn’t kept up with her over the past few months. He knows that she’s working as a quantitative analyst, at a company she’d been hired at a couple months after they’d broken up, but he doesn’t know if she likes her work, if she likes her coworkers, if it’s been busy as of late. If she works long hours, if she’s taken up any new projects. “Glad you found time. I assume work’s been keeping you busy,” he says,

“Are you kidding? It’s Francesca,” Erika says. “I wouldn’t miss this for the world.”

And there it is—that decisiveness. That same resolve that, back then, made everything with her seem so easy. Erika and Francesca have always been close—through college, back when they met during crew, and even after, when all of them had been still settling into their jobs or going off to grad school or moving halfway across the country; when seeing each other no longer meant just a fifteen minute walk across campus.

“Yeah,” Yves says. “I know.”

They don’t speak, after that. Yves thinks it’s probably for the best—he doesn’t have anything to say to Erika right now. Back then, he could talk to her about anything, even if it was pointless or insignificant or of no real importance, and she’d make the conversation fun.

These days, he only tells her things on a strict need-to-know basis, and—given that the only times he sees her these days is at events like this—there’s not really all that much to talk about.

It had been difficult, at first. He’d wanted to share everything with her, still, back when his work schedule had settled enough for him to take long walks downtown, to start to go to concerts and bars again; when he’d redecorated his apartment, when he’d gotten someone to mentor at work, when he’d gotten back into cooking. For some time after the breakup, it still felt instinctual to turn to her, to text her about something interesting that’d happened, to ask her to try out something new that he’d found.

But he hadn’t. Something about feigning normalcy seemed worse, even then, than accepting that she was really gone.

Perhaps her avoidance of him tonight is merciful. It’s easier, when he’s not thinking about her, to slip into the familiarity of talking to everyone, to enjoy all of it just as himself.

It’s only when he excuses himself to get another drink that he runs into Brendon.

Yves has always been civil with Brendon.

Brendon is—well, to say that Brendon isn’t someone he considers a friend is a vast understatement. The less of Brendon Yves sees, the better. Yves avoids him when he can, but he is good at holding up small talk, when it’s necessary, and on most days, Brendon has enough good sense to not start a fight.

Today, it seems, is not one of those days.

“So,” Brendon says. “You’re still dating him.” Something about the way he inflects the word still makes something sour in Yves’s chest.

Yves frowns at him. “Is that supposed to be surprising?”

“I guess I’m surprised,” Brendon says. “I have to say, I wasn’t expecting it to last.”

“Well, I’m happy to have exceeded your expectations,” Yves says. “Though it doesn’t sound like they were very high.”

“I don’t mean it like that,” Brendon says, waving a hand. “It’s just—new relationships can be fairly unreliable. Especially when you’re dating around.”

“Maybe in your experience, that’s the case,” Yves says. “But personally, I tend to date people I can see myself with long term.”

“That’s the thing,” Brendon says. “I’m surprised you can see yourself with him.”

Yves sets the drink he’s holding down and turns to face him properly. “I’m not sure what you mean by that.”

Brendon scoffs. “It doesn’t take a genius to see that you two are very different people.”

“So people can only date their clones,” Yves says flatly. He’s already tired of this conversation. “My bad. I must’ve missed that rule somewhere in dating 101.”

“Obviously, I don’t mean it to that extent. You’re blowing it out of proportion. I just mean that you can only be so different from someone before you’re incompatible. ”

“I agree,” Yves says. “And I don’t think we’re incompatible.”

“Are you sure?” Brendon crosses his arms. “This isn’t his scene, is it? Cocktail parties? I mean, he’s practically married to his work. Does he even like parties?”

Vincent doesn’t like parties—Brendon is right about that point. But hadn’t Vincent been the one who’d agreed to come here in the first place? To imply that he’s only here because Yves has dragged him along seems somewhat disingenuous.

Yves says, “If Vincent didn’t want to be here, he wouldn’t be here.”

“Sure, but from what I’ve heard from Erika—” Yves doesn’t like this implication that Brendon and Erika talk about them behind their back, but he supposes it’s to be expected. “—he’s not exactly the type of person you’ve tended to go for in the past.”

That sounds awfully like an accusation.

“What exactly are you getting at, here?”

“I’m saying that it sort of looks like you just picked the most convenient rebound you could find,” Brendon says, quiet. “But usually people are honest with themselves when that’s the case.”

That startles a short, indignant laugh out of Yves. “You have no idea what you’re talking about,” he says.

“Do you really not think that’s the case? Wouldn’t you say you’d usually go for someone more personable?”

“Personable?” Yves repeats. “Personable? Don’t make me laugh. Do you know how many clients I’ve seen Vincent talk down to a pleasant resolution because he’s so good at negotiating? Do you know how many conferences I’ve been in where Vincent is the one people come to after to privately compliment, because he’s so good at knowing how to talk to people?” he thinks to Joel’s housewarming party—to how compellingly Vincent had lied for him, then; to how good he had been at conjuring up a sense of history between them, of warmth. “His ability to answer difficult questions on the spot, with virtually no preparation at all, is something I can’t even begin to comprehend.”

He’s not sure why the accusation from Brendon makes him so upset, only that it does. Only that he wants to do nothing but tell Brendon just how wrong he is. “If you’re trying to imply that I’m settling for him, don’t patronize me,” he says. “Vincent is one of the smartest and most thoughtful people I know. Do you seriously believe I’d be dissatisfied with someone who holds himself to such a high standard?”

“I’m happier than I’ve been in months,” he says, resolute. “Because of him.”

Through the adrenaline, Yves realizes, faintly, that he hasn’t lied about any of it. He certainly could have—after all, Brendon would be none the wiser—but everything he’s said about Vincent is something he really, genuinely believes.

“Ah,” Brendon says, knowingly, as if he has it all figured out. “I got it wrong. This whole time I thought you were the one that felt lukewarm about him. But it’s the other way around, isn’t it?”

“I don’t know what you’re talking about.”

“You’re so sure he’s the one that you’re willing to overlook all of your obvious differences,” Brendon says. “Have you ever stopped to consider whether he feels the same way?”

“Presumably, he does,” Yves says. “Otherwise, we wouldn’t be in a relationship.”

“That doesn’t necessarily mean anything,” Brendon says, as if Yves should already know this from past experience, which—if Yves is being really honest—makes him want to punch him.

Instead, he takes in a deep breath, schools his expression into a smile. “Usually, people in relationships aren’t still looking for other options.”

“Yes,” Brendon says. “Unless they’re unhappy.”

“Yves!”

When Yves turns to look, Vincent is standing in the doorway. How long has he been here? Just how much of the conversation has he overheard?

“Sorry for the wait,” Yves says sheepishly. “I was getting us drinks.” Evidently, he’s been away long enough for Vincent to come check up on him, so he’s already spent unreasonably long getting drinks, and now he doesn’t even have the drinks to show for it. “Or, I guess I got a little sidetracked, but I swear that drinks are on the w—”

Vincent leans in, unprompted, and kisses him.

Yves’s brain grinds to a complete halt.

It’s only a moment later that Vincent pulls away, but the decisiveness with which he’s carried it out, the broad confidence on his face as he smiles, unwavering, is—

Fuck.

“Oh,” Yves all but stammers. His face is most certainly red right now, and he can’t even blame it on the alcohol. “Um. Did you need anything?”

“No,” Vincent says. There’s something telling to his expression, some sort of quiet acknowledgement. “Just wanted to see what was takidg you so long.”

Suddenly, it makes sense.

Vincent must have heard. Everything Brendon said—or at least, the last part of it; the implication that Vincent isn’t as invested in this relationship as Yves is; the implication that their attraction towards each other is somehow one-sided. Vincent is doing this to cover for him, because he wants to make it excruciatingly obvious that Brendon is wrong.

The fact that he would go to such lengths to make a point makes something settle in Yves’s chest.

“It’s actually good that you showed up,” he says, playing along. “I don’t know what kind of drink you want. I was just going to get you something generic.”

He heads over to the ice box on the other side of the kitchen, and Vincent follows.

They’re far enough that they’re separated from Brendon by the granite island—and, beyond that, the cushioned high stools lined up next to it, but not so far that Brendon can’t still see them.

So he certainly can see, Yves thinks, this:

Yves leans in, reaching up a hand to cup Vincent’s jaw, and closes the distance between them.

It’s nothing like the kiss at the New Year’s party.

That one had been all nerves—brief, impulsive, all adrenaline. This kiss is much more involved—Yves presses in closer, so close that he can feel the heat radiating from Vincent’s skin, so close that he can smell the faint, not unpleasant smell of laundry detergent on Vincent’s shirt collar. So close that he can feel the breath that Vincent exhales, warm on his cheek; can feel the softness of Vincent’s hair as he shifts. He feels Vincent’s hand settle on his chest, feels his fingers curl inwards to rest on the fabric of his shirt, and—

On the other side of the kitchen, Brendon is watching, and Vincent is here—here, present, in the flesh, looking as put together as always, looking like someone out of a goddamn magazine—so Yves kisses him like he’s used to kissing—greedily, as if he’s been wanting this for ages. It’s been awhile since he’s kissed someone like this. Back then, there was university—the people at parties who he’d met and kissed out of momentary attraction, or out of alcohol-induced courage—though of course back then, neither party had harbored any delusions about how impermanent that connection was, or how little it meant. And then there was Erika, who, for the longest time, he thought was going to be the last person he’d ever kiss like this.

For months after they’d broken up, he hadn’t looked for anything. It felt wrong to subject others—even strangers, to which he had no allegiance—to the messy remnants of his feelings, to attempt to get into something he knew could only be half-hearted, at best, when there was a person in his mind who lingered so sharply.

But Vincent crowds up every corner of his mind, as if to say, pay attention, and Yves finds that for once, he’s not thinking about Erika at all.

When he feels the small hitch in Vincent’s breath, he thinks nothing of it.

Except, then—abruptly, and with barely any warning—Vincent is wrenching away, craning his head over Yves’s shoulder to let out a sudden, uncovered—

“hh-hIIIH’hH-IIKTshHuh!”

Their proximity to each other means he feels the way Vincent’s body jerks forward under his hands, his chest tensing. For a moment after, the rigidness of his posture doesn’t dissipate, tension still strung through the line of his shoulders.

“Bless you,” Yves says, surprised.

Then Vincent curses under his breath, drawing away with a sniffle. “I’mb sorry,” he says, sounding really, honestly panicked—a reaction which Yves finds both disproportionate to the situation and a little endearing. “That was— sorry, I should’ve—”

“Don’t worry about it,” Yves says, with a laugh; “I honestly couldn’t care less.” Impulsively—and maybe to prove just how little it bothers him—he leans back in.

Vincent is less hesitant, this time around, when it seems to register to him that Yves really doesn’t mind. He’s a surprisingly good kisser—Yves probably isn’t the first person he’s kissed, and he probably won’t be the last, but the second Vincent’s mouth works around his, Yves feels himself nearly go weak in the knees.

Fuck. Yves can’t say he expected to spend this evening making out with his very attractive coworker-slash-fake-boyfriend, but at the same time, he isn’t complaining. Yves thinks he could do this for hours, given the chance. He kisses Vincent as if to say, thank you—for the New Year’s party, for going along with this, for lying on my behalf—and Vincent kisses him back as if he wants this just as much.

It registers to him, faintly—as Vincent pulls away with a sharp gasp before he pitches forward, smothering another abrupt, wrenching sneeze into the palm of his hand—that he’s probably dooming himself to Vincent’s cold ten times over. But it occurs to him, too, that if he were really dating Vincent—if, after the party, they’d head back to Vincent’s place together; if they were really close enough to share car rides and food and drinks on the regular, to see each other frequently both in the office and outside of it—he would’ve almost certainly caught this anyways.

Something about the intimacy of it, the false closeness it seems to imply, is a little intoxicating.

When he finally pulls away, Vincent is breathing a little heavily, his glasses askew, his hair slightly unkempt from where Yves had—mid-kiss—run his fingers through it. Yves looks over his shoulder to see that Brendon has, at some point over the last few minutes, slipped off. Presumably, he’s gotten the point, then.

It’s a relief. Yves is glad to not have to talk with him for any longer than he has to.

“God,” Yves says, with a laugh. “Where did you learn to kiss like that, anyways?”

Vincent smiles. “I’ve had some practice,” he says, which Yves thinks must be a massive understatement. “Do you think it was convincidg?”

“I don’t know what kinds of standards Brendon has,” Yves says, lowering his voice so that he’s certain no one outside of the kitchen will be able to hear. “But I’d definitely be convinced.”

“He seems strangely idvested in our relationship,” Vincent says.

Yves sighs. “I think he was just trying to make trouble. How much of our conversation did you hear?”

“Just the tail end of it,” Vincent says. “I—”

His gaze goes distant, which is the only warning Yves gets before he’s turning away, steepling his hands over his nose and mouth with a forceful:

“hH-! hhH-hH’iiKTsSHH-uhh! Hh-! Hih… HIIh’IzsSCCHh’hhh!”

“Bless you,” Yves says.

Vincent is quiet for a moment, his expression still hazy, the irritation evident on his features, before he’s ducking away again.

“hIiih’GKTTSHh-uhHh!”

The sneeze is loud enough to scrape against his throat. It leaves him coughing a little, his eyes watering.

“Bless you,” Yves says, with emphasis. He takes a small stack of napkins off of the kitchen counter and hands it over to Vincent, who eyes it for a moment. There’s a slight flush to his complexion—whether it’s from the alcohol, or from embarrassment, or from slight fever, Yves can’t tell.

“I hope you dod’t regret this in a few days,” Vincent says, carefully extricating one napkin from the stack to blow his nose softly into it. “You—” His breath hitches, sharply, and then he’s pitching forward into the handful of napkins with a muffled, “hiiHh’IZSSCHh-uhh!”

He emerges, sniffling, looking a little apologetic. “You’ll almost certaidly catch this.”

Yves laughs. “It’s fine. I know what I signed up for. Besides, I’m glad you stepped in.” He kneels down, at last, to procure two drinks from the long-neglected icebox. “A cold was a small price to pay for getting out of that conversation.”

He hands Vincent a drink. “Can I have a sip of yours? Now that I’ve doomed myself to it already, I suppose you don’t have to try so hard to keep me from catching it.”

“That’s not very reassuring,” Vincent says, but he lets Yves try some, nonetheless.

Brendon is suspiciously quiet for the rest of the evening. Neither he nor Erika so much as look Yves’s way, which Yves thinks is better than another confrontation. Vincent looks happy—a little tired, a little tipsy, but happy. At some point into the evening he resorts to crossing his arms as a means to keep warm (“Is it too cold in here?” Francesca asks, passing him from where he’s sitting on the couch, to which Vincent shakes his head quickly, his face flushing red. “I’mb just slightly under the weather,” he says. “The temperature’s perfect.” to this, Francesca brings over a quilt from one of the closets and drapes it over his shoulders. “Your friends are very nice,” Vincent says, pinning the quilt in place with one hand, and Yves laughs).

At some point, Francesca brings out a cake (“earl gray with buttercream,” she says, “Erika and I made a smaller one as a test run last week, and it was a little too dense, so we’ll have to see how this one turned out.” which Yves thinks is very impressive—he’s certainly better than average at cooking, but that expertise does not transfer well to baking—truly, he’s not sure he’d be confident in his ability to pipe frosting in a straight line. When he tells Vincent this, Vincent laughs and says, “I’m sure people would forgive you as long as it tasted good,” to which Yves says, “I think you’re underestimating how bad I am at decorating.”) She’s piped small blue flowers around the periphery of it, and leaves that curl around the edges of the cake. Diane says, “this is way too pretty to eat,” and “are you sure you want us to destroy it,” while Kenneth—their year’s Crew captain—helps Francesca with setting up the candles around the periphery of the cake and lighting them one by one.

Francesca laughs when Erika tells a story about a series of errors pertaining to their last grocery store run and tears up when Marin gives a speech about how Francesca is the main reason she stayed in Crew. After that, everyone sings—for a brief moment, the clamor in the living room becomes strictly unified. Then she blows out all the candles in one go, and everyone claps.

All in all, it’s a good evening.

—

It’s really not a surprise when Yves wakes up a few days later with a sore throat.

It’s not a surprise, either, when his nose starts running shortly after, or when—a couple hours later—a harsh, wrenching sneeze catches him off guard at work.

It’s as if that first sneeze has opened the floodgates. After that, he finds himself muffling sneezes into his elbow, scrambling for tissues from the rapidly depleting stash—a travel sized tissue pack that he keeps in his briefcase, just in case. The persistent tickle that settles in his nose seems impossible to appease, no matter how many times he sneezes, or how diligently he tries to ignore it. Worse, the sneezes are forceful enough to leave his throat feeling tender and painful, and violent enough that he finds himself coughing a little after.

Vincent was right. The cold isn’t particularly miserable—aside from the sore throat, he’s a little tired, but he doesn’t feel strictly worse than usual. It is irritating, though, to deal with—and irritating, too, to be at the office as it settles in.

It’s probably not worth taking a sick day for. It’s more an annoyance than a tangible inconvenience. Besides, he has only a couple days left of work before it’s the weekend, when he can catch up on sleep.

He’s scheduled himself for a morning’s worth of back to back meetings—two meetings with clients, one with a coworker he’s been working with to go over her findings, another status update meeting to review the work they’ve all done over the past few weeks.

Yves is prone to losing his voice when he’s ill. It’s one of his most embarrassing tells—it’d certainly garnered more attention than he’d wanted in college whenever he was under the weather—but in a work setting where his participation in meetings is non-negotiable, with every meeting he takes, he can feel his voice get closer and closer to unusable.

His second meeting ends a few minutes early, which is a relief. But when he heads to the break room to make himself a cup of much-needed tea, he finds that the hot water machine is out of order.

Just his luck.

He pours himself a cup of cold water and looks through some of the storage cabinets for tissues, though he has no luck with that, either.

The office is always turned a notch too cool—air conditioned to keep everyone awake in the afternoons—but today, it feels brutally, unnecessarily cold. He really should’ve dressed warmer. Yves heads to the conference room his next meeting is booked in, speaks on the material he’s prepared, and tries his best not to shiver too visibly. His meeting before lunch runs over, too, which is not uncommon, but today it just feels like insult to injury.

All in all, he’s exhausted. He eats a quick lunch in the cafeteria, downs two glasses of water, and goes through an embarrassing number of cafeteria napkins.

“Coming down with something?” Stanley, one of his coworkers, asks him.

Yves smiles at him sheepishly. “I wish it wasd’t so obvious,” he says.

“It’s just the season for it, I think. Vincent was just sick last week.”

“Oh, was he?” Yves says, feigning ignorance. His cold is definitely, most certainly not related to Vincent’s. “I was just goidg to grab a bottle of hand saditizer to keep at my desk,” he says, with a small cough. “I thidk there’s somethidg going around.”

Thankfully, the afternoon is—for the most part—just occupied with work. Still, it’s becoming increasingly more difficult to focus on the financial statements in front of him, the slew of emails he has pulled up.

His nose is running fiercely, the trash can at the foot of his desk is close to overflowing, and the stack of napkins he’d taken from the cafeteria—certainly not an ideal solution, but it’s the best one he can come up with at the moment—is almost entirely gone.

He grabs one off the top of the stack—he’s only able to unfold it partially before he’s jerking forward with a wet, spraying, “hhEHh’iiiZZSCHh’EW!”

Fuck. The napkins, while infinitely better than nothing, are not as soft as tissues would have been. Given the frequency with which he’s been using him, he’s almost positive that his nose is redder than usual.

The next sneeze nearly catches him off guard. He barely has time to lift the napkin up to his face again before his breath hitches again, sharply.

“Hhehh… HEHh—’IIDDSCHhiew! hEHH’iITSSHh’Yyew!”

His nose is still running fiercely, and worse, the sneezes are loud enough to scrape against his throat. He thinks his voice is never going to recover if he keeps this up.

From behind him, he hears someone clear their throat.

Yves freezes. His first thought is that he’s probably being disruptive. His second thought is that even if he isn’t, whoever’s behind him must have been waiting to speak to him for some time—he’d just been too caught up with sneezing to realize, which is a little embarrassing.

His third thought is—whoever it is, he wants to face them looking at least marginally presentable. He’s almost certain that right now, he doesn’t.

He blows his nose into the napkins he’s holding, runs a hand through his hair, and pivots around in his office chair with a smile that is admittedly a little forced. “What’s up?”

He expects to see Cara, who he’s been working more with, or perhaps Laurent, who he’s been shadowing. But standing there, looking every inch as formal and as put together as he always does, is Vincent.

For a moment, Vincent just stares at him, as if he’s cataloging Yves’s appearance in silence.

Yves tries not to fidget under his scrutiny. “Did you ndeed anythidg?”

In lieu of responding, Vincent steps past him to set a box of tissues down at the edge of his desk.

“I figured you’d want this back,” Vincent says.

It’s the same tissue box he’d handed off to Vincent last week, he realizes, when Vincent was the one who had a use for it. Vincent has taken care to set it down at the same spot where it was initially: at the right edge, next to his monitor.

“Thadk you,” Yves says. “I’ll treasure it.”

“This, too,” Vincent says, setting a mug down in front of him. Whatever’s in there is hot enough to be steaming.

Yves muffles a cough into his hand. “What?”

“Tea,” Vincent says, as if that explains everything. “Chamomile, if it matters. I didn’t know if caffeine would keep you up.”

“Oh.” Yves stares at it. “You got the hot water machide workidg. It was broken this morning. Or maybe I’mb just really bad at using it.”

“Actually, no,” Vincent says. “I got this from the third floor.”

“You walked all the way up here from the third floor?” Yves says, a little surprised. He’s about to say more, but then—in a progression that he should probably be used to by now—he finds himself succumbing, with little warning, to another sneeze, which he muffles into a perhaps-too-generous handful of tissues. At this rate, he might run out of them, even given Vincent’s generous contribution.

“It was just two flights of stairs,” Vincent says.

“Still,” Yves says, lowering the tissues from his face so he can take a sip. The thought of Vincent precariously taking the tea up two flights of stairs, careful to not let it spill, just to get it to his desk is so endearing that he finds himself smiling. “Thank you.”

Vincent blinks at him, as if he wasn’t expecting to be thanked. “I don’t think it will keep you from losing your voice,” he says, at last. “But it might help with your sore throat.”

Yves doesn’t remember mentioning that. “How did you kdow I had a sore throat?”

“How do you think?” Vincent says. “I had the same cold a week ago.”

Even so, the idea that Vincent already probably knows, and knows intimately, how he’s feeling right now, even though Yves hasn’t said anything about it, feels a little incriminating. Yves is under no illusion that his current affliction is subtle, by any means, but at the very least he’d thought that the less visible parts of it—his sore throat, the growing exhaustion, the pressure he feels building at his temples—were things that no one else would have to think about.

“Was it this bad for you?” he says. “I’d feel terrible if I mbade you talk to all my friends if your throat was already— Hh- heHh-! hHEH-heHh’iSSSchh-Iiew!”

It’s a good thing, Yves thinks, hazily, that he’s still holding onto the tissues from earlier. His nose is running again, and the tissues feel traitorously soft as compared to the napkins he’s been using all day.

“No,” Vincent says, frowning. “I think you just wore your voice out at work.”

“That mbight be the case,” Yves says. “I had a lot of meetidgs this morning. Ndow it’s pretty much just heads-down work, thankfully.” He muffles a yawn into one hand. Vincent is probably here for a reason—but Vincent is usually very conscientious about the work he passes onto others, so whatever he needs Yves to do for him, Yves doesn’t expect it should take too long. “Did you ndeed me to look over somethidg?” “I just wanted to see how you were feeling,” Vincent says, which is not the answer Yves expects.

Yves blinks at him. “How did you find out I was sick?”

“I heard from Cara.”

“Ah.” He probably owes Cara an apology—he’s sure that she’d probably prefer to work somewhere quiet, and his cold is certainly making that difficult. “Yeah, she would kdow. I’ve been like this all day—well, sidce this mording, I guess.”

“It came on quickly for me, too,” Vincent says. “Can I get you anything?”

“It’s just a cold,” Yves says with a laugh. “I’ll mbanage.” He means for it to be reassuring, but Vincent just frowns, looking off to the side.

He looks… strangely upset, Yves realizes.

“It’s ndot really all that bad,” Yves insists, backtracking. “And the weekend’s coming up soon. I’ll catch up on sleep when I get the chance.” Now is a really inopportune time to have to cough. He raises an elbow to his face to cough as quietly as he can, though the effort only seems to prolong the coughing fit—it leaves him slightly breathless, blinking away the tears that surface in his vision. “Seriously, don’t worry about it.”

“I’m sorry,” Vincent says, quiet.

“For what?”

“For giving you my cold.”

“I dod’t think you can even take credit for that,” Yves says. “I was the one who kissed you.”

Vincent does smile, at that—a small, almost imperceptible smile. “Even so.”

Yves wants to tell him that he would do it again, if he had the chance to. He wants to tell Vincent how easy it had felt to kiss him, how right.

How it felt to forget about Erika, and Brendon, and all of it—even if just for a moment—to feel so perfectly grounded in someone other than himself. To let himself experience the sort of closeness he’s been scared of seeking out, after the breakup, after Erika, in fear that no one would ever fit quite the same. To lean into the warmth of someone who still, even now, continues to be kind to him for reasons he can’t quite rationalize.

How long has it been since he’s been able to place his trust into someone, blindly, in the way he trusts Vincent to keep up this act of theirs, to lie on his behalf? Vincent is nothing if not competent, but Yves hadn’t expected that competence to extend to this arrangement of theirs. How long has it been since Yves has been able to lean on someone the way he’s leaned on Vincent, to trust someone to meet him where he is?

“For the record, I dod’t regret it,” Yves says. He finds that he really means it.

#snz fic #sneeze fic #snz kink #sneeze kink #parts of this are very self indulgent and familiar but also #this took me 3 weeks of writing every day after i came home from work to finish T.T #the number of hours i sat there just deleting and rewriting a few sentences #but it's done! at last! (and i will not look at it for the next 24 hrs)#thank you to everyone who read foreign home and left their thoughts on it!!#reading your tags makes me really happy 🥹 thank you #my fic #me writing vincent's part: just a slight cold :) not miserable at all #me writing yves's part: ...okay. maybe a little miserable #yvverse

121 notes · View notes

blorbingqls · 3 months

Text

Karan and Achi beyond the mask

okay, so i am not okay from the last episode of Cherry Magic Thailand. i personally relate to Karan and Achi a lot, and i felt like writing something on this.

so, in ep 1, we saw Karan to be this perfect guy in the office: winning the awards, getting better oppurtunities and being a great cheerleader for everyone. but, we saw the "mask" shatter when Achi heard his thoughts.

our thoughts, which are so personal in real life and usually are so restricted to ourselves - its hard to imagine what they might get out of it. and, the fact that Karan, while being so perfect, is so mysterious and private of his feelings, really hits hard when you see him internally squealing over being so close to his crush. And, that is why, his crush made us go:

(but in a relatable sort of way...)

As we moved on from episode to episode, we are seeing the said mask get shatter every moment or as shrek goes:

and we first see that reflect once we understand how Karan feels about having those feelings for Achi. which he thinks is beyond shameful. but isn't love something we are told to cherish so fiercely? and thats where i related it with my initial feelings of being queer. societally, we have been told us much on not being gay that when you actually do feel it, it feels guilty. it feels wrong to have these feelings; its a shame to have them because its only just you who has it. (but it is not like that)

Karan, in his whole life, has only been perceived as a mask. a mask of good looks who somewhat can do the job. he's perfect, mysterious and flawless. but, unknowingly, he's very sad and tired of it. so much so that he was scared for Achi to discover that he reads manga. his life, beyond his office is comparatively lonelier.

then the incident happened. his first year of working with the company: in a meeting with his seniors to learn all about the trade. he has prepared everything, he did the research and practiced what to speak in front of the client, only for his boss to reduce him to "the junior who has good looks."

Achi noticed that and later, was the only one who saw beyond the mask at his lowest. Achi said things which made sense to him, because he understands how bad it is be reduced to that mask because Achi goes through that low self esteem every day. however his kindness doesn't let him get it to others around him. for him, he is okay to be behind the scenes, as along it makes him feel happy.

cheering up Karan wasn't something Achi did in order to get something out of Karan. he only did it because he wanted Karan to feel better. and Karan saw that.

to like someone who sees you beyond what anyone is willing to show to the outside world and doesn't demean for it, means a lot to someone like Karan. and that's why, Karan's small acts of care for Achi made sense. because Achi's small acts of kindness towards the office is so similar to what Karan does for Achi. that's why, even though Achi doesn't believe it yet, but, Karan and Achi are similar in a lot more ways than he thinks.

so when Karan gets so close to Achi, he starts feeling so so special. initially, he was so happy with this small acts, it would make his day when he could just interact with Achi. but as Karan and Achi got to know each other more, with Karan's feelings out there for Achi to know, Karan also started feeling so special to Achi, even though the uncomfort lingered around.

with Achi's mask of being the ordinary, clumsy guy as the world sees him, his esteem made him fear the love Karan gave him, as he got closer to him. but he didn't understand how his ideas of buffers actually left Karan feeling so unacknowledged of his place in Achi's life all of a sudden.

so even if Achi knew Karan's feelings way before than Karan expressed it to him, he still didn't know what to say 'cause his heart couldn't reassure him of the genuinity of the feelings he felt for Karan or Karan's feelings for him.

with that post it note, Achi figured out the sincerity of Karan's love.

and for me, that is both of them reaching out beyond their masks and come out of their comfort zones to embrace the said love.

#cherry magic thailand #karan x achi #taynew #karanachi #jace's stray thoughts into the tumblr void #it took me an hour to write and all because TAY TAWAN GOT ME IN MY FEELS #ISTG THIS MAN SHOULD NOT CRY ON SCREEN #HIM AND FIRST KANAPHAN HAVE THE CRY POWER #the power to kill anyone who made them cry - even if its their signficant other #tay tawan #new thitipoom #cherry magic th

59 notes · View notes

sapphire-weapon · 9 months

Text

Resident Evil 4 Remake's story is structured like the plot of a romance novel: master post

A few months ago, I wrote up a very quick and dirty outline/explanation of how Resident Evil 4 Remake's story had been restructured from the original game to follow the story beats of a romance novel. At the time, I didn't think it was all that important to explain it super in-depth, but now that more and more people are looking at it, I figured I should probably explain what I mean with each of these beats lmao

1) Call to Adventure / The Meet Cute

All that a meet-cute actually is is the scene in which the characters that the romance is centered around meet for the first time. The intention is to show an initial spark between the characters -- they meet under bizarre/unexpected circumstances and, at some point, both characters become aware of just how significant it is, even if neither says anything about it.

Leon and Ashley's meet-cute starts with her swinging a candelabra at his head and ends with Leon holding her in his arms out in the rain for a period of time that is absolutely too long to be normal for the circumstance. They lock eyes in this moment, and it's meant to be seen as Significant.

2) Refusal of the Call / Rejection of the Relationship

This is the "I'm just imagining things" reaction to the significance of the meet-cute. Both characters treat the spark as though it never happened -- and, usually, it's because there's other external factors influencing their ability or willingness to follow the trail of that spark and see where it goes. Instead of going "Hey, you're cute, can I get your number?" both characters just jump straight to "Well, anyway --" and go back to living their own independent lives apart from each other.

After they both snap out of that weird trance they were in after Leon caught Ashley out the window of the church, he goes right back to treating her like a mission objective, and she just has absolutely no idea what to make of him at all. Ashley spends the next few sections of gameplay in shock and disbelief with lines like "Seriously, this cannot be happening." and "I just wanna go home..." Leon ignores all of her complaints, keeps her moving even when she asks for a break, and doesn't really speak much to her at all other than to bark orders at her.

3) Acceptance of the Quest / Giving the relationship a chance

Something Happens that forces both characters back into each other's lives and/or personal attention, and they both find that they do Like each other, actually -- even if that feeling of "like" isn't anything super significant. It could be something as simple as realizing that they enjoy the other's company and wanting to see/talk to the other more often.

This arguably starts when Leon and Ashley first run into the cabin and Leon puts a comforting hand on her back that he absolutely did did not have to put there -- but it's definitely in full swing after the cabin sequence is over. Personally, I would say that it's the revelation about Ashley having a plaga in her that's the Something that Happens between them. The whole mission starts to become a whole lot more personal, because now it's not just about surviving and escaping -- now it's about making sure that Ashley stays Ashley.

She starts to open up to him more, and he suddenly becomes much warmer towards her, as well. He's quick to reassure her ("I won't let that happen. I promise.") and not only responds to her when she talks, but also begins talking to her unprompted as well.

This is also the first time Leon ever tries hitting on Ashley with the "Seems this isn't your first time running from creeps" line, and it fails spectacularly.

4) Trials and Temptations / Three Dates

This one is probably the one that needed the most explaining LMAO I shouldn't have let this one go. The "three dates" don't have to/usually aren't meant to be actual, literal dates in romance novels. They're just three significant events that happen between the couple that builds and then reinforces their bond. (It also doesn't necessarily have to be three -- some stories only do two, some do five, etc. The point is that Things Are Happening that strengthen the relationship.)

That is why I said that their three "dates" are:

1) Ashley busting the window open after the Mendez boss fight, helping brush the embers off of Leon, and helping to pull him to his feet. This is the first time the two of them actually smile at each other and the first time they start to act as a team.

2) Salazar's introduction ("The girl's just fine. With me."). Leon wants so badly to be that cool guy in an 80s movie who shows up out of nowhere and puts his arm around a beautiful girl and looks at some dickhead harassing her and goes "This guy giving you a hard time, babe?" This is the closest he's ever gotten to and will ever get to being that in his life. He's not cool enough to ever actually be that guy for real.

3) The road to the Water Hall (Leon jumping across the chandeliers + this is the first time the "knight and the princess" allegory is stated) (You could also include the Garrador here, because if you take Ashley down there after the fact, there's special dialogue that happens that's... God, Leon sucks at this whole flirting thing. He just sucks, dude.)

5) Midpoint Crisis / I-need-you-but-can’t-have-you

Everything is going so well... until it isn't anymore. The three dates have given the couple a glimpse of how special and important this relationship could be, which is great -- until it becomes a problem. One of the characters gets freaked out by the intensity of the relationship and pulls back out of fear, because there's something else happening in their life that's bigger than either character and more important to be addressed.

In Leon and Ashley's case, it's Ashley's plaga. Saddler takes control of her briefly and gets a hold of Leon's knife, stabs him, and then threatens to cut her own throat. When his hold over her breaks, she's terrified. She needs Leon now more than ever because of this, but she's more afraid of hurting him than losing herself, so she runs away from him in tears.

6) The Road Back / Pulling Back Together

Basically, the plot forces the couple back together, and -- due to the raw, open vulnerability caused by the Midpoint Crisis -- their bond is stronger than ever. The feelings change from "yeah, I like them" to "I want them." Real intimacy starts to form and build here, because the interest in and attraction to each other is allowed by both characters to be acknowledged. This is usually where the sexual tension starts to really kick into high gear, and the audience is just waiting for that moment when it all breaks open.

This starts with the pep talk that Leon gives Ashley when he finds her again -- which is romantically framed and coded with its imagery and cinematography. It continues through the entire Grand Hall segment, which includes the moment in the game in which Leon is at his boldest in terms of expressing his attraction to her. This is the point in the game in which their relationship is at its most playful. They tease each other and flirt and pass compliments back and forth -- and, for a while, it feels like the two of them are unstoppable and able to take on the world together.

7) The Fall

"The fall" is the shortened version of "The moment they actually fall in love." It's the "oh god, I think I love them" moment. The two characters do not necessarily have to admit to each other that they've experienced "the fall" -- and usually, at least one of them doesn't. But they both experience that moment where it hits them.

We see Ashley "fall" at the start of her gameplay segment, where she takes Leon's earlier words to heart and draws strength from them. ("I won't run. Wait for me, Leon.") He's inspired her to strive to be more than she is, and she embraces the way that he makes her feel, in that moment.

We see Leon "fall" as soon as he catches the key that she tosses down to him. He looks up at her with stars in his eyes and offers to catch her if she jumps down. An interesting detail to note is that this is the first and one of the only times in RE4make that Nick Apostolides reverts to using the tone/voice that he used for Leon in RE2make. It's soft and sweet and gentle as he makes her an offer that has no reason to be made, just for the sake of getting to hold her in his arms again.

And, in order to drive home the point, this all happens during a scene that was framed, shot, and directed to mirror/mimic the balcony scene in Romeo & Juliet.

8) Dark moment / The Break Up

Once again, Something Happens and comes between them -- and this one is way, way worse than the Midpoint Crisis. This isn't "I'm scared to be with you" -- it's "I can't be with you." Hope for the relationship is completely lost, and both characters become overwhelmed in their individual despair.

Verdugo breaks them up physically -- not once, but twice. And that second time involves Leon being forced to watch Ashley endure Salazar's weird "ritual" and be unable to stop it or do anything to help her. He just has to sit with that failure and suffer through it until he's literally thrown away and discarded while Ashley screams his name.

When Leon finally finds Ashley again, we see him confront the one moment in the game when he honestly, truly loses hope. He sits down on the floor at Ashley's bedside, and there's nothing more that he can do than wait for her to wake up. Some part of him has already become convinced that they won't make it out of there alive -- not both of them, at least. Not together. And he's ready to commit suicide as a contingency plan.

9) The Sacrifice

This is the "do or die" moment for the relationship in a romance novel. This is the moment where the decision is made to confront not just the external force keeping them apart, but also the internal flaws that are feeding into that avoidant urge. The couple decides that their desire to be together is stronger and more important than whatever fear or force is holding them back, and though it's terrifying to do it, they stand up for the relationship in the face of opposition.

In RE4make, we see this play out through the sequence in which Leon carries Ashley to Luis's lab and how the two of them, against all physical and mental odds, manage to remove each other's plagas. This is especially emotionally significant for Leon, who says the words out loud: "This time, it has to be different..." He's openly acknowledging that his trauma from Raccoon City is what made him so ready to pull the trigger on himself back in that holding cell. Here, now, he puts his foot down, confronts that trauma, and says "No. I have to beat this."

And he does, even at great physical cost to himself. But the sacrifice was worth it, because it was for her.

10) Declaration

In a very literal sense, it's the declaration of love. It's an outward, spoken confirmation of the bond they share, now that the trial from the Sacrifice has been overcome. Traditionally in romance novels, this happens with the actual words "I love you."

But RE4make isn't a traditional romance novel, and Capcom has an entire fanbase of angry nerds who take fictional relationships too seriously to navigate through. So, instead of an explicit "I love you" what we got instead was an explicit verbal confirmation of their bonded status as a team.

"Hey... We're a team, right?"

"Keep this up? I'll be out of a job."

11) The HEA

"HEA" stands for "Happily ever after."

While I could (and did) say that Leon and Ashley literally ride off into the sunrise together, that does feel disingenuous. Even though it's true and the imagery is there, they don't really have a happily ever after. Not really. This is the only part that's missing from RE4make.

And that's because RE4make isn't just a romance on its own -- it's a fairy tale set inside of a story that's self-aware and knows that fairy tales aren't real. And so both Leon and Ashley wake up from this shared dream of a romance they've been having, as reluctantly as they do, because it's time for them to come back to reality.

Fairy tales aren't real. Romance novels aren't real.

Their feelings are real. But life doesn't work that way. Not for them.

They may not have a happily ever after, but they do have this moment to be together -- and for them, it's enough.

Because it has to be.

#resident evil 4 #leon kennedy #ashley graham #eagleone #meta analysis #THIS TOOK ME AN EMBARRASSINGLY LONG TIME TO WRITE #i thought i'd just whip this up real fast after work #BRO SHIT TOOK ME LIKE FOUR HOURS NO FOOLIES #mostly because i had to take all my fantasy mods off and then go back and re-cap all of these scenes with the defaults on #pain in my ass #so i hope ppl fuckin appreciate this!!!!#the next time someone asks you why/how eagleone is canon #just light this son of a bitch on fire and throw it at their head

110 notes · View notes