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#i'll probably write anyways for ME
suicidalslasher · 1 month
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would anyone be interested if i started writing for charlie walker??
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ishgard · 2 months
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p.s. it's been said a hundred times but apparently always needs to be said again: you're free to think ARR is bad (If You Actually Played It) but omg don't go around presenting it like it's the be-all, end-all, undisputed, unbiased, objective truth.
I'm forever glad I played when it came out and didn't have to deal with that shit because I can't imagine what it's like to be told over and over 'the game starts bad but just keep going'.
If people hadn't absolutely loved ARR we wouldn't be here now.
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blueskittlesart · 10 months
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cold fruit in a hot kitchen (so i had this great watermelon last weekend)
#so I had this great watermelon last weekend. and the thing is it probably wasn't even that great of a watermelon#but I was four hours into an eight hour shift and we had thrown out all the watermelon salad because no one was eating it#and then our manager ran in and yelled that the client really fucking wanted watermelon salad.#so like six of us servers started frantically chopping watermelon. and the kitchen got really hot#in the way it does when everyone inside it is really stressed because there's no fucking watermelon salad#and after we chopped all the watermelon and the client got their fucking watermelon we all had a moment#where we looked at the remaining watermelon and we were so hot and cocktail hour was almost over anyway and the salads were all plated#and we all went for the watermelon and we ate it with the kind of rabid intensity you only get while eating cold watermelon in a hot kitche#and it was the best watermelon I have ever tasted and several days later i am still chasing the high of that fucking watermelon#and the thing is i know it isn't even the watermelon i'm actually missing#it's the feeling of cool liquid on hot skin and the feeling of a crisis averted and the feeling of camaraderie#that comes with devouring a watermelon in a hot kitchen with six other people who you have nothing in common with except that watermelon.#i don't dream of labor but i am dreaming now of being 4 hours into an eight hour shift eating watermelon in a hot kitchen.#i dream of laughing around the cold fruit in my mouth. I crave that watermelon like i'll die without it.#< honest to god this is real and that watermelon left such an impact on me that i had to draw it and write this. having a normal one#maybe this is insane but working in a team of people you truly like to do something you actually enjoy is so underrated#if only they fucking paid me i could work as a server for the rest of my life. unironically#skribbles
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shima-draws · 3 months
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I haven't watched more than like, 8 episodes of once piece, but i just want to say that i'm loving your live(?) blogging of the episodes as you go. especially all the sanji x luffy, it's all very cute in general but also how excited you get about it is fantastic.
that's all! i just love seeing people passionately enjoy things.
AAGFGHGHF THANK YOU OMG........I feel like I've been REALLY annoying talking about Sanlu nonstop but I'm glad at least somebody is enjoying it lmao. But if there's one place where I SHOULD have no filter and feel free to talk about my ships constantly, it should be my own blog right. LOL
Essentially,
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mering · 6 months
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even the dogs!
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cuubism · 8 months
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hello friends. despite my 9 million existing dreamling wips i'm feeling the need to branch out a bit for the sake of my mental variety. what pairing other than dreamling should i write a little something for? could be romantic or platonic
other way of phrasing i guess: any pairings you really want to see more fics for in the fandom?
#i actually do have one someone asked me for ages ago i've been meaning to get to so i'll try to do that too#bonus points if it still involves dream bc you know i love dream XD#probably wont do any romantic pairings /between/ the endless because well yeah#but open to exploring pretty much anything else... feel free to send whatever if you want. dont worry about if i'll like it#if i can't vibe with it or find it uncomfy i just won't write it no harm no foul#not me soliciting little prompts fully knowing that motivation is a fickle beast and who knows if i would get to writing them XD i want#to though! or like. idk. if anyone wants to share headcanons about their favorite pairings i am happy to receive them#the sandman#a couple that are bouncing around my head already:#rose meeting desire. this could be really interesting i think (they are of course her grandparent)#calliope and lucienne post-calliope's imprisonment: i think their dynamic could be interesting since they both have/had close relationships#with dream. but of course calliope's relationship with him fell apart. i think lucienne with whatever context of it she had would probably#be sympathetic to calliope's perspective but still staunchly On Dream's Side so the speak bc she is ultimately very loyal to him... could b#an interesting convo.#additionally - calliope and johanna. both suffered things recently. both had curious interactions with dream where they recently saw both#his vicious side AND a kinder more understanding side of him... [dream gave rachel a peaceful death at johanna's request etc]#but they've come out of their suffering really differently (granted it was different types of suffering. but)#wow here i am asking for people's ideas and then just coming up with my own XD#anyway#wait two others: i'm fascinated by the potential dynamic of lucienne and the corinthian they only had like one short scene together in the#show but can you imagine. spending eons being loyal to dream and then going opposite directions with that loyalty. being among dream's inne#circle so to speak except lucienne is her own entity while corinthian was /created/ by dream. they have the most fascinating venn diagram o#personality traits and narrative positions...#secondly. and this is kind of crack. but like. imagine johanna and corinthian in the same room XD 'hi i'm an exorcist and this is my pet#serial killer' 'yeah my lord gave me a vacation to go kill some demons' why doesn't he try to kill johanna? bc she tried to destroy him#first time they met and he can't help but respect it XD
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fearandhatred · 4 months
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Summary:
Aziraphale comes back wrong. Crowley tries his damnedest to figure out what happened, until he doesn't.
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omg here it is FINALLY i know i said it would take 3 years but i lied i guess. i'm so excited to write and complete this actually. i got the idea when i first got into ethel and listened to preacher's daughter on repeat 300 times in a row so that should give you some idea as to what this fic will be like
that being said please mind the tags + don't like don't read ok love y'all any support is appreciated <3
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writeouswriter · 1 year
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Reading a fic that's so well written I wish I could close my eyes and just let the descriptions and atmosphere wash over me, but the dilemma with closing my eyes is, well, I then would not be able to continue reading this fic, now would I.
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actual-changeling · 8 months
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i'm mentally playing around with the good omens worldbuilding and i can't stop thinking about them not being able to heal their own corporations/bodies.
they're not entirely human, their occult/ethereal essence shapes and changes it, so what if when it does get injured they can't miracle it away or fix it? like the paintball stain on aziraphale's coat just that he isn't trying to get crowley to do it for him, crowley has to do it for him because he can't.
we see aziraphale heal anathema's broken arm after she hit the bentley the car accident, and i imagine it would be a little like that.
aziraphale breaks his wrist in some stupid way, like falling from a ladder while putting books away or stumbling, the kinda thing that has him trying to deal with it alone out of embarrassment. however, they have plans the day after, and crowley comes by with a bottle of wine and immediately notices something is off (hard not to with the way he is pressing his arm against his chest).
cue to crowley sitting him down on the couch in the backroom, and they're very, very close together. aziraphale is having trouble holding still because crowley is kneeling in front of him, no glasses, all open care and concern, and it's killing him.
"angel, if you don't-" "i told you, my dear, it's fine."
the look he gives him in response is entirely unimpressed, and he gently pokes his wrist and says nothing when aziraphale flinches in pain.
"right, fine, it's broken, just fix it. please."
every single time aziraphale says 'please' it's a silver bullet to his heart, eating away at him from the inside out; he would have done it no matter what, yet he can't tear his gaze away from the plea in his eyes. a soft blush spreads across his face, and it's too close to a confession for comfort, so crowley finally blinks and focuses on the fracture in his bones.
fixing it is simple, one cleanly aimed thought and a careful caress of his palm less than an inch above the skin, and the bones knit themselves back together without complaint. when the pain bleeds away, the tension in aziraphale's shoulders does, too.
"thank you."
"don't," he answers, more reflex than real bite, and they realise at the same time that with the miracle done, they're holding hands now. crowley savours the few seconds it takes aziraphale to pull away as if he's been burned, face turning away, and he expected it, he really did, but it still stings. he gets up and resists the urge to put his sunglasses back on, locating the bottle of wine he had abandoned rather quickly.
"right then, do you want to-"
"stay."
neither of them needs to breathe, and yet the air in the room stills in trembling expectation, confused.
"i- i meant- let me get the glasses."
crowley does not move (or breathe. or blink. or think), simply watches as aziraphale hurries away, tasting the disappointment bitter and familiar on his tongue but swallowing it before it can spill. expectations are never a good idea, causing pain neither of them can miracle away, and the undying optimism living in his chest is a curse aziraphale's blessings are powerless against.
he turns, ready to sink into his usual spot and drink the uninvited thoughts away, when a tentative touch makes him freeze once more. aziraphale's fingers are curled around his, their hands pressed together with enough plausible deniability to allow the squeeze he gives him to linger.
they're standing in the middle of the bookshop, holding hands, and crowley tastes the unspoken gratitude in the air between them, stronger than the sour heartbreak could ever be.
it rips a whispered angel out of his throat, more exhale than word, and maybe if one of them was a little bit more courageous, if the world was a little bit less dangerous for the two of them, aziraphale would have leaned over and left a kiss on his cheek before hurrying away.
maybe crowley would have pressed his fingertips to the lingering mark and blushed the same shade of rosé the bottle he had brought carried.
maybe the rest of the evening would have felt... different, saturated with all the confessions they cannot make, not yet.
maybe the next time aziraphale needed crowley for a healing miracle, the thank you was accepted without comment.
maybe if you believe in it enough, in one universe or another it did happen like that.
perhaps even in this one.
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averlym · 8 months
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ghostwriter (their grandma would tell them she'd lose half her soul)
#or smth smth. having a lot of Thoughts. anyways here's the piece i've been working on and sometimes u have to just say Done#there's a lot of thinks but i am maybe a bit tired and so tmr i'll come in and add all the Tags that i'd personally want to get from myself#maybe i'll reblog the extras tmr too. this is an incredibly self indulgent piece + it probably deserves a tag ramble essay or smth#ig for now we see how it stands for itself + in the meantime:#adamandi#beatrix valeria campbell#hello!! i'm back with belated tags yippee!! alright so for funsies i'm going to make it sound like i'm going bonkers over this :3#the eye shine... the glowy eye... it's like phaethon shine but also smth about eyes to windows to the soul and like#there's two beatrixes here! half the soul. lost part doing things specific to the phaethon and here it's portrayed as tearing off her name#because that's really; truly; when it all starts!! also notable for the ghostly beatrix is i did it more painterly and cloaked in shadow and#fading into the bg. i think i was super duper specificish about where the glow comes from! front lighting back lighting beloved!!! like help#let's put it this way- beatrix face always glowy. important parts of paper also glowy. it's just that different elements are turned away#from the viewer by each beatrix!! also also. let's talk about the very gently implied blood and red etcetera#like the red string is canonical and i love personally the whole red strings of fate thing even though it's not Here Applicable exactly but#that definitely was an influence! and also the blood in the bg... i'm starting to think this is a recurring trend. but anyway shadowy bea#the other strings hang while the red string loops!! so like that one string feels almost alive. it's a sort of whimsical i put on the same#as metaphorical glowy eye!! also also the eye is lowkey influenced by the whole idea of Eyes and Spotlights within the show and also glow#as in power as in heyyy you ever think about writing as a visual medium huh#speaking of writing!! there is no beatrix thingy complete in my head without text sorrry but the black text overlays are always so >>> to me#and in the sense of art styles and overlays shoutout to all the black crosshatching outline thingys because For Some Reason in my mind#of all the characters beatrix feels like the bnw ink printed illustrations you get in books idk#fun fact! i spent so long rendering this and that was fine i liked it! but then trying to figure out text to go on the papers was a Thing#i tried to do. but then gave up on! sometimes i have to pick my battles and graphic design is indubitably Not my passion bc Fonts#fun facts about this is i Actually did start with a quick sketch in mind and there's been so many changed elements. in the og the front#paper for instance had 'ardess murders' written on it and the back one said phaethon interviews.. i like the nominee list better it feels#more narrative-esque and less passive than her just holding her writing.! other elements that got discontinued were that#front beatrix was supposed to blur into the other ghostly beatrix but i couldn't do it without sacrificing clarity so... no... no blurry#oh and the red string morphing at the ends to smth more abstract was always there from the start!! og had more floating papers#and also a silhouette of vincent and a scalpel bc 'one who pulls the strings' but that (pun intended)! got cut (hahahahahahaha) (sorry)#used also to be a lot of print room clutter but that got cut to bc compositionally i made beatrix larger (learned lesson from last art)
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aeb-art · 24 days
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is this out of character? yeah a little, but i'm laughing so
finally got to draw @8um8le's mall toons again 🥺💕 i missed them so much
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c0zyrainfall · 7 months
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I was thinking about it, and I started wondering what exactly is so appealing about damianya.
Twiyor is equally well written, I think, but I actually prefer the former (though I love both!). That's just because of preference and my appreciation for enemies to lovers. HOWEVER I have decided to draft up an analysis pinpointing why damianya is so enticing, because I write my own original material, and I think you can gain a lot of valuable insight by reverse engineering good writing.
First of all: What is the definition of a good romantic relationship?
I will use the following guidelines:
1) Based off of genuine friendship
2) Both are willing to sacrifice for the other and
3) Both parties make the other a better person.
The first guideline I outlined is big here. Because they are kids, they obviously should not be in a full on romantic relationship now. As a matter of fact, they will probably be waiting AT LEAST eight years. At least.
This means they have eight years to develop a true and wholesome friendship. A friendship with no romantic ulterior motives. They just get to enjoy being kids and growing up with one another. Because of this, they will see each other's high AND low points, rather than viewing the other with rose tinted lenses. Yes, maybe one of them (cough Damian) gets butterflies and feels flustered every time they see the other. But for now, it is very innocent and immature, a childish crush. By framing the goal for this relationship as FRIENDSHIP rather than ROMANCE, the two are able to develop a deeper understanding and a more complete picture of each other before they take anything to the next level.
Does the second point even need to be addressed? Anya is willing to take a tonitrus bolt for him. She is willing to stand up for him (well, technically for the "mission" but we'll get to that later). Damian is willing to take a hit for her, whether it be a dodgeball or a literal bomb. He gives her his share of the macaron (which he believes could help him with his intelligence.) He spends time he could be using to study to locate the finest teacakes in the world so he can give them to her.
Now to the third point.
When we first meet Damian, we don't like him. He is a classist jerk. So karma hits him (literally) in the form of Cupid's arrow. By developing a crush on Anya, he is learning that he should not treat others differently because they have less money. He becomes a better person by learning that "commoners" are the same as all the rich students at Eden.
Side tangent: while I relate more to Damian academic wise, aka pushing myself probably too far to get good grades, I'm sure we can all personally relate to Anya. She tries a lot of things. She fails at almost all of them. Thus, by seeing someone who is academically accomplished and rich be infatuated with her just for being herself, we start to realize that those things don't matter as much as we sometimes feel. Therefore, we want Damian to like her, because it is sweet. It is sweet that someone who places value on things like high academics is able to see past that and appreciate someone else for different good qualities, rather than the ones society deems most important. ~
When Anya first meets Damian, we cannot fault her for disliking him. He is rude to her because she is in a lower social class than him. She is rude to him because he is mean to her. This is perfectly reasonable. In the beginning, it would not make her a better person to be friends with him; as a matter of fact, avoiding him would probably be the high road in this situation. If I were her, I would not have wanted to be friends with him at all.
Side tangent 2:
If you like damianya, you are probably fond of Anya. And of Damian. This is true for me. He's my favorite sxf character. The reason WHY we are fond of him is because we know his backstory. We know he is actually a sweet little guy who just wants to be loved. So we also want him to succeed in his friendship with Anya.
However, though she may have picked up bits and pieces through her mind reading, Anya does not know this. And even if she did, she likely wouldn't understand the levity of it. She's only 4 or 5. ~
Damian and Anya have developed since they first met. They ARE friends (or close to it, anyways). So while at first it wouldn't have made Anya a better person to genuinely care about Damian, now it would.
Because we know Damian and care about him, we also want Anya to care about him. We want her to understand why he acts the way he does. We want her to understand that he actually cares about her.
While Damian is terrible at proving he cares through his words, he is really good at SHOWING her. If she understands he has a different method for showing care, Anya grows. She is able to develop a greater understanding of other people, rather than shaping the world through her own perspective. Framing Damian as the mission makes a lot of sense. She wants her parents to stay together and not get rid of her, and she wants world peace. Of course Anya is not bad for wanting these things. But she will be BETTER when she learns to see things from Damian's pov. She will see the world is not all black and white. She will see that he is not just a mission, and that he is actually as important to her as Yor is to Twilight.
So, conclusively, those are some reasons Damianya is a well written and popular ship. I could also go into detail about how it subverts expectations, likely has future plot relevance (in relation to the story as a whole rather than just a side plot), and is a generally unique and well executed idea. However, for now, I'll leave it at this. I tried to nail down the psychology of what makes it appealing to us, but if anyone has further insights, please feel free to let me know :) Hope you all have a great day
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chipistrate · 6 months
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People really need to give Steel Wool a break sometimes, man- They messed up with Security Breach and now people act like EVERYTHING wrong with modern fnaf is all exclusively their fault when it's really not.
#Chip Chatter#especially when the issue literally WASN'T ATTACHED TO THEM AT ALL!!!#People really just say shit I stg#there's probably one person who'll think this is about one particular post#this post is a culmination of things#the twitter bs going on right now about modern lore and some people pinning all the blame on steel wool even though they don't write the#lore. A conversation I had yesterday with some people where one person kept blaming and shitting on SWS for the smallest of things#The fact that any time I try to talk about a small issue with modern fnaf in any fucking way I'll have people tell me shit like#“it's steel wool what were you expecting” regardless of if the problem was even their fault#and just generally people giving Steel Wool so much shit and most of the time it being over fucking nothing#Like I GET that Steel Wool fumbled with Security Breach oh my fucking god that was almost 2 years ago can we MOVE ON!!!!#They're improving!!! They fumbled one game and a lot of the factors involved weren't their fault anyways!!! Can we give them a fucking#break and just move on with the rest of the series already!!! I'm so sick of hearing people complain about SB when it's been almost 2 years#and Steel Wool is showing nothing but signs of improvement#Cough uhm anyways#of course you can criticize Steel Wool and I'm not saying they've never done anything wrong ever#just don't needlessly shit on them especially if the problem was out of their hands.#Rant over I'm going to bed
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essektheylyss · 4 months
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I'm going to finish writing the most existentially stressful grocery run TODAY. It's GOING TO HAPPEN.
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inkynightmaresau · 6 months
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henry, have you thought about maybe like... telling the toons why they cant go near joey? because i think the lack of transparency might be causing more harm than good
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》FIRST《
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lorillee · 10 months
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alright everybody. its finally time for my ace attorney investigations 2 retrospective/excuse to talk about the von karma-edgeworth family soap opera for a few thousand words. ive never been good at intro paragraphs so we're just gonna get right into it. this is gonna get long probably so be warned - i was originally going to put it under a cut but unfortunately doing that breaks the image format for some reason so uhhhh we're both just gonna have to live with it 😔 obviously this post is going to have major unmarked spoilers so if you havent played this game for some reason yet you should definitely get on that. anyways. without further ado:
investigations 2 is kind of ultimately about who edgeworth was and who edgeworth is and who edgeworth wants to be, explored via the lens of the nature of parent-child relationships and how parents' legacies impact the decisions their children make and the people they become.
at the end of aa1 (+rfta), edgeworth is confronted with the harsh reality that his mentor/adopted father & the man who taught him everything he knows about prosecuting is 1) a terrible person and 2) did actually have a habit of using forged evidence to keep his 40 year streak going. after being accused of corruption for having used fake evidence himself (unknowingly, but still), edgeworth goes on his whole journey of "what does being a prosecutor even mean, anyways" by means of worlds most melodramatic fake suicide. the answer he ends up arriving at is that defense lawyers and prosecutors, when they have relatively upstanding morals and are given the tools to actually do their jobs, serve as vehicles for the truth, and cannot reliably fulfill this duty without each other. however, the question has always kind of lingered - "well, what about being a defense attorney like gregory?"
phoenix routinely brings up the class trial as like the most formative memory of his own childhood - that experience is inherently tied to who phoenix is as a person - but that trial literally only exists because edgeworth was imitating his father in being a defense attorney. the main character of the main series' inspiration for becoming a defense attorney is intrinsically tied to "back when edgeworth was "good", before manfred "corrupted" him". its because edgeworth becomes a corrupt prosecutor that phoenix chases after him into law school - this apparent complete and entire betrayal of phoenix's whole understanding of him as a person.
so then, now that edgeworth is "good" again, why doesnt he quit the whole prosecutor thing and go back to his childhood dream of becoming like his father?
this question is kind of just left up in the air until investigations 2. with the prosecutor investigation committee being completely corrupted, they make it abundantly clear they dont appreciate edgeworth sticking out of line in an attempt to do his literal job, and try to control him by threatening to take away his badge. furthermore, shields, gregory's old companion, shows back up and works with edgeworth to find the the truth of a handful of incidents that would've otherwise been covered up by the p.i.c. - including gregory's last case, in which he proved that manfred, who prosecuted that same case, did indeed forge evidence.
after relinquishing his badge in a protest against what is clearly an injustice, manfred's old habits being dredged back up, and the extended hand of the man in charge of his father's old law firm, edgeworth is getting pulled in a number of different directions - will he capitulate, give up on prosecuting entirely, run away from his past, and become a defender of the people and an attorney like his father? or will he reject manfred's terrible methods while working to rectify his mentor/adopted father's wrongdoings, face his past head-on, and seek the truth as a prosecutor, regardless of his mentor's legacy and reputation?
both of the paths offered to edgeworth hinge on who he used to be - a boy who wanted nothing more than to be like his father, a phenomenal defense attorney who stood up for those who had nobody to stand up for them, and a young adult who saw the injustice in the world and wanted to punish it in the best way he could think of - becoming like his adopted father who never failed to put a (seemingly) guilty person behind bars.
investigations 2 gives us..... a whole slew of parent-child relationships. like what can only be described as truly an impressive amount: gregory & miles & manfred, master & katherine, sebastian & debeste, gustavia & simon, dover & knightley, blaise & sebastian, courtney & john, lang's dad & lang, and more tangentially manfred & franziska and byrne & kay. for our purposes, though, we're going to focus on the most immediately relevant ones to edgeworth's development specifically - sebastian & blaise and gustavia & simon.
for starters, i think it would probably be best to get the von karma-edgeworth family soap opera soapboxing out of the way.
edgeworth's arc in this game primarily revolves around what he wants to do with his life - he talks a whole lot about his "path", but doesnt really know what that means outside of seeking the truth at all costs. the people around him like to slot him into either "defense attorney" or "prosecutor" for a variety of reasons, but more often than not it ends up boiling down to his fathers in at least some capacity.
franziska is personally betrayed and frankly disgusted by edgeworth giving up his badge (which makes plenty of sense, particularly after their conversation at the end of aa2 and which i have talked about here), and a notable portion of that does have to do with her & manfred's relationship to edgeworth. manfred's influence was a huge factor in miles' decision to become a prosecutor, and they both know it. of course, the more pressing issue for her is the fact that miles is abandoning her again - but the point remains that had it not been for manfred, the likelihood of miles becoming a prosecutor would be, frankly, much lower.
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shields, on the other hand, spends a whole lot of the game projecting gregory onto miles. he wants edgeworth to follow in his fathers footsteps and play the role of the returning prodigal son, because he misses gregory and sees a lot of his influence and mannerisms in miles. actually, something i kind of found particularly interesting is that at one point, shields remarks that edgeworth's trademark glare was the same as that of gregory's. theres a whole lot of remarks made on that glare, actually, particularly in combination with edgeworths furrowed brow.
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but... shields himself is the one who says this
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about - would you guess it - a certain manfred von karma. its no secret that miles has picked up a whole number of manfred's mannerisms and attitudes, even as he's unlearning some of the more harmful ones, but what i found particularly fascinating is that shields saw something that miles picked up from manfred and saw gregory in it instead. while part of it certainly could be that miles did pick part of it up from gregory (which is something that has a basis in the sprites - something i may actually get into a little bit later), its also very possible that this is shields projecting what he wants to see onto miles as opposed to what's actually there. its even more interesting though, because when they first meet, shields actually mistakes edgeworth for manfred because of that glare
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shields is so caught up in wanting gregory back from the dead that he occasionally blinds himself from acknowledging that miles is an entirely different person.
and, of course, throughout both this game and the previous investigations game, there's more than a few moments in which edgeworth personally accused of using falsified evidence to convict people - specifically harkening back to our good friend manfred von karma, posterchild of world's most corrupt prosecutors and edgeworth's adopted father/mentor. shields even expresses immense distrust of miles at first simply on this fact, acknowledging that miles was indeed like a son to manfred (..... for whatever that's worth)
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actually. while we're here on this point i want to speak briefly about sprite similarities
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this game does a whole lot of calling attention to the influence manfred & gregory have had on miles - obviously theres the furrowed brow & piercing gaze and terrible people skills that miles got from manfred, but he also has gregory's affinity for tea and dorky camera face. the sprites also do a great job in visually establishing his inherited mannerisms though - while manfred's influence has done a lot, gregory's habits still peek through the cracks.
ive talked about this a little bit on another post, but i feel like it warrants repeating here anyways. the sprite animations in ace attorney are great for a lot of reasons, but one of the most interesting ones is how they're frequently used to imply connections between characters and the influence of certain relationships.
we know that miles definitely did not get his bowing from manfred, but with gregory's sprites in this game it becomes abundantly clear where they originated from (of course, with the over-the-top melodrama of the von karmas added on top). similarly with miles' hand bounding sprite, its a pointed finger (giving it an accusatory tint, definitely coming from manfred), while gregory's is an open hand (much more inviting), but the bounce nonetheless remains. the sprite similarities between miles & manfred are a bit more straightforward, but something i find tremendously interesting is how the mannerisms miles picked up from his father have the von karma influence absorbed into them - it really is a brilliant visual indicator of the impact both his fathers have had on his character.
i've talked about this general topic semi-extensively on this blog simply because i am truly a bit obsessed with the von karma-edgeworth family soap opera, but i feel like it warrants repeating here anyways since it comes up in this came so often. miles' relationship with gregory is... honestly not really explored terribly much? like shields will reference him a lot and both him and the game itself absolutely loves comparing the two, but as far as edgeworth's personal feelings on gregory go... we. honestly don't get much, either directly or indirectly. which makes sense, obviously - edgeworth was like 9 when he died - but its still interesting. we obviously know that gregory loved edgeworth a lot (see: him thinking about miles periodically throughout the investigation . which is. for the record. absolutely adorable)
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but miles doesn't get much of anything at all in terms of internal or external dialogue about gregory. his relationship with manfred, however, is... a lot more messy, but also explored a fair bit through implications.
mr von karma gets brought up a lot in both investigations 1 & 2, and miles' reaction is largely the same - he'll comment on objective facts (usually ones that were brought up in the first by the people around him) whether its manfred's skill in prosecuting or his tendency towards forgery, but blatantly refuses to ever give any sort of subjective opinion on him (franziska is, for the record, the exact same way). theyll dance around the topic, sure, but never genuinely engage with it - as much can be seen if you make edgeworth present his badge to amano in investigations 1.
while franziska's feelings on her father are a lot more obscured, miles' are a little more openly messy - after all, he still keeps his prosecutors badge in his pocket all these years after manfred told him prosecutors who wore their badges are tacky. he still wears the jabot, an integral and iconic bit of manfreds attire (and another thing that made shields briefly think he was manfred). he still has no problem connecting with and helping manfred's old friends (amano, for example). and, mostly damning of all, he still keeps his old prosecutors outfit - the outfit manfred gave him based off of his own suit - plastered to his office wall. its clear that he doesnt approve of manfred's methods of prosecution and recognizes that he was definitely corrupt, but even with all the murder and framing and so on and so forth... manfred was still his dad. even if its not logical for miles to still hold on to that filial love, you cant really argue your emotions into changing into something rational.
with the repeated importance being placed on the influence of gregory and manfred on miles' life, their relationship to him, and other people's expectations for miles based on their legacies established, i think we can probably try to get into sebastian now. gonna be copy-pasting most of my sebastian vs miles & franziska mini-essay here because i dont want to retype it.
sebastian is actually a kind of interesting foil for franziska and miles - its pretty clear that franziska didnt become a prosecutor specifically for manfreds approval (see: miles’ comment on her always having been a prosecutor) and likewise with edgeworth (see: his statement on his motivation for becoming a prosecutor having been to chase down criminals after what happened to gregory), but throughout the flashback case in investigations 1 it is so obvious that both of them desperately crave manfred’s approval even to the point of competing over it.
while this competition follows the usual format of franziska insisting on something and miles passively going along with it as opposed to actively engaging, he spends the entire case literally trying to be a mini-manfred (its very sad and also kind of cute), and its made pretty clear that at the very least he would not be the prosecutor he is without manfred’s influence. furthermore, at the end of aa2, franziska also comments on the pressures and expectations being placed on her by virtue of being manfred’s daughter - she felt that she was obligated to become a genius prosecutor simply because of her birth. while the wording indicated to me outside pressure rather than manfred specifically, the point remains that manfred, while not the sole driving reason, did have a significant impact on their career choice.
sebastian, however, specifically says he became a prosecutor for the purpose of getting his dad's approval. blaise routinely speaks ill of sebastian, calling him stupid and an idiot and embarrassing and so on and so forth, but its incredibly clear that sebastian is genuinely desperate for any sort of positive affirmation from his father. he unknowingly cheated his way through law school, graduating at the top of his class purely through blaise's connections, and is genuinely distraught when he finds out that everything he built his adult life on was a lie. the game spends a fair amount of time showing you how wildly terrible sebastian is at being a prosecutor, only to reveal that the reason he's like this is, like, 80% his dad's fault.
unlike sebastian, however, franziska and miles are both quite competent at their jobs and manfred, unlike blaise, actually has confidence in their ability to perform to his expectations (see: him bullying badd into letting them try to solve the case in the investigations 1 flashback case). sebastian & blaise are like a worse and caricatured version of the von karma family soap - basically, they're what would happen if miles & franziska 1) were absolutely dependent on manfreds approval and 2) weren't terribly good at prosecuting, and if manfred was 1) prone to coddling and 2) actively verbally abusive.
theres also the added parallel of “oops! my dad actually really sucks as a person” and the ensuing Complicated Feelings On Dad after this. franziska expresses an egregious amount of disdain for sebastian before we really get into the blaise debacle because she doesnt respect him as a person at all, but is honestly surprisingly sympathetic when it turns out his dad is a criminal. futhermore, she willingly relinquishes her place at the prosecutor's bench for him when its clear he's ready to stand up to blaise, even if hes crying and sobbing the whole way through. its this shared experience and his subsequent growing of a spine that earns her respect.
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edgeworth, for his part, also doesnt seem to respect sebastian much at all before the kidnapping incident. however, upon trying to prod him into telling what happened, edgeworth recognizes a part of his old self in sebastian, as well as sebastians willingness to grow up and move past his desperation for his father's approval.
more than just being a funhouse mirror version of the von karmas, blaise and sebastians relationship highlights the dangers of blindly chasing after your parents, critical thinking long forgotten, which has a twofold meaning in regards to miles. obviously, theres the pretty straightforward parallel to his blatant idolization of manfred as a young prosecutor - while the situation wasnt necessarily the same, it still possesses those echoes of a desperate need for acknowledgement/approval, to the point of following their fathers' examples even in the worst ways. @/pkducklett left some really great tags on one of my posts which hits the nail on the head:
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but it also begs the question: is blindly chasing after his childhood dream of being like gregory really what miles wants to do with his life? a point we'll loop back around to in a bit, but important to keep in mind for edgeworth's overall arc.
so onto simon & gustavia! simon's relationship with his murderous father gustavia also serves as a foil to miles and one of his dads like sebastian & blaise - however, instead of our notoriously trigger happy friend manfred von karma, it's actually.... gregory! which is, for the record, tremendously fun. simon & miles both became orphans at a young age - which is a notable part of the reason edgeworth agrees to take his case in the jail episode, even. the camaraderie between two people who have shared in the same traumatizing experience and so on and so forth - but instead of being taken from his son like gregory was, gustavia purposely abandons simon once he's deemed him worthless.
post-orphaning, both miles & sebastian are taken under the wing of men of questionable character - miles is adopted by manfred von karma, gregory's rival, murderer, and the anti-thesis of everything he stood for, and sebastian becomes the apprentice to dogen, a ruthless assassin. interestingly enough, though, this parallel diverges in the end - manfred throws miles under the bus and backs up over him like three separate times, metaphorically speaking, while dogen actively puts his life on the line to save sebastian.
miles & simon both experienced the injustice of the law system - miles in the absolute failure of the courts to find his father's true murderer, and simon in his personal experience in its utter corruption. their reactions to this injustice leads them both to commit further injustices - miles in uncritically adopting manfred's ideals and teachings, and in this process definitely sending innocent people to jail at some point or another, and simon in his attempt at semi-vigilante justice via manipulating all the people who ruined his life into either ending or ruining each others', regardless of anybody innocent who got caught in the crossfire.
of course, the narrative purpose of making simon a foil to miles is the final confrontation on three main points - 1) what does miles fight for? why is he a prosecutor? 2) how do you deal with the absolutely rotten law system in japanifornia? 3) are we simply doomed to become our parents, or can we become more than just their continued legacies? which naturally leads us to the final question posed in the thesis - the heart of the game - who does miles want to be?
shields spends a lot of time trying to convince miles to pick up gregory's mantle and join him back at the law offices, but the problem is that miles simply isn't the starry-eyed child who would do anything to be like his father anymore (growing up under the roof of one of the greatest prosecutors of one's time will do that to you). he's no longer the sebastian to blaise for either of his fathers - he cannot simply throw everything he's learned and experienced away in an attempt to imitate gregory, but also has soundly rejected many of manfred's most staunchly held ideals. while not all of them remain, a major part of the reasons he became a prosecutor still hold - even as he's abandoned his badge.
simon was what edgeworth could have become under slightly different circumstances, and he says as much himself. he recognizes that the law isn't perfect and more often than not is wildly abused by everybody in power to subject everybody else to their whims - and that, no matter how hard a defense attorney tries.... if the courts are inherently stacked against them, a corrupt prosecutor will inevitably win. at the end of aa2, edgeworth returns from his wildly melodramatic sabbatical with the answer that the prosecution and the defense need to work hand in hand to reveal the truth - which is, obviously, a correct statement - but there's more to it than that.
there's more than just the defendant at stake in trial - the protection of the victims (whether recognized as the victim by the law or not) are why the laws exist in the first place - this is the reason that edgeworth arrives at for his reason for being a prosecutor. its simon who reminds him of why he started down this path in the first place - the visceral pain edgeworth felt at his father's death and the desire for justice to be done for gregory and himself mirroring simon's feelings after being abandoned by his father and his flight after being the witness to a crime wildly corrupt people in power committed. to be what phoenix was for him in turnabout goodbyes - to be a beacon of hope and justice for the wronged - that is miles' duty.
edgeworth speaks a lot about following "his path" to truth, wherever that might lead, but at the beginning of the game doesnt seem to have a clear idea of what he actually wants to do. he stalls out on shields' many wink wink nudge nudge offers to join the defense attorney firm and be like his dad and continues acting like a prosecutor (indicting people, investigating, the likes) even while being stripped of his authority as one (by his own choice!).
ultimately it all boils back down to these three questions miles asks sebastian in the logic chess game post kidnapping - "what are you going to do now? will you walk the same path as your father? will you continue to be a prosecutor?"
much, much earlier in the game, shields says to edgeworth, "to fight crime as a prosecutor, or to save people as a defense attorney. i want you to think carefully about how you want to live your life from now on." - which, taken with the context of the game as an essay on parents and inheritance and manfred & gregory's influence on miles, is... pretty much the game in a nutshell, actually.
miles spends the entire time playing both defense attorney and prosecutor, indicting certain people and defending others throughout. this is arguably most notable in the flashback/flashforward case where all the members of the original is-7 investigation are there, except for manfred and gregory, who are both being stood in for by - would you guess it - our very own miles edgeworth. he is their legacy, their successor, and their inheritor. in the end, he takes the skills they taught him and the values they imbued him with and the lessons he learned from them to forge his own path - it really is just his final answer to shields' question in the finale of the game: "i want to save people as a prosecutor."
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