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#me writing a whole on essay about this
c0zyrainfall · 7 months
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I was thinking about it, and I started wondering what exactly is so appealing about damianya.
Twiyor is equally well written, I think, but I actually prefer the former (though I love both!). That's just because of preference and my appreciation for enemies to lovers. HOWEVER I have decided to draft up an analysis pinpointing why damianya is so enticing, because I write my own original material, and I think you can gain a lot of valuable insight by reverse engineering good writing.
First of all: What is the definition of a good romantic relationship?
I will use the following guidelines:
1) Based off of genuine friendship
2) Both are willing to sacrifice for the other and
3) Both parties make the other a better person.
The first guideline I outlined is big here. Because they are kids, they obviously should not be in a full on romantic relationship now. As a matter of fact, they will probably be waiting AT LEAST eight years. At least.
This means they have eight years to develop a true and wholesome friendship. A friendship with no romantic ulterior motives. They just get to enjoy being kids and growing up with one another. Because of this, they will see each other's high AND low points, rather than viewing the other with rose tinted lenses. Yes, maybe one of them (cough Damian) gets butterflies and feels flustered every time they see the other. But for now, it is very innocent and immature, a childish crush. By framing the goal for this relationship as FRIENDSHIP rather than ROMANCE, the two are able to develop a deeper understanding and a more complete picture of each other before they take anything to the next level.
Does the second point even need to be addressed? Anya is willing to take a tonitrus bolt for him. She is willing to stand up for him (well, technically for the "mission" but we'll get to that later). Damian is willing to take a hit for her, whether it be a dodgeball or a literal bomb. He gives her his share of the macaron (which he believes could help him with his intelligence.) He spends time he could be using to study to locate the finest teacakes in the world so he can give them to her.
Now to the third point.
When we first meet Damian, we don't like him. He is a classist jerk. So karma hits him (literally) in the form of Cupid's arrow. By developing a crush on Anya, he is learning that he should not treat others differently because they have less money. He becomes a better person by learning that "commoners" are the same as all the rich students at Eden.
Side tangent: while I relate more to Damian academic wise, aka pushing myself probably too far to get good grades, I'm sure we can all personally relate to Anya. She tries a lot of things. She fails at almost all of them. Thus, by seeing someone who is academically accomplished and rich be infatuated with her just for being herself, we start to realize that those things don't matter as much as we sometimes feel. Therefore, we want Damian to like her, because it is sweet. It is sweet that someone who places value on things like high academics is able to see past that and appreciate someone else for different good qualities, rather than the ones society deems most important. ~
When Anya first meets Damian, we cannot fault her for disliking him. He is rude to her because she is in a lower social class than him. She is rude to him because he is mean to her. This is perfectly reasonable. In the beginning, it would not make her a better person to be friends with him; as a matter of fact, avoiding him would probably be the high road in this situation. If I were her, I would not have wanted to be friends with him at all.
Side tangent 2:
If you like damianya, you are probably fond of Anya. And of Damian. This is true for me. He's my favorite sxf character. The reason WHY we are fond of him is because we know his backstory. We know he is actually a sweet little guy who just wants to be loved. So we also want him to succeed in his friendship with Anya.
However, though she may have picked up bits and pieces through her mind reading, Anya does not know this. And even if she did, she likely wouldn't understand the levity of it. She's only 4 or 5. ~
Damian and Anya have developed since they first met. They ARE friends (or close to it, anyways). So while at first it wouldn't have made Anya a better person to genuinely care about Damian, now it would.
Because we know Damian and care about him, we also want Anya to care about him. We want her to understand why he acts the way he does. We want her to understand that he actually cares about her.
While Damian is terrible at proving he cares through his words, he is really good at SHOWING her. If she understands he has a different method for showing care, Anya grows. She is able to develop a greater understanding of other people, rather than shaping the world through her own perspective. Framing Damian as the mission makes a lot of sense. She wants her parents to stay together and not get rid of her, and she wants world peace. Of course Anya is not bad for wanting these things. But she will be BETTER when she learns to see things from Damian's pov. She will see the world is not all black and white. She will see that he is not just a mission, and that he is actually as important to her as Yor is to Twilight.
So, conclusively, those are some reasons Damianya is a well written and popular ship. I could also go into detail about how it subverts expectations, likely has future plot relevance (in relation to the story as a whole rather than just a side plot), and is a generally unique and well executed idea. However, for now, I'll leave it at this. I tried to nail down the psychology of what makes it appealing to us, but if anyone has further insights, please feel free to let me know :) Hope you all have a great day
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rendevok · 11 months
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“Take my hand” pages 5-11
1 - day 2 - truth - 3
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bbreaddog · 8 months
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Practising Goncharov Theme by @caramiaaddio on violin bc I thought it would add an extra layer of haunting…ness (is that a word?)
Here’s the excerpt I’m playing in the video:
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Despite it being in a fuck off key for violin it is a really beautiful piece and it’s absolutely worth the trouble of practising in second position (world’s most hated position) and I’m HOPING 🤞 I can record and (maybe) post a full cover of it someday
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neproxrezi · 10 months
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someone else could write it better than me but i love how the fucked up nasty shit you can make harry do/say/be in disco elysium isn't just like, random stuff caused simply by the player having free will and control over him but they're parts of who he is and who he has been
you're not a tabula rasa. you're a sudden shock of blank pages in a big, aged, damaged book and sometimes the paper you're trying to write a better man on is torn and you see something through the gaps nobody needed to see ever again. and it's just there now again, back to the surface
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ceoofhelaegon · 9 months
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"Everything I touch turns to shit, I'm not a husband to my wife."
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"I'm not a father to my kids."
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"I'm not a son to my mother."
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"I'm nothing."
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 — Tony Soprano.
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avatraang · 3 months
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“The way he looked at you. I got it then. He loved you, and it was killing him.”
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redcallisto · 6 months
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Danstelle week 2023 Day 2 - Nightmares | Stellaron Hunter Stelle
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comradekatara · 1 year
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fucking theater kids.
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moeggoi · 8 months
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"This man would hurl himself in death's way to save you. You are sure of this -- but why?"
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wisteriagoesvroom · 3 months
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when you watch lando's old footage back with his different teammates you can see his chemistry is so different with each and every one of him. you can see the observant and maybe nervous first year f1 racer that he was around carlos. the fire-meets-fire vibe that they brought, all the overflowing energy of being early 20somethings.
then you get the daniel era where it's honey and butter. both of them warm and charming and lando still learning from the other. but also lando also coming into his own as a racer and realising that he's not an imposter - he's on the level, if not better at that point, than the person who raced for red bull and has 8 GPs under his belt. even if that same racer seems a shadow of his former self at mclaren.
then you get the 2022 merry go round, and oscar. might as well be night and day when they first meet.
oscar, who keeps to himself, puts his head down and works. oscar, watchful and careful after the silly business with alpine. who probably knows he's coming into a buzzy environment with big personalities and huge expectations too - because who is this kid who had the audacity to basically flip off alpine? and via social media of all things (how very modern for an old-fashioned sport). how is this kid gonna make his mark on such a storied team, where the last win is almost now as old as him? what is he going to do with all that potential, right?
we love the machine, because we love watching the potential of a bright young thing fighting their way out of its jaws. lando was in there too, not so long ago, and the poison from that bite might still seep.
nobody knows what to expect. but lando gets to be the elder in the duo for the first time. lando's also going through a process in 2022-23 where he also seems to be entering a new phase of his life and realising some stuff about himself as a person too and what his priorities are. we'll never truly know what that process is (nor should we), but i think on this side of 2024 you can already see how he's handling himself out of it.
and we saw it maybe, in a bit of a smirk at oscar's first day for the car launch and oscar being late. a bit of wonder at oscar, who when suited up seems physically larger than what he remembers.
but then! oscar puts in the work. good chatter surrounds newbie and his working style, and oscar demonstrates maturity. he shows what a contender he is. that he's got his own approach, and he's ready, and – once the car comes – he starts backing that up with good results.
lando is competitive as hell on his own terms. but seeing a twenty one year old from the Reserve bench come in under er, fraught circumstances, then smashing out result after result from Suzuka onwards - surely that puts some fire under your ass in a big way. and! lando is someone who, i think despite his bad luck and lack of a win yet, is incredibly driven and has it in him to be a proper WDC contender. he has that quality. if his teammate is pushing him he's just going to push himself harder.
which culminates, interestingly, in soundbites we're getting recently. like the peter crouch interview, where lando says he's stopped DJ-ing because he's prioritising racing. not an easy decision to make i'm sure, and maybe one that would've happened without oscar's presence at mclaren anyway– but just one signal of where his headspace is probably at now and into '24. lando is also much more reserved about the soundbites he's giving lately (like "i'm not making any race or win predictions anymore and i'm taking things as they are because predictions haven't come true for me in the past, there's too much expectation on myself" etc etc.).
you might even describe it as... maturity.
and guess who has been described as incredibly composed and mature by the mclaren team?
exactly.
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kagooleo · 1 year
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I did this one to celebrate Silver's bday back in 2021, a sonboy to me who deserves the world ;-;
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wavesoutbeingtossed · 22 days
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The False God to Guilty As Sin? pipeline because what happens when sex was your default fallback method to reconnect when you weren't communicating otherwise but then you don't even have *that* anymore so you're just... frozen out completely in every sense. 😵‍💫
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wheelercurse · 4 months
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THE HUNGER GAMES APPRECIATION WEEK DAY 7: FREE FOR ALL ↳ Mockingjay motif
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elorieli · 10 months
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one of my biggest bsd pet peeves is when people genuinely think skk are toxic. like. sure they argue and don't get along that well but at the end of the day they both understand each other better than anyone else in the story and know how far they can push each other without actually causing harm.
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lightningidle · 2 months
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Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...
You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.
And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?
(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)
Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?
You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.
You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.
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leather-field · 9 months
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three healers
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