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shazos · 3 years

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Rouxls is Hiding Something Big: A Deltarune Theory

FORENOTE- For some needed context, it may help reading my previous Deltarune theory here for important details that I will cover in this post. (My previous theory provides notable evidence on why Gaster is indeed the “Knight” figure talked about by multiple characters in Deltarune.)

Now, this is going to sound crazy. But after much time of poring over and analyzing Deltarune, I have come to a conclusion. One that I’ve been convinced of for awhile now. Something that’s been lying right under all of our noses without many of us even realizing it. We have all been bamboozled. Hoodwinked. Tricked. Why, you may ask?

Because the comically stupid and inept Duke of Puzzles is actually... not an idiot. No, he’s the complete opposite. He is a downright mastermind.

As collective players, we are all falling into the same trap once again. Putting faith into a character’s preconceived personality !

When their true personality turns out the complete opposite of what we expected...

It is here, my evidence for this claim begins—and we delve into the true identity of Rouxls Kaard. Buckle up everyone, cause this one’s gonna be a fun ride. 👀

So, to spill the beans up front, and get it over with. I believe Rouxls Kaards identity... is none other than W.D. Gaster in disguise.

Now. I didn’t immediately become invested in this theory—I was skeptical at first like everyone else. But, once I began examining Deltarune and all of its characters a bit closer...things weren’t exactly adding up about the Duke of Puzzles.

Point #1: Anagrams

I initially began to become suspicious of Rouxls Kaard because of his odd name. Sure, it is a play on the words of the term, “Rules card”. But it is spelt in such a peculiar way. If it were just simply a play on words, I think that there would be a much better way of going about spelling it rather than just jumbling a bunch of random letters together. There is a very intriguing reddit post found here that goes more into depth about his name that ties well into my theory. The thing that stood out to me in particular, is that Rouxls’s name is actually also an anagram for “A Dark Soul RX”, (with the left over RX typically being used in terms relating to doctors/medicine.) Not only is Gaster a Doctor, but he’s also always associated with darkness and the research of souls. Toby loves his anagrams—so I wouldn’t be surprised in the slightest if this was intentional. But it doesn’t end there.

I’ve noticed that Toby Fox has a tendency to tease certain things about his games through merch. And wouldn’t you know it—he has in fact, a particular item on fangamer of a “dark heart.” One which description describes the Angel’s Prophecy. Hm...

But let’s back on track onto my second observation, shall we?

Point #2: The Physical Resemblance to Gaster

Now, there seems to be some interesting foreshadowing related to inverted colors in Deltarune. Before Ralsei takes his hat off, he appears black. But once he takes his hat off, voila, his colors are inverted, and he is revealed to actually be a white goat highly resembling Asriel.

In addition, the entire Dark World is literally just. An inverted version of a normal world.

The Dark World could have hypothetically been the created world/experiment that Gaster had fallen into in the first place. After all, his experiment had to do with “darkness”, and “negative” photons--AKA the Dark Fountains, and the negatively/inverted landscapes of the Dark World.

And how does Rouxls Kaard appear inverted anyways? Well, he looks like THIS.

He even has the strange dangling lip thing—which another character said to directly resemble Gaster, Seam, has as well:

In addition, if you look at Rouxls’ text-box profile very closely, his eye colors are actually mismatched which is a rather interesting detail!

Point # 3: His Accent is Extremely put on.

I think anybody that has read any sort of Shakespearean/Old English writing, can instantly realize that Rouxls is as bad as imitating an Old English accent as a high-schooler reading Hamlet for the first time. Rouxls absolutely butchers it. He practically adds eth, and est at the end of any word he chooses, and calls the job done. What is even more interesting though, is when he gets nervous or panicked, he drops the act all together and talks normally.

Point #4: He is Pretending to be Dumb; His Puzzles are Actually Impressive!

I found it intriguing how there are countless puzzle traps in all the forest areas and in the Card Castle prison that were actually very well done. You have to flip the spades, diamonds, hearts, etc to unlock doors, and open secret chests. They require a decent amount of thinking skills, and are actually competent. But who made them?? Oddly enough if you observe one of them in the forest areas, it appears that Rouxls Kaard vandalized one of the puzzles to make it harder for the player to beat it—which further implies that he actually indeed made those puzzles himself. This shows that Rouxls is much more competent than only being able to make a single box shove puzzle that is comically easy. Where else do we see a place full of plenty of rather well made puzzles + traps seen? All throughout the Core in Undertale—a place which Gaster himself created!

Point #5: Rouxls IS Aware the World is a Game--AKA DON’T FORGET TO READ NPC DIALOGUE FOLKS!

I think it is well aware by now that Rouxls likely wants us as the players to underestimate him--and deem him a fool so we wouldn’t bat an eye at what he’s actually up to. But the most biggest give away to this is something that I have surprisingly seen no one mention at all. And oh boy, it is the most damning evidence that Rouxls is no idiot to be trifled with.

To the left of Seam’s shop, there can be found a little group of former puzzle-makers that used to live at Card Castle, until they were fired and replaced with Rouxls Kaard. They are now all out of a job, and are just barely scraping by since the Spade King didn’t give them any severance pay. However, Rouxls Kaard offered them a way to get money--by selling the tutorials he made.

These tutorials go over TP, stats, information about Susie, Ralsei, and Kris. Rouxls Kaard has never once met any of the players yet--and he knows everything about them. He knows about stats. He knows the world is a game.

HOW??

In addition, when you talk to Rouxls in his shop, he calls you three the Heroes of Legend. He is well aware of the Angel’s Prophecy. He knows.

Whenever any character in the world of Undertale & Deltarune knows that the world is a game, it is an instant red-flag. It goes to show that they know much more than they let on. Flowey and Sans are big examples of this in Undertale. Pure hearted, dorky idiots that we trust earlier in the game--but wind up seeing the real side of them later on.

...So why should we treat Rouxls any differently?

Point #6: The “Control Crown”

Something that I immediately thought was kind of weird, was the fact that Rouxls Kaard was able to control the K. Round with a “Control Crown” device. If he is so stupid, how was he able to create a full on mechanical device that can brainwash a life-form into being violent/cause it to triple in size?! That is genius material right there!

But things start to take on a much darker side when you begin to look at the subtext of this realization, which I will get to in a moment...

First of all, Seam claimed these exact words.

The remaining king was the Spade King-- as the King of Hearts, Diamonds, and Clubs are seen to be locked up in the Dungeon. Therefore, the Spade King put the Knight, and his strange son into power. IF it were the Spade King in power, the dialogue box WOULD have said “himself”. Therefore, the Knight, and his strange son were put in place to control the kingdom. And who are they?

Gaster/Rouxls Kaard, and Lancer.

Evidence to back this up:

Lancer calls Rouxls his “Lesser Dad”. And Rouxls calls Lancer, his Strange little darling/son.

The Spade King is not in charge. During his boss-fight, he states that he obeys the word of the Knight.

If you observe more of Lancer’s dialogue in the scene right before the gang enters Card Castle, he states that his dad, (Spade King), recently forced his troops to listen to Lancer instead. Therefore, Lancer is by all respects actually second in command to the Knight.

One of Rouxls main interests is...Lawmaking. Even though he is just supposedly an innocent Duke of Puzzles.

Another one of Rouxls main interests is...Cages, and long strolls in the dungeon...

There are innocent puzzle-makers locked up in the Prison who are terrified--they were arrested for the simple act of making a puzzle without a license. HM, I wonder who could have possibly locked them up? *Wink wink nudge nudge*

And what ties this all together, is perhaps the most obscure, tiniest detail that no one would have likely observed on a first play-through. If you go to the first floor of Card Castle and click the description tablet next to the elevator to the Prison, it claims that the Prison used to just be a Basement Which Just Happened to Have a Lot of Cages. This is backed up by the caged animals in the basement, who say that they miss the “good old days” when they used to be the only ones there in cages, and not a bunch of people behind bars.

In summary, Rouxls is locking up a bunch of innocent people, and playing nice to our faces. He IS the knight. And he is not to be underestimated.

Point #7: Rouxls’ Plan is Already Set in Place

The part where this theory gets a little dark, ties back to my mentioning of the control crown earlier.

If you observe the throne room, it looks like it was recently torn apart in a sort of...conflict.

Why was the Spade King the only king left un-caged to begin with? Why wasn’t he locked up too?

Well...Rouxls Kaard needed someone to put him in charge. But not only that—he needed a scapegoat. Someone to blame. Someone to be “The Bad Guy” for the Heroes to fight.

The Spade King...is actually innocent. He is obeying the Knight, because he is being controlled by a Control Crown. The throne room is in ruins because the Spade King likely fought against this at first, but Rouxls won and successfully put the Spade King under his command. I thought it was strange how the King was so...violent. So irredeemably evil, and even murderous toward his own son Lancer. Yes, it could be argued that this is indeed his true personality, that he is a complete, abusive jerk. But, the whole ending battle of Deltarune chapter 1 feels so...set up in a way? It feels so starkly good vs evil, black and white. Almost like a play.

And oh boy. I think I was onto something.

If you pay close attention to the fight with the Spade King, there is a brief moment at the beginning where he is completely shrouded in shadow. Except. For. His. Crown. It glows stark white in comparison to himself. Like a Chekov’s Gun if you will.

And even more interesting, in the supposed good/pacifist ending, the Spade King is locked up in Prison, the other three kings are still locked up in cages, everyone else is freed, and Rouxls and Lancer now have full control of the kingdom...

Guys. We just played right into Gaster’s hands.

Point #8: Seam Knows that Rouxls is the Knight...

The final observation that genuinely makes me convinced in this theory, is a small detail I noticed at the end of the Pacifist run of Deltarune. Once you have beaten the game, and all of the prisoners are freed, everyone comes to celebrate at Card Castle for your victory. Everyone, except for Seam. That is because Seam knows what the “Strange Knight” did to Jevil. He knows who the Strange Knight is. And he knows what the Knight’s true intentions are.

Point #9: Extra Tidbits I noticed:

When compared to the other denizens of card castle, Rouxls seems out of place. He is the one vaguely humanoid character among a bunch of card and chess themed Darkners.

His puzzle is... too easy.

Rouxls is oddly excited about overthrowing the king/taking his place.

Rouxls is well versed in calligraphy of all things. (Relation to fonts + letters.)

Rouxls “sparkles” have an odd resemblance to the shining save states...?

He makes pop culture references, such as ones seen here and here. Could just be random throwaway jokes, but often times more “aware” characters such as Sans and Papyrus are keen on breaking the fourth wall at times/making references to relate with the audience.

His hair looks strangely out of place. Especially the hairline which is really receded to an unnatural degree on the left side. It’s a wig guys...

He gets a suspiciously new position for no reason at all. In any normal situation, he would be extremely unqualified for it if he were as stupid as he makes himself out to be.

Rouxls is literally wearing armor, akin to a medieval knights.

If you pay close attention, Rouxls has a few very subtle similar speech patterns to Gaster. They both occasionally repeat words twice. They both use the words wonderful and truly a lot, etc.

When Kris and the gang beat the K. Round, Rouxls said it was just to test their abilities.

Rouxls theme has leitmotifs from Gaster’s theme.

End of discussion. Deltarune’s finale is legit going to be Gaster getting his wig snatched.

#deltarune #deltarune theory #Undertale theory #rouxls kaard #gaster #Undertale #aa this was a fun theory to make #So many interesting plot details

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parvulous-writings · 3 years

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Murders // Alex Law x Reader

Request: Hi! I have a request: I just recently watched a shallow grave and I’m obsessed with ewan mcgregor as Alex Law. Could you write something where he tells you about the murders because he feels like he can trust you, he also may or may not be in love with you. We love angst. Thanks!

Requested by: Anon

Summary: the request

Warnings: mentions of death, homicide, cadavers. Slightly ooc Alex?

Words: 1.6K

Notes: Mmmm Alex Law. That is all. My requests are currently open! My pinned post (found here) contains both a list of characters I write for, and a masterlist! Original character list - please request for these too!

Not my gif

Things with Alex had been, well they’d been strange over the past couple of weeks or so. You didn’t know what it was, but he kept trailing after you wherever you went in the flat; not in his usual way, which was often to pester or tease you, but for another reason. You had no idea what that reason was, but you could tell it was bothering him. Sometimes he would glance up, only briefly, but you would catch it out of the corner of your eye. You tried to bring it up to him on several occasions, but he would always brush it off, saying that he was fine, and then “What the hell are you talking about? I told you I’m fine. Really. Just leave it.” But no matter how annoyed he sounded with you, he wouldn’t stomp off like he often used to. It always seemed to get worse whenever David was in the room with you. Alex would tense up, and his eyes would be trained solely on his glasses-clad roommate. David would occasionally stare back, but very few words were ever said between the two of them.

Tonight, though, was different. You were sat with Alex on the lime green sofa, more laying than anything, his arm draped over your shoulder, eyes on the TV as one of Alex’s favourite schlocky shows played on the screen. He was mumbling quietly along with the host, laughing softly when the audience did. Things seemed almost normal, it was nice. You couldn’t see or feel his tenseness anymore, which allowed you to relax ever so slightly beside him, you head falling back on to his arm as you watched whatever it was Alex had put on, you still didn’t know what it was. But it was making him happy- he even dropped a few of his sassy and sometimes crude comments throughout the show’s runtime. As the show started to draw to a close, Alex shuffled a little bit. The tenseness returned, and the silence between you became almost unbearably awkward. He cleared his throat, and you moved to sit up for a moment. You glanced over at the clock- it was half past ten, fairly late. You’d need to head off soon if you wanted to be home before eleven, or lower the risk of getting jumped in the street. “Do you want to stay over?” He asked you, and you give him a rather surprised look. It wasn’t the first time that Alex had invited you to stay over at the flat, but it was more his tone that caught you off-guard. Usually his voice was dripping with a flirty undertone, suggesting a much more intimate activity than just sleeping in the flat. This time, though, it seemed more genuine- staying over seemed to be the primary thing on his mind. “Sure,” You nonchalantly agree, shrugging slightly before you settled back down in his arm. You both fall silent again, awkwardly watching as the TV droned on and on, though it was unclear if either of you two were really paying attention to the show being broadcasted.

Alex cleared his throat again, catching your attention. “Can I ask you a question?” His voice is quiet, “Hypothetically?” You weren’t unaccustomed to Alex’s ‘hypothetical’ questions. They were often a point of contention or the root of teasing, but it was all in good fun. “Alright then. Hit me with it.” You say to him- he swallows his nerves and starts to speak again. “If a someone you knew told you that they had been involved in burying a man out in the woods, and was involved in killing a couple more... What would you do?” Silence falls between the pair of you again as you start to think. Like most of his questions, it was an odd one, borderline insane to be precise. You just put it as his over-active imagination making him think of wild scenarios. “I don’t know.” You chuckle, shrugging lightly. You’re not sure whether to answer honestly, or playfully. “What kind of answer do you want, Alex?” “A proper one. Like... A serious one.” Oh, well that was different. “Okay...” You trail off, thinking it over for a second. “Well, I’d probably leave, and tell the police.” You shrug, thinking nothing of it. This wasn’t the answer Alex wanted though. “What if it was me?” He asked you, and you gave him an odd look in reply. “I’d still do that, Alex... Just because you’re my friend doesn’t put you above the law.” This seemed to unnerve and annoy him even more though. “Don’t look at me like that!” You tell him, “You’re the one who wanted a serious answer, and you got one!”

Alex paused, though only very briefly. “Yeah, I guess...” He grumbled, but he still didn’t seem very happy. You gave him an odd look. “What the hell has gotten into you?” You asked him, “You’ve been acting weird for weeks!” “I’ve got a lot on my mind.” He’s started to shut down, to put a wall between the two of you, as he pulled his arm away from you. “Nevermind, forget I said anything.” He muttered, rather spitefully, as he rested his cheek on the knuckles of his balled fist. This had not gone the way he had hoped. If you didn’t react the way he thought you would at the hypothetical- how would you react to the truth? He may have been slightly delusional, but that didn’t occur or matter to him. “Well, you want to talk about it?” You offered, trying to be a little bit soften than you had been a few moments prior. “No.” Came his short, pointed reply. He started to move to try and get up from the sofa, but you held out an arm to stop it. “Oh, what now?” He whined. “We finished the conversation, just let me go, will you?” “No- clearly there’s something actually bothering you; you can tell me. I’m your friend, that’s what friends do, isn’t it?” You ask him, and he rolled his eyes, huffing back down into his seat. He knew that you were right- but that didn’t stop his nerves from rising. He knew that what he had done was downright wrong- he may not have known or acknowledged it at the time, but now the guilt followed him everywhere. Every corner, it lurked in the shadow, he saw the flickers out of the corner of his eye.

“The question wasn’t hypothetical.” He spoke suddenly, looking into his lap as he wrung his hands. You stayed completely silent, words escaped you. Your mind went blank, and you just stared at him. “I wanted to see what you would do.” “You... You, what?” You were still trying to wrap your head around what he was trying to say to you. He finally looks at you, and his eyes are just... Sad. They hold an almost melancholic look, his hurt surfacing for once. “I wanted to see what you would do... I wanted to tell you.” Alex started to speak again. “Because... Because I think you’re the closest person I have now, and- and I wanted to tell you, because I don’t want to lie anymore, I don’t want anything between us...” “Alex, what did you do?” All of a sudden, you’re hyper-aware of every little movement he makes. Every shallow breath, every blink, every twitch, your brain registered it. Your heart started to race, a sick feeling started to settle in your stomach. As it sunk in that Alex was admitting to having a hand in a murder- whether it was the killing blow or not- you wanted to run, but you were rooted to your seat, paralyzed besides your mouth, which seemed to speak of it’s own accord. “What did you do?” You repeated, sounding much harsher.

“I didn’t kill the second two!” The auburn haired scotsman exclaimed, jumping to his feet. “I didn’t even kill Hugo, that was his own bloody fault!” You vaguely recognised the name Hugo; Alex had mentioned him some months ago, and never brought him up to you again, so you thought nothing of it. “We buried them out in the woods...” He continued, rubbing the back of his neck. “Why are you telling me this, Alex?” “I already told you. You’re all I’ve got, now. Juliet’s shut herself off from everyone, and David... Well that’s best left unsaid.” He murmured, glancing through the doorway to the chipped blue paint of his flatmate’s door. Neither David or Juliet were here with you now, you supposed that that was both a blessing and a curse. “I should call the police.” You mutter, almost fearfully. Alex seems rather hurt at the fear in your voice, and he slowly nods. “They already know about the bodies... But I’m not going to stop you if you want to tell them it was us.” He’s completely given in to you now, his fate is in your hands. Do you really want to turn him in?

No. That was the answer from the most selfish depths of your mind. It’s the answer you decided to stick with, as immoral as it may have been. You look him dead in the eye as you speak. “What do I do?” It takes him a moment to register that you are in fact not going to contact the police about his and his friend’s misdeeds, and he’s instantly sat beside you again. “Stick with me, please. I won’t let either of them get you, I just... I need you around.” Alex said to you, slowly, as if it were difficult to admit this even after admitting his crimes to you. To him, it was. You nodded slowly in response, and Alex silently acknowledged that you may still change your mind on it yet. “Alright.” You whisper. “I’ll stick around.”

#alex law #alex law x reader #shallow grave #shallow grave x reader #Ewan McGregor #ewan mcgregor x reader #requested #requests open #please request

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citadelspires · 3 years

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P1 - Given how great you're track record's been for doing hypothetical interactions of Amphibia kids with the Duck kids and Owl House kids, let's try doing the Duck kids meeting the Owl House kids and who they'd like the best. I'll exclude Violet for this for the sake of evenening things out 5 to 5. I'd assume Luz would get along best with Dewey (both jump into adventure), King with Louie (could see em teaming up for a scheme), Willow with Huey (eh, more leftover interaction but can work)

Screenshot of second half of the ask provided. Text: P2 Gus with Webby (would totally ask each other lots of questions about their species), and Amity with Lena (both got abusive figures they stood up to and would totally talk about their crushes on Luz and Webby LOL). Would love to see you take on Duck kids and Owl House kids interactions.

First of all I’m very pleased to hear you find my track record on these posts good, they’ve been really fun to write and it makes me really happy people like them! Second I am so sorry it’s taken so long to get to this ask, it’s a really in depth one and it took a long time to write, I hope you’ll find it was worth the wait!

Aight! Oh and one last thing real quick before I get into it. I hope you wouldn’t mind me adding Violet back in, partially due to the fact I love her, but mostly because there’s actually another owl house character I think works significantly better with Louie than anyone else and I really want the chance to talk about that. Saving that one for last hehe. This’ll be another long one, writing below the cut.

Luz and Webby So I do like a lot of the possible interactions brought up by your suggested grouping but my mind went in a few different directions. I’ll start with Luz, who would fit in best with another excitable adventuring partner, as pointed out, but I think the best fit for her in that regard would actually be Webby. While Dewey would no doubt get along great with Luz, there’s a special element to the potential relationship between Luz and Webby that really elevates the potential of their friendship to another level, that being: they both want to eat a hamburger.

An aspect of Webby I wish the later seasons of the show got into a little more, but is definitely something I would consider a core part of her character, is the fact that she got held up in the mansion her whole childhood, with no opportunities to interact with the world around her, have all the adventures she wanted, and most importantly to just be seen as the kid she wanted to be. And while Luz was technically able to go out into the world, the place she found wasn’t one that was willing to see her, or give her any of the chances she longed for. Both Webby and Luz fully understand that feeling of being trapped in your own life, of finally getting the chance to break out and just doing your best to make the most of it. I think there’s a lot the two could gain from spending some time together.

(Also, to borrow the bit about gushing about their crushes but from the other end, these two would totally get sidetracked talking about their respective crushes and also trying to play wingman for each other. It’s a massive comic disaster in both cases, but somehow both Lena and Amity manage to find it endearing).

Amity and Violet Okay wait lemme explain. While the two of them don’t have a whole lot in common at first glance, I think they would genuinely get along extremely well. While a lot of Amity’s focus on school came at the force of her parents, you cannot honestly expect me to believe that girl isn’t a studious nerd on her own anyway. Heck even outside the realm of studies she throws her full dedication into literally every single thing she does. Remind you of anyone? Beyond just being extremely intelligent Violet is clever and ready for anything. She takes everything in stride and always has a plan, she can go from “we were sleeping over and you said everybody get on the plane, so we got on the plane” to “I brought an axe” in a minute flat.

I like to think the two of them would have a mutual respect for each other based on their respective intellects upon first meeting, but as they become closer friends they find they can move from more serious respect to a casual enjoyment of each other. I would go as far as to say that both of these characters really value dependability in a friend, and that they each provide a lot of that. To wrap back around to the stuff about intelligence I think Violet could provide a lot of insight to Amity as far as showing her that pursuing studies and academic heights of her own volition can be something that she can just do because she wants to, and that’s no excuse for unhealthy parental relationships. Getting along so well with someone like Violet only to see that her parents are actually really loving and supportive, that would be really eye-opening for Amity I think. For Violet’s part she could get a lot of help from Amity as far as her pursuit of the secrets of magic goes. I suspect Amity would be much more interested in the study of her magic than Violet would be able to get Lena to tolerate lol.

Bonus Round: Amity would absolutely be a senior junior woodchuck and she would love it you cannot convince me otherwise. She starts quoting the JWGB around the owl house kids and they all look at her like she’s crazy.

Lena and Willow I feel like this one might seem a little out there at first but trust me on this one. Initially Lena doesn’t think too much of Willow, being as close as she is to Webby she knows liking flowers and cute things doesn’t mean Willow is automatically to be taken lightly but she feels like she’s got a good read on her that she generally prefers to avoid trouble and turns down opportunities for violence, which isn’t really Lena’s deal. Over time Lena figures she was right about her first impressions as Willow doesn’t seem to take many opportunities to expose some hidden power, even when Lena knows the people around her kinda deserve it.

She learns to adjust her opinion when she finally does get the chance to see Willow in action and realizes that girl is more powerful than any of the other kids she’s met in the boiling aisles bar none(yes this is my genuine opinion of willow if you don’t think she could kick your ass you’re wrong). It’s at that moment where she starts to pay more attention to Willow and notices a lot more of the strength she puts into all the little things, how much she cares for everyone and everything, and it does a great deal to show Lena that maybe having super strong magic powers isn’t mutually exclusive with being kind and gentle. And maybe gentle isn’t her thing but still, it’s nice to know.

For Willow’s part she’s just happy to make more friends. Especially if the opportunity arises, as I like to think it would, when they’re close enough friends, that Lena would start to hint around asking questions about how Willow remains so casual and nice with the ability to do so much damage, and Willow takes the chance to help Lena figure out her magic a bit more, and learn how to better appreciate it as an aspect of herself she doesn’t have to be scared of. (I mean come on Lena never really learned how to do any of it except barely kind of from Magica of all people she could really use something like that).

Huey and Gus Now there are some certain things about Gus that would drive Huey absolutely nuts. His lack of primary and reliable sources for any of his information being a big one, but at the end of the day I think he’d enjoy Gus’ desire to learn in the first place. Gus would probably be a little dubious about Huey’s “sources” and “citations” but if it helped him get more info on the human realm he’d certainly go for it in the end. In that way the two balance each other out pretty well. Gus is studious and intelligent but he’s a little off the wall, he’s got a big creative streak, and he’s really excitable. Huey is really really good at facts and analysis but he lacks the strength in imagination that Gus has. Huey is able to take all the grandiose concepts Gus is able to think up and help make them actually happen. Gus has that specific brand of an adventurers soul matched up with the fact he’s not actually the type to get into danger and fights, meaning he’s able to drag Huey out of his comfort zone a little and help him reach new heights with his mind that his struggles with creativity prevent him from reaching, while managing to not make him feel like he’s actually in danger. I actually believe the two of them together could get some really incredible stuff done.

What I’m saying is that with Huey’s help Gus could absolutely complete his tunnels under Hexside.

Dewey and King Now this, this is the pair who would go incredibly well together, at the detriment of literally everyone around them. If there is one person King “I Will Rule Everything” Clawthorne should not be exposed to its Dewey Duck. Within minutes of meeting each other the two of them would immediately have so many bad ideas. Between Dewey’s insistence on being the best and most daring adventurer while putting his name on everything and going down in history & King’s trying to rule everything and everyone, the attempts to raise the stakes would be constant and the two would spend literal hours endlessly trying to one-up each other. All in one day they search for legendary treasure, discover an entirely new civilization, try to take over said civilization, create a new species just to name it after themselves, and build statues of themselves in the middle of Bonesbourough. And that’s all before lunch.

Louie Here it is. The one I waited till the very end for out of sheer excitement. I even kept the second name out of the heading thing. That’s how secretive I’m trying to be about this. See, there’s one character in the owl house that works so well with Louie it’s practically canon. Their interactions have so much potential, they each bring so much to the table, I just couldn’t Not talk about it. And yeah, I know this ask was specifically asking about the owl house and ducktales kids, but I just couldn’t resist talking about the relationship between Louie and Eda.

A con artist from another world who was so successful she became nationally famous? There’s no way Louie would pass up an opportunity like that. For his part I wouldn’t be surprised if he’s already managed to set up another underworld identity in the boiling aisles, or at the very least that Eda could totally have been to the ducktales realm and heard of his one there.

Either way I’m convinced the two of them would start planning a heist as soon as they figure out who each other are. Eda is a little prideful and wants to show this kid he can’t out-con her, but Louie knows what he’s doing just as much. Honestly with the two of them combined Eda wouldn’t have to worry about losing her stand for a long time. Over the course of their planning and seeing Louie in action Eda begrudgingly gains some respect for the kid, and while Louie was definitely just using her as a learning/profit opportunity at first, he’s pretty susceptible to getting attached.

For Louie, it’s the fact that she actually respects him for being good at what he does. Even back with his family who all love and care about him and all that he still feels like most of them don’t really get what he does or see what’s special about him, so having someone who made a whole life of it be even a little proud of him feels really nice.

And of course, at the end of their heist when they finally have the money in hand, and Eda just casually hands over his half, he stares at her like she’s crazy.

“You’re just.. Giving it to me?!”

“Well, yeah. That was the deal wasn’t it kid? I mean if you really want I definitely have a few ideas for it.”

“No! Uh, no, thanks, I’ll keep it. It’s just that you really remind me of someone, I guess I was expecting something else.”

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nattikay · 3 years

Text

So I saw this post while browsing toa tags the other day. While I don’t think being obsessed with the school mascot automatically makes Toby a furry (though it is funny to joke about lol) since “being a furry” actually just means “being a fan of anthropomorphic animals” and doesn’t necessarily require any form of costuming or interest in such, it did get me thinking, hmmm...if he was a furry, what would his fursona be? 🤔 And from there I started wondering what Jim’s and Claire’s would be as well because y not ¯\_(ツ)_/¯

BUT WAIT, I hear you say--haven’t you already drawn the trio as werewolves and wolfwalkers etc.? Wouldn’t those be their fursonas??

Well yes....but actually no.

I guess it’s a little hard to explain, but there’s a nuance between “[person] but as an animal” and a proper “fursona”. While a fursona is an animal character used to represent its person, it doesn’t have to physically resemble them at all as you would expect [person]-but-as-[animal] to. For example, if you were to design me but as a cat, you’d probably give it light brown fur and green eyes like I have irl. But my fursona, unlike my human self, actually has blue fur and purple eyes. You can give your fursona matching physical traits to your own if you want to, and some people do, but most use only a pinch of their irl appearance, if any at all.

The choices people make when designing their fursonas vary wildly from “it looks like me irl” to “it looks like who I want to be” to “I just really like this color scheme” to “this particular color/marking holds deep personal meaning to me” to “this particular pattern represents a particular defining moment in my life” to “idk it looks cool and i vibe with it” etc. etc. etc. Everyone has different reasons of varying depth for the decisions they make in designing their fursona.

Therefore, to design a fursona for Toby etc., it’s less a question of “what would this character look like as [insert species here]?” and more of “how would this character choose to present himself with his own [animal] character?”

And that’s a much trickier game than just transferring a character aesthetic to a new species. ^^; We have to kinda dive into the characters and makes some guesses about how they, if given infinite creative freedom to design an animal avatar with no rules or limits, would choose to present themselves.

So all that said, here’s what I came up with:

Starting with Toby because he’s the one who inspired the post. I think Toby might choose a wolfdog fursona. A lot of people who choose wolves as fursonas consider themselves to be overwhelmingly loyal to their friends, a trait that fits Toby very well. However, while Toby likes to be “cool”, I don’t think he really thinks of himself as much of an “alpha” type--he’s more of a sidekick, and he knows that, and he’s ok with that. He’s the wingman. So what better way to incorporate that than to add dog into the mix? Man’s best friend=Jim’s best friend. Sociable, humorous, and unwaveringly loyal. Wolfdog it is!

With the species decided, we can move on to the design itself.

I can’t imagine any form of Toby in anything other than warm colors. This is extra emphasized by the flamelike patterns on his legs and tail, which both speaks to his desire to be totally awesome-sauce as well as acts as an allusion to his flaming warhammer. It’s fairly common (not universal, but common) for people to give their fursonas a more “ideal” physique than the person actually has as a sort of way to live by proxy physical goals or fantasies they’ve been unable to attain irl for whatever reason. Given that we’ve seen Toby struggle with fitness from time to time, it wouldn’t shock me to see him take this route. His wolfdog self is still relatively short and stocky, but it’s all muscle, babey.

This fursona is strong, fun, boisterous, and generally just kicks butt. Concentrated awesomesauce flows through his veins. Just don't mess with his friends, or you’ll feel the flames!

Moving on to Jim. Jim was the hardest to nail down, and most definitely the hardest to keep my personal biases out of oof. Which I may have failed to do anways because yes, ok, I made my favorite character a blue feline, sue me ¯\_(ツ)_/¯ But hear me out first!

For Jim I ultimately settling on a cheetah/lion hybrid.

Cheetahs, in a way, are sort of the underdogs (er...cats?) of the feline world--at least, in their local ecosystems. They are built wholly for speed, not strength--and as such, just about every other large predator in their environment has them beat when it comes to raw strength. Remind you of a certain Trollhunter? plus the long lanky legs. don’t forget those lol

However, because of this disadvantage, cheetahs...usually surrender. They know it’s not worth it to defend their kill from larger, stronger opponents, so they’ll give it up and just catch something else. This aspect doesn’t quite fit our protective, selfless protagonist all too eager to risk everything to save his loved ones--so a pure cheetah may not be the right choice.

So what animal is brave and protective? That’s where the lion part comes in, of course!

Why not just make him a pure lion? Well, a little similar to making Toby a wolfdog instead of a pure wolf. A straight-up lion feels a little too “chad” for our sweet Jimbo. Too much of a jock.

Jim has the humble underdog nature of a cheetah as well as the bravery and fierce protective drive of a lion. Cheelion? Leetah? idk, but let’s design it!

Like Toby and warm colors, I don’t think I can possibly associate Jim with any color but blue. While it’s never directly stated, given that we’ve never really seen him wear any other color (with the exception of the Eclipse armor), I think it’s pretty safe to assume that that’s his favorite. Blue sweater, blue jeans, blue shoes, even his backpack and bedsheets are blue. So naturally, his fursona would be predominantly blue as well! Plus some yellowish accents to (somewhat) match the natural colors of his chosen species(s).

I imagine he originally designed the character without horns, but then added them after becoming the Trollhunter, since it became such a major and impactful aspect of his life.

His lion’s mane also continues down his back in imitation of the “mantle” found on baby cheetahs. This youthful feature could subtly represent the fact that he’s been forced to grow up too fast and take on so much responsibility so young--so his fursona can still be young and carefree as long as he likes even while his real self struggles with the weight of the world on his shoulders.

This fursona is relaxed, calm, and confident. He’s not just cool--he’s crispy!

Lastly but not leastly, we have Claire. Out of the three, I think Claire was actually the easiest to choose--or at least, I had the clearest idea of what I thought she might go for.

Claire is a bit of an interesting duck, because while she’s shown to be fairly popular at school, she’s definitely far from the stereotype of The Popular Girl™. Yes she’s smart and pretty, but she’s also a little spunky or even a bit quirky--she’s a theatre kid, she’s a huge fan of hard rock band Papa Skull, and while I wouldn’t quite call her “rebellious” per se, she’s certainly willing to bend some rules if she feels the situation calls for it (not telling her parents that she was going to the concert with Steve, literally sneaking into Jim’s basement to try to find out what was up with him, etc).

That said, I think Claire might go for a hyena fursona--something a little out of the box, but not totally out of left field. (she also shows a slight Gurl Power™ streak here and there “the staff was not meant to be wielded by man--” “I am not a man!!!”) and if you know anything about hyenas...well, yeah lol)

I think Claire would lean into her punk-rock “rebellious” side with her fursona design. This character is completely free of the pressure of being the councilwoman’s daughter and having to maintain her mother’s public reputation, and thus allows Claire to express a less restrained side of herself. She has a bold semi-edgy color scheme with bright accents (and some earrings to match her person’s hair clips) while still remaining feminine and (her own brand of) fashionable.

This fursona is spunky and sassy; she’s spicy and sweet all rolled up into one. She knows what she wants and she’s not afraid to chase it down. She lives her own life and she’s dang proud of it.

....sooooo yeah there’s my take on what Toby’s, Jim’s, and Claire’s fursonas could hypothetically be. And I guess since this post was inspired by a joke about Toby’s infatuation with the school mascot, here’s just some quick thoughts on how they might approach fursuiting to end us off:

Jim I don’t see as much of a suiter. He might try it once or twice if given the opportunity, but at the end of the day it’s not really his cup of tea--he’d rather act as the “handler” for his friends, if anything.

Toby and Claire, on the other hand, I could definitely see as suiters. In fact, with her interest in acting, Claire would probably particularly enjoy it--she’d be one of those suiters who really gets into character, absolutely refuses to break the magic publicly (outside of any actual medical emergency), and popular at cons because she just performs so well.

Toby, meanwhile, would be the more chill type--uses his normal voice in-suit, isn’t really too stressed about “breaking the magic”, just kinda hanging around like he would normally except “look I’m a talking dog, cool right?”.

also while I was typing this it occurred to be that since Eli is canonically a cosplayer then he could be a fursuiter as well; in his case i imagine he actually made his own suit it’s a protogen and it’s full of little LEDs and other electric gadgets, it’s not the prettiest thing ever as sewing is not his forte but boy did he try!! good for him. good for him

#so anyways I put way too much thought into this...enjoy I guess?#trollhunters #tales of arcadia #toby domzalski #jim lake jr #claire nuñez #furry #my art

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darlington-v · 3 years

Text

on the matter of chekhov’s gun

“what does chekov’s gun have to do with ranboo’s lack of panic towards his inability to speak about dream and his misdeeds?”

this was something asked in one of the replies to my essays, which made me feel the need to make this post instead of just a simple reply because i have a lot of thoughts on the matter.

first, let’s talk about chekov’s gun.

chekov’s gun is not just wilbur’s old crossbow, nor just something funny he would reference but it is a writing principle.

now, whether or not you follow that principle is up to you, but most good writers and writing will follow that principle which is: everything in writing has to have a purpose. even small details.

they may not necessarily have huge plot relevance, but when you are writing you have to ask yourself, ‘why is this necessary for me to write this in?’ chekhov’s gun helps you maintain a cohesiveness within your story and writing as all of it will serve a purpose.

in writing anything, whether it is: character details, character arcs, plots of any degree (be it a small character arc or a main storyline point), setting details and the setting itself, you have to ask yourself, what purpose does this serve in the narrative? what does this establish?

let’s use a fine character detail for example. say your main character notices their companion sewing with a peculiar stitch that is not often used in their self proclaimed home country. what was the purpose of pointing that out? a good writer, utilizing the principle of chekhov’s gun, would have it be relevant to the story later. you could write their companion was lying about where they came from, which will later affect the mission they’re on, which will later come up due to the affects it has. or, perhaps, the companion was raised by parents who are refugees, which will then establish a personal connection with perhaps a political conflict at the core of this hypothetical story.

regardless, these give meaning to the fine detail you established in chapters, or episodes, or in the dream smp’s case, streams, earlier. which is what the principle of chekhov’s gun is. everything should be done with a purpose.

why is chekhov’s gun important?

the importance of using the principle of chekhov’s gun is in maintaining cohesiveness within your story. no one likes a dissatisfying story. we want to walk away from a narrative feeling a sense of wholeness and satisfaction. whether it has a sad ending, happy ending, or bittersweet ending, you want to walk away feeling satisfied. like it all had a purpose. a good story ends with good closure.

you get closure when your worries or questions or understanding of something are calmed, or answered, or explained to you. this is why chekhov’s gun is important. in making sure every element in your story serves a purpose, you make sure that any questions being asked are getting answered. in asking yourself “why does this happen” and then applying that answer to the story, whether it is immediately or later, you are making sure your loose threads are getting tied. you’re making sure that you will always be able to provide your reader closure.

and closure is satisfying! we all want closure. we all would like our lives and conflicts to have pretty answers wrapped up in a bow, but... the issue with reality, rather than fiction, is that we don’t always get it.

which is why it’s so important in fiction.

no one wants to use their time reading, or watching, or just consuming something in general, that leaves us unsatisfied. which is why we don’t have to, nor should we, necessarily use the way events unfold in real life as a skeleton for the way they unfold in fiction. like i said before, reality doesn’t always provide closure, but fiction can. in making sure your narrative has all of its loose ends tied up, you’re optimizing the amount of satisfaction received at the end of your story.

so, while chekhov’s gun is a principle, it’s a damned good one. it helps maintain a cohesive story which just naturally makes the story more enjoyable and satisfying.

what does this have to do with ranboo, or the dream smp for that matter?

well, you should apply this to any media you watch and think about critically, but it has to do with noticing small details and wondering what their importance is.

i made an essay posing the question “why wasn’t ranboo shocked that he physically couldn’t speak about dream and the misdeeds they committed together” which talked about how ranboo didn’t really seemed shocked on the matter.

the point of the essay was really to point out that the behavior was peculiar and to ask what it may mean, because it was such an odd thing that stuck out to me. i wanted to perhaps go into depth about why he regards the circumstance with a tone of irritated understanding, and why he may understand whats going on. i don’t really have any solid ideas, but i wanted to start discussion on it.

now, why is chekhov’s gun relevant to this? because the lack of response sticks out, and it doesn’t have a clear answer yet. it subverts your natural expectations of how someone would react to their ability to speak being stripped from them. you would expect a bit more shock, and yet we don’t get that. at the very least it’s peculiar and it is a question to be asked. there’s a question created in the action.

as for the answer? i don’t really have one myself, it’s why i was posing the question.

i understand that ranboo was sufficiently shocked and panicked, but he wasn’t at a threshold to which he would have passed out. we clearly see him process the situation at hand. it’s not that he was numb to it, there is a pause where he processes the fact that he cannot speak. if he was numb to the shock, he wouldn’t have still been panicking over the prison, because he would have been shutting down all of the shock. that’s typically how shock and trauma works.

but even if his lack of response to the inability to speak was being numb or too mentally distraught, you have to ask yourself: why?

what purpose does him being numb to that situation serve? what does that establish? if you say it establishes his character is mentally unwell or it’s a testament to ranboo’s mentality and his mental wellness, the issue is that we already knew that.

we already know ranboo isn’t okay. that’s been proven not only in the stream in question, but multiple other streams. there is no purpose in adding a new behavior or new element only for it to establish something that has been established before.

that is what chekhov’s gun and its principle has to do with my essay and questions raised. i am posing the question ‘what purpose is being served here’ because of the idea that every element to a story must serve a purpose.

as for why this is important to the dream smp as a whole, it’s very clear that there are at least three writers who likely use the principle of chekhov’s gun.

one is wilbur, he mentioned it and used the principle for season 1 of the dream smp. he shows the audience the tnt room and even like clearly references chekhov’s gun.

another is dream! dream spoke on ranboo’s stream that he enjoys red herrings and leading the audience astray, with the conclusion being something unexpected but still understandable. i definitely recommend you watch the portion of that stream where ranboo and dream spoke about lore and writing because it was really insightful and just... enjoyable overall.

lastly, and most relevant to my essay is ranboo! similarly to dream, he likes red herrings. he’s stated multiple times on stream he loves to mislead the audience with small details only to have the reveal like... blow our minds later. the importance of chekhov’s gun and red herrings are that if you’re using the principle, your reveal is going to be SUPER satisfying because the red herrings will still serve purpose, just a different one than that which the audience expected.

and, in my opinion, their writing so far has been really enjoyable. i love ranboo’s lore streams and i love what direction lore goes when these characters and therefore ccs are involved. so... i trust them to write well, whether it is with the understanding of the principle being titled chekhov’s gun or the logical thought process which is... good writing has good closures. and in giving everything a purpose, you’re giving yourself a skeleton for good closure.

i definitely didn’t know the idea that “all elements to a story should serve a purpose” was called chekhov’s gun. and honestly, the name doesn’t matter.

it’s just a damn good principle.

TLDR;

chekhov’s gun is the writing principle that every story element serves a purpose, which is why you should ask yourself “what does that mean and what purpose does it serve” whenever an event or element in a story jumps out at you, for whatever reason that may be.

if you need more info on chekhov’s gun here are some articles! they explain it much better than i probably ever will haha!

#ranboo #ranboo analysis #dream smp analysis #dsmp analysis #dream smp #dsmp #my analysis #long post

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lightsupinthenorth · 3 years

Text

It’s the little things

Summary: Instead of giving up on trying to convince Mobius that the TVA agents are variants during their conversation in episode 4, Loki comes up with a new tactic to help him see the light.

Excerpt: "He interrupts Mobius’ rant by slamming both his hands on the table and shouting, seemingly out of the blue: 'you’re left-handed!'"

Read on AO3

Loki’s just blurted out to Mobius that the TVA agents are all variants, in a last-ditch attempt at convincing him they’re on the same side. And also in the hope it will make him shut up about Sylvie and what he thinks Loki feels for her.

Loki goes on, expanding on the bomb he just dropped, talking about Mobius’ hypothetical past and family, hoping it will be enough to make the walls Mobius built around himself crumble.

Once Loki’s said his piece, Mobius keeps silent for a beat. Long enough for Loki to believe it might work out.

Mobius looks rattled. So much so that Loki thinks he actually got through to him.

However, Loki’s hopes are annihilated with two little words:

“Nice try”.

These aren’t the kind of words Loki would ever react well to. Because “nice try”, despite posing as praise, is always thrown at you to point out you failed. Coming from Mobius, it hurts worse than being stabbed. Because, it doesn’t only mean “you failed”. It also means “you lied so many times before that I think everything that comes out of your mouth is just another lie”. It means “I don’t trust you”.

And, really, can Loki blame Mobius for that? He’s been trying his hardest to appear ten steps ahead of everyone ever since he arrived at the TVA, and now his pride and arrogance have turned against him. It’s not the first time it’s happened, but there’s no getting used to it.

As cracks are slowly forming in Loki’s cold black heart, getting it closer and closer to shattering, Mobius starts going off about Loki and Sylvie again.

Loki’s failed on both counts, then: Mobius doesn’t believe him, and he still won’t stop ranting. And he had the nerves to complain about Loki’s yacking!

Loki considers giving up and letting Mobius do whatever he wants with him. However, as he watches Mobius reach for the TemPad with his dominant hand, he’s suddenly hit by a ridiculous – and probably bound to fail – idea. Loki might have a lot of flaws (not that he’d admit to many, if any, of them), but he’s nothing if not resourceful. He thought telling Mobius he was a variant was a last ditch-attempt, but he apparently has another dagger up his sleeve. Its blade is not very sharp, to the point it might as well be made of rubber. Still, Loki will try to make something out of it. He has to try.

He interrupts Mobius’ rant by slamming both his hands on the table and shouting, seemingly out of the blue: “you’re left-handed!”

Mobius stops mid-sentence, thrown out of his depth. He sighs, trying to convey exasperation instead of the surprise he really feels. He shouldn’t be surprised by anything Loki comes up with, at this point. It’s not his fault this mad man (god, whatever) still manages to be unpredictable once in a while.

“What’s that got to do with any of it?”

“I… It’s just… Hear me out. I know you don’t trust me, but think about it… really think about it. What the TVA told you about the agents being created by the Time-Keepers doesn’t make sense.”

“You lost me.”

Mobius has no idea how Loki had gone from him being left-handed to “the Time-Keepers didn’t create the TVA agents”. He’s going to need a step-by-step explanation of the process.

Loki briefly looks down, takes a deep breath and then goes back to looking at Mobius, as if bracing himself for something.

“You’re left-handed-“

Mobius opens his mouth to interrupt Loki, because, really, this is becoming ridiculous and they’re running in circles. Loki is probably just stalling for time in order to concoct a new ploy that will get him out of the hole he dug himself. He doesn’t have time to say any of this, though. Loki notices he’s not on board and cuts himself off to say:

“Please, let me get this out. Please.”

His hands are now joined in supplication and his bright blue eyes are desperate and suspiciously shiny. Mobius has seen a lot of Loki’s life, which has included its fair share of tears. That’s how he knows he couldn’t take it if Loki started crying.

So, instead of protesting as he first intended to, he just nods, allowing Loki to resume.

“Thank you. The ‘left-handed’ thing is only the first one on a list of things corroborating my main point. If the Time-Keepers had really created you, why would they have bothered to make you left-handed even though it’s not the norm? Why would you have a sweet-tooth? Why would you be weirdly fascinated by jetskis? When you look at the TVA and the way it’s organised, would you peg the Time-Keepers as beings who would care about giving their agents any type of particularities? The way I see it, if you had been created by them, you’d all be robots passing as human beings, not people with their own personalities… Besides, have your seen your nose? It’s obviously been broken before. Probably several times. Do you even remember that happening?”

Mobius instinctively raises a hand to his nose, tracing the jagged shape of it. He’s still trying to process everything Loki said, and it’s a lot.

His thoughts, as soon as he manages to gather them, jump to the possible reason why Loki’s noticed and remembered all these little things about him. It doesn’t mean Loki cares. Of course it doesn’t. he was probably only gathering intel. Besides, isn’t it absurd that Mobius would focus on this instead of focusing on the point Loki is making?

Because, he is making a point. Isn’t he?

No matter how little is known about the Time-Keepers, Mobius can admit it indeed seems out-of-character for them to have bothered with making their agents have quirks. And he indeed does not remember breaking his nose. Why would the Time-Keepers have made him look this way voluntarily? It serves no purpose.

“Say something, please.”

Mobius regains focus after having lost himself in his thoughts, and he stares into Loki’s eyes. He decides to indulge Loki and speaks, not because Loki asked nicely – after all, the god is more often than not very polite despite his numerous less than pleasant personality traits –, but because everything in his posture suggests he’s on the verge of falling apart:

“Okay… I can see where you’re coming from.”

The effect of his words are instantaneous: Loki’s entire body sags from the relief.

“I’m gonna need more proof than that before I really buy your theory, though.” Mobius says. He’s got to keep Loki on his toes. He can’t have him believe he’s got Mobius wrapped around his little finger (even though he does).

“Proof… well, Sylvie can give you proof. As I said she can access your memories and-“

“Nope, nope, nope. There ain’t no way I’m letting her anywhere near my head to access so-called memories that might not even exist.” Mobius might have admitted to himself that Loki had a point. However, he’s going to pretend there’s still a chance he’s entirely wrong about all this, because if he’s right it means Mobius’s whole life is a lie and Mobius doesn’t have the faintest idea of how he’d deal with that.

“Can’t you do it?” He adds. Apparently, he’s lost every ounce of self-preservation instinct he’s ever possessed. He’s expecting a barb from Loki, something along the lines of “So you do trust me, Mobius, I’m touched”.

He gets none of that. Loki has really decided to catch him off guard today.

Loki doesn’t say anything. He stares at Mobius as if he’d grown a second head. After barely two seconds, though, he snaps out of it, and answers calmly:

“I don’t know how. But… maybe I could learn.”

“Okay… I suppose you’ll need your demented alter-ego for that?”

Loki cringes, which is answer enough.

Mobius sighs. He does that far too often around Loki.

“Right, let’s go get her, then.”

Loki goes back to staring at him as if he’d grown a second head, then. Eyes wide, mouth agape. Mobius would find it funny if the situation wasn’t so dire.

“Don’t look at me like that. I don’t trust her. And I don’t trust you, either… But I can’t go on with my life as if you fuckers hadn’t just upended it with your crazy variant theory… So I guess I’ll take my chances.”

Mobius gets up and Loki imitates him. Mobius is already moving in the direction of the door when Loki stops him by grabbing his forearm. Mobius turns back toward him and arches an eyebrow in question.

“I know it won’t mean much to you but… I have your back. I promise I won’t stab it… again. And I’ll make sure Sylvie doesn’t either.”

Mobius doesn’t trust Loki right now. He has no guarantee that he can. Most of Loki’s past suggests he cannot. But, stupidly, Mobius wants to. He really wants to trust him. It wouldn’t take a lot from Loki to make him. He won’t let it show, though. He’s stupid, but not this stupid.

“Right. Time will tell, I suppose.”

Loki is thoroughly unimpressed by Mobius’ time-related pun. It’s fine, though. Mobius is amused enough for the both of them. He smiles at Loki’s grumpy expression.

“Oh come on, it was funny!”

“A dagger through the heart would be funnier.”

Mobius rolls his eyes. Loki is such a drama-queen. It would be annoying if it wasn’t so endearing.

“Come on, you buzzkill. Let’s go before someone decides to prune your evil twin sister for real.”

Loki groans. “I really hate you sometimes.”

“Sure, you keep telling yourself that.”

Loki will keep telling himself that: he’s a skilled liar, especially when it comes to lying to himself, and he cannot cope with the truth right now (the truth being that he’s far too fond of Mobius for his own good). He’ll deal with it after they deal with the giant pile of their current problems.

First step: go to Sylvie. Second step: hightail it out of here

#Loki #Loki fanfiction #Mobius M. Mobius #Lokius #Loki spoilers #Canon divergence #takes place in episode 4 #light angst #a bit of fluff

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itsclydebitches · 3 years

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YYH Recaps: Episode 1, Surprised to be Dead

Hello, all you hypothetical readers! It's a beautiful spring day and I have a free afternoon ahead of me, so what better time to start another massive project while I guilty stuff my other WIPs deep into the depths of my hard drive? Yeah. Iffy life choices aside, someone mentioned a few weeks back that they'd love for me to recap a show I have more positive things to say about than negative (RIP RWBY) and ever since Netflix announced that their live-action adaptation of Yu Yu Hakusho is in the works, I've been itching for a re-watch of the anime. With the RWBY hiatus underway, it seemed like the perfect time to fulfill both desires.

Before we begin though, I'd like to touch on a few things that are going to influence this project.

First, YYH is near and dear to my heart. Written by Yoshihiro Togashi in the early 1990s and later adapted for an American audience by Funimation, I had the pleasure of experiencing this story five different ways: as a serialized tale in Shonen Jump, a binge read when I had the money to buy the manga, tiny snippets of the anime on Adult Swim late at night — don't tell my parents ;) — as an after-school treat on Toonami, and then years later as a re-watch when I introduced it to a friend (who, in turn, blessed me by having us watch Fullmetal Alchemist next). I used to keep a Hiei bookmark in everything I was reading, the spirit gun made it into our witch-wolf-space adventures on the playground (middle school was wild), and there was a long period of my life where I tried very hard to teach myself to stand with my hands behind my back, precisely as Genkai does. Spoiler alert: I failed. So to say I love the series is... a little bit of an understatement. I bring this up simply as a way of demonstrating that there's more than a bit of nostalgia attached to YYH for me and that will inevitably cloud my reading of it. How can it not? So that's just something to keep in mind as I work through a series that, like any having hit its 30th birthday, has its outdated, flawed, and other questionable aspects.

Second, but very much connected to the first point, is that these are pretty casual recaps. I summarize and extrapolate, focusing primarily on plot and dialogue (but with the occasional cinematography aspect tossed in). I'm not conducting research on the cultural history here — something that will come up at least once in this episode — I'm not arguing an overarching thesis, and I've never been someone who focuses on the author/production/trivia of a series. I'm here for the story as the story is presented to the viewer. If you've read my RWBY Recaps, this will function precisely the same way, with the only difference being I'm engaging with a finished text as opposed to an ongoing one, so there’s a lot less, “Maybe ___ will happen” theorizing going on.

Third, I obviously recommend that you watch the show yourself (you can find it on YouTube!), but you don't have to know the series to follow along. As these massive paragraphs attest, I tend to be both detailed and verbose, so we'll be covering every major plot point — and most of the smaller ones too.

Finally, I'm working from the dub. I know, I know, the horror. But it's what I grew up on and, honestly, I think it's superior to the sub. YYH's dubbing is in a class all its own and to this day there are very few shows that compare to it. Trust me, it's a good call.

That's enough of the boring chit-chat though. Let's get started!

Our very first episode "Surprised to be Dead" opens on a crowded street. We see lots of traffic, people going about their business, and a pedestrian crossing sign that, crucially, turns red. This is our normality and, like in every genre story, you need to break that normality at some point so that the protagonists can go on their fantastical/supernatural/science fiction journey. YYH eases us into things by first breaking the normality of an everyday afternoon: there's a screech of tires, quick shots of a man pushing a child out of the way of an oncoming car, and then his back is hitting the windshield. We begin this story with a horrible — but otherwise mundane — car crash.

Now, these flashes alone have a fair bit to unpack. Despite later getting a brief shot of the man's scared face right before he's hit, the moment's focus is really on the child. He's the one foregrounded in the initial, slow-mo shot. He's the one who appears in color while the man is kept in shadow. This isn't just a hit, it's a rescue. The camera is also careful to follow the soccer ball this kid was playing with (more on that later in the episode), with it flying through the air as the man is hit and bouncing to a stop in the street, acting as the dramatic finish. It's childhood! It's innocence! It's play on a sunny afternoon! And it's all gone wrong.

This moment is chaotic and even a bit confusing. Not in the sense of what's happening — that is quite obviously a guy being hit by a car — but who the victims are, how precisely this came about, or even why we're meant to care about this beyond a generic capacity to feel for other human (fictional) beings... that's all removed. And it works. As the crash takes place, the camera pans across the stunned crowd and we, the viewer, become a part of that crowd. They don't know what precisely is going on either. We're all just horrified onlookers as a sudden tragedy takes place. We're all watching the same show.

So everyone realizes this guy has been hit. People are staring in shock and someone calls for an ambulance. We see the driver fall to his knees in the street, distraught, shakily saying, "I didn't mean to..." It's a very serious and emotional scene that —

— is immediately tempered by this guy waking up, complete with a cute 'pop!' sound effect when he opens his eyes.

This is YYH's brand, this Very Serious Circumstances skillfully interwoven with casual indifference/comedy. It's admittedly far from a unique brand, but it's an excellent choice given that this is the same attitude that will drive 99% of our protagonist's interaction with the world.

Speaking of said protagonist, our guy wakes up, opens his eyes, and realizes that he's floating. There's a great, disorientating shot from his perspective where everything is upside down, causing him to nearly fall out of the air. Well would you look at that, he's as confused as we are. It's our audience surrogate!

A narrator says, "And so it all begins. This boy's name is Yusuke, he's fourteen years old, and he's supposed to be the hero of this story. But oddly enough, he's dead."

Game of Thrones might have made it popular, but YYH did it better.

(Yeah, yeah, I know one death kick-starts the journey and the other is a shocking twist. Just let me have this.)

Now, it's a weird introduction, right? At least at the end. The announcement that change has occurred, a name, an age... that all checks out. But "supposed to be the hero"? What the hell is that “supposed to” mean? Our narrator gives us the easy, surface answer: "But oddly enough, he's dead." We're capitalizing here on the audience's expectation that death ends a character's journey and though they may have been a hero previously, they can no longer be one moving forward. That function within the story has passed. So it's this intriguing question of, "What kind of hero do you have when that hero is dead from the start?" but as we'll see soon, there's an additional meaning here of, "How can Yusuke be the hero?" As this premiere sets up, Yusuke doesn't act like the hero is “supposed to” act.

Until he saved this kid.

But right now he's just confused: "Okay, this is weird. Stupid weird."

Two EMTs arrive on the scene and are hilariously useless. You know how in any medical drama a doctor will stop CPR after a couple of seconds because obviously you're not going to spend half the episode on realism? Well, that's this only a thousand times worse. One guy just looks at the kid and announces he's fine except for some bumps and bruises. Meanwhile, the kid is sobbing.

"Well, at least one of them is," replies the other EMT, because I guess he can tell Yusuke is beyond hope without taking a pulse or anything? "I hate cleanup," he complains as they load his body onto a stretcher because that's? An empathetic response to have??

Honestly this scene is wild.

Yusuke is understandably upset that he's, you know, dead and all. He starts hounding the EMTs who, unable to hear him, just go about their business of taking the kid and his body to the hospital. "You think you can just do whatever you want because you have that stupid uniform on? You can't just write me off. Listen to me!" and Yusuke tries to punch one of the EMTs in the head, resulting in him floating right through.

What a great way to introduce your protagonist's personality. We see here that when things go wrong Yusuke's default emotion is anger and it starts creeping in even before he thinks the others are ignoring him: "Stupid weird." He has problems with authority — "You think you can just do whatever you want because you have that stupid uniform on?" — is used to others listening when he gets angry — "You can't just write me off!" — and is poised to use violence at the slightest provocation. Yusuke is a guy who, right now at least, is ready to punch first and ask questions later.

As Yusuke floats back up into the air and the ambulance drives away, he finally cools down enough to try and think his way out of this. "It's not like this is the first time you've been in a jam,” he thinks. Yusuke recalls that yeah, something was different about today...

...he actually went to school.

Catch me laughing that this idiot boy equates the weirdness of him dying with going to school. Good lord.

Anyway, this jumpstarts our flashback. We open on a generic, anime middle school (that always feels like a high school to me) where the principal is calling for Yusuke through the loud speaker. Oooo someone’s in trouble! We follow a young girl up to the rooftop and she gets a classic hair-blowing-in-the-wind moment to establish that she's our love interest. Meet Keiko Yukimura.

Keiko finds Yusuke hanging out and immediately starts lecturing him for trying to chew gum and refusing to wear the boys' uniform. "Oh, give me a break, Keiko. I look better in green." Note that it's here we learn her name and it's an easy, casual way to introduce it. I bring this up because Yusuke's introduction via our narrator is very much... not that. It's an on your nose statement about his name, age, and importance to the story, and if you're just starting the show in 2021, it might come across as a rather armature move. Like something out of a kid's show, perhaps. Yet here we see that this was a deliberate choice, considering that YYH is capable of introducing character information naturally when it wants to.

This moment also tells us that Yusuke cares a great deal about his image. More on that in a bit. Because Keiko isn't finished her list of grievances yet, going on to say that his attendance record has hurt their entire class, hurt her as class representative, and if he keeps going down this path he won't even graduate middle school. "Sometimes I think you don't care about anyone but yourself and then you don't even do that right!"

They're legit complaints. Too bad Yusuke is busy looking up Keiko's skirt.

Yeeeeah. Sadly, this is common for anime, particularly a 90s anime like YYH. Even presumably more progressive series like My Hero Academia feature characters like Mineta, whose entire personality is being a pervert, and the creation of abilities that "require" kids/young women to be scantily clad. See: Yaoyorozu. YYH is no different in this regard, with various forms of sexual harassment functioning as a shorthand for how much Yusuke secretly likes Keiko. "Boys will be boys," right? Obviously not.

Like so many others series, the creators get away with it because they’re framing it as a bad thing. It's totally fine because look, Keiko slaps him! This is teaching the viewer how wrong this behavior is. Never mind that this is clearly an established habit between them, that Yusuke laughs off Keiko's discomfort, and that the whole scene is meant to be funny for the viewer. That's the real purpose here; it’s not a PSA on harassment.

That, and to establish the long-suffering love Keiko has for Yusuke in turn, largely stemming from a life-long friendship. "Dumb boy! He hasn't grown up a bit since he was four years old." We see that Keiko's early interactions with Yusuke have given her insight that others lack. As she heads down from the roof she runs into two girls hiding around the corner, too scared to come out lest "the great Urameshi" set his sights on them. Isn't Keiko terrified of what he might do to her? "Or worse, what others might say of it?" Like any classic high school middle school setting, one's reputation is king. Yusuke cares about how others see him — maintaining that tough boy attitude — and the girls care more about what the rest of the school might think of Keiko's interactions with him than the presumed harm Yusuke could do to her. They heard he can summon 2,000 men with just a whistle and that he "kills for fun!" But that means nothing in the face of people talking about you. Despite being one of the most popular girls in school, Keiko is the outsider here via her disinterest in what other people think.

The animation changes here, giving us a good look at how the girls picture Yusuke: tough, scowling, surrounded by shadows, and backed by an entire army.

In contrast, we've already seen what Yusuke is really like.

Keiko laughs the image off too. Yusuke is more like a "lamb" than a killer and besides, he couldn't order around two people, let alone two hundred. "He doesn't have many friends."

"That's not what I heard," says one of the girls.

"Yeah," goes the other. "I think we would know."

Again, rumors rule here, with whispers in the hall considered more reliable than someone who interacts with Yusuke on a daily basis. Keiko doesn’t have a hope of changing their minds.

Oh, as a side note, I love that they gave Keiko Miyazaki-esque hair. It's very emotive.

Yusuke escapes outside where the principal is still calling for him to report to his office. He overhears a conversation around the corner and we cut to two boys, one of which is showing a wallet off to the other. He explains that some bully tried to rough him up, but he said he was Urameshi's cousin and the bully took off, dropping his wallet in the process. The guy's friend is impressed, but what is he going to do if Yusuke ever finds out he lied? Not to worry, he says, that "blockhead" would probably think it's true even if he did somehow hear.

Yusuke, obviously, does hear about this and he, also obviously, does not believe this guy is his cousin. He looms ominously and they scurry up against a wall, terrified and offering him the wallet as an apology.

"You think I want your money?" Yusuke yells.

YYH is, in many respects, a rather simple story, but I appreciate the hints of complexity in these otherwise straightforward interactions. It's not that this guy used Yusuke's name to steal a wallet, he used it as a form of protection against another bully — a far more sympathetic motivation. It's not that Yusuke's fearsome reputation has resulted in any genuine respect because once people think they're safe they reveal how little they think of his intelligence — he's a "blockhead." And Yusuke, though intimidating and violent, is not your average, schoolyard bully. He doesn't care about money, only the insult and the damage this guy using his name might have done to his reputation. There's a little more nuance here than you might otherwise expect.

Also, note how dark the boys' standard uniforms are and how much they blend into the rest of the world. Yusuke, as our protagonist, stands out in his bright clothing. He was right, he does look better in green!

So he's ready to clobber this kid when one of the teachers arrive: Mr. Iwamoto.

Iwamoto demands to know what's going on, but the boys are too terrified to rat Yusuke out. Noticing the wallet on the ground, he assumes that Yusuke was after their money, something that greatly offends him: "Whatever!" Iwamoto goes on to say that, "No good weeds like you should have been plucked a long time ago," making it clear that he considers Yusuke a hopeless case. The positive aspects that Keiko sees, as well as the complexity the viewer sees — to say nothing of his introduction of saving a kid — aren’t considered here.

Notably, Iwamoto exists in part to show us what Yusuke could become. Not a teacher (he's obviously not attending school enough for that!), but a cynical man who is cruel for cruelty's sake. Yusuke is already barreling down that path, ignoring Keiko's advice, terrorizing other students, trying to punch EMTs, etc. If his life (or afterlife...) hadn't changed through that accident, this is the kind of person Yusuke might have grown up to be, and we can see that clearly in the visual parallels between them. Dark haired men dressed in green who scowl with ease and toss out cutting insults. Yusuke is staring his future in the face.

For now he walks off with a final shot, "You shouldn't talk. It makes you sound stupid." This time Yusuke makes it to the school's entrance and tries to enjoy his second attempt at chewing gum, but someone hits him in the back of the head.

"Okay, somebody's DEAD — ah. Sorry, old man."

"That's Mr. Takenaka to you."

Our principal has finally left the office and hunted down Yusuke for himself! Putting this interaction immediately after the one with Iwamoto allows the viewer to compare them. Yusuke might be irreverent towards his principal, but it's clear there's still some kind of respect between them. Yusuke only starts threatening because he doesn’t realize who hit him and once he does realize it's Takenaka, he immediately apologizes. That "old man" comes across as a teasing insult and Yusuke allows himself to be briefly dragged back towards school, rather than throwing a now classic punch. In turn, Takenaka cares enough about Yusuke to try and keep him on the straight and narrow. He utilizes Yusuke's preferred language — violence — but in a casual way, nonthreatening way: slight hit to the back of his head, noogie, pulling him along by the ear.

It's the sort of physicality we're used to seeing in media between a parent and child who are outwardly antagonistic, but actually share a deep bond. Takenaka is also careful to frame their return to his office as a "discussion," not a punishment, and offers Yusuke tea along with the conversation. Whereas Iwamoto considers Yusuke to be a "weed" that should have been plucked from their school long ago, Takenaka is determined to help Yusuke bloom.

If we're continuing the flower metaphor :D

Yusuke isn't in the mood to play along though. He gets away by using a fake ear, startling Takenaka when it unexpectedly pulls free. Yusuke escapes the school grounds and Takenaka, suffering a back twinge from his fall, can't chase after him. Poor guy. I understand that pain lol.

Yusuke heads home where we're introduced to his mother, Atsuko. Most notable in her first shot is the soft lighting that highlights her looks. We're not told how old she is here, but I believe she's around 28 — and she looks it, if not younger. Given that Yusuke is 14, that means Atsuko was a mom at his age. This is a quick and subtle way to tell us about Yusuke's home life. There are more overt details in this scene — it's at least lunchtime and Atsuko hasn't left her bed yet, she demands that Yusuke make her coffee instead of greeting him, it's all meant to imply (before we actually see) that she's an alcoholic — but her age is another way to highlight the broken household here. There's no partner in sight and she clearly had Yusuke as a teenager. He hasn't had a strong parental figure to take care of him. If anything, Yusuke is taking care of Atsuko here.

"Oh great, mother of the year!" basically sums things up.

Atsuko wants to know why Yusuke isn't in school and he says that everyone is pissing him off today, particularly with their preaching. "Dear, if you hate preaching so much you should live on your own... but you can't do that, can you?" Alongside a rough upbringing, Yusuke is suffering from the common problem of being trapped in a dead-end life. He hates his school, his town, and coming home to find his mom hungover. Yusuke has no prospects and, outside of one principal, no one who is actively working to help him find some. Even the little things he hates, like being preached to, are unavoidable because if you want to live on your own, that requires money. Good luck pulling that off as a middle schooler whose only skill is street fighting!

Yusuke walks off in a huff, literally shouting in a street about what a bad day he's having (and hilariously scaring off pedestrians in the process). His shout brings trouble though. A couple guys appear to ambush him, their boss close behind. The music increases the tension, Yusuke's expression is serious, and we even get a Dutch angle thrown into the mix.

For any who don't know, the Dutch angle is a popular film technique to establish that something is wrong. There's tension in the scene, something uneasy is at play, and the world is now literally off center. It's perhaps most famously used in Do The Right Thing to establish the friction between an Italian-American pizzeria and the predominantly African American neighborhood it's based in.

But it's also used a great deal in horror as a way to say: yup, shit just got real. Scary real.

This Dutch angle introduces a character you may not appreciate at first, but absolutely should: Kazuma Kuwabara.

He's initially the comic relief and that's clear in his introduction. Within seconds we move from that intimidating arrival to, well, seeing him. To be clear, I've got nothing against redheads with big chins, but compared to Yusuke's design, Kuwabara is meant to be the funny looking one. His threat level plummets the moment we get a look at his face, especially in a series that will occasionally use looks as a (supposed) measure of intelligence.

Also, Kuwabara is dressed in light blue so, like Yusuke, we know he's important!

Any assumptions that his appearance isn’t meant to imply a goofy, embarrassing personality are put to rest when Kuwabara starts rambling about how they last time they fought Yusuke just got a cheap shot in and he'll definitely win this time. Yeah, he won't. Yusuke is thrilled by this diversion though and we get a shot of him looking almost as creepy as Keiko's friends think he is. Whatever else might be said about Yusuke, he is absolutely a monster in a fight.

Which we see here. If anyone picked up the series without knowing this was a fighting anime, they'll realize it now. Yusuke's choreography is stylized to show off his skill: he disappears with a 'whoosh' and dark lines to suggest inhuman speed,

attacking Kuwabara with a knee to the face, utilizes flying kicks, lands perfect, precision punches, and ends it all with the toe-tip landing we've come to expect of all powerful fighters. Kuwabara never even got a hit in.

Happy as a clam now, Yusuke wanders off whistling and Kuwabara's friends are left to pick up the pieces. AKA, his likely broken bones. I love that they're legit friends though and not just nameless goons for the sake of giving Kuwabara a small gang (though their names won't come up until later). "That makes 0 wins an 156 loses!" one of them cries, trying to get Kuwabara to stop ending up in the hospital, probably. We establish that Kuwabara is The Most Dramatic Ever when he pulls his broken body into a seated position, shouting, "No! I almost had him that time!"

Then he passes out.

Kuwabara, honey, you obviously did not almost have him, but god bless you for the outlook. The most optimistic thing on this Earth is a well-loved Golden Retriever, but Kuwabara comes in at a very close second.

With his dream to one day beat Yusuke in combat established, we cut to Yusuke wandering the street where the episode opened. "Okay, I'm remembering" he says in a voiceover. "After that I met the kid."

The soccer ball reappears as it rolls to a stop at Yusuke's feet. He grabs it and immediately starts yelling at the kid. Horrible protagonist, right? Well, Yusuke is trying to instill in him the danger of using this street as a playground, a worry the viewer already knows is 100% justified. “Listen, kid, that’s dangerous! There are cars going by that will splatter you into the pavement!” It's one of those quick moments where we get to enjoy Yusuke's duality: he's someone who is nearly making a toddler cry, but for rather understandable reasons. He's got the right idea, but needs to go about it in a more mature manner.

Which is precisely what he attempts to do. Sort of. Yusuke changes gears, though whether it's a more "mature" route is certainly up for debate lol. He tries entertaining the kid instead, raising and lowering the soccer ball to reveal goofy faces.

When these fail to impress, Yusuke goes full out by stuffing the ball into his pants, pushing his nose up with a pair of chopsticks he got from god knows where, and generally just putting on a display.

So Yusuke cares very deeply about his reputation... but only when it comes to those who are an established part of his life. Keiko, Mr. Takenaka, and the other kids at school all need to maintain a particular image of Yusuke, one that he's carefully cultivated. But random pedestrians on the street? Who cares about them? Let them talk.

This shows us that Yusuke does indeed have priorities over his own, selfish goals. Namely, the happiness of some kid is more important to him than looking "cool" for a bunch of strangers. Lots of characters with Yusuke's surface attitude would sneer at the idea of degrading themselves for — their words — some brat. But Yusuke, as we constantly see, actually does have that heart of gold. “Well, if all else fails I can still make kids happy.”

Although... I'm not sure what to make of his display itself. I have the distinct sense that there's something prejudiced here that I'm not able to fully articulate, what with the chopsticks, slanted eyes, bald head, and the like, though to be entirely frank I don't have enough knowledge of Japan's history to say precisely what it might be. Or, really, whether it exists at all. Just something to chew on.

What I am sure about though is the importance of having the child label Yusuke as monster — "Yeah, monster! — but in a delighted manner. Yusuke is indeed some kind a monster, someone who disappoints adults and terrifies his classmates, a demon fighter on the streets too, but here that identity is reworked into something positive.

Having successful secured a laugh, Yusuke tells the kid — calmly this time — to go play elsewhere. The toddler stares up at him with the blank expression only kids can manage.

Well, kids and whatever headspace I'm in after writing these metas.

To absolutely no one's surprise except Yusuke's, the kid does not go elsewhere. Instead, he continues kicking the ball down the street, causing Yusuke to exclaim, “Dammit, what’s the use? The kid can get smashed by a car for all I care!” Liar, liar.

The picture becomes desaturated as the kid kicks the ball and it flies into the street, time slowing down to show it landing precisely in the middle of the road. Yusuke again yells for him to stay put, but when has a toddler ever listened? He begins to walk into the road as our driver arrives, speeding, swerving, and paying more attention to the girl at his side than what's in front of him.

This time, we see the accident from the front with both Yusuke and the kid presented equally.

There's a cut to black and when we return we're in the present, Yusuke floating above the policemen now investigating the scene. “So that’s it? I’m roadkill?” As Yusuke realizes he's dead, specifically that he's a ghost, a voice goes,

"Bingo! Bingo! You win the prize!"

A woman has appeared who is quite obviously othered by the standards of the episode so far. Unlike the greens, blues, and browns of the series' modern clothes, she's dressed in hot pink kimono with blue hair to match. She's also, you know, floating on an oar.

“I didn’t expect you to figure it out so quickly," she says, referring to Yusuke's revelation that he's dead. Apparently, those who meet unexpected and/or violent ends tend to take some time coming to terms with their demise. It's a nice acknowledgment of Yusuke's intelligence in an interaction that's otherwise... not great for his self-esteem.

Meaning, this woman is about to drag him lol.

She introduces herself as Botan, pilot of the River Styx and guider of souls to the afterlife. You might also know her as the Grim Reaper.

(Hey, RWBY fans: I originally wrote that as Grimm Reaper 🤦‍♀️)

It's an claim Yusuke takes issue with because 1. Botan is too pretty to be the Grim Reaper and 2. If she was really some god of death she'd be taking this much more seriously, not laughing and saying, "Bingo!" For the audience this does two things. First, it acknowledges our own expectations and validates them. Yusuke's world isn't so far removed from our own that he takes Botan's looks and personality at face value, he also expected a skeleton with a scythe. So don't worry, all the weird stuff in this series is weird to our protagonist too. They'll be explanations. Or, even if there’s not, you’re not wrong for being surprised.

Second, it sets up the very common theme in YYH of undermining those common assumptions again and again and again. We've already seen it with Yusuke, wherein characters who look and act a certain way are, supposedly, destined to be that person and nothing more. Yusuke is meant to be just a "weed," a dumb, violent, angry loser who goes nowhere in life... but we already know he's more than that. Botan is supposed to be scary and serious, but she says nah, I want to be cute and bubbly instead. No character in YYH embodies who they're "supposed" to be when you look past those surface characterizations. They play the part of archetypes — and do keep certain parts of their expected personalities — but they're also far more well-rounded than that. Which yeah, is something most people expect from any story nowadays, but YYH is particularly adept at making you think you're watching Simple Show A only to turn around and surprise you with More Complex Show B.

It's great, trust me.

So Yusuke is pissed that Botan isn't adhering to those expectations, in the same way that he works hard to validate others expectations of him. He doesn't know how to deal with someone challenging his world view yet. Rather than angering Botan though, she just nods and says that this response makes sense for him. “Rather than being scared, or surprised, you yell a lot and tell me I don’t know what I’m talking about." Taking out a notebook, she quickly summarizes everything we learned in the flashback — minus Yusuke's complexities: he's fourteen, in middle school, is ill-tempered, violent, hates authority, and is a horrible student.

Typically, Yusuke responds by getting angry and trying to snatch the booklet out of her hands, only for Botan to pull it out of his reach, laughing. The tables have turned! Rather than being surrounded by people who cower at Yusuke's imposed authority, he now finds himself faced with someone who laughs at his transparent attempts to take control of the situation.

Calming down, Yusuke wants to know if the kid he saved is really alright and Botan offers to let him see for himself. That offer produces Yusuke's first, genuine smile.

They fly to the hospital where a doctor is in the process of giving the kid a clean bill of health, his mother crying with relief.

That's enough for Yusuke. “Alright, Botan, I’ve got no regrets, so you can take me to hell or wherever it is I’m going.”

That tells you all you need to know about Yusuke's self-worth, despite his bad boy attitude. His life is a dead-end as far as he can see and most of those around him haven't done anything to dissuade him of that idea. He says he doesn't care if the kid lives or dies, but then instinctively saves him. Post his death, Yusuke doesn't have anything he considers a regret, or anything he'd like to do before he leaves, like saying goodbye to a loved one. Oh, he's also pretty sure he's going to hell and has resigned himself to that without a fight.

Uplifting!

Botan just laughs though, saying that she's actually here to offer Yusuke an "ordeal" that could bring him back to life. See, he wasn't supposed to die today — let alone die saving a kid — and frankly they don't know what to do with him. It's another neat summary of what we've already learned: Yusuke is a far more complicated case than the afterlife assumed and now, when push comes to shove, deciding whether he belongs in heaven or hell is... muddled.

There's a fantastic story there about the problems with an afterlife that reduces a person's entire life to a few surface characteristics recorded in a book, refusing to acknowledge the context of their situation, or their capacity for change. “Run someone with your credentials a thousand times and they never would have saved a kid like that." Except, of course, Yusuke did save him, so those "credentials" are suspect, to say the least. However, YYH is not a story that explores these issues. Instead, I recommend you watch this!

Rather than being upset at the afterlife's low opinion of him (because let's be real, Yusuke shares it), he latches onto a little detail Botan let slip. If he wasn't supposed to die today... then was the kid?

Mmm... no. Actually, without the chaos of Yusuke jumping into the road, the driver would have swerved at the last second and the kid would have not only lived, but actually come out with one less scrape.

So Yusuke is obviously upset by this news! I would be too!! Holy shit, hang onto the "it's the thought that counts" message with everything you've got.

Also, don't think too much about the fact that the afterlife apparently knows exactly what will happen to people, down to how many cuts they accumulate in an accident. Also, don't think too much about where the afterlife foreseeing the crash begins and the unexpectedness of Yusuke interfering ends. That way lies madness. This will never come up again, so just let it go.

Sorry, 2013 me hijacked the post for a second.

As said, Yusuke is understandably upset by this revelation and as he fumes I'm reminded that this series likes to pull some amazing expressions.

Botan reiterates that it's all fine because Yusuke can come back to life. Weren't you listening? He should feel honored, in fact, considering that an offer like this only arrives every 100 years or so. Well, that explains why all of humanity isn't grappling with people coming back to life on the daily. One person every generation isn't going to cause much of a stir.

However, instead of jumping at the chance Yusuke announces that Botan is just like the teachers at school: she doesn't know what she's talking about. “You said yourself my life was kind of pathetic, right?” he says, going on to explain that everyone will be happier now that he's dead. His school won't have to deal with his behavior, Keiko won't have to nag him, and his mom will be able to party whenever she wants. It's a win-win for everyone involved.

Hmm, this feels familiar.

Don't worry, Yusuke doesn't need to experience a whole alternate reality to get the message.

“I’m sorry you feel that way at such an early age," Botan says and she is sorry, because despite her teasing nature that's a legitimately horrifying thing to believe. Yusuke won't budge though and after a little back-and-forth Botan leaves, telling Yusuke he should think it over while visiting his wake. She'll come back once he decides what to do.

“Do you have worms in your ears, lady? I did decide!” but Botan is long gone.

We cut to that night where Yusuke has indeed decided to attend his own wake. Maybe because of Botan's advice, maybe because he's just morbidly curious. We’re not given insight into the decision.

Atsuko is a mess, to put it mildly, not dressed for the occasion and sitting slumped against the way, staring vacantly as the guests offer their condolences. Yusuke is surprised by the fact that his entire class is here, but quickly writes them off when he sees two of the boys laughing. I'm on the fence about this detail, which I'll unpack in just a second.

First though, Yusuke sees Keiko exiting the house, inconsolable in her grief. She collapses on the ground with her two friends trying to offer comfort, despite the fact that they had nothing good to say about Yusuke himself. Good on them.

Before he can think too long on this though, Yusuke is distracted by Kuwabara's arrival. Unlike Keiko's crying, he expresses his grief through yelling. Specifically, yelling at Yusuke. For dying. For daring to "run away." His own friends are physically holding him back as he charges into the wake, screaming, “Who am I gonna fight now, huh? Who am I gonna fight?" It's not really about the fighting, of course. At least, not the fighting alone. "You’re supposed to be here for me," Kuwabara finishes, the punch he's thrown at Yusuke's photo going limp and catching his first tear.

You know, for all the goofy expressions, this show really is gorgeous. Just wait until we get to the fight animations.

Kuwabara's reaction is why I hesitate to write off the classmates like Yusuke has. Granted, we have no reason to believe that they care for him as Kuwabara does — they're nameless background characters defined only by their terror of "the great Urameshi" — but it's still a split second taken out of context. We don't know what they were laughing at, or if laughing is a part of their grief. God knows I personally laugh at the most inappropriate moments. If you tell me someone has just died there is a very good chance I will laugh awkwardly as I try to process that. It’s just a reflex. All of which I bring up not because these side characters are important, but because Yusuke's perception of his own worth is. The point of each of these moments is to show that those around him have always cared for him, even if Yusuke didn't notice. It's nice to think that extends to his classmates too. The variety likewise exists to show us how people grieve differently, with Kuwabara's friends not understanding that this is how he's working through the trauma: “This place is for mourning!” He is mourning, even if his way of mourning isn't as socially acceptable as Keiko's. So if screaming and throwing punches is valid, crying is valid, staring stoically in a drunk stupor is valid... why not laughter too?

Not likely, perhaps, but possible.

As an additional possibility to chew on, watching this premier again, it struck me how more emotional Kuwabara's scene is compared to Keiko's. Don't get me wrong, crying and calling Yusuke’s name gets the point across, but it's two seconds of generic grief compared to a much longer scene rife with intensity. When Kuwabara arrives the music swells and everyone is forced to pay attention to him. His grief is loud, violent, and given symbolism with his fist and the photo. There's more effort put into his reaction, frankly, so it wouldn't surprise me if fans started shipping them after this. That grief combined with an "enemies to lovers" possibility is a pretty potent mix. To be clear, Yusuke/Keiko is the (oh so obvious) canonical endgame and in the fandom Yusuke/Kuwabara can't compare to another slash ship that will turn up later, but this is a good example of how writers can craft some Very Gay Scenes without realizing it. When you have the girl crying prettily for a second and the guy absolutely losing his mind over Yusuke's death, questioning his purpose now, his support network, and then collapsing in grief... don't be surprised if your audience goes, "Oh hey, maybe they'd be a good couple instead."

But I digress.

The only people who are unquestioningly happy about Yusuke's passing are Mr. Iwamoto and his co-conspirator, Mr. Akashi. You know Akashi is another bad guy because he has bucked teeth and "ugliness" is an easy way to code for evilness. YYH is not immune to those mistakes :/

These two are really something else though, standing in the middle of a wake and claiming it's “too bad that car wasn’t big enough for them too," referring to Kuwabara and his friends. Wow! What stellar members of the academic community. Iwamoto goes on to say that Yusuke dying at least accomplished something good. Not, mind you, saving the life of a child, but rather looking good for their school's reputation. Akashi agrees, but says it's likely Yusuke only accidentally saved him while trying to steal the kid's lunch money. Remember, that accusation of theft is the one thing Yusuke has said outright that he does not do.

He's pissed listening to all this — wouldn't you be? — but knows by now he can't do anything about it. In another fantastic shot, Yusuke hovers his hand over Iwamoto's shoulder, desperate to grab him, when Takenaka's arrives there instead.

“What do you suppose is more disgraceful? That boy showing his misery, or your insensitive and idiotic words!”

HELL YEAH. You tell 'em, Mr. Takenaka.

Yusuke gets his third shock of the night at this passionate defense. Takenaka leaves the teachers to go pay his respects, but admits to Yusuke's picture that he just can't speak well of him. He was surprised to hear that Yusuke gave up his life for another and it's a fact that he acted selfishly. Though he doesn't say it in as many words, Takenaka explains that he's not grieving because Yusuke was a good person, but because it's so clear to him that he might have been. “Why didn’t you stay? You could have made something great out of yourself.”

Normally, "Why didn't you stay?" is just something for the living to grapple with, as the dead obviously don't have any say in what happens to them. But Yusuke does. It's here that the lighting grows soft again and Yusuke considers Takenaka's words. Keiko and Kuwabara grieve for who he was, but Takenaka grieves for who Yusuke could have been — someone that might still exist if Yusuke decides to undergo this ordeal.

Atsuko adds fuel to the emotional fire, breaking down and hiding her face in her knees.

Finally, the kid Yusuke saved arrives with his mother. Because yes, Yusuke saved him in every way that matters, considering no one else knows — or will know — that he'd have lived anyway. I like that the show doesn't allow that knowledge to undermine the emotion of their arrival, or what Yusuke’s act meant to them.

The mom tells her son to pay his respects and the kid thanks Yusuke for saving him, and for "making faces." He clearly doesn't get what's going on here. This is confirmed as the two leave and he asks his mom if he can play with Yusuke again tomorrow. “I know some people sounded angry at him, but he’s really nice!"

They're probably just crying because they want to play with him too, he thinks, which just makes his mom join in. Everyone is crying in this club tonight.

Those words are the cincher for Yusuke and with a brief montage of all the grief he's witnessed, he makes his decision.

We cut to later that night where Yusuke floats above the city, admiring the moon. Botan reappears and he asks, “Have you ever not known about something that seemed obvious to everyone else?” Yes, everyone has experienced that at one point or another. She asks if he's made his decision and Yusuke agrees to try and come back to life.

Emotional revelations out of the way, we're allowed another tone shift as Botan yells with joy, speeding off and causing Yusuke to grab hold of the end of her oar, lest he be left behind. Cranky as always, he demands to know where they're going. "To the spirit world, of course!" They're off to see someone who can explain the ordeal and give Yusuke the tool needed to complete it. Just hang on and enjoy the ride.

Thus ends our very first episode! Ah, the nostalgia. This is part one of a four arc series, with the anime cutting out a lot of the filler stories found at the start of the manga — a smart decision, I think. They primarily do the work of teaching Yusuke what he learned at the wake, so if you can accomplish that as quickly as the adaptation did, all the better. Especially since Yusuke needs to grow a great deal beyond the basic understanding that people might, sort of care for him, and that work will occur primarily through a job he's going to take on. The series isn't really about his death and it's not about an attempt to come back either — it's about what happens once you get that second chance. So this is the setup, but it's important setup all the same.

No need to skip ahead though. I've blathered enough for one recap. I hope you enjoyed and I'll see you when the writing gods next bless me with energy! 💜

#YYH #Yu Yu Hakusho #YYH recaps #mymetas

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theswampspirit · 3 years

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Season 3 Talk: Part 1 (spoilers, obvi)

(Yes, I just used Brooklynn’s phrase for obvious)

So, let’s just get this major point in the story out there first. This is probably THE biggest and most defining character dynamic change to come out the series. It was such a gut punch that I literally felt sick and could not sleep properly without thinking about the ramifications, how it could be resolved, or how it’ll affect the group’s dynamic. Despite this, I feel that it was or at least wonderfully adds to the cliffhanger at the end of the finale, leaving you really wanting more and to see just how this friendship will be resolved. By now you’ll likely picking up on the fact that I talking about the canyon-sized rift that has formed between Kenji and Darius.

My GAWD, that was just completely brutal on the first watching and completely left me with this massive hole. So, let’s try to break this down.

First off, the summary. Basically, Darius AND Brooklynn decided that not letting Wu have access to his research to create more hybrids was the most important task they must complete, to the point that they voluntarily risked their lives, primarily Brooklynn’s but I can see the scenario playing out the same if their roles were switched. After the rest of the Fam regroups, Darius recruits a plan to both save Brooklynn and erase Wu’s work, despite objections from Kenji and, to a lesser extent, Ben. As the plan is set in motion, Kenji goes rogue and rescues his friend by giving the laptop back. Chaos ensues, laptop is collaterally damaged, Brooklynn is saved, everyone’s united, yay??? Not so, as before they say goodbye to Bumpy and the camera from Darius’ perspective pans around, you see everyone is smiling except for Kenji. Then after Bumpy leaves, Darius goes to assure Kenji is all well, only for Kenji to throw it back in Darius’ face, basically accusing him of willing to risk the lives of his friends and potentially dooming them to a not so good fate. Even with the kids leaving and Brooklynn having a heartwarming convo with him, Darius is still somewhat taken aback from Kenji’s rejection, leaving room for the next season to set up a lot of tension between the two, the significance of which I’ll discuss below.

So, Kenji is crossed with Darius and the fact that Brooklynn’s life was in danger because Darius came to the conclusion that the Fam had to put a stop to some nefarious overarching plan or scheme instead of just keeping each other alive. I think this comes from Kenji’s growing maturity and his attachment to his friends. Romantic shipping stuff aside, we can infer this from the first season with his reaction to Ben’s “death”, then we get more in depth with these feelings of losing his friends to the main villain of the Final Destination franchise when he talks with Brooklynn while they care for Sammy in season three. He cares deeply for his crew, as they are possibly not just his friends but likely the closest thing to a family he’s ever experienced. After Sammy heals, I kind of felt that all he wanted to do was just leave with his friends safely, such as when he gripes about Darius going off on his to fetch Ben when Kenji suggested they all go get him, and when the crew decide to get rid of the Scorpius rex. Brooklynn’s life being in danger and the crew deciding to play this elaborate plan to get two birds with one stone instead just doing the obvious and getting everyone to safety may just been the last straw for Kenji, causing him to possibly lose faith in Darius along with being furious at him.

After the end of the finale, I don’t see how old aloof Kenji will return. This experience has definitely matured him to what I ultimately think is for the better, although I could also see how he can still have storylines where he still messes up and causes some detriment for the group (they all make these kinds of mishaps, and the effects of such range considerably).

This is all speculative but I can see that rift will carry on throughout the season, and will be a major storyline for the plot. Darius and Kenji were basically not only each other’s friends amongst the campers, but the first of the campers to become friends, so this rift should be handled with great care to show how both sides make solid points, how it affects not just Darius but Kenji as well, and how it might ripple across the group. I think in the beginning of this hypothetically arc, Kenji will be cold and distant towards Darius, not to the point where it’s obnoxious but definitely noticeable by the others, especially Brooklynn. Darius may try to apologize at first but will still stand by his decision, further drifting them apart and potentially leading to Kenji to straight up challenge Darius’ leadership or any plans he makes directly. The may others may or may not take sides, and circumstances may occur that could call Darius’ leadership into question and see Kenji indirectly take over, with the others flocking to him. Throughout this, Brooklynn, who now has a strong friendship with both boys and sort of forms a trio with the two within the group, will be going to both sides, urging the other to take steps come back together. This could lead to Darius admitting to Kenji that he was correct to put the friends first above all else and not risk their lives, and Kenji letting go of his anger for Darius. This will likely occur either at the midpoint or the end of the fourth season. The process will (or should be in my opinion) definitely be an uphill climb, and Kenji may not immediately forgive Darius for his actions, where Darius could say his piece, admit his actions were unnecessary and could’ve led to a tragic outcome, and tells Kenji he has every right be angry and stay angry with him.

I really do hope that these two amend their bond, seeing them rely on each other and be the best bros, especially in the earlier to middle portion of season 3 is great to watch. But things may not go back to being the same. They may amend their friendship, but lines were crossed, and I feel that Kenji may no longer be as much as the carefree and aloof person he has been so far, and his relationship with Darius will definitely change. But hopefully, even if it takes most of a season, it’ll be for the better.

Thank you making it this far. These write ups may be a bit on the long side, so it may be only one or two every couple of days. Hope y’all enjoy my piece and enjoy season 3!!!

#kenji kon #darius bowman #brooklynn jwcc #jwcc s3 #camp cretaceous season 3 #jurassic world camp cretaceous season 3 #camp cretaceous #jurassic world camp cretaceous

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josmarney23 · 3 years

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Miraculous Ladybug: Future Madness

Ok....So ... I've been thinking about this idea for a long time and it would be the first time I published a concrete and concise idea like this, even more so for a very direct fandom such as the Miraculous Ladybug fandom. It should be clarified that this is an IDEA or CONCEPT, it is not something real.

Making that clear, I continue to continue.

This idea for a video game based on the Miraculous Ladybug universe came up while I was trying to remaster the TMNT: Turtles In Time soundtrack (the Arcade version, not the SNES version).

At first I started as a very basic idea but then it evolved to the concept that I want to share with you, but before continuing, I must first divide the content into parts, to better understand how I imagine a Miraculous Ladybug video game would be.

1. THE GAMEPLAY:

Introducing you to my crazy idea, we have the most important and crucial thing, the gameplay.

This video game, from my perspective, I feel that it would be a Beat 'Em Up, a classic genre of games like Streets Of Rage, Final Fight, Kunio-Kun Saga, Double Dragon, etc. Its specific gameplay would drink a lot from the aforementioned games but would also add mechanics such as, for example, the semi-3D scenes of TMNT: Turtles In Time from the SNES and a bit of the gameplay of Cadillacs and Dinosaurs.

The number of players would be 4 for a maximum of 4 characters and among the main controllable characters would be:

-Marinette (Ladybug)

-Adrien (Chat Noir)

-Kagami (Ryuko)

-Nino (Carapace)

Later, more playable characters and surprises would be unlocked.

The scenarios would have to be a little more elaborate and long than the average Beat 'Em Up, to encourage exploration but without too much open world, to find a balance between the old arcade gameplay Beat' Em Up and the new exploration sensation of the more Recent Beat 'Em Up like Streets Of Rage 4 or River City Girls.

2. THE HISTORY:

The story is why I really do this blog and this idea, since, as I said previously, it was something that evolved over time and now it is somewhat complex.

To sum up the whole general plot, the game begins with the player controlling Ladybug and her friends (Chat Noir, Carapace and Ryuko) to fight Lila and Shadowmoth (Before Hawkmoth) and the army of minions that Lila is creating with her powers of Volpina to wreak havoc and keep the heroes busy, as well as separated so she can have a chance to get hold of the Miraculous from Ladybug and Chat Noir.

The player finishes the introductory level and defeats these two bosses while getting used to the gameplay. Once Shadowmoth is defeated along with Lila, the heroes are about to unmask our villain but then a time portal appears and a very badly wounded Bunnyx and a mysterious villain who has the same powers as Shadowmoth but still leaves almost flying. notorious much stronger than the mentioned one. The villain shows her strength despite being very hurt, making it clear how strong she is, in order to take Bunnyx through the portal. The heroes chase the villain through the portal to end up in an alternate universe / future where this villain controls Paris from the shadows, with her akumas powered by microtechnology that allow her to keep akumatized who will be the game's zone bosses.

The heroes thus, would meet the very limited and small resistance whose leaders would be a mysterious heroine who would call herself "Savage Rouge" and an aging Gabriel Agreste. After some somewhat limited and mysterious explanations, the heroes would go to work to defeat each boss who controls an area of the City of Paris.

While the player defeats each boss and deakumatizes them, little by little it is discovered that each boss is actually a friend and acquaintance of our heroes and they are discovering little by little things of this alternate future, the mysterious villain, Lady Darkmoth, as they know her, is healing her wounds and gaining more energy in her secret and private laboratory while her two mysterious assistants are taking care that the " government "of his lady and boss does not fall apart.

Once the heroes have managed to free almost all of Paris from the control of Lady Darkmoth, the heroes in their hiding place of the resistance are celebrating without knowing that one of their friends has a tracker that reveals the location to the villain, to top it off the mysterious villain is already completely healthy and with more power than before. Lady Darkmoth takes advantage of the fact that everyone is celebrating the victory to give a wild surprise with hers, two mysterious helpers of hers. Lady Darkmoth sends her assistants to take care of the resistance members and who were deakumatized while Lady Darkmoth takes care of Ladybug, Chat Noir, Carapace, Kagami, Savage Rouge, Gabriel Agreste and Emilie Di Vanille (who in this alternate future has been saved and awakened by Ladybug and has separated from Gabriel Agreste), defeating everyone with great ease, being only Emilie, Lila and Gabriel who end up giving her the most fight but defeating them in the end. Lady Darkmoth reveals to heroes the truth about who Gabriel Agreste is and reveals the identity of Savage Rouge, being neither more nor less than Lila Rossi. After that she would reveal her true identity, Emma Duppain-Agreste, the middle daughter of Marinette Duppain-Cheng and Adrien Agreste.

Emma would charge a powerful attack with which she would destroy the base of the resistance, taking with her Gabriel, Emilie and Lila, thinking that with her great charged attack she managed to kill the heroes, who have been narrowly saved.

The heroes and the rebels who were left alive decide to go to the secret facilities following the villain, taking advantage of a trace that the villain's power generates and that they have just discovered to their secret laboratories, waging a tough battle against the huge arsenal of sentimonsters modified with Futuristic technology that Emma has at her disposal. There the heroes manage to enter the depths of the secret laboratory and free Gabriel, Alyx, Lila and Emilie, Lila being the only conscious one and which explains that Emma became the villain they know because of the Marinette of the future. denied her middle daughter being a superhero for fear that all her children could end up hurt or even traumatized as she suffered with that stressful life, taking it to somewhat radical extremes that ended up taking Emma away from her mother and causing her to she became more friends with Lila, which little by little would end up giving her the wrong ideas. Lila would tell them that Emma would end up misinterpreting an advice that she would give to a very moody and angry Emma and would end up attacking her parents when they were off guard, thereby assuming the blame as well and that for that she had taken the mantle of Savage Rouge , to at least try to repair the damage, freeing Gabriel Agreste from jail so that he could also help him by his knowledge of the Miraculous. After the explanation, the heroes go to try to defeat Emma before she carries out her plan to expand her control to more cities in the world but in it they face the mysterious helpers who turn out to be crazed and adult versions of Marinette and Adrien, which were used by Emma as guinea pigs to perfect her mecha akumas to control people by way of revenge.

The heroes finally arrive with Emma and fight her but in the middle of the first fight Emma cheats using an unfinished special machine to greatly weaken the heroes until Lila intervenes and sacrifices herself to expose the weak point of the girl. Emma's machine and dies, causing the heroes to overcome the final battle, defeating the young villain, who survives weakened and Ladybug and her friends destroy the laboratory while taking Emma and the others who were inside the laboratory. Emma is imprisoned for life like Gabriel (who must pay her perpetual sentence). Ladybug and the heroes are dedicated to helping rebuild the Paris of the alternate future but are later taken by a Bunnyx recovered in time, but not before Marinette writing on a paper what mistakes she should not make in the future (without revealing much of his alternate future or what he has experienced in the game). Bunnyx takes them back in time after erasing them all from her memory and ends the story.

Yes, yes, I know, the story is very long, but that does not prevent it from being used in a game and even more so in a Beat 'Em Up game. It would just be a matter of simplifying a few things. Let me know in the comments if you like the story or your suggestions.

3. THE MUSIC:

The music would have to be a fusion of styles that would be based on the musical style of the TMNT game: Turtles In Time (Arcade Version) with some musical ideas from some games like Sega's Out Run (Arcade) or some works by composer Luke McQueen.

Here is some of his best works:

youtube

(This will be a perfect Older Akumatized Chloe Level)

youtube

(Older Akumatized Chloe Boss Theme or Theme 2)

youtube

(This Would be a Perfect Akumatized Older Luka Boss Theme)

youtube

(This will be a Cementary Level Theme)

youtube

(This will be a perfect Police Station Theme Level)

4. UNLOCKABLE EXTRAS:

For this part, I got to think about what I could put as unlockable content (I don't like DLC, I prefer unlockable content and that the game is worth the money it demands). These would be the unlockables of my hypothetical game:

-Unlock characters and kwamis for heroes but post-campaign (New Game +)

-Small Playable Campaign where we explore the perspective of Gabriel, Lila and two rebellious characters that in the future will end up becoming the Ladybug and Chat Noir.

-An art gallery where you can see the concept arts of the series and the video game.

-Small Playable Campaign where we can play as Emma Agreste when she tries to be Ladybug (part of the story that tells you different characters in the base campaign) and her friends, who only two survived to be akumatized in the future by Emma, the other he died and was a major factor in Emma's fall from grace.

-Extra soundtrack but in SNES and Sega Genesis version.

-A small animated mini series that explains in detail the one that led to all the characters of the alternate future ending up as they were.

-Play maybe a little glimpse into Gabriel and Emilie's past.

5. VISUAL STYLE:

I have thought of the visual style in a very pixel art style but that borders on the almost cartoonish HD, something similar to the beautiful Pixel Art that was used for SNK's King Of Fighters XIII and the pixel art style that will be used for the new one. game that will arrive this year from the Ninja Turtles (Here are some videos to give you an idea of the visual style: https://youtu.be/yyMjlO5Ao7M and https://youtu.be/GemOAwU-9fo)

Obviously the level design would have to adjust to imagine a futuristic half Paris with things like the famous Hoverboards (Flying Skateboards) or flying cars, drones and a long etc.

I thinks this is all folks. This idea from a hypothetical videogame of Miraculous Ladybug have so much time in my crazy mind and I hope you like it. Give me your suggestions and your critics. I hear you.

#chat noir #adrien agreste #kagami tsuguri #miraculous ryuko #nino lahiffe #miraculous ladybug #Marinette Duppain-Cheng #Emma Agreste #Future AU #Youtube

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daisyjohnsonsblog · 4 years

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Episode 9: A Detailed Look and Evaluation

Time to completely deconstruct this episode!! This is gonna be a long one so strap yourself right in and prepare for a DIVE into the mind-blowing goodness that is episode 9.

Plot and Structure (with a Side of Daisy/Coulson)

OKAY I'm just gonna preface this with the fact that I think that Drew Greenberg did a great job with this episode. In terms of how it fits with the overall season arc, I can see that it’s more of a stand-alone episode, but it’s nonetheless really crucial in building all the characters, especially Daisy and Coulson (but more of that later, like a LOT more).

let’s start with the main idea. everything is repeating, but going closer to a possible destruction? 10/10 would recommend. The escalation, the tension, the suspense. I mean like, I basically just said the same thing three times but what I'm trying to tell you is that my butt was glued to the seat and my heart? racing off faster than the Zephyr towards the vortex.

Structure of this episode was Super Interesting. Because only Daisy and Coulson were aware of what was happening, there’s this amazing intensity that is created as the episode goes on and stakes get higher. Only both of them know what happened, and even Daisy is only half-informed. This creates a super unique dynamic which effectively narrows down the attention and action onto Daisy and Coulson. Even when Greenberg uses this focus to draw in different characters in turn (Simmons, Enoch, and Sousa all take turns in this focus), the overall focus is on Daisy and Coulson: they’re the ones moving forward, trying to solve the problem. All the other characters become closer to props as Daisy and Coulson move to save the team, so we really get those quality Daisy/Coulson moments. *contented dad and daughter tropes sigh*

More Plot, but this time on the Time Plot and the Aftereffects

I think Greenberg found a great loophole when he used the time plot to essentially reset Simmons’ access to her Forbidden Memories. This way, the Zephyr gets fixed AND we don’t need to worry about endangering Fitz by her remembering Also, Elizabeth Henstridge did an amazing job in that scene when she Remembers (not to mention the directing. we stan). That emotional intensity is really beautiful and completely believable, but also leaves you wondering What On Earth She Remembers to make her have such a huge emotional and physical reaction.

However, I also wonder how the next episode will deal with the time loop. I mean, I’m guessing only Coulson and Daisy will be able to remember everything that happened? So how will Sousa feel around Daisy if he doesn’t remember that conversation they had, or that kiss? in this way I get the impression that this episode has many hypothetical qualities rather than being strictly believable; in other words, more fiction than science. (I mean, Greenberg kind of concessed to this when Coulson’s guess to why they both remembered was that they “both fell asleep in futuristic sleeping pods”). You can see Daisy and Coulson are asking themselves “What if?”. Daisy’s is What If she allows herself to act on the feelings that exist between herself and Sousa. Coulson’s What If is manifested in his spiel on the time loop essentially being a metaphor for if he chooses to continue life as a Chronicom. I suspect that the writers are building ground for the end when Coulson needs to make a choice on whether or not to continue as a Chronicom.

And I know I said earlier that this episode works more like a stand-alone episode, but it really reminds me of the whole plot of season 5, when the team was also trying to break the time-loop. And this season the writers have been doing frequent callbacks to the previous seasons, so I guess the episode’s place is as an echo to season 5.

Daisy Johnson

In any case, this episode itself creates an amazing space for an in-depth look at Daisy and Coulson. That part where Sousa essentially breaks down Daisy’s character, how she’s gotten used to being alone (she hasn’t really had any love interests since season 4. I mean, you could argue that daisy/deke was gonna be a thing at some point, but I think we’ve moved past that.) despite being surrounded by friends. she’s headstrong. that image of Daisy running at a brick wall? Pretty much the past seven seasons. Sousa picking up on that so quickly and so accurately makes me wonder how closely he’s been watching Daisy, or (not to sound too critical and pessimistic) if he knows Daisy so well because he knew someone else like her - someone of her “type”. If the latter is true, then I would worry that Sousa is attracted to Daisy because she reminds him of someone else - that Daisy. Mostly because that isn’t a great foundation for a lasting relationship. Also he’s only known her for like, a week. I feel that part of it is pretty rushed, but I get that with only 13 episodes we don’t have time for a slow burn. Still, I hope that they get that dynamic right. If Daisy’s arc is gonna include a relationship, it better be a VERY VERY good one.

Coulson

For me, this episode was crucial in filling in Coulson’s character. I felt like his whole revival had kind of been swept under the carpet. Sure, there were moments when he had been overwhelmed, but they were super brief. I think that these conversations are LONG overdue. There’s been a lot of stored grief of both sides of the coin: I don't think Daisy ever got to truly leave Coulson behind, emotionally or mentally, and I don’t think Coulson ever really got the chance to share his experience(s) with dying and coming back to life.

Adding on to this already complicated situation is the fact that Coulson is essentially an LMD. The whole team, Coulson included, have very recent memories of LMDs taking over and threatening their very existence. This episode, and especially Coulson’s denial of the possibility that he has a soul was very very necessary. It’s only natural that Coulson - or Coulson’s memories/stimulated personality - have these doubts. Just that bit showed us how much Coulson is struggling to align what he knows with who he is now. The Phillinda heart in me was half-hoping that he would have the convo with May, but I think I like this approach more. May has had somewhat more of an emotional development than Daisy so far in this episode. Still, the whole conversation kind of reminded me of the convo he had with May back in season 1 when he showed her his scar. *teary look* those were good times.

Final Thoughts

I’m honestly very satisfied with what we’ve seen of Daisy and Phil so far. I just hope that that will continue and they’ll both get closure. There’s this sense of finality, especially when Enoch said that “families grow apart”. It’s somewhat ominous and melancholy but it also feels right. Daisy has had some pretty amazing adventures and missions, but there’s also the fact that I think she does want a normal life; even if not boring normal, then a stable life. We first saw Daisy as a “hacktivist”, and she’s never had proper stability: orphaned from birth, and then homeless, and then through the literal physical and emotional chaos. Through seasons 1 to 2, Daisy has been searching for parental figures (cue her very telling dream of Phil and Melinda being her parents), and then from then, she’s been more of...soul searching I guess. So if Sousa can give her that, then I’m all for Sousy. x

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dudebroreg · 4 years

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In the isolation of this quarantine, I’m gonna resurrect THIS old ass argument. “Can Spike still rightfully end up with Buffy after his actions, and if he can’t, isn’t the same true for Angel?” and “Is Spuffy as meaningful as or even compare to Bangel?”. The following “conversation” is hypothetical and “person” represents most of the arguments I’ve seen people on the other side of this make. Person: I don’t see how anyone could possibly ship Buffy and Spike after the bathroom scene. Me: He didn’t have a soul when he did that. Once he does have a soul, the evil he did is no longer his fault unless he repeats the behavior, but their slow-burned bond and her eventual love for who he becomes in Chosen is real. It’s canon that she fell in love with him when their fingers locked before his death if you take Joss’s words as truth, and even if you don’t and need something to be solidified on the program to accept it as canon, interpreting what Buffy felt in those last moments as romantic love is no more or less provable than the “she was just saying it to make Spike feel better” take. It makes complete sense that Spike thought she was lying after all of his experiences, though. That’s part of his own tragedy. That angst is part of why we love them as a pairing. Person: Wow look at you making excuses for one of the worst things someone can possibly do. There’s no going back after that. Idc what the plot did to justify his actions, and it’s despicable to think that the show would still give them anything resembling a love story after that. Boo hoo about his little tragedy. Am I supposed to feel bad after what he tried to do to her? Me: Okay fine, I see your point. I don’t see how anyone could possibly ship Buffy and Angel after he went on a killing spree meant to emotionally torture her, targeted her friends and family, KILLED JENNY and not only got off on the pain it inflicted on Buffy’s father figure but set it up to be as devastating for Giles as humanly possible, and almost brought Hell on Earth which would have killed millions in global genocide all for his twisted amusement. I don’t see how anyone could feel bad about him having a sword driven through him and pulled into Acathla after what he tried to do to Buffy, to her loved ones, and to the entire fucking world. Oh also he tried to drive a sword into her face right before her badass comeback. Person: He didn’t have a soul when he did that. It’s not Angel’s fault what Angelus does. It’s not really him, but Bangel’s epic eternal love at first sight is real and will never die. Me: .... Person: ... It’s different because Spike is a little more human even when he doesn’t have a soul. Me: Does that mean he deserves less credit or more? :/ :/ Person: ANGEL AND ANGELUS IS DIFFERENT FROM SOULLESS SPIKE AND SPIKE. Me: Nah same lore same rules breh. Soulless Spike seems more human because William was a sentimental sap and hopeless romantic when he was sired and so Spike was a deranged version of that personality, but still a demon and still wired to do evil, no matter how deeply he feels for someone. Liam was a self-indulgent douche who lived primarily for his own satisfaction when he was sired and thus became Angelus. Like in life, Angelus in death gave into all of his wicked cravings but without guilt or remorse. Who Spike and Angel are without a soul fits who they were with a soul perfectly within the rules of Buffyverse vampirism. But Soulless Spike is still Soulless Spike, he is still supernaturally coded to be a monster, and his ensouled version deserves the same level of forgiveness or lack thereof as his grandsire. If you don’t think Buffy should be with someone who’s done unspeakable things regardless of the supernatural reason for it, fine, but that’s not what you’re saying. Me: The bathroom scene was hard to watch but an important turning point because he realized that in his chipped state he can’t be his fully monstrous self nor can he be a good man. His options were to get the chip removed and be William the Bloody again, or get his soul and attempt to be a good man. The decision he made was something Angelus would never do, which I could use to say Spike is just better, but really they’re just different people with different motives. Bangel and Spuffy present the same issues with the concept of being pardoned via soul and if either vampire is really “worthy” of her romantic affections, no matter how much you try to twist Buffy/Spike as the more unshippable pairing to suit your own preference on which character Buffy should have a future with.

Person: ARE YOU SAYING SEASON 6 SPUFFY WASN’T TOXIC?! Me: Nah it definitely was, but Spuffy fandom in large part really doesn’t want Buffy to end up with season 6 Spike. Many of us think their “relationship” when he was soulless was *entertaining* and added character depth, and that they had real moments of connection in the midst of the ugliness, but most of us recognize how unhealthy it was and that it was no recipe for happily-ever-after. Irl there would be no turning back but also irl people are not literal demons who can go and win a soul to make up for some missing piece of them, just as Angel’s situation would also not happen in our reality. Me: A lot of us DO want her to end up with fully actualized soul-having Spike as he was by the end of season 7, in season 5 of Angel, and post series. Bangel is the passionate all-consuming first love story, but they NEVER achieved the level of understanding and full realization of the other that Spuffy ultimately did. Probably in part because Buffy was a fuckin’ high school teenager when Bangel happened, but that’s vampire genre for ya. Me: The speech Spike gave Buffy in Touched is something Angel could NEVER deliver at any point we’ve seen them, because Angel never knew her the way Spike did, and Buffy’s conceptualization of Angel is super idealistic and passion-charged, lacking the full range of understanding she has of Spike, probably because, again, she was a fuckin’ high school teenager when Bangel happened. Me: If she loves both of them, which I believe she does and the creator of the verse believes she does, it would take years for Buffy and Angel to discover and know each other to the depths that Buffy and Spike already do. Never mind that Buffy and Angel changed - they didn’t even know each other THAT well when they were together. The more Angel the Series dives into the whole of Angel, the more clear that becomes, and Buffy wasn’t anywhere near her full growth when he left for LA. Why go back and rebuild Buffy’s first major relationship when Spike is right there, the feelings are developed enough to where if she said “I absolutely do love you and you were wrong for doubting it” it wouldn’t seem wild whatsoever, and the natural romantic endpoint of her journey has more substance there? Because you just like Bangel more? Cool! You do you, but Buffy/Angel is still in no way the morally superior tv couple. Me: Also, not to be a dick on that whole love-at-first-sight deal, but it’s canon that Angel loved her the moment he saw her, which is weird to me since the first time he saw her was watching her creepily from a distance when she was 15 years-old in a short skirt and literally sucking on a lollipop. Okay so I’m just being a prick with that last part because that too is a byproduct of 90s TV and vampire genre. “Bangel or Spuffy” is mostly a “which type of fictional relationship do I vibe with?” based debate. Bangel is one of those epic earth-shattering-consuming-my-whole-being-at-first-kiss romances, and the people who love that kinda thing will be inclined to support them, and I do love Angel as a whole. What I will always fight, no matter how old this subject and these shows get, is this wack idea that there are problems within Spuffy that make it more unshippable than Bangel, or even more hilariously that Buffy “deserves” better than Spike and yet “deserves” Angel.

Though, if you tell me you think she’s too good for both of them, you have a much stronger case there, but that doesn’t make me love Spuffy any less, nor would it make someone else stop loving Bangel.

#buffy summers #spuffy #buffy the vampire slayer #btvs #spike #william the bloody #angel #angel the series #btvs discourse #shipper discourse

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jcogginsawriter · 3 years

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Hand to Hand: Mark Waid’s Flash

I have been a fan of comic book characters for a long time. I started with the cartoons, and as I got older, I began doing deep dives into wikis, reading fanfiction, and participating in that shallowest of internet past times, the vs debate. I dabbled in writing fanfic for myself, but I spent far more time thinking about writing fanfic instead. I would come up with all these ideas about what I would take from the various different versions of the characters, and don’t get me started on the idea of Crossovers. The point is, I knew a lot of what happened in the comics, but I never read many comics. I didn’t know where my local comic shop was, and even if I did, I wouldn’t have had the money to spend on them. The comics that I did read were usually fan translations of manga. I did read a few comics, big name stories like Death of Superman or Crisis on Infinite Earths, but they were few and far between.

Recently, I’ve begun to change that. I now follow several comics as they come out, most notably the current X-line. This change sprang in part because I began reading a lot more comics criticism. In particular, I followed the blog of a certain Superman fan, and began to eagerly digest his various takes. I wanted to be able to ask him questions about new comics without looking like an idiot (This is how 90 percent of my interactions on comics twitter go, BTW) and that was a kick in the pants for me.

After getting into a steady habit, I decided to look into reading some of the classic runs I’d read so much about throughout life. To go from knowing them second hand, to knowing them first hand. After a bit of hemming and hawing, I’ve settled on Mark Waid’s legendary run of Flash Comics to start off with.

(Spoiler Warning for some 30 year old comics, by the way)

As of this writing, I have read up to the final issue of his story arc Dead Heat, wherein Wally does battle with the speed cultist Savitar. Before we get into things like plot and characters, I want to discuss the art, because no discussion of comic books is really complete without talking about the art. Unfortunately, the art in this run hasn’t done much for me, but that’s not really it’s fault. I read this comics in manner that they were not created to be read, digitally and zoomed in. These comics were drawn with physical issues in mind, and I don’t doubt that they’re good in that format. It also doesn’t help that I’ve read far more manga than I have American comics. American comics have never clicked with me the way manga does. Even now, I still find the layout of manga more legible than the layout of an American comic. That’s not a value judgment, it’s just my personal experience.

I do distinctly recall thinking that the art was better up to issue #79 (The conclusion to the Return of Barry Allen storyline), than it was after. I prefer the less exaggerated character designs, and lighter inks, though it could very well be a case of me having gotten used to the initial style and not liking the change. One thing that thing I can say about the art is that it helped me grasp how Wally’s costume differed from Barry’s. Before this, I was incapable of separating them in my mind, but seeing them side by side made it clear to me how different Wally’s Costume was colored and shaded.

Now, onto the writing of the run, we’ll start with the lead, Wally West. My previous touchstone for Wally was the Justice League series from the DCAU, which I watched a lot as a kid. The Wally in these comics comes off as more serious that his DCAU incarnation. Not too serious, he still cracks jokes, but he’s more on the ball. He takes his adventures as seriously as any hero would, rather than the more carefree attitude I recall his DCAU version having. This is not unsurprising, Wally here is the lead whereas there he was part of an ensemble cast, and here we get his internal monologue which gives us a much more thorough sense of his headspace. Not to mention, the DCAU version was voiced, so we know with no ambiguity what tone his dialogue’s in. In text, tone is more up to interpretation.

Perhaps the biggest thing that set Comic Wally apart from DCAU Wally is that the Wally in the comic was more consistently angry and frustrated. While his DCAU incarnation had hidden depths, I can’t recall a time when he got seriously angry. This Wally is frequently irritated, usually by things which are enitrely understandable. On occasion, his irritability causes him to be rougher with the bad guys than he could be, and that feels uncomfortable sometimes, though thus far he hasn’t gone too far.

Going into this, I knew that one of the issues that Wally had to overcome was his mental block about surpassing Barry, and to my surprise, it wasn’t as much of a through-line as I expected. I was expecting it to be a reoccurring issue that was solved by the Return of Barry Allen storyline, but in reality there are only one or two times something like it comes up, usually in the context of him not being able to do the vibrating through walls trick. In the Return of Barry Allen, it feels more like an issue introduced in that story than a long running plot line. Granted, it may only feel this way because I’m solely reading Mark Waid’s Flash. I didn’t read the issues prior to his take over, so that storyline could have been more apparent there for all I know.

Moving on, starting with Waid’s run had another knock on effect, that being that the character introductions aren’t introductions. I came into this expecting to see when Wally met Linda, when he met Jay Garrick, when Pied Piper redeemed himself, but all of that happened before Waid took over the book, so they’re already part of the cast from the start. Again, not a flaw of the work, it’s just a result of my personal experiences. Now, let’s take a look at some of these characters.

I’ve heard a lot about Linda and Wally’s romance, and so far it’s not bad. I wouldn’t rate it as one of the best of all time, but I haven’t gotten to most of the major moments yet, so that’s not a huge surprise. One thing that’s very apparent is the Lois Lane DNA in her character. Some of that is to be expected, which the love interest to your superhero is a reporter, but I see a lot of similarities in their personality as well. There’s a lot of the same fire in her. Fortunately, the fact that Wally’s identity is public lends a very different arc to their relationship than what you see with Lois and Clark, so Linda doesn’t come off as a Lois rip-off. Linda’s concerns that there’s no place for her in Wally’s wild superhero life is the kind of relationship hurdle that isn’t present in Lois and Clark’s Relationship.

Next, let’s take a look at the first Flash, Jay Garrick. Within this series, Jay is perfectly pleasant, and by no means unlikable, but he also comes across as...kind of superfluous? There are three elderly male speedsters in this comic, and of all of them Jay is by far the least defined and has the least role. Max Mercury is the Wally’s mentor in the ways of speed, the one with the most knowledge of the Speed Force. He’s basically what I expected Jay Garrick to be going into this. The third of the group is Johnny Quick, a speedster who is the father of another speedster, Jesse Quick. Jesse is also very skeptical of Max Mercury’s teachings, which veer from the scientific into the mystical.

Because Johnny takes the role of skeptic, Jay is left without a role in the narrative because being the nicest of Wally’s friend group. Veering over to Hollywood for a second, whenever a book gets adapted into a movie or TV Show, minor characters get lost in the transition. Either they get composited with other characters, or they get cut entirely. Game of Thrones is the most prominent example in recent memory. I bring this up because, if Waid’s Flash were to go through that process, it’s hard to argue that Jay wouldn’t get the ax. Despite being the most important of them in the context of the universe at large, Jay is the least important Speedster in this narrative. Of course, Jay’s importance in the context of the larger universe means that in this hypothetical adaptation, he probably be composited into either max or Johnny. More likely Max, since mentor is the logical position for the first Flash to take in the Third Flash’s narrative.

I mentioned Jess Quick there, so let’s talk about her. Thus far, her most prominent role in the narrative has been to call Wally out and be his critic, though she does have very good reasons to be angry. In the Terminal Velocity storyline, Wally believes he’ll die soon, and tells the Flash Family that Jesse will be his successor, but it turns out to be a lie in order to motivate Bart Allen to take things more seriously. Jesse has remained angry with Wally since then, though it hasn’t seriously impacted her hero work. That’s good, because her continued competence lends legitimacy to her anger within the narrative. She’s not being punished for being mad at Wally for mistreating her. Hopefully it stays that way going forward.

Now let’s take a look at the character Wally chose over Jesse, Bart Allen AKA Impulse. I’ll say up front that I’m not reading Bart’s solo series during this read through, as I didn’t want the hassle of going back and forth between books. As such, the only issues of it that I’ve looked at are the ones that tie into the Dead Heat arc. I feel it’s important for me to say this, because I’m basing my opinions of Bart primarily on his showings in Wally’s book, not his own. In Wally’s book, Bart’s character flaws are more on display.

Bart is a character deliberately designed to be obnoxious, and such characters are a hard tightrope to walk in fiction. Gotta be annyoing enough to get the point across, but not annoying enough to turn people off from the work. Bart in Wally’s book isn’t perfectly balanced, and tends toward the too much pile. Not to an egregious extent, but a little bit. I found myself echoing Wally’s frustration with Bart more than a few times. In Bart’s defense, Wally does share some of the blame here. He doesn’t do a very good job as a mentor, and handing those duties off to Max is probably for the best.

I find it interesting, that a character like Wally who is so defined by inheriting a legacy is a poor mentor, to both Bart and Jesse. He makes different mistakes with both of them, but he still fails both of them. I’m eager to see how that plays out in the future issues.

Now that we’ve discussed the supporting cast, let’s discuss some of the book’s villains. We’ll start with the one who is most infamous, Eobard Thawne. Thawne’s spends the majority of his time in this book thinking he’s Barry Allen, and if I’m being honest, he’s more effective under that guise that he is as Eobard. The scenes where what appears to be Barry Allen turns evil out of jealousy of his successor are powerful, more so than the more traditional villain Eobard displays after the reveal. Not that it would have been a good idea for it to actually be Barry, of course. Much as I prefer Wally to Barry, having Barry go full supervillain would have been very out of character. In any case, this run had a profound impact on Eobard’s character going forward, solidifying him as an agent of toxic fanboyism, making him a dark mirror of Wally West.

The next major villain of the run is the cult slash terrorist organization Kobra. That might bring thoughts of GI Joe to your mind, and you honestly aren’t far off. So far as this run goes, the biggest differences between DC’s Kobra and Hasbro’s is A) DC’s version prefer green over blue, and B) Hasbro’s version has more in the way of distinct characters. Kobra thus far is more of a plot device than anything else. They’re generic terrorists with little to make them distictive. Their storyline, Terminal Velocity, is more notable for it’s introduction of the Speed Force, Wally preparing for his upcoming ‘death’, and Linda going on a revenge quest after said ‘death’. All things that Kobra is incidental to, any villainous organization would have sufficed.

The final, as of my current point in the run, major villain is Savitar. Savitar was formerly a soviet test pilot who gained a connection to a the speedforce, gave himself the name of Hindu god, and started a speed worshipping cult. It says a lot about my mind that my immediate thoughts upon reading Savitar’s origin were. “Huh, an AU where Hal Jordan became a Speedster the same way would be neat.”. Savitar is in some ways an improvement on the Kobra Cult from Terminal Velocity. This time the Cult has a more direct connection to the Flash and his mythos. Dead Heat is by no means a retread of Terminal Velocity, but if you wanted to mesh them into one story, it wouldn’t be hard. And it’d improve on both, in some ways.

One of the things I like to do in my fanfic ideas is connect the other speedsters to Thawne’s theme of Toxic Fandom, and it wouldn’t be hard to do that with Savitar. His entire motivation is to deprive those he considers unworthy of their speed, and that can easily by played as a metaphor for gatekeeping.

Over all, while the run is far from perfect, I must say I’m enjoying these comics a good deal, and if you’re like me and have read a lot about comics without actually reading them, I don’t think you’d regret jumping into them.

#opinions #personal experience #dc comics #The Flash #wally west #mark waid

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yume-fanfare · 3 years

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hi i am that anon from like 29th Dec (last dang year) who said i read ur tsuki no hime and loved it and that u understand Aizou. i have read more of ur stuff since then and now i NEED to ask you for writing advice, on both characterization and general writing tips since I didnt mention it before. Sorry about that! i just forgot i sent an ask and i do not get notifs at all (or does anon asks not get notifs?) Also, ART STUDENT! That's why the nice art and art leaning!! I feel smart for sensing it

oh yup, tumblr doesn't send notifs for anon asks! but i'm glad you did see the answer anyway

this post is hideously long, so answer under the cut!

so, on characterization: it is mostly a matter of what would they say, rather than what you want them to say. the joke about "the characters do what they want to" instead of what the writer wants is pretty much true if you want them to be in character lol (that's why sometimes a little bit of OoC isn't too bad)

checking the source material is the most important thing: look at prior similar interactions the characters have had and how they reacted

this is kind of hard with LIPxLIP, as there aren't that many translated texts about them but with honeyworks the most canon and reliable thing to use as reference are the mvs. the mvs are drawn in a way that can pretty much be understood even if you don't have the lyrics, and sometimes it's even better if you can't read them, to properly focus on the images better

look at their expressions closely: while aizou is always explosive in his anger, yuujirou often has a more indifferent expression. so, when they fight, aizou is probably the one to blow up first while yuujirou maintains his composure better. it's kind of the classic "this was only a brief passing panel but i am going to expand on it" www

but the thing about fanfiction is that it's always a bit of a character analysis in itself. you don't start writing having already a color-coded folder of possible situations and reactions a character would have for each setting. you just throw the characters in a scenario and then think from there onwards, and eventually you'll be able to have the folder of situations and what you think their reactions would be like. (though, this links back to the prior point, if the characters have gone through a similar situation in canon, use that as guide! plus, finding little references to canon when reading is always fun)

for general writing, i'm going to mostly talk about my own experiences and process! i'm in no way a professional though

the basic is reading a lot. not just books but also fanfic. in fact, since you're writing fanfic, i Encourage you to read fanfic. even if your story ends up novel length, the way of treating the story is different from that of an actual novel. for example, because you're working under the premise that everyone knows the characters already. the general style of fics is different as well.

in fact, the style is the main reason i'm saying this slfkslfkslkf

read a lot of stuff and find a style you like. think of it as sewing together pieces from here and there to make a frankenstein amalgamation: this person's metaphors, the comparisons from here, the descriptions from there

personally, i adore the "long one-shot with a long title formatted (like this)" fics that are mostly feelings and descriptions and as little dialogue as possible, and some that occasionally play with the "show don't tell" rule, and some months ago i read a book whose descriptions amazed me because you could feel what the character was focusing on the most, rather than being general descriptions of the situation (i actually have a lot of thoughts about descriptions but that's a post for another day). but also i really like dialogue and plot-driven stories, descriptions can get boring and before trying to break rules, you have to be really good at following them

but, let's go step by step: developing an idea

for this i'm going to mostly reference the multichap i finished a while ago as an example

i started with just a few vague concepts in mind: non-idol au with aizou who does some sport and likes music but is insecure about his singing and yuujirou who does some music related thing and encourages him to sing in a way that's somehow related to the hozier song to noisemaking (sing), because it's what inspired me to write in the first place

then, from then onwards i wrote down what would happen in the first chapter of the story bullet-point-list-style, including things like the roommates part or the clubs the boys were in (at first yuujirou was in the choir club lol the change was a last second decision that idk why i took) and then bits of dialogue here and there that would be The Turning Points. those first dialogues were for the fight at the end of ch 1, the apology-date in ch 3 and then some vaguely unused ones for the "yuujirou encourages aizou" part, as those were the first key moments i thought of

because, since it's enemies to friends to lovers, an important aspect was character development

not all fics have character development bc not all of them are long enough (if you're aiming for short and sweet then there's no need). but if they do, i recommend you write down how the character was at the beginning of the story and then how they were at the end and then fill in the middle later, think of what those key turning points that made the character change were (the more little things you add, the more gradual it'll be)

samishigariya illustrates this very nicely: the song starts and finishes with the same lines, but the ending ones feel more light-hearted. the beginning has pre-arisa ken and pre-getting-along-with-yuujirou aizou, when they were the lonely people the title mentioned, and the ending, when they're not lonely anymore. the in between can be seen in depth during the other songs: ken before arisa was a playboy who didn't take love seriously, but after meeting her he realized that games were not all there was to love; and aizou used to be quite cranky and high-key a loner, but then he "meets precious things and knows of love". i will not elaborate on that because this isn't an aiyuu post but Oh You Know

for the fic, aizou would go through that same process, more or less: someone who doesn't really form meaningful connections with people but who, in the end, would end up having quite a bunch of people who care about him as his relationship with yuujirou advances too

since the relationship was the main focus, i wrote a very simple outline for how it would develop throughout 5 hypothetical chapters that was just: 1. civil w each other but mostly bad > 2. bad > 3. half friends > 4. pining > 5. date

and then with that in mind and the bullet point list, the final basic outline ended up like this:

there were scraped ideas and ideas that made it in later, but i believe having a simple outline, a bare skeleton to add things to, is important. stories need continuity, development requires a prior buildup

it's especially important in multichapter fics where you post as you write, you need to have a more or less clear idea of what's going to happen because you can't ignore scenes you've already posted

shorter stories don't need it as much, you can think as you go, but it's still helpful to know where you're going with things to avoid getting stuck

and, on getting stuck: don't be afraid of deleting things. if you can't figure out how to continue things, then delete the situation and start again. it might feel like you'd be wasting time but in the end, it is so much better than being stuck on the same scene for weeks

in fact, you don't have to write in order. jump to the next scene and you'll figure it out later. you Can write the scene you want to write and then build everything else around it

it's normal to write a scene and then realize it would make more sense later in the story, or that it would be better if you added another scene earlier, or sometimes you just find it easier to jump from one part of the story to another. rely on your outline to keep track of what you've written, what you have left to write and what's the best way to arrange your story. make your story understandable

which bring us to editing

there's a lot of much better posts on editing stories, but yeah ctrl+f is your best friend: don't repeat yourself too much. and be sure to vary sentence and paragraph length, as well as sentence structure, to give dynamism to the writing

now, i've mentioned before the show, don't tell rule, but i'm going to talk a bit more about it because it's quite important

once again there's a lot of posts that explain more in depth what it is, so i'm not going to expand too much on that, but, very basically, try to avoid things like "then some time passed and they became friends". explain it: what happened exactly? how did they become friends? if it's important, show it to us, instead of summarizing

since things like these make the story longer, it also gives room for more development and proper explanation for things that happen

for example, the fic was originally going to start with them already in the room, and the whole situation would have been explained in a single paragraph somewhere, but by actually adding the scene where they first arrive to the dorms and argue with the lady at the main desk, the story flows better and it let me actually describe their first meeting

and uuuhhh i think that's all? this took super long to write i hope i didn't forget any super basic stuff lol

i want to add that for enemies to lovers i greatly recommend this post bc it's super good but yeah i think that's basically it, if you have any more specific questions just shoot me an ask

#god this is so long #how should i tag this #tutorials #i guess #anonymous #preguntas

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